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courtofterrasen · 14 hours

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Alright, clearly some of you guys are just not getting it. So no more emotion from me; I am simply going to write in factual terms.

It takes a VAST amount of work to go into creating a series like Bad Batch. You have to go through writing, scene painting, 3D modeling, rigging, lighting, SFX, voice lines, editing, final production, etc; just to name a few. It takes hours upon hours upon hours of work for those animators to create all of the nuances in a scene, let alone in Bad Batch where there is an extremely high level of attention to detail. It’s not like anime where a character and background are mostly stationary while they talk. There’s constantly stuff happening in the background and they intentionally make choices that provide extremely little to the overall story and, in all honesty, take up a significant amount of their time and can be argued that they’re wasting their time and money and effort (I don’t think so, but I’m sure people could argue it if they thought that effort should be allocated elsewhere). But they do it because it provides a deeper sense of realism to the story as a whole and make it feel like a living, breathing world. For example, when a character trips a little bit or they animated them doing something slightly harder than it would have been otherwise or eyes darting around and studying someone. These are all very little things that take them hundreds of hours to get perfect. And those are the kinds of things that go unnoticed by the vast majority of people watching the show. Either because they don’t noticed the little detail that was put in at all, or they don’t understand the level of work that goes into creating little minute decisions like that. And all of those decisions that they make, both big and tiny, are given to them in specific instructions by the directors. When you think about the insane amount of work that goes into creating a show like Bad Batch, you realize that every single little detail that they choose to add in is intentional and was given to them via specific instruction. It’s not like in live-action shows where the actor can choose to make a subtle decision on the fly. There are hundreds of thousands of hours of work that go into this and every choice that they make is intentional. The lighting dept. has even confirmed this for us, saying that all of the lighting that they did was done very carefully and intentionally and to pay attention to what’s happening in the scene. Because there’s an extremely high level of detail that’s put into the show, based off of very detailed instructions that were presented to them.

Now. Taken all of these points into account, it’s critical to look at all of the little choices that were made when it comes to her character and the way that both she interacts with the world and the people around her, as well as how they, in turn, respond to her. Because, like the lighting dept. has already made very clear to us, every design choice they has been made in the creation of the show is 100% intentional. Even if that’s not something that they had said or wasn’t something you were aware of, when you focus on the aspect of animation, it’s sometimes hard to get a clear grasp on just how long it takes them to do these things. And that every little choice that they made was carried out under specific instruction. And that’s not even getting into the nuances of voice acting and understanding the subtle distinctions in the way someone talks and being able to discern the meaning behind their words based on dialect and the instructions they were given. And for someone who just casually watches the show, absolutely none of these are important. They’re watching it to watch it and no further thought is put into it. And there’s nothing wrong with that. People are allowed to watch things at a surface level and get enjoyment out of it.

For every character, they can be broken up into various parts:

•Their visual appearance

•Their behavior

•Their interactions with others and the world

•How others respond to their character

•Their small, subtle behaviors (such as a particular twitch or repetitive body movement that can be used to convey a deeper meaning)

•And their internal motives

In that order from the least to most complex. And these topics can also be used to understand the complexity of a character. For someone like Cid, all of these topics are touched on in a variety of ways.

•She’s different from them

•She’s gruff and money hungry

•She speaks to the Batch like they’re a bunch of kids and she knows better than them

•They never fully bring themselves to trust her and, at times, they see her has a burden

•Towards the end of their time together, she gets snappier, and whenever she’s around them her movements slow ever so slightly and she furrows her brows slightly a lot more than in the past

•And in the end, she betrays them

And that’s putting her character into a single sentence for every bullet point, which, for well written characters like Cid or Hemlock or Rampart or Nala Se, cuts a lot of things out.

