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#concrete brand identity
scuderia-hamilton · 2 months
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i genuinely have no words to describe how this makes me feel. i am angry, disappointed, scared and sad. and that doesn’t even cover it.
all the talk about how they’ll treat this very seriously and the investigation will be thorough feels like a slap in the face. he is allowed to keep his position, represent a team and deny all this, while trying to pay off the victim. an innocent man does not do that.
and he’s protected by the team, by the public, and even though there is concrete evidence against him, none of that matters. he's allowed to walk around the paddock, while there is an ongoing investigation against him, when he should be suspended until all this ends. the victim is the one being called names, she’s the one being harassed, she’s the one on sick leave, people are trying to expose her identity and silence her.
this makes me wonder, if this is how they treat a situation like this, when there is evidence, how many stories are out there that we don’t know about? how many powerful men in the sport got away with something like this, because the victim was afraid to speak out (and rightfully so) or was threatened not to or was silenced? and how many more will stay silent, seeing how people treat them when they speak out?
this is not just a taint on Horner’s career or Red Bull’s brand, this is a taint on the sport itself. they showed time and time again that women are not equal, we’re not appreciated, but now it’s very clear that it’s way worse than that. F1 is not safe for women.
and i know that people will think that i’m overreacting or they’ll want me to stop posting about this, but i won’t. we should talk about this every damn day, cause something like this is absolutely unacceptable. and while you may feel like he's being criticized, i want you to remember that you're surrounded by this bubble online that you created, where people have similar opinion to yours. but the overwhelming public is on his side.
why do people feel the need to protect a man who is literally accused of abusive behavior? why do they feel the need to always take the side of the abuser? this is way beyond him being a successful team principal, there is evidence against him supposedly assaulting a woman. accusations like this are not just born out of thin air.
and while there is no verdict yet, i will not be surprised if they try to sweep this under the rug, because this is how they treat white, powerful, rich men. in the world and in this sport too. no one holds them accountable, no matter how big the public outrage is.
it is only innocent until proven guilty, when it’s a man.
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dadsbongos · 2 months
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i am a sword // i am a shield
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word count - 15.8 k // warnings - unhealthy/codependent relationship themes, reader has ego/identity issues, potential dub-con but nothing actually happens, brief mention of animal death, existential crisis, past manipulation/abuse from makima for both of you, also you and denji are both adult-core, and reader is specifically written as a girl, CSM part 2 spoilers!!!
summary - The Rejection Devil gets put on a new mission -- to be Denji's girlfriend so he doesn't blow his cover as a normal guy living a normal life!
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In late 1995, you are led into a tall building with a smooth, plain white finish and windows you wouldn’t be able to count even on both hands and feet. You aren’t sure where you were before this, and you can’t be certain why you agreed to trail the red-headed woman downstairs. All you know is that your life - your real life began with that red-headed woman and those winding stairs into the bureau basement. She’s speaking in a voice so silky smooth, you’re compelled to listen even though her words make your head hurt.
“I wasn’t expecting you to be so easy to track down this time. You fight more than this.”
You hug your arms around yourself as the darkness swallows you both whole, a door clicking shut behind your backs and leaving your only route to be following this strange woman. She smells like iron and spoiled milk veiled thinly by cheap vanilla perfume. It makes your nose wrinkle.
“Are you sure I can stay here…?” your eyes drift to the many metal doors lining the cramped basement walkway, “It’s scary down here.”
She giggles, hands clasped behind her back, and doesn’t so much as look at you as she replies, “You’ll be safer here than out there.”
Coming to a delayed pause outside a gaping steel doorway, the woman maintains her straight-lace posture while you hunch into yourself. Coldness wheezes out of the room, and a single twin mattress on the floor with no sheets or pillows laid in the middle, making your arms wind tighter around your midriff. Your beige dress may reach the ankles, but it's still thin - branded together with noncommittal strands that fray at the hem.
“Can I… go home?”
“Where?”
You swallow the lump in your throat and nod silently. Right. There is no home. There is on the mattress she provided, or there is under her mud-stained boot heel. You step into the concrete room - a boxy affair that wouldn’t even hold a bed larger than a twin.
“Good girl,” the woman coos, head tilting sweetly as she lays a hand over the steel door, “And I’ll be back tomorrow to see you again, how does that sound?”
You nod meekly as the door slides shut with a heavy groan and shick.
The woman is not back the next day. Or the one after that. Or even the next five. By the time you see her again and learn her name (Makima, you recall: it tastes like sour cheese coated in sugar on your tongue), there are sixteen shallow tallies on the wall nearest your bed, and blood and rock mix grossly under your index fingernail.
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In mid-1998, the debut of Tokyo’s summer showers threatened to kick off overhead.
Swirling, lumpy clouds mask the sun’s golden rays behind a sickly gray - sky darkening as the rumbles of an incoming storm roll under your feet. Yoshida marches ahead of you in confident strides, his familiarity with the building ahead your only savior to navigating Fourth East High School.
“Chainsaw Man really goes here?” you fidget with the unevenly hanging ribbon tied around your collar, “Why? Couldn’t He just avoid high school? I hear it’s terrible…”
“It is,” Yoshida confirms, not so much as looking over his shoulder at you as he guides you to your shoe locker, “But Chainsaw’s supposed to live a normal life now.”
“How would I help with that?” you watch Yoshida’s slender fingers pry open the rectangular metal door to fish out a pair of white lace-up sneakers. He lets them clutter to the floor before tapping the door’s plated number and wandering off to his own cubby, “Isn’t Kishibe His warden now? Why are we getting involved?”
Knowing Kishibe, Chainsaw Man is most likely left to his own devices more often than not. The man called “Mad Dog”, after all, would not be your top choice of fatherly figures, so perhaps Chainsaw Man is better off controlling his own life.
After swapping his own shoes, Yoshida stands where the entrance tile ends and the hall tile begins -- the entrance tiles are slightly darker in shade. Alabaster over pearl. He waits patiently for you to stuff your outside shoes into your locker and slam it shut before continuing down the hall. Teenagers in uniforms just like yours (though, you notice embarrassed, much neater and straighter than yours) are crammed by the walls, clogging staircases, and even looming in open bathroom doorways. So many voices all at once, they hurt your ears when they fight each other over who can draw the most attention. The joke is on them, with so much chatter you can’t pick out even a single conversation.
“Yoshida,” you call timidly from over his shoulder, and he hums - tilting his head just barely in your direction to indicate he’s listening, “How are we helping Him?”
Yoshida pauses in the middle of the corridor and turns to face you, one hand securing the book bag slung over his shoulder and the other in his pants pocket. His cheek meets his shoulder as his eyes flutter from the top of your head to the toe of your shoes, “I’ll show you at lunch. Just know you’re really doing good here.”
“At a high school?”
“For Japan,” he shrugs and turns back around, “Maybe the world.”
You like working with Yoshida more than most other devil hunters. He’s soft-spoken, but not from some unbearable shyness -- and he’s gentle, but not pitying. But even so, Yoshida is as much of a devil hunter as any and that means he selfishly uses what isn’t technically his. Well, technically it is actually.
Your power technically belongs to everybody except you in the name of public safety.
Cringing at your own overuse of the T-word, you slide wordlessly into the seat Yoshida points to as soon as you both enter a classroom. Your new classmates are sparse, and you assume that most of them remain out in the common space to squeeze out as much socializing time as possible. A few eyes follow you, so you flatten the crinkling, wrinkled material of your vest and undershirt with shaking hands. Secretly, you hope the sweat in your palms will slick the material down.
In the desk behind you, Yoshida sits with his cheek resting in his palm. Tired, lidded eyes skip over your withering frame and up to the clock above the teacher’s podium. His foot starts tapping as if he’s already expecting the dismissal bell to ring.
When a gaggle of girls approach and their gaze sticks to you a little longer than you think is appropriate, your hands shiver up to your hair. A terrible fire in your chest urges you to pat and soothe down any untamed strands you may have somehow missed in the mirror. Not that the mirror in your room is one of those great fancy ones you see in movies - the kind that fits the whole wall and never has a bothersome speck - but you think it gets the job done. Apparently, not well enough, you huff bitterly, glaring down at the pleats in your skirt joined by haphazard wrinkles vining down the unfolded sections.
You, still with a hand wound nervously in your hair, twist to look at Yoshida’s lame face, “What’s He like?”
“Hm?” Yoshida drags his dark eyes from the time to your pinched face, “Stupid.”
“Be nice…”
“Well, then he shouldn’t be stupid if he doesn’t want me to call him stupid. And lousy. But pretty. And he likes cats.”
Yoshida grins lazily when you perk up at that, stress lines melting away in favor of raised brows and wide eyes, “Really?”
“Mhm. Has one, too.”
“No way,” you perch both hands on the back of your chair and inch closer, “What’s its name, do you know? Is it black? Or white? Does it have long whiskers?”
“No idea.”
He watches your impressed gape press thinly into a frustrated line, “I thought you knew Him!”
“I do, but I don’t know his cat.”
“Do you think He’ll let me meet His cat?” you lean closer despite your apparent disappointment.
“Definitely,” Yoshida’s grin widens, eyes narrowing up at your buzzing excitement, “Why wouldn’t his girlfriend meet his cat?”
“Huh?” your brows furrow again, but you’re prevented from inquiring further by the attendance bell, your teacher tiredly saddling up to her podium soon after.
You’re going to help Japan (maybe even the world) by being Chainsaw Man’s girlfriend?
The sentiment is so baffling and strange, that you’re almost unable to sit still through class (not that the cause of your distress being sat right behind you helps any).
Yoshida’s standing just after the first ting of the lunch bell, his first curls around the oddly bent collar of your uniform before he’s yanking you up. Your new classmates file out of the room and Yoshida keeps a hand pressed flatly against your spine. He’s practically shoving you down the hall, towards one of the upward staircases.
“Where are we going?”
He sighs quietly into your ear, “Where do you think?”
“What?!” your hands scramble down to where your top is tucked into your skirt waistband, hoping it looks as neat as it did this morning. You trip on one of the step ledges, almost smashing your nose into the floor until Yoshida’s shoving hand grips the back of your vest tightly. He yanks you back into his chest, and you toss your head back to stare into his obsidian eyes, “We’re meeting Him now?!”
“Duh,” he forces you forward once again.
“No way!” you can feel your throat swelling, knees filled with jelly as Yoshida pushes open a heavy metal door. The dark sky greets you above, the rare ribbons of sunlight available reflecting off steel bars.
A lone boy leans against the furthest railing, his hair is tousled and unkempt. A pretty, silky coral that reminds you of the softness of mangoes’ flesh. Long in the back but trimmed at the sides in a way that tells you he might be cutting his own hair. His uniform is unbuttoned, flaps billowing in the wind behind his lax frame.
“Hey, Chainsaw!”
Lone Boy turns, plum bags hang under drowsy, unimpressed copper eyes. He sticks up a peace sign to acknowledge the call and waits silently as you and Yoshida approach his post. Despite the careless stance, he smells strongly of ashed cigarettes and dog fur unsuccessfully obscured by the plastic mimicry of a floral detergent.
Any polite greeting you’d hoped to muster is trapped in the dry cavern of your mouth. Tongue too heavy to form words. Your hands twitch up to the rail and you press your entire weight onto it to alleviate the wobbling in your knees. Yoshida stands at your side, squeezing your shoulder before speaking,
“I wanted to introduce your girlfriend,” he pitches you like those men in polos talk so passionately about whatever product is hottest in sterile white film studios, “And the best part? When it comes to her, you don’t need to keep any secrets ‘cuz she already knows.”
Denji stands straighter, his slumped leg shooting out in attention, “You know I’m Chainsaw Man?”
You nod skittishly.
He tilts his head, “You a fan?”
“Of course!” you chirp, hands squeezing around the rail so tight it burns, “You’re amazing!”
“Good to hear,” he leans closer, coppery eyes igniting with interest, “How’d you know? When’d you find out? What’d you think when you found out?”
“Oh- I’m- !” you reach up, straightening your bowed ribbon and trying to even the strands, “I’m a devil…” you shake your head, “Not as impressive as You, Chainsaw, just the rejection devil…”
His silence is chilling, and the disgust he must be feeling from your claim is starting to rot your insides. A terrible, agonized rot that no amount of blood could heal.
“Sooo,” he places a hand over his shirt - it has his own chainsaw form’s silvery and orange head on it with bubblegum pink characters lining his name, “You think ‘m a big deal, then?”
“You are a big deal!” you lean into him, at least hoping to lap up his body’s warmth if you can’t get his approval, “Huge!”
“Good, then?” Yoshida gives Chainsaw Man a thumbs up, “I’m sure a devil wasn’t your first choice, but a girlfriend’s a girlfriend and she’s nice. Listens. Easily impressed. Plus your big mouth won’t ruin anything.”
Chainsaw Man ignores Yoshida completely, grinning at you through shark’s teeth, “Name’s Denji. I like girls that like me.”
“I’m a girl!” you beam, bouncing on the balls of your feet, “I like you!” you tug sharply on the black ribbon around your neck, “I think you’re the best!”
Denji nods curtly, visibly smug. His posture curves again, all suave and cocky, “What can I call ya?”
Yoshida steps back when you glance at him uncertainly.
“My name?”
“Uh-huh.”
“My name,” you state blandly, blinking at Denji as you try to cobble together sounds and vowels that sound familiar. Makima had a name. Could you have one, too? Angel just went by, well, Angel. Quanxi had a name. So did Princi. You must have a name, right? “I don’t know…”
Yoshida chips in, both hands in his pockets, “Nobody really calls her. If they do, it's just Rejection.”
Denji glares at Yoshida, “That’s shitty.”
Yoshida shrugs, “She’s enrolled as Yoshida, Reiji.”
“I am?”
Denji wrinkles his nose at that before looking back towards you, “Do you like that name?” you shake your head, just slightly enough so you can deny doing it if the only real Yoshida child gets offended, “What do you like?”
“I like fruit…” you twist your hands around the rail, the metal cooling your flushed skin, “And cats.”
“Peaches?”
“I like peaches.”
“Okay, peachy,” he stands straight, and there’s something sweet about the way he smiles at you -- the way his body jitters, like the thrill of being a boyfriend is jumping out of his veins, “We should go out! After school. Today.”
“Okay! Totally!”
You realized quickly that going on a date with Chainsaw Man (Denji, you correct yourself, Denji) meant that you’d be going out without Yoshida when the boy walked straight past you and out the gates without so much as a goodbye. He didn’t even wait for you to change out your shoes before leaving. How nerve-wracking…
Pacing, you wait for Denji to exit Fourth East and tell you where you’re both going for your first official date. You watch the black slip-ons Yoshida shoved at you this morning crease against the floor with every step. You get so entranced by the sight that you don’t notice Denji’s approach until a hand stops you by the arm.
Jumping under the sudden touch, you gasp at the sight of Denji before awkwardly calling, “Hi!”
“Hey,” he drawls out the vowel, releasing his tender grip on your bicep, “So, where d’ya wanna go?”
“Huh?” you tense up - was that a genuine question? - before gnawing your bottom lip unsurely, “I don’t know. I thought you’d know.”
