#college rock

[bryan-damage]

Pixies

Black Francis, Joey Santiago, Kim Deal, David Lovering

#pixies #college rock #indie rock #alternative music #alternative rock #black francis #frank black #kim deal #joey santiago #david lovering #indie music #80s music #90s music

[guerrilla-operator]

THE REPLACEMENTS

#the replacements #paul westerberg #tommy stinson #bob stinson #punk rock #alternative rock #chris mars #college rock #rock #punk

[morecoffeeformeboss]

TMBG article from the Japanese music magazine "FM Fan" dated 1991. Restoration efforts were made to restore/translate the article. The accuracy of the translation is dubious, albeit entertaining.

#music magazine #tmbg #they might be giants #90s music #fm fan #john flansburgh #john linnell #alternative music #college rock #80s music

[dankalbumart]

Crocodiles by Echo and the Bunnymen Korova 1980 Post-Punk / Neo-Psychedelia / New Wave / Alternative Rock / College Rock

#post punk #neo psychedelia #neo psych #new wave #alternative rock #alternative #alternative music #alt rock #alt #alt music #college rock #music #80s #80s music #80's #80's music

[brusiocostante]

There Is a Light That Never Goes Out (2011 Remaster)

#youtube #the smiths #there is a light that never goes out #the queen is dead #morrissey #johnny marr #andy rourke #mike joyce #college rock #new wave #post punk

[mywifeleftme]

363: R.E.M. // Murmur

Murmur R.E.M. 1983, IRS

Some Short, Disconnected Statements on the Matter of Murmur

1. Insert the following into Waring blender

The Velvet Underground, Pylon, the Byrds, Gang of Four, Patti Smith, the Feelies, Joy Division, the Method Actors, Big Star, the dB’s, the Monkees. Press “Blend” button. (I’ve never owned a blender; I don’t know what the buttons say.)

2. Easy formula for a great band

Having one temperamental genius songwriter guy sounds kind of hard to maintain. Have you considered simply getting four people who are really excellent and distinctive at the respective things they do (at least three of them great singers), who all write well, get along, lack substance abuse issues, have good taste, and modest egos? Why don’t more bands do this?

3. Notes on the early discourse

A lot of the things people wrote back in the early ‘80s to champion this band were dumb as hell. R.E.M. weren’t good because they didn’t use keyboards or synths; pop music didn’t need to be returned to its "honest" folk-rock roots; giving them a thumbs up for not wearing flashy clothes and makeup is dork behaviour.

They were good because they made weird music that derived organically from their time (early ‘80s), place (a college town in the South), and selves (bright, independent, adventurous, sincere, ¼ gay).

Anyone who listened to Chronic Town or Murmur, with their post-punky murk and lyrical references to Laocoön and Marat, and thought to themselves, “As yes, the second coming of Roger McGuinn, this will put those effete new wavers to flight,” was an idiot.

4. Veteran of the psychic war

Somewhere around age 22, R.E.M. took over the mantle Metallica had held as My Favourite Band in the World Forever and Ever, and I proceeded to be almost as annoying about them as I had been Hetfield and the boys. I posted a lot about them; rigged “best music” polls on random message boards I didn’t even post on in their favour; cornered people at parties; crowbarred them into playlists; grumpily chose to dislike bands I saw as stealing their shine; etc. etc. Some (some) of this is maybe cute in retrospect, but really: don’t be like this about music. If you love a band this much, learn how to play their songs on an instrument; write a few poems; paint something. Worst case: review them.

