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#clarke legacies icons
tonkysexist · 10 months
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We could have a Jewish Clark Kent I’m so fucking THRILLED
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romangoldendreams · 7 months
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fly with me
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legaciesthings · 2 years
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RYAN CLARKE, S04E02.
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tuppencetrinkets · 3 months
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Sorted caps from Season 1 of The Vampire Diaries, the Originals and Legacies.
Nina Dobrev - Elena Gilbert
Paul Wesley - Stefan Salvatore
Ian Somerhalder - Damon Salvatore
Kat Graham - Bonnie Bennett
Candice King - Caroline Forbes
Zach Roerig - Matt Donovan
Michael Trevino - Tyler Lockwood
Steven R. McQueen - Jeremy Gilbert
Matthew Davis - Alaric Saltzman
Joseph Morgan - Klaus Mikaelson
Marguerite Macintyre - Liz Forbes
Sara Canning - Jenna Sommers
Claire Holt - Rebekah Mikaelson
Susan Walters - Carol Lockwood
Daniel Gillies - Elijah Mikaelson
Susan Walters - Carol Lockwood
Kayle Ewell - Vicki Donovan
Melise - Anna Zhu
David Anders - John Gilbert
Arielle Kebbel - Lexi Branson
Phoebe Tonkin - Hayley Marshall
Kelly Hu - Pearl Zhu
Mia Kirshner - Isobel Flemming
Sebastian Roche - Mikael
Charles Michael Davis - Marcel Gerard
Danielle Campbell - Davina Claire
Leah Pipes - Camille O'Connell
Nathan Parsons - Jackson Kenner
Danielle Pineda - Sophie Deveraux
Danielle Rose Russell - Hope Mikaelson
Eka Darville - Diego
Todd Stashwick - Kieran O'Connell
Elyse Levesque - Genevieve
Shannon Kane - Sabine Laurent
Aria Shahghasemi - Landon Kirby
Quincy Rouse - Milton Greasley
Jenny Boyd - Lizzie Saltzman
Kaylee Kaneshiro - Josie Saltzman
Demetrius Bridges - Dorian Williams
Omono Okojie - Cleo Sowande
Yasmine Al-Bustami - Monique Deveraux
Bianca Lawson - Emily Bennett
Steven Krueger - Josh
Lulu Antariksa - Penelope
Melinda Clarke - Kelly Donovan
Sheila Bennett - Jasmine Guy
Karen David - Emma
Gina Torres - Bess
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casualevan · 9 months
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New To Superman?
*Swivels around in villain chair petting a cat
So, you just caught up with My Adventures with Superman and you want to know what to read or watch while you wait for new episodes? SAY NO MORE! Here’s a list of personal faves of mine!  Now some notes, different writers have different takes in different decades and the publishers can play it fast and lose with continuity. So going from one story to another, you might notice some changes. Like weather or not Clark’s parents are alive or if Lois dating Clark etcetera etcetera. Don’t worry about it, just roll with it.
Now lets get started with THE SUPER LIST! 
Superman: Birthright 
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A solid starting point graphic novel. It’s got everything ya need for his origin story and is a fantastic character study of Clark and his arch enemy Lex Luthor. The art is pretty good as well and does a great job of showing both sides of Clark’s character and power. If you love the show and want to see how the books handle the Man of Steel’s first run in Metropolis then you got yourself a fun book.
Next we’ll get into some movies! Now, you can watch most of these on hbomax so let’s all vote with our wallets and support the official release! That way studios don’t make us wait ANOTHER 20 years for a Superman cartoon. 
Superman: Unbound 
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Superman faces a cosmic alien super computer named Brainiac! Braniac’s deal is he wants to put cities in small bottles and then blow up the rest of the planet he collects them from. It’s a cool conflict cuz it’s a villain Superman can’t just PUNCH into submission. As Braniac can just download into another body if he did. So Superman is gonna have to get super smart to out smart a super computer..... listen the movie’s writing is better than mine, trust me.
Superman Vs The Elite
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Oh, here we GO! Okay so this full movie is based on ONE issues of the comics. ONE. Not a 6 part mini series arc collected into one trade paperback. ONE COMIC! It was THAT GOOD! Superman meets some new heroes on the block, THE ELITE. They’re GRITTY and DARK and SERIOUS ANTI HEROES who aren’t afraid to KILL the bad guys! They’re also here to try and force Superman to retire his wholesome way of saving the day. This movie has amazing action animation and phenomenal writing that shows why the core character of Clark being kind still resonates with audiences when given the chance. (You’ve probably seen the big speech from this movie passed around youtube a lot and rightly so. This is a good one, go watch it!) Now, Superman has one of the all time iconic origin stories, but how does his story end? Well lots of writers have tried their hands at it. A few of them are good but my personal fave is probably ALL STAR SUPERMAN
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Lex Luthor finally finds a way to beat Superman, but Clark isn’t going down without a fight and without saving as many lives as he can. It’s a grand all star parade of all the wild and wacky pulp adventure camp that has built up around the legacy of the Last Son of Krypton. If you want a satisfying conclusion to Superman’s story then it’s hard to top this one. Heck the book is also pretty damn good too! 
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There is... a LOT of Superman content. 80 years worth to be exact. This list is far from complete and is only meant to serve as a starting point for diving into all this Super Lore. I for one am glad My Adventures With Superman seems to have lit a fire under the fanbase and I’m happy to welcome all you new readers and watchers to one of my all time favorite Superheroes.  HONERABLE MENTIONS! 
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SUPERMAN SMASHES THE KLAN! It’s exactly what the title says. Go read it! It’s inspired by the old school radio show (podcasts for your grandparents) that had REAL WORLD IMPACTS in the USA. 
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Finally, the 40′s Cartoons
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These are a BIT dated and light on actual plot and character but there’s a retro charm to some of these.  Okay, That’s enough from me. What are YOUR top recommendations for new fans? Let me know in the reblogs! 
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celticcrossanon · 2 months
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Hi Celta! Thank you for the truly insightful, if upsetting, recent readings. Soooo many court machinations! IMHO KCIII made a significant impact as the longest-serving PoW…perhaps, even, the best PoW in British history. And yes, he’s had a decades-long vision of what his own glorious reign would be like when his turn finally came, but now it’s all crumbling to the ground. It was inevitable, though, given HLMQEII’s long reign and KCIII’s accession as the oldest monarch, that KCIII’s own reign would be seen as a short interregnum - a mere bridge between his mother QEII’s iconic reign and his son WV’s own eagerly anticipated reign. Then KCIII quickly got cancer on top of it all.
