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#classical indian philosophy
americanminervan · 6 months
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Tracing the Ancient Wisdom-Religion in Theosophy and Samkhya
TRACING THE ANCIENT WISDOM-RELIGION: NOTE ON THE NATURE OF MATTER IN THEOSOPHY AND THE Sāṃkhya SYSTEM “What we desire to prove is, that underlying every ancient popular religion was the same ancient wisdom-doctrine, one and identical, professed and practised by the initiates of every country, who alone were aware of its existence and importance. To ascertain its origin, and the precise age in…
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sapphireshorelines · 2 years
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[...]nowadays in the evenings when the moon rises and I sit outside on the boat on my easy chair with my legs stretched out and my eyes half shut, and the soft evening breeze keeps touching my overwrought, heated forehead, then this water, land and sky, this murmuring river, the occasional wayfarer upon the shore and the coming and going of the occasional fisherman’s dinghy on the water, the obscure edges of the field in the moonlight and the distant, almost asleep villages surrounded by rows of trees—all of it appears like a shadow, like māẏā, yet that māẏā embraces life and the mind more truly than truth itself—and then it seems that it cannot be that the salvation of the human soul lies in freedom from the hands of this māẏā.
Shilaidaha, 19 August 1894
Rabindranath Tagore to his niece Indira, from Letters From a Young Poet, translated from Bengali by Rosinka Chaudhuri
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raffaellopalandri · 2 years
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Book Of The Day - Science and Philosophy in the Indian Buddhist Classics, Vol. 1: The Physical WorldBook Of The Day
Book Of The Day – Science and Philosophy in the Indian Buddhist Classics, Vol. 1: The Physical WorldBook Of The Day
Today’s Book Of The Day is Science and Philosophy in the Indian Buddhist Classics, Vol. 1: The Physical World by His Holiness the Dalai Lama and Thupten Jinpa (Editor). This series of books, of which Science and Philosophy in the Indian Buddhist Classics, Vol. 1: The Physical World represents the first volume, will give the readers the fantastic opportunity to have a multi-cultural insight of…
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lesewut · 2 years
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Tagore Special
Throughout our history the perspective of narratives is an immanent factor of evaluating events. For authentic and critical analysis it is important to consider many polyvalent circumstances. Tagore is aware of the western influence on Indian society, the traumatic experiences but also the reciprocity of cultural exchanges.
Tagore is a poet, rooted in philosophy
I adore his clear and direct language, his optimistic comprehension and his intention to make all those different mind-sets of his big country, transparent.
What a beautiful minded mediator! If you have the chance, read all you can find by Tagore
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omtv · 2 hours
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Exploring Vedic Philosophy: A Journey into Ancient Wisdom with Omtvlive
Have you ever wondered about the ancient wisdom that has shaped the spiritual and philosophical landscape of India for centuries? Look no further than Vedic philosophy. In this blog post, we'll take a deep dive into the fascinating world of Vedic philosophy, exploring its key concepts, teachings, and relevance in the modern world. And as we embark on this journey of discovery, we'll be guided by Omtvlive, a trusted source for insightful discussions and interpretations of Vedic wisdom.
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Understanding Vedic Philosophy
Vedic philosophy refers to the spiritual and philosophical teachings found in the Vedas, the ancient sacred texts of India. These texts are among the oldest religious scriptures in the world and are revered for their profound insights into the nature of existence, consciousness, and the universe.
At the heart of Vedic philosophy lies the concept of Dharma, which encompasses moral duty, righteousness, and cosmic order. Dharma serves as the guiding principle for human conduct, encouraging individuals to live in harmony with the universe and fulfill their responsibilities in society.
Key Concepts of Vedic Philosophy
Karma: Central to Vedic philosophy is the idea of Karma, the law of cause and effect. According to this concept, every action we perform, whether good or bad, has consequences that affect our present and future experiences. By understanding and accepting the law of Karma, individuals can take responsibility for their actions and strive for spiritual growth and liberation.
Moksha: Moksha, or liberation, is the ultimate goal of life according to Vedic philosophy. It refers to the liberation of the soul from the cycle of birth and death (samsara) and the attainment of union with the divine. Achieving Moksha involves transcending worldly desires and attachments and realizing the true nature of the self.
Atman and Brahman: Vedic philosophy teaches that the individual soul (Atman) is inherently connected to the universal consciousness (Brahman). While Atman represents the individual self, Brahman is the ultimate reality that pervades all existence. Through spiritual practice and self-realization, individuals can experience the unity of Atman and Brahman and realize their true divine nature.
Relevance of Vedic Philosophy Today
Despite being thousands of years old, Vedic philosophy remains highly relevant in the modern world. Its timeless teachings offer valuable insights into the human condition and provide practical guidance for leading a meaningful and fulfilling life. Here are a few ways in which Vedic philosophy continues to inspire and enrich our lives today:
Spiritual Growth: In a fast-paced and materialistic world, Vedic philosophy reminds us of the importance of spiritual growth and self-realization. By cultivating virtues such as compassion, truthfulness, and humility, individuals can nurture their inner spiritual essence and find deeper meaning and purpose in life.
Mindfulness and Meditation: Practices such as mindfulness and meditation, which are rooted in Vedic philosophy, have gained widespread popularity in recent years for their numerous benefits to mental and emotional well-being. These practices help individuals cultivate present-moment awareness, reduce stress, and enhance inner peace and clarity.
Environmental Stewardship: Vedic philosophy emphasizes the interconnectedness of all living beings and the importance of living in harmony with nature. In an era of environmental crisis, the principles of sustainability and ecological balance espoused by Vedic philosophy offer valuable insights into how we can better care for the planet and preserve its natural resources for future generations.
Exploring Vedic Wisdom with Omtvlive
As we navigate the vast ocean of Vedic philosophy, Omtvlive serves as a beacon of light, illuminating the path with its insightful discussions, teachings, and interpretations. With a team of dedicated scholars and practitioners, Omtvlive offers a treasure trove of wisdom and inspiration drawn from the ancient Vedic scriptures.
Through its online platform, Omtvlive provides a wealth of resources, including articles, videos, podcasts, and live events, to help individuals deepen their understanding of Vedic philosophy and integrate its timeless teachings into their daily lives. Whether you're a seasoned seeker or a curious beginner, Omtvlive welcomes you to join the journey of self-discovery and spiritual exploration.
Conclusion
In conclusion, Vedic philosophy offers a profound and timeless understanding of the nature of reality and the human experience. With its emphasis on spiritual growth, moral values, and universal consciousness, Vedic philosophy continues to inspire and uplift countless individuals around the world. With Omtvlive as our guide, we can embark on a transformative journey of self-discovery and enlightenment, drawing wisdom and inspiration from the ancient teachings of the Vedas. visit site: https://blog.omtvlive.in/
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burst-of-iridescent · 2 months
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South Asian and Hindu Influences in ATLA (Part 2)
disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.
please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.
Part 1
In the previous post, I discussed some of the things ATLA got right in its depictions of desi and hindu cultures. unfortunately, they also got plenty of things wrong - often in ways that leaned towards racist caricatures - so let's break them down, starting with...