When it comes to the way that Phee is written and what she contributes as a whole to the show, she is not a very complex character. I’m not going to go into every single scene with her, but I am going to touch on a few. And if I need to continue the discussion further to cover more scenes, then I will. On multiple instances, she puts the Batch into very dangerous situations, and overall appears to care very little for them as people unless it gets her something that she wants. This is made very evident when, for example, she gets Omega, a child, excited about a big grand adventure and Omega then convinced the Batch to go along with it. Even though they were very adamant about not doing it. This is said with both their words and their tense body language. They don’t want Omega to get hurt and they know it’s a bad idea; but in the end she’s able to convince them. Then, when they get to the site, she shows clear lack for them or their safety and proceeds to put them in a very dangerous situation where someone could have gotten seriously hurt or killed. And she shows no remorse for it. Her language, both verbal and bodily, are very loose and nonchalant, assuring them that she had everything under control and that they were able to handle it, despite their very clear frustration. This type of behavior is shown again and again and again as they continue to interact with her. Her actions relay to the viewer that she does not respect their boundaries, or arguably, them as people. Her words are designed to be rocks with a pretty bow on them. And again, this is not personal opinion or speculation. Every single word and action was carefully designed by the team. All the tensed muscles were created by a team of people working very hard to convey that to the audience. Every thinly veiled word was guided by a director when the VA came in to record the sessions. Every single choice was intentional for a very specific reason.

Tech likes things in a very specific way. He likes his ship to be in a particular order and takes very good care of its maintenance and upkeep. He prides himself on being able to maintain a good ship. He spends a lot of time on his data pad. It’s how he was designed on Kamino. That’s his link to his role in the group. He can do everything he needs to from there and, in certain scenarios throughout the show, you can see it provides him with a sense of comfort and stability. You can see this, not only in his subtle body language, but also in his fairly obvious body language with how he hunches over it. It’s reminiscent of a child hunching over a toy to bring it closer to them and protect it. It comforts him. You can also see, when he interacts with the rest of the Batch, his aversion to touch. It’s not significantly often that you see it, given that the rest of the Batch knows him better than anyone, but there are still times when physical contact or even just very close proximity happens and he either has a reaction by tensing up slightly or leaning away from it, or sometimes he doesn’t react to it at all and almost seems to not register it; such as when he’s focused on his work. Every little reaction that he has with his brothers was scripted and orchestrated for a very specific purpose. It conveys the nuances of who he is as a unique and individual person.

Keeping that in mind, when it comes to the way she interacts with Tech specifically and the Batch, it’s very clear to understand the dynamic behind them when you look close enough. To recall a few instances, there was a time when she was recounting a story about finding a big treasure and Tech says something along the lines of “she changes this story every time she tells it”. He’s conveying to both the people in the show and us as viewers that she is a liar. She is either changing the story to make herself seem cooler, or maybe it didn’t happen at all and she’s making the entire thing up. Which, I will briefly mention again, are traits synonymous with narcissists. In another instance, Tech, Omega, and Wrecker were having a conversation where Tech is reprimanding them for bringing items back from a junkyard that they were in that they thought were cool instead of what he asked them to go find and bring back for him. I’m this conversation, Phee inserts herself and tells Tech that it’s not junk; also, in that same instance, not calling him by his name, which I will get to in a minute. Tech, in that moment, is trying to work, and his conversation with the other two was interrupted and fizzles out as Omega gets excited about the idea of a treasure map. A third is when the group is on Pabu and Phee is trying to get Tech to converse with her. His body language is hunched, tense, and he averts eye contact with her. When she prods him further, he is unsure how to engage in the conversation. And when he doesn’t respond in the way that she’s wanting him to, she talks about him to the rest of the Batch as he stands there around him and says to them how he “doesn’t know how to have fun”. And then they proceed to laugh at him. And again, you can see in his body language that he is confused as to why they’re laughing at him as well as uncomfortable being in that situation. And going off of that for another small fourth instance, there is another moment when they are getting ready to leave Pabu and she approaches Tech, who is working alone and trying to avoid contact with anyone, and says to him “So you’re just going to leave without saying goodbye?” His body language immediately tenses, he hunches further in on himself around his datapad, and his words make it clear he is both unsure and unwanting of the conversation. And when he does not respond in the way that she wants him to, she moves the datapad away from him to make him focus on her. She removes the item that brings him the most security to force him into engaging in a conversation he is uncomfortable with having. And again, these are all very intentional choices. They are not left up for interpretation. They are there to tell us what the character is feeling in that moment. They are trying to convey to us that he is uncomfortable. Not that he’s shy around a girl he thinks is pretty. And given on other scenarios that have happened throughout the show, it’s very clear that interpersonal relationships with anyone outside of Omega and the Batch is not something that he’s interested in. If they wanted to convey that he found her attractive, there are routes they could have taken to ensure that that comes across correctly to the audience, such as a faint little blush or rubbing a hand through his hair. But they didn’t do that, and instead chose for him to shy away and hide from certain situations or tense up and keep his head down in others. They are conveying to us that he does not like being around her. Because every single action they made him carry out took hundreds of hours of work to execute, and they would not go through all that trouble for no reason.