IMO KC wants to burnish his own legacy as best he can in the relatively short period allotted to him. As a father figure, this means bringing his prodigal son Harold back into the fold. How embarrassing and sullying it will be historically, if KCIII goes down as “the King who banished his son” or even worse, “the King who stripped his loser son of his titles.” A Bad Father King, who failed as a parent. It reflects very poorly on KCIII, particularly in comparison to Super Dad William. 
KCIII cares primarily about himself, and then about Camilla. In the end, playing “loving, happy family” with Harry is 100% about KCIII and his own historical legacy. Game of Thrones indeed! Thank God the Mother of Dragons (Emilia Clarke) is Team Wales lol!
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Hi Nonny,
You are welcome for the readings.
I don’t know why King Charles would be worried about being in history as the father who banished his son, given the behaviour of said son. Look at how well history speaks of the banishment of the Duke of Windsor (married to Wallis Simpson). I think you could be right about the King’s motives, I just don’t see the sense in them, myself.
I wish the King would be content with his reputation as the longest serving Prince of Wales and what he has achieved in that time. He doesn’t have to be a spectacular king as well. He has said himself that he is a ‘caretaker’ king and that is not a bad thing to be - holding things together for the ones that come after is an honourable calling imo, especially if it is done well. 
I agree that King Charles’s first concern has always been and will always be for himself. I think he is very self centred like that.
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bossuets · 1 year
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read in 2023!
i did a reading thread last year and really enjoyed it so i am doing another one this year!! as always, you can find me on goodreads and my askbox is always open!
The Adventures of Tom Bombadil and Other Verses from the Red Book by J.R.R. Tolkien (★★★★☆)
Ninth House by Leigh Bardugo* (★★★★★)
Beowulf by Unknown, translated by Seamus Heaney (★★★★☆)
The Rise of Kyoshi by F.C. Lee (★★★★☆)
Hell Bent by Leigh Bardugo (★★★★★)
Her Body and Other Parties: Stories by Carmen Maria Machado (★★★★☆)
The Importance of Being Earnest by Oscar Wilde (★★★★★)
The Shadow of Kyoshi by F.C. Lee (★★★★☆)
The Black Flamingo by Dean Atta (★★★★★)
Nine Liars by Maureen Johnson (★★☆☆☆)
Sharks in the Rivers by Ada Limón (★★★☆☆)
Babel, Or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution by R.F. Kuang (★★★★★)
Firekeeper’s Daughter by Angeline Boulley (★★★★★)
Paper Girls, Volume 1 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)
Paper Girls, Volume 2 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)
There Are Trans People Here by H. Melt (★★★★★)
Everyone in My Family Has Killed Someone by Benjamin Stevenson (★★★★☆)
Paper Girls, Volume 3 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)
Paper Girls, Volume 4 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)
Howl’s Moving Castle by Diana Wynne Jones (★★★★☆)
Paper Girls, Volume 5 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)
The Guest List by Lucy Foley (★★☆☆☆)
Paper Girls, Volume 6 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (★★★☆☆)
The Princess Bride by William Goldman (★★★★☆)
Care Work: Dreaming Disability Justice by Leah Lakshmi Piepzna-Samarasinha (★★★★★)
Daisy Jones and the Six by Taylor Jenkins Reid* (★★★★★)
Goldie Vance, Volume 1 by Hope Larson, Brittney Williams
Hell Followed With Us by Andrew Joseph White (★★★★☆)
The Inheritance Games by Jennifer Lynn Barnes (★★★★☆)
The Hawthorne Legacy by Jennifer Lynn Barnes (★★★☆☆)
Are Prisons Obsolete? by Angela Y. Davis (★★★★★)
The Final Gambit by Jennifer Lynn Barnes (★★★☆☆)
Who Goes There? by John W. Campbell Jr. (★★☆☆☆)
The Left Hand of Darkness by Ursula K. Le Guin (★★★★★)
Going Dark by Melissa de la Cruz (★★★☆☆)
Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie by Ellen Cassedy (★★★★☆)
Why Didn't They Ask Evans? by Agatha Christie (★★★★☆)
The Murder on the Links by Agatha Christie (★★★★☆)
The Waste Land and Other Poems by T.S. Eliot
The Mostly True Story of Tanner and Louise by Colleen Oakley (★★★★☆)
Hollow by Shannon Watters, Branden Boyer-White, and Berenice Nelle (★★★★☆)
Heavy Vinyl, Volume 1: Riot on the Radio by Nina Vakueva and Carly Usdin (★★★★☆)
Burn Down, Rise Up by Vincent Tirado (★★★☆☆)
Heavy Vinyl, Volume 2: Y2K-O! by Nina Vakueva and Carly Usdin (★★★★☆)
Simon vs. the Homo Sapiens Agenda by Becky Albertalli (★★★★☆)
Five Little Pigs by Agatha Christie (★★★★☆)
Malibu Rising by Taylor Jenkins Reid (★★★★★)
Last Night at the Telegraph Club by Malinda Lo (★★★★★)
The Backstagers, Vol 1: Rebels Without Applause by James Tynion IV, Rian Sygh, and Walter Baiamonte (★★★☆☆)
The Odyssey by Homer, translated by Emily Wilson (★★★★☆)
