Marta Minujin's Transformative Masterpiece: Pausa Transformacional, 1982
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can’t fight your own nature! but you sure can try!!
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Homogenizing and Transforming World (2014) Designed by: teamLab
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my werewolf boy now has his first coat of underglaze!
[image descriptions: two angles of a clay werewolf on all fours, painted gray and brown with vibrant yellow eyes.]
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This Piece is easily my favorite you've ever done, I think about it so often. The soft hazey feeling, the cozy feeling of the bed, the pure gaze of Vasco, AGH.
So I just had to make a Moodboard of it, I hope you enjoy.
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When you think of ancient Greece or the Roman Empire, visions of white togas, ivory temples and sand-coloured amphitheatres likely come to mind.
If so, you might be in for a surprise.
Because this off-white and eggshell-dominated palette, which inspired the pristine surfaces of Renaissance sculptures and the blank facades of Neoclassical buildings, is… a lie.
We now know the ancient world was steeped in colour. It was, perhaps, a tad too colourful for our modern sensibilities — even borderline garish at times.
Click here to learn why generations of scholars and artists believed in a monochrome Classical Antiquity and see historically accurate reconstructions of ancient statues and buildings in all their glorious peacockery.
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Philippe Rahm: Spectral Light (2015)
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Agate cameo with a bust of a young woman in high relief, possibly representing the Roman goddess Proserpine, after an antique type
Italian, late 16th century (cameo) and late 18th century (gold mount)
Royal Collection Trust
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