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#cilling design
queenshelby · 3 months
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Our Little Secret (Part 18)
Pairing: Cillian Murphy x Reader
Warning: Infidelity
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Over the next week, and whilst you stayed with Cillian at his house, he found you a three-bedroom terrace right down the street from his property. 
The place was perfect - spacious rooms, high ceilings, and a modern interior design and, whilst you felt uncomfortable knowing that Cillian had spent an absorbent amount of money on this property for you to live in, you knew that it was the best decision for your unborn child.
The thought of having a home of your own was comforting and the fact that the house was already vacant put your mind at ease, meaning that you could move in right away. 
Thus, within less than a week, you moved all of your very few belongings to your very own home and Cillian worked tirelessly to assist you with your move, ensuring that your transition to the new house was seamless.
"You're making this way too easy for me," you commented lightly, watching him maneuver a particularly heavy box with ease while your best friend Emma followed suit, rolling your suitcases into the master bedroom.
"Holy shit, that's nice," she said appreciatively when she stumbled into your new bedroom, running her fingers along the plush leather headboard of the king-sized bed. "I would be more than happy to become your live-in nanny," she joked playfully, her eyes sparkling mischievously.
"That's tempting," you admitted sheepishly, biting your lower lip. "But I don't want to impose on any of you for much longer, I promise," you insisted earnestly, casting your gaze downward shyly.
"Don't be silly," Emma scolded affectionately, patting your shoulder reassuringly. "You are my best friend and always will be," she smiled warmly, her eyes glistening with love while Cillian brought in yet another box, overhearing the conversation between you, and Emma who could not help but to bring up the most recent confrontation you had with your mother when you attempted to collect some of your clothes from Frank's house.
"Think about it though Y/N, since your mother has officially disowned you now, you could use all the help you can get when Mr Hot Shot here is going on press tour next year. You want to start university in a few weeks. You will have exams and work-prac coming up and an au-pair or something similar might really be an option for you," Emma told you, seeing that you were due to give birth just before next years' award season. 
"Her mother might still come around," Cillian interjected optimistically, placing the last box gently on the floor. "And even if she does not, I will be here as much as I can be to support Y/N and our daughter," Cillian told Emma comfortably and whilst Emma appreciated all the effort he was putting into this arrangement, she remained somewhat skeptical. 
"I doubt that she will be coming around" you mumbled under your breath, unable to meet either Cillian's or Emma's eyes. You too were skeptical and knew that your mother hated you for what you did to the family. "Despite, she pretty much made it clear to me that she will never consider this baby to be her grandchild, so I really do not want her around my daughter even if she was to offer," you confessed despondently, feeling the sting of rejection surge through you once more.
"She's just angry and hurt Y/N," Cillian consoled you, reaching out to squeeze your arm reassuringly. "Give her some time, maybe she'll see reason," he encouraged tentatively, hoping to restore your faith in your mother's ability to change her mind.
"Whatever Cills," you sighed heavily, a single tear trickling down your cheek. "It won't happen," you told him dejectedly, your voice breaking slightly.
"Well, if it doesn't, then it would be her loss," Cillian reassured you firmly, reaching out to brush a damp strand of hair from your forehead tenderly. "You will be just fine without her," he added, his eyes brimming with love and empathy. 
"I know will be..." you trailed off, biting your lower lip nervously. "But still, I wish she could see past her anger towards me long enough to realize that she is going miss out on the opportunity to welcome her own grandchild into the world," you confessed softly, your voice quivering slightly.
"Y/N, I suppose the fact that you are having a child with her husband's brother is a difficult notion for her to grasp though, don't you think?" Emma surmised, her eyes gleaming mischievously. "I mean, how could she possibly come to terms with the reality of your relationship?" she pondered aloud, her tone laced with caution.
"Point taken Em, but I always figured that a mother's love is unconditional," Cillian told your friend reluctantly, his gaze fixed on you intently. "But anyway, let's just focus on getting Y/N settled in here, shall we?" he suggested diplomatically before taring open some boxes, which is when you reminded him of his appointment with his lawyer and sister Siobhan.
"Mediation is at 3 o'clock, Cillian," you reminded him kindly, biting your lower lip apprehensively. "I suppose you should leave soon," you added, a hint of concern clouding your expression.
"Yeah, I know," Cillian sighed, his gaze fixated on the piles of boxes strewn across the floor. "I'll be sure to let you know how it goes afterwards and then I will be back to help you unpack," he promised, his voice laced with concern.
"I'm sure everything will be fine," you reassured him softly, reaching out to squeeze his hand affectionately, knowing that, following your testimony three days ago, Max was removed from Danielle's care, simply due to the physical aggression she had shown towards you.
Max was now staying with his grandmother in Cork until an agreement was made between Danielle and Cillian and, with Cillian being diplomatic, he had proposed a shared custody agreement which Danielle was yet to sign. 
"She will sign the shared parenting agreement. She will have no choice," you reassured Cillian gently, your voice laced with confidence.
"I hope so, because none of this is fair on Max. He is only a child and does not understand what is going on," Cillian replied, his brow furrowed deeply as he reached for his jacket.
"I promise to call you later," he informed you, kissing your forehead tenderly as he walked out the door, leaving you and Emma alone.
