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Call Me By Your Name (2017) | Director: Luca Guadagnino

#call me by your name, #cmbyn, #2017, #timothee chalamet, #armie hammer, #movie, #film, #tumblr gifs, #gif, #cinemetography, #cinema, #cinephile, #luca guadagnino

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johnny guitar (1954) dir. by nicholas ray

#johnny guitar, #1954, #1950s films, #50s, #decade: 1950s, #joan crawford, #western, #old hollywood, #golden era of hollywood, #filmmaking, #cinema, #classic, #cult, #cinematography, #cinephile, #nicholas ray

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Tirez sur le pianiste - François Truffaut (1960)

#truffaut, #francois truffaut, #cinephile, #movie, #cinema, #frenchmovie, #tirez sur le pianiste, #shoot the pianist, #truffautlove, #bw, #blackandwhite

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shots from Les quatre cents coups - François Truffaut (1959)

#truffaut, #francois truffaut, #les quatre cents coups, #film industry, #filmmaker, #cinephile, #frenchmovie, #the 400 blows, #i quattrocento colpi, #french, #antoine doinel, #blackandwhite, #cinema, #bw, #rené, #antoine, #kid

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Kära du, så här skulle jag alltid vilja leva. Detta att tiga, att leva avskilt, att reducera sina behov, detta att känna, hur den tilltygade själen äntligen börjar räta ut sig.

Persona, Ingmar Bergman (1966).

#persona, #ingmar bergman, #bergman, #sweden, #'60s, #movie, #movie art, #art, #cinema, #cinematic masterpiece, #cinemetography, #cinephile, #cinematic, #cult cinema, #cinema cult, #film, #filmcamera, #film photography, #bw, #bw film, #realism, #introspective, #psycology, #drama, #metacinematography

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“This morning you were still asleep when I woke up. Gradually coming out of sleep, I felt your light breath and through the hair that hid your face I saw your eyes closed. I felt the emotion rising from my throat and I wanted to scream and wake you up because your tiredness was too deep and deadly. In the dim light the skin of your arms and throat was alive and I felt it warm and dry: I wanted to pass over my lips but the thought of being able to disturb your sleep and having you still awake in my arms held me back. I preferred to have you as something that no one could take away from me because I was the only one who possessed it, an image of you forever. Beyond your face I saw something purer, more profound in which I was mirrored: I saw you in a dimension that included all my time to live, all future years and all those I lived before meeting you, but already prepared to to meet you. This was the little miracle of an awakening: to feel for the first time that you belonged to me not only in that moment and that the night was prolonged forever next to you, in the heat of your blood, your thoughts, your will that was confused with the never. For a moment I understood how much I loved you, Lidia; it was such an intense sensation that I had my eyes full of tears: it was because I thought this should never end, that our whole life must be like waking up this morning. Feeling you are not mine, but even part of me, something that breathes and that nothing can destroy except the murky indifference of a habit, which I see as the only threat. And then you woke up and smiling again in your sleep, you kissed me and I felt that I didn’t have to fear anything, that we will always be as in that moment: united by something that is stronger than time and habit. “

La notte, Michelangelo Antonioni (1961).

#la notte, #the night, #night, #italian, #italian film, #italian art, #movie, #movie art, #art, #cinema, #cinematic masterpiece, #cinematic, #cinematicshots, #cinemetography, #cult cinema, #cinema cult, #cinephile, #'60s, #film, #filmcamera, #film photography, #bw, #bw film, #quotes, #film quotes, #drama, #romantic, #love, #realism, #introspective

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Marianne: You’re a coward.

Evald: Yes, I agree, when I think about life I have a sense of nausea and I don’t want responsibilities that bind me to it more than it already is. I’m serious, and it’s not a form of hysteria as you may have always believed.

Marianne: What you say is bad.

Evald: Good and evil do not exist, only needs, and you live according to your needs.

Marianne: And what would they be?

Evald: You have a damned need to feel alive, to live, to exist fully and to create life.

Marianne: What about you?

Evald: I wish I was dead, completely dead.

Smultronstället, Ingmar Bergman (1957).

#smultronstallen, #wild strawberries, #ingmar bergman, #bergman, #sweden, #50s, #movie, #movie art, #art, #cinema, #cinematic masterpiece, #cinematic, #cult cinema, #cinema cult, #cinephile, #cinemetography, #film, #filmcamera, #film photography, #sequence, #bw, #bw film, #bw photography, #quotes, #film quotes, #drama, #sentimental, #romantic, #surrealism, #surreality

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The little things….