The Backstagers, Vol 2: The Show Must Go On by James Tynion IV, Rian Sygh, and Walter Baiamonte (★★★☆☆)
A Midsummer Night's Dream by William Shakespeare (★★★★☆)
Happy Place by Emily Henry (★★★★★)
After Dark with Roxie Clark by Brooke Lauren Davis (★★★☆☆)
Night of the Mannequins by Stephen Graham Jones (★★★☆☆)
Lord of the Flies by William Golding (★★★★☆)
A Little Bit Country by Brian D. Kennedy (★★★★☆)
Built From the Fire: The Epic Story of Tulsa’s Greenwood District, America’s Black Wall Street by Victor Luckerson (★★★★★)
Cheer Up!: Love and Pompoms by Crystal Frasier, Oscar O. Jupiter, and Val Wise (★★★★★)
All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages by assorted authors, edited by Saundra Mitchell (★★★★☆)
Gwen and Art Are Not in Love by Lex Croucher** (★★★★☆)
St. Juniper's Folly by Alex Crespo** (★★★★★)
The Last Girls Standing by Jennifer Dugan** (★★☆☆☆)
Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann (★★★★★)
Where Echoes Die by Courtney Gould** (★★★★☆)
Your Lonely Nights Are Over by Adam Sass** (★★★★★)
Princess Princess Ever After by Kay O’Neill (★★★☆☆)
Thieves' Gambit by Kayvion Lewis** (★★★☆☆)
The Secret Adversary by Agatha Christie (★★★★☆)
You’re Not Supposed to Die Tonight by Kalynn Bayron (★★★☆☆)
Our Wives Under the Sea by Julia Armfield (★★★★☆)
Devotions by Mary Oliver (★★★★★)
The Lightning Thief by Rick Riordan* (★★★★☆)
The Sea of Monsters by Rick Riordan* (★★★★☆)
The Titan’s Curse by Rick Riordan* (★★★★★)
The Battle of the Labyrinth by Rick Riordan (★★★★★)
The Last Olympian by Rick Riordan (★★★★★)
Suddenly a Murder by Lauren Muñoz** (★★★★☆)
The Demigod Files by Rick Riordan (★★★★☆)
Big Little Lies by Liane Moriarty (★★★★★)
All That’s Left to Say by Emery Lord (★★★★★)
The Lost Hero by Rick Riordan (★★★★☆)
Who's Afraid of Virginia Woolf? by Edward Albee (★★★☆☆)
The Son of Neptune by Rick Riordan (★★★★☆)
The Spirit Bares Its Teeth by Joseph Andrew White (★★★★★)
Hallowe’en Party by Agatha Christie (★★★★☆)
M Is for Monster by Talia Dutton (★★★★☆)
The Mark of Athena by Rick Riordan (★★★★★)
Our Shadows Have Claws: 15 Latin American Monster Stories by assorted authors, edited by Yamile Saied Méndez and Amparo Ortiz (★★★★☆)
These Fleeting Shadows by Kate Alice Marshall (★★★★☆)
Northanger Abbey by Jane Austen (★★★★★)
The Hunger Games by Suzanne Collins* (★★★★★)
The Dead Romantics by Ashley Poston (★★★★☆)
Catching Fire by Suzanne Collins* (★★★★★)
The October Country by Ray Bradbury (★★★★☆)
Hamlet by William Shakespeare (★★★★☆)
The Legend of Sleepy Hollow by Washington Irving (★★★★☆)
Mockingjay by Suzanne Collins* (★★★★★)
The Appeal by Janice Hallett (★★★★☆)
The Westing Game by Ellen Raskin (★★★★☆)
The Carrying: Poems by Ada Limón (★★★★★)
The Hundred Years’ War on Palestine: A History of Settler-Colonial Conquest and Resistance, 1917-2017 by Rashid Khalidi (★★★★★)
Born to Run by Bruce Springsteen (★★★★★)
The Ballad of Songbirds and Snakes by Suzanne Collins* (★★★★★)
Know My Name by Chanel Miller (★★★★★)
Rifqa by Mohammed El-Kurd (★★★★★)
Bloodchild and Other Stories by Octavia E. Butler (★★★★☆)
The Witch Haven by Sasha Peyton Smith* (★★★★★)
The Moving Finger by Agatha Christie (★★★★☆)
The Essential Calvin and Hobbes by Bill Watterson (★★★★★)
A Murder is Announced by Agatha Christie (★★★★☆)
The World Keeps Ending, and the World Goes On by Franny Choi (★★★★★)
The Witch Hunt by Sasha Peyton Smith (★★★★☆)
That’s Not My Name by Megan Lally** (★★★★☆)
The Princess Diarist by Carrie Fisher (★★★★☆)
The House of Hades by Rick Riordan (★★★★☆)
Dark Tales by Shirley Jackson (★★★★☆)
Pageboy by Elliot Page (★★★★★)
All This and Snoopy, Too by Charles M. Schultz (★★★★☆)
The Blood of Olympus by Rick Riordan (★★★★☆)
Murder in the Family by Cara Hunter (★★★★☆)
The Mystery Writer by Sulari Gentill** (★★☆☆☆)
Comfort Me With Apples by Catherynne M. Valente (★★★★☆)
The Deep Sky by Yume Kitasei (★★★★☆)
Spell on Wheels Vol. 1 by Kate Leth, Megan Levens, and Marissa Louise (★★★★☆)
Spell on Wheels Vol. 2: Just to Get to You by Kate Leth, Megan Levens, and Marissa Louise (★★★★☆)
Freedom is a Constant Struggle by Angela Y. Davis (★★★★☆)
Kindred by Octavia E. Butler (★★★★☆)
The Christmas Appeal by Janice Hallett (★★★★☆)
So Far So Good: Final Poems: 2014 - 2018 by Ursula K. Le Guin (★★★★☆)
Murder on the Christmas Express by Alexandra Benedict (★☆☆☆☆)
Midwinter Murder: Fireside Tales from the Queen of Mystery by Agatha Christie (★★★★☆)
Mother-Daughter Murder Night by Nina Simon (★★★★☆)
Hercule Poirot’s Christmas by Agatha Christie (★★★★☆)
Wuthering Heights by Emily Brontë (★★★★★)
The Twelve Days of Murder by Andreina Cordani (★★★★☆)
The Christmas Guest by Peter Swanson (★★★★☆)
The Sittaford Mystery by Agatha Christie (★★★★☆)
The Twenty-Ninth Year by Hala Alyan (★★★☆☆)
Christmas Presents by Lisa Unger (★★★☆☆)
Letters From Father Christmas by J.R.R. Tolkien
Bellweather Rhapsody by Kate Racculia (★★★★☆)
An asterisk (*) indicates a reread. A double asterisk (**) indicates an ARC.