Branching off of that, we reach the topic of Tech’s name. When you watch the series as a whole, you can count on one hand the number of times that Phee refers to Tech by his actual name, while she refers to the others as their actual names. This is different from Cid in the way that Cid made that intentional choice to call them different things as a way to maintain distance from them. It’s clear from both her body language and her words that she did not want to get close to them. And really, wanted nothing to do with them unless they made her money. These are intentional choices. Phee’s character is designed to be flighty and unbothered. And she wants what she wants when she wants it. The choice to call Tech names and refer to everyone else by their names is an intentional choice. Him not understanding why she does that is an intentional choice. She does not respect him, which is why she does this. She can see that he doesn’t know what to do about it, so she keeps doing it. Like when a person presses on a bruise. These are all intentional choices made by the directors.

There was also a comment that said she behaves exactly like Crosshair does. And there are a few things I think did not entirely process when they made that comment. The first being that Crosshair was written to be one of the main antagonists for the first two season. I know they appeared in Clone Wars as well, but I’m talking specifically about Bad Batch. He was designed to be a bad guy that goes through a redemption arc; just like Zuko did in ATLA, for those who enjoy it. They both started out as antagonists, had horrible things happen to them, realized along their journey that maybe they were wrong, and are able to redeem themselves in the end and side with, or in Cross’ case, return to, the protagonists. In the beginning Cross was very sharp and defensive and thought he knew what was best. But he grew over time and learned how to care for people and share his weaknesses instead of putting on a facade all the time. And that’s the difference. We are reaching the end of the series and Phee has never had character growth to the level that Crosshair has and softens and opens up to the rest of the group. She hasn’t had any character growth at all. She is still the same exact person she was when we met her. There have been characters who have appeared for significantly less time that her, and if you pay attention to them, they have had significantly more growth than her as well.

The problem that I have begun to notice with people who are so quick to defend her actions is that they seem to be focusing more on her than on anything else. When you focus on just her, I can see how someone could mistake these interactions for being positive. Because all they’re focusing on is someone who’s having fun, and of course that would translate to something positive for him. But for the people who focus on Tech, it becomes very evident that these interactions are not positive. When you watch Tech, and I mean actually pay attention to him and not just watch him, you see all the subtle signs that you would otherwise miss. Him being annoyed and uncomfortable and confused and tired and generally not enjoying being around her. And this, unfortunately, happens a lot in real life too. People don’t take the time to absorb both sides of what’s happening. And since we as humans are quicker to pick up on people who are happy as opposed to people who are not, it’s so easy to miss the signals and just assume that what you’re watching is a happy interaction and put forth no further effort into making sure that’s actually what’s happening.