As Cillian drove to the law firm where he had scheduled his mediation session, anxiety pulsed through his veins as he wondered whether his ex-wife would agree to his proposal.
Danielle had been unwilling to negotiate thus far, instead insisting that he should have full custody of Max, but he hoped that his patience and diplomacy would eventually pay off.
He pulled up to the parking lot outside the building where the mediation session was held and parked his car.
As he exited his vehicle, he paused briefly, his thoughts racing with uncertainty. Would today be the day that he finally regained custody of his son? Or would Danielle continue to obstruct his efforts, forcing him to resort to legal procedures? He inhaled deeply, steadying himself before he stepped toward the entrance of the building.
Inside, the lobby was bustling with people, all busy chatting and gesturing animatedly. He spotted Siobhan sitting quietly in a corner, nursing a cup of coffee.
She raised her eyebrows curiously and gave him a small smile. "Ready?" she asked him in a low voice, setting her half-empty mug aside carefully.
"As ready as I can be," Cillian muttered under his breath, offering her a weak smile. He could sense the tension radiating from her body as she rose from her seat gracefully, smoothing out her skirt with a practiced gesture. Siobhan held out her hand to lead him upstairs, where the mediation room awaited them.
Cillian reluctantly followed her, his stomach churning uneasily. His thoughts raced frantically, filled with images of Max and memories of the times they used to spend together, laughing and playing games. The idea of losing his beloved son weighed heavily upon his shoulders, and he clung desperately to the hope that today would mark a turning point in his life.
Once inside the mediation room, they sat across from Danielle, who scrutinized them coolly. Her gaze flicked between Cillian and Siobhan, her expression unreadable. The mediator readied herself, explaining the process in a measured voice.
"Today, we gather to resolve the dispute concerning the custody of Max," she began, her gaze sweeping over the trio. "Since you've both agreed to mediation, I trust that you're willing to reach a peaceful resolution. Let's begin with a brief overview of the situation," she continued, her voice ringing with authority.
Siobhan cleared her throat, her gaze flickering nervously between her brother and Danielle.
"I believe Cillian is asking for joint custody, correct?" she asked, her voice quivering slightly.
"Correct," Siobhan confirmed, her gaze sweeping over to her brother.
"Danielle, is that acceptable to you?" the mediator then posed her question, addressing Danielle directly.
Danielle hesitated, her gaze piercing like daggers as she studied Cillian. "I suppose so," she relented, her words dripping with resentment. "But I don't want this whore of a woman he cheated with on me anywhere near my son," she spat, glaring at Cillian who had cheated on her with you.
"Please ma'am, watch your language," the mediator cautioned sternly, observing the hostility simmering in the air. "Let's focus on finding a solution here without insulting one another," she added, her tone firm and unwavering before seeking some clarification on the circumstances surrounding Danielle's comment and reading the court transcript from three days ago, which ultimately led the judge to refer this matter to mediation. 
"Preventing Y.N to be around Max will be impossible," Siobhan then reasoned calmly after the mediator got a grasp of the facts and surrounding circumstances. 
"And may I ask why?" Danielle ought to question Siobhan angrily before the mediator reiterated the question. 
"Miss Murphy, please explain to us why preventing Y/N from being around your client's son would be impossible. By what I understand, Y/N does not live with your client nor is he currently romantically involved with her," the mediator stated, her gaze resting on Siobhan expectantly.
"That is correct. However, Y/N is currently pregnant with my client's child," Siobhan answered cautiously, her gaze flickering between her brother and Danielle. "So, it would be quite difficult to completely shield Max from Y/N, who, I believe, will also co-parent her daughter with my client once she is born," she added, her voice trailing off uncertainly.
Danielle shot to her feet, her face contorting into a mask of outrage.
"Oh my god," she gasped, her voice cracking with disbelief. "This is just disgusting," she seethed, pointing an accusing finger at Cillian. "I can't believe you would stoop so low as to knock her up," she raged, her words slicing through the air like knives.
Cillian's gaze met hers, his expression grim and resolute. "Well, clearly, it wasn't intentional," he murmured hoarsely, his voice barely audible. 
"God, I would hope so. How old is she again?" Danielle sneered spitefully, directing her question at Siobhan. She didn't bother looking at Cillian; her gaze remained cold and distant.
Siobhan hesitated, but Cillian did not. "She is old enough to act more mature than you do," he retorted sharply, his gaze unwavering as he handed Danielle the pen.
"Now, would you please sign the agreement so that we can finally move on from this. Max does not deserve to suffer from this unnecessary drama anymore," Cillian spoke firmly, passing the paper over to Danielle.
Their eyes locked for a moment, filled with silent accusation and pain.
"Fine," Danielle gritted through gritted teeth, signing the document hastily before thrusting it back at Cillian. "Just remember," she warned darkly, her gaze narrowing dangerously. "I will ensure that you regret ever crossing paths with this little slut," she snarled, her voice dripping with venom. "Max will know what you did, breaking his family apart like this," she finally said and Cillian gripped the table tightly, his knuckles whitening as he struggled to contain his rage.