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thealmightyemprex · 10 months
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Superman REview:The Adventures of Superman:Clan of the Firey Cross
Superman has been adapted in multiple mediums but argubly the most important to the history of Superman is the radio series The Adventures of Superman .I'll go into why later but I hadnt listened to a full arc from this series ….So I decided to listent to what might be the most iconic and important arc,The Clan of the Firey Cross
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SO I usually include the voice actors in the plot synopsis …..But I couldnt find who the guest voices were ,so no cast in the synopsis this time though I will discuss the performances of Bud Collyer(Clark Kent/Superman) and Jack Grimes(Jimmy Olsen) later
In this 1946 arc,Jimmy Olsen is leading a baseball team ,where the star player is Tommy Lee,much to the irritation of Chuick Riggs ,who complains to his uncle Matt Riggs,who turns out to be a bigot and the leader of a hate group called the Clan of the Firey Cross,and uses a fight Tommy and Chuck as an excuse to do escalating violent acts from harassment to kidnapping and attempted murder ,while Clark Kent,Jimmy Olsen and Perry White try to unmask the terroist group
SO before I go into the plot of the episode,I wanna talk about the legacy .SO much of what we associate with Superman comes from this show.Supermans pal Jimmy Olsen ,his catankerous boss PErry White,his weakness Kryptonite,and his place of employment the Daily planet come from the radio show .It is where Superman first flew and first met Batman .The film serials directly adapted arcs from this show .BOth the Flishcer Superman shorts and the Filmation New Adventures of Superman share the actors ,namely Bud Collyer as Superman,and the Geoorge Reeves TV series Adventures of Superman is seen as a bit of a spirtual sucessor .HEck the famous "Look up in the sky! Its a bird,its a plane,its Superman" comes from this.THis might be the most important Superman adaptation EVER…..And I am tempted to check out more cause this arc was reallly good
Now this arc is pretty famous,mainly due to the villains being expies of the real terrorist group the Klu Klux Klan ,which was gaining popularity in the 40's .Now the reason for choosing the KKK as villains are two fold
1.The creators wanted to fight back against critics who saw the show as mindless violence by dealing with social issues and teaching kids about the dangers of bigotry
2.They needed new villains,during the war the go to villains were Nazis ,but the war was over so they werent as topical,and monsters and mad scientists had become a bit stale ,so this real life hate group were perfect foes for Superman
See a thing about Superman that people forget is he ,as he was originally envsioned,is a figure about social justice .Hes an immigrant from the stars who battled the injustices of the world .People harp on the power stuff that I think people dont realize his appeal is he is this powerful being who helps those without power and standa against those who use power cruelly
I went into this arc not knowing what to expect but honestly it holds up for the most part .As just a dramatic story it is THRILLING and TENSE .I was gripping my chair for a lot of this ,this is a very good Superman story.I always feel the best Superman tales bring out tension by having not Superman in trouble but someone he cares about ,in this case Jimmy and Perry.ALll the characters do their part well.Tommy is a likeable kid ,Chuck brings a sense of conflict as he is torn over his fears and what he knows is the right thing to do ,Matt Riggs is a detestable villain being the representative of fantacal hatred,Perry White while being very much against the clan ,he is sort oof in denile about how dangerous they are.JAck Grimes brings a niavete to Jimmy Olsen,hes a very good Jimmy.The standout howevber is Bud Collyer who protrays Superman with a powerful baritone and Clark with a meek tenor .Now I have heard Collyers take o9n Superman in other versions,butspecifically in this radio show he is one of of my fave takes on Supes,due to how no nonesense he is
As fir the message ,77 years later the message is still strong and admirable,telling kids that both racial and religious prejudice is wrong ,comparing the Clan to the Nazi (COnsidering the overlap between the two in the modern era,eerily prophetic ).They even go into the manipulative aspect of bigotry,how those at the top profit on the blind hatred of followers which feels ...Relevent .I also loved hearing how PISSED offf Superman gets at the idea of bigotry,Superman will not take any racist nonsense
Is it perfect ...No .Sadly I feel like the Lees while likeable ar kind of there to be victims and not characters.I wouldve preferred Tommy be more of a character instead of focusing so much on Chuck.There is also ...Poko,who I had to look up to know what his deal is.Basically he is a squeaky voiced alien who is Perry's personal chef who speaks in rhyme ....I do not like Poko .Also if you listen ,theres a lot of flag waving talk,but this was post WWII ,makes sense,its just amusing how frequent it is .They also use a certain slur for a Chinese person in this ....They use it a lot ,mostly by the villains
However despite some faults this is an admirable storyabout dangers of bigotry ,while still being a thrilling tale .ITs a good listen and makes me wanna listen to more of the radio series
@ariel-seagull-wings @the-blue-fairie @themousefromfantasyland @scarletblumburtonofeastlondon @amalthea9 @theancientvaleofsoulmaking @princesssarisa
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forevercloudnine · 2 years
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Hey, I've been meaning to ask you some recs for Superman, just general reading and watching list if possible, I absolutely know about nothing of the character outside of some Mr. Mxyzptlk conflicts and some homoerotic stuff with Lex Luthor. Also I would be the most grateful if you could list some DC stuff with Clex(Superman x Lex Luthor)
💗💗💗 Sure! Here are a handful of my faves:
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Legion of Super-Heroes (2006): Animated adaptation of a common plotpoint in Superman media, which is that a 31st century alliance of alien superheroes decide to take advantage of the invention of time travel and hang out with their favorite historical celebrity (guess who). If you were to watch one episode as a taste-test, I'd recommend S1:E3, "Legacy," where Alexis Luthor falls into the family habit of becoming obsessed with Superman. Lex also appears in-person during issue #13 of the tie-in comic, The Legion of Super-Heroes in the 31st Century (short run, loooong title).
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All-Star Superman: Maybe the most iconic Superman comic. An alternate universe story where Superman discovers he's dying and has to figure out what he wants to do with his limited remaining time. Deceptively heartwarming and a huge love letter to the Superman mythos. If you were to read one issue as a taste-test, I'd recommend #5, where reporter Clark Kent interviews death row inmate Lex Luthor. There’s also a pretty decent animated movie adaptation.
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Superman Red & Blue: One of DC’s many attempts to cash in on the iconic and unexpected success of Batman Black & White, but this cash grab has been nominated for like three Eisner awards, which is pretty decent. Each issue is an anthology of short stories-- my favorite, “For The Man Who Has Nothing,” is in #4 (which also happens to have a Mr. Mxyzptlk focused story, if that appeals to you).
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If you’re interested in a story about Conner (the Superboy Lex made from his and Superman’s DNA) and his relationship with his “fathers,” I’d recommend “The Boy of Steel” in Adventure Comics #1-3, #5 (second half), and #6.
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Also, Reign of the Supermen (2019) is a fairly popular animated movie condensing the comics where Lex created Conner in reaction to Superman’s death. Superman’s death itself was adapted in the imaginatively named The Death of Superman (2018). The pair were created as an endeavor to create a more comics-accurate adaptation to replace Superman: Doomsday (2007), which tried to cram everything into one movie and ended up just excluding Conner entirely. On the other hand, Superman: Doomsday has a scene where Lex gets shirtless and beats up a clone he made from Superman’s corpse while screaming “WHY DID YOU LEAVE ME?” before climbing on top of its unconscious body and calling himself its daddy. So sometimes comic accuracy isn’t everything.