5. Learning nothing, 2024

6. Athens: Lyrics & Enunciation

The matter of what exactly Stipe was singing on the early R.E.M. records was a subject of intense speculation, and eventually, parody. Some of the mystery’s in the mixing, some’s in his Georgian accent, and some’s in his enunciation (never quite as mushy as people claimed, but not exactly Ella Fitzgerald either). But most of it’s in the arbitrary decisions he makes with regard to syntax that cause even accurate transcriptions to seem implausible. Stipe is probably a little bit autistic, which goes some way to explaining the impressionistic intuitiveness of his words, and also went to art school, which fetishizes that sort of thing, but he was always shy of people seeing the words to something like “Sitting Still” on the page because he thought he might be exposed as a nincompoop. “Up to par and Katie bars / The kitchen side, but not me in / Sitting top of the big hill / Waste of time sitting still,” goes the chorus, according to at least one gnostic sect, but the important passage is the one everyone agrees on, when the stream of impassioned babble releases into a howled “I can hear you / Can you hear me?”

Later on, when he would sing more clearly over airy arrangements, with the lyrics neatly printed in the booklet, he’d occasionally try one of those old sound-over-sense moves and embarrass himself (“Leaving New York was never my proud” still rankles). But Murmur’s eternal elusiveness is in the way fragments of sense catch your ear from out of its sleeptalk glossolalia:

“The pilgrimage has gained momentum” “Conversation fear” “Lighted, lighted / Laughing in tune” “Hear the howl of the rope / A question” “A perfect circle of acquaintances and friends / Drink another, coin a phrase” “Shaking through / Opportune” “Take oasis” “Heaven assumes / Shoulders high in the room” “Did we miss anything?”

7. Permission to be arbitrary

I remember sitting in the basement of my college house with my old hometown buddy Brad (mostly a metal/classic rock guy), playing him “Shaking Through” and explaining one of the things I love about old R.E.M. is that it’s great music to yell to. I don’t know how much he really got it, but we were drunk and it’s a catchy song, so we howled and made keening, wordless, Stipean noises along with it and the next few until one of my roommates came and asked us to keep it down.

Also: one theory for why cats purr when they’re injured is that the vibrations somehow reduce pain and encourage healing. From many experiences humming these songs while wrapped up in headphones and bedsheets in the middle of a day that’s passing like a kidney stone, I can confirm.

8. Note on the modern discourse: Influence?

Black Francis, Kurt Cobain, Bob Mould, Steve Malkmus, Bob Pollard, and Thom Yorke loved R.E.M. So did, to his own apparent consternation, Metallica’s Cliff Burton. Still, you sit down with someone and listen to those musicians with the goal of showing them the R.E.M. influence (don’t do this, why would you do this?) and it’s honestly pretty oblique. Most of the bands who directly aped aspects of R.E.M.'s early sound were at best pleasantly minor (see Captured Tracks’ Strum & Thrum comp), and the ones who seemed to be listening most closely to their ‘90s efforts were not who you want.

Their ultimate influence was probably simply showing what an art-first, indie-adjacent rock band could accomplish by sticking to their guns and bending the system to their desires instead of being bent by it. They were like a Velvet Underground for the college rock era, except everyone talented who heard them was inspired to start a band that didn’t sound much like them. They always used their spotlight to introduce people to other bands and, when they really got huge, they modeled how to deal with success. There don’t seem to be many R.E.M. stories, Peter Buck’s airplane incident aside, about them being anything other than kind. That’s a fundamentally less exciting type of influence than most other “great” bands have. But I do think it’s kinda cool they were the wise old heads for an entire national movement of alternative music.

8b.

Of course, it still bugs me people don’t think they’re cool. Murmur at least, should be considered cool. And Reckoning, mostly. Chronic Town for sure. Some of Fables. Am I crazy for saying some of Monster and New Adventures even? I’ll stop. I’ll go on.

9(-9). The music

They were a pop band, they were an art band; they sounded like children, and like craggy old men buried in kudzu weed; natural and pretentious; date-stamped and timeless. Decide yourself. Happy 41st birthday Murmur.

