hey hey ! ive been lovingly staring at all ur art ever since i found you n ‘ i wanna say !! i love ur artstyle !! sm !! waaugh !! <33
have a star ⭐️
a question ive been meaning to ask though , i cant really seem to find much information about your lights out au , unfortunately ^^”
may i ask what exactly is the premises ? :O
so the Lights Out au is essentially: the Welcome Home Puppet Show was shut down prematurely, and without any warning to the puppets. the employees turn off the studio lights when they leave for the last time, completely abandoning the building and the sapient puppets inside. the building is locked and boarded up to ensure that nothing gets out.
the lights turn off halfway through the neighbors' "day", and everyone - except Wally - goes to sleep, assuming the day got away from them & its just time for bed. the lights never come back on, the neighbors don't wake up, and problems start to arise from the lack of light. Wally and Home are left to deal with all of this alone.
(and Eddie is in the water cause... well. he's just in there! fr tho it's just a running joke for the au <3)
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At what point in time do you think the original timeline McFly family started being dysfunctional? I’m sure George and Lorraine were fully in love at first, and Lorraine even still in the 80s seems to look back fondly when recalling how they fell in love. But I do wonder when exactly it started to go downhill, when they started having kids? Just with age? Or maybe it was never really great to begin with before Marty got involved
This is a really interesting ask, and it's something that I've thought about a handful of times. The Twin Pines McFlys fascinate me.
As for my own headcanons about when the dysfunction started, I think it was always there. Dysfunction within families is complex, though, so it likely ebbed and flowed and morphed over the years. Some thoughts! (hehehe, analysis and theories incoming)
I 100% believe George and Lorraine were fully in love at first and are even still in love when we meet them in 1985. It's just that life has beaten them both down in various ways, and they've lost touch with each other and fallen into a pattern of being resigned to (and maybe even comfortable with) all the disconnect within their family. But there's no mistaking the fondness with which Lorraine begins her story of how she and George met and the way it shifts to such sadness within just a few seconds. Her question of, "It was the night of that terrible thunderstorm, remember, George?" is such a clear bid for connection with him. A hope that he'll smile and recall that night and join in on her story. That's what Lorraine wants! But George doesn't even acknowledge her (not on purpose, I'm sure; he's just so wrapped up in watching The Honeymooners), and you see Lorraine gradually deflate from there.
It's so sad because you can see the emotions shift so suddenly in her! That first gif still holds such affection as she recalls their first kiss. It's like she's a girl again, feeling that overwhelming sense of love and all the possibilities for their life together. But then it changes. She's brought back to reality and all the unhappiness, the disappointments, the realization that life isn't what she imagined for herself.
By the last gif, she's a woman who clearly feels trapped. Now stuck with this guy for the rest of her life. And what makes it so awful is that you can TELL Lorraine still loves him. She longs for that happiness they once had, but it takes two people putting in effort to make a marriage work. She can try to reach George all she wants, but if he can't be emotionally present, it isn't going to work.
Also, I'm sure that George loves Lorraine as well, but he's got a whole plethora of issues that just. Haven't been addressed. George has no self-worth. He's meek and lets people walk all over him and is so completely anxious about everything in life that he's mostly shut down. He's trapped too, with no way (that he can see) to change things. So he does what he can to survive, which consists of doing Biff's bidding and retreating to an inner world at the expense of shutting his family out.
I don't think things were always to this extreme, though. For a while I'm sure things were okay, maybe even good. They were young and in love, and while George was still George, I don't think life had defeated him yet. They got married, really established their little life together, and I can see them as both having hope. And even if there were moments that seemed shaky or hinted that things might be difficult down the road, it was easy to brush it aside. They were still finding their footing, and they were young and had their whole future together to make things better. In all honesty, Dave probably got to experience the "best" versions of his parents for the first several years of his life.
However, each year and every hardship (big and small) likely chipped away at the McFlys and brought about additional dysfunction. I don't know if Biff and George started working with each other right out of high school or if they came to work those jobs later on, but I'm sure that was a huge factor. It offered no escape from Biff for either George or Lorraine. Just a predictable cycle of George having to do whatever Biff told him, Biff invading their home whenever he pleased, and everyone having to watch George immediately tuck his tail between his legs.
