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#classical theater of harlem
shakespearenews · 2 years
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Kara Young, left, as a fierce, funny Viola and Christina Sajous as Olivia in “Twelfth Night” in Marcus Garvey Park in Manhattan. Credit: Richard Termine
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jadenvargen · 23 days
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free online james baldwin stories, essays, videos, and other resources
**edit
James baldwin online archive with his articles and photo archives.
---NOVELS---
Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."
Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."
+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)
Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."
Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."
If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."
also has a film adaptation by moonlight's barry jenkins
Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. 
---ESSAYS---
Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film
--DOCUMENTARIES--
Take this hammer, a tour of san Francisco.
Meeting the man
--DEBATES:--
Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )
Debate with William Buckley, 1965. ( historic debate in america. )
Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)
----
apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.
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boilingheart · 1 year
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Headcanon that Riptide and Blood in the Bayou exist in PD as a TV show and a movie respectively.
Riptide (TV) existed as a very long prolific pirate show, think some weird cross of Black Sails and Our Flag Means Death, but it got a Supernatural treatment. I’m talkin this shit started small, intending to be only 2 or 3 seasons long, but ended up with a long winded 16 seasons as the plots continued to develop further and further and escalate beyond imagination. By the time PD starts, the show has mercifully ended but the producers have been GUNNING for spinoffs (a Black Rose Pirates prequel has been rejected by the network three times; it may be for the best tbh)
Blood in the Bayou was originally an 80s horror movie, a classic, though relatively obscure. Hardcore movie goers have it, and collectors still have the original VHS copies (I have a separate personal headcanon that Mark likes to collect old stuff like old tech and classic physical media just for fun; he has the BitB VHS in the garage somewhere). Though it wasn’t really known by many, those who did know had a hardcore love for it. Enough so that eventually, BitB got picked up by some producers, and by modern day, Blood in the Bayou has had a full remake and is in theaters NOW
Some trivia about both medias: 
- The actor that played Chip in Riptide (TV) was cast to play Timothy Rand in the BitB reboot. Many are delighted that he’s now moving to movie work post-Riptide’s end, especially since he was an unknown young actor prior to the show. (He’s now 36 years old. He began the show at 19)
- The actor cast for Rolan Deep is actually related to William Wisp, in that he’s like, an uncle’s cousin somewhere further on the family tree. Not closely related, but...
- Kian Stone’s actor is painfully offline. He’s unfamiliar with fandom stuff to an incredible degree. He did a “reading your thirst tweets” for a video and didn’t understand half of what was being said about him. This makes his interactions with Rand’s actor, who is familiar with All Of It, even more entertaining.
- Riptide (TV) is effectively the SPN in the PD universe. Yes, you had a Riptide phase in high school. Come on now. Rumblr was all about it. Harlem had a Riptide phase.
“what about apotheosis!!” oh everything that happened in Apotheosis is Real, Actually. it’s just on another plane/world probably. 
(I haven’t watched Apotheosis idk anything about it but I like to imagine that everything there is very much real because that’s Funny to me)
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High School Lit Tournament Side A
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Arcadia: Arcadia takes us back and forth between the nineteenth and twentieth centuries, ranging over the nature of truth and time, the difference between the Classical and the Romantic temperament, and the disruptive influence of sex on our orbits in life. Focusing on the mysteries--romantic, scientific, literary--that engage the minds and hearts of characters whose passions and lives intersect across scientific planes and centuries, it is "Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and... emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow... Exhilarating."
A Raisin in the Sun: Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of Black America—and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun."
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visit-new-york · 2 years
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New York is one of the most iconic and culturally diverse cities in the world.
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New York City, often simply referred to as New York or NYC, is one of the most iconic and culturally diverse cities in the world. Located in the northeastern United States, it consists of five boroughs: Manhattan, Brooklyn, Queens, The Bronx, and Staten Island. Each borough has its own distinct character and attractions, contributing to the city's rich tapestry of history, culture, and experiences.
Geography and Landmarks:
New York City is situated on the northeastern coast of the United States, overlooking the Atlantic Ocean. One of its most famous natural landmarks is Central Park, a sprawling oasis of green in the heart of Manhattan. The city's skyline is dominated by towering skyscrapers, with the Empire State Building, One World Trade Center, and the Chrysler Building being some of the most iconic.
The Statue of Liberty, a symbol of freedom and democracy, stands proudly on Liberty Island in New York Harbor. Another prominent landmark is Times Square, known for its dazzling neon lights, bustling theaters, and vibrant atmosphere. The Brooklyn Bridge, an engineering marvel, connects Manhattan and Brooklyn, offering stunning views of the cityscape.
Culture and Arts:
New York City is a global cultural capital, boasting a vibrant arts scene and hosting some of the world's most renowned museums, galleries, and theaters. The Metropolitan Museum of Art (The Met) houses an extensive collection spanning centuries and cultures, while the Museum of Modern Art (MoMA) showcases an array of contemporary and modern masterpieces.
Broadway, located in the Theater District, is synonymous with world-class theatrical performances. The city also hosts numerous music venues, from Carnegie Hall to the Apollo Theater, catering to a wide range of musical tastes.
Cuisine of NYC:
NYC's culinary scene is a reflection of its diverse population, offering a wide variety of cuisines from around the world. You can find everything from classic New York-style pizza and bagels to upscale fine dining establishments. The city's various neighborhoods have distinct flavors, such as Chinatown's authentic Asian cuisine, Little Italy's Italian delicacies, and Harlem's soul food.
Diversity and Neighborhoods:
New York City is a melting pot of cultures and languages. Its neighborhoods are microcosms of the world, with distinct communities representing various ethnicities and backgrounds. For example, Jackson Heights in Queens is known for its South Asian community, while Flushing is a hub for Chinese culture.