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“Superman: Brainiac”: Action Comics #866-870. Maybe this should have been my first recommendation, since it’s a pretty good baseline for the typical Superman status quo, plus an explanation of the destruction of Krypton and one of the most prominent Superman baddies (the titular Brainiac, who pops up in a lot of these stories). But also the only reason I REALLY like this story is because of a few scenes centered around the difference between Clark being an orphan who never got to experience his birth culture, and his cousin Kara being an orphan who witnessed their birth culture being exterminated. There’s a scene where Clark says “Kara made me realize I know a lot of facts about Krypton, but I still don’t know what I’m missing,” which always makes me sad. He’s memorized everything he can about his birth culture, but that will never recreate Kara’s experience of actually living in it-- which is emotionally complicated because obviously he had a great childhood and never had to experience his home being destroyed, but also he’s completely disconnected from his heritage and never even got to meet the loved ones that Kara is mourning.
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New 52/Rebirth: I mostly read Superman comics for Lex, and I stand by my belief that the most fun portrayal of Lex is his doomed attempt at a redemption arc and the subsequent cosmic fallout in the current continuity. I’m going to reduce it to like three flagship stories-- if you enjoy them and want to read more of the context surrounding them I can give you a more detailed reading list, but I think these get the point across.
REDEMPTION ARC, KIND OF: Action Comics feat. Lex Luthor #23.3 and Forever Evil #1-7. Superman and the Justice League disappear after being defeated by their evil mirrorverse counterparts, leaving it up to Lex to save the world. After he does, he realizes he enjoys playing the hero and attempts to become one full-time by joining the Justice League. Justice League (2011) #30-50 are just Lex being rejected, blackmailing his way in, and getting rejected again for twenty issues or so.
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BREAKUP ARC: After a long series of shenanigans, Lex has started wearing the Superman symbol on his chest and Superman has been reluctantly working with him in Metropolis. But all the rejection eventually comes to a head in “Imperius Lex,” Superman (2016) #33-36, when Superman’s continued inability to trust Lex causes Lex to get frustrated and breaks off their alliance, giving up on the idea that Superman will ever accept him as a hero.
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COSMIC MELTDOWN: Okay so the shenanigans surrounding this plot are complicated, but to make a long story short, Lex finds the secrets of the universe while trying to cheer himself up by destroying his abusive father’s favorite bar in Justice League (2018) #2. By Lex Luthor: Year of the Villain #1 this knowledge has led him into becoming a higher being, but he’s still an insecure mess so he just uses his new abilities to travel between dimensions and screw over other versions of himself that seem happier than him (including a Lex who seems to have successfully married his Superman??? I’m not joking). Year of the Villain: Hell Arisen #1-4 is the story of how Lex ended up rejecting the new source of his power, but honestly you could just read #3, which is an interesting interaction between Lex and Joker where Joker gives Lex a very narratively-aware dressing down.
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Obviously this is a narrow selection of Superman media, but I think it covers a lot of bases? This isn’t official content, but I’d also recommend Ookla The Monk’s song “Suprema Lex” (which is on Spotify, though I personally found it through this Clex edit on Youtube).
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romancomicsnews · 9 months
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What the new "Heroes" of Superman Legacy can tell us about the DCU
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To somehow everyone's surprise, it seems DC has jumped the Gunn. (See what I did there?)
While many were convinced the antagonists of the 2025's Superman Legacy would be The Authority, The Elite, or even a mixture of the two, it appears for now it may be a prototype version of the Justice League.
James Gunn has casted three JLA members including Isabela Mercad as Hawkgirl, Edi Gathegi as Mister Terrific, and Nathan Fillion as Green Lantern AKA Guy Gardner.
While the Authority, the Elite, or even another major Superman villain can play a part, I believe the spot of heroes who "do what they have to" may have been taken.
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While this is a shocking turn of events, and one that may be regretful as over world building was the death of the DCEU, I do think these castings and choice of characters tells a good deal about Gunns priorities.
You see, unlike Black Adam, which brought together a team Justice Society members who it seemed Warner Bros said The Rock could have, this team seems purposeful.
So let's go through the characters and see their potential for the DCU:
Starting with the one I'm most excited for:
Isabela Merced as Hawkgirl
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You thought I was gonna say Green Lantern, didn't you?
Isabela Merced is a fairly young actress, known for roles like Juliet in Hulu's Rosalind, The Widow Queen in Maya and the Queen, and most famously....
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Dora Dora Dora the Explorer.
Merced is a bright young talent, who has been consistently working since 2014 and landed decent roles in big projects. Whether she continues on to be a great character actress or a leading actor, adding Merced in the DCU early almost guarantees having a star down the line.
But even more importantly than any of that, Hawkgirl is a great choice to begin a DCU.
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Like Clark, she is an alien, a young hero, and a brawler. The two can find common footing and begin a very heartfelt friendship that can last throughout the DCU.
Unlike her counterpart Hawkman who isn't really any interesting, Hawkgirl was a founding member of the team for many peoples introduction to DC, The Justice League and Justice League Unlimited cartoons.
More than that, her betrayal for her home race of Thanagarians is one of the most iconic parts of the show.
If that is part of the larger narrative Gunn is trying to tell, that tells me Gunn is honoring what fans actually love.
Plus having a Peruvian woman play Hawkgirl just makes my Latinx/Hispanic heart happy.
Edi Gathegi as Mister Terrific
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I'm glad Darwin is getting another shot at this superhero thing.
Known for his roles in X-Men First Class, Twilight, The Blacklist, and The Harder They Fall, Edi Gathegi has also had a rather impressive career.
I like this trend Gunn has currently with Gathegi, Merced and Corenswet of actors you may recognize but not know.
What's more interesting than the cast is the character.
Mister Terrific is considered the third smartest person in the DC Universe. While he is known to use T-Spheres as a weapon, he also is an extremely skilled hand to hand combatant, a Renaissance man if you will.
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To put him in perspective, he often has a friendly rivalry with Batman.
Terrific is a fan favorite character, and one we haven't seen before in film. He can bring a dynamic fighting style, and a perspective of advanced intellect that can challenge Clark. Gunn clearly wants to bring in the characters people love, in a way they don't expect.
Which leads me to:
Nathan Fillion as Green Lantern
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Just not the one you're thinking.
I could go into Fillion's history, but you know him. Castle. Firefly. The Rookie. He's an icon.
While he was famously fan casted and even voiced Green Lantern Hal Jordan in several pieces of animated media, Nathan Fillion is now the DCU's Guy Gardner.
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Which is, bizarre.
While Fillion is more than a capable enough actor, and has the comedic timing to play the role, I never would've expected a Green Lantern in the first Superman movie, let alone THIS one.
For those not in the know, Guy Gardner is the asshole Green Lantern. He was a football star who suffered a career ending injury in college, and kind of lives in his glory days. He's a more aggressive, often more obnoxious Lantern. Definitely the least heroic of the bunch.
