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#cinematography by vilmos zsigmond
tygerland · 3 months
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The Deer Hunter (1978)
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theersatzcowboy · 1 month
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Heaven's Gate (Director's Cut), 1980
Director: Michael Cimino
Cinematographer: Vilmos Zsigmond
Production Designer: Tambi Larsen
Starring: Kris Kristofferson, Christopher Walken, John Hurt, Sam Waterston, Brad Dourif, Isabelle Huppert, Jeff Bridges, Joseph Cotten, Mickey Rourke, and Tom Noonan.
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The Hired Hand (1971)
Directed by Peter Fonda
Cinematography by Vilmos Zsigmond
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davidhudson · 10 months
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Vilmos Zsigmond, June 16, 1930 – January 1, 2016.
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comradebeandip · 1 year
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Heaven’s Gate (1980)
Directed by Michael Cimino
Cinematography by Vilmos Zsigmond
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josefksays · 2 years
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The Bonfire of the Vanities (1990)
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zachfett · 4 months
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The Deer Hunter (1978) Directed by Michael Cimino Cinematography by Vilmos Zsigmond
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wintercorrybriea · 1 year
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McCabe & Mrs. Miller (1975) dir. Robert Altman
Cinematography. Vilmos Zsigmond
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semusepsu · 1 year
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i love how the goncharov renaissance happened in such a short time. like a couple days ago the post about the shoes was circling again, then yesterday someone posted the movie posters, which generated hype, and then in the past twenty four hours we started getting more and more posts about the actual content, first a gif post where goncharov mentions andrey, then some inevitable posts about their whole homoerotic tension thing (this is tumblr after all), then some more measured takes on the relationships between goncharov, andrey, and katya, and then finally seeing some appreciation for matteo JWHJ 0715's direction, and finally some appreciation for Vilmos Zsigmond's subtle and at times heartbreaking cinematography. it's like a cascade as we all start thinking about this great work of cinema again.
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esqueletosgays · 2 years
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CLOSE ENCOUNTERS OF THE THIRD KIND (1977)
Director: Steven Spielberg Cinematography: Vilmos Zsigmond
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byneddiedingo · 1 year
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McCabe & Mrs. Miller (Robert Altman, 1971)
Cast: Warren Beatty, Julie Christie, Rene Auberjonois, William Devane, John Schuck, Corey Fischer, Bert Remsen, Shelley Duvall, Keith Carradine, Michael Murphy. Screenplay: Robert Altman, Brian McKay, based on a novel by Edmund Naughton. Cinematography: Vilmos Zsigmond. Production design: Leon Erickson. Film editing: Lou Lombardo.  McCabe & Mrs. Miller may be Robert Altman's best film, as well as the greatest of all "stoner Westerns." It's very much of the era in which it was made, with its fatalistic view of its loner protagonist, doomed by his naive willingness to go up against the big corporate mining interests who want to buy him out. Hippies against the Establishment, if you will. It's also very much at the heart of the mythos of the American Western, which always centered on the loner against overwhelming odds. McCabe & Mrs. Miller came along at a time when the Western was in eclipse, with most of its great exponents, like John Ford and Howard Hawks, in retirement, and some of its defining actors, like John Wayne, having gone over to the side of the Establishment. So when iconoclasts like Altman and Warren Beatty, coming off of their respective breakthrough hits M*A*S*H (1970) and Bonnie and Clyde (Arthur Penn, 1967), took an interest in filming Edmund Naughton's novel, it was clear that we were going to get something revisionist, a Western with a grubby setting and an antiheroic protagonist. The remarkable thing is that McCabe & Mrs. Miller, perhaps more than either M*A*S*H or Bonnie and Clyde, has transcended its revisionism and formed its own tradition. For once, Altman's mannerisms -- overlapping dialogue, restless camerawork, reliance on a stock company of actors like Michael Murphy, John Schuck, and Shelley Duvall, and a generally loosey-goosey mise-en-scène -- don't overwhelm the story. Some of this is probably owing to Beatty's own firmly entrenched ego, which was often at odds with Altman's. His performance gives the film a center and grounding that many of Altman's other films lack, especially since he works so well in tandem with Julie Christie's performance as Mrs. Miller, the only thing about the film that the Academy deigned worthy of an Oscar nomination. How the Academy could have overlooked the contribution of cinematographer Vilmos Zsigmond remains a mystery, except that at this point the cinematographers branch was dominated by old-school directors of photography who had been brought up in the studio system, which was to flood the set with light -- one reason why Gordon Willis's magisterial chiaroscuro in The Godfather (Francis Ford Coppola, 1972) failed to get a nomination the following year. 
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strathshepard · 2 years
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One of my all-time favorite movies, McCabe & Mrs. Miller (Robert Altman, 1971) gets a new release by Criterion, and a perfect description: 
This unorthodox dream western by Robert Altman may be the most radically beautiful film to come out of the New American Cinema. It stars Warren Beatty and Julie Christie as two newcomers to the raw Pacific Northwest mining town of Presbyterian Church, who join forces to provide the miners with a superior kind of whorehouse experience. The appearance of representatives of a powerful mining company with interests of its own, however, threatens to be the undoing of their plans. With its fascinating flawed characters, evocative cinematography by the great Vilmos Zsigmond, innovative overlapping dialogue, and haunting use of Leonard Cohen songs, McCabe & Mrs. Miller brilliantly deglamorized and revitalized the most American of genres.
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somebaconlover · 1 year
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Blow Out (1981)
Directed by Brian De Palma
Cinematography by Vilmos Zsigmond
Starring John Travolta, Nancy Allen, John Lithgow, Dennis Franz and John McMartin
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“You got your choice. You can be crazy or dead.”
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wetgeliscasualinterval · 11 months
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The Hired Hand (1971)
Directed by Peter Fonda
Cinematography by Vilmos Zsigmond
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davidhudson · 2 years
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Vilmos Zsigmond, June 16, 1930 – January 1, 2016.
Photos by Peter Sorel.
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gohanglobus · 1 year
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Procreate sketch of The Long Goodbye (1973, dir. Robert Altman, cinematography Vilmos Zsigmond). 50 years old today! #OTD Guy walks around saying, "That's okay with me," until finally discovering something he's not okay with.
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