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#coco pixar
pocoyitos · 6 months
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HECTOR AND IMELDA ARE SO CUTTLETAVIO CODED YOU JUST DONT UNDERSTAND.
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hectorisagoodboy · 9 months
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Hola! 💜
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Who still loves them? 😘
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n3rdx · 4 months
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It was part of the Barbie meme with Miguel lmao but I haven't painted the other one 🤓☝️
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nibiru-star · 4 months
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🏵️El chico de cempasúchil 🏵️ Au higuel
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pencopanko · 6 months
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it's them (image ref from crying_anabell on twitter!)
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jaydencoolguy · 5 months
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I've just been informed that we're back.
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seethecroissant · 7 months
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Buenas gente de tumblr, les traigo esto..
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Adios
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frie-ice · 4 days
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This crossover trio collage on Manolo Sánchez, Miguel Rivera and Mirabel Madrigal were based on artworks and memes I have seen on Tumblr. I decided to call them the Hispanic M Trio, with them being Hispanic and their names starting with the letter "M." Its on the nose, but it would do until a better title comes up.
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dragoneyes618 · 4 months
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Sometimes I wonder what would have happened if a Rivera besides Imelda had died first.
I think it can be presumed that Imelda died first and was very not pleased to see Héctor, so after being rejected by her a few times he gave up and focused all his efforts on getting over the bridge to see Coco. (The miscommunication here gives me a headache every time I think of it.) This was all probably before the other Riveras died, since they show no sign of recognizing him when they see him make a run for it. (The twins would know who he is, but that’s a different story.)
But what if Imelda hadn’t died first? What If someone else had?
Suppose it was, say, Victoria.
We don’t know anything about how Victoria died; all we know is that it was not of old age like her mother and grandmother; she must have died decades before Coco did, given how much younger than Elena she looks.
So suppose, whatever she died of, she died a few years earlier, even before Imelda, and was the first Rivera to enter the Land of the Dead except Héctor. She’s at the Department of Family Reunions, and they ask her for the names of her family so they can reunite her with anyone who’s dead, and so that they’ll have her on file to greet her living family whenever they arrive.
As far as Victoria knows, she doesn’t have any dead family members (unless there’s people from Julio’s side of the family), but she lists everyone she’s related to anyway, because of course she wants to be able to meet her mother and father and sister when they arrive, so they won’t arrive alone, not like she is. And they take all the names she’s written down and see if any of those names, or her own name, have appeared on any other list.
And lo and behold, someone notices that Victoria listed Socorro “Coco” Rivera as her mother and Imelda Rivera as her grandmother, and that Héctor Rivera who tries to jump the bridge every year listed Imelda as his wife and Coco as his daughter. So they send some people over to find Héctor wherever he is (since Imelda and the twins are still alive, and Coco’s still healthy, he’s probably not forgotten enough to be in Shantytown yet, even though he’s never had an ofrenda) and tell him that his recently deceased granddaughter is waiting to meet him.
Héctor is, well, shocked. He’s excited to find out that he has a granddaughter, he’s grieving to have that granddaughter join him before her time, and he’s shocked to have a granddaughter in the first place.
Logically, Héctor knows that it makes sense that he has a granddaughter. But he still pictures Coco as three or four years old, and he hasn’t seen her since. It’s one thing to know, in theory, “Oh yeah Coco’s probably married with kids by now,” and quite another thing to meet one of his daughter’s daughters. Especially when that granddaughter is older than he is. Especially when that granddaughter is older than he remembers his daughter being.
Victoria doesn’t have a very good opinion of her grandfather, of course. All she knows about him is that he’s the man who left his family behind for some stupid musical fantasy, breaking his wife’s and daughter’s hearts.
But she didn’t know he was dead. Her grandmother is still alive and well; why should her grandfather be any different?
And if he had died, well…he’d never bothered to contact any of them in life, but shouldn’t someone have contacted his family upon his death? Or, if he’d never deigned to even speak of them, well…if he was a famous musician, shouldn’t his death have been announced in newspapers and on the radio? Victoria was barely more than a toddler when the famous Ernesto de la Cruz died, but she remembered people talking about it in the shoe shop, before her grandmother had snapped at them to buy a pair of shoes or leave.
And he’s so young. It’s not immediately obvious at first, but as she sees him move around, movements at once awkward and excited, she realizes it. He has a full head of dark hair; his movements are spry and agile, and his voice is the strong voice of a young singing man.