“Is there anywhere you’d wanna go?” Denji starts walking, book bag hanging limply over his shoulder.
You rush to catch up to him, tightly clutching the straps of your own bag in front of you, “I don’t know!”
“Really?” he turns to stare at you, only to find you watching your feet against the pavement with a soldier’s focus. So he looks back up, glaring when a man in suit and tie doesn’t move to the far side of the sidewalk to avoid knocking shoulders with you. The man glares back at Denji, but relents to dodge you, “Anything you’ve always wanted to do?”
“I don’t know…” your brows draw towards the middle of your face in concentration, “I like… Food?”
“Me too,” he murmurs in solidarity, “What about ice cream? There’s a place nearby, and cheap! You can get two soft creams for three hundred yen!”
“Woah!” you don’t know anything about that or how important it actually is to get two servings for three hundred yen, but Denji is excited and that feels like a good enough reason.
“Right?!” his steps quicken, hand circling yours and pulling you along. His hand is warm with rough calluses blooming around his digits, but it feels nice in yours, “And you can combine any two flavors for no extra charge!”
Upon arrival, you are only a little disappointed, but you suppose you probably shouldn’t be. It isn’t like you were genuinely owed your preference, that’s why it was a preference, right? In the same way, you prefer to have control over the heat to your room in the commission basement but don’t.
“Ah, no mango…”
“You like mango?”
“I’ve never had one,” you admit, albeit confusingly following it up with, “It’s my favorite, though.”
“Oh. Okay,” he nods as if filing the information away for later, and you hesitate to ask if he actually cares, “My favorite is the bubblegum. It makes me sick if I eat it too fast, but it’s really sweet,” you nod this time, slowly, “But you like fruit, so you’ll probably want the strawberry one, right?”
You nod faster.
When neither of you steps towards the patiently smiling vendor, Denji leans forward, “Do you want me to order for both of us?”
“Yes!” when you realize how outright eager you sound, you try to quiet yourself down, “Please, that’d be nice.”
Denji gives you a peace sign before taking charge towards the old man behind the open counter.
Upon his return, Denji holds out the small cardstock paper cup to you, a miniature plastic spoon buried into the soft pink mound. Darker red splotches decorate the scoops, sinking to the bottom the longer you take to grasp the treat.
With unsteady hands, you almost knock the soft serve from his fingers before clumsily clutching it with both palms. Sadly, the spoon could not be saved once rattled from its spot; the plastic unceremoniously clattering onto the pavement. Strawberry sweetness splatters onto the toe of your shoe, staining your laces. Your chest fills with the heaviness of dread, the freeze of the ice cream spreading through your hands and all the way down to your wiggly jelly knees. You look up from the grizzly death scene to Denji’s blank face.
You squeeze the cup, strawberry cream teasing to gush over the lip, “I’m sorry.”
Denji shakes his head, orange peel locks flicking wildly. His coppery eyes gaze up at you through his dark lashes, soft around his stare. Suddenly, the cherries of his cheeks brighten up, balled and red with glee, “‘s fine!”
“It is?”
“I have an idea…” his posture straightens and he reaches for his own cup, scooping out hot pink bubblegum and swallowing down the sugar before offering the utensil to you, “We can share!” you reach for the spoon and Denji creeps closer, anxiously rolling his fist as you use the same spoon, “This is our first indirect kiss.”
He swallows down the other woman that briefly flashes through his mind. Instead, he focuses on the way your tongue swipes over your lips to lap up any excess ice cream. You blink up at him and smile before holding out the spoon with a soft, “Sorry…”
Shaking his head again, Denji feels the sparks of excitement spark little fires down every vertebra of his spine, trailing over the rungs of his ribs when he brushes your fingers, “What’re you sorry for?”
“You have to indirectly kiss me every time you want ice cream…”
Denji raises a brow at you, having a spoonful of his treat before passing the plastic back to you, “You’re kind of a downer, huh?”
“Ah,” you cradle your ice cream closer to your chest, “Sorry.”
“Downer, yeah,” he nods to himself, slipping the spoon from your hand - gentle, warm fingertips pressing into your skin again, “I guess if we were both jumpy, it’d get boring,” catching your downcast stare into your liquidy strawberry ice cream, Denji cranes his neck to force eye contact with you. He says nothing, but slides the spoon into your cup.
He’s honestly just glad to be so close to a girl without her trying to kill him. He’d hoped you’d be glad to be here, too.
His eyes follow as you glumly take the spoonhead over your tongue. Denji is consumed by the need to know your every thought, each tissue’s twinge should be beamed into his brain the second it happens. For a moment, he even finds the idea of knowing each other so well to be comforting. Like warm toast smeared with every jelly he can get his hands on.
You say you like him, but you keep apologizing for indirectly kissing him - it’s confusing. A dull buzz began to ache through his head at the mixed signals. Denji is excited every time his turn for the spoon comes around (even now, his hands are rattling with anticipation as he reaches for it). He can’t separate the taste of your saliva from anything else, but the hint of saccharine strawberries is more than enough. He’d never apologize for greedily sucking at the aftertaste of your ice cream if the roles were reversed.
Does this mean he pushed it with the indirect kiss? Should he have just asked for another spoon? Will you let him have a direct kiss anytime soon?
None of those questions shake Denji in his beat-up shoes, which are tearing at the soles, so he decides that if you really hated it -- then you would’ve told him. Besides, Denji got lucky(????) having his first direct and indirect kiss on the same night and not everybody is so fortunate(????).
The women, however, he grimaces just remembering. So instead of focusing on a fuzzying eyepatch and unrecallable (yet unmistakably soft) voice, or hair like consuming embers and too-tight smiles -- Denji turns to you. To your modest displeasure over the flavor, you’d been stuck with over your apparent favorite.
“Are mangoes really your favorite fruit?”
You shrug, slapping the spoon against your melty cream and watching droplets rocket over the cup’s edge, “Even though I haven’t had one, yes. I like the flavoring best of any other fruit. Do you like mangoes?”
“Haven’t had one either. Haven’t had most fruit,” he looks up and notes that the cloudy weather is inappropriate for an ice cream date, but you haven’t said anything against it so he doesn’t either. Then, as he stares into unfolding skies, blue peeking through clearing patches, he tries to recall any fruit he’s had that isn’t a plain apple or grapes. All the fruit he knows about is through artificial recreations, and for some reason that strikes him as unpleasant, “Do you prefer mango over peach?”
It takes a few prolonged, stiff seconds of silence before you snap to the realization that Denji expects a response.
“Mango is…” you twiddle your thumbs, wondering which answer he would rather hear. You aren’t sure, you don’t know which fruit he likes best. Or if he even likes fruit! So you stab your left thumbnail into the pad of your right thumb and decide to give the answer you truly feel, “‘Mango’ is a weird nickname - peach is fine. Peach is actually… cute.”
Denji nods rapidly, you notice he’s standing a little closer than before, “Okay, peachy. I’ll stick to that.”
Azure whistles overhead, downtrodden weather fading away calmly. You wonder what else is left for people to do on dates -- you’re sure they spend time together, but doing what? Denji took you for ice cream because he likes ice cream, does that mean you get to choose the next activity? When does the date end?
Does it ever end? You two are already boyfriend-girlfriend after all.
“What- “ you’re cut off by the sound of Denji’s voice, “When- “
“Sorry,” you wave him off, “Go, you go first.”
Denji purses his lips before drinking the syrupy remains of his aggressively saccharine bubblegum ice cream, he wipes his mouth with the back of his hand and stares at the stained base of his cup, “When’d you decide you wanted to be my girlfriend?”
“I didn’t. Yoshida just said I was being reassigned.”
“Oh, so you didn’t know?”
“No.”
You can’t read Denji’s expression at all. It’s all straight except for the smallest downturn of one corner of his lips, “You didn’t know anything about me, did you?”
You shake your head, “I just knew I was going to meet Chainsaw Man. I didn’t know He was you.”
“You’re really only here ‘cuz you knew I was Chainsaw Man?”
Denji shouldn’t be hurt, he knows that was the plan eventually. To catch a fly with honey.
But when you plainly nod, it does hurt. It hurts a lot.
“Well,” you’re itchy all over, uncomfortable because he’s uncomfortable, “I think you’re great.”
“Right…”
Frowning, you hang your head and stare at the floor, “I do.”
You can’t read Denji at all. You’re supposed to placate him and you can’t even do that right. What if he breaks up with you? You’d be far too embarrassed to show your face back at work. The Rejection Devil met a force she could not deflect (seconds later you realize that the irony alone of being rejected as the very devil itself alone might kill you). How humiliating.
Denji’s head flops back limply, the apple of his throat exposed. You’re almost alarmed by the way you want to nibble it. He blinks up at the rolling sky, eyes watering as the sun burns away fitful clouds.
“Denji,” you plea weakly, feeling as small as an ant under his downcast mood, “I like Denji, too.”
His eyes flutter over to you, “You do?”
It feels like an opening - when the battle is at its climax and your opponent’s foolishly left their weak spot unguarded in the adrenaline rush, “Of course, I do. You’re cool when you’re Chainsaw Man, but you’re cool when you’re Denji, too.”
“Really think so?”
“I really do.”
Denji smiles suddenly, and you smile too just because he does, “You free tomorrow after school?”
Of course, you are.
You choose not to point out that keeping him company is what you should be doing after school anyway. Hopefully, he doesn’t consider that fact.
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In January of 1996, you meet an imposing man with stitches across his left cheek and a flask tucked haphazardly into his trench coat - the silver glints under sickly fluorescents.
“Timid, but useful, if she can behave without me there,” Makima talks about you like you aren’t standing directly in front of her. She keeps her helix eyes just over your head at all times, “I’m sure she will, but I think you’re the best thing to test her with first.”
The man behind you reeks of booze and womens’ perfume and mold, but somehow it feels less safe than Makima’s more foul stench.
“Quiet one, huh?” as if to begin the ‘test’ early, he pokes you in the back of the neck, “Sure it's a Devil?”
“Positive,” she winks and taps her nose, “I have a good sense about this stuff.”
You don’t want to go anywhere with the man with the stitches. Physical attacks and special abilities from your fellow Devils are things easily deflected by your own power, but Miss Makima has taught you a new lesson:
Words do not bounce off the Rejection Devil.
And the man with the stitches doesn’t smile at you with any kindness.
“Then let’s get to work, yeah?”
You think he’ll actually enjoy finding all the ways around your rejection abilities.
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“I thought we were going out today…”
Denji’s been your boyfriend for a measly two days, but he already hates the look of your disappointment. Those glassy eyes and pouting lips, they make him want to chew marbles and swallow. Instead, he scratches at the soft skin on his neck, clawing up red marks from chipped, short nails.
“I wanted to! ‘m just failing… hard. So I need to get my history shit done.”
“I can help!”
“It’ll be boring as hell…“
“No, really,” you hesitate to grab his hand before committing, his cheeks flush at the warm contact, “I could even just watch.”
Life is more boring when Denji isn’t around anyway. You’re mostly just… waiting to see Denji again every time you two part ways. Even the books and journals they supply you with at the commission cannot distract you from how gray and cold your room is now. All you think about is sunshine hair and thick lashes.
“I just don’t- “ you release his hand and look down at your white indoor shoes, “I just thought we would be together longer today. If you want to work by yourself, then- !”
Denji snakes his hand back into yours, shaking his head vigorously, “No way! That sounds terrible.”
“Okay!” you try to smother the elated smile rising to your lips, but it's totally hopeless. You nestle into Denji’s side, using him to navigate the (largely abandoned) halls of North East as he leads you both towards the school library. Your attention drifts to your feet against the floor once again.
Denji pulls his hand slightly behind his back, squishing your body tighter to his, every time someone passes you both, “Why do you do that?”
“Do what?”
“Look at your feet.”
“If I tripped over myself in public, I’d just about die…”
“Makes sense,” he glares at a trio of boys walking down the narrow corridor shoulder-to-shoulder until they break apart to avoid bumping into you.
You remind him of Kobeni for that. He realizes he hasn’t spoken to her in a very long time. He wonders if she’d even appreciate him trying to reach out. Probably not, he concludes; but he likes you better anyway, which is appropriate given the circumstances.
“Why do you…” you hum quietly, contemplating the question as you both arrive at the library. Denji squeezes your hand encouragingly, finding you two a table far off from the rest, “Why did you try using Him to get a girlfriend?”
“We’re the same person,” Denji shrugs before tilting his head and shrugging again, “I dunno. It worked before.”
“Really?”
“Not really,” he isn’t minding his volume as he replies, not like you do. Two other students are holed at tables by themselves, one underclassman debating two books in the nonfiction section, and the librarian at her desk, “Every girl I’ve met before you has tried to kill me…”
“Aw, that’s terrible… You’re not someone I’d kill.”
“,,,”
“Not that I could. But even if I could, then I still wouldn’t.”
Denji nods, a pensive screw overtaking his face, “What if there was a prize? Like. Something really, really cool that you’d get. Would you kill me?”
Instantly, you’re shaking your head, “Never!” you’re still whispering, cautious of irritating others even as your boyfriend drags you into the depths of his ego death, “I’d run away with you if it came to it.”
Iron pools in his mouth. A severed tongue. Soft daisies leave dirt and spit-up trailing over his chin. An ominous choker that stayed on, even when she stripped to go swimming.
“What if I couldn’t run away?” he still has a family after all. Bigger than last time, even. If he had to run away, he wouldn’t.
You frown, “Then I guess I’d have to stay away for good…” then, you settle your head in your hands, palms cupping your cheeks, and Denji has to look away to avoid spilling his guts about how cute he finds that, “Wait, I’m not gonna have to run away am I?!”
The shrewd librarian raises her head only to shush you before burying her nose back into her binder of book logs. Denji flips the old lady off at the same time you mutter an apology.
She takes note of neither act.
It irritates Denji in a way he’s unfamiliar with because more than the urge to be acknowledged is the need for him to know that the woman heard you.
“I really can help, if you want, also.”
“Huh?”
“You said you’re failing,” you point out, leaning forward onto the table by your elbows, “I’m passing everything, so I actually can help. If you want!”
“Seriously? Didn’t you just get here? How’re you already all smart?”
“I just don’t want to fail,” you wave out your hands as though to dismiss any ill-intent, “Not that it’s… I’m not sure how to say it… I don’t think it’s terrible of you to fail, school seems really hard. I just feel sick at the thought of not doing well.”
“Your class is lucky to have you to answer questions, all my classmates are dumbasses,” he bites bitterly.
“Oh, I don’t really answer questions. Yoshida does sometimes, though.”
“Why don’t you?”
“What if I’m wrong one day?”
“Are you ever?”
No, but that doesn’t mean you’ll start raising your hand anytime soon. To distract Denji from this topic, you stretch closer to him over the table and insist on helping him finish his history work. That way, he won’t have to do it in replacement for your date tomorrow.
“Hey. Why d’ya like Chainsaw Man?”
His fiery eyes are all raw, mushy dough. He looks terrible and sad. You want to fix it, whatever or whoever made him this way. You simper sweetly and confidently declare,
“He’s so powerful. He can kill any devil he wants. And so can You, Denji. You’re both so amazing. But I like You best.”