Each borough has its own unique character. Manhattan is the bustling commercial and cultural center, Brooklyn is known for its artsy and hipster vibe, The Bronx is home to Yankee Stadium and the birthplace of hip-hop, Queens is the most ethnically diverse county in the U.S., and Staten Island offers a more suburban feel with stunning waterfront views.
Economy of NYC:
As a global financial hub, NYC is a major player in the world economy. The city hosts the New York Stock Exchange (NYSE) and is home to numerous multinational corporations and financial institutions. The Silicon Alley tech scene in Manhattan has also been growing in recent years, attracting startups and tech giants alike.
Transportation:
New York City's public transportation system is extensive and vital to the city's functioning. The Metropolitan Transportation Authority (MTA) operates an intricate network of subway lines and buses that connect all five boroughs. Additionally, iconic yellow taxis, rideshare services, and commuter trains provide various transportation options for residents and visitors.
In summary, New York City is a dynamic, fast-paced metropolis that captures the essence of cultural diversity, creativity, and ambition. With its iconic landmarks, thriving arts scene, diverse neighborhoods, and global influence, NYC continues to be a city of dreams and possibilities for people from all walks of life.
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lboogie1906 · 1 year
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The Apollo Theater is a music hall located at 253 West 125th Street between Adam Clayton Powell Jr. Boulevard (Seventh Avenue) and Frederick Douglass Boulevard (Eighth Avenue) in Harlem. It is a noted venue for African-American performers, and is the home of Showtime at the Apollo, a nationally syndicated television variety show that showcased new talent, from 1987 to 2008, encompassing 1,093 episodes; the show was rebooted in 2018. The theater, which has a capacity of 1,506, opened in 1914 as Hurtig & Seamon's New Burlesque Theater and was designed by George Keister in the neo-Classical style. It became the Apollo on January 26, 1934, when it was opened to African American patrons – previously it had been a whites-only venue. In 1983, both the interior and exterior of the building were designated as New York City Landmarks, and the building was added to the National Register of Historic Places. It is estimated that 1.3 million people visit the Apollo every year. #africanhistory365 #africanexcellence https://www.instagram.com/p/Cn4X8aSL1Zt/?igshid=NGJjMDIxMWI=
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NOOOO i missed it bc of timezones 😔😔 is there an option to pay for it somewhere?
i don’t know but it was the classical theater of harlem’s antigone so if you’re searching for it that’s what you search
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klhportfolio2022 · 2 years
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REVISION 2: NEW PAPER
Note: this was not a revision
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The curtains raise. A single light glitters towards center stage. A young woman appears exquisitely hugged by a tight fitting dress. Three red velvet loungers are placed on stage and her body lays draped like silk across one of them. Soft hums from an eager orchestra echo through the theater. The woman joins them, releasing a sultry low prowl like a hungry kitten. She crawls across each of the three chaise chairs. The song begins:
“Traffic has been known to stop for me, prices even rise and drop for me, Harry S Truman plays a bop for me”
She moves to the edge of the stage turning her head to the audience and raises her hands to reveal a cat-like paw shape as if to pounce into a besotted crowd of showgoers. Her sound, her presence lingers throughout the theater. Her song finishes and a faux faint is her finale.  
The crowd is in uproar. Intoxicated by the performance, the theater erupts with cheers and applause.
This sensational performance in the Broadway revue New Face of 1952 sent that beautifully talented young woman into stardom. That young woman was Eartha Kitt. For her role in this show she won critical reviews. While her brilliance on stage was unmatched, it wasn’t often that she received the acclaim she deserved. Her life was plagued with hardship and strife, not unusual for a woman of her kind. She searched her whole life for love and acceptance only to find there were very few places for an outspoken, adept, and sexually liberated Black woman in the United States to be themselves and be in the spotlight. It's not easy to be Black and a woman and Kitt found out quickly that no amount of praise from an audience would cease the racist and sexist attacks on her career and personal life.  But Eartha Kit’s story isn’t one all about tragedy. It’s a comeback story to inspire any young Black woman to continue doing what they love, to avoid being the quiet Black girl just so they won’t eventually be seen as the angry Black woman, to be unapologetically them.
Eartha Kit, otherwise endearingly known as Mother Eartha and Kitty, was born in a small town in South Carolina in 1927 as Eartha Mae Keith. Her mother was abusive and her father was unknown to her. During her childhood she lived in extreme poverty, was forced to work picking cotton, and faced constant violence from her family who couldn’t stomach being connected to a mixed race child. There is a lot of confusion around Kitt’s childhood. She was an unwanted child and she grew up not knowing her birthday or her siblings not finding these out until young adulthood. Kitt’s mother, Anna, sent her away to live with family and after a little bouncing around she eventually found her way to Harlem, New York to live with an aunt in 1936.
In the 1930’s Harlem was vibrant with Black talent. Black writers, artists and musicians burst onto the scene showcasing a brilliance unseen. The works produced during the Harlem renaissance by Hurston, Ellington, Robeson, and others ushered in a new wave of Black activism powered by creativity through media and literature. Harlem is where it was at. Harlem was where Eartha Kitt needed to be. There, Kitt finally came into contact with leading Black entertainers. She finds herself successfully auditioning for the Katherine Dunham Company, the first African American modern dance troupe. Here Kitt becomes a highly skilled, classically trained dancer and she learns French, her fourth language. Her promise as a dancer was evident. Yet still, Kitt was ridiculed by other dancers and troupe leadership who told her she’d never make it as a serious dancer because she was “ugly” and had “too much excess baggage,“  a swipe at Kitt’s full figure. It never stopped Kitt from pushing forward and she found quick success as a company dancer-which, in turn, enabled her to travel the world and break into film, television and music.
Kitt performed for sold-out crowds throughout the United States and abroad. She eventually left the dance troupe to try her hand as a solo singer. Her debut performance at a French nightclub was hailed by critics as "the most exciting thing that has happened in Paris in 25 years". She became a regular component on the city's club scene, but in 1951, at 24 years old, returned to the US, looking to duplicate her success at home.