Guru Pathik
both the word "guru" and name "pathik" come from sanskrit. pathik means "traveler" or "he who knows the way" while guru is a term for a guide or mentor, similar to a teacher.
gurus were responsible for the very first education systems in ancient india, setting up institutions called gurukuls. students, referred to as disciples, would often spend years living with and learning from their gurus in these gurukuls, studying vedic and buddhist texts, philosophy, music and even martial arts.
however, their learning was not limited merely to academic study, as gurus were also responsible for guiding the spiritual evolution of their disciples. it was common for disciples to meditate, practice yoga, fast for days or weeks, and complete mundane household chores every day in order to instill them with self-discipline and help them achieve enlightenment and spiritual awareness. the relationship between a guru and his disciple was considered a sacred, holy bond, far exceeding that of a mere teacher and student.
aang's training with guru pathik mirrors some of these elements. similar to real gurus, pathik takes on the role of aang's spiritual mentor. he guides aang in unblocking his chakras and mastering the avatar state through meditation, fasting, and self-reflection - all of which are practices that would have likely been encouraged in disciples by their gurus.
pathik's design also takes inspiration from sadhus, holy men who renounced their worldly ties to follow a path of spiritual discipline. the guru's simple, nondescript clothing and hair are reflective of the ascetic lifestyle sadhus are expected to lead, giving up material belongings and desires in order to achieve spiritual enlightenment and, ultimately, liberation from the reincarnation cycle.
unfortunately, this is where the respectful references end because everything else about guru pathik was insensitive at best and stereotypical at worst.
it is extremely distasteful that the guru speaks with an overexaggerated indian accent, even though the iranian-indian actor who plays him has a naturally british accent. why not just hire an actual indian voice actor if the intention was to make pathik sound authentic? besides, i doubt authenticity was the sole intention, given that the purposeful distortion of indian accents was a common racist trope played for comedy in early 2000s children's media (see: phineas and ferb, diary of a wimpy kid, jessie... the list goes on).
furthermore, while pathik is presented a wise and respected figure within this episode, his next (and last) appearance in the show is entirely the opposite.
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in the episode nightmares and daydreams, pathik appears in aang's nightmare with six hands, holding what appears to be a veena (a classical indian music instrument). this references the iconography of the hindu deity Saraswati, the goddess of wisdom and knowledge. the embodiment of divine enlightenment, learning, insight and truth, Saraswati is a member of the Tridevi (the female version of the Trimurti), one of the most respected and revered goddesses in the Hindu pantheon... and her likeness is used for a cheap laugh on a character who's already treated as a caricature.
that's bad enough on its own, but when you consider that guru pathik is the only explicitly south asian coded character in the entire show, it's downright insulting. for a show that took so many of its foundational concepts from south asia and hinduism and yet provided almost no desi representation in return, this is just rubbing salt in the wound.
Chakras
"chakra", meaning "circle" or "wheel of life" in sanskrit, refers to sources of energy found in the human body. chakra points are aligned along the spine, with energy flowing from the lowest to the highest point. the energy pooled at the lowest chakra is called kundalini, and the aim is to release this energy to the highest chakra in order to achieve spiritual enlightenment and consciousness.
the number of chakras varies in different religions, with buddhism referencing five chakras while hinduism has seven. atla draws from the latter influence, so let's take a look at the seven chakras:
Muladhara (the Root Chakra). located at the base of the spine, this chakra deals with our basest instincts and is linked to the element of earth.
Swadhisthana (the Sacral Chakra). located just below the navel, this chakra deals with emotional intensity and pleasure and is linked to the element of water.
Manipura (the Solar Plexus Chakra). located in the stomach, this chakra deals with willpower and self-acceptance and is linked to the element of fire.
Anahata (the Heart Chakra). located in the heart, this chakra deals with love, compassion and forgiveness and is linked to the element of air. in the show, this chakra is blocked by aang's grief over the loss of the air nomads, which is a nice elemental allusion.
Vishudda (the Throat Chakra). located at the base of the throat, this chakra deals with communication and honesty and is linked to the fifth classical element of space. the show calls this the Sound Chakra, though i'm unsure where they got that from.
Ajna (the Third Eye Chakra). located in the centre of the forehead, this chakra deals with spirituality and insight and is also linked to the element of space. the show calls it the Light Chakra, which is fairly close.
Sahasrara (the Crown Chakra). located at the very top of the head, this chakra deals with pure cosmic consciousness and is also linked to the element of space. it makes perfect sense that this would be the final chakra aang has to unblock in order to connect with the avatar spirit, since the crown chakra is meant to be the point of communion with one's deepest, truest self.
the show follows these associations and descriptions almost verbatim, and does a good job linking the individual chakras to their associated struggles in aang's arc.
Cosmic Energy
the idea of chakras is associated with the concept of shakti, which refers to the life-giving energy that flows throughout the universe and within every individual.
the idea of shakti is a fundamentally unifying one, stating that all living beings are connected to one another and the universe through the cosmic energy that flows through us all. this philosophy is referenced both in the swamp episode and in guru pathik telling aang that the greatest illusion in the world is that of separation - after all, how can there be any real separation when every life is sustained by the same force?
this is also why aang needing to let go of katara did not, as he mistakenly assumed, mean he had to stop loving her. rather, the point of shedding earthly attachment is to allow one to become more attuned to shakti, both within oneself and others. ironically, in letting go of katara and allowing himself to commune with the divine energy of the universe instead, aang would have been more connected to her - not less.
The Avatar State
according to hinduism, there are five classical elements known as pancha bhuta that form the foundations of all creation: air, water, earth, fire, and space/atmosphere.
obviously, atla borrows this concept in making a world entirely based on the four classical elements. but looking at how the avatar spirit is portrayed as a giant version of aang suspended in mid-air, far above the earth, it's possible that this could reference the fifth liminal element of space as well.
admittedly this might be a bit of a reach, but personally i find it a neat piece of worldbuilding that could further explain the power of the avatar. compared to anyone else who might be able to master only one element, mastering all five means having control of every building block of the world. this would allow the avatar to be far more attuned to the spiritual energy within the universe - and themselves - as a result, setting in motion the endless cycle of death and rebirth that would connect their soul even across lifetimes.
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belle-keys · 4 months
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My Year of (Educational) Podcasts
I spent 12,000 minutes this year listening to podcasts according to Spotify. No, I do not listen to alphamale or girlboss or true crime podcasts– I mostly listen to history, philosophy, and literature podcasts i.e. educational podcasts. Here are 12 fun, well-executed podcasts I’d recommend if you’d like to learn more about your favourite (Humanities and Social Sciences) topics.
Betwixt The Sheets: The History of Sex, Scandal & Society. This is a podcast about the history of sex and sexuality. The podcast pays special attention to overlooked aspects of queer history, pop culture, and cultural superstitions. The love life and sex life of historical and artistic figures are also discussed with historians.
Dan Snow's History Hit. This podcasts discusses the most exciting and culturally relevant historical events and figures with expert panel guests. Clears up historical misconceptions and deals with the most interesting topics in an engaging way.
Occult Confessions. This podcast is about the history of the occult, witches, folklore, magicians, and conspiracies. There are discussions of folklore, religious history, and cults. The themes are dark but quite fascinating.
Intelligence Squared. This podcast is centered on cultural and academic debates and deep-dives into polemical topics among top UK experts. I really enjoy their episodes about writers, art, and artists.
