Did I ever tell ya'll I also dabble in animation as well? My part for the long awaited @CHReanimated that will premier on YouTube on the 20th! Hope to see you there!
EDIT: It has been delayed!
So Harriet has shown on screen that she is terrified of living a mediocre life on the shadow of her clone mother and that speaks so well to people of color’s pressure into fitting into white definition of success and societal approval and so many things about Harriet’s plot lines reflect that
Harriet is constantly trying to appease Joan and try to sound as friendly and passive as possible.
And then when Harriet makes the slight criticism toward Joan, Joan throws a pity party and Harriet needs to back away for JOAN’s feelings, it feels really implicit how Harriet is trying to live up to white approval, by making a show that would get hollywood’s attention, casting the hot white couple of the school, by TWISTING herself backwards just to please a white woman’s sensibilities.
And as a result Joan just completely disregards Harriet’s art and makes it her own, and makes it way more whitewashed, and set on medieval times for some reason? (You could argue it’s bc Joan of Arc’s real life) but also! The fact that so many art that’s met with prestige is white and old and European, Joan understands these things are “meaningful and deep” but that is only meaningful to a specific set of ppl, as opposed to Harriet’s wide-appeal show. Joan is convinced she’s on a moral high ground but the way she communicates is mainly through a white person’s biases when creating art.
“I know I’m the clone of Harriet Tubman, but that doesn’t mean I can’t have fun silly stories too!”
Harriet genuinely likes the story she made and how silly and fun she is, but she lives in the shadow of an important social figure and is terrified of failing that image.
Many poc and specially black and brown ppl feel pressured into making their experiences and prejudice they face part of their art, that every black character on something set on the past is either a slave or non-existant, that art of color has to be about pain and tragedy that can spell out our suffering to a white audience, Harriet here wants to escape from the pressures from being a clone but also from being a black artist in 2023 in general.
The conflict between Harriet and Joan’s white womanhood is great bc it shows how Joan lets her feelings and desire to make a “meaningful” musical that is just a bunch of edgy stuff and white people is so well written, specially because it brings to question why do we make art at all? And how does one decide what kinda art they wanna make? Does making something black and white and dreary make it automatically more meaningful and therefore superior to a musical about twister? The answer to the last one is no, and I love how this episode showed these cool discussions.
And I haven’t even touched on the song about white guy confidence, because I think that was a plot b where that theme was the most apparent, and I wanted to show how the same theme of white privilege shows up in the plot a, Cleo, Carver, Sacagawea and Confucius also aim to get a white audience’s approval, that is what these characters all struggle with and it is an ungoing war called living through high school as a person of color