"I wanted to prove to all those who had abused and rejected me that I had talent."  
She goes on to record hit records "Santa Baby" and "C'est Si Bon" ("It's So Good"), and became the first Black Catwoman in the '60s TV series Batman. She appeared in the 1958 movie St Louis Blues alongside Nat King Cole.
Eartha Kitt did her best to keep her private life separate from her public life. She never knew the identity of her father and it affected her deeply. Much of her later life was dedicated to searching for him to no avail. Kitt loved romance and had plenty of high-profile love interests throughout her lifetime: Charles Revlon, founder of Revlon cosmetics; Arthur Loew Jr, a film industry bigwig; and Porfirio Rubirosa, a Dominican Diplomat. In 1960 Kitt settled down and married businessman John William McDonald. The couple had a daughter, Kitt, in 1961 and were divorce in 1964. The birth of Kitt’s daughter was a dream come true and she considered it her greatest accomplishment. Eartha Kitt took her daughter everywhere she went, serving as her constant companion. Kitt and Eartha’s relationship made up for the lack of love and instability she had experienced as a child. What Eartha Kitt couldn’t get as a child, she gave as a parent.
Kitt was receiving all the love she ever wanted but still something wasn’t right. There are inherent challenges that come with being a successful Black woman in show business, or any industry for that matter. Despite her legitimacy as an artist, she found herself being treated like a fun novelty, not someone to be taken seriously. While performing abroad and in the United States she had to endure racist attacks often from men who couldn’t have her and jealous women who’s husbands eyes wandered towards the star. This pain coupled with the unhealed wounds from her childhood cause a deep internal conflict. She loved Eartha Kitt, the glamor and lights and fans was a dream come true however, when she got behind closed doors she became Eartha Mae, a timid woman, fearful that no one wanted her and the success Eartha Kitt had, was not hers. Her success is proof that she pushed through these challenges. Her work inspired greats like Diana Ross and Madonna  and she practically shaped the modern cabaret scene. She was deserving of the acclaim she had, she just needed time to see it.
Eartha Kitt wasn’t just a performer, she also had a lengthy career in activism. Her memories of childhood made her an outspoken campaigner against injustice. She established the Kittsville Youth Foundation, a non-profit organization for youth in Watts, Los Angeles. In Anacostia in Washington, D.C she was involved with "Rebels with a Cause" supporting the groups' efforts to clean up streets and establish recreation areas by testifying on their behalf to secure funding. She raised money for Black schools in South Africa, played benefit shows for HIV/AIDS groups. Kitt later became an advocate for LGBTQ+ rights. She was a member of the Women's International League for Peace and Freedom. She never did consider herself a political person, but her fame came at a highly political time.
Because of her rising success and activism, Kitt was invited to many high-profile events. In 1968 Kitt was invited to the White House under the Lyndon B Johnson administration for the “Women Doers Luncheon” hosted by First Lady Johnson. The topic of interest was juvenile delinquency. 50 women attended, 46 of whom were white. It is noted that the First Lady ignored Kitt’s presence for a large part of the luncheon, encouraging her to “wait her turn”. Finally, when she was asked directly about the Vietnam war, her response linked race and social issues in the United States to the war.
“You send the best of this country off to be shot and maimed. No wonder the kids rebel
and take pot. The children of America are not rebelling for no reason…There are so many
things burning the people of this country, particularly mothers. They feel they are going
to raise sons…and you have children of your own, Mrs. Johnson – we raise children and
send them to war.”
This “woman doer” did a little too much. The next day the media reported that her remarks reportedly caused the First Lady to burst into tears. Even though this was found to be false, just the inkling of any white woman's tears is enough to send people into a frenzy. But this white woman happened to be the First Lady of the United States and “frenzy” doesn’t even begin to describe the reaction. Eartha Kitt couldn’t compete with the power the White House held.
Seemingly overnight Kitt lost everything she had worked so hard for. The racism, sexism and sexual objectification in the media concerning her were running rampant. The CIA branded her as  "a sadistic nymphomaniac"  she was called “An ill-bred lady with a great big chip on her shoulder” and President Johnson was quoted saying “I don’t want to see that woman’s face anywhere”. The media coverage was devastating to her private and public life. Friends stopped calling and engagements were canceled. A CIA dossier was published in The New York Times including comments about Kitt's sex life and family history, two things she often kept so private.
Analyzing the attack launched against Eartha Kitt after the White House incident could fill up a book. Simply put, the reason this was so explosive for Eartha Kitt was that she was a Black woman who was a little too loud. It was an honor to be invited to the White House and so Kitt should be grateful. She was one of only four Black women so she should quietly serve as a credit to her race. She should never speak out of turn and she should always be polite, toning down her statements to fit the audience. She violated proper social norms for someone of her race and even someone of her gender. The media made it to seem as though by speaking out, Eartha Kitt levied a personal attack against the First Lady and the entirety of the Johnson Administration. For this there must be consequences. Following the incident, Eartha Kitt was effectively pushed out of the United States and returned to the cabaret scene in Europe and Asia.
After a successful six years abroad Kitt made her way back to the United States. She returned to the stage and her first project, Timbuktu! earned her a Tony nomination for Best Actress. She was in Broadway performances of Wizard of Oz, Cinderella, and Mimi Le Duck. Kitt broke into voice-over work appearing in the Jungle Book and the widely popular The Emperor’s New Groove. Her musical career also received revival with the recording of her first-ever gold record, the disco single "Where Is My Man" which helped her acquire an entirely new fan base and solidified her place as a gay icon and disco queen. In between recordings she made numerous television and film appearances, and received Tony, Annie, and Drama Desk nominations and awards.