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Introducing Guy as the first Green Lantern, and likely leader of the JL that lost their way, makes a lot of sense. It could tempt Clark to be more like Guy, and even better, remind Guy what it means to be a hero.
In any case, character shows me Gunn is not following a specific playbook. There is no order to which Lantern comes first, nor Flash, nor any character.
Which is kind of exciting.
James Gunn has hit us with a huge curveball, basically telling us to expect the unexpected.
Which to me is a breath of fresh air.
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bongaboi · 2 months
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Call it a dynasty: In Eras Tour of own, Chiefs rally to win 3rd Super Bowl in 5 years
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In a small side room at the Chiefs’ team hotel on Tuesday, Chiefs chairman and CEO Clark Hunt considered the question of how this period in the team’s history might be perceived a generation or two from now. 
Even with the franchise about to play in its fourth Super Bowl in five years while seeking to become the first team to repeat in nearly two decades, Hunt prefaced his response by saying “I certainly hope it doesn’t end any time soon.” 
“I think how you end up labeling this era of Chiefs football is really for an outside observer,” he continued, smiling and adding, “It’s not for me to say what it was, to label it with the ‘D’ word.” 
While how long it goes remains to be seen, any lingering debate or quibbling about whether this remarkable time constitutes the “D” word — dynasty — were quelled on Sunday night at Allegiant Stadium when the Chiefs outlasted the San Francisco 49ers 25-22 in just the second Super Bowl to go to overtime. 
The Chiefs prevailed on Patrick Mahomes’ 3-yard touchdown pass to Mecole Hardman, establishing another landmark in the Chiefs’ very own Eras Tour. 
Emblematic of a regular season that often was a grind and at times made the Chiefs appear vulnerable and splintering, they fell into a 10-0 first-half deficit that featured more airing of grievances in Travis Kelce’s appalling and berserk dash into Chiefs coach Andy Reid. 
Also mirroring the season, though, they reset and rallied courtesy of the defense that never rested and four field goals by Harrison Butker — including a Super Bowl record 57-yarder and a 29-yarder with 3 seconds left to send the game into overtime. 
And with the considerable help of a stupefying special teams blunder by the 49ers that set up the Chiefs’ vital first touchdown on a pass from Mahomes to Marquez Valdes-Scantling — the picture of redemption this postseason after a dud regular season. 
While perhaps none of this recent run could eclipse the sheer thrill of winning Super Bowl LIV after a 50-year drought, the real triumph has been all they’ve achieved since … and it would be hard to top how it went Sunday. 
As the air has gotten thinner and thinner on the way to the top in a league predicated on creating parity, the Chiefs fended off so many factors — including their own issues — to achieve something seldom seen in the annals of pro football history. 
Whatever else is to come, the victory cemented an enduring legacy for the Chiefs and particularly Reid and Mahomes — the man who altered the very meaning of what it is to be a Chiefs fan and even the self-image of Kansas Citians. 
With a third Super Bowl victory to his name, Reid now trails only Bill Belichick (six) and Chuck Noll (four) and is on trajectory toward becoming the winningest overall coach in league history should he continue to coach for another five or six seasons. 
With Mahomes’ third Super Bowl title, he now is 15-3 in postseason play and in Super Bowl wins trails only Tom Brady (seven) and Joe Montana and Terry Bradshaw with four apiece. 
At age 28. 
If that speaks to the abundant future possibilities with Mahomes, the victory also embodied the rich intersection of the Chiefs’ past and present. Because it reiterated the momentous place in the pro football world of the Hunt family, starting with Chiefs and AFL founder Lamar Hunt, who died in 2006, and Norma Hunt, who died last summer. 
In the first Super Bowl ever played without the regal “First Lady of Football,” the Chiefs punctuated a season of wearing a patch honoring her with an exclamation point paying further tribute. 
The game and season also will be remembered for the glitz and glamor of the Taylor Swift Effect: The worldwide pop icon’s rabidly followed relationship with Kelce has had a multiplier effect on the popularity of the NFL itself but also on the Chiefs’ ambitions to become “the world’s team.”
 (As if the Swift-Kelce dynamic hadn’t been phenomenon enough, having one of the most popular performers on Earth fly here between concert dates in Japan and Australia to attend one of the most-watched events in the history of the planet makes for a mind-blowing impact that could take years to fully comprehend.) 
And that world’s team campaign surely was enhanced by winning their third Super Bowl in five years to give them four overall — two fewer than New England and Pittsburgh’s record six and one behind Dallas and San Francisco’s five. 
But something else distinguished the meaning of this win. 
Not just the result but the journey. 
Not the glitz but the grit, perhaps captured in a snapshot of a chunk of Mahomes’ helmet being knocked off in the 30-below windchill of the playoff opener against Miami. T
his has been not so much about the spectacular scenes that have so defined the Mahomes Era but the resolute and methodical moments from a simplified offense and the anchoring of a stellar defense that paved the way and enabled all this. In this four-year cycle, as general manager Brett Veach put it last week, “everything has just kind of flipped itself.” 
With a laugh, he thought of the contrast between previously just hoping the defense could get the opponent “to punt once” to give the Chiefs a chance to feeling that if the offense can just score once “we’re good.” 
While the offense reset from an epidemic of dropped passes and pivotal offensive penalties and other issues, that came only after it pushed off bottom after the Christmas Day debacle against the Raiders. 
The hideous 20-14 loss was marked by disorganization and sideline dissension, including the bizarre spectacle of Reid turning his back to the start of an offensive drive to block the return of Kelce’s helmet to him after Kelce had spiked it. To that point the Chiefs were an aimless 9-6, and nothing was assured — even a playoff berth. 
“It’s almost like because of the (past) success, there’s that mindset (that) this team might be just fast-forwarding to the playoffs,” Veach said. “But it’s so hard to do, you can’t do that. And (if) you do that, you might not end up making the playoffs.” 
So that Raiders game, Veach said, made for a “come-to-truth moment” that may not have been as effective if the Chiefs had snuck in a win and been lulled into thinking everything was fine.
 The Star’s Sam McDowell diagnosed the turning point last week: 
The coaches met alone first, without any players, and decided to “make things easier for the players schematically,” Chiefs offensive coordinator Matt Nagy said. So coaches shortened play calls to reduce the lengthy and complicated verbiage, reduced substitution patterns and made a concerted effort to get plays into Mahomes’ headset more promptly.
 The decluttering helped diminish crucial pre-snap mistakes and clarify assignments, making for far crisper offense. 
