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#come again
matt-unreal · 1 year
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I’ll never be a dad 😔
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fromtheorient · 2 months
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carrotcakecrumble · 9 months
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The utter gaul of Piers Morgan to use the word ‘assualt’ about the barbie film like it’s okay to just shut up and retire sometimes piers
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consistentsquash · 1 year
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Friday Snarry Fic Rec!
Snarry!!!!
Soft Touch is of course the dirtiest/wrongest/baddest/hottest massage fic ever. whatever you think a massage fic is going to be about it's definitely not that!
The Coda has a lot of hopeful vibes but without losing the trauma/baggage in Soft Touch. Also Harry signing up for a new job to decode Snape's facial punctuation.
Snape paused just over the threshold, the dim hall painting him in stark contrasts. He flattened a hand against the wall to support himself, turning just enough to send Harry an inscrutable look over the tops of his dark glasses. Before he allowed the attendant to steer him onward, a shadow like an apostrophe lifted one corner of his lips, a tiny muscular possessive that might mean smirk or smile. But Harry, who was determined now to figure out Snape's private language of bottomless stares and carefully sculpted twitches, decided to take it as a sign of forgiveness and a symbol of promise. He wasn't a subtle bloke himself, but he looked forward to making a hobby out of decoding the facial punctuation and abbreviated reflexes that was all Snape had left.
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pigtailedgirl · 3 months
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fraser/ray v, 15. things you said with too many miles between us
“Please don't...don't go.” You feel ragged and raw again at the words you didn't say then. They still don't come easy, but the weight of silence experienced without, means you know which is worse. Still, you say it staring out the windshield, not to him, looking at the horizon and dawn approaching. Hazily lightening the city and the dirty streets before your eyes outside, where you know you'd find more comfort in than the sparkle on a snowfield; both blinding.
You remember every curve of the leather in this seat, and you can feel it's cool embrace against your spine, with the way you molded in without even realizing it. And to every version of this car. Like you knew on instinct you were a part, and it was safe. The stakeouts, the drive-thrus, the chases...the destinations meant nothing. The moments shared within is what forms in mind's eye. Yes, this car held him and his secrets and the truths between you. There is no place more fitting to give your confession.
You can turn to face him. You do.
See the sure hands on the wheel but the mix of scared and determination and heartache in the eyes. The ghost of a sad smile at the ready, it too soon to disappear. It's all the same. Only now he gives voice to the reason you didn't dare to ask then.
“Benny...I can't stay. Not if you don't give me a reason. A choice.”
Your breath hitches. Say it. “I know.” I loved you. I love you.
You never did then. Saying it now, too late.
The first unsaid was the last time you really saw him and here in the truth and light, in what you meant to say, is the last time you'll dream of his ghost. Dawn blinds. You wake.
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prettyugh · 11 months
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east-10th-mcdonnals · 3 months
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yuukicyan · 1 year
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Playing some Dark Souls 3 and Orbeck can we be besties?
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klizzie93 · 1 year
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Me trying to get through the day after Austin’s win last night
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havesexwithghosts · 2 years
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Installation shots of “The Venusians” at Come Again in Berlin, pt. 2
The Venusians 9 Sept—22 Oct 2022
Artists: Jesse Bransford, Elijah Burgher, Oliver Coran, Keturah Cummings, Frank Haines, Sholem Krishtalka, Anwar Mahdi, David Anaya Maya, Genesis Breyer P-Orridge, Annie Sprinkle & Beth Stephens, Ryan M. Pfeiffer + Rebecca Walz, Timothy Wyllie
Organized by Berlin-based artists Elijah Burgher and carrick bell, The Venusians is presented by New Discretions, New York + Sean Horton (Presents), New York + Wester Exhibitions, Chicago.
Venus is thought by astrologers to influence those zones of human experience over which the planet’s namesake Goddess is sovereign: love, intimacy, attraction, beauty, pleasure, luxury and the good life. Alchemically, Venus corresponds to copper, which was used for mirrors in the ancient world for its high reflectiveness when polished. Indeed, the goddess is frequently depicted at her toilette, gazing at her reflection while tending her appearance. A mixture of self-care and vanity are amongst her attributes, as well then. The roman goddess and her Greek counterpart, Aphrodite, are not the only goddesses of antiquity identified with the planet: Inanna, Ishtar, Astarte and other Queens of Heaven preceded them. The Sumerian goddess Inanna’s journey into the underworld was a mythic translation of a visible, celestial fact: periodically Venus goes retrograde and appears to be moving backwards in the sky. (Interestingly, Venus spins in an opposite direction to the other planets in our solar system, so it could be said she rotates in a retrograde manner.) Inanna’s descent is not only instructive in terms of the planet’s rich history of religious symbolism, but also implicates the negative valence of these goddesses’ principal attribute. Love is not only a matter of joy, romance and sex but also jealousy, infidelity, grief and even murderous rage.
In bringing together this sundry group of artists and dubbing them “Venusians,” we highlight certain threads that connect them and to which the goddess holds the reigns: sexuality, beauty and magick. Venusians, as we define them, draw out the electrical potentials of the sexual body. Elements of sex magick and other rituals, both self-invented and received, find the body unfurling as a tether between cosmic and terrestrial spheres, fellow humans, and non-human and natural participants. Some works represent these practices. Others actively function as elements of ongoing ritual, or are remnants of previously performed ritual acts. Beauty is paramount whether it is a matter of esoteric order, aesthetic expertise or reconceived through challenge or negation. In any case, those electrical potentials must be circulated through an object that conducts those energies to viewers, recasting them as candidates for seduction or religious conversion or taunting them as suspiciously disinterested anthropologists. Those are the stakes. Venusians seek connection that goes beyond mere discourse.
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trickster-spirit · 8 months
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are u a guy or girl? or just a furry
i am multigender, and not a furry, but a philosophical/spiritual shapeshifter (metaphorically)
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8loom · 2 years
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jdramablr · 1 year
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🔊🎶 Come Again by 8LOOM
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takahashifumiya · 1 year
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[TikTok] Fumiya Takahashi & Tsuna Keito ~ Come Again
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damn-daemon · 2 years
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And more: Rhaenyra being named heir by Viseys was irrelevant. When the lords named Viserys king instead of Rhaenys, they created a precedent of the lords being the ones to choose the ruler of Westeros, and preferring the male bloodline. So she knew Rhaenyra’s claim would most likely be disputed, and that her sons would be in danger for that. And Rhaenyra having bastard children was another reason for her claim being disputed, as the lords would not accept a bastard king. That was also a reason for refusing a match between Jacaerys and Helaena. That would actually be incredibly reckless. The more I look at it, the more it seems like some sort of civil war was bound to happen.
No one in Westeros follows a precedent unless it aligns with their beliefs. It's the same with history and modern times. Nothing in the past matters unless it happens to benefit you in particular. Rhaenyra's claim was always going to be disputed, precedent or not, because as you stated, it is a patriarchal society, so using the precent as an argument for anything is just moot to me. If Viserys had a bit more Daemon in him, it might have actually worked out, maybe, but he's a people pleaser until the end, and that is inevitably what screws Rhaenyra over the most in my opinion, and that plays into her children's parentage too.
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