“... I like you, too.”
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In February of 1996, you are sent on your first real mission with Kishibe -- Makima stating he was your safest partner option after training together so long.
Your tie is tied too tight, and your pants cinch uncomfortably around your thighs. You can’t maintain any sort of normal breathing pattern and that’s beginning to occupy more brain space than your actual upcoming fight. Mostly, you’re trying to level your heavy breaths so as to avoid irritating Kishibe. Logically, you know him to not be hotheaded and prone to rash lashing out, but the fear of him slicing your chest open lingers there.
Far too soon for your liking, the car lulls to a stop outside the boarded, graffiti’d Love Hotel. Swiftly abandoned by faculty and regulars alike as soon as the Devil made itself known on the fourth floor.
Just remembering the bold letters printed at the top of Kishibe’s briefing report sends a shiver down your spine -- FOUR CIVILIANS DEAD. TWO PUBLIC HUNTERS M.I.A. ONE PRIVATE HUNTER K.I.A.
“Come on,” Kishibe jerks his head towards the building and you trip after him like a newborn puppy.
You follow Kishibe into the Love Hotel and patiently wait for his orders before heading for the top floor. He pauses at the stairs to jerk your body in front of his, shoving you in the back to hurry up the flight as he meanders behind.
“I want you to clear the first floor ahead of me.”
A command, no room to fight back. Not that you would. Following his orders blindly feels more comfortable, anyway.
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“You ever get the urge to bite people?” Denji pops the question while watching you peel an orange. The underside of your thumbnail is stained yellowish from the skin you punctured, and some bizarre voice inside him whispers that he should dig the flesh out with his sharpest tooth.
“Hm…” you roll the orange peel into a ball and settle it beside you on the rooftop pavement, seeing as there are no nearby trash cans, “I don’t think so…” you rip the conjoined slices in half and hand the slightly fatter side to Denji, “Maybe when I first met Kishibe. He scared me.”
“Really?” Denji pops one of the juicy slices into his mouth, eyes still trained on your fingers as you carefully squeeze out the brown seeds inside before eating, “I just thought he was a geezer.”
“That’s rude!” you’re trying in vain to keep your lips pressed in a straight line, as if the Mad Dog would apparate at your back and kick you just for laughing.
Denji leans back and chews another slice of the orange, tucking the seeds under his tongue and debating whether or not it’d be a waste to spit them out. He shrugs, “‘s true. He had a flask, too. Definitely thought he was some weirdo.”
“I guess maybe a little…” you hesitantly admit, “He super liked beating me up when we met.”
“Oh, yeah. Like for training?” Denji finishes his half of the orange and settles on swallowing his seeds.
Just as you go to respond, the bell to end lunch rings and Denji is stumbling up to his feet, swiping up the pile of orange skins and your discarded seeds. He offers a hand to help you up and you wonder if it’d be more polite to spare him from the sugary orange blood on your skin.
“My hand- “ you begin, words sudden and jumbled, and you feel shyness suffocate you under his blank stare, “Sticky… it’s sticky with-“
“I know,” he waves his hand out again, “I watched you.”
“You don’t mind…?” you take his hand, earnestly shocked by the quickness with which Denji yanks you off the ground.
And just as Denji opens his mouth, Yoshida is yelling at you both to hurry inside from the doorway to the roof. Denji flips Yoshida off before turning to you, he squeezes the orange in his hand and thinks about the sweetness.
Oranges are better than apples, he thinks, but he can’t find a real reason as to why. The seeds are a hassle, and he’d hate to sit there and peel one, but he liked sharing just half an orange with you more than he liked having an entire apple to himself in Aki’s apartment. He can see the orange juice still glistening on the bow of your lip. His eyes linger there, and he knows you notice because you’re suddenly fidgeting under his gaze.
You wait patiently, eyes flickering down to your shoes before meeting his again. He isn’t sure what that means. So he turns back towards Yoshida and stuffs the boy’s palm with the orange husk before walking you to class in stiff silence.
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Your bed is thin and flat against the floor. A bookcase that only reaches your waist is pushed against the opposite wall. You’ve read every book in it twice over. You don’t remember when every empty slot was finally occupied, and you don’t remember the last time you touched one of the books and felt genuine interest.
You do know that you once requested a brand new book from Makima, and she’d refused you so simply you once believed it was a personal slight you’d committed against her. You also once requested a television -- you had it for one week before it was taken away. You never asked why because Makima herself came to oversee your beloved TV’s removal from atop your dusty bookcase (though you doubt you would’ve had the courage to ask even if she was absent).
During that week, however, it was the happiest you’d been since coming to Tokyo.
A lot of what you watched was utter garbage. Contrived plot lines and miscommunication and shallow characters you’d sooner choke out than shake hands with, and it was the most beautiful entertainment you could’ve asked for. What you quickly discovered to be your favorite viewing material was movies made specifically for television. Usually lower budgets and completely unknown actors. A paradise all to yourself.
“That’s it, watch your back,” Makima’s soft voice called when one of the men nearly slammed into your doorway on the way out. She turned to you with a smile, “Anything before I go?”
A prompt, you figure, to ask if you had the courage to demand your stolen present back.
Rather, you shook your head shyly, twiddling your thumbs, “Well, could I maybe get a window…? I’d like to see something other than…” you gesture to the walls around you.
They, too, are covered in a thick layer of cloudy dust.
Makima extended a hand to pat over your head, “No,” she stated as blandly as your room was decorated, “You’re still a security threat.”
Another test. Would you deny it? Would you dredge up the fact that you’d never once reacted with hostility? Would you bare your teeth and try (in vain) to rip her apart?
You nodded solemnly and watched Makima exit.
And your room has remained untouched since.
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Denji’s handwriting was a sloppy chicken scratch, often paired with backward or mismatched characters, which was why he asked you to write his reminder note.
YOYOGI PARK ON SATURDAY. 12PM.
And at 12:02 PM, you sit on a picnic table surrounded by tall ginkgo trees with bouncing knees as Denji makes his approach. In one hand, he clutches a plastic bag, logo wide and distressed around a massive bulb shape. In the other, is a knotted tangle of black and red leashes tethering seven wiggling and yappy dogs to his side.
“I didn’t know you had so many dogs,” you hold out your hands for the dogs to sniff and lick before petting over their heads and behind their ears.
“I got a cat, too, but I dunno if she’s allowed in.”
You sit straighter, letting the dogs press their heads into your hands for more attention, “So you do have a cat?!”
He nods, laying the bag on your table with a thud and crinkle before sitting beside you -- thigh firm against thigh and arms brushing, “You’ll meet her eventually.”
Denji leans over the edge of the seat to lift a corner of the table, stapling the leashes into the grass. Even if they weren’t collared, you doubt they’d try running off anyway with each dog avidly jamming itself into both your spaces. Big drooly jaws resting on your lap and paws digging into your calf for even more attention.
“Hey,” Denji whines when he sees the opaque slobber Tiramisu is webbing on your pants, “Off. You’re makin’ her gross.”
“It’s okay,” you insist, tempted to rest your head on Denji’s nearby and tantalizing shoulder as you pet the husky, “I have a lot of these pants in my room.”
“These’re your casual pants?”
“Yeah.”
Denji side-eyes you, but says nothing more about your white button-up and black slacks being ‘casual’.
“If I could have a job, I’d buy you lotsa clothes,” he mutters, “Whatever you wanted,” he’s so quiet you almost feel apologetic for hearing him at all; but before you can suss out a response, he suddenly whirls around in his seat and sticks both hands into the plastic bag, “A mango!”
“A mango?”
“Uh-huh,” he wrestles the fruit free from its plastic confines and rolls it into your hands, holding an arm out in front of you to keep his licking dogs at bay.
“...for me?”
“For you!” he echoes. He’s trying to play everything off casually, but really his hands are moist and vibrating - his gut cramping as he awaits your feedback, “Old man was in Kyushu, so I had him get a souvenir… I hope you like it, he bitched about how expensive it was the whole time I saw him.”
Taiyo no Tamago. Egg of the Sun. Gold leafing into fierce, flaming oranges and reds. You bet that the real slices are even juicer, tastier than faux flavorings.
Between both hands, you gingerly cradle the large mango and feel your mouth watering just as you stare at the fruit.
“Kishibe got it?” you lift the mango towards the blazing sun, inspecting the skin for any damage, “It’s not poisoned, right?”
“Nah,” he squints at the fruit as well, just to be extra sure, “I can try it if you want?”
“Aw, no, it’s- I’ll be okay either way, but I trust you,” Denji watches you pet over the mango like it's a fat kitten curled over your arm. He grins at the sight and doesn’t question it, scared that if he does, then you might stop, “So, does he watch over you?”
“Not really. Sometimes he comes around just to know I'm alive.”
“Do you get lonely when he’s not there?”
His face wrenches sourly at the idea of Kishibe lingering around the apartment, “I got the dogs and Meowy. And a little sister… friend… type living with me,” his eyes dart over you warily, “You’ll probably meet her eventually, so…” he inhales sharply, “It’s, eh, you know, the new Control Devil.”
“She got reincarnated already?” you whisper it, like you’re saying something inappropriate.
“Well,” he winces, “Nayuta’s her own person. Same Devil stuff, but she's nothing like Makima.”
“Sorry! Of course! I didn’t mean it like that…”
Denji feels a pang in his chest at the sight of your cowering frame, consumed by guilt over misspeaking, “Don’t worry ‘bout it. Just didn’t want you freakin’ out when you meet her or anything.”
“I’m nothing compared to Her, I’m not really in the place to freak out.”
Something disturbs Denji so staunchly at the ease with which you say that. He can’t place it, he just knows that the very sentence made his stomach curdle and tie his intestines in knots.
You tilt your head, “Can I ask…?”
“Shoot.”
“Is it… well…” you shake your head, but Denji shakes his back.
“Just ask. Whatever ya wanna know.”
“You said Nayuta is her own person,” his brows furrow but he lets you finish before speaking, “Do you never consider maybe they’re… similar?”
He’s quiet for an unbearable eight seconds before answering casually, “Guess if I thought about it for a long time, I could find ways they’re alike. But I don’t really think about it that long. Nayuta’s my little sister. Makima was…” he shouldn’t say exactly what Makima was to him in front of you, he knows that much about being a boyfriend at least, “Makima. They’re totally different.”
It’s extraordinarily complicated to even put words into describing what Makima meant to him. A lot of things he’s learned were sick, but some things he almost… wants to hold onto.
He definitely shouldn’t say that to you. But it isn’t like he misses her, he misses the comfort of their early days. If you could even label it “their” days. Makima may have been like Nayuta at one point, but he knows Nayuta would never so meticulously stab him in the back. Or the chest. Repeatedly. Miserably, however, he knows that even if she did -- he’d probably still love Nayuta like she were his sister. How he imagines an old dog still craves the warm hands of their human as they fall asleep for the last time.
Dangerously, he wonders if he may one day feel the same for you, smiling as you dig a knife through his chest just because his girlfriend is still holding him.
And when you blink up at him like he’s as delightful as the mango in your hands, he thinks he might.
You beam at Denji before shyly turning your gaze back onto the mango, curling both arms around it. This time with all the tenderness you would a baby and tuck it into your chest.
If Makima and Nayuta are different maybe you are too.
You hope so.
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Tsuyu time is finally looking to drag to an end by early July -- with yet another rain storm. Fourth East faculty has very kindly allowed students to stay past the usual close time of 6:00PM due to such harsh winds and lightning raging outside. You hadn’t accounted for this when you asked Denji to accompany you to a bookstore’s summer sale after school. The frustration you feel could boil the falling rainwater with how heated such sudden weather has you.
Impatiently, you and Denji are leaning right side against one of the entry door frames with his chest to your back.
“They’ll be closed by the time the rain lets up…” you grumble.
Denji almost wants to laugh: the first time he sees you act minorly unpleasant is over books.
“There’s always tomorrow,” he’s not sure, actually, “Probably.”
You scowl out at the wretched, amalgamated clouds, “Sale better still be on tomorrow…”
“If not, there's next year.”
In an embarrassing instant, your annoyance wavers. You tilt your head back into Denji’s shoulder to look at him, “You think we’ll be together next year?”
Honestly, he hadn’t meant to imply that. All he meant was that you’ll be able to go next summer whether the sale ended today or not, but when you bat your eyelashes at him all softly he’s compelled to agree to whatever you want.
“Why not?” he shrugs, fighting to keep his arms relaxed at his sides rather than folded over his chest defensively.
Your lips stretch with mirth, a smize following lead, “I want to go with you to the summer sale next year, Denji.”
The confidence of your confession is rattled from you as quickly as it’d appeared.
Until, “Even if we go today?”
His tone is bleeding hope.
“Even if we go today,” and you’re all too merry to confirm.
Denji slides to your left, hands shaking wildly, “Can I- should we?” you quirk a brow at his chopped questions, “Can we kiss?”
“Do you want to kiss me?”
He nods rapidly. You want to kiss him, too. You reach for one of his hands and tug him closer with a much slower nod.
“We can kiss, Denji.”
“Awesome,” he lamely sighs under his breath.
You remain glued against the metal frame, leaving Denji to be the initiator. He’s the more dating-experienced party anyway.
Denji swallows audibly before steeling his nerves and leaning so his lips are just brushing yours. You can feel the hot puffs of air he lets out, and you’re praying he can’t feel yours. Neither of you has shut your eyes yet, weirdly certain that the second you do disaster will strike.
Up close, you can really see everything -- his messy sunset hair, the peeling skin on his lower lip, and the faint red veins peeking around his sclera. His skin is stained dark like pomegranate juice. Finally, he tenses his eyes shut with a wrinkle in his brow and commits. Given how chapped his lips looked, you’re amazed they feel nice against yours at all.
Your eyes flutter shut and you press back.
You don’t dare venture further than the chaste lip-lock before Denji pulls away, leaving a sharp stabbing sensation on your bottom lip in his wake. His low-lidded stare widens as soon as he sees your chin.
“Oh, shit.”
Cupping the aching area, you feel a slickness slowly leaking over your fingers. You dip a finger to your lip and pull back to find a stain darker than pomegranate juice.
“Denji!”
“Sorry, sorry,” he grimaces, reaching up to swipe away the blood spread over your chin.
“You bit me!”
“I know!” (he does a poor job hiding the aggravated trill in his voice there)
His fingers are all smeared with your blood by the time he’s done makeshift mopping up your lower face, and he wipes his hands off on his black school pants. You pull your lip back as if you’d be able to see the trivial wound. The motion tests Denji: wanting to maintain his nurse act, but also wanting to kiss you again.
“It doesn’t hurt anymore…” you twist a hand into your rumpled uniform skirt, “It’s okay. I wasn’t mad, just surprised.”
Forlorn, Denji reaches up to gingerly thumb at the spot he bit -- now swollen and darker than the rest of your lip. Only minutely, but still. His brain can’t compute how small-scale your injury is over the fact that he was the one to cause it in the first place, “I’ll be more gentle next time.”