The History of Literature. This is about, well, the history of literature i.e. the contexts that created impressive writers, literary movements, and literary works. It also debates and critically discusses classic works.
The Korea File. Y'all know I love kpop and kdramas and by extension, am quite fascinated by Korean culture and society given how much I interact with Korean media. This podcast, produced by a couple of Korean guys, critically explores Korean media, culture, society, and history.
Not Just the Tudors. A fun history podcast that doesn't only cover English Tudor history, but definitely covers a whole damn lot of English Tudor history. Mainly focuses on 13th-17th century global history.
Classical Stuff You Should Know. A podcast about the classical world, the Western Canon, and world philosophy. Discussions of the classics are in conversational layman terms. Topics not restricted to the Graeco-Roman world.
Why Theory. A podcast that uses philosophy and psychological theory to examine culture, history, art and human behavior. Lots of pertinent contemporary social topics are discussed.
Brown History. A podcast about South Asia and "brown" Asian demographics. A wide range of topics, from Pakistani history to the Indian diaspora to Afghan migration to the colonization of India by Great Britain.
Philosophize This!. This podcast covers philosophy, philosophies, and philosophers. I highly recommend listening to the episodes in order as much as possible. Breaks down the complex philosophical ideas using simple terms.
The Thing About Austen. This is a podcast about the world of Jane Austen from the time period to the people to the culture which influenced her big literary hits. Hits that sweet spot between literature and history in a creative way. Recommend for all the Pride and Prejudice (2005) fanatics.
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madlysage · 22 days
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my stardew valley bachelor headcannons:
(basically just me creating my own characters as fodder for fic atp :,)
elliott (my darling)
- is from a wealthy family- his dad is british and a distant descendent of the royal family
- went to college for an english and philosophy double major and graduated with honors
- had an affair with a professor in college (he didn’t know she was married) and is estranged from his parents as a result
- secretly loves trashy bodice ripper romance books
- always comes in without knocking (dramatic man that he is)
- cannot garden to save his life
- an ugly crier
- yappiest yapper ever
- LOVES dancing (and was classically trained as a child- hello rich preppy parents)
-bi king
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^^ like this but longer red hair (UGH)
sebastian
- bi-icon
- he’s mixed white and native american (choctaw to be specific)
- i always picture him with long ass black hair (it’s hot sorry)
- literally always picture billy wirth….
- he has a secret belly button piercing (but he’s hiding it from robin)
- his mom and dad had him as teens and his dad abandoned them because his family didn’t approve
- wants to be closer to maru but doesn’t know how
- alternates having crushes on sam and abigail (but let’s be so real it’s gotta be sam)
- has a soft spot for classical music
- smokes weed even more than cigs- feels responsible for how much sam smokes too
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sebastian fans come at me all u want this is the man in my head when i picture himmmmmmmm
sam
-another bicon (could honestly be pan)
- secretly a smoker (don’t tell jodi)
- has tons of army men in his room- he started collecting them when his dad got deployed
- loves crop tops and will cut any and all of his band tees- but his mom keeps throwing them away
- is still kinda in the closet and a little girl crazy (particularly for abigail and penny)
- is teaching jas to skateboard on school breaks ever since she asked (a bit to impress penny)
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(this just works for me idk- he gives me this vibe but like grungier and spunkier maybe)
harvey
- refuses to drink anything but black coffee
- king of anxiety
- secretly a good cook
- loses his glasses at least once a week
- can name any model of plane just from the sound of the engine
- wants to get his pilot’s license
- has a phenomenal record collection
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………… yes this is my harvey and I WILL TAKE 0 NOTES GO ATJ GO
shane
- leaned how to braid hair just for jas
- was on the gridball team in highschool but keeps it a secret to avoid alex begging him to join his rec team
- was also best friends with jas’ dad in highschool from the gridball team and since his death he hasn’t been able to bring himself to play again
- wanted to go to college for agriculture but the loans would have been too much
- let’s jas paint his toenails any color she wants but is too embarrassed to let her do his finger nails
- got his ears pierced one night on a bender in the city but never wears them
- has a little crush on emily but is too embarrassed by it to ever tell (he doesn’t think she would ever feel the same)
- 1/4 indian on his mom’s side but isn’t in touch with the culture
- is a vegetarian but never talks about it
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likkkke COME ON
alex
- wears a specific cologne and gets very upset whenever he runs out and can’t have his “signature scent”
- gets up early and makes breakfast for his grandparents everyday
- is poly but doesn’t rlly know that’s an option- and it ruins most of his attempts at monogamous relationships
- went to college for human physiology on a gridball scholarship but got Cs the whole time (but he’s still smarter than u would think)
- does yoga with evelyn every sunday and does george’s physical therapy each day too
- is the stardew equivalent of a freaking baptist christian (he’s all into Yoba)
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likeeeee is this not bro
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embroideryobsession · 2 months
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Rahul Mishra: Cosmos
SPRING-SUMMER 2023 PARIS - Haute Couture Backstage
(via Rahul Mishra)
Rahul Mishra presents the Couture spring summer 2023 collection in Paris.
Rahul Mishra’s Cosmos is a vision of physical reality founded in the utmost truth of our being—originating from the Sanskrit statement ‘Aham Brahmasmi’ which informs, ‘I am the cosmos’. It tries to understand if the world that surrounds us may be a construction of stimulations interpreted by the human brain, and if the universe within us may be a replication of the physical reality we are a minuscule part of. With this collection, we break the linearity of comprehension with inclusion of fantasy.
Realised in two and three dimensional hand embroidery complemented by elements made in hand casted recycled brass that are gold plated and encrusted with Swarovski crystals, this collection becomes our most exuberant effort at surface development. Hand crafted across villages of India, each separate generates employment for over three thousand human hours on an average. Articulated from age-old traditional Indian craft techniques, the application speaks to a global couture consumer of today. Striving to be ‘art’, while remaining ‘fashion’ the collection remains independent of trends and aspires to retain the whimsy of ‘classic’.
Each element from our ‘Cosmos’ is proudly made in India, with love, for the world.
About Rahul Mishra Rahul Mishra, the first Indian designer to showcase at the Paris Haute Couture Week champions slow fashion with traditional Indian crafts. His eponymous label with two flagship stores in India and a thriving national and international distribution channel finds its genesis in the ideas of sustainability that present fashion as a tool to create participation and empower the local craft community of India.
The brand’s purpose defines the process. The achingly slowed down process of hand-weaving and hand embroidery allows to build sustainable livelihoods for more than 1000 artisans. Fashion critic and former International Fashion Editor of Vogue, Suzy Menkes, an avid follower of the brand’s work, regards Rahul as a “national treasure” while the late Franca Sozzani has praised him as “successfully highlighting the best and most peculiar features of his homeland.”
The design house that works on the philosophy of the 3 E’s – Environment, Employment, and Empowerment, aims to look at luxury from the lens of participation and not just consumption.