"Please," he pleaded, his voice shaking with suppressed anger. "Can we just put our differences aside for the sake of Max?" he implored, glancing pleadingly at the mediator, who watched the unfolding drama warily.
"He is a child, for fuck sake. He does not need to be dragged into this," Cillian argued vehemently, his grip tightening on the table.
"I think you are just afraid that he will reject you once he learns exactly what kind of man you truly are," Danielle went on to say, her gaze fixing on Cillian accusingly.
Cillian's hands balled into fists, his knuckles white with rage. He opened his mouth to respond, but his words caught in his throat as he struggled to suppress his mounting anger.
"Enough," he finally managed, his voice strained and tight. "I won't allow you to drag our son into this mess," he growled, his gaze boring into her. "We both know that he deserves better," he added, his voice thick with emotion.
Danielle stared at him, her anger and resentment simmering beneath the surface. But despite her desire to retaliate, she knew that she had pushed things far enough. With a huff, she crossed her arms defiantly.
"I think we are done here," Siobhan interjected, her gaze darting between her brother and Danielle warily. "You two need to sort out your bitter feelings towards one another. This isn't healthy for Max," she reasoned reasonably, rising from her chair deliberately.
"Cillian will pick Max up from Cork tomorrow. He will stay with him for the first four days before spending the next three days with Danielle pursuant to the parenting agreement," Siobhan explained, her gaze darting between her brother and Danielle.
"Thanks, sis," Cillian murmured gratefully, squeezing her hand reassuringly, his eyes reflecting relief that the custody battle was finally over. "At least there is some peace," he added, a hint of bitterness lingering in his voice.
"Yes," Siobhan echoed, her gaze flickering between Cillian and Danielle warily. "Now that we have finally reached an agreement, let's try to make the best of this situation and focus on Max's wellbeing," she implored, her voice trembling slightly.
Cillian nodded, his gaze locking onto Danielle's icy stare before she stood up and walked out of the room without saying a word.
He released a shaky breath, his grip loosening on the table as he felt the weight of the tension lifting from his shoulders. Siobhan squeezed his hand sympathetically, her understanding gaze speaking volumes of the turmoil he had endured during the custody battle.
"Come on," she murmured kindly, leading him outside the building. "We can celebrate the end of this hellish nightmare with a drink," she added, her voice trembling slightly.
Cillian's heart swelled with gratitude. "Thank you, Siobhan," he whispered, grasping her hand tightly.
"I honestly don't know what I would have done without you," he admitted, his voice cracking slightly.
Siobhan shook her head, her gaze filled with compassion. "No big deal, brother dear," she replied gently, giving his hand a comforting squeeze. "After all, I am your sister," she added, smiling softly. "But seriously, Cillian," she began, her voice taking on a serious tone. "What happened between you and Y/N is really fucked up," she asserted, her gaze meeting his squarely. "How could you sleep with Frank's stepdaughter?" she questioned him pointedly, her words cutting through the silence like a knife.
"I honestly don't know Siobhan. I was in a bad place at the time. My marriage was at breaking point and the thrill of the taboo and forbidden excited me," Cillian explained before trying to further justify his actions. "I know I shouldn't have done it and I don't know what lead me to pursuing her. Curiosity? Lust? Boredom? All of those, probably. I wanted to feel alive again – and she certainly helped me achieve that. The problem now? The consequences. She's carrying my child and my marriage ended, so yes. I fucked up," Cillian confessed painfully, his voice shaking slightly. "But I cannot deny that, regardless of the circumstances, I do care for Y/N," he admitted, his gaze locking onto Siobhan's sympathetic eyes. "It might not be love, but there is definitely something there," he admitted, his voice wavering slightly.
Siobhan's gaze softened, her eyes reflecting understanding. "Look, Cillian," she sighed, reaching out to lay a comforting hand on his elbow.
"I understand that you're feeling overwhelmed right now, but you need to think about what you're doing. This girl is half your age, and she shouldn't be having that child," Siobhan urged, her voice filled with concern. "The entire family is falling apart because of this," she lamented, her eyes reflecting sadness. 
"Siobhan, I honestly don't know what to tell you," Cillian responded, his grip tightening on the table. "All I know is that I want her to have this child. I want to raise my daughter with her," Cillian declared passionately, his voice echoing with determination. "And whatever obstacles stand in our way, I am sure we will overcome them," he vowed vehemently, his gaze fixated on Siobhan.
Siobhan shook her head, her eyes filled with worry. "Cillian, I don't mean to sound harsh, but you're making a huge mistake," she sighed, her voice trembling slightly. "This girl is young, naive, and vulnerable. What happens when she realizes she's made a terrible mistake?" Siobhan pressed, her voice laced with concern. "You can't deny that this whole situation is complicated beyond belief," she insisted, her gaze holding steady on Cillian.
"Look, Siobhan," Cillian murmured evenly, his voice betraying a hint of impatience. "I fully appreciate your concerns, but we slept together and we made this decision together, it's our choice," he asserted firmly, his gaze holding steady on Siobhan. 
"Okay, well, being your sister, I will support your decision, even if I think it is wrong. 
But know that you are walking on thin ice and I can warn you that things will get worse before they get better," Siobhan cautioned, her gaze darting between Cillian and the exit. "For now, let's go and grab a drink, shall we?" she suggested, her voice taking on a lighter tone.