You nod, face growing hotter the longer Denji touches you so softly, “I trust you.”
The rain thins outside.
“Can I try again?” Denji’s hand slides from your lip to your jaw until he’s tenderly cupping your cheek.
Again, you nod, hoping the shift in movement will get air to cool your melting cheeks.
Puddles are splattered by a few brave students rushing home, and Denji holds onto hope the storm clears fully before the bookstore closes.
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By spring of 1996, you’re given your first journal and pen; and in winter of that same year, you finally pluck up the courage to try putting your headache-inducing thoughts to words.
A Devil is more humanoid the more that Devil tolerates humans -- you don’t know where you learned that. Or why you remembered it. It’s just something you’re always certain of, in the exact same way you blink and breathe you are also indistinguishable from a human being. When the both of you met, Makima spent time examining you from head to toe to see if there were any visible tells of your true species.
You aren’t sure why you look the way you do, you don’t like humans. Although, you don’t exactly dislike them either. When you think of people, flailing on swings and cramping grocery store produce sections and knitting warm winter sweaters, you feel only a vague thrumming in your heart at the knowledge that they could send you back to Hell. A primal and innate sensation of spine-tingling fear. If enough people discovered you outside Makima’s care, then you would be back in Hell.
Maybe it’s that fear. Your knowledge of the tipping power scales could be maintaining your flesh and bones. Strangely, you wish you looked more horrific - a gaping, toothy maw and claws in place of hands. Swells of discolored flesh that twitch with each beat of your heart.
You wish you looked appalling. Absolutely ghastly. Maybe then Makima wouldn’t like looking at you so much.
But then, what if you were so scary that Chainsaw wanted to eat you?
While being free of the perpetual motion of death and rebirth in Hell unto Earth and Makima’s inescapable, piercing gaze, you wouldn’t want to face off against Chainsaw. He’s the Hero of Hell, so wouldn’t that make you the villain?
You’d rather be reincarnated and stared at by a million Makimas than be so terrible that the puritor of Hell forced himself to consume you. And he’d be able to -- you’re sure of that, too. Not even your rejection of other Devils’ powers could be so strong as to deny Chainsaw. No, no. He’s far too great.
You think of that figure - one that makes your usual aching thoughts whirl into devastating stabbing pain just trying to remember - covered in Devils’ blood and guts and you feel nervous that perhaps Makima will try finding him too if she reads of him in your journal.
So instead of expressing those thoughts to free your searing skull, you jot down a plain:
Made a new contract today. His name was Yoshida, Hirofumi. He said I was nice for not wanting to eat his body parts as payment :)
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“Denji! Over here!”
It's a stubbornly drizzling Tuesday when you’re shouting through the school gates, inky uniforms parting around you like a gentle river flow. Usually, getting your peers to not body check you is terribly difficult, but maybe the authority you carry in a Public Safety suit and tie is more pressing than yourself. While students shelter their heads with small book bags and hands and vests, you’ve got the plastic handle of a black umbrella warmed up in your palm.
Denji tilts his head at your distant frame before suddenly shooting ramrod straight. He rushes out from under the shelter of Fourth East and through the gates to your side - puddles splashing under his quick feet all the way.
“Heard you were out,” Denji ducks under your umbrella, tempted to hook his chin on your shoulder and sap up your body warmth.
“Just a mission,” your hand clenches with the urge to grasp Denji’s, but you take no such initiative, “Sorry I couldn’t tell you myself.”
He shrugs, “‘s fine,” then he sighs shortly, brows scrunching, “Fucker let me sit on the roof for ten minutes before saying anything.”
“Aw, I’m sorry! I told him to let you know in the morning…”
Again, Denji shrugs off your worry -- eyes trailing slowly from the pristine white collar of your shirt down to the smooth black slacks snug around your waist and thighs, “Been awhile since I’ve seen one of those.”
Ironed and fresh and symmetrical black-tie apparel. It seems far too dismal on you, he doesn’t like it. Memories of strawberry blond hair and scorching blue eyes snuffed out, he tries to smother those down as often as possible.
“Oh, I have my school uniform!” you lift a plastic bag up, sealed around more black and white folds, “In case I needed it…”
In case you want me to change -- you don’t add that part. You’re not sure Denji would appreciate the reminder of a power imbalance while you’re dressed like this. You already know that you don’t like thinking about Makima while dressed like this.
He nods, wordlessly sneaking the bag from your grasp to his so he can hold your now free hand, “You look pretty.”
“Really?” you two finally begin walking away from Fourth East and to the same ice cream place he’d taken you on your first date.
“You always look pretty,” Denji doubles down as if it's that easy. As if it's so simple. As if it’s undeniably true, “‘m glad I saw ya. Thought we wouldn’t be able to go out after school.”
“Sorry, again. They’re trying to avoid giving me more work, but I guess this one couldn’t be helped…”
You’re almost nervous Denji picks up on that sentiment of “more”. That “more” means you’re already working, which is mortifying because even if Denji is technically work you don’t want him to think that. You chalk that concern for his feelings up to not wanting him to grow tired of dating you.
But Denji doesn’t make any indication of having noticed, “I guess I’ll have to get used to it: dating the Rejection Devil.”
Now you’re genuinely nervous.
That sentence alone freezes every cell in your body -- heartbeat stilling lethally. Your hands crinkle down your long pant leg before scrunching up the material around your thigh -- ruining the plain smoothness. Desperate to feel something in the spiraling numbness, you stab your teeth into the ripe flesh of your lip, tearing up thin strips of skin. And you chalk this up to a defect in your usual personality.
“Hey, Denji?”
“Hm?”
“When was the last time you called me ‘peach’?”
“I dunno,” he answers honestly before he blinks his brain into action and looks over at you, “I’ll use it more often, if that’s what you’re saying.”
“No, you’re fine, really. I just…” you can feel your chest bump in tune with your heartbeat, so overt and harsh it's causing authentic sparks of pain in your chest, “I’m sorry.”
For what, you can’t be precisely sure. You think, as a general rule to yourself, you’re sorry for everything that he doesn’t like, especially when it comes to everything about yourself.
But he just thinks you’re still stuck on earlier today, “Like I said, I’ll just have to get used to dating the Rejection Devil.”
Despite the two being in one body, you’ve come to learn that Chainsaw Man is Denji, but Denji is not necessarily Chainsaw Man.
While yes, you think Chainsaw Man is great, you think Denji is somehow even greater. It’s almost unfair. The Rejection Devil is okay, but are you? You as in you as in the fleshy, squishy, bloody you? You as in the you with a name you don’t remember (and desperately hopes her government-assigned boyfriend calls her peachy)? You as in the you that likes sugary fruit juice and soft cat fur? Are you okay? Could you one day be great?
Or are you only as useful as the devil you are? Protecting hunters and killing beasts and soothing the lively Denji (and therefore the Chainsaw inside him).
Are you still Denji’s girlfriend because he likes you? Or are you Denji’s girlfriend because he knows you might be the only available option? Could you be great like Denji? Could you be named?
Or is your soul too entwined with the Rejection Devil? Is your soul the Rejection Devil itself? Do you have a soul at all?
You must if you keep coming back. If your birth and death are celebrated and mourned, you must be alive.
Too bad you remember none of that.
If you died now, would Denji mourn?
You know you’d mourn him, but is that your choice?
You know you like Denji, but is that really you? Or is that Rejection Devil admiration spiraling into an infatuation for the Chainsaw and his host?
Does it even matter at all?
“Do you wanna come over after school tomorrow?” Denji asks like it's an afterthought, one he doesn’t even need to look at you for. Maybe he already knows your response.
“Yeah.”
Maybe he’ll grow bored soon. You wouldn’t blame him.
“Yeah!” you repeat it louder this time, hoping to entice a bigger reaction from him (this is the first time you’re going to his apartment after all), “I’d love to!”
He nods, though with a rosier tint to his cheeks than earlier and that’s good enough.
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By October of 1997, your second diary was full with one last addition.
The wall closest to your bed has only 273 tallies, and you stare at the dust pooled in the shallow divots when you get bored. With every book read and only the same four walls to stare at until a Devil Hunter came with a contract proposal or a mission -- you were bored more often than not.
In a strange way, you still got excited when you saw Makima because it meant something new was coming. However quickly it would then be stripped away wasn’t even an afterthought.
But you’ve gone a long while since seeing her. You can’t be sure of the days passed with no window or calendar or even clock; you can’t even be sure you’re sleeping at night and awake during the day. Part of you is sick over the ache in your heart the longer you go without seeing Makima, Yoshida, or even Kishibe. As though they’ve all forgotten you exist. You could be locked down here for eternity with no means to die and not a single soul would be bothered to find you. But if they did?
If they found you, would they care?
Would they cry?
You don’t think so. You’re hardly something to cry over.
So does it matter at all that you’re down here? Certainly, a life of nonexistence is better than languishing in a cellar, burdening commission resources with no purpose.
Maybe when Makima finds Chainsaw, she could have him eat you. That would be nice. An honor to be so miserable upon humanity that Chainsaw is left with no choice but to consume the concept of your being. An honor to finally be wiped off this planet.
With a drying pen, you scribble that down.
To be eaten by Lord Chainsaw. That would be freeing.
And after sleeping that night(?), you awake to find Makima blatantly reading out of your journal. When she turns to stare at your crumpled form on the bare mattress, she smiles and reaches over to pat your head. Like an eager puppy, you push up into her touch and don’t dare demand she stop reading.
“You’re a good girl,” she coos down at you.
“I am?” you croak.
“You are,” she stands, snapping the book shut and continuing to smile down at you, “And you have a mission today.”
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When Denji notices you curiously eyeing the black slip-ons by the door (which are multiple sizes too small to be his), he’s quick to explain.
“Just Nayuta. She throws her shoes wherever she wants.”
“Okay.”
You hadn’t planned on asking, but you like to imagine that maybe he didn’t want you getting jealous. Then you wonder why you like that so much. Probably because he’s your boyfriend, and you’re meant to.
Before you can spiral, a soft mew nabs all attention. Dogs’ nails clack against the faux wood tiles and you and Denji are quickly surrounded on all fronts by wagging tails and soft fur. Sniffing, happy puppies lick at your hands. You wrinkle your nose at the unadulterated smell of dog and you're hoping Denji doesn’t notice when suddenly a long tail wraps around your ankle. Loudly, you gasp and swoop down -- frightening Denji only a little -- to smooth your hands over the fat white cat’s fur.
“Kitty!” you’re borderline squealing in glee, and Denji shoos his dogs away after giving them their due pets, “So big!” you encourage the feline to pounce onto your lap with quick taps against your thighs.
“Meowy,” Denji clarifies (as if you could forget!), leaning over your shoulder to scritch under the cat’s chin, grinning when she starts purring in your coddling hold.
“I love you, Meowy,” you whisper to the cat, and Denji sits on the floor beside you after figuring the fat cat won’t be moving on from you anytime soon.
You’ve been looking forward to this since you heard about the cat, and somehow all your expectations have been exceeded.
“Didn’t know you liked cats so much, peachy, I woulda introduced you sooner.”
“Cats are so picky,” you keep your voice low as if raising it could startle Meowy off, “When a cat picks you, it feels so nice.”
“You must be a hit with the strays, then. Meowy usually fucks off in the living room instead of hanging by the door.”
You shrug, sluggish and dismal, “I’m not usually allowed out unless it's for school. Or you.”
Denji feels nauseous. His whole chest is tight with this unpleasant curdle. Quickly, he decides that he hates this feeling and wants it eradicated as soon as possible. Subconsciously, he must believe the solution is you because before he can really think about it, he’s lugging you off the floor and towards his room.
He lays you on his bed and falls into your side with Meowy now latched to your chest; purring loudly as you pet her with one hand, and Denji snatches the other. Rather than link his hand with yours like usual, he splays your fingers into his mess of tangerine hair.
Turning your head so your cheek meets the feather plush of his pillow, you find Denji’s eyes boring into yours. You blink at him with your hand limp over the side of his head, “Do you want me to pet you?”
Denji nods, crimson overtaking his cheeks and sweat beading over his palms.
“Okay.”
You card your fingers through his hair, gently prying loose knots apart over your knuckles before tenderly dancing your nails along his scalp. He presses his head closer, cheek now smooshed on your shoulder and eyes flickering shut.
Shakily, he raises an arm and lays it across your stomach, careful to avoid spooking Meowy. You can sense his hesitation in how the weight of his arm is so light it's imperceivable, then you press your hand flat against the back of his head and pet there, too. His arm relaxes, fully settling the weight on your gut.
This feels right.
Crushed and warm.
You’re doing a good job, you think.
You smile at the thought of being so useful and Denji hugs you tighter.
“Can I…” Denji swallows, throat cinching dryly, “I wanna make you feel good.”
“I do feel good.”
“Good good,” he’s quiet now. Voice all raspy and unsure, “I want to do something for you.”
That would be good for Denji too, right? He’ll be happy.
But you’re not sure you want to.
But not wanting to isn’t exactly your job.
Your job is to make Denji happy. So you lift Meowy from your chest with great remorse and watch the cat prattle out of the bedroom, “Okay.”
Sickness unlike the kind before a big fight builds in your stomach. Bloats all the way to your throat as you go limp in bed and allow Denji’s hands to wander. He sits up and untucks your uniform vest and top before gliding under those and resting over your bra.
Denji looks up at you for encouragement and finds a stoic appraisal. Then his eyes drift to your balled fists at your sides, and the lip you’re ravaging between your teeth.
If you had offered this to him -- he’d be on cloud nine, so what’s he done wrong? Denji clears his throat and finds a burning sensation at the back of his eyes, he tries blinking the fire away but it only makes the pain worse. He’s certain that this is what boyfriends and girlfriends do for each other. They bring each other to euphoria and lave one another in attention every night. This kind of service (or rather, the promise of service) was one of a few things that Denji recalled fondly from his days under Makima. Unfiltered affection: nasty and raw and intimate.
But the longer his hands are cupping over your bra, the more defeated you look.
The vicious pain in his chest bites up to his head.
“This isn’t hot at all…” Denji’s hands peel off from your chest to stow in his lap.
You shrink into yourself, shoulders coming to your ears as red-hot shame climbs up your neck, “What?”
“This isn’t hot,” he leans back with his arms outstretched behind him on the mattress. Hotter and hotter the burning grows until it's all wet, stinging heat in his eyes, “You’re not into it…” he looks around his room and tries finding anything out of place (he was sure he made it perfect!). But no, all the posters a girlfriend wouldn’t like are hidden under his bed with the magazines a girlfriend would hate. The blinds are drawn. His door is locked. He sniffles and looks down, hoping you don’t notice the flooding along his lower lashes “What’s wrong? You don’t like me? Ain’t I handsome?”
Inching your shoulders even higher, as if to somehow hide behind them, you frown, “What if you think I look weird naked? Or I make a sound you don’t like? Then you won’t want me anymore…”
Denji scoffs, lips twisting in an almost offended snarl, “You’re my girlfriend! I’ll still want you!”
He’s sure you don’t look or sound weird, but he’s also simultaneously sure that if you do then his loyalty will twist the weirdness into some obscure new fetish.