(via rain-mag.com)
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girljeremystrong · 5 months
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cat!!!! hi!!!! i want to get my non-reader friend into reading. he probs won't read anything over 150-200 pages so i'm trying to find an entertaining short book. all the short books i love are essays or philosophy or things i think he could like in time but would probably find dry at the start (especially cause he hasn't read anything recreationally for years). so im at a loss and wanted to know if u have any recs for short books that are page-turners/easy to read <3 hope ur having a good day beloved xo
hello my love <3
first of all sorry for replying late but i was sleeping and then i had to go to the BANK but anyway i have compiled a little list of books i loved that are under 200 pages. there are lots of classics that are shorter and i've included them even though i think some of those would be stuff that you or him might have already read!
contemporary fiction
open water by caleb azumah nelson: THIS IS SUCH A GREAT ONE that i can't imagine anyone not enjoying. truly. it's a love story between two black young british people but it's far from a tiktok romance novel. it explores themes of race and masculinity and vulnerability and it's soft but also very real and it's wonderful. honestly if i had to only recommend one it would be this!
small things like these by claire keegan: very good and quietly hopeful story of a man in a little irish town at christmas. everybody was talking about this book last year and with good reason, it's great.
whereabouts by jhumpa lahiri: the story of a woman in the town she lives in and how it can change in a year. this is an introspective one but jhumpa lahiri is a genius so it reads very easily and it's so wonderfully written.
interpreter of maladies by jhumpa lahiri: short stories, mainly dealing with indian characters in the US. they feel absolutely universal while teaching something about culture and belonging. won the pulitzer in 1999.
how not to drown in a glass of water by angie cruz: a woman narrates the story of her life to her counselor who's trying to find her a job. it's funny and hopeful and memorable. the author is so great (she wrote another one called dominicana that is a masterpiece although is longer!)
kim jiyoung, born 1982 by cho nam-joo: the story of a new mum living in korea that explores the estrangement of being a woman and having to give up so much. it's definitely more serious but it's written very well and it doesn't feel heavy at all.
swimming in the dark by tomasz jedrowski: this one is incredible. it's the story of a polish university student who falls in love with another man in the 1980s in an obviously very repressive society. so he's in love but he wants protest and he can't ignore the struggles and the disparity around him. it's very political but also lyrical and tender.
someone who will love you in all your damaged glory by raphael bob-waksberg: okay this breaks 200 pages at 256 pages long. but it's so good. everybody would love this. it's by the creator of bojack horseman if that can be an incentive somehow. it's a collection of stories that are so unconventional and bizarre in the most incredible way. they are funny stories and sweet and absurd and sad. i really loved reading this book.
infinite country by patricia engel: the story of a colombian family dealing with deportation. it's from the pov of elena who is the eldest daughter. it's a beautiful book that deals with very real struggles and it does it beautifully.
classics
recitatif by toni morrison: very short story (about 20 pages) but so clever and so well written of course. it's the story of two women who have known each other since they were children. they lose touch and then they reconnect when they're older. one of them is white and one of them is black, but the author never tells you which is which. so it's a great story about race.
the cossacks by leo tolstoy: the story of a man who loses his fortune and retires to a cossack village. it's very russian... but it's very well written and definitely explores some of the themes that tolstoy will then explore in war and peace like the purpose of life and war and his love of nature.
white nights by fyodor dostoevsky: again very russian. but less than 100 pages long! it's the story of a young man living in st petersburg who one day meets a girl and they become fast friends. they both feel like outcasts, so together they feel like they can belong. it is actually great.
giovanni's room by james baldwin: lots of baldwin's books (both his fiction and non-fiction) are short ones actually. this one is the story of a man in paris who, while waiting for his girlfriend to get there, falls in love with a man. it's an incredible story dense with love and passion and shame and it is wonderful.
the old man and the sea by hemingway: old man tries to catch big fish after not being able to catch any fish for a long time. but also so much more than that and nobody made me read this in school so i only read it at 25 and it blew me away. everybody told me it would be so sad but i think it's actually hopeful and a little bit it is a story about community? and it tells you that there's people waiting for you to come back.
of mice and men by steinbeck: again i read it in my mid twenties and loved it. it's a gut punch. it's about two men clinging together as laborers in california. it deals with what it means to feel powerless in a tyrant world.
franny and zooey by salinger: one of the best books ever i think. franny and zooey are brother and sister and they are two young people experiencing existential doubts. it's a book about family and about growing into adults and about the alienation that comes with that. salinger knows how to write young people in a crisis so well and how to make it engaging and entertaining.
having compiled this list i now see that my tastes definitely are oriented in a certain way but i hope at least one of these can work for your friend. i tried to include all the shorter books that i have read and loved and i think that generally anyone could enjoy them, but you never know!
hope you're having a great day too!!! mwah!!
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INTRODUCTION TO MYSTIC
My main fictotype is Dream of the Endless from the Sandman
👾👾👾👾👾👾👾👾
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👾Just a Russian, clairaudient, Otherkin/Fictokin on a journey with my patron Morpheus👾
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☆☆☆☆☆☆☆☆☆
