#clipping. | Explore Tumblr Posts and Blogs

talos-stims · 4 months

Text

do y'all remember / how deep it go?

🐳|🫧|🐳

🫧|🐳|🫧

🐳|🫧|🐳

175 notes · View notes

milksockets · 3 months

Text

#me #ootd #clipping.

77 notes · View notes

orange-calx · 3 months

Text

clipping. perform "face" live from The Stables on KEXP

#talos gifs #clipping.#daveed diggs #william hutson #jonathan snipes #grayscale

35 notes · View notes

only4miller · 1 month

Text

i am in DESPERATE need of more daveed diggs fanfics. if you know any, pls tell me asap i am goinf insane this man is gorgeous i'd do anything to get even CRUMBS.

#daveed diggs #daveed diggs x reader #blindspotting #collin hoskins #lafayette #marquis de lafayette #hamilton musical #hamilton #thomas jefferson #clipping.

26 notes · View notes

intoxicatingimmediacy · 3 days

Text

clipping. - Pain Everyday | Donaufestival | 20.4.2024

#about last night...#clipping.#clipping #daveed diggs #bill hutson #jonathan snipes #clipping. tour europe 2024

19 notes · View notes

violet-moonstone · 5 months

Text

if anyone lets me talk about clipping for too long i get so excited that i have to stop myself from tearing up...like not just from excitement but because so much of clipping's work is so dark and honestly horrifying but like my favourite horror it's so fascinating that I can't look away

like splendor and misery to me is not only an afrofuturist album but just as much of a horror album as there existed and addiction to blood and visions of bodies being burned . I was expecting horror from those two albums...but the existential dread of splendor and misery mixed with the darkness of allegory for the transatlantic slave trade hit me right in the gut.

I made the mistake of listening to that album for the first time at like 2 in the morning and I got into this weird panicked state that happens sometimes when I'm up really late and thinking about something upsetting where I feel completely and utterly isolated from the rest of humanity - like nothing else exists and I'm the only consciousness left - and considering that narrative of splendor and misery, that was bound to happen

don't even get me started on "true believer". something about that song freaks me out. it's a beautiful song but I can't handle it most of the time.

one a sidenote, Daveed Diggs was a great choice to play the protagonist of Snowpeircer because that show freaks me out the same way splendor and misery does - something about dystopian, futuristic narratives and complete isolation from the rest of humanity, which is either inaccessible or destroyed, etc etc

"the deep" affects me in much the same way. IMO that song did so much that Black Panther 2 hardly accomplished (although I noticed the similarities right away and I really wished that movie had played out differently).

and then there's the horror of the "story" tracks...all of these people trapped in ongoing narratives of tragedy, trauma, and violence, and THEY'RE ALL INTERCONNECTED. THEY ALL HAPPEN IN THE SAME UNIVERSE BUT YOU HAVE TO PUT THE TIMELINE TOGETHER. ITS SO GOOD.

man, I love clipping

#clipping #daveed diggs #splendor and misery #music #clipping.

24 notes · View notes

spilladabalia · 1 month

Text

youtube

clipping. feat. Cocc Pistol Cree - Work Work

#clipping.#work work #daveed diggs #william hutson #jonathan snipes #cocc pistol cree #hip hop #industrial hip hop #experimental hip hop #rap #clppng #2014 #Youtube

17 notes · View notes

7grandmel · 1 month

Text

Todays rip: 24/03/2024

Aphex Twin Snakes

Season 4 Episode 1 Featured on: SiIvaGunner's Highest Quality Rips: Volume L [Side A]

Ripped by Snowva

youtube

I suppose we'll round off this streak covering rips with sources I'm far too unfamiliar with, with yet one more that I, like Poké Village, discovered on my own. Yes, I admit it: I am uncultured, I am weak, and I am not yet properly educated on the world of Aphex Twin. Now, that's not to say that the artist hasn't had an impact on me all the same - it wasn't that long ago that I wrote about just how much the Season 1 rip Aphex affected me way back in 2016. So I do have a tenuous attachment of sorts to their music, yet its an attachment I only get reminded of through rips and other remixes. Aphex Twin Snakes is one of those reminder-rips, one I found on a whim just browsing the archives of the Volume L album - and it's an absolute banger.