But you’re shaking your head, what more does he want?
What if he finally does have sex and realizes he never wanted you at all? What good are you doing then?
“We’re hardly a real couple…” his pout is just that, and one of his eyebrows is quirked curiously - he’s totally clueless, “What’s my favorite color?”
“I dunno!” he groans, then shrugging and sitting up straighter, “I know you like mango best even though you’ve only had a single one in your life. And you like staring at your feet when you walk so you don’t trip, which is annoying ‘cuz I gotta make sure nobody runs into you. And you never raise your hand in class even if you know the answer. Which is even more annoying ‘cuz now people think you don’t pay attention, but you’re passing every class,” he frowns a little, “You’re the smartest girl I know,” his frown deepens when you don’t smile like he’d hoped you would, “And you like cats more than dogs.”
“I like your dogs,” you weakly defend.
But he never meant it to be a jab in the first place, “But you like Meowy more.”
“I think we should break up.”
“Oh…”
“Just for a couple days,” your voice is tittering, all soft mush. If he so much as stood up and crossed his arms then you might take the suggestion back, “Three at most… just to see if this is really what you want.”
“I do, I know I do.”
“I know you want a girlfriend. Do you want me? Me me.”
“‘Course I do,” he sulks, “You’re…” he stops himself, the churning ache in his stomach sensing how displeased you may be with the repeated argument of you’re my girlfriend, “Do you want me?”
You’re silent. He tenses.
“I don’t know if we want each other.”
“I do. I want you. I want to- I haven’t given you anything. I want to give you things. I want to be nice to you, too. I want to make you happy.”
But how could he? You’re a tool, and now you’ve upset him. Are you worthy of being upset over? You aren’t so sure.
You aren’t even certain you have the power to make the call for a break-up. You’re a tool -- you don’t think you’re anything worth crying over.
But Denji is absolutely sure you are. And he knows he wants you, and that feels right because you’re his girlfriend. But curiously, even after you leave and he’s apparently now single, he continues to want you. He wants you so bad that he turns onto his stomach and buries his face in the pillow you laid on, just to see if he can still smell your perfume on it (he can).
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In November of 1997, Makima got you a cat.
“You like them, right?”
“I do!” you’d smiled so wide your cheeks hurt, giddily petting your new friend, “Thank you, thank you! I love him!”
That same night, she makes you hold the small, quivering kitten above your head as she takes aim with a single finger. Your words are slurred with spit leaking down both corners of your mouth in your hurry to beg for your friend’s life. Your eyes are squished half-shut, trying to juice all the tears out without cutting Makima from your vision. You choke on your own breath, snot sour on your tongue as you shriek for her mercy.
bang
You don’t remember much else after that. You think you passed out as soon as the wall to your right indented.
You do, however, remember waking up the next morning and weeping into the kitten's soft fur. Hugging the warm, live feline to your chest and praying Makima would die on her next mission (by now, though, you were smarter than to think your prayers had merit). You even feel rebellious enough to engrave the edgy remark in your personal journal.
As repentance, Makima sends you on a month-long mission only days later. When you return, it’s to an empty room -- aside from a note left on stationary you recognize as ripped straight from your journal.
Kitten got sick. :( - Makima
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Yoshida is stomping ahead of you the entire way to school the next morning, and you already know he’s fuming. You had hoped that by the time you both reached Fourth East, he would have calmed down; but you’re quickly proven wrong as he storms up to you once you’ve switched shoes at your cubby.
“Are you- !” Yoshida holds both hands over his face, muffling the scream he unleashes, “Are you serious?! You were doing everything right! You two were fine!”
“I’m sorry, I just- I don’t think I should be here… I’m really confused about how I feel all the time. I think I should go back to- “
“You don’t get to decide that,” he hisses, visible eye wide with rage, “You better beg him for another chance, I am not letting you fail this mission just because you’re ‘confused’.”
“I don’t want to beg him,” you stand a little straighter, maintaining fierce eye contact, “I want him to be sure- “
“This isn’t a dorama!”
“Hey, stop yellin’ it's annoying,” a passing voice snaps. The both of you look up to see Denji glaring sharply at Yoshida, “And don’t yell at her at all.”
Yoshida is quiet as Denji stalks off, the latter’s back growing smaller the further into the distance he goes.
“Did you like him?” Yoshida asks, voice returned to his typical lulling forbearance.
“Huh? What does that matter?”
“Shut up,” he commands before redundantly asking again, continuing to stare deep into the direction Denji was headed, “Did you like him?”
Did you?
You did. He was prettier than Yoshida prepared you for. And more considerate, too.
Deep down, you even think that maybe he’s inspired you - regarding you higher than you’d ever taken yourself for. You’ve realized things since dating him: you hate your room at Public Safety, you want to try petting more dogs, you don’t like school, and you really, really hate not having a name.
A real name.
“I think I did… Can I still like him?”
Yoshida groans under his breath before walking off, “Do what feels right!”
“What?!”
Scratch that -- you really hate that cryptic answer above all else!
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Despite not having anything else to be tending to, you dawdle around Fourth East more often than not after being dismissed. You prefer wandering around the track twenty times over retiring to bed as soon as you get back to the commission’s basement.
Not even homework can entrap your attention long enough for the days to be less agonizing.
You watch your outdoor sneakers line one after the other along the white paint - you wobble less now that your body’s used to the limited movement. However, the idea of falling onto your side on lap twenty-one is mortifying. So when you’re too busy staring at your feet, you jostle into a body at the starting line. Your head bumping into their chin, their hands gently cupping your arms to keep you upright.
“You should seriously look up when ya walk.”
“Denji!” you cough, clearing the excitement from your tone, “Denji, what’re you…” you stop yourself, fretting over how rude he might think you suddenly are, “Hi.”
“Hi.”
“What are you doing out here?”
“Do you want to see a movie with me?” you open your mouth and Denji watches your lips part before interrupting you, “Don’t overthink it.”
Do you want to watch a movie with him? Yes.
Should you?
Don’t overthink it.
Does it matter? Honestly, what’s even waiting for you at home?
Why shouldn’t you watch a movie with Denji (especially when every nerve in your body is screaming at you to say yes)?
Denji ends up sneaking you two into an R-18-rated horror film. One with a single poster lit up in the theater lobby - blood dripping down a screaming woman’s face and the title in a gaudy, pure hot red. You’re the only ones in the theater, sitting in the middlemost seats Denji could scour. Your hand is bound in his on your shared armrest, warm flesh tangled in warm flesh.
And it’s the worst movie you’ve ever seen.
The main actress has the inflection of a primadonna teenager despite portraying a single mother lawyer, and halfway through you’ve seen more strip teases than blood. Not one of the characters is likable beyond being a slice of dead meat hooked on the end of the killer’s cleaver. You can’t even discern the plot of the movie other than some brick wall villain slashing down a woman and her coworkers.
You earnestly laugh as the woman runs upstairs in the creaky old cabin in the woods rather than out the wide open door. In the corner of your eye, you can see Denji looking at you. You return his stare, giggles still chittering through your teeth at the ridiculously forced story beats.
“Terrible, right?” he doesn’t bother whispering.
But you do, “Horrible,” his eyes flicker down to your lips again, “I love it.”
“Me too.”
It may be your favorite movie of all time.
“I missed you,” you admit, fully ashamed of backtracking a mere day after your decision to break up.
“I missed you, too, peachy,” his voice is unweathered by that shame.
“I don’t know…” you look down at your dark shoes, they fade into the swathing shadowing of the theater, “How can I know this is real? That I really do like you? That this isn’t just because I was told to?”
Away from Fourth East, above your small room in the basement, and throughout the barren offices of Public Safety, the shadow of Makima hangs heavy over everyone. You’re not certain when you started submitting to her, and you’re not sure when you started submitting to everyone she told you to, and you’re especially not sure when submitting to everyone felt comfortable. What you do know is that you are a useful tool for the public. You are a good instrument when devil hunters need assistance, for your technique and regeneration -- on missions and off them. And to keep Denji’s identity hidden, you are to be a sweet, giving, and kind shield.
But you hate all of that. You hate fighting and you hate everyone you work with. You miss movies. And you like Denji.
Is it some late-stage rebellion as the death of Makima truly settles in, or is this who you are?
“How should I know?” Denji mutters, kicking at the plastic back of the seat in front of him, “I don’t care about any of that. I don’t care about devil hunting or who controls who. I choose my life, and I choose to be your boyfriend. If I didn’t like you on our first date, I wouldn’t like you now.”
“What if I change?“
“You can’t change in a way I don’t like,” he frowns when you don’t smile at his declaration, “I just want you because you’re…” nice, weird, interesting, and if he pushes the right buttons you can be lively and loud, “you. I like you. You can’t change in a way I wouldn’t like unless you tried killing me.”
“I would never try to kill you.”
So does it matter if this was chosen for you?
You can like Denji and be with him, or you can like Denji and be away from him. You feel like the second option would be more miserable. So how does it matter, then, that dating Denji was chosen for you? Either way, you like him.
A lot.
You smile, and he copies it, “I like you, Denji. I want to be your girlfriend.”
On the big screen, a woman is being stabbed to death, but Denji eagerly closes towards you as if the projection is completely blank.
“I wanna be your boyfriend!”
A flashlight blinds the both of you suddenly, a stern male voice you briefly mistake for some impossibly higher calling following after, “How old are you two?”
“Eighteen!” Denji flips the man off, one eye cinched shut and the other squinted in a nasty glare, even as he answers honestly.
“Yeah, eighteen!” you copy, grabbing one of Denji’s hands with yours.
The man holds out his palm, flexing his fingers once. Denji scoffs but hands over his student ID with you taking example.
“Hayakawa, Denji… Yoshida, Reiji…”
Reiji. れいじ. It feels as unfamiliar as it sounds.
You almost open your mouth to protest - that’s not my name! before remembering that in the eyes of Fourth East High, it is. You don’t like it.
But you don’t like Rejection, either. You feel bigger than that. You are bigger than that. You like ginkgo trees even without the fall glow, you think mangoes are the best fruit, you like the smell of ashed cigarettes and dog fur, and you think the color orange is prettier than people give it credit for. You wait until the strange guard leaves before voicing,
“I want to change my name,” you continue to whisper although neither of you is paying any attention to the movie.
Denji sticks his legs out, resting them over the back of the seat in front of him, “What to?”
His volume startles you a little before realizing that it doesn’t matter how loud he is; the two of you are alone.
You raise your voice to a normal volume, “No clue yet, but I’m excited to find one…” you smile when Denji does, he tightens his hand in yours, “I wonder if I’ll find one unique or pretty.”
“If it's yours then it’ll be pretty anyway,” there’s a pause, you stare at him and he stares at you. You like how the projection reflects over his pale face, his eyes sparkling from the bright screen. Finally, he speaks again, “You’re really pretty.”
I think I actually love you.
“You’re pretty, too, Denji.”
I think I actually love you, too.
“You should leave Public Safety for real. We can get you real clothes. And you can stay with Meowy all the time when you’re not in school. Nobody will order you around ever again.”
“They’ll try dragging me back,” you doubt that they’d let a Devil -- even one that has no interest in being a Devil -- roam free in Japan on some fluid, lucrative “mission” of dating Denji.
“I’ll fight ‘em off,” he sounds so determined, “I’ll protect you.”
You look back at the movie, you wonder if you and Denji are the only ones to have seen it since it came out.
“Okay,” he brightens up at your agreement, “I’ll live with you. I’ll leave Public Safety.”
Denji lifts your linked hands from the shared armrest and pulls it up, shoving it into the gap between your back supports to yank you closer to his chest. He hooks his chin on the crown of your head and squashes you in a tight embrace like a child would their stuffed bear. He kisses your head, nose dug into your hair. He feels so excited he could burst out of his skin, and the only solution is to keep hugging you as unbearably annoying characters are slaughtered onscreen. To cram the both of you so tight together you’ll explode as one -- that’s the only way he can escape this whole-body buzzing.
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Immediately after deciding to live together, Denji made the frightening choice that you should meet his sister. On the way back to his apartment, he’s internally scolding himself for not having introduced you sooner but pushes the nagging feeling away. After all, Nayuta wants what’s best for Denji just like Denji wants what’s best for Nayuta -- if she can feel the same coziness that Denji always does when he’s with you, then she’ll like you. He’s certain of it.
“I told her about you, so… She shouldn’t be weirded out when you meet anyway…” if not for the blush on his face, you could mistake him as being casual about this!
You, however, feel so nervous you’re hunched into your boyfriend’s side and fighting the urge to gag up your lunch.
“What if she hates me?!” you heave, a hand clawing at the unevenly tied ribbon around your neck. It’s somehow too tight and too loose. Simultaneously suffocating and unable to ground you.
“She won’t!”
He’s so sure, he foolishly doesn’t even prepare a backup plan for if she does hate you. Besides, revising house rules to adjust for your incoming presence went well enough -- so how could it not work out now?
By the time Denji’s managed to steer you up to his apartment’s door, your legs are overdone noodles. He knocks twice - brief pause - then three more times, and waits. A caucus of rowdy barks and animated paws on fake hardwood thrum behind the door before a faint click hauls your heartbeat to a stop. As soon as the lock is undone, the door’s hinges squeal open and a little black-haired girl with untrimmed bangs is poking her face through the gap.
Her eyes are electric yellow, burning straight through your skull, with crimson rings around her iris.
“This is her?”
“This is Her,” Denji nods sternly, certainly much more serious than you’ve seen him before.
Nayuta’s stare is just as intimidating as Makima’s was, despite the girl being a grade-schooler. You’re frozen stiff under her gaze, heart thundering so hard you’re absolutely positive that she can hear it even feet away.
Suddenly, she nods, “Okay.”
“Yeah?” Denji’s positively beaming.
“Yeah,” Nayuta shows off a peace sign, receiving one in turn from Denji, “She’s got a nice scent.”
She doesn’t say it, but she thinks you smell like sugary fruit punch and honey.
Terrified of sullying her (apparently positive?) impression of you, you squeak out a childish, “Thank you…?”
Nayuta slinks an arm through the door, careful not to let any of the yipping, jumpy dogs out, and takes hold of you to pull you inside, “Mhm.”
She hugs your arm through the door and into the common space.
That night, Nayuta almost makes you miss Public Safety curfew -- desperately trying to worm you into the cuddle pile of the dogs and Meowy and Denji that they sleep in. You almost feel compelled to break curfew and listen, and not from her own power. As a compromise, you promise to be back the next day and she demands you honor your word before letting Denji walk you to the train station.
After a bite-free kiss from Denji, you’re sitting on the train to the commission’s haunting office building. Alone and warm all at once.
And you have to agree with your boyfriend, Nayuta is nothing like Makima.
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In late 1998, you met with Yoshida at your shoe cubby for the last time. A cold breeze of December’s premiere christens the moment.
“It took some help from a senior hunter, but I got your release papers signed,” Yoshida holds up the manilla file in question, “I’m supposed to hold onto them in case you do something they don’t like, but I have a lot of work on my plate already.”