Eartha Kitt died of colon cancer at 81 in her Connecticut home with her daughter by her side. Several years after her death a biography, America's Mistress: The Life and Times of Miss Eartha Kitt by John L Williams was published. Much of the book focuses on Kitt’s “mystery” and calls her a mistress of an entire country. It’s the only biography on Kitt and it has the story all wrong. Kitt wasn’t “mysterious”. She gave everyone what she was willing to, she knew who she was, and she knew what she wanted but it's the world that wouldn’t let her have it. The world can be so entitled to the stories and experiences of Black women. Everyone, her mother, lovers, and industry execs, tried to convince her she was something else and that she should fit into a box designed for Black women. The White House incident and the media aided in that. When someone constantly defines you, how can you define yourself? Her sexuality and boldness weren’t gimmicks, it was an essential part of her identity. The media coverage of Eartha Kitt after the White House incident made her sexual liberation into something she should be ridiculed and shamed for. Deliberate attacks on her sexuality and artistry completely changed how she was perceived by the media. Eartha Kitt deserved only love and praise for her contributions to the culture and yet when she needed the most help no one was there for her. She wasn’t trying to be America’s mistress, she was forced into it.
Eartha Kitt was ahead of her time. She was a style icon, actress, singer, author, activist and did each with style and grace.  The chains that existed on Black women’s self-expression weighed her down and the political turmoil of her time in the US and abroad contributed to both her success and her short downfall. Kitt never stayed down long, her confidence could fill up a room. She transformed herself into a star maintaining a successful career over several decades, and she became an African American icon in the entertainment world.
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tilbageidanmark · 2 years
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Movies I watched this week #68
The most unusual film I’ve never heard of, Lost in London, an audacious directorial debut. A Woody Harrelson production, written by him, directed by him, headlined by him and recreating "the worst night of his life from 2002". Also, it was shot in a single take with one camera, and was live-broadcasted to over 550 theaters at the same time as it was shot, on January 19, 2017. On top of all that, it was an heartfelt roller-coaster with a great confessional story, and was so funny that at 2AM my 92-year old mom woke up next door and burst into my bedroom, when - forgetting where I am - I loudly screamed (at the shocking vomit scene at the club toilet). A technical marvel!
(Also, I didn’t know that he was a serious Chess player). (Poster Above). 9/10!
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Summertime X 2:
🎦🎦🎦 Summertime. David Lean’s glorious Technicolor tourist brochure of 1955 Venice. Lonely teacher Katherine Hepburn’s ‘affair to remember’ with the suave Continental lover Rossano Brazzi. Enchanted summer romance in the most seductive and exotic locale. 8/10.
You are like a hungry child who is given ravioli to eat. 'No' you say, 'I want beefsteak!' My dear girl, you are hungry. Eat the ravioli...
🎦����🎦 La Belle Saison (’Summertime’ in English) is a 2015 lesbian coming-of-age romance story. A young provincial woman in 1971 France, the only daughter of small time farmers, falls in love with a feminist girl in Paris, and has to choose between her love and the need to support her parents at the farm. No need to compare it to ‘Blue Is The Warmest Color’. 6/10.
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How is it possible that you could recognize a piece by Ennio Morricone by hearing the first note, asks Hans Zimmer in Ennio: The Maestro. The last Giuseppe Tornatore film that I saw recently, ‘The Best Offer’, was disappointing, but this latest extraordinary tribute was my best film of the month.
Morricone, the most popular and prolific film composer of the 20th century, was so much more than a film composer. This documentary makes a strong assertion that he was actually one of the greatest film-makers that ever lived.
My ‘To Watch Movie List’ just grew by 528 titles! Damn, now I have to go back and visit so many more movies!
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2 with Ginger Rogers:
🎦🎦🎦 “...I’d better lock this joint before the acrobats and the midgets start flocking in...”
A Busby Berkeley musical, Gold Diggers of 1933, including Ginger Rogers singing "We're in the Money" in Pig Latin. A perfect Hollywood extravaganza served on the bread line of the depression.
🎦🎦🎦 RKO classic comedy Swing Time, with Ginger Rogers and Fred Astaire's magnificent dancing. Most of the dance scenes are shot in a single long-holding camera shot, with very few cuts! Including a "Bojangles of Harlem" number with unique special effect shadows AND a blackface number.
Now I have to go back and watch all of Fred Astaire dance films!
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Blind, the only film directed by Eskil Vogt, who co-wrote all of Joachim Trier‘s films. An odd drama about a married woman in Oslo who recently lost her sight, and who starts narrating to herself erotic fantasies about her husband and various neighbors. A slow and internal drama that turns at times completely explicit, as the woman explores various porn scenarios in her mind. If it was directed by a woman, it would feel better. Unfortunately, it suffers a bit from a ‘Male gaze’ problem. 3/10.
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2 with Bob Hoskins:
🎦🎦🎦 Alan Parker’s horrifying musical of Pink Floyd’s seminal album The Wall. With evocative visuals, anarchistic despair and descent into madness, it’s a masterpiece of anti-war, anti-establishment and anti-life pain. Fueled by abandonment and wrapped in the trappings of a skinhead nightmare. With the most explicit flower sex sequence imaginable and the foreboding "marching hammers" fascist symbolism by illustrator Gerald Scarfe. The all-around ‘Wall of Sound’ soundtrack must be played at maximum loudness. Stunning, provocative, surrealistic. Re-watch. 10/10.
🎦🎦🎦 First watch: Mona Lisa. A small-time gangster is released from prison after 7 years, and gets a job as a driver for a high-class hooker. Predictably, he falls in love with her, and helps her find her young, abused friend. Dark twist at the end: She’s in love with the girl, not with him. Stories about ‘Saving a prostitute’ always expose sexual blind spots about their writers, and (with few exceptions, f. ex. Paul Schrader’s ‘Taxi Driver’ and ‘Hardcore’) are filled with unconvincing clichés. 5/10.
