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#cinematography of all time
filmreveries · 4 months
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"I like to remember things my own way… how I remembered them. Not necessarily the way they happened."
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filmsdotcomslashgay · 2 years
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big eden (2000) dir. thomas bezucha
i just want things to be nice for him. i know it’s foolish but i just want things to be nice for him.
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firelise · 8 months
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Film & TV I Think About A Lot » Your Name Engraved Herein (2020) dir. Kuang-Hui Liu
"Maybe more people would understand me in hell. Make it easy for me and help me go to hell."
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markantonys · 18 days
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reddit:
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literally every other WOT viewer in the world:
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#they've been saying this ever since the finale aired and it drives me CRAZY#have your personal opinions all you want but to say that 2x08 was objectively a weak episode is simply not correct#cinematography acting vfx choreography music EVERYTHING was at the absolute top of its game#and despite being an Exciting Battle Episode it was completely anchored in character moments & emotional resonance which is no easy feat#so much going on yet there was time for every major character to get a huge developmental/emotional beat#(yes even those like nynaeve whose beat was a loss rather than a victory)#every season arc was either wrapped up in an immensely satisfying way or was set up for a deeper examination next season#and 90% of the general audience absolutely loved it#and yet reddit acts like it's an Accepted Fact that it was poor quality#just bc the book-to-show changes in that episode weren't to THEIR PERSONAL taste#touch grass#wot#seeing as season finales will always have the biggest moments it's kinda inevitable that hardcore book fans#will always be the most sensitive to any changes made in those particular episodes#not to mention that the changes made in eps 1-7 will snowball and culminate in the finale#so i feel like finales are always gonna be judged the most harshly by readers#like if dumai's wells isn't an exact 1:1 recreation of the book version#readers are 1000000% going to flip their shit no matter how objectively good the show's version actually is#wot book spoilers#for the replies
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justafriend-ql · 3 months
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just cried my way through the last two episodes of love by love's sake. what a hauntingly hopeful and beautiful series
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diazedmundo · 1 year
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Eddie Diaz in 6.17 Love is in the Air, presenting one of his best assets.
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diorsbrando · 3 days
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i like ‘em a little insane, covered in blood and severely mentally unstable <3
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atomicradiogirl · 2 months
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house md season 1, episode 9 - DNR
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By the way...
Brighter lighting, more contrast, more saturation, warmer temperature, slight pink tint:
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The original from the episode:
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I want to scream
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3moviesquotes · 2 years
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The only thing I do know is that we have to be kind. Please, be kind. Especially when we don't know what's going on.
Everything Everywhere All The Time (2022)
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jamesscarstairs · 10 months
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thinking about gil and olivia constantly please watch the rise of the pink ladies on paramount plus please i need this show renewed. it’s for my wellbeing.
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november-rising · 5 months
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This post from @cruciomione got me thinking thoughts.
It’s fascinating that a ship with canon evidence of sexual intimacy hasn’t made as much hoopla as us with every lingering gaze, check in, awkward quip/conversation, family turmoil, sudden loss of knowing about UPS and acceptance (Carmen, Natalie, and Ritchie encouraged Sydney to say, “Let It Rip”! LET IT RIP! THE BLEEP!). And, when I do think about Carmy/Claire: The sex scene, though showing how sensual Carmy is (to me), it was the hues and lighting that were interesting. All I can recall is Blue. There’s a well written post by @thoughtfulchaos773 that examined color choices. What I like to mention is that the hues or filter or insert the technical term moving forward are so tightly connected at the beginning of Omelette.
Deep Blues of Intimacy (opening scene) to the softer tints of blues and greens of Sydney’s chef (stained) white jacket in the following scene are important. I capitalize the DBP because, for me, this scene was obviously hitting on something... It was stark and intense and hollow. It feels purposeful – hard hitting in an expectant way. The transition to a lighter blue/green filter to Sydney preparing with her stained chef white jacket feels significant. It’s about Sydney trying and trusting.  
And then THE alley scene with the same pale, cooler color tones. Carmy is trying to manage through the "warmth" (warmer tones) of his past that is actual chaos. And then there’s Sydney. Cooler, calmer, more his speed in the sense of recognition of same knowing same. There something so...wholly complicated and knowing about Season Two.
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cinemagal · 2 years
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LOGAN (2017) dir. James Mangold
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irulancorrino · 2 months
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tv-moments · 5 months
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Bodies
“All in Good Time”
Director: Marco Kreuzpaintner
DoP: Joel Devlin
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tiredmoonslut · 6 months
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Was not ready for Wheel of Time season two to so completely improve on season one in every way
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