I may not have actual investment into the Metal Gear franchise yet either, but its at this point impossible not to know of the most legendary music of the Solid series. There's of course the beautiful credits theme to Metal Gear Solid 2, Can't Say Goodbye to Yesterday - as performed by Bob Dylan (yes, by the REAL Bob Dylan!), and the long-overdue-for-coverage main theme for the series' third game, Snake Eater - but the main theme of Metal Gear Solid 2 has always felt like THE Metal Gear theme in my head. You can immediately tell something is changed in Aphex Twin Snakes - before the elements of Aphex Twin are even implemented, sound effects from the Metal Gear Solid series are sampled to create a far more prominent "beat" for the track, sort of in the vein of Banjostruck or the various Hideki Naganuma-inspired rips a la September. It's a fantastic way to transition the rip into the more jungle-y style of the Aphex Twin track used, which is Carn Marth if I'm to trust the Wiki - but attachment or not, its novelty as a jungle remix of such a proudly-orchestral piece is appealing all on its own.

The rip sells you in just the first 15 seconds alone as a distinctly different-feeling take to the legendary theme, but continues to impress throughout. I'm always caught off guard by how hard the intentional stutter in the track at little over 30 seconds in hits, and not long therafter the sound of Snake's iconic death sound from the series is used to amazing effect to punctuate the rip's change in tone. Midway through, we're even treated to a little bit of a "dialogue" in a codec call seemingly between Snake and Aphex Twin itself, only communicating through a change in music to the track Windowlicker. This is obviously not really the same thing as something like the canon-to-the-channel dialogue in Haltmanna feat. Rob Thomas of Matchbox 20, but it is a really fun surprise althesame - when Aphex Twin Snakes was uploaded, we already knew that Snake was to reappear as a character in the King for Another Day Tournament, and so this little moment of interaction from the character (or the Figment, if we're to be lore accurate) feels all too fitting, its as if he himself was shocked to encounter another source in "his" own track.

After this little interlude, Body & Blood by clipping. is added to the mix, giving the rip a vocal performance quite different in tone from the rip's first half. It was the first half that sold me, and though this shift in direction is certainly a form of escalation, it is maybe a bit too drastic for me - whenever I come back to Aphex Twin Snakes, it is the Aphex Twin part of the first half that I'm most drawn to. But I'm of course althesame thankful that we even get rips with such variety and risks taken in them (sort of like Metal Gear Solid 2 itself, hm?), and that the rip knows not to overstay its welcome. Each of these three sections of the rip get just enough time to land, and all three feel polished to a sheen. This is the first rip by Snowva I've covered on here, but if Aphex Twin Snakes is anything to go by they have an absolute knack for quality - and have helped remind me of yet another incredible artist that I need to start actually listening to.

9 notes · View notes

cyber444angel · 1 year

Text

yoooooooo…. it’s clipping. :0

#clipping.#daveed diggs #jonathan snipes #william hutson #((loosely based on the live 4 no audience performance bc that went hard))#digital art #i tried a perspective thing idk……

59 notes · View notes

sibelin · 7 months

Text

oh it's almost time for the spooky clipping. albums 👀

#underrated form of horror media : SONGS #it's taste that they remixed the soundtrack of ganja & hess too #clppng #clipping.#music #Bandcamp

19 notes · View notes

jonny-b-meowborn · 9 months

Text

okay but. he's missing something pretty. he's missing where the air tastes gritty. he's missing the splendor and misery of bodies, of cities, of being missed. ough

#this song ough ouch #im at that point where i have to listen to splendor & misery at least once a week or ill die #clipping.#bee buzz

25 notes · View notes

talos-stims · 2 months

Text

SPLENDOR & MISERY

🔲|🔲|🔲

37 notes · View notes

randomcollectionitem · 6 months

Text

clipping. - Face

https://www.discogs.com/release/11980126-Clipping-Face

Hey, we finally had a record show up! This is the 2018 vinyl reissue of the 2012 debut EP from beloved industrial rap trio Clipping (they stylize it as "clipping." but it fucks up my formatting mojo so I'm sticking to the capital C for this one). The A side is the original 3 track tape, and the B side is remixes and an acapella. This version was released by Deathbomb Arc, the same label that put out the original EP.