363/365

#r.e.m. #rem #michael stipe #peter buck #bill berry #mike mills #murmur #mitch easter #jangle pop #athens music #athens #'80s music #college rock #alternative rock #indie rock #perfect circle #self indulgence #music review #vinyl record

[big-low-t]

R.E.M. - It's The End Of The World As We Know It (And I Feel Fine)

#r.e.m. #alternative #rock #college radio #college rock #there is a map of west virginia in this video

[machinecreature]

replacements 7th street entry poster

"low class rock"

#the replacements #80s #college rock #alternative rock #minneapolis

[mysticalblizzardcolor]

R.E.M. - Fall On Me

#youtube #R.E.M #Alternative Rock #Folk Rock #College Rock #Jangle Pop

[joanofarc]

it’s not alright, ida (1995).

lately i’ve seen you less and less you seem translucent at best

#it's not alright #ida #1995 #simple machines #dan littleton #elizabeth mitchell #thank-you #indie rock #slacker rock #college rock #slight bit of jangle on that #sing a song #now playing #i had this single but i think i lost it #i need a new copy :(

[randomvarious]

Today’s compilation:

These People Are Nuts! 1989 New Wave / Punk Rock / Alternative Rock / College Rock / Post-Punk / Power Pop / Ska

Here's a nice retrospective rundown of one of the greatest and most eclectic indie labels of the 1980s: I.R.S. Records, which was headquartered in the US, but had a whole lot of UK bands on its roster too. Founded in 1979 by a guy named Miles Copeland, I.R.S. started out primarily as a punk outfit, but as new wave proceeded to develop, it sunk its teeth firmly into that movement too, landing a bunch of acts along the way whose material was considered to be strange, zany, quirky, and campy, like Oingo Boingo and Timbuk 3.

But between all the acts that ultimately end up lending to this album's title being These People Are Nuts! are a bunch of bands who aren't considered to be all that weird too, like The Police, The Go Go's, Buzzcocks, R.E.M., and Fine Young Cannibals. So, what we really have here is a nice blend of genuinely good punk and alternarock with straight-up enjoyably silly and irony-laden new wave.

But this album that celebrates I.R.S.' tenth-year anniversary actually opens with a song that predates the label's existence entirely: it's the B-side of the debut record by the band that Miles Copeland's brother, Stewart, happened to play drums for: "Nothing Achieving," by The Police, a terrific classic rock-punk tune that was released in 1977 on another one of Miles' labels he had founded beforehand, Illegal Records.

And another great tune from those pre-I.R.S. days comes courtesy of a little-known band called The Electric Chairs, who, at the time, were fronted by a performer named Wayne County, who now goes by Jayne County. County is someone who holds the honor of being rock music's first openly trans vocalist, and she ended up working with a lot of famous people throughout her career, including David Bowie. Plus, she was also at the Stonewall Riots. So, she's an absolute legend, to say the least, and her band's punk song, "Thunder," which predates her publicly identifying as a woman, was released on Illegal in 1979.

Also, have you ever wondered where the great Fatboy Slim derived his stage name from? Well, it probably came from Maryland's Root Boy Slim, a brilliant and eccentric rabble-rouser who went to Yale and then came back on homecoming weekend the year after he had graduated and got kicked out and permanently banned from his frat house by none other than future war criminal president George W. Bush himself. His song, "Dare to Be Fat," kinda-sorta answers the question of, "what if Frank Zappa was a black blues-rocker?"

And there's a bunch of other songs from this compilation I could write about too, like The Go Go's’ "We Got the Beat," a landmark new wave tune that convinced the group to head towards a sound that was more new wave than punk; or the Buzzcocks' "Ever Fallen in Love," which presented a pretty perfect mix of late 70s punk rock and power pop; or Fine Young Cannibals' debut single, "Johnny Come Home," which showed the world this band's signature mix of rock and ska, along with Roland Gift's uniquely satisfying and tender voice.

But I think I'm gonna dedicate a few sentences to a deeply misunderstood song instead: "The Future's So Bright, I Gotta Wear Shades," by Timbuk 3. If you've ever heard this top-20 mid-80s hit before, then there's a pretty solid chance that you're among the many people who think of it as quite possibly the dorkiest song that the new wave era ever spat out.