“Is that Channel 4?”
🍿     Another film that starts with Nat King Cole, the delightful remake The Parent Trap, which I had seen a few times before together with Adora. Lindsay Lohan (who was cast in the double role over for Scarlett Johansson and Mara Wilson) crashed it. Nancy Meyers regular ‘wealth porn’ at full display. 8/10.
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Shaolin Soccer, my second Stephen Chow. A broad martial arts comedy. Silly slapstick about bringing Kung Fu to the people, Puma product placement, and the worst case of acne ever shown on the screen.
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2 with Yahya Abdul-Mateen II:
🎦🎦🎦 Ambulance, my first film by Michael Bay. Another over-the-top psychopath Jake Gyllenhaal leading an LA bank robbery gone wrong, and shooting his way out of it. A manipulative adrenaline-and-cliché filled action film, fast, loud and full of explosions. Based on ‘Ambulancen’, a 2005 Danish film (and using Danish Falck ambulances as a tribute). I don’t usually watch “action” movies, but I liked this one a lot - 7/10
🎦🎦🎦 "I fucked a polar bear and I still couldn't get you out of my mind"... In Black Mirror’s Striking Vipers episode (S5 E1) Yahya Abdul-Mateen and Anthony Mackieare are old gamer friends who develop a heated sexual obsession with each other when they start playing a Virtual Reality version of their old fighting game. Different from most other Black Mirror stories, it features two macho black male friends (in an all -black cast) whose discovery of Virtual Sex brings them to question their heterosexuality. Re-watch. 8/10.
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The Men Who Stare at Goats, an idiotic & misfired satire about a secret ‘new age’ unit at the US army which tries to employ psychic powers as a weapon during the last Iraq war. The bullshit ‘Jedi warriors’ farce brought back unfortunate memories of the despicable George W Bush, about whom I didn’t think for the last 5-6 years.... 2/10.
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In Meet The Parents, imposing father-in-law-to-be Robert De Nero intimidates male nurse Gaylord Focker. Sitcom-like comedy with some genuinely funny bits, and very weak ending. ...”You never told me about your cat milking days in Motown...” Re-watch.
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I used to love watching Bill Maher, when he played the politically incorrect unabashed liberal. Now that he is playing the unabashed old libertarian shouting at the 'woke’ kids to get off his lawn, he lost his edge and appeal for me. His latest HBO special #Adulting is unfunny and cringe-inducing. Pass.
(But then he does The war on democracy this Friday, and that 'Rules’ again)
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Throw-back to the art project:
Adora in ‘The Wall‘.
The Parent Trap Adora.
Adora with Fred Astaire.
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(My complete movie list is here)
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krispywerewolfkitty · 3 months
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The Color Purple 
Warner Bros. Pictures invites you to experience the extraordinary sisterhood of three women who share one unbreakable bond in “The Color Purple.” This bold new take on the beloved classic is directed by Blitz Bazawule (“Black Is King,” “The Burial of Kojo”) and produced by Oprah Winfrey, Steven Spielberg, Scott Sanders and Quincy Jones. “The Color Purple” stars Taraji P. Henson (“What Men Want,” “Hidden Figures”), Danielle Brooks (“Peacemaker,” “Orange Is the New Black”), Colman Domingo (“Ma Rainey’s Black Bottom,” “Fear the Walking Dead”), Corey Hawkins (“In the Heights,” “BlacKkKlansman”), H.E.R. (“Judas and the Black Messiah,” “Beauty and the Beast: A 30th Celebration”), Halle Bailey (“The Little Mermaid,” “Grown-ish”), Aunjanue Ellis-Taylor (“King Richard,” “If Beale Street Could Talk”), and Fantasia Barrino (in her major motion picture debut). The screenplay is by Marcus Gardley (“Maid,” “The Chi”), based on the novel by Alice Walker and based on the musical stage play, book (of the musical stage play) by Marsha Norman, music and lyrics by Brenda Russell, Allee Willis and Stephen Bray. The executive producers Alice Walker, Rebecca Walker, Kristie Macosko Krieger, Carla Gardini, Mara Jacobs, Adam Fell, Courtenay Valenti, Sheila Walcott and Michael Beugg. Joining director Bazawule behind the camera are director of photography Dan Laustsen (“John Wick: Chapter 4,” “The Shape of Water”), production designer Paul Denham Austerberry (“The Flash,” “The Twilight Saga: Eclipse”) and editor Jon Poll (“Bombshell,” “The Greatest Showman”). The choreographer is Fatima Robinson (“Coming 2 America,” “Dreamgirls”) and the costumes are designed by Francine Jamison-Tanchuck (“Emancipation,” “One Night in Miami…”). The music supervisors are Jordan Carroll (“The Greatest Showman,” “Godfather of Harlem”) and Morgan Rhodes (“Space Jam: A New Legacy,” “Selma”); the music is by Kris Bowers (“King Richard,” “Green Book”); and the executive music producers are Nick Baxter (“Babylon,” “CODA”), Stephen Bray (“Respect,” “Juanita”) and Blitz Bazawule. Warner Bros. Pictures presents a Harpo Films Production, an Amblin Entertainment Production, a Scott Sanders Production/a QJP Production, “The Color Purple.” It will be distributed worldwide by Warner Bros. Pictures and is set to open in theaters in North America on December 25, 2023 and internationally beginning 18 January 2024.
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tetcny · 4 months
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#RIP #AndreBraugher
An amazing stage & screen actor , here in #GLORY . Stage: NY Shakespeare Festival Twelfth Night title role of Henry V, which earned him an Obie Award. Joseph Papp's Public Theater, Folger Shakespeare Festival ,on board of CLASSICAL THEATRE OF HARLEM.