As if you wouldn’t understand, he waves the file around Fourth East’s expansive entrance. Then, he holds the folder out to you, jerking it further when you don’t immediately grab for the thing.
“Are you- ?”
Yoshida cuts you off quickly, “It needs to be renewed every five years, and I’m sure you’re not stupid enough to think there’s no consequences of fucking up. So just live a normal life, okay? Don’t make me and Kishibe regret this.”
Kishibe?
“Kishibe?! Seriously?”
Yoshida shrugs off your question and heads for class, fully intent on dodging any of your future attempts at interrogation.
Fortunately for him, you don’t give chase; too busy giddily reading over the official statement of your release from Public Safety. The final plot to yours and Denji’s journey of moving in together since you’ve had your few possessions sent to his apartment (and due respect to whatever nurturing side Makima had, no matter how selfish in nature, because you genuinely forgot how plain your room could be with no old books or journals).
“Thank you!” you call after the boy, ignoring the odd stares from your peers and holding the folder to your chest as if it may disappear.
Inside on the very top line is a printed line for your taken name. 恣恩 -- Shion -- is slated over the last name spot, preceding the empty bank for your first name. A pen is tucked into the corner of the folder.
Looking up again, you find Yoshida nowhere in sight, but you still whisper after him with a gooey need to express your gratitude, “Thank you.”
“You got it?”
“Yep!” you can tell who’s behind you without needing to turn.
For a reason you cannot discern, that makes you proud of yourself. Knowing Denji so well you can pick his voice from a crowd. You like that. A lot.
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Nayuta drearily slips into the tight kitchen space, rubbing crust from her eyes while watching you and Denji stare into a pan. You’re closer to the stove with Denji huddled just over your shoulder.
“Breakfast?” Nayuta meanders over, wrapping her arms around one of yours and burrowing into your side.
“Eggs,” you and Denji answer.
Then you tack on, “And toast.”
She nods sluggishly against your shoulder, lazily blinking as Denji holds the pan for you to scoop the fried egg with one hand. You hold the egg up while Denji scrambles for a plastic black plate with a piece of toast on it. Once the egg is settled onto the bread, Denji holds the plate out for Nayuta.
“You’ve still gotta get ready for school!” Denji calls after her as she moves to the living room.
When you hear no response, you poke your head out to look at the little black-haired girl, being sure to keep your voice gentle as you ask, “Did you hear Denji?”
Nayuta throws up a peace sign, chewing her egg on toast.
“She heard you.”
“Figures.”
Denji yawns and slings both arms around your shoulders just to rest his head against yours -- the motion itself is selfish and monopolizes your entire personal bubble. You return the embrace around his waist and press a kiss against his cheek: soft and warm and pink like peaches. He hums at the affection and squeezes you tighter.
I think I love you
I think I love you, too
Denji almost gathers the courage to say it, but instead settles for, “You skippin’ again, peachy?”
You nod against his cheek, “Think I’ll wash the dogs.”
He snorts, “Your attendance is shit.”
“Oh well…” you think you’ll drop out at this point -- Fourth East is a slough of swamp water unless you’re cutting class with Denji by the track field.
Denji kisses your forehead before leaving to finish putting on his own uniform, “Yeah, oh well.”
He’s certain he’s in love with you. You’re certain you love him back.
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On nights when you and Denji aren’t sleeping in his room -- Nayuta has you all holed in hers. You learned quickly that Nayuta was possessive (you expected it, even), what you didn’t pick up on was that her possessiveness spread rapidly to you as well as Denji and the pets. If you and Denji make the mistake of not putting her to bed with enough soothing, she’ll slither her way between your arms.
Like tonight;
You and Denji are laid out first in a loose sweetheart’s cradle, Nayuta flopping onto the wide mat next. She rests perfectly in the middle with both of you throwing an arm around her. Tiramisu will jaunt up behind you while Custard takes Denji’s side, and Meowy will always find a way to settle her weight on your lap or hip. The remaining five dogs will circle your pre-established huddle for the most comfortable spot before sighing into the mattress as well.
Nayuta’s stray hairs tickle your cheek and Denji will carefully card the strands away. It’s a repetitive routine, but a comfortable one.
You had a routine in the basement, too. It was less comfortable.
Much less comfortable.
~~
@ghostlykeyes hopefully i got the depressed:pathetic ratio right!!
233 notes · View notes
redcoralpot · 7 months
Text
Smudged - Rodrick Heffley x FTM! Reader
Summary: Rodrick had been chasing after Heather for a year, now, even after ruining her birthday party. Chicks dig bad boys, right? However, one day, he stumbles upon a family member that even he didn't know she had, one that awakens a part of him that he didn't know existed.
Warnings: N/A
Word Count: 3.3K
Notes: I had to fight Google Docs to finish this. AHHHHHHHHHH
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-
The sun beat down on your arms, with rough concrete scratching your palms. Your ankles were dipped into the pool, a cool feeling enveloping them, and you used this to your advantage. A pink pool doughnut floated past, manipulated by the soft waves coming from other visitors, and you reached a foot out of the water with a splash! 
“What the hell!” Heather shrieked, attempting to paddle away from you. “Don’t get your toe-water on me, freak!”
“Like I care,” you snickered, raising your foot to do it again.
“You’re going to start caring when I dump your eyeliner in the toilet!”
A pout tugged on your lips, “Hey, now, that’s going a little far, don’t you think?”
“Like I care,” she sneered, rolling her eyes.
 The threat worked well enough, and you lowered your weapon, letting a hiss of air move a wisp out of your eyes. At least she wasn’t going to hide your pins inside the cookie jar… again. 
You spread a sheen of water across your biceps, attempting to quell the heat that built up from the minutes spent sitting on the edge. It only provided a sense of relief for a moment before a shadow loomed over your little spot, the temperature dropping with the rays missing. A groan built up in your throat; he was here.
Rodrick Heffley. The infamous man himself; the lead singer and drummer of the one band that ruined a girl’s birthday party for the sake of courting her, a serenade full of copyright instead of romance. That girl happened to be the most popular in the school, the one that every guy was tripping over himself over. The one who, rather unfortunately, happened to be your sister. 
Your neck twisted upwards, just to look at him, “What?”
“Didn’t know Heather had a brother,” he said, with a smug smile on his face.
“Huh.” You grinned, “I assumed you saw me at her party.”
The smile dropped, and was replaced with a sheepish look,  “Uh, yeah, I was busy.”
“That’s a gentle way to put it.”
He cleared his throat, struggling to not take the bait, “But, hey, what grade are you in? I’ve never seen you around.”
“Same grade, different schools. We’re twins.”
“Oh, damn, really? I couldn’t tell, you two don’t look the same, at all!”
You were used to getting that comment from older generations, who hadn’t been to school in the last half-a-century, but from a late teen? Health and biology should be fresh in everyone’s minds, they all took it two years ago. Though, who were you kidding, this was Rodrick you were talking about. He probably tricked his parents into doing all the homework for him, or worse, bullied his little brother into it. 
“Yeah, really. We’re fraternal twins, not identical.” You rolled your eyes.
There was no light bulb shining in his eyes, no signs that he even registered what you said, “Wait, what?”
“Two sperm, two eggs. Boom.”
“Still, it’s kinda sick that you two are complete,” he paused, “opposites.”
“Are you and Greg–”
“Me and that little nerd are not the same.”
“Then it’s the same concept.”
Rodrick kicked his sandals off before flopping on the edge beside you, cursing silently to himself when the rough ground scraped his hand. You gratefully took the chance to slide your own around your neck, cracking it out of its uncomfortable position. When you looked up again, he was watching you, his lips parted ever so slightly. He visibly swallowed, his Adam's apple betraying him.
“Where do’ya get your eyeliner from?”
“The pharmacy, duh. I won’t spend a lot on expensive eyeliner if I’m just going to smudge it in the end. By then, it all looks the same, why?”
“Just looking for some good brands to keep up my amazing makeup skills, that’s all.”
“So you don’t have to keep borrowing your mom’s?”
He squinted his eyes, peering at you, “How the hell do you know that?”
“Being Heather’s brother pays off sometimes; I hear all her calls.”
“She… talks about me?” You could hear the excitement, the hope growing in his voice. 
It took only a needle to pop it, “Yeah, shit-talks. She doesn't want you, man.”
“Nah, all chicks dig bad boys! They can’t act cool about it forever.”
“You’re more of a wannabe than a bad boy. Listen, if you’re hoping to get with Heather through me, you’re out of luck.”
He backed up, eyes wide, “Woah, woah, I never said that. It’d be a cool plus, sure, but I just wanted to talk to a cool dude.”
“Sure. Well, if you ever need some more eyeliner brands, I’m your man. Can’t promise that they won’t all be dumped in the toilet by tonight, though.”
“Why would they be–”
“Hey, newsflash,” A high voice called out from across the pool, doughnut in tow, “we promised to be back at home by five!”
“Oh, Heather, I have a show coming up; I could get you and the chicks some free tickets to it.” Rodrick hopped on one foot while struggling to get his sandals back on, that smirk creeping back onto his face.
You shook your head and decided to take your feet out of the pool, padding to your lounge chair. Drying them off on your towel, you roughhoused your socks and shoes on, worn to shreds after inspiration from Joey Ramone. Your father had been lucky enough to score tickets to one of his shows back in the late 80’s, and he recalls it as one of the best nights of his life. Not simply because he got to go to a concert, no, his buddy even had to convince him to go in the first place. It was one of his favorite recollections to tell to his two, and then three, children as they grew up.
Rodrick was promptly ignored by Heather as she walked over to you, and his eyes followed her as she dumped her float and bag into your arms. Only the tips of her hair were wet, and like you, had a dry pair of clothes on already. You had to wrestle with the weight until you had a clear view of the ground in front of your shoes.
After you passed the boy on your way to the exit, you called back, “Good luck with the show, Heffley!”
The walk back to the car was a short, but humid one; even from the distance you could see a slip of folded paper stuck in between your left windshield wiper, pale against the dark interior of the car. You managed to set your sister’s bag on the hood, and with light fingers, you plucked the note out of its hiding place, unfolding it.
“Looks like we had a visitor;” You couldn’t help but chuckle while reading it, “Löded Diper.”
Heather fumed, “Are you kidding me?”
“You don’t need to go, yeah?” You shrugged, ducking into the driver’s seat.
“It’s annoying!”
“I can’t exactly say it’s harmless after the party fiasco, but just know I’ll chase him off if he tries anything like that again.”
“Ugh.”
“Don’t worry about it.” 
You smiled, tucking the invitation deep into your pocket.
-
Dawdling with Heather’s time in the pool had earned you two missing sticks of makeup, and it was not hard to guess where they had gone the next time you took a piss. You forced yourself not to lash out at your sister, as surely that would make it worse, and just gritted your teeth as you flung the ruined containers into the trash. It truly made you wonder just how Rodrick had come to fall head over heels– literally, in some sense– for the girl. Hell, she treated him worse than you, from the things Holly had whispered to you at the dinner table.
The sun was just starting to set in the sky, light blue bleeding into orange as the pharmacy blocked the sun. You kicked a rock into the entrance, and the small clack caused the doors to slide open in front of you. It was a little late for the nightly rush; the very last of the families were finishing up their shopping, their kids squealing at the gum displayed by the cashier. He was a lean, stiff-looking guy, with sunken eyebags and a dim grin on his face. 
You whistled a tune under your breath, convincing him to turn to look at you, “You’re not paid enough for this, dude.”
“You think?” His smile dropped, and he rolled his eyes, “Why the hell are you here, anyway?”
“Holly isn’t sick, if that’s what you were thinking.”
“And?”
“But someone was sick enough to sabotage my makeup,” you said, flicking his silver name tag. Daniel.
Daniel slapped your hand away, gesturing to your bare eyes, “That part was obvious. Another guy with raccoon eyes slid in here only a few minutes earlier, looking for the same brand you always get, so I kind of assumed he was here to replenish your stash.”
“What? I’m here alone.”
“Really?” He came in close. “You’re sure you aren’t on a–”
“Yeah, I’m sure.” You pushed his face back, your pointer finger squishing his nose.
A couple wandered up to the counter, baby in arms, snot running down its red chin. Their basket was full to the brim, and although Daniel’s winner grin instantly grew, you knew he just wanted to clock out. Snickering, you stuck your hands into your pockets, your wrists scratching against your studded belt as you disappeared into an aisle. The makeup section was located near the back of the pharmacy, filled with flickering lights and shelves full of a few select, cheap brands or clumps of dust. Typically, the only customers that wandered that far back were pre-teens or cigarette mothers; the kind of people who don’t give a shit about what they’re buying as long as it’s cheap.
However, as you sauntered over to the first row of shelves, a head full of brown, lazily styled hair greeted you instead. Not the odor of burnt tobacco, though it still stuck to the white walls in yellowish-gray globs, but the scent of the cheap cologne that followed you around the pool. Rodrick was hanging over quite a specific section, chewing his bottom lip. He shifted his weight from one foot to the other, as you looked on behind him in amusement. 
Leaning against the wall, you chuckled, “Took my advice, huh, Heffley?”
Rodrick jumped, and hissed under his breath. His posture shot up, his head turning to look at you; a pathetic attempt at saving face, really. No words were said for a long minute, only interrupted by the gargling screeches of a baby. What had Daniel done?
“I thought drug stores selling makeup was a lie, so I had to fact check!” He said, 
holding up his hands.
“You think I’d lie to you?”
“Hey, my mom taught me stranger danger.”
“Since when do you listen to your mom?” You reached past him, snatching up a container, “You obviously have no idea what to look for.”
Rodrick shuffled out of your way, and huffed at your comment. “I totally do!”
“Okay, then, pencil, felt, or liquid? Which do you prefer?”
“I think felt’s the best.”
At that confident response, you stepped closer, getting in his face. He didn’t have too much makeup on, actually; just messily applied eyeliner and a too-light eyebrow pencil. A light pink dusted his cheeks, now that you were able to get a good look at them– his eyes widened, preventing you from doing the same for his eyes. You bit your cheek, your own eyebrows furrowing.
“Relax, dude, I’m trying to look,” you snapped, and used his chin to force him to face upwards.
Even as his shoulders relaxed and his eyelids drooped, he mumbled, “You’re taller than I remember.”
You released his face. Without someone to lean on, Rodrick stumbled, his breathing heavy, despite him never doing anything but laze around. Stepping back, you gave him a knowing grin, pleased at your find. He didn’t seem to process it, lifting a hand to feel up his own jaw. It clicked shut with a snap.
“Liar, you’re wearing pencil eyeliner,” you snickered.
“How the hell could you tell?”
You reached for another container, “Unless you have shit coordination, it’s less precise than liquid is. Creamier, too.”
“That’s sick, man.”
Tapping the pencil into his hand, you kicked his foot, urging him to take it, “I recommend this brand if you’re a fan of that. It’s cheap, so you can stop using up all of your mom’s.”
“Ow!”
He pulled his foot up with one, gripping the eyeliner with the other. Hopping back, he seemed like a really pissed, wounded puppy as he glared at your boots, “Why’d you kick me with those monsters?”