Cillian nodded, his gaze shifting to the horizon thoughtfully. "Yeah, I could use a drink," he murmured, his voice filled with resignation and, with that, they made their way to a bar nearby. 
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brian-in-finance · 9 months
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Podcast: 🎧 Apple 🎧 Spotify
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Here’s your language lesson of the day! Jemmy gets a scolding for calling his teacher “a haggard old goat-breathed daughter of a witch”
The Gaelic translation is “Cailleach chrogsach nighean banabhuidsich le anail gobhair.”
(BTW, Duolingo new inspo for your lessons!)
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Our Gaelic consultant, Gillebride MacMillan, composed the melody for “The Swan Song” that Roger teaches the students at his Gaelic class.
Lyrics below, give ‘em a try! 🎵
Latha chaidh Calum Cille cuairt
Guile gi, gùile gi, guile gò guile go
Moch madainn tràth san uair
Guile gi, gùile gi, guile gò guile go
Chunnacas eala bhuainn
Guile gi, gùile gi, guile gò guile go
An eala bhàn ‘s i snàmh air cuan
Guile gi, gùile gi, guile gò guile go
‘s i seinn a h-òrain bàis buan
Guile gi, gùile gi, guile gò guile go
A day that Calum Cille went on a journey
[SWAN CALLS]
At a time early in the morning
[SWAN CALLS]
A swan from seen from us
[SWAN CALLS]
A white swan swimming on the ocean
[SWAN CALLS]
And singing her eternal death song
[SWAN CALLS]
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As you can imagine, creating Outlander is a HUGE enterprise! Here’s what it took to craft some of the looks in Season 7, by the numbers.
320 new military uniforms with more than 15,000 buttons
Over 200,000 yards of thread in dozens of colours used to make costumes
Over 2600 pairs of shoes and boots in stock to use on Supporting Artists
On average, 50 workers per day in the costume department — 65 on busy days!
400 - 450 wigs
🔍 See all photos on Twitter
Remember… there is a lot of work makeup-wise when it comes to wounds. For a story like Walter’s leg, there has to be a lot of preparation. — Ann McEwan, Makeup and Hair Designer
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liv-is · 10 months
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as herself. {🌹}
Hi! 
I’ve been adjusting my strategy for writing The Romance of the Demigods, and I think the best way for me to go is to write out of order, wherever the passion takes me. So... I started writing something that I think I prefer to the original opening of the story (the scene that used to be the opening will still happen, just... after this one). 
Anyways I hope to show off more of Kesh’s personality in this scene (which is why I think it makes a better opening). Anyways. more of it to come but here is the veeeery beginning. ok i love u bye.
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Kesh was still growing accustomed to walking around as herself.
Her grin was as wide as her stomach was twisted. The dazed wind of late summer that ambled through the market alley did tug through her rusty curls, and at points blew them right into her dark eyes, as if to remind her that she was really doing this. That when she sauntered past the stalls and the wares therein, what the merchants and townsfolk would see when their eyes drifted over her (for truly she looked nothing special) was not the skin of one invented or imitated, but the light brown into which she had been born. And the freckles that stippled her arms, her neck, and her cheeks, blushing from the glee, had been splashed there by no intention save the Sun’s itself (or Himself, for they were in Host country).
She had always thought she’d sooner pick a pit to drown in than find herself strutting around in her true face not a full day’s ride (even on a shitty horse) from the capital. But Cora had a way of speaking the most outrageous designs into something that resembled reason. Or, at the very least, into something that seemed more worthwhile than lethal. He and his tongue of many talents.
Kesh could not help herself. Every twenty paces or so, she cast a look over her shoulder, just to see that he was still with her. And there he was, every time. Sometimes, she caught his gaze following her—a green that reminded Kesh of lying beneath a tree and looking up into leaves through which sunlight might peek. To this, to his watch, she was more than accustomed.
This time, when she looked back, his eyes were turned elsewhere. Far away. Shifting, as if searching the middle distance for something unseeable. Lost in thought, no doubt dreaming up lyrics. She wondered if he’d sing any more about her—those were her favorite.
Kesh could summon no reason not to take advantage of Cora’s reverie. With a deft turn on her leather-clad heel, she slipped unnoticed into the stream of market-goers meandering back the way she’d come.
It was done easily enough. It always was. Bouquets of clustered bodies were a home to her—safe harbor from eyes that would pry and seek in malice. Kesh rarely felt safer—one tile in the mosaic, one fish in the shimmering school. She would even, at her cheekiest, exit a throng of townspeople appearing wholly different than when she’d entered. And they would revile her if they ever knew, but while they didn’t, they were as shelter in a rainstorm.
The sky rumbled lazily above the city. She’d not been in Cill Tossach for much longer than three days.
Kesh took her sweet time sneaking up on him. Cora looked different from behind—broader, stiffer. Even beneath his tunic, she could see his shoulders held tensely straight and back. The littlest things about him now became foreboding, even the way his black hair curled just below the nape of his neck—that very lock she had twisted about her finger many a languid morning. Without sight of the faraway kindness in his eyes, he looked the kind of person Kesh felt in her gut and her spine it would be wisest to dodge.