There is no other way to say that these things are all intentional. They wrote, designed, and sent out something that they have spent the past few years creating. When you understand the level of work that was put into it all, there are a lot of things that become very clear. And sure, headcanons exist and people can speculate what happens between the episodes. But headcanons can only go so far before it becomes ridiculous. We cannot confirm that Echo didn’t run off to go have a quiet life with Cid, but that doesn’t automatically mean that it’s true. Inferring things that are not within the realm of possibility is not conducive. Assuming that Phee spent a lot of time talking about her adventures that she may or may not have had with the Batch between the episodes? That’s conducive and we have clear evidence that would support that. Assuming that her and Tech had a very close relationship and she always listens to what he had to say between episodes? As much as some people want it to be true, it’s just not. There is no evidence that supports that line of thinking, and, in fact, there is a vast amount of evidence that would actually conform the opposite; such as Phee talking over everyone and commanding the conversation, not respecting things that Tech says, etc.

I’m going to wrap this up by talking a bit more personally now. There are plenty of people assuming that I’m a racist or a misogynist or that my literacy skills are lacking or whatever, but because you’re upset that someone is calling out the awful behavior of someone you like doesn’t make it any less true. And that applies to both this type of situation and in real life. I know who I am and what I stand for, and you trying to tell me that I’m otherwise changes nothing. And defaulting to assumptions like that shows that either you do not watch the show with a more attentive eye, or that’s all that you see Phee for. A black woman. Both of which are issues.

People are allowed to not like black characters, even if they are black.

People are allowed to not like Asian characters, even if they are Asian.

People are allowed to not like female characters, even if they’re women (or AFAB people).

People are allowed to not like LGBTQ characters, even if they are queer.

People are allowed to not like neurodivergent characters, even if they are neurodivergent.

People are allowed to not like characters that display particular traits or thought processes, even if they share those same traits or thought processes.

People are allowed to not like characters if they think that the character is bad.

Also, for the people saying I’m using my autism as a shield clearly don’t understand how autism works? I don’t say that to be an excuse. I say that to provide context and reasoning behind the things that I say. Like many other neurodivergent people do. You all are getting pressed about the wrong things. If you want to debate the time and study I’ve put into the show because I genuinely enjoy it, then be my guest. But don’t throw out petty insults and waste everyone’s time. At least put forth some more critical thinking behind it and try to figure out why someone could be saying the things that they’re saying

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bring-backup-99 · 2 days

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Before It Gets Too Late

PAIRING: tech x fem reader

SUMMARY: You spend a fun and special day with Tech, starting with a flying lesson that takes an unexpected turn. There’re fluffy times but mostly sexy times. (I’m trying to support and comfort my Tech people during this dark period.)

WORDS COUNT: 1926

RATING + WARNINGS: 18+, very spicy, porn with minimal plot, PiV, rough sex, probably bad flight mechanics

NOTES: This is installment twenty-two of my reverse harem “Bad Choices” smutlet series on Ao3, but I think it’s also a nice stand-alone Tech story. Although it’s written in second person, my heroine has a very established relationship with the Batch.

Everything was going fine until a large flock of flying creatures shot out of the canopy in a wide column directly into the ship’s path. You were too close to simply fly around them, and every other usual option you could think of would leave hundreds of them dead and the ship with possible light damage.

So without a second thought, you killed the thrusters while sending the ship in a tight turn, the nose pointed at the column. A quick tap of the port thruster has you cleared of the animals, with what you hoped were minimal casualties, then you reinitialized the main thrusters and resumed your disrupted flight path.

For a full minute, there was silence to your left. Finally, “It appears that flying lessons were unnecessary.”

“That was never the question,” you hedged. “You asked if I would like you to give me lessons. You didn’t ask if I knew how to fly. I answered honestly.” And this was your third time out.

“But with a glaring omission,” Tech huffs at you.

“Don’t be angry at me. I was very curious as to how you would be as a flight instructor, and I would not have received the same response if you had known.” What you do know is that this is logic he won’t be able to argue with.

He hmphs at you again, but you can tell he’s not really upset.

“That was an interesting maneuver you performed.”