But the Chiefs have continued to play a more complementary style to take advantage of the breakthrough defense — traits that proved essential on the way to the monumental win on Sunday that stands for something more. 
“Each one is more satisfying than the last,” Veach said the other day. 
He was speaking of just getting to the Super Bowl, but the same doubtless applies to winning it. 
So the Chiefs will revel in this for days, including at the parade on Wednesday. But soon they will be looking toward the future and another tier of possibility. No team ever has won three straight Super Bowls. 
That in itself will be a fresh challenge, and the Chiefs will have to contend with some offseason question marks before they embark: 
Will they be able to sign Chris Jones to a long-term deal after being unable to last offseason? 
What if Travis Kelce were to retire — a prospect he has hinted at considering only to later walk back? 
And might Reid, now 65, be pondering that despite the Chiefs’ brain trust saying they expect him to stay for years longer? 
But that’s all for another day while we try to process and appreciate this momentous feat — all the more incredible considering the half-century of futility before. 
Asked the other day if he ever steps back and thinks to himself how this all happened, Hunt immediately pointed to the hiring of Reid after the 2012 season as the day it all started to change. 
Optimistic as he was then, he smiled and added, “I would be lying if I told you that (I thought) we would have this level of sustained success with him.” 
Sustained enough already to call it the “D word” — a term that may need amplifying in the years to come.
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influenzalake · 4 months
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Batfam and Superfam as Dead By Daylight Chapter Releases
consider this a part 3 to the previous DBD chapters  (as of 12/23, there are 30 chapters) ~
Bruce: A Lullaby For The Dark Chapter - this chapter from both sides turned the game upside down 
Selina: Cursed Legacy - a chapter that held a lot of lore and connection significance, the full story would not make sense without it
Clark: The Last Breath Chapter - changed the game and is still recognized today for this
Lois: The Ghostface Chapter - if you know you know, iconic reporter and one of a first of its kind, beloved by the community
Dick: The Halloween Chapter - this was the first licensed chapter, it put DBD into the spotlight and set the stage / standard for those who came after
Jason: The Demise Of The Faithful Chapter - painfully overlooked, but one of the most interesting and fervent chapters in the game 
Tim: The Silent Hill Chapter - some say this chapter is "perfect", this chapter has flourished well with the good relationships 
Damian: The All Kill Chapter - hated and disliked at the beginning, memed on frequently, is described by some as annoying, but is actually incredible. with all the controversy, the fashion (and music) of this "chapter" is TOP OF THE LINE
Jon: The Stranger Things Chapter - this chapter is the triumph of two legends and was done so incredibly well, until it was taken from us     (((UNTIL RECENTLY!!! WELCOME BACK ST!!)))
Conner: The Hour Of The Witch Chapter - did anybody ask for this one? no. was it well received by the community? no. is it still an important part of the game? yes. 
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briangroth27 · 1 year
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Look! Up in the Spinner Rack!
It's a bird! It's a plane! It's Action Comics #1!
Yesterday (April 18, 2023) was the super-impressive 85th anniversary of Superman & Lois Lane's first appearances! These two are among my absolute favorite characters in all of fiction & it's amazing to see them continue to flourish & inspire today. There's something indelibly timeless & iconic about the Superman mythos & visuals that makes me feel like a kid again, fully believing a man can fly & wishing I could too.
I vehemently disagree that Superman's outdated & needs to be "cooler." He is cool, he's just not the angry power fantasy some people wish he was. There are other characters for that, but that doesn't mean Clark's one-dimensional or stagnant. He's not an unrelatable god either: he's an immigrant, an adopted son, a husband, a father, a friend. I also prefer him choosing to be a hero in the face of corruption–and because he himself was helped when he was most vulnerable–to being sent here on a mission to save & inspire us; he’s inspirational without being issued a mandate. Whether you prefer Clark Kent or Superman as the primary guy--I've come to think neither is a mask & they're both exaggerated yet honest sides of his personality--he proves power doesn't have to corrupt, that no matter where you're from you can help make things better, and that no matter how weak we seem or powerless we feel, we can all be someone's greatest hero in the fight for truth, justice, & a better tomorrow.
A long time ago I saw someone say Lois is such a strong character that she could've existed without Superman & been just as great, & that's absolutely true. While I love the screwball comedy tenor of their romance, the fact that she's Clark's equal in the fight for justice (& his superior in journalism) makes her every bit the hero he is. Sure she gets into danger a lot, but usually it's her tenacity to stop criminals & get the story that lands her there, not a plot requirement for Superman to rescue someone. I don't buy that Superman's humanity & goodness rests entirely on Lois--he loves people & that should be why he pursues journalism, to hear & share their stories, so if he did lose her he wouldn't lose himself--but the two of them absolutely evolve each other's worldviews & arcs brilliantly. Her cynicism & jaded view of the world fading when confronted by both Clark & Superman--but never losing her wit or edge--compliments Superman's never-ending battle challenging his optimism & faith in people perfectly.
Smallville is my absolute favorite version of Superman because of the writing, directing, acting, characters, relationships, & brilliant balance of Clark's dual heritages culminating in his ability to fly. It also didn't hurt that it hit at exactly the right time for me, as I was a year older than Clark when it aired & am still finding commonalities between us (both positive & regrettable hahaha) as I rewatch it again in tandem with Tom Welling & Michael Rosenbaum's Talkville podcast. Smallville also had a tone that allowed for relationship drama, horror-tinged villains, campy fun, & heightened comic book adventures, all grounded by human relationships (& it's my favorite show ever; the one that makes me want to be a writer), but there are so many other great iterations of the Man of Steel out there for everyone! Christopher Reeve (whose acting hands-down proves the glasses & demeanor change works), Superman & Lois, Superman Smashes the Klan, Superman: Miracle Monday, Superman the Animated Series, & Superman: Secret Identity are just a few of the best ones. Take time to check some out this week!
Despite all we've gotten in film, TV, animation, radio, & comics over the decades, there's a beautiful scene in Miracle Monday I've never seen adapted anywhere & I hope we finally get in Superman & Lois, My Adventures with Superman, or the newest iteration in Superman Legacy: at an especially low point, Clark flies to the arctic & just listens. He hears something no one else can--the sounds of the entire planet harmonizing to form the "song of the Earth"--and his heartbeat completes the song, showing him this is where he belongs.
It's insane that we're just 15 years out from Action Comics' 100th anniversary. How will the Man of Tomorrow meet our actual tomorrow? I can't wait to find out & see what's next for Lois & Clark (& Kara, John Henry, Jimmy, Jon, Natasha, Kong, Connor, Krypto, Lana, Martha, Jonathan, Perry, Lex, Brainiac, Bizarro, Parasite, Mxyzptlk, Metallo, Livewire, Silver Banshee, and the rest)!