“Monsters? These are Doc Martens, ‘1460’. How do you expect to impress Heather if you can’t even handle a tap to the heel?”
“Excuse me, I let it get run over by a car for her! Barely reacted.”
“So I heard.” You shook your head.
A voice shouted from the intercom, “Are you two done back there? The store’s closing in five, you’re the only ones left, and I’ll lock you in here if you make me work a minute overtime!”
The two of you rushed to the front, pushing and shoving each other into the aisles in order to get to the counter first. Rodrick, out of shape, lost after he landed back-first into packages of gauze. Daniel, the man himself, was even more unimpressed at the scene than he sounded over the intercom, and looked in back and forth between you. He cracked his knuckles, getting to work on scanning the two tiny pencils; he did not even bother to put them in a plastic bag. He scratched his chin, squinting at the screen.
“That’ll be $2.48.”
You pulled out a five dollar bill out of your wallet, “I’ll pay.”
“Shit, I’m okay with that.” Rodrick shrugged.
Daniel stared him down as he snatched the bill out of your hand, “Aren’t you Rodrick Heffley? Greg’s older brother?”
“Duh, the one and only!” Rodrick said, and Daniel turned to you.
“Since when were you buddy-buddy with him? Heather hates his guts.”
“We aren’t buddy-buddy,” you scoffed, and an affronted noise came from beside you. “I only officially met him yesterday, when he was harassing her again. Pretty sure he only talked to me to find out more about Heather.”
The register finished its business with a ding. The cashier handed you your change, taking the opportunity to slide his uniform vest off of his body. You pocketed it along with your stick of eyeliner, almost throwing Rodrick’s at him. Meanwhile, Daniel had disappeared behind a door locked to customers, a clear message to get out of the store while he still allowed it. Your shoes hit the tiled floor with heavy thumps; Rodrick’s steps were silent compared to yours. Your own footsteps quieted as soon as you exited the store, muted by the asphalt ground of the parking lot. 
Rodrick had pulled in with his van, clearly not the smartest move if he had wanted to be inconspicuous. It had a cheap, white paint job that was stained with words spray painted in black, uncentered and tilted. Your car, on the other hand, was a tiny thing that belonged to your mother, who would absolutely murder you if you even got a dent in it from a passing stick. The sun had long dipped under the horizon, causing the deep red color to read as crimson. However, before you could get in, one hand on the door, Rodrick called out to you.
“Thanks for… stuff.”
You raised an eyebrow at him, “That’s the first time I think anybody has ever witnessed you say thanks.”
You slammed your car door shut with you inside, watching Rodrick scramble for safety inside his van. The car’s windshield was dark with the fresh evening sky, and you could finally relax in privacy. Turning the key to start the engine, you then flicked on the radio, one arm occupied by resting near the window. An unfamiliar tune, a new release, started playing, as you backed out of your spot; speeding off. If someone asked you about it later, you would have sworn that you saw the boy staring at your fleeting vehicle. 
Truth be told, your family lived in a rich neighborhood that was too well put together for something so close to a highway. Your house wasn’t the biggest in the residency, but it was decent enough to see the golden lights shining through the treetops. Living near a long line of stores was an advantage, you supposed, if a zombie apocalypse happened; but that wouldn’t. At least while you were still alive or young enough to fight some off. Otherwise, it was noisy, and you had to drown out the sounds of motorcycles, cars, and fights breaking out to focus on anything after school.
Your driveway was smooth; any rocks had been smoothed out by the machines rolling over them daily. A few flower bushes lined it– your mother had been insistent about it– and their thorns occasionally caught on your pants when you walked past. Everyone seemed to still be awake as you slipped through the door, keys jingling, since Holly jumped down the stairs to greet you.
She whispered, “Where’d you go?”
“The pharmacy, why are we whispering?” You grinned, matching her energy.
“I didn’t know if mom and dad knew,” she responded, louder, “You got grounded for a month last time you snuck out.”
“Okay, okay, shh, back to whispering.”
You climbed up the stairs, not bothering to let Heather know you had returned. Her voice carried throughout the walls, as she was complaining on call about projects, about boys, about Rodrick. Every time she talked with her friends, she complained about the ‘tough guy’ who deluded himself into thinking she was secretly into him, every time he acted up. All the girls seemed to have formed a hate club for the drummer, and if Holly had anything to say about it, it was that some of the teachers joined it as well.
As soon as you shut your bedroom door, you bent down to untie your Doc’s purple ties, tugging the boots off and throwing them in your closet. You slipped your pants off, then your boxers, leaving only your secondary underwear to hold your pad inside. Before you could throw both garments in your hamper, you paused, feeling a crinkle underneath your hand. You reached down into the pocket, pulling out a wrinkled, ripped piece of paper. Thoughtfully, you smoothed it out, pinning it on your cork board as you tossed your clothes into the pile.
Two free tickets to their upcoming show, meant for Heather. It would take a lot in order to drag Daniel to the event with you, as a plus one, but you were sure you were capable. As you settled into bed, you thought back to all the things your twin had said about the band, and the party. That celebration had been the only time you had heard their music, and it wasn’t even their song, more so a cover.
You gently placed the pencil on your bedside, only able to see the outline of it in the moonlight. If he was only being nice to you for Heather’s approval, why had he taken your advice? That mystery should bother you, should keep you up, like it did last night. But truly?
You could not find it in yourself to care.
-
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wynought · 5 months
Text
since i haven't seen it being pointed out before
all of the first stoats' names essentially mean "light"
kiran is of sanskrit origin meaning "ray of light" (and, according to wikipedia, an explicitly unisex name), uri is a hebrew name meaning "my light", hester is a variant of the name esther (of biblical/jewish origin) which comes from the same old persian root as the word "star", and, while i didn't find any particularly reliable source, various babyname websites at least seem to agree that jomei is a japanese name meaning "spread light"
additionally, their names seem to correlate with their purpose/position in last bast:
jomei is the speaker, they are in charge of propaganda - quite literally spreading the belief system and worldview of the first stoats aka the Light. it feels like this name is extremely straightforward in its meaning, but i was also unable to find much else on it, so there may be some additional hidden truth that i'm missing so far.
hester is the silence (the one with the gas mask missing their lower jaw and tongue) and their sphere of influence is secrets. now, i'm no religious scholar, and i have all of my information from quite literally the introductory paragraphs of the wikipedia article on the name esther. however, it seems that queen esther only took this name after ascending to the throne of persia to hide her true identity. this is reflected in the hebrew root of the name esther translating into "hide"/"conceal". (i am unable to provide more info on this, but anybody with a working understanding of how hebrew works and/or with more insight on the book of esther, feel free to interject/correct/add on to this)
uri is our beloved stoat pope. apparently, the name uri comes from the verb for "to shine" (to either be or to give light) and the mark of possession, resulting in the first connotation i mentioned earlier - "my light". this possessive marker, however, can also be interpreted as the name Yah which would be an abbreviation of YHWH - a marker of the divine, if you will. Therefore, Uri can also mean "Yah is my light", a very fitting name for the stoat whose department we only see called "faith".
i was unable to find a deeper meaning behind kiran's name, although to me "beam of light" feels very much like a name befitting the first stoats' leader. considering the way they commanded the wolf of theseus, it also seems to reflect the way their magic/their brand of control worked (their line of sight was part of how they controlled the wolf, indicating that was a key part of either their magic or the conditioning inflicted on the wolf - i'm partial towards the latter, considering how the wolf reacted to tula after she healed it). if anybody has anything more concrete to offer, though, i am all ears!
anyways, the first stoats' names are really cool, and we as a fandom don't talk enough about them because they died so fast. huge props to aabria for this fun bit of world building!
(disclaimer: as mentioned above, i have no background in theology or judaism, nor do i have any deeper knowledge of sanskrit, hindi, and indian mythology/folklore, nor japanese, and japanese mythology which would give me a deeper understanding of these names. my information comes from google and while i did try my best to verify the claims, i am fallible and happen to currently be very tired, so please correct me, if i made any mistakes!)
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autisticlenaluthor · 6 months
Text
Music
'When all you wanted was to be wanted, wish you could go back and tell yourself what you know now'
-
Kara arrives fifteen minutes early. 
She gets dropped off in front of the school by Eliza, and promises her she’ll be okay on her own. Once she’s alone, she crosses the quad by herself.
Earbud strings dangle across Kara’s body as she walks, head down, focused on the leaves and how they crunch beneath her boots. Taylor Swift’s Fearless echos through the tiny speakers and Kara can’t help but drum her fingers against her thigh to the beat.
The air is salty and damp with the smell of fallen leaves. It feels almost like she’s stepped into a painting, with the castle-like brick building in the foreground. It’s surrounded by trimmed hedges and trees with orange branches. Alex has always said private school kids are a different breed. But god, is their world fascinating. 
She finds the meeting spot with relative ease. It’s a round concrete picnic table just off the main path, near the massive lion statue Lena described in her email. Kara sits and plops her backpack beside her, quieting the music on her iPod so she can focus as she takes out her pens and spiral notebook. 
It’s supposed to be a simple project.
Sophomores from Metropolis Tech work with sophomores from the all-girls private school, Spence to clean up parks in the city. The whole thing is worth five extra credit points on her Earth Science final. Five extra credit points Kara desperately needs- because what kind of cruel joke is it to put an alien in Earth Science when they’ve only been on the planet for a year? 
She gets her stuff organized and looks up, freezing when she sees the girl she’s been paired up with standing across the table. For someone with super hearing– spatial awareness does not seem to be a skill Kara possesses. 
“You’re– are you Lena?” She stammers. 
The girl nods. She has raven hair and pale skin like the vampires in the movies Alex forces her to watch. For a second, Kara selfishly wonders if she might be an alien too. She just looks so unlike the other people Kara knows. But Eliza says it’s rude to make assumptions, so Kara quickly tries to suppress those thoughts. Lena would likely perceive being asked about her home planet as a targeted insult. 
“I’m Kara, it’s nice to meet you,” Kara says after a moment. “I like your outfit– you look so professional!”
Lenas brow furrows as she looks down at herself. She’s wearing a grey sweater vest with a blue crest over a white button-down and blue plaid skirt. 
“It’s a uniform,” she says. “We all wear this.” 
“Oh.” 
Kara scans the campus- for the first time noticing all the girls in identical get-ups, all paired with knee-socks and Mary Jane shoes. A few of them wear dresses instead of skirts, one or two with school-branded sweatpants beneath them. Where had they all been five minutes ago, before she’d made a complete fool of herself? 
“So… I was thinking we could go to Glacier Park,” Lena says, breaking the silence. “Most girls go to Central because it’s bigger. But Central is a tourist trap– Glacier Park hardly gets the same environmental attention.” 
She’s quiet, keeping her eyes fixated on her hands as she speaks. But even so, she seems so sure of herself. 
Maybe it’s a private school thing, Kara thinks. The students here are so smart, they don’t need to follow the social rules everyone else seems to abide by. 
“Unless you were thinking something different?” 
“Uh… I guess I hadn’t really thought about it,” Kara admits with a nervous laugh. “My classes and everything have been kinda crazy.” 
Lena nods but doesn’t respond. Kara can’t tell if she’s judging her or if she just doesn’t have anything to say. 
“You know… midterms week. Can you believe they do this every year?” 
She isn’t sure why she keeps talking. In the emails they’ve sent, Lena only ever mentions the project. She doesn’t seem to be the chatty type– the type to care that Kara’s had four exams this week alone and that that’s why she can’t bring herself to be as invested in this whole thing as she should be.
It’s just that Lena is right there and maybe the reason she reminds Kara of aliens is that she may just be the prettiest girl she’s ever met– on Krypton or on Earth. And sure she isn’t talkative but that doesn’t mean Kara can help it either. 
“Yeah,” Lena says, expression blank. 
For a second, Kara freezes. She isn’t sure what she’s supposed to do with that. 
“We um, we should start on the report too,” Lena restarts, as if nothing happened at all. “I brought some articles on pollution levels in the city. I thought it might be easier to get the reading portion out of the way today, so we can focus on the actual cleanup later.”  
“Oh… okay, yeah, that sounds good.” 
\\\\\
They go with Lena’s suggestion and meet at the entrance of Glacier Park.  
Kara gives it her best attempt to look nice for her. Alex says it’s silly– they’re going to be cleaning up garbage all day, so why does she need to look good? But Kara can’t help it.
Lena is clean and elegant and weirdly perfect. And for whatever reason, she seems to know so much more than Kara does. There’s a gap between them and even though they’re strangers, even though they don’t have to be friends (Kara isn’t even sure if she wants to be friends) Kara hates it. She hates how isolating it feels. 
So she does her hair in two braids, and puts on her favorite jeans with the black long-sleeved v-neck that reminds her of Rory Gilmore. It isn’t much but it feels good– feels like she’ll surpass whatever expectation Lena has of her. 
When Kara finds the entrance, Lena is already there waiting for her. She’s standing under the big iron archway, carrying her backpack and the trash grabbers she’s borrowed from the school. 
Kara smiles and waves over at her. 
“Hey!” 
Lena gives a slight smile in return and nods in acknowledgment. 
“You look nice,” she says. She hands a trash pick to Kara who mentally pumps her fist and kicks a leg with excitement. 
“Thank you.” Kara smiles. “So do you.” 
Everything after that feels easy.
They pick up trash in relative silence. Lena stays in the grassy section while Kara cleans the pathway. It’s quiet and simple until it isn’t. 
“Lena Luthor?”
Lena lifts her head and Kara drops the trash bag she’s been holding. Standing a few feet away are two girls around their age. One wears a Spence School Phys ED t-shirt. Lena must know them, Kara figures. 
“How nice of you to help your brother with his community service,” says the one not wearing the Spence shirt. She has a high ponytail and blue Converse sneakers. She reminds Kara of the girls in Bring it On.
“But I don’t think it’s gonna make a real difference, didn’t he get like… what, twenty-five years?” she adds. Her friend– Spence shirt, laughs. 
A crinkle forms between Kara’s eyes and she waits for Lena to react. She’s seen fights like this go down at her own school– groups of bullies ganging up on lower-classmen in the girl’s bathroom or staircase. They always seem to have the upper hand until they push too far. 
But Lena doesn’t do anything. Her face doesn’t change. She just looks straight past them, the same way she does when she speaks to Kara, and says nothing. 
“Hey, be careful with her,” Spence shirt jokes. “She might snap like he did.”
Lena looks down. Her face is red. She grips her trash pick so tight her palms grow sweaty and knuckles turn white, but still, she’s silent. 
So Kara says something. 
She can’t help it– she knows she shouldn’t. But the words slip out, and before she knows it, she’s asking-
“What are you talking about?”
Converse sneakers looks at her like she’s crazy. 
“Lex Luthor,” she says, as if it’s the most obvious thing in the world. “Ya know– that psycho who’s obsessed with Superman and killed all those people?” 
Kara nods.
“That’s her brother.” 
Kara swallows. 
It feels like being punched in the gut– knocks the wind right out of her. 