He did not hear her in the afternoon bustle. Kesh threaded an unhurried trail in his wake, running her tongue along the edges of her teeth as she considered how she might reveal herself to him.
After several moments of good-natured stalking, she spied the unease that had settled over him. Cora’s hands worked into fists that flexed and rolled in growing distress. His head swung on his neck to face in one direction, then another.
Her nose wrinkled in amusement, and a grin bloomed beneath. He was looking for her.
Kesh spent a breath imagining those eyes of his in such a frenzy—she would normally have to work much harder for him to let her see his agitation. She might have swooned.
An indulgent moment slunk by before Kesh forewent her stealth.
When an arm soft and sure snaked its way round his waist, Cora visibly jolted. Kesh let her hand rest against his hip, her thumb hooking through the leather that belted his verdant tunic. By the time those eyes came to rest on her, she was beaming. He was not.
“Gods a—bove, Kesh…” He caught himself, for they were in Host country.
“Hail, troubadour.”
Her toothy grin failed to disarm him. Cora exhaled soundly through his nose, and said nothing where he might typically berate her for disrupting his artistic musings. Kesh saw myriad expressions tug almost imperceptibly at his eyes, his nose, his lips. The musician was, for once, largely inscrutable to her. She was proud of herself, however, for noticing the half-moment of his eyes darting towards the middle of the crowded thoroughfare. He was trying to understand what he’d missed. He hadn’t recognized her walking the opposite direction—in her woolen skirt, in her plain bodice clasping a homespun shirt low against her torso.
And when his eyes ran over her face—her face—she saw how it unsettled him. Kesh refused to stand in silence for much longer. “It was your idea,” she said, punctuating her reminder with a bump of her hip against his.
With one hand, Cora tucked behind his ear a strand of his dark hair. In better light, strands of it shone cherry.
“Aye. So it was.” His shoulders rolled a shrug he was not relaxed enough to truly mean, and he continued walking.
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mybeingthere · 10 months
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Niall Naessens was born in Dublin, Ireland, in 1961 and currently lives in Lios na Caolbhaí, Brandon in West Kerry. Naessens has been drawing all his life. He is a graduate of the National College of Art and Design, Visual Communications 1983. He first engaged with printmaking at the Graphic Studio Dublin in 1990. He worked on the Visiting Artists Program at the studio was a director 2000-2004. In 2004 he set up Cló Cill Rialaig an etching workshop in Ballinskelligs and was master printmaker there until 2009. Naessens returned to N.C.A.D. graduating with an MFA in Fine Art Print in 2013.
"I make 3 and 4 plate colour etchings involving hard and soft grounds, aquatint, sugarlift, spitbititng, engraving, burnishing and erasing. My drawings are graphite printed over with flat ares of translucent etching ink and gouache. I employ my own particular drawing syntax which I have developed by moving between the two mediums. I capitalise on the limitations of a medium, finding in restrictions the freedom to create voice."
Niall Naessens
June 2019.
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scotianostra · 8 months
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Scarista Church of Sccotland Harris.
site at Scarista has been a place of worship for several hundred years.
The present church was built about 1840, there is house nearby which predates this building, and was usedas a manse, I wll post pics of that another time.
The church is the oldest ecclesiastical building in Harris still in continuous use as a place of worship. The earliest parish minister on record was Finlay Cormacsoun (MacCormack) from 1542 until 1563. He was the first in a long line of twenty-seven preachers to serve the parish, the first three being pre-reformation Roman Catholic.
Scarista ceased to be the parish church of Harris in 1929
when the Church of Scotland had evolved from the Established Church of Scotland. In 193 the congregations of Manish and Scarista were linked to form the congregation of Manish-
Scarista as it now exists.
The church was locked up when I passed by last wednesday, but as you can see from the picsI took through the windows, it is quite a sombre, sparse looking building, much in line with the strict Calvanist ways that the Church of Scotland followed back in theday.
The interesting part for me was the single grave slab sitting in front of the church.I thought maybe it wasa Celtic stone, but I since found out this is a replica of a stone that was uncovered in the graveyard in 1990. The community wishes to maintain the sanctity of the graveyard and the buried remains, so the original stone has been covered over once more and remains in the graveyard next to the church.
According to the info I found the original stone would hve been commissioned in the 14th–15th centuries by a man of considerable wealth.
Given the era, he would have been a man of the Catholic faith, but who this person was is unknown; like most of the other slabs of this period, there is no inscription. But he is thought to have been someone of high status and was buried at the medieval church that once stood here. Cill Bride, St Bride’s church, was the focus of the Christian faith across Harris for over a thousand years.
Such grave slabs are not common. The decorative style is unique to the West Highlands of Scotland. The motifs usually include foliage, an interlaced cross, and perhaps strange beasts, a sword or a birlinn. There are variants on these designs across a region that stretches from Islay to Lewis and from the Mull of Kintyre to Spean Bridge and Mallaig.
The stone is a type of schist, and from the particular mineral composition of the stone, it is possible to say it was probably quarried from the eastern shore of Loch Sween on the mainland of Argyll. Having created the basic shape of the slab, the craftsman may have sailed over to Harris with it. Then he chalked up the design for his client’s approval and chiselled out its imagery. Or perhaps he carved it near the quarry, free to create the details as he wished, before it was shipped over the Minch. Whatever the link between craftsman and client, this certainly wasn’t his only product. There are a couple of very similar carved grave slabs on Oronsay and Islay.