“A modified ‘Tech turn.’ Seemed like the best option for minimizing death and destruction.” You pause for a moment, then you look at him. “It can’t be, right? The ‘Tech turn’…” You trail off as you see the corners of his lips turn up to an actual smile.

“That is not what it is called.”

“I’m going to fuck your so hard as soon as we land.”

“I was contemplating something similar.”

He doesn’t take the controls from you, but you sit quietly for a while.

“I’m not great at mechanics. You could teach me that?” you offer.

“Specifically define ‘not great’,” he asks.

“I definitely couldn’t fully repair this ship, but I am unable to give you a rundown of which systems I am deficient in. That’s the best I can do.”

“That…is acceptable.”

Almost as soon as the ship touches down in the tree-lined clearing, you are on each other. He lets you push him back down in his pilot’s chair, straddling him while your lips devour his with kisses. You groan in frustration as you try to divest him of his various layers of clothing, but you’re too eager and your fingers can’t find all the buckles and straps.

Want. Need. They course through you. You need his skin against yours. Finally, he takes pity, gently stops your fumbling, and slowly removes all the items covering his torso, your desperate whimpering doing nothing to hurry him. Then he lifts off your shirt. Your bodies crash together again. He kisses along your neck, down to your breasts, cupping them, licking your nipples. You throw your head back and cry out, your hands stroking over his head and neck; then fingernails scrape down his back, feeling his taut muscles.

“Against the wall,” you groan. Moments later, you’re both naked, and your back is to the one bare metal plate in the cockpit. Tech drops to a knee in front of you, places your leg over his arm, and targets your clit in a focused and aggressive attack.

“Fuck! FUCK!” you scream as, mere minutes later, you come. And then he lifts you, burying himself deep inside you, pounding into you, your pussy still twitching in pleasure.

Every rough, hard thrust is accompanied by his grunts, and you loudly proclaim your satisfaction, your voice echoing through the ship. You want Tech to do this, need him to do this, to take his pleasure from your willing body. He captures your wrists, pinning them above your head with one hand, his other hand gripping your ass, fingers pressed into your flesh, pinching, bruising. He kisses you, mauling your lips, and when he breaks away, you sink your teeth into his shoulder.

He gasps, releasing your wrists, and takes a strong hold of your ass and thighs, angling you for deeper, feral thrusts. Your arms encircle his neck and shoulders. You want him like this, desperate for you, as if no one else could give this to him. An animalistic groan emanates from him as his cock ravages you until finally a full throated cry signals his climax and he holds himself deep inside of you, and you feel his hot cum pump into you.

Neither of you move, the only sounds your gasping breaths as you each try to take in enough air.

“Mmmm,” you finally manage. “That was excellent.” You smile, then lick a drop of sweat from his neck.

“Yes,” he says, a slight gleam in his eye, “Quite satisfactory.”

* You lie in a bunk together, your head on his shoulder, a hand idly stroking his chest.

“Why did you not disclose to me that you did not need flying lessons? Your skill level is clearly quite adequate.”

You suck in your breath. I wanted to spend time with you outside of my bedroom. I wanted to know who you are when we’re not fucking. I wanted to be on this ship with you when you could be focussed on me. I wanted… So many wants, as if you can’t be happy with what you have.

“It’s been a long time since I flew. I wasn’t sure that I didn’t need them…at least as a refresher.” You hesitate. “Are you angry at me?...slightly perturbed?

“I am not. And at least they were not a waste of time.” His fingers run up and down your arm.

“No,” you agree.

Tech looks down at you, watching your hand move along his skin. You have not asked him why he offered to teach you, which is for the best. Tech is worse at articulating his wants than you are.

You wake up alone in the bunk. It’s been awhile since the person you’d fallen asleep with wasn’t still beside you. The ship is dark, so it must be night. You get up, the floor cold under your feet, expecting to find Tech in the cockpit.

Instead, a drop-ladder is down from the midship overhead storage space.

“Tech?” You call up.

“Ah, you are awake,” you hear him say. “I was just coming down to collect you. Come up here.”