I mean, peep this refrain if you're not familiar:

I'm doing alright Getting good grades The future's so bright I gotta wear shades

Now, is it possible that this song was made in a sort of tongue-in-cheek backlashing kind of way in response to all the live fast-die hard, sex-drugs-and-rock n' roll music that was going around back then? Sure, I guess so. But the song wasn't even really so much as that. It was more about the banality of contributing to an evil system and feeling as though you were on the right path. See, "I Gotta Wear Shades" is told from the perspective of a young nuclear scientist at the height of the Cold War, and that brightness in the future he refers to is actually referencing the potential detonation of the nukes that he's been working on. It's a really cleverly-made song that became a pretty big hit, but people never really seemed to understand the message that was behind it. It certainly wasn't a song to celebrate strait-laced, apple-polishing nerds.

So, there you have it: a nice and varied set of songs from a transcontinental indie label that played a big role in shaping new wave, punk, and alternative rock through its first ten years and change. There wasn't really any other label that was quite like I.R.S. Records. A lot of names that would end up defining eras and styles, along with some real kooks too.

Highlights:

The Police - "Nothing Achieving" The Go-Go's - "We Got the Beat" Wayne County & The Electric Chairs - "Thunder" Root Boy Slim - "Dare to Be Fat" Buzzcocks - "Ever Fallen in Love?" Wall of Voodoo - "Mexican Radio" R.E.M. - "Superman" Doctor and the Medics - "Spirit in the Sky" Timbuk 3 - "The Future's So Bright, I Gotta Wear Shades" Fine Young Cannibals - "Johnny Come Home" Concrete Blonde - "It'll Chew You Up and Spit You Out"

#new wave #punk rock #punk #rock #alternative rock #alternative #alternative music #alt rock #alt #alt music #college rock #post punk #power pop #ska #music #70s #70s music #70's #70's music #80s #80s music #80's #80's music

[bryan-damage]

The Sugarcubes

1988

(Life's Too Good era)

#the sugarcubes #bjork #bjork gudmundsdottir #80s music #alternative music #alternative rock #iceland #college rock #indie rock #indie music

[guerrilla-operator]

#the replacements #paul westerberg #bob stinson #punk rock #alternative rock #college rock #chris mars #rock #punk

[thatrickmcginnis]

The opening act for the Pogues on the tour was Mojo Nixon and Skid Roper. Nixon had gotten the attention of college radio and MTV with songs like "Jesus at McDonalds" and "Stuffin' Martha's Muffin" and had a reputation for being a wild man - the '80s college rock equivalent of Screaming Lord Sutch or Arthur Brown. The magazine decided to do a feature on Nixon as well as the Pogues, and I got that assignment as well. Nixon lived up to his reputation - he was fully "on" for the whole of our (brief) shoot, mugging wildly and throwing himself on the tracks of the abandoned railway spur that ran through the old industrial port lands by the club. Still in my raw apprenticeship as a photographer, I'd neglected to do a proper light reading and the negatives - all on the same roll as my Shane McGowan shots, which were properly exposed (for the most part) - turned out 3-4 stops overexposed. I didn't know what to do with them then, or even several years ago when I was going through my work for my old blog, but thanks to some powerful new AI tools in Photoshop I was able to find whatever potential was buried in these old frames, which have a suitably worn and degraded look now.

#portrait #portrait photography #photographer #film photography #mojo nixon #college rock #1986 #old photo #photography

[dankalbumart]

Violator by Depeche Mode Mute 1990 Synthpop / Alternative Rock / Alternative Dance / Goth Rock / Pop-Rock / College Rock / Dance-Rock / New Wave / Darkwave

#synthpop #pop #alternative rock #alternative #alternative music #alt rock #alt #alt music #alternative dance #alt dance #dance #dance music #goth rock #goth #gothic rock #gothic #pop rock #rock #college rock #dance rock #new wave #darkwave #electronic #electronic music #music #90s #90s music #90's #90's music

[viewfromthelake]

#seinfeld #talking heads #the smiths #david byrne #morrissey #george costanza #the comeback #girlfriend is better #girlfriend in a coma #new wave #alternative #college rock