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bby-deerling · 4 months
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congratulations on 600 followers cille! you absolutely deserve it, your work is incredible!
i was wondering if i could have a matchup? both boy and girl characters are okay.
i’m 23 and i looove anything culinary! i work part time as a wine taster and at a family owned bakery! i like to think im pretty good at decorating cakes (humble brag ik)! i really enjoy fashion, i love planning outfits and accessories, things like that! in my free time i love to paint and love makeup, trying fun new looks and designs, etc.!
thank you so much! <3
merry christmas, anon!!! <3
i think you'd make a great pair with...
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sanji!
he is soooo amazed by both your knowledge of fine wines and your baking abilities! loves to tag you in to decorate his desserts! to him, the finished treats symbolize a true labor of love, created by your joint abilities!
will absolutely go the extra mile and try to plan his suits out to match your outfits! gushes over every meticulously chosen detail in your outfits, and even lets you test out makeup on him, if you ask nicely and promise not to tell zoro.
he loves to go shopping with you, and encourages you to explore your style! he is your number one cheerleader and hype man, and money is no object to him when it comes to you! nami has to reel in his spending habits quite often...
<3
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alphabet91 · 3 months
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#homedecor #interior @homedecor cilling designs
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jhtreasures · 7 months
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Check out this listing I just added to my Poshmark closet: P Cill Beachy Blue Hoodie Hooded Cardigan Womens Small.
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aluprof · 7 months
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Aluprof's Pursuit of Scottish Projects
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Seen by some, Passivhaus construction offers the ‘gold standard’ when it comes to building high insulation homes for our low-carbon future. Earlier in the year Scotland took a bold first step to develop and legislate their own Passivhaus standard for all new homes built from December 2024, but the Passivhaus standard is already being widely specified across Scotland for commercial projects.
What the new standard will be in Scotland has not been revealed yet, all we know is that is will be Scotland’s own take on the highly respected Passivhaus standard, but, no doubt it will follow the core values of Passivhaus.
A staggering 35% of our total global energy consumption is used in buildings, so cutting this energy will help reduce our carbon emissions. A Passivhaus certified building is optimised for a decarbonised energy grid, something the UK is working towards. Passivhaus also offers living and working spaces designed for the best health and wellbeing. This high level of occupant comfort that comes with Passivhaus uses very little energy for heating and cooling. Insulation plays a major role but this is only one of the five principles of Passivhaus design.
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Whilst ‘Passivhaus’ is commonly considered as a German innovation, in fact, it was an American physicist, William Shurcliff who in 1982 published a book “The Saunders-Shrewsbury House,” in which he describes the concepts of “super-insulation” and passive solar as “passive house.” In the late 1980s a passive house movement had emerged in North America, but, shortly after America lost its appetite for energy conservation, Germany picked up the reins. A German physicist Wolfgang Feist refined the passive house concept to further improve efficiency and proposed a passive house concept with an annual energy demand of just fifteen kilowatt-hours per square metre of floor area.
Window insulation and airtightness is a major requirement in Passivhaus design needing a minimum of requirement of triple glazing for doors, windows and curtain wall. Aluminium, you may be surprised to know, can perform exceptionally well at high insulation levels using wide thermal breaks, inserted insulation and wide window seals. Some aluminium window systems can get down to a Uw of 0.55 W/(m2K) and door systems down to a Uw of 0.65 W/(m2K). Whilst these high performance systems come at a premium, the principles of design are now well known and aluminium plus polyamide thermal breaks are relatively quick to design and cost effective to produce, unlike window systems in some alternative materials. With today’s advanced powder coatings, aluminium fenestration products can easily outperform other materials when it comes to life expectancy and low-maintenance.
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Passivhaus principles and low-carbon construction take a ‘fabric first’ approach, basically there is no point in using alternative heating systems, such as heat pumps in old dwellings, until the whole building fabric is re-designed to offer minimal heat losses. There are five principles that need to be introduced into the building before minimal heat sources can be considered. We must also remember that at certain times of the year, even in the UK, we also need to ensure we can keep the heat out in the extremes of weather.
Air tightness to reduce draughts through building structure interfaces and fenestration helps isolate the living/working space from the exterior.
Good quality and effective insulation of walls, ceilings and floors, to ensure that the interior space remains isolated in extremes of temperature.
Often between building interfaces, walls and windows for example, thermal ‘cold bridging’ can occur where insulation areas are interrupted, these areas need very careful design. Designs of window reveals are particularly relevant here, including the window cill and head to ensure that the window frames high thermal perimeter performance is not reduced by poor reveal design.
The window and facade systems themselves need to be of high thermal performance and airtight. These systems are carefully located within the building to take advantage of solar gain but not to extremes.
Once we have the building airtight and thermally efficient, air changes are crucial and these can be achieved by using MVHR (Mechanical Ventilation with Heat Recovery) which provides fresh filtered air into a building whilst retaining most of the heating energy that has already been used in the building. These systems can currently achieve  an 85% efficiency.