And suddenly, she’s back in the living room, watching the TV with the volume off at three in the morning because she couldn’t miss the live reports on her cousin’s condition. Because she needed to know if he was dead or alive. Because she couldn’t cope with losing one more person, and if he died, that meant she had to go to. 
She’s in her closet the night after the attack after hearing a crash in the backyard. It’s raining out. Pouring, thunderous flurries. Eliza said the noise was just branches hitting the window in the storm. But Kara couldn’t believe her. She couldn’t get his face out of her head, trailing the worry that now, he was after her too. 
By the time she finds herself back in reality, the girls are gone and Lena is still looking at her shoes. 
“You can go home,” she says through a forced, wavering smile. “I’ll finish cleaning and write the report. You’ll still get the extra credit.”
This time, it’s Kara’s turn to go quiet. 
This stranger, this girl who she found so pretty and alluring, who she dressed up for, who she emailed with for weeks, is the sister of the very person who wants all of her kind dead. Maybe they don’t have a friendship, but to be acquaintances is still too much. To know her at all is to feel every ounce of hurt and damage her family has inflicted. 
Kara isn’t aware of how tight her jaw has been clenched until she starts to taste blood spouting from the sides of her cheeks. 
She isn't going to put up with this. She isn't going to be around her.
So she does as Lena says-- drops her trash bag, and walks away.
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leafsvflowers · 2 months
Note
Yeah as a group (for txt) like you did for aespa
Tomorrow X Together chart analysis
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Happy anniversary, everyone^^
TXT is south korean music band. Memebers of the band are: Yeonjun, Soobin, Beomgyu, Taehyun, Huening Kai.
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Sun in Pisces. Pisces is the considered the oldest and the wisest sign. This placement is often good for creative expression and good first impression. It suggests that all members share is emphaty, imaginative mind and that's their primary strengths. It promotes leadership style focused on sharing a vision, communicating their purpose and direction and also checking back on the others if they are on a right path. Their core identity would be connected with artistic themes with a focus on many layers of emotional depth. Being between reality and dream world. The Sun here is well placed promoting recognition and success especially in a creative field.
Sun in Pisces sextile Mars in Taurus. The band is able to openly pursue their goals and fulfill it's purpose.
Sun in Pisces sextile Saturn in Capricorn. I think it enhance the role of a leader as a person others can rely on and be sure Soobin will follow through his tasks with commitment. It also brings better fruition if band follow through stable routines and maintain them consistently. It makes band hard-working and commited.
Sun conjunct Neptune. The visions of management is blending well with band's purpose. I think it makes management get what TXT is like and giving them image that suits their personality and what they are truly like. They are also promoted the way it agrees with them.
Moon in Aquarius. This placement suggests friendly and approachable attitiude towards fans. TXT likes to socialize and interact with fans, but it also set boundaries that are not meant to be broken. It also suggests band's internal dynamics and members’ involvement in the band is similar to what i said before - they maintain good relationship, but without getting involved too much emotionaly with each other.
"Moon is in an Air sign is characterized by it's intellectual prowess, adaptability, and strong communication skills. They excel in planning, data analysis, logical decision-making, are adaptable and can pivot their strategies market demands. However, these bands may face challenges with indecision or get caught up in too many ideas without concrete execution."
Moon in Aquarius square Mars in Taurus. This placement gives them insatiable need to meet their desires. They are full of passion and want to achieve a lot.
Mercury in Pisces. It confirms good comunication focused on sharing vision and encouraging emotional expression. But there may be some blockage coming from Soobin or their management making the flow of information hazy. Mercury here represents sales and services that will be around their artistic products and will be satysfing to those who truly looks for artistic performances. It’s good placement for ideas and exchanges.
Mercury in Pisces squares Jupiter in Sagittarius. This placement suggests overly optimistic nature that can lead them to exaggeration and also making everything overly philosophical. I think they may lose money through a scandal involving a member saying something inappropiate.
Mercury in Pisces conjunct Chiron in Aries. This connection makes me think about feeling invisible or talking, but not being heard enough. Frustrating aspect.
Venus in Aquarius. They thrive on collaboration, teamwork, partnerships, and networking. They are progressive and well-recieved when it comes to their products and services. The band’s approach to partnerships can be unconventional, but it shows their open-mindness. Their brand appeal shows their adaptability, but also independence.
Venus in Aquarius square Mars in Taurus. That's not a good aspect which encourages anger, impulsivness and lack of control. They may see their partnerships members as competition. May take rejection badly.
Venus in Aquarius square Uranus in Aries. A strong need to be special, exciting and bring novelty. The integral struggle with partnerships: they want to be free and independent, but they need these deals to boost their brand appeal.
Mars in Taurus. It gives them stubborness when it comes to things band agree or disagree about. They are focused on achieving material stability. Could aim high and keep moving towards their goals.
Mars in Taurus trine Saturn in Capricorn. That's a good aspect. They are serious when it comes to their job. Everything that helps them keep moving forwards in a stable way is on their side. It also suggests the leader position is strong. Soobin leads them well towards they goals^^
Mars in Taurus sextile Neptune in Pisces. They are performing better at their job when they are sentimental, connected with their feelings and visions (their concept really suits them well). They have magnetic power. They understand needs of others (especially their consumers) and know how much they can take and give. Again, it's a good aspect - mars in taurus is materialistic enough to go for what it wants and pisces neptune is imaginative and idealistic enough to aim for making it's vision reality (to give).
Jupiter in Sagittarius. Very good placement (we are at home, babe). Their potential is high. They will have many opportunities for growth and expansion. High potential internationally. Luck is literally on their side. "Jupiter enhances foreign concerns, education and philosophy, publishing opportunities and possibilities as well as the company’s money-making abilities" - it's all is highly possible for them since jupiter is in Sagittarius.
Jupiter in Sagittarius trine Uranus in Aries. This aspect gives them unique twist, leading them to try out unexpected, unusual ideas. They would have luck with sudden changes and deal well with uncertain situations.
Jupiter in Sagittarius square Neptune in Pisces. It makes direction unclear. Also creates imbalance between practicality and delusion. Can also bring troubles in faith, beliefs area.
Saturn in Capricorn. Disciplined, structured and long-term plans. Strong leadership and members commited to goals. Determined and ambitious. They could deal with challenges and delays regarding: balance, flexibility, emotional openess, self-critiscism. It also gives TXT stability and ability to consolidate and limit in practical ways. Saturn represents labour, real estate, lands such as farms, grains, mines, mountains and the elderly.
Saturn in Capricorn sextile Neptune in Pisces. Strong work ethic. Well developed social-counsciousness. Strong faith and believe in yourself.
Saturn in Capricorn conjunct Pluto. The power plays and dynamics can be a sensitive topic (it's visible through the other placements and aspects as well). It can hint on abuse and bullying at worst and at best it gives knowledge how to navigate status and deal with authorities and people in power.
Uranus in Aries. The sudden changes would be violent and totally unexpected. They would keep happening to them often. Since aries is 1st zodiac sign, it suggests TXT would also be first in something. They would be definitely bold about it. It could be related to independence, traditional role models and freedoom.
Uranus in Aries square Pluto in Capricorn. The changes would be dramatic and occur often. It would make them adapt well and quickly, but also make them long for stability and security.
Neptune in Pisces. Management's vision on the band is them being artistic, creative, adaptable and emotional. TXT's creative and innovative potential is high, and so is their ability to inspire people. Neptune is here in the sign that it feels best. The band’s ability to seduce consumer into purchasing it's products or services via advertising campaigns is incredibly high. They are just like sirens making prople to listen to them more and more 🤭
"It can also signify potential rumour, sabotage, or problems behind the scenes within the band. Neptune can be an indicator that a band has dealings with narcotics, pharmaceuticals, oil, shipping, hospitals, beverages, movies, acting, politics, or photography. On the negative side, Neptune can indicate areas where the band might be out of touch with reality or prone to uncertainties and misjudgements."
Pluto in Capricorn. This placement suggests TXT is facing challenges with utmost seriousness, having very business oriented attitiude. Their ability to adapt is not natural, but it's not bad - they are making their moves after thinking things through. They think of consequences of their actions. TXT propably have very welathy, smart people in power on their side that can be their resource in need of help. They for sure won't go bankrupt, but they may suffer from power struggles inside the company or inside the band (potentially conflict with a leader).
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Daydream✨ concept was my favourite for a long time. Which concept is your favourite?
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bizarrequazar · 8 months
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GJ and ZZH Updates — August 27-September 02
<<< previous week || all posts || following week >>>
This is part of a weekly series collecting updates from and relating to Gong Jun and Zhang Zhehan.
This post is not wholly comprehensive and is intended as an overview, links provided lead to further details. Dates are in accordance with China Standard Time, the organization is chronological. My own biases on some things are reflected here. Anything I include that is not concretely known is indicated as such, and you’re welcome to do your own research and draw your own conclusions as you see fit. Please let me know if you have any questions, comments, concerns, or additions. :)
[Glossary of names and terms] [Masterlist of my posts about the situation with Zhang Zhehan]
08-27 → A Twitter space was held discussing the upcoming Zhang Sanjian concert, money laundering, and other related topics. [recording] [written notes]
08-28 → Gong Jun posted a douyin of himself trying out a filter. Caption: “A bit darker, but not completely black (manual dog head)” (Possibly referring to his skin colour, as he was just filming a variety show?) BGM is a remix of Just Say Hello by Melo D.
→ The Instagram posted ten photos of “Zhang Zhehan” on a bike trip.
→ Gong Jun Outdoor Office posted a video of Gong Jun filming the earlier douyin. Caption: “Goodnight (from Gong ‘mental work in progress, don’t do it again’ Jun)”
08-29 → Gong Jun posted a commercial he did for the fashion company GXG, officially announcing his endorsement with them. Caption: “On the set, interpret the various roles; in the workplace, focus and never slack off. I am very happy to become the global brand spokesperson of GXG. Join @ GXGfashion, explore the new identity in the workplace, and start a zero-pressure commuting journey with me” The same commercial was also posted by GXG.
→ Gong Jun’s studio posted nine photo ads featuring Gong Jun. The same was also posted by GXG. Caption: “What to wear to work today? @ Gong Jun Simon has the answer: don’t want to be too serious, don’t be too casual, just wear GXG to work!” 
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→ Flora posted a thread discussing indications that Zhang Zhehan was approached by CAPA after 813 but refused to yield to their demands. [follow-up]
08-30 → GXG posted a vlog from their shoot with Gong Jun. Caption: “Ding, the freshly released spokesperson @ Gong Jun Simon is dedicated and handsome in his entry vlog, it’s hard not to love~~” [subbed video]
→ Gong Jun’s studio posted a vlog of behind the scenes footage from the GXG shoot. Caption: “Comfortable and minimalist, look for yourself. @ Gong Jun Simon's autumn and winter reverie~”
→ The Instagram posted ten photos of “Zhang Zhehan” on a bike trip.
08-31 → The Instagram posted more of the same.
09-01 → Same thing from the Instagram.
→ Gong Jun posted a vlog of him throwing pottery. Caption: “Have a little bit of art 😎” [subbed video] His studio reposted this with the added caption: “‘Gong’ to crafting class, completed successful‘Ye’” (I tried.)
→ Gong Jun’s studio posted a photo of a clay mushroom Gong Jun made, announcing winners of a giveaway for them. Caption: “The season of summer has cooled to autumn, I am grateful to all those who have contributed to the Prince's Mansion. #Han Ye Prince's Mansion Talent Recruitment Order# has come to a successful conclusion!”
→ The Legend of Anle Weibo posted three stills of Han Ye in a post celebrating the show ending for free viewers. 
→ Gong Jun’s official fan club posted an image not only confirming rumors of him attending New York Fashion Week (09-11 to 09-13) but also revealing that he’ll be attending Milan Fashion Week (09-19 to 09-21) as well.
09-02 → Gong Jun’s studio changed their Weibo header. This one includes a signature of “Simon” rather than Gong Jun’s usual signature. Fan Observation: Many CPFs commented that the squiggle behind the name looks like a Z. Not only that, but it even seems to match part of Zhang Zhehan’s signature.
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→ Gong Jun’s studio posted three photos of him painting pottery. Caption: “Challenge of not having a rollover! @ Gong Jun Simon is quite gifted for this? Not sure, look again 🧐”
→ Gong Jun Outdoor Office posted a photo of the cup Gong Jun made with a large split down the side. (Judging from the video, this was able to be fixed before the clay dried.) Caption: “The birth of a great work of art! (What is a rollover? I haven’t heard of it) (It must be because the little rabbit’s head is too heavy) (I’ve confirmed that it’s a smart rabbit)” Fan Observation: It’s interesting that they’re insisting the little clay animal is a rabbit considering that in the video when Gong Jun is painting the rabbit, he’s looking at something to the left of this one. Based off appearance, I personally would be more inclined to guess that this one is a dog.
→ The Instagram posted five photos of “Zhang Zhehan” hiking in the mountains.
→ Ranyi Music posted an image of Zhou Zishu to promote the Zhang Sanjian KL concert. Either they’re desperate for more attention and/or they’re baiting a lawsuit.
Additional Reading: → An update to the rumors from 08-16 of Gong Jun suing antis and whalers: Several of these are now confirmed thanks to the whalers in question publicly whining about them. [info about one] [another] → Harry, Coya, and Zell are organizing a fandom event for Mid-Autumn Festival, participation is open to all (except whalers)!
<<< previous week || all posts || following week >>>
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absolutebl · 1 year
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Hi ABL,
I've seen someone say that Gong Jun had better chemistry with his male co leads than the female leads in his het dramas and you made a mention of watching his het dramas and that they weren't good. I know you can't give a concrete answer but can you theorize why his acting is livelier in advance bravely and Word of Honor than in others.
❤️ Mimi
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I have talked about this a little bit before. And someone in a comment once mentioned that Ohm (bad buddy and many other BLs) also said something to this effect :
If you are from a culture where male-to-female physical contact is extremely restricted (like China or South Korea for example), it’s sometimes easier to act intimacy with another man because you’re less freaked out about being accused of pushing things too far or taking advantage of the situation. 
In other words, in places where you are trained by every social moray and stricture into “ gentlemanly” behavior around women (but not around men) it’s easier to act intimate with a man, especially if you have a certain personality type. 
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(The rest of this is about me and my baggage hon, not you the lovely human who asked a perfectly innocent question.) 
Begin an ABL Anthropological Rant, skip as needed for your blood pressure 
It’s one of the biggest issues I have around IRL shipping within the global Kpop stan communities. Because a lot of westerners are so uncomfortable and unused to (and internally homophobic around) men showing physical affection to each other, they assume 2 boys in a group who are physically demonstrative are automatically gay. When, in fact, it’s just men are more affectionate with each other in general at that age and in that culture. 
(This is different from Thai BL couple branding and skinship baiting, which is a can of worms because it’s: intentional, commercial, mercenary, and possibly contractually abusive to some pairs.) 
Back to Kpop ranting...
All those YT channels making videos about Kpop “gay” relationships are actually just displaying the “creators” own rampant internalized homophobia and complete misunderstanding of another culture. 
And do I think some of these idols are gay? Well yes, of course, statistically speaking, some of them must be. Just like