🛑NOTE: I am a bit scared of fire, so lighting candles is kinda off the table (for now). aromatherapy(incense and diffusion) is no problem, though cause the flame in incense is inside a metal container, so it won't go crazy and it's not as visible 🛑
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☆☆☆☆☆☆☆☆
👾Spirituality👾
Hellenistic Paganism/Demonolator
Deities
Morpheus (Greek God of Dreams)(Patron)
Icelus (Greek God of Nightmares)
Cernunnos (Celtic Horned God of Liminality)
King Hades(Greek God of The Underworld)
Lady Nyx(Greek Goddess of Night)
Lord Thanatos(Greek God of Death)
Lord Abaddon(Fallen Angel of The Abyss)
King Asmodeus(Demon of Lust and Wrath)
Prince Stolas(Demon of Astronomy and Herbs)
Marquis Andrealphus(Demon of Astronomy and Geometry)
👾Beliefs👾
Pantheist and Neo-platonist with a bit of animism(spirituality)
Luciferian ( morality)
Ethical and Existential Nihilism
Pessimist(Outlook on Life)
Relativism
Agnostic on some things tho
👾Practices👾
💤=Main Focus
Alignment: Left-hand path
Divination(Oneriomancy,Tarot,Pendulum(💤)
Demonology and Demonolatry(💤)
Deity work and worship(💤)
Dreamwork (💤)
Astral work(Astral projection, Clairs)(💤)
Chthonic Magick
Shadow Work
Baneful Magick(💤)
Interested in Astrology
Interested in Green witchcraft
Interested in Cosmic Magick(Moon and Planetary)
Interested in Death magick
👾Zodiac Signs 👾
♓Pisces 3rd decan Sun♓
♑Capricorn Moon♑
♏️Scorpio Ascendant ♏
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☆☆☆☆☆☆☆☆☆☆
👾Info👾
👾Names you can call me👾
Morpheus, Moop, Dream(Preferred), Mystic(Preferred)
👾Orientation👾
Asexual Panromantic
👾Gender👾
Nonbinary/Gendervoid
👾Myers Briggs👾
INTJ-NT
👾Kintypes/Alterhumanity👾
(ALL IN ORDER FROM MOST TO LEAST PROMINENT)
Key
💀=NO DOUBLES
✨️=Spiritual kinship
👁=Self ID/ones I use to refer to as "me"
The rest are psychological or unknown
☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆
Fictotypes
Dream of The Endless(The Sandman)(MY MAIN ONE(💀)(✨️)(👁)
Stolas(Helluva Boss)(👁)(💀)
Doctor Strange(Marvel)(relaxed on doubles with this one due to the second movie)(✨️)(👁)
Alastor(Hazbim hotel)(💀)(👁)(🌒)
Lord Sesshomaru(Inuyasha)(💀)(✨️)(🌒)
Nightmare(Marvel)(Very Canon Divergent)(💀)(✨️)(🌒)
Octavia(Helluva Boss)(💀)(✨️)(🦄)
Princess Luna(My Little Pony)
Sera(Hazbin Hotel)(✨️)
Twilight Sparkle(My Little Pony)
Jareth The Goblin King(Labyrinth)
Lord Shen(Kung Fu Panda)(🌒)
Lapis Lazuli(Steven Universe)
Giratina(pokemon)
Zoroark(Pokemon)
Louise(Bobs Burgers)(🦄)(🌒)
Undertaker(Black Butler)
Kintypes/Theriotypes
Demon(Avianoid black colored demon with multiple eyes on body, wings and face, has antlers and six wings/Fallen Seraphim) (✨️)(👁)
Eldritch/Void/Nightmare(✨️)(👁)
Corvid(Crows/Ravens/Magpies/Jays)(✨️)(👁)
Fallen Angel(Seraphim)(connected closely to my demonkintype)(✨️)
Dragon(Feathered Storm with antlers)(✨️)
Werewolf/Wolf
Jersey Devil
Barn owl(✨️)
Norwegian Forest Cat(Silver/Grey colored)
Indian Peafowl(✨️)
Sighthound(Saluki, Borzoi or Silken Windhound)
Copinglinks
Rick Sanchez(Rick and Morty)(🌒)
Angel Dust(Hazbin Hotel)
Regan Ridley(Inside Job)
Steven Universe(Steven Universe: Future)
Tempest Shadow(My Little Pony)
Synpaths
Edward Scissorhands(Edward Scissorhands)
Spirit(Spirit Stallion of the Cimarron)
Discord(My Little Pony)
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👾Other things I like👾
Psychedelic music and art
Books
Heavy metal(Doom metal mostly)
Classic vinyl
Birds
Magic and the occult
Blue, purple and Black
Dreams and anything to do with sleep
Greek mythology
Astronomy
Dragons
Ancient History
Philosophy
Liminal Spaces
Plants
Anything Gothic or Dark
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As you can see, my alignments when it comes to deities are on the Chthonic and darker side of the coin. They are wonderful but hold many mysteries. secretiveness is quite common (Lord Thanatos, I'm looking at you!), but it is because they hold the hidden and primordial dark knowledge of subconscious fears, changes, and visions. I trust my intuition and rely on it greatly
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☆☆☆☆☆☆☆☆☆
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“𝕿𝖜𝖔 𝖌𝖆𝖙𝖊𝖘 𝖙𝖍𝖊 𝖘𝖎𝖑𝖊𝖓𝖙 𝖍𝖔𝖚𝖘𝖊 𝖔𝖋 𝕾𝖑𝖊𝖊𝖕 𝖆𝖉𝖔𝖗𝖓;
𝕺𝖋 𝖕𝖔𝖑𝖎𝖘𝖍'𝖉 𝖙𝖍𝖎𝖘, 𝖙𝖍𝖆𝖙 𝖔𝖋 𝖙𝖗𝖆𝖓𝖘𝖕𝖆𝖗𝖊𝖓𝖙 𝖍𝖔𝖗𝖓:
𝕿𝖗𝖚𝖊 𝖛𝖎𝖘𝖎𝖔𝖓𝖘 𝖙𝖍𝖗𝖔' 𝖙𝖗𝖆𝖓𝖘𝖕𝖆𝖗𝖊𝖓𝖙 𝖍𝖔𝖗𝖓 𝖆𝖗𝖎𝖘𝖊;
𝕿𝖍𝖗𝖔' 𝖕𝖔𝖑𝖎𝖘𝖍'𝖉 𝖎𝖛𝖔𝖗𝖞 𝖕𝖆𝖘𝖘 𝖉𝖊𝖑𝖚𝖉𝖎𝖓𝖌 𝖑𝖎𝖊𝖘.”
“𝕺𝖋 𝖛𝖆𝖗𝖎𝖔𝖚𝖘 𝖙𝖍𝖎𝖓𝖌𝖘 𝖉𝖎𝖘𝖈𝖔𝖚𝖗𝖘𝖎𝖓𝖌 𝖆𝖘 𝖍𝖊 𝖕𝖆𝖘𝖘'𝖉,
𝕬𝖓𝖈𝖍𝖎𝖘𝖊𝖘 𝖍𝖎𝖙𝖍𝖊𝖗 𝖇𝖊𝖓𝖉𝖘 𝖍𝖎𝖘 𝖘𝖙𝖊𝖕𝖘 𝖆𝖙 𝖑𝖆𝖘𝖙.
𝕿𝖍𝖊𝖓, 𝖙𝖍𝖗𝖔' 𝖙𝖍𝖊 𝖌𝖆𝖙𝖊 𝖔𝖋 𝖎𝖛'𝖗𝖞, 𝖍𝖊 𝖉𝖎𝖘𝖒𝖎𝖘𝖘'𝖉
𝕳𝖎𝖘 𝖛𝖆𝖑𝖎𝖆𝖓𝖙 𝖔𝖋𝖋𝖘𝖕𝖗𝖎𝖓𝖌 𝖆𝖓𝖉 𝖉𝖎𝖛𝖎𝖓𝖎𝖓𝖌 𝖌𝖚𝖊𝖘𝖙.”
☆☆☆☆☆☆
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khwxbeeda · 5 months
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amrut | they/them (non-binary)| 18 | intp | aquarius | slytherin | indian (marathi) | "im bi actually" | main: @siriusblack-the-third
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a little about me~
Welcome to my side blog! I'm Amrut— a BA Philosophy student, bookworm and book dragon, science nerd, tharki and all round idiot. My native tongue is Marathi, and I can speak Hindi, Urdu, Gujarati, English and French. I'm a Fashion Girlie™ (gn) and obsessed with aesthetics and all forms of art.
I'm currently learning classical dance and teaching myself to read nasta'liq (people who can speak Urdu but can't read it raise your hand lol). I'm a feminist and proudly a part of the LGBTQIA+ community.
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Fandoms I'm part of~
BTS | Red White and Royal Blue | A Good Girl's Guide | Harry Potter | Taylor Swift | Bollywood music | Hozier | Fourth Wing | Percy Jackson | Billie Eilish | AC/DC | Agatha Christie | Sherlock Holmes (books) | BBC Sherlock | The Shiva Trilogy by Amish
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DNI if you are~
Queerphobe, transphobe, bot, supporter of Joanne K Rowling, racist, anti-feminist, or any other type of narrow-minded nonsense. DO NOT DM ME UNLESS YOU ARE A MUTUAL BECAUSE I WILL NOT REPLY.
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Tags~
if you want to read my fics/prose/poems: #amrut writes
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hiphopncountrychick · 5 months
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"Karam": KSHMR's Latest Album is the Best Project in Desi Hip Hop
When global EDM, Trap & Bass pioneer KSHMR, born Niles Hollowell-Dhar, announced his the most anticipated debut Desi hip hop album ‘Karam’, which he took almost 2 years to complete and it breathed fresh air into India’s thriving Hip-Hop scene. While millions of KSHMR’s avid listeners see his album as the biggest rap album of the year in India, for many artists and record producers, ‘Karam’ is the much-needed cultural push which might go down as one of the best Hip-Hop albums in history.