“Um, I’m naked?” You look around for your clothing and see nothing.

There’s a long pause. “It appears that I am nude as well…I do have blankets.”

You sigh and tentatively climb the ladder, then follow Tech’s voice to a maintenance hatch with another ladder that lets you out onto the ship’s fuselage. He takes your hand and leads you to where he’s laid out a large blanket over the cockpit. You feel awkward even though the warm night air is quite pleasant on your skin.

“What’s this all about?”

Tech helps you down onto the blanket, then points up. “The moons have just set, so we should have quite an excellent view of the Quadrillen meteor shower. I believe you expressed dissatisfaction with your ability to see this from the city.”

You look up and, after a few moments, you watch a meteor blaze across the sky. You hadn’t mentioned that you wanted to watch this to Tech. You and Crosshair had been discussing it. You hadn’t realized Tech was paying attention. You lie next to each other, mostly in silence, watching the light show.

“I must admit, I was skeptical at first, but this is quite a pleasant experience.”

“Skeptical? Why?”

“I have seen many natural phenomena during my travels in space. I did not think that the debris from a comet entering a planet's atmosphere would be particularly visually stimulating in comparison to what I have witnessed. But taken as a whole, this is quite an excellent experience.”

You laugh. “I suppose.” Smiling, you continue to watch as the little streaks fill the night, when suddenly three meteors scorch their way across the sky. You sit up excitedly and point. “That was amazing.” You look down at Tech. He has a slight smile on his face, then he pushes himself up and presses his lips to yours. His arms gather your body to him, one hand stroking in your hair, one at the small of your back. He takes your breath away with his kiss, drawing you down onto him.

This feels insane. Are you really going to fuck on top of the ship under the night sky? Turns out, yes, yes, you are.

You lie on him, enjoying the feel of his hot skin along your body. You kiss for a long time, until you can’t take it anymore, and whisper, “I need you. Please.” He helps you slide onto him, both of you gasping. You whimper; you’re a little sore but the sensation is too sweet. You lean forward, pressed chest to chest, as he pivots his hip to help you fuck him gently.

And when he carefully rolls you both so you can watch over his shoulder as the stars cascade out of the sky, you can’t help but think that this is all a little too ridiculous. He moves above you, long strokes that make your breath catch, and you cry out because sometimes he fits inside you perfectly.

You wrap your legs around him. “Yes, I like that. It feels so good. Just like that, Tech. Mmmm, just like that.”

Stars keep falling as he takes hold of your legs, angling you so his cock can thrust deeper. Your cries sound small as the trees surrounding you consume them.

You move together, one being working toward the same goal. Each stroke sends shivers through you until you feel your body full with warmth as a soft climax overtakes you, not nearly as intense as the one earlier, but somehow more satisfying.

He holds your hands, fingers intertwined, as he watches your face while the orgasm washes over you, drinking in those little noises you make that he so enjoys. He moves carefully as you finish, knowing you must be sore already, wanting you to still find pleasure as he nears his own climax.

And then you start whispering to him, “Come in me, Tech. I need to feel you inside me. I need it. I need you to come for me.” You move under him, insistent, demanding, so he has to surrender to you. He stiffens and gasps, his hot cum emptying in you. You wrap yourself around him as he collapses onto you, finally spent. You watch as the stars continue to fall through the blackness of the sky.

“We shouldn’t fall asleep up here.”

“Yes, that would be unwise.” He gingerly lifts himself off you. You roll and lie on his shoulder, watching the stars fall behind the trees. The air is cooling and you shiver. “Let us go back inside. You can continue watching from the cockpit, if you wish.”

“Tech.” He looks at you, while collecting the blankets. I wanted to spend more time with you, that’s why I lied.

“Thank you for tonight.” This was really special to me. I hope it was to you.

“Yes, this was very enjoyable.” He watches you as you climb down the hatch. I wish to do this again.

* But wait, there’s more: https://archiveofourown.org/series/3945640