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legaciesthings · 2 years
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RYAN CLARKE, S04E06.
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clay-cuttlefish · 7 months
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Rebirth time, all the way to Event Leviathan. Already bracing myself for some of these, but there's some decent stuff in here too, just gotta pick through the sludge.
Renee spends 2016-2018 bouncing around various Bat comics with a handful of lines an issue like she did pre-character-development, but she mostly works with Kate, which is a bit of a silver lining.
Batwoman #17-18
Kate and Renee get back together and it's cute enough I'm willing to stop being annoyed while I read it.
Almost all their previous romantic moments are immediately followed by divorce so it's nice to see them just being goofy and adorable.
Is this trying too hard? Maybe. Am I charmed anyways? Yes.
Action Comics #1005
Vic's back! Running around Metropolis and not explaining anything!
Genuinely this is such a fun way to reintroduce him, it feels fitting that it's unceremonious. You get no context for who he is, no explanation for why he's here, he's just Doing Things.
Doomsday Clock #9
I feel like I have to mention: Geoff Johns was the one that suggested Renee become the Question. He's also specifically credited with a couple good moments in 52, so clearly he's capable of understanding Vic, he's just chosen not to here for the sake of putting more Watchmen references in his Watchmen crossover.
God Doomsday Clock is so stupid.
Vic does get to save Ted for a panel so that's nice I guess.
Batman #66
The idea that Bruce is so unbelievably bad at processing his emotions that he had to dream up Vic as the fucking Divorce Understander is hysterical.
They haven't been in a comic together in nearly 20 years, Vic just lives rent free in his head that much.
Terrible comic but remembering it makes me laugh.
Action Comics #1009
Back in Metropolis, Vic's chilling out investigating Leviathan.
I'm not a big fan of this look, it's a little too Rorschach for me, but hey it's nice that he's here.
Also not super into his dialogue but it works alright as deadpan snark.
Lois Lane #1
WE ARE SO BACK
You would think a character who's been around for this long would have multiple good writers but nope Rucka is singlehandedly carrying her.
Critically: it's about journalism! That's pretty much the ideal way to smack some characterization back into Renee. So much of O'Neil's Question is about that rift between Vic the reporter and Question the vigilante, and about the ways in which those roles can do good, so drawing on those themes grounds this progression even as it's a sharp course correction.
I'm not a big Superman guy, he's neat but doesn't grab me, but the bits of Clark from Lois' perspective do more to sell me on him than any event I've read. They remind me of my parents and that's 100% a good thing. It's adorable.
#2
The snippets of other news stories about how heroes impact the political landscape do more to create a world that feels alive than, like, 90% of comics I've ever read.
Lois Lane, dyslexic icon.
It's got everything. Intrigue. Drama. Worldbuilding through trashy TV. Renee breaking and entering. Lesbian flirting. Compelling mysteries. DC's best het couple. Comic books are good, actually.
#3
The only thing better than one Question? TWO OF THEM.
Looking at them hugging is not enough I need to eat the panel.
The long silent sequence into the action scene into them hugging is perfectly paced.
Somehow, despite how unwell Vic and Renee make me, Clark and Lois are nearly as good here.
#4
"You were my best friend, you saved my life. And then you died." "I know who you are. You're my friend, you're Renee Montoya, and you're my legacy." They are everything.
It's so good that them catching up is a strange, quiet moment. Yeah, the cause of this is cosmic weirdness, but the effects are so personal.
I can't help but read Lois' "Sage. You're off your beat." to Vic as exasperated. Respectable. He's exasperating.
#5
Vic and Renee both crushing on Lois is cute.
I love how self-assured Renee is here. She's the Question, and she knows exactly how cool that is... but "being the Question with fresh eyes" means having to relearn the limits on violence. Beating people up is one thing, interrogation is another.
Event Leviathan
I've put this all in one chunk instead of trying to interlace it with Lois Lane, since it ends right before issue 6 and there aren't any great ways to spread it out more.
The event so pointless Jimmy Olsen spoiled the reveal.
None of the plot is interesting to me, but Vic's fun, I always like Lois Lane, it could be worse.
I like this characterization for Vic. He's chilled out since he's came back from the dead, and he's got less of a personal stake than most of the others so he's decent at staying on track, but he's also quick to play into whatever dumb banter's going on.
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littleeyesofpallas · 1 year
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Unpopular opinion: I know people love Jon, especially now that he's Supertwunk and all.. and I know Clark×Lois is sort of THE icon of squeaky clean, superhero embodies mainstream American values romance, and how the temptation is to give them that generic unmuddled and uncomplicated happy ending, but I really just can't let go of the headcanon that Clark should absolutely not be able to procreate with a human, and that the acceptance of that inability to have his own kids with Lois, as well as the struggle with notions of his, and Krypton's legacy that might come from that, should 100% be a core facet of his character later in life.
And that applies whether or not the alternative to explore is
not having kids at all,
adopting kid(s),
a clone situation like Conner(if not Conner himself),
or some kind of human sperm doner/kryptonian surrogate pregnancy situation.
Nothing against Jon personally; his run as superboy was fun, him as superman has been fine (but such a mundane "fine" that feels hard to justify at times), but he's honestly kind of the worst possible outcome of Clark and Lois's relationship. Not by any direct fault of his own but just because his existence is mutually exclusive to so many better stories that could be being told about Superman as a father.
Like... I understand the temptation- not even "temptation" but just reflex- to want, or even to just assume out of hand, that of course Superman would have the most effortless, uncomplicated, picture perfect version of any normal life event. He's SUPERMAN. He makes everything look good. Superman doesn't get into interpersonal drama, he's always optimistic, and hopeful, and inspiring, etc... It's what transforms the big blue boyscout routine from obnoxious unreality to aspirational exemplar.
And that's kind of why I'm so into the idea of him and Lois wanting but not being able to have their own kids; because that's a very real thing for a lot of couples, and it's something that is all too frequently treated as some great tragedy for them(even as i write this i struggle to think of clear terms for this that aren't built on questionable if not outright negative connotations) But it's far from an end of the world scenario. And that's precisely why the sparkling paragon that is SUPERMAN being able to shine an optimistic light on those alternatives to concieving a child feels so powerful.
(Oh and thats not even touching on the parallels with his own parents. I kind of forget that an implicit part of his backstory is that Jon and Martha never had kids of their own.)
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