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shakespearenews · 1 year
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Kara Young and Christina Sajous in Twelfth Night. Photo: Richard Termine
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clothinglowpricemerch · 4 months
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Immersing in New York City's Cultural Tapestry: A Fusion of Art, History, and Culinary Delights
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New York City, a vibrant metropolis and global hub, is a melting pot of cultures, cuisines, and artistic expressions. Explore the iconic museums, wander through bustling neighborhoods, and catch a Broadway show. From the grandeur of Central Park to the trendy shops of SoHo, New York City offers an endless array of experiences.
Introduction
Welcome to the city that never sleeps, the cultural kaleidoscope that is New York City. With a decade of exploration behind me, I invite you to join me on a journey through the heart of this metropolis, where every street corner tells a story, every bite is an adventure, and every museum is a gateway to human creativity. In this exploration, we will uncover the layers of New York City's cultural tapestry, delving into art, history, and the delightful world of culinary experiences.
Museums: Where Art and History Converge
The Metropolitan Museum of Art
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Our cultural odyssey begins at The Met, an iconic institution that houses over two million works of art spanning 5,000 years. From ancient Egyptian artifacts to Renaissance masterpieces, The Met is a treasure trove that transcends time and culture. Allow yourself to be captivated by the brushstrokes of renowned artists and the whispers of history echoing through its halls.
The Museum of Modern Art (MoMA)
For a more contemporary experience, venture to MoMA, a mecca of modern and contemporary art. Marvel at works by Picasso, Van Gogh, and Warhol as you navigate through this avant-garde haven. The museum's ever-evolving exhibits and immersive installations make it a dynamic reflection of the evolving art scene.
The American Museum of Natural History
Switching gears, delve into the realms of science, anthropology, and natural wonders at The American Museum of Natural History. From towering dinosaur skeletons to celestial exhibits, the museum provides an educational and awe-inspiring journey. Don't miss the Hayden Planetarium for a cosmic experience that transcends the limits of Earth.
Neighborhoods: A Tapestry of Diversity
Harlem: Rhythms of the Renaissance
Start your neighborhood exploration in Harlem, a historic district that has been a beacon for African American culture since the Harlem Renaissance. Immerse yourself in the rhythms of jazz at the Apollo Theater, stroll along Strivers' Row to admire historic brownstones, and savor soul food at Sylvia's Restaurant.
Greenwich Village: Bohemian Vibes
Wander down the charming streets of Greenwich Village, a neighborhood synonymous with bohemian culture. Washington Square Park, with its iconic arch and vibrant street performers, is the heart of the Village. Explore MacDougal Street's coffee shops and bookstores, and feel the echoes of Bob Dylan's folk tunes.
Chinatown and Little Italy: Culinary Adventures
Embark on a culinary journey in the neighborhoods of Chinatown and Little Italy. In Chinatown, narrow streets are adorned with red lanterns, offering a sensory overload of flavors and scents. Then, cross into Little Italy for a taste of old-world charm with its family-owned trattorias and gelato shops.
Williamsburg: Brooklyn's Creative Hub
Cross the East River to Williamsburg, Brooklyn, a haven for artists and creatives. Street art adorns the industrial landscape, and boutique shops showcase the latest in local design. The Brooklyn Brewery is a must-visit, where you can sample craft beers in a vibrant and eclectic atmosphere.
Broadway: The Theatrical Heartbeat
The Glittering Lights of Broadway
No exploration of New York City's cultural tapestry is complete without experiencing the magic of Broadway. Attend a dazzling Broadway show, where the neon lights of Times Square meet the artistic brilliance of live performances. From classic musicals to cutting-edge dramas, Broadway offers a theatrical journey for every taste.
Off-Broadway Gems
For a more intimate and experimental experience, venture Off-Broadway. The smaller theaters often showcase innovative productions and emerging talents. These hidden gems allow you to connect with the performers in a way that is uniquely New York.
Central Park: Nature Amidst the Concrete Jungle
The Great Lawn and Bethesda Terrace
Escape the urban hustle and immerse yourself in the tranquility of Central Park. The Great Lawn, a vast expanse of green, is perfect for picnics and outdoor activities. Stroll towards Bethesda Terrace, an architectural masterpiece overlooking the lake. It's a place to relax, people-watch, and savor the serenity amidst the city's chaos.
Strawberry Fields and The Ramble
Visit Strawberry Fields, a living tribute to John Lennon, and feel the peaceful energy of this memorial. Then, lose yourself in The Ramble, a wooded area that feels like a forest within the city. Birdwatchers, joggers, and nature enthusiasts alike find solace in this hidden oasis.
Culinary Delights: A Gastronomic Adventure
Street Food and Food Trucks
New York City is a paradise for food lovers, and some of the best culinary experiences can be found on the streets. Dive into the diverse world of street food and food trucks, from classic hot dogs and pretzels to exotic international flavors. Head to Smorgasburg in Brooklyn for a food market featuring a variety of vendors and cuisines.
Michelin-Starred Dining
For a more upscale experience, explore the city's Michelin-starred restaurants. Indulge in a culinary journey curated by renowned chefs, where every dish is a masterpiece. From fine French cuisine to innovative American fare, these establishments elevate dining to an art form.
The Vibrant Food Scene of Queens
Venture to Queens to explore its rich tapestry of international cuisines. From the bustling markets of Flushing to the diverse eateries in Jackson Heights, Queens offers a culinary world tour within a borough. Taste authentic dishes from countries around the globe, reflecting the cultural mosaic of New York City.
Practical Tips for Cultural Immersion
CityPASS for Museum Lovers
For avid museum-goers, consider the CityPASS, which grants access to multiple attractions at a discounted rate. This pass is an excellent way to make the most of your time and budget while exploring the cultural gems of New York City.
Navigating the Subway
Mastering the New York City subway system is key to seamless exploration. Purchase a MetroCard, and embrace the efficiency of the subway for quick and affordable travel between neighborhoods and boroughs.