These five principles are the cornerstones of all Passivhaus construction for new build accommodation, offices and public buildings. Importantly for the UK’s extensive old  building stock, the principles can also be applied to the refurbishment of any existing building.
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Depending on the building construction, a new build to current building regulations will increase in cost by approximately 10% when constructed to Passivhaus standard. This increase in cost will be recouped over a few years and will then continue to offer significant energy savings. This is ‘responsible’ construction at its best, designed to meet the demand for our low-carbon future. In addition, compared to other materials used in fenestration product production, aluminium stands out as the most environmentally friendly option, being both highly recyclable and carbon neutral. Not only is it right for our planet, in the long term energy savings are significant for developers and clients.
Aluprof, one of the leading aluminium systems suppliers in the UK, have been supplying Passivhaus certified windows, doors and facades to Passivhaus projects for a number of years and have gained a wealth of experience in facade design, the design of thermal interfaces and importantly, logistics. Project managers are available to explain the benefits of specifying Aluprof Passivhaus certified systems and can assist in the design of  thermally efficient interfaces with the building fabric. Installation in the UK and Ireland is undertaken by national facade companies who are fully trained in Aluprof systems. Further information on the Passivhaus systems available and their specification is available through the company’s website at aluprof.co.uk, directly from their UK head office in Altrincham or from their London office at the Building Design Centre by phoning +44 (0) 161 941 4005.
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oc-home · 1 year
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Yvvone 2 Seater Sofa Sage Comfortable Seating for Interior Setting
The structure is a state-of-the-art design for 2 seater sofa, accentuating the mid-century features, and the metal legs with premium and supreme quality fabric give out the vibe of cill and chic! The plush fabric provides comfortable seating and the furniture suits best to any simple and contemporary choice of interior setting.
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pd-architecture · 1 year
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Self-Build Home in Widmerpool, Nottinghamshire by PD Architecture.
For this week’s #TBT post we are taking you back to 2007.
This self-build home site was in the heart of the village of Widmerpool in Nottingham. The site housed a dated dwelling in need of modernisation.  After careful consideration of the costs involved, the decision was taken to demolish and rebuild the existing dwelling rather than to modernise.
The building plans we created provided for four bedrooms, each with an en-suite, a double garage with a home office over and all the other facilities associated with a modern new home. The architectural detailing to create the traditional look for the property included a predominantly brick built home with a rendered wing, stone window heads and cills, timber sash windows, conservation rooflights and all finished off with a slate roof.
Architectural Design: PD Architecture: Paul Day BSc (Hons) MCIAT Planning: Rushcliffe Borough Council Building Control: NHBC Building Warranty: NHBC Structural Engineer: Tom Keating and Associates
Finally, for more about this project view Self Build in Widmerpool, Nottingham on our blog or view more of our New Build and Self Build Home Designs
#Planning #PDArchitecture #ArchitecturalServices #ArchitecturalDesign #SelfBuild #Nottingham #Architecture #Widmerpool #Rushcliffe #Building
PD ARCHITECTURE . . . #designed4living Architectural Practice
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bikkeysharma · 1 year
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Respected sir / Mam,
My name is
Ranjit Yadav 9830908913
I'm an interior designer, Architecture , Plumber & painting specialist in Kolkata, Howrah, I stay in Kolkata but I work in All over wb,orisha,Bihar Base , I have Many kind of service experience in civil & Interior fields.
1) Land inspection, lands cap, Core civil , core cutting ,construction, Lift,  Basement.Centering, Rod bindings, Piller , Linton , exterior design Etc.
2) Renovation - building maintenance, Pluster,putty ,Waterproofing, injection grouting for water Tank, wall & roof damprofing, Washroom Damprofing, plumbing, painting, Electrical work, furniture
3) Interior :-House/flat-Design & Decoration :- Bed, wardrobe, sokes,TV unit, Fall ceiling, colour, wall Design, cilling Design, Electrician work, Door fittings.windows Panel , curtain fitting etc
Dinning room- Sofa,Tv unit, Dinning Table , Wall design, Fall-ceiling, Puja Room,TV panel ,curtain fitting,main door Etc kitchen -Kitchen wardrobe, Chimney,fall ceiling, carpet, Slap with Marble & polish , Moduler washroom Security system Flat/Room/house/bungalow Etc
4) Exterior .Building/ house /bungalow store & office -out Look design , ACP work , panaling-logo design.Stairs , Garden , Swimming and pool, Tiles , Marble, Flooring , Epoxy, 3D drilling , wall cutting Also our company Available By The name of Ry interior and exterior service.
Our company  provide you many services.
Construction & Interior
For your  house,home , office, store bungalow,g+ 2,3,4,5 Etc
Building Maintenance :- Furniture , Plumber, Electrician , painter , Repairing
Civil Interior
Like - Putty, Paris,painting, marble, tiles , iron work, Plumbing,  electrician work, Security service, cleaning services  etc.
We deal in Mentainence service Also.
House ,offices ,store,  flat  ,Apartments
Other products supply
We supply All professional cosmetic products, instruments & Parlour furniture in Hallsale price
So , My Humble Request you to please provide me serviced
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brickscompanyuk · 2 years
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Smooth solid red squint brick AN 1.2 is a specially shaped angled Engineering Bricks designed to create an angle for a return or plinth or around a window or cill detail.