“So you’re my…my granddaughter?” Héctor asks, stumbling over the words.
“Apparently,” Victoria says, folding her arms and glaring at him.
Surprisingly, he laughs. “Ay, you look just like mi vida when you do that!”
She blinks.
“Imelda,” he explains. “She used to give me just that look - never mind. Tell me, how is she? How is Coco? Are they all right?”
“They’re…fine,” Victoria says slowly, disconcerted by the intensity of his questioning.
“I was so worried,” he says. “I never got to see them, you know, they never put my photo up. I was worried that something happened to them, but they never came here, so I knew they must be all right…Do you know if something happened to my photo? We took one as a family when Coco was a baby, you know, and we took extra good care of it. I remember the boys were upset because we didn’t let them be in it.”
“The who?” Victoria asks. However she imagined her grandfather, she definitely didn’t imagine this man who asks earnestly about the welfare of his family, saying his worries and fond memories in one breath.
“The twins,” he explains. “Oscar and Felipe, your…wow, I guess they’re your great-uncles now. Wow. I can’t believe it. It’s been so long…”
His face falls.
“So Coco’s your mother?” he asks. “I can’t believe that too. Do you have any siblings? Wait, who did she marry? Who’s your father?” Without giving Victoria a chance to answer he rushes and rambles on. “I want you to tell me everything, please. About you, and your family, and how Imelda is - she’s nearly seventy by now, isn’t she? - and about your father and mother. I can’t believe Coco’s married. I wish I could’ve been there. I used to dream about what her wedding would be like. I still do sometimes. I never got to see her all grown up and beautiful - I know she has to be beautiful if she looks even a drop like Imelda - being courted by some young man - I know Imelda would never have let anyone but the best even consider marrying Coco - ay, I wish I could have been there. I died when Coco was only four, I never got to see any of this.”
“You what,” Victoria says.
No, I haven’t spent all day thinking of this. I’ve spent all of last week thinking of this.
I also have a scenario in mind with the twins but I’m not typing it now because this is quite long enough.
…I have a new fic idea now.
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onceupona-crossover · 2 months
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A family Moodboard with Manolo and Maria (The book of life) as the parents of Miguel (Coco) and Mirabel (Encanto) with some family-oriented themes and Latino culture (specifically from Mexico & Colombia).
Requested by:anon
-Mod rapunzel
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nkp1981 · 6 months
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Coco, 2017
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crimsonmoon17 · 6 months
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What is it with charters in Day of the dead movies geting crushed by a giant bell and that they both play the guitar,
Ernesto de la cruz's last words were "Rember me" and Manolo said "Don't forget me"
I fell like Coco and the book of life are related some how in a different universe
TBOL is still my favorite though
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mirrorofliterature · 6 months
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the level of lack of understanding of imelda's character really gets me
people act like she banned music just to be a bitch and it's like, no! she was heavily traumatised.
it's not like she really hated music - she hated what music represents, that her husband abandoned her and their daughter.
like people brush over this so much because héctor was actually murdered but imelda didn't know that! it's called dramatic irony!
imelda rivera was abandoned by her husband (again, no knowledge of his death because ernesto wasn't interested in self-sabotage) and became a single mother in 1920s mexico (objectively true). like shit wasn't easy for her and I'm tired of people portraying her as a petty bitch or 'as worse as ernesto'.
careful. your misogyny/racism is showing.
what else could imelda have done? going after ernesto would have 1) not been viable (single parent of a young kid) and 2) very fucking dangerous (murderer and whatnot).
I'm sure she felt guilt after learning the truth, but the whole tragedy for héctor and imelda for me is that they were simultaneously both and neither at fault. héctor had a really shitty best friend and a really shitty after life and imelda felt deeply betrayed.
anyway. stop placing unrealistic expectations on imelda rivera thanks
I get when you see her through the lens of miguel it can be 'easy' to see her as a music hating bitch but she's a deeply traumatised woman with unhealthy coping mechanism who like. learned her lesson and apologised to miguel in a span of the night after almost a century of trauma. she banned music as a surviving mechanism not to spite her (unbeknownst) murdered husband or her music-loving great-great-grandson. she's not omniscient.
anyway imelda rivera rights.
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nibiru-star · 7 months
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Besito mañanero 💕✨
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n3rdx · 1 year
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Day 5 of Higuel pride week: kisses ❤️‍🔥💕
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pencopanko · 7 months
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I haven't seen anyone do this even when the fanbase was still active
Context:
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