Cultural Events Calendar
Check the city's cultural events calendar for special exhibitions, performances, and festivals. New York City is a dynamic hub of creativity, and there's always something exciting happening across its boroughs.
Conclusion
In conclusion, immersing yourself in New York City's cultural tapestry is a journey of endless discovery. From the brushstrokes of masterpieces in iconic museums to the rhythms of Harlem's jazz, every step is an exploration of human expression. As a seasoned traveler, I can attest that New York City is not just a destination; it's an ongoing performance where each neighborhood, each meal, and each museum visit contributes to the grand narrative of this global metropolis. So, pack your curiosity, embrace the diversity, and let the cultural symphony of New York City weave its magic on your soul.
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New York City: The City That Never Sleeps
Introduction
New York City, often simply referred to as NYC, is a metropolis like no other. It's a place where dreams are made, cultures converge, and the hustle and bustle of urban life never seems to slow down. With its iconic skyline, diverse neighborhoods, and a vibrant mix of cultures, NYC stands as a testament to human ambition and resilience. In this article, we'll explore the rich tapestry that is New York City, delving into its history, culture, landmarks, and what makes it a unique and enduring global icon.
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A Brief History
New York City's history is a tale of immigration, innovation, and evolution. The city's roots trace back to the early 17th century when it was known as New Amsterdam, a Dutch trading post. In 1664, the British captured the city and renamed it New York in honor of the Duke of York. Over the centuries, it grew exponentially, becoming a crucial hub for trade, commerce, and culture.
The late 19th and early 20th centuries marked a period of tremendous growth, with the arrival of millions of immigrants seeking the American Dream. This influx of diverse cultures helped shape the city's unique character and gave rise to neighborhoods like Chinatown, Little Italy, and Harlem, each with its distinct charm and heritage.
Culture and Diversity
One of the defining features of New York City is its unparalleled diversity. Over 8 million people call this bustling metropolis home, representing every corner of the globe. As a result, NYC has become a melting pot of cultures, languages, and traditions.
The city's cultural scene is thriving and offers something for everyone. Broadway, often considered the epicenter of the world's theater, showcases the finest in drama and musicals. World-class museums like the Metropolitan Museum of Art, the Museum of Modern Art (MoMA), and the American Museum of Natural History house priceless treasures from around the world. Music enthusiasts can explore jazz in Harlem, indie rock in Brooklyn, or classical performances at Lincoln Center.
Cuisine is another arena where NYC shines. From the classic New York-style pizza to international delicacies in Queens, the city's food scene is a gastronomic adventure. Food trucks, Michelin-starred restaurants, and local diners cater to every palate, offering a fusion of flavors.
Iconic Landmarks
New York City is synonymous with iconic landmarks that have become global symbols. The Statue of Liberty, a gift from France, stands as a beacon of freedom and democracy, welcoming immigrants to the shores of America. The Empire State Building, once the tallest skyscraper in the world, continues to offer breathtaking views of the city from its observation deck.
Central Park, a sprawling oasis in the heart of Manhattan, provides a serene escape from the urban jungle. Times Square, with its dazzling billboards and bustling crowds, epitomizes the city's energy and excitement. And let's not forget the Brooklyn Bridge, connecting Manhattan and Brooklyn, a testament to human engineering prowess.
The City That Never Sleeps
New York City earned its moniker as "The City That Never Sleeps" for a reason. The city's energy is palpable at all hours, with a 24/7 lifestyle that caters to every interest. From late-night diners to 24-hour subway service, NYC ensures you can satisfy your cravings, explore its streets, and enjoy its nightlife anytime you choose.
short stories to read 
Read Short stories about New York City  and about Its history, culture, diversity, and iconic landmarks have made it a global icon that continues to capture the hearts and imaginations of people from all walks of life. Whether you're strolling through Central Park, catching a show on Broadway, or sampling street food in Queens, NYC offers a kaleidoscope of experiences that leave an indelible mark on all who visit. In the city that never sleeps, the possibilities are endless, and the magic never fades.
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taruntravell · 6 months
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6 Reasons Why Couples Love New York City
Couples often find New York City to be a romantic and exciting destination for a variety of reasons. Here are six reasons why couples love New York City:
Iconic Landmarks: New York City is home to some of the world's most iconic landmarks, including the Statue of Liberty, Central Park, Times Square, and the Empire State Building. Exploring these iconic sites together can be a memorable and romantic experience.
World-Class Dining: NYC offers an incredible culinary scene with diverse restaurants, cafes, and food markets. Couples can enjoy romantic dinners at upscale restaurants or share street food while exploring the city. The options are endless, catering to various tastes and budgets.
Cultural Diversity: The city's cultural diversity is reflected in its neighborhoods, museums, and events. Couples can explore different cultures through neighborhoods like Chinatown, Little Italy, and Harlem, and visit world-class museums like the Metropolitan Museum of Art or the Museum of Modern Art.
Broadway Shows: New York City is famous for its Broadway theater productions. Couples can enjoy a night out watching a captivating show, from timeless classics to contemporary productions. It's an excellent opportunity to bond over shared entertainment.
Romantic Walks: NYC offers plenty of romantic spots for couples to take leisurely strolls. Central Park, the High Line, Brooklyn Bridge, and the scenic waterfront areas provide beautiful settings for hand-in-hand walks and intimate conversations.
Nightlife and Entertainment: The city that never sleeps truly lives up to its name when it comes to nightlife. Couples can enjoy jazz clubs, rooftop bars, live music venues, and dance clubs. Whether you're into jazz, hip-hop, or salsa, there's a nightlife scene for every couple.
These are just a few reasons why couples often find New York City to be an attractive destination. Its blend of culture, entertainment, and iconic landmarks makes it a place where romance and adventure thrive.