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Excelentes sobrados no Centro de Bal. Piçarras
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1ª Quadra do mar2ª Quadra do mar3ª Quadra do mar4ª Quadra do MarAlto PadrãoÁrea nobreAvenida Nereu RamosBairro ItacolomiFrente ao marOutras LocalidadesPermutaPróximo à BR
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hannahermann0 · 2 years
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Aluminium Entrance Doorways
Carinya Classic Awning Window Carinya Classic Awning Window A notably attractive possibility when air flow and unrestricted views are key issues. This is a mainstay of the Carinya range featuring two frame widths and multiple sash options. Carinya Residential Windows & DoorsCarinya Classic Sliding Window Carinya Classic Sliding Window This is a singular combination of form and function not previously available in the residential category. Has many seen benefits over different products along with its obvious aesthetic qualities. The window sills utilized for interior and exterior window sills are compatible with every wall construction and could be produced in numerous sizes. So, as we are able to understand from shutters and shades, aluminum is a great materials for this product. An aluminum windowsill can present all these goals with little or no upkeep prices. Aluminum windowsill slides and aluminum windowsill tracks are very successful in protecting our home windows and buildings from noise, rainwater, and important weather issues just like the wind. With little maintenance costs, you presumably can have a very useful and modern view of your constructing. A window sill is a structural development materials that's horizontally placed on the exterior backside part of a window. There are several forms of exterior window sills that can be utilized with aluminium home windows. Exterior window sill prices rely upon the materials used, and on the width of the window sill. Galvanized tin window sills are low-cost, whereas aluminium window sills are quite costly. This business background means that the Door is filled with a mess of performance features. View-Max® Commercial Sliding Window View-Max® Commercial Sliding Window This window offers unparalleled levels of flexibility allowing designers and designers to cater for each the slimline applications and those of a extra sturdy commercial design. Venting could be integrated in to the aluminium sills, heads and jambs. If your project requires a curved aluminium sill, door jamb, or head, radius cowl or radii cladding flashing, either to a real, facetted or segmented curve, most complex curves, horizontal or vertical, could be achieved. Scaffold Planks Scaffold Planks Alspec® Scaffold Planks have a singular hollow box profile with inside stiffening ribs, anti-slip top surface with rubber insert strips and forged end caps. Products Catalogue Products Catalogue We inventory a extensive variety of geometric shapes similar to angles, channels, flat bars and tee sections to go well with many functions. General Hardware Brochures General Hardware Brochures View all of the product brochures for our Commercial Hardware. Solaire™ Fixed Louvre Solaire™ Fixed Louvre Self mating louvre fins has been developed to offer a flexible, yet simple resolution to external photo voltaic management requirements that seamlessly integrate with Australia’s unique architectural landscape. No refund shall be supplied if the sills do not fit until there might be an error in manufacturing. Our cills are made from 2mm sheet aluminium and polyester powder coated in your selection of colour. Aluminium sills are ideally suited to modern new dwellings together with passive homes. I suppose most people would be absolutely delighted that the crew was installing correct sill pans... To compliment these we've a spread of excessive efficiency Sub Sills for superior weathering. Our seal choice chart nominates suitable seals to be used in conjunction with each Sub Head and Sub Sill obtainable. Aluminium Sill Using the T-moulding, it's potential to appropriately seal the window reveals. Genuine Therma-Tru sills are engineered with options to help reduce the potential for leaks and drafts. Our adjustable sills enable flexibility to regulate the sill cap vertically to close gaps over time, helping to maintain a tight seal between the sill and backside of the door. 50mm Verge Trim Upstand Profile, manufactured from 1.2mm pre-coated white aluminium in 2.5m lengths, has an up-stand that could be pushed underneath a barge board.
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INTERVIEW CILLE @cilleschcille . Il est grand temps de vous partager l’interview de Camille une talentueuse artiste et entrepreneuse, basée à Berlin. Nous vous laissons découvrir son univers entre performance, sculpture et peinture sur notre site! Et voici un petit extrait de l’interview: Selon vous quel rôle est celui d'un artiste (designer ou artisan) dans le monde d’aujourd’hui ? De nous ouvrir au monde, de challenger notre zone de confort tant physique que mentale. De nous mettre face à la réalité mais aussi de nous faire rêver, de donner espoir. Provoquer l'échange, la compréhension de l'autre, de soi et du monde qui nous entoure. De quoi vous ne pourriez plus vous passer ? De ma liberté d'être et de créer tout simplement Ton artiste / designer préféré? DonnaHuanca m’inspire beaucoup, Eliza Douglas, Shalva NikvaShvili. Un livre ou une émission à nous conseiller? Action in perception d’Alva Noë. Un compte Instagram qui t’inspire? @tommycashworld Une destination rêvée? Le Mexique. . #galeriedescuriosites #artistecontemporain #performanceart #sculpturecontemporaine #performance #interviewartiste #galeriedart #galerieartconteporain (à Berlin, Germany) https://www.instagram.com/p/CdAzIDsora2/?igshid=NGJjMDIxMWI=
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