“It’s been a long time since I saw you as just my partner.”

love as action

mandy len catron / @sweetnd / joan didion / julia nicole camp / @honey-fire / danez smith / s. bear bergman / marie howe

erica jong, bloodsong / boba fett: maze of deception / arthur rimbaud / leonard cohen, it seemed the better way / wendy farley

Shapeshifting Black characters (Compilation)

Black person is a Black cat & witch

@toni4eyes asked:

Hi, I'm writing a story that involves a lot of Scottish folklore and I have a character that is Cat Sìth, which is a witch that can transform into a black cat with a white spot on its chest. I'm designing their human form and am considering making them black, but I'd like to check whether or not this would be okay first, especially since it's from Scottish folklore?

Black people can be Scottish, so yes, it’s okay from that standpoint.

There’s no inherent poor associations with Black people and cats, at least that I know of. I think this is a cool idea! I instantly am picturing them with Black curls with a white streak!

As always, to avoid dehumanization implications, I recommend Having other non-Black characters with the ability to turn into an animal. And not just other BIPOC in general, but white characters too (Since only POC turning into animals feels dehumanizing). And/or another Black character (specifically of their identity) who does not turn into an animal.

~Colette

Dragon shapeshifts into Black woman

@multifangirl69 asked:

Hello! I have this idea for a fantasy story that is all about the romance between a Knight and a shapeshifting Dragon. The Dragon can shapeshift into a human black woman and I worry that this might come off as othering. Most characters in the story will be POC, including the Knight and a lot of other human black women. I really want to write this story, but I also want this to be a diverse fantasy story that isn't about white Europeans. Is there anything I should be careful about?

Please see my Black cat answer above. No unfortunate implications based on what i’m reading. You’ve got other human Black women, so that’s good. It’d be great if there were other shifters of different races and not just BIPOC, but since you have the other human Black women component, it’s okay.

There are dragons in many cultures, but I'll just say be sensitive to that and avoid appropriation and do your research. 

~Colette

P.S. Hit me up when your stories come out; I'd love to read them! 

Black animal shifter prefers animal form as her default

@mkfshard asked:

I'm writing a Fantasy story that heavily features themes of transformation, and I want to make sure I'm not falling into the fantasy trope of PoC being confined to animal forms. One of my main trio is a young Black woman with this ability, who uses it to perform acts of heroism. At a young age, she was abused to encourage her to use this power to the exclusion of her human body, and has developed an aversion to being human and therefore 'vulnerable'. She can return to human form at will, but chooses not to. She treats her non-human form as her 'default' form, and easily enjoys being that way, scorning the fear of those who see her as a monster. The non-human form does not affect the mind in any way, and while she is very outgoing, outspoken, and a competent fighter, I've made sure her personality is not depicted as 'overly aggressive' or 'animalistic'. I've tried hard, but I know I have massive blindspots. Have I made any glaring mistakes here?

The animal transformation is not a problem in itself, as long as there are other non-Black people who can transform into animals, and preferably not all BIPOC only. The Black woman being more of an “animal by default” does feel dehumanizing to me.

You’ve made your Black woman character more in touch with being an animal than human, afterall. On top of that, she was abused. 

Questions to ask yourself:

Trace your logic - why does this character, out of all of them, have this characterization? 

Are there other Black characters who are non-transforming humans and/or do not default to animal form? Particularly, Black women characters.

Are there other characters that prefer their animal forms as well? Preferably white ones as well and not just BIPOC?

Would it make sense for the past abuse to have made her feel more comfortable staying in the human form instead? And more aversion to the animal form (in order to separate herself from what she was told / forced into)?

Furthermore - how is her past of abuse addressed in the narrative aside from to explain her feelings towards her animals and human forms? It’s the topic that influences her identity and should handled with respect.

Is her life balanced between acts of heroism and having a life of her own? Is she the only one who uses her powers to save others, thus placing herself in harm's way? 

Is she allowed physical and mental weaknesses, vulnerabilities, and shown to be someone worth protecting? Do people care for her and protect her and show it?

~Mod Colette

Villain duo c!dnf would’ve been so powerful

alexandra levasseur 🌙

Hanya Yanagihara, A Little Life / Fyodor Dostoevsky, The Idiot  / Donna Tartt, The Secret History

Many have been asking me about the music within the “an old compilation of AI walks” video that I posted a long time ago.  I was searching for another audio clip today, and accidentally managed to find the complete piece.  I still do not know who to credit here, but this is the file name as downloaded years ago.  If anyone can determine the artist, please let us know! 148781_lenin2_darknoisetestsequencer.wav (was the original file format)

another genderfluid pride compilation is here

@poetryatmost / raymond carter / eileen myles / a month of changes by emility / olivia larson @poetbitesback / the months by linda pastan / tuck everlasting by natalie babbitt / dear august / morning sun by edward hopper / e.j.l. /

Friends forever (via)

ovid / x / bilbo fabriko / hozier / @sawasawako / gustave doré / kurt vonnegut / antonio canoza / tim siebels / “Portrait of a Lady On Fire”

IN THE DARK TIMES WILL THERE ALSO BE SINGING? YES, THERE WILL ALSO BE SINGING. ABOUT THE DARK TIMES.

(1. @soracities​ 2. sam sax, prayer for the mutilated world 3. joy harjo, perhaps the world ends here 4. rhiannon mcgavin, poll worker + bonus bertolt brecht)

faceless embraces

1. alex & lutz back, 1992, ph. wolfgang tillmans 2. ph. nan goldin 3. love-In, los angeles, 1967 ph. jerry de wilde 4. joseph lorusso, “cafe lovers 4” (detail) 5. el lenguaje del limbo II by mariana restrepo 6. photographer unknown 7. lovers in a field, 2019 ph. clifford prince king 8. isle of wight festival, 1969 ph. david hurn 9. joseph lorusso, “lovers in the garden” 10. the big gamble (1961), dir. elmo williams & richard fleischer

blue paintings + solitude

rick humphrey / aron wiesenfeld / charlotte ager / holly warburton / devin leonardi / richard cartwright

HUGS IN ART

alisher kush (via behance) / alisher kushakov / francesco tortorella / valentini mavrodoglou / alisher kush (via behance) / hiroki nishiyama / hennie niemann / connie chadwell / alisher kush (via behance)

paramore, “interlude: i’m not angry anymore” / martha gellhorn, selected letters / adonis, selected poems; “rage” (tr. khaled mattawa) / anne carson, plainwater: essays and poetry / carole maso, the art lover / jade bird, “furious” / carmen maria machado, in the dream house

let's just stay at home. susan ryder / anna valdez / karoliina hellberg / lachlan goudie