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writemarcus · 7 months
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JCTC Produces Reading of New Play SIBLING RIVALRIES By Marcus Scott
The production is set for September 18.
By: Stephi Wild Sep. 06, 2023
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Jersey City Theater Center will present a reading of Sibling Rivalries by Marcus Scott, a new play set at a fictional Ivy League school in the years following the Obama Administration. This political drama follows a diverse group of young black men, all members of a fraternity, who face shifting loyalties and eroded principles when they are forced to compete against one another for a prestigious fellowship. Sibling Rivalries will take place at Jersey City Theater Center (165 Newark Ave, Jersey City, NJ 07302 / Entrance from Barrow St., Jersey City, NJ, 07302) on Monday, September 18 at 7:30PM. Tickets start at just $5.00 and are available at www.JCTCenter.org.  "As we prepare to showcase the extraordinary talent of Marcus Scott, a remarkable representative of the black, queer community, whose work we have had the privilege of nurturing by providing a creative residency in 2023, our enthusiasm knows no bounds. At the very core of our mission lies our unwavering commitment to open doors for emerging playwrights, allowing their voices to resound both locally and on the globally," stated Olga Levina, the Executive Producer at JCTC. "JCTC is immensely thankful for our enduring partnership with I Love Greenville and the sponsorship from Healthier JC, our collaboration has given rise to a wide spectrum of programming, each piece thoughtfully designed to shed light on the experiences and obstacles faced by people of color while celebrating their rich cultural traditions."  We wish to express our gratitude to the Performers' Unions: ACTORS' EQUITY ASSOCIATION, AMERICAN GUILD OF MUSICAL ARTISTS, AMERICAN GUILD OF VARIETY ARTISTS and SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear in this program.
About Marcus Scott
Marcus Scott is a playwright, musical theatre writer & journalist. Full-length works: Tumbleweed (finalist: 2017 BAPF & the 2017 Festival of New American Plays at Austin Playhouse; semifinalist: 2022 O'Neill NPC, 2022 Blue Ink Playwriting Award & 2017 New Dramatists Princess Grace Award in Playwriting Fellowship), Sibling Rivalries (finalist: Normal Ave's NAPseries, 2021 Seven Devils Playwrights Conference & 2021 ATHE-KCACTF Judith Royer Excellence In Playwriting Award; semi- finalist: 2022 Lanford Wilson New American Play Festival, 2021 Blue Ink Playwriting Award & 2021 New Dramatists Princess Grace Award in Playwriting Fellowship; long-listed: 2020 Theatre503 International Playwriting Award), There Goes The Neighborhood (finalist: 2023 New Dramatists Princess Grace Award in Playwriting Fellowship, 2023 Blue Ink Playwriting Award, the 2019 Bushwick Starr Reading Series; semifinalist: 2023 BAPF) & Cherry Bomb (recipient: 2017 Drama League First Stage Artist-In-Residence, 2017 New York Theatre Barn's New Works Series; 2017 finalist for the Yale Institute for Music Theatre). Heartbeat Opera commissioned Scott to adapt Beethoven's “Fidelio” (Co-writer; Met Live Arts at the MET Museum, Mondavi Center at UC Davis, Scottsdale Center for the Performing Arts, The Broad Stage, Rutgers Presbyterian Church, Baruch Performing Arts Center; NYTimes Critics' Pick! ★★★★). Scott is the recipient of the WTP Rosalind Ayres-Williams Memorial Scholarship (2022-2024). Scott is the recipient of the WTP Rosalind Ayres-Williams Memorial Scholarship (2022-2024). His one-act Sundown Town is published in Obsidian: Literature and Arts of the African Diaspora: Issue: 48.1.   His work has developed or presented at Concord Theatricals/Sam French OOB Short Play Festival, Queens Theatre (New American Voices series), The Fire This Time Festival, Zoetic Stage (Finstrom Festival Of New Work), Dixon Place, Feinstein's/54 Below, Abingdon Theatre Company, Downtown Urban Arts Festival, Classical Theatre of Harlem, Across A Crowded Room at Lincoln Center Performing Arts Library (NYPL), Musical Theater Factory's 4x15 Series, Space on Ryder Farm, Theatre West, New Circle Theatre Company, MicroTheater Miami, Columbia College Chicago, among others.   Residencies and retreats: The inaugural Personal Pizza Party Writers' Kitchen cohort (2023), The 2022 Valdez Theatre Conference, The Road Theatre Company's Under Construction 3 Playwrights Group (2022), Mojoaa Performing Arts Company's Southern Black Playwrights Lab (Cohort 2; 2022), Works & Process LaunchPAD “Process as Destination” Residency at the Guggenheim (2022), Prospect Musical Theater Lab (2021), María Irene Fornés Playwriting Workshop (2021), JACK Governor's Island Artist Residency (2021), Catwalk Artist Residency (2021), The Center at West Park Virtual Performance Residency (2020-2021), Gingold Theatre Group Speaker's Corner Writer (2020-2022), Liberation Theatre Company's Playwriting Residency Fellowship (2018), Athena Theatre Company's Athena Writes Playwriting Fellowship (2018-2019), the inaugural LIT Council at the Tank (2018-2019), Fresh Ground Pepper Artist-In-Residence BRB Retreat (2017), One Co. Writers' Residency at Little Farm (2017) and Goodspeed Opera House Retreat (2013). Scott is a 2021 NYSAF Founders' Award finalist, a 2021 Doric Wilson Independent Playwright Award semi-finalist, a four-time National Black Theatre I AM SOUL Playwrights Residency finalist and a four-time top finalist for The Civilians R&D Group. His articles appeared in Architectural Digest, Time Out New York, American Theatre Magazine, Playbill, Elle, Out, Essence, The Brooklyn Rail, among others. BFA: State University College at Buffalo, MFA: NYU Tisch.
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