In ever-growing Indian Desi Hip-Hop scene, where every beat tells a story and every rhyme narrates an experience, KSHMR dropped his the most anticipated Desi Hip-Hop album "Karam" on November 3rd, 2023. And I have to say this is not just a musical creation; it's a testament to the enduring power of hip-hop when one SuperProducer wielded with the artists in the scene along with some new and upcoming thriving talented faces for a story to tell.
KSHMR collaborated with many artists those who are the OG faces of DHH like Ikka, Raftaar and Krsna alongwith some new and fresh heavyweight talents brewing up in today's scene like a morning Coffee as such Rawal, HanumanKind and only recurring artist from this album Yashraj who has 3 features in album.
This album is not just a collection of beats; it's a sonic odyssey that navigates like a classic Bollywood crime drama movie from the 90s. Let's embark on a detailed review and breakdown of this masterpiece.
The Prelude: Setting the Movie Tone for an album
"Karam" isn't an album you merely listen to; it's an experience that begins with the very first beat. The album opens a portal into KSHMR's creative movie, where each track is a distinct scene. The tone is set, and the listener is invited into a sonic movie journey that begins with some deep philosophy.
The cover art: The Infinite Ouroboros
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"Karam" album Cover Art
The album cover art of "Karam" is simplistic but it hits the mark. It is perfecty alleigned with name, theme and plot of an album. The whole album talks about the law of karma. In simple words, "The deeds(Karam) you do will turn around and come back to you". This cover art is inspired by one ancient Symbol called "Ouroboros", a circular symbol that depicts a snake or dragon devouring its own tail and that is used especially to represent the eternal cycle of destruction and rebirth.
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The Ouroboros
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The Infinite Ouroboros
Here In this art too, you can see a raging snake like figure eating its own tail in anger and hunger, but here making an infinity symbol instead of a circular representing "The Infinite Ouroboros". Which explains that Karma is an infinite loop. If I'd have to explain this with an example then you can suppose if someone did something bad and hurtful to you, you'll do the same to them, by that, they will do even worse to you and you'll do even worse to them, and this cycle will go on and on and will create an infinite loop of Karma. Remember this example because this same thing happened in the album twice on two different occasions. Colour scheme used in the cover is dark and hauntingly red which also support the plot of the album that you will be experienced, and it also represents that your Karma will always Haunt you no matter what.
This Album is spans for more than 50 minutes. It has totally 24 tracks, 10 Interludes and 14 songs. Now let's dive deep into the album and explore every songs and Interludes with the story of an album itself.
1. The Beginning - Interlude
Album opens with our protagonist as a kid who has an alcoholic and abusive father physically abusing his mother. When he tries to confront him, his father forced to get him out of his home along with his mother. Now that he's homeless, one thing he does that to start aspiring and dreaming for getting out this poor circumstances. Where, the first song of this album "dream"comes into play.
2. Dream (feat. Ikka & Karra)
This is the perfect opening track for the album. It's an upbeat and inspiring song about the power of dreams. The lyrics are simple but effective, and the beat is catchy and uplifting.
In this song, the protagonist is wandering in streets of Mumbai having one dream in his eye that he wants to own this city no matter what situations he has to go through.
Ikka penned his very strong, highly aspiring and gangster vibe giving two verses with impeccable flows, witty rhyme schemes and some awesome references. He talked about being self motivated and driven by dream so blindy that he's not seeing whatever he's doing it's good or bad.
3. The plan - interlude
Our protagonist seems frustrated and exhausted from his low life and decided to do something big, so he planned a robbery with his brother in arms and setting a stage for upcoming song "Bhussi".
4. Bhussi (feat. Seedhe Maut & Karan Kanchan)
This track is a bit darker and more atmospheric. It's about the struggles of everyday life, and the lyrics are raw and honest. The beat is also dark and menacing, but it's also strangely hypnotic.
In this track, Protagonist robs a bank because he was tired of not having money in his life. That's where he first stepped in in a crime and underworld scene of Mumbai.
5. The money - Interlude
The Robbery was successful and now the protagonist has so much money in his hands that he's going to buy that club where his friend was refused to enter before. This interlude a subtle callback to Ikka's one bar "I'll buy that land where I'm not supposed to put my feet".
6. Zero after Zero (feat. KR$NA & Talay Riley)
One of the standout tracks on the album is "Zero After Zero" featuring Krsna and Talay Riley. This song perfectly blends Indian influenced elements, creating a unique and captivating sound. Krsna's powerful and dynamic vocals combined with Talay Riley's smooth and soulful voice add depth and emotion to the track. The production quality of this song is top-notch, with KSHMR's signature attention to detail evident in every aspect of the music.
The only con of this song is also standing out of the plot of an album, because in this track, KR$NA was more talking about his own things and deeds. So this song has zero to next progress in storyline.
7. Upar Hi Upar (feat. Yashraj & Rawal)
It features Yashraj and Rawal, two of the most popular upcoming rappers in India. The song starts with a catchy melodious 808s that is reminiscent of versatile capabilities of KSHMR. The beat then drops, and Yashraj and Rawal start rapping. Their lyrics are about the importance of staying true to your roots and celebrating your culture. They also rap about the power of community and how it can help you achieve your dreams.
In the progress of the storyline, the protagonist is going up and up on his own way achieving everything he had dreamt of one by one.
8. Godfather (feat. Nazzz)
This song is one of a kind when nobody expected to see Nazz feature in KSHMR's album. And where Nazz is and there are no punchlines, it cannot be happened. So this song is so Nazz being Nazz, full of punchlines and hardcore Desi gangta vibe giving.
In this song, the protagonist now at top of his game ruling the underworld of city and becomes a Godfather now.
9. Bhasad - interlude
This interlude makes an appearance of the antagonist of an album, His name is "Raja bhai".
And Raja bhai is not happy with our Protagonist because, he is doing business in territory of Raja bhai. So the antagonist warns him saying that his actions will cost him one day.
10. All fall down (feat. Yashraj, Raja Kumari & Riar Saab)
This very song can be labelled as "Certified Banger". KSHMR went out of realm with his bombarding beat. Raja Kumari dropped the Sickest Hook of the entire Album. So big Props to Raja Kumari for this. Yashraj and Riar Saab dropped their energetic verses talking about everyday normal life of a gangster and then went back and forth at the outro verse. The hook is played 4 times in this song and also main Highlight of this track, because it happens very rare when the chorus outshined the actual verses and that's exactly what happened here.
In progression of storyline, Protagonist's gang has some little feuds and shootings with Raja Bhai's gang, where protagonist lost his few gang members. So protagonist felt like his new empire is falling down.
11. B.I.G. (feat. Harjas & PUNA)
This is a calming and sit-back giving vibe track that showcases the rapper's raw talent and lyrical prowess. The song opens with a catchy low beat that immediately grabs the listener's attention, and Harjas's confident delivery adds to the song's intensity.
The lyrics of "B.I.G." are introspective and thought-provoking, as Harjas raps about his struggles and aspirations. He speaks about overcoming adversity, having maturity and achieving success, and his words are both relatable and inspiring. This song has mixed reviews, low retention value and maybe not favourite song of anyone from this album. Some things just didn't work out in this song. But still, it's a really good song.
Our protagonist seems to have some maturity and realisation about his crime life.
12. La vida (feat. Dabzee & Vedan)
This is the song where KSHMR went into "Despasito" mode and threw a really vibey song with having two south indian rappers which I never heard of them before, rapping in 2 distinct South Indian languages. As I'm not familiar with any south indian languages, i haven't understood anything in this song, and yet I was vibing with it all the way long. This is one those songs where you don't need to worry about lyrics and just vibe with the song.
13. The Girl - interlude
As I said before, this is not just an album, it's a Bollywood movie. And movie is not complete without having a heroine. So here comes a female lead in our story, where the protagonist saw one girl on pathway at night looking for taxi and finds her very attractive.
14. Hath Varthi (feat. MC Stan)
Now that a Girl arrived in the scene, now it's time to hit the club and play a "Club Anthem" of this album which is Harth Varthi. The Best beat production by KSHMR in Karam. And it features MC Stan so you couldn't care less about lyrics. But still he delivered his funky verses where he talked about a girl he's hitting on and about his fame and everything. Overall it's really good song just made for playing in parties.
After seeing that girl, maybe our protagonist hits the club and partied all night.
15. Nasheeli Raat - interlude
That girl he saw at that night now is distracting the protagonist so bad that he can't be seeing anything but her face. He realised that he's in love with her. And what time is it? It's time for a "love song".
16. Mere bina (feat. PropheC & Talha Anjum)
This track is a love song about the importance of staying true to yourself. The lyrics are heartfelt and romantic, and the beat is soft and melodic. Anjum's verse was short but yet so effective. Showing that the protagonist is really serious about this one.
17. The Argument - interlude
In this one, we can see that our protagonist is with that girl and showing her a beach-side luxurious villa which he just bought for her. But the Girl is in concern about his gangster life. She doesn't want to live in a luxury bungalow which is made by rivering bloods. So they both have some arguments about it. In the end the girl asks him to quit his gangster life and said "your gun will take my life one day"
18. Maula (feat. Munawar)
In here, we are seeing a Standup Comedian is rapping about deep and serious things about life. This is an introspective track that showcases Munawar's unique storytelling ability and his raw talent. The song opens with a haunting melody that sets the tone for the track, and Munawar's heartfelt delivery adds to the song's emotional depth.
The lyrics of "Maula" are deeply personal and relatable, as Munawar raps about his struggles with faith, doubt, and the search for meaning in life. He speaks about his struggles with self-acceptance and his search for a higher power, and his words are both honest and vulnerable.
Our protagonist is now thinking about what consequences he will might face in the future if he quit his life now and starts living peacefully with his love interest, he's scared of his past and his karma if ever might hurt her too. So he was praying to God and asking for some help to show him right way.
19. The Call - interlude
Our protagonist was spending happy times with the girl when he gets a call from his sidekick friend who went to have some deal in Raja Bhai's area without even telling our protagonist. The deal Turned out as a trap of Raja Bhai where he shot dead the Protagonist's friend and he died on call. We can see the protagonist crying and screaming in pain on the other side.
20. Khoya sab (feat. Yungsta & Lisa Mishra)
Now that our protagonist lost his friend and second in command of his gang, he's feeling like he lost everything and everything is falling apart around him. It's perfect time for a sad song.
This is really powerful track filled with full of emotions that showcases Yungsta and Lisa Mishra's unique talents. Opening with a haunting beat and captivating lyrics, the song immediately draws the listener into its world of introspection and self-discovery. Yungsta's verses are filled with raw emotion and honesty, while Lisa Mishra's soothing voice provides a counterbalance, adding depth, resonance and melancholy to the song.
The lyrics of 'Khoya Sab' explore themes of loss, regret, and the search for meaning in life, with Yungsta and Lisa Mishra sharing their personal experiences and struggles. The song's title translates to 'Lost Everything', reflecting the feeling of being adrift and searching for a sense of purpose.
Considering the best track from this album, it's many people's the most favourite song. Overall, this is very impacting and moving song that will leave a lasting impression on the listener. It's a must-listen for fans of hip-hop and anyone who has experienced the depths of loss and the search for meaning in life.
21. The Revenge - interlude
Now our protagonist is all set to take revenge of his friend's death from Raja Bhai. He's well prepared for going on to full pledged gang war.
22. Enemies (feat. HanumanKind & Yashraj)
This is a "Gym Song" energetic track that showcases the raw talent and lyrical prowess of HanumanKind and Yashraj. The song opens with a hard-hitting beat that immediately grabs the listener's attention, and the confident delivery of HanumanKind and Yashraj adds to the song's intensity.
HanumanKind and Yashraj deliver their lyrics with a confidence that is both impressive and captivating. They command the listener's attention and make their words resonate.
This song gives you a feeling of action packed fight scenes from movie playing BGM exactly like this.
In the long outro, our protagonist seems like winning the war but he's injured, filled with bullet holes and slowly dying.
23. Legacy (feat. Raftaar)
Now that our protagonist is dead, it's time to talk to the legacy he sets. This is a tribute giving and motivational track that serves as a fitting finale to KSHMR's album "Karam". The song opens with a soaring melody that immediately sets the tone for Raftaar's inspiring lyrics. The song's production is top-notch, with a blend of drill elements that perfectly complement Raftaar's confident delivery.
Raftaar's lyrics in "Legacy" are both personal and universal, as he reflects on his own experiences and aspirations while also offering words of encouragement to others. He speaks about the importance of hard work and dedication, the power of dreams, and the legacy that one can leave behind. His words are both relatable and inspiring, and they are sure to resonate with listeners who are striving to achieve their own goals.
The production of "Legacy" is equally impressive, with a beat that is both driving and uplifting. The song's overall sound is polished and professional, and it perfectly complements Raftaar's message of perseverance and success.
Overall, "Legacy" is a perfect finale closing album track on "Karam". It is sure to made to inspire listeners to chase their dreams and leave their own mark on the world.
24. The end - interlude
The narrator voice says "in this life full of ups and downs, you finally get to your end, and nothing else comes with you except your Karam"
Conclusion
Overall, "Karam" is a must-listen album for fans of both electronic music and hip hop. It is a well-produced album with a star-studded lineup of artists and a variety of different styles. The album is also a celebration of Indian culture and the power of dreams. KSHMR really have done something never like before in Desi Hip-Hop scene. Undeniablly, the best project of 2023.
So, if you're looking for an album that is both upbeat and inspiring, then I highly recommend checking out "Karam" by KSHMR. It's an album that will stay with you long, maybe for entire lifetime after you've finished listening to it.
Peace out, and see you next time!
Honorable mentions:
@rap
@hiphop
@desihiphopofficial
@todayinhiphophistory
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omtv · 2 months
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Exploring the Depths of Hindu Religion Philosophy with Om Tv
In the vast landscape of media channels catering to diverse interests, Om Tv stands out as a beacon for those seeking profound insights into Hindu Religion Philosophy. Rooted in the rich cultural heritage of India, Om Tv offers a unique platform to delve into the ancient wisdom and contemporary interpretations of Hindu philosophy.