Smoking a shit ton of weed and having my own little movie marathon:

Boogie Nights

The Client

Mud

Labyrinth

I just love not knowing what’ll come next.

#life, #partial stoner, #coping mechanisms, #cinephile, #enjoy the little things

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“The ceiling is probably the last thing people see. At least for 90% of people who die. Probably. And if you die, the last thing you see will be printed in your eye. Like a photograph. Imagine all those people with ceiling in their eyes.”

Naissance des Pieuvres (Water Lilies) (2007) dir. Cèline Sciamma.

#naissance des pieuvres, #water lilies, #celine sciamma, #adele haenel, #pauline acquart, #louise blachère, #film, #movie, #films, #film photography, #movies, #cine, #cinema, #cinemetography, #cinephile, #drama movies, #filmmaking, #filmisnotdead, #filmedit, #imagem filmes, #filmes e séries, #filmes, #movie quotes, #movie poster, #movie art, #movieedit, #filmisalive, #filmsnotdead, #lgbt history, #lgbt

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"Don’t cut too much or my Mum will notice.“

Tomboy (2011) dir. Céline Sciamma.

#tomboy, #celine sciamma, #zoe heran, #jeanne disson, #malonn levana, #film, #films, #film photography, #movie, #movies, #cine, #cinema, #cinemetography, #cinephile, #drama movies, #lgbt history, #lgbt, #filmmaking, #filmedit, #imagem filmes, #filmes e séries, #filmes icons, #movie quotes, #movie art, #movieedit, #filmisnotdead, #film stills, #cinefilos, #cinestill, #filmes

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#joaquin phoenix, #her, #movie, #aesthetic, #scarlettjohansson, #amy adams, #cinema, #cinephile

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Inside Llewyn Davis (2013)

dir. Ethan Coen, Joel Coen

#inside llewyn davis, #oscar isaac, #ethan coen, #joel coen, #coen brothers, #the coen brothers, #carey mulligan, #justin timberlake, #john goodman, #films, #film stills, #film caps, #film screencaps, #cinema, #cinematography, #cinephile, #movie stills, #movie caps, #movie screencaps, #movies

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“You can get stuck in a place and not even realise it. If you’re not careful, you can get stuck there forever.”

The End Of The F***ing World (2017-2019) dir. Jonathan Entwistle, Lucy Tcherniak.

#the end of the f***ing world, #jonathan entwistle, #alex lawther, #jessica barden, #naomi ackie, #steve oram, #christine bottomley, #jonathan aris, #film, #films, #film photography, #movie, #movies, #cine, #cinema, #cinemetography, #cinephile, #drama movies, #filmmaking, #film stills, #filmisnotdead, #filmedit, #coming of age, #movie quotes, #movieedit, #imagem filmes, #movie art, #tv series, #serie tv, #netflix

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the help -

#the help, #cinema, #movie, #film, #filmmaking, #cinematography, #cinephile, #photography, #director, #wide angle, #freeze frame, #visual, #indie, #actor, #famous, #society, #issues, #discrimination, #racism, #america, #usa, #35mm, #120mm, #democracy, #skin color, #octavia spencer, #viola davis, #must watch

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The Reader

#thereader, #cine, #peliculas, #movie, #cinemetography, #cinema, #cinefilos, #cinephile

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Das Cabinet des Dr. Caligari, Robert Wiene (1920).

#movie, #movie art, #art, #cinema, #cult cinema, #cinema cult, #cinemetography, #cinephile, #camera, #sequence, #film, #silent film, #filmcamera, #film photography, #the cabinet of doctor caligari, #'20, #expressionism, #surrealism, #surrealist art, #horror, #fantasy

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May everything come true. May they believe. And may they laugh at their passions. For what they call passion is not really the energy of the soul, but merely friction between the soul and the outside world. But, above all, may they believe in themselves and become as helpless as children. For softness is great and strength is worthless. When a man is born, he is soft and pliable. When he dies, he is strong and hard. When a tree grows, it is soft and pliable. But when it’s dry and hard, it dies. Hardness and strength are death’s companions. Flexibility and softness are the embodiment of life. That which has become hard shall not triumph.

- “Stalker” (1979), directed by Andrei Tarkovsky