As I said, I think things gradually kind of unraveled in their house. As the state of their family became more solidified, Lorraine likely began drinking more and withdrawing. I do think they still had their good days, though! Moments that brought them together and where they felt that happiness they once shared (I mean, they had three children together, and it's clear Dave, Linda, and Marty ARE loved and were raised well.) But the state of the McFly household is probably all Marty has known for the majority of his life. I can see situations arising where maybe Dave has told him, "They weren't always like this, you know."
Dysfunctional as they are, George and Lorraine really are trying. I think they can absolutely see the cracks and the flaws—perhaps even the potential damage being caused to their children—but they just have too much brokeness inside themselves to do better. So, they do what they can, which for George involves trying to protect his children's feelings by discouraging them from taking risks. He doesn't want them hurt or sad or disappointed, and his solution is to have them form shells around themselves. Better to save yourself from all the headaches life brings.
Lorraine does her best to protect and guide her kids by way of warning them away from the very things that brought her to where she is in life. We see this manifest in the form of criticism mostly when she's talking to Marty.
Lastly even with Lorraine seeming as downtrodden as she is, I can see her clinging to the possibility of change. Hoping and praying that eventually, George would say enough was enough and stand up for himself. He'd put his foot down, step up as a husband and father, and things would become what she always wanted. She was the one always telling herself, "Someday. Someday..." until the point we see her at during the dinner scene, where she knows that "someday" isn't going to ever happen. Things are just the way they are, and she has to deal with it.
This was a lot, but I have a lot of feelings about the McFly family and how they operated in their day to day life. Especially the implications of the McFly sibs (Marty in particular!) being raised in such an emotionally disjointed environment. Ugh, those gifs of Lorraine make me so sad. The whole thing is sad.
Thanks for the ask, though! I want to write another Twin Pines McFly fic now.
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I would to know more about the untitled-Jamie-blue-screen fic, if you wanted to share anything about it : )
Hello terrifyingly talented friend! I am happy to share!!
So this fic started rolling while I was writing 'i learned to walk while he was away', - that story explores some of the 'unseen' effects of Jamie's experiences, specifically what his relationship to expressions of violence (even when positively channelled) might be after growing up with an angry man. The 'untitled-Jamie-blue-screen-day' fic (which is technically 'redacted-title-Jamie-blue-screen-day' fic, I'm a fairly changeable person and the title's redacted purely because it's still subject to possible [who knows, not me] change) is another exploration of some of the 'unseen' or more accurately 'undeveloped' parts of Jamie's psyche that canon skips over.
Specifically, the symptoms of depression he displays in 3x11 Mom City.
I'm a card carrying member of the 'Jamie has multiple missing diagnoses' bandwagon and know first hand what a horrifyingly tricky combo neurodivergence and clinical depression can be.
I use a lot of metaphors to describe/understand the complexities of mental health- when I was studying it, when I'm teaching it and yea when I'm thinking about my own brain :)
Most of the metaphors are computer based- product of the times I guess.
The untitled-title 'blue screen day' is how I unaffectionately refer to the days when that horrifyingly tricky combo decides to be extra horrifying and extra tricky and causes total system overload. The days when you forget how to be a person. That 'blue screen' blink feeling of not functioning, but then it's not momentary, it's not a blink, it doesn't go away. You're seeing with your eyes sure, but you're not really seeing and they don't really feel like your eyes. You exist in your body yes, but do you really exist? Is it actually your body?
(To use plain language; it's a brief and intense episode of severe burn-out, typically bought on by cognitive and/or sensory overload, but sometimes seemingly spontaneous [clinical!].)
So that's what I gave Jamie, a blue-screen-day (sorry buddy).
But I also gave him Roy! And a smoothie! He'll be okay.
(Essentially the story is the idea that sometimes things don't have solutions or answers or a quick and easy fix. Sometimes all you can do is be. Sometimes all you can do to help is be there.)
The fic really is gentle hours, I swear.
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