Hinduism, often described as a way of life rather than a mere religion, encompasses a diverse range of beliefs and practices. At the core of Hindu philosophy are the concepts of Dharma (righteousness or duty), Karma (action and its consequences), and Moksha (liberation or freedom from the cycle of birth and death). Om Tv provides a nuanced understanding of these concepts, exploring their relevance in today's world.
One of the key features of Om Tv is its in-depth coverage of Vedic and Jain religions, offering viewers a holistic view of the spiritual traditions that have shaped Indian culture for millennia. Through documentaries, interviews with scholars, and discussions with spiritual leaders, Om Tv brings to light the profound wisdom contained in the ancient texts of Hinduism.
Furthermore, Om Tv's programming extends beyond philosophical discourse to encompass a wide range of topics, including current affairs, culture, and entertainment, all viewed through the lens of Hindu philosophy. This unique approach sets Om Tv apart as a channel that not only informs but also enlightens its viewers, fostering a deeper understanding of Hinduism and its teachings.
In conclusion, Om Tv serves as a valuable resource for anyone interested in exploring the depths of Hindu Religion Philosophy. Its insightful programming and commitment to promoting cultural understanding make it a beacon of knowledge and enlightenment in today's media landscape.
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madamlaydebug · 8 months
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Akasha (Sanskrit ākāśa आकाश )
Akasha is a term for “aether” in traditional Indian cosmology, and the root word in Sanskrit is derived from (kāś), meaning “to be visible.” In classical Vedantic Hindu philosophy, Akasha acquires its technical meaning of “an Ethereal fluid imagined as pervading the cosmos.”
Akasha is seen as the essence of all things in the material world, and has a direct translation of upper sky or infinite space.
Akasha’s main characteristic is Shabda, meaning “Etheric sound.” Esoterically, Shabda is the sound current vibrating in all of creation, and is the essence of Source which is readily available to all beings.
If we merge with Shabda, thus Akasha, we become a living manifestation of it at its
highest level… the “Word made flesh.”
The Prana is an all-pervasive Cosmic Energy that acts as the Vital Life Force for the creative wave. The mind principle is the wave of consciousness.
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Robert Fraser reviews Tantra Exhibition, 1971 (transcription)
Robert Fraser’s review of The Hayward Gallery’s Tantra exhibition, September 30-Nov. 7, 1971. Published in Studio International, vol. 182 no. 939, Dec. 1971
Originally posted here by @ljblueteak
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Transcription below the cut
The exhibition of Tantra on show at the Hayward Gallery from 30 September to 14 November has been an event which could be a catalyst to the formation of new conceptions as to the purpose and direction of the art of the future. In this instance I mean art taken as a global entity, not as something divided up into Western art or Eastern art. The first thing that might strike the view was that the show taken as a whole revealed a vision of a very ancient and systematic culture whose symbols and myths are alive right up to the present day; a Hindu or Buddhist could walk through the show and constantly be made aware of things which are a part of his own consciousness and personality. It is this aspect of tantra as a living sign-language and a living mythology which gives it special significance to us now. The basis of all tantric iconography is function; although tantra is based in the expansion of consciousness (Sanskrit root TAN expand TRA) its purpose is to provide and explain methods by which the expansion is to be achieved. There have been many different schools of thought on this subject and the reason for the seemingly baffling complexity of tantra is that it touches upon so many different levels and approaches to sadhana; philosophy, science and ritual are all involved in what was originally one system of thought based in vedanta. In recent centuries cults have grown up which have advocated specialized approaches, of which tantra asana is one; it is this one approach that has in the present day been identified most closely with tantra, and its over-emphasis has given tantra a notoriety which is based upon misconception of its full range. Nevertheless in this show all this enormous variety of imagery and symbol has been brought together under the umbrella of tantra art, as being visualizations of various methods towards the pursuit of sadhana and man's relation to the universe.
In style and content these exhibits differ widely. Many of them are what are known as Indian classical art, others are 'folk' or primitive forms; on the other hand the diagrams and manuscripts of which there are many in the exhibition could be called 'yoga' art. However, nearly all bear a certain stamp or aura which we immediately recognize as tantric; and the reason we are able to do this is due entirely to the vision of one man, Ajit Mookerjee, from whose private collection about two-thirds of the exhibits have been borrowed. Ajit Mookerjee is already well known in India for his pioneer work in the classification and identification of Indian folk and primitive art and it is during the pursuit of these studies that he came to formulate the concept of tantra art, which had hitherto existed as unrelated art-forms in various parts of India. His name is now well known in Western countries as the author of two art books, "Tantra Art' (Ravi Kumar 1967) and 'Tantra Asana' (Ravi Kumar1971), and it is the wide circulation and enormous interest which the first of these books created which made the world aware of an art form which, although it had existed for centuries, had so far eluded classification. What caused this enormous interest, both in the books and the Hayward exhibition, is the fact that tantra art fulfills a function for Western man which his own contemporary art has lost sight of. Here is an art form which partakes of the potential of human energy and its relation to the universe. It is this inward direction of tantra art that people instinctively recognize and identify with, although after experiencing an initial attraction they can easily be put off by what seems to be an impenetrable jungle of symbols and myths demanding a knowledge so specialized as to be beyond reach. But many of these symbols have an abstract significance which is immediately recognizable. An example of this is catalogue no. 511, which illustrates in a series of gouaches of incredibly subtle coloration the processes of projective evolution of the universe; the balance between abstraction and description is so perfectly held on the aesthetic plane that the subject matter of expansion is self-evident.
Despite the organizers' inspired concept of presenting the exhibition as a journey without beginning or end and the sensitive groupings of the various classifications of objects and paintings, one is nevertheless conscious of a certain visual indigestion after concentrated viewing. This is perhaps due to the inclusion of the sections of Buddhist tantra and several series of Tibetan thanjkas, some of which are of indifferent quality. Tibetan Buddhist imagery has a very different visual aura which conjures up a totally different world of the imagination from its Hindu counterparts: it cries out for a setting of its own and should in all fairness be the subject of a separate exhibition.
A word must be said about the catalogue, which has been written by Philip Rawson and admirably designed by Hugh Shaw. Every item in the exhibition has been illustrated and informatively captioned; it is therefore a compendium of tantric imagery in itself, and immediately becomes a vital work of reference. Surely, though, the insistence of the catalogue's introduction upon the cultist aspect of tantra is a mistake? Tantra asana is one of the visually richest and most beautiful sources of tantric imagery but the philosophy of the male/female principle goes far beyond the sexual frame of reference. In advaita vedanta it has a much more abstract significance and the practical application of sexual asana as a means of union with the absolute has no serious philosophical basis. If the idea of tantra art can be freed from its cultist associations, it can emerge as the key to an art of the future that is not pursued for its own sake, but forms part of a philosophical system or thought.
All this is conjecture, but it is exciting to hear that a Tantra Museum is to be built on a site on the outskirts of New Delhi over the next few years which will collect and exhibit both Indian tantric forms and forms from other cultures ancient and contemporary, with Ajit Mookerjee's collection as a basis. It is by this approach to tantra art that a link may be established between all forms of art with an inward direction that speak of man's relation to the universe.
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Interesting that Fraser was based in India at this time but familiar enough with a London show to be able to write a detailed review.
Vyner says: "Characteristically, though, his reappearances in London during the four or five years he was away shed little light on his actions and whereabouts other than conveying his increased enthusiasm for all things Indian."
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