I was a little late to the Clipping party and got on board with them shortly after the release of their semi-self-titled debut album, CLPPNG. CLPPNG dropped right after Death Grips broke up and the hype surrounding Clipping on the internet was mostly /mu/ posters heralding them as The Next Death Grips. I always thought that comparison was questionable. Outside of a vague sense of being in the same genre they don't share a lot of DNA, with Clipping pulling heavily from harsh noise and power electronics in contrast to Death Grips' sample-heavy sound fueled by math rock-adjacent live drums. Regardless, the JENNY DEATH WHEN era hype train brought Clipping in front of a relatively big audience of outsider rap nerds looking for another hit of bizarre sounds, and they brought it in spades. After listening to CLPPNG an embarrassing number of times I worked my way back to midcity (their first mixtape) and Face. Face really stuck with me, so I was thrilled to see it reissued in 2018 and picked it up immediately.

The original EP is a short-but-sweet three song affair that wastes no space and takes no prisoners. The opening track, the eponymous Face, is a blistering assault of lighting fast bars, blasts of noise, and a catchy x-rated chorus. It's followed by Studio Freestyle 01, which serves as a sort of mental breather in the middle of the list (as much of one as Clipping will give you at least), with mid-tempo freestyle verses alternating call-and-response style with bursts of harsh noise. The EP rounds out with Block, my personal favorite track from the project. Block showcases Daveed Diggs' uncanny ability to make even the smallest things seem profound and significant. A song about nothing becomes a song about everything as he paints a picture of a city block on top of a slow-burning beat. There are no characters. There is no action and no narrative. And that's the beauty of it.

The B side is a collection of remixes backed with an acapella of the first track. I'm normally not a huge fan of remixes, but the selection here is a fun listen. The first two are remixes of the title track, with the first turning it into a stompy industrial club tune and the second chopping it into a wall of samples (including a shockingly straight-faced interpolation of Gangnam Style, and a slightly less straight-faced interlude of the intro to Never Gonna Give You Up). This is followed by Clipping's remix of This Song Is A Drug Deal, by LA noise rock drum-and-shout group Foot Village. It chops up the spastic drums from the original song and uses them as a bed for some verses from Daveed. The side closes out with the acapella of Face, not exactly critical listening but I'm glad it's out there for DJs and remix artists to take advantage of.

As previously mentioned, the copy in front of me is the 2018 Deathbomb Arc vinyl issue, the only vinyl issue to date. The 2012 original pressing was only on cassette, and this deluxe reissue was also available on cassette with an expanded tracklist containing additional Face remixes. I opted for the vinyl version because, frankly, I lived through tapes the first time around; they sucked then, they suck now, and part of me withers away every time I have to buy a new one. Regardless, the vinyl edition is simple but well-presented. The album art still looks good when blown up to 12"x12", and they did a nice job typesetting the back cover. It includes a download code for the download-inclined, and opts for a polybag rather than a paper inner (I breathe a sigh of relief every time I open a new record and don't need to immediately resleeve the LP, records are too damn expensive now for these labels to cheap out with the crappy paper inners that shed everywhere and scuff your new record up). The pressing is fairly shallow, but my copy plays well with little to no surface noise. The sound is a bit dull, but it's not exactly a hi-fi recording in the first place so I'm not going to complain. No inserts or liner notes on this one, but an EP doesn't really need all that anyways. Overall I think they've done a nice job with the reissue.

I think the beauty of Face is that it paints a fairly complete picture of Clipping in only 3 tracks. You have the high energy sonic assaults, you have the artsy contemplation, and you have the fearless harsh noise and power electronics interludes. While it's not their most essential work, if you want a short elevator pitch for why you should care about Clipping, this is it. A great start to a legendary career. Rest assured, if I keep doing this long enough we'll see plenty of other Clipping releases in the future, so strap in for some more noise rap greatness down the road. In the meantime, may your music stay pleasantly abrasive and may your preferred genitals be in your face.

#album review #discogs #random collection item #face #clipping.#industrial hip hop #noise rap #vinyl #LP #deathbomb arc #clipping #now spinning

17 notes · View notes

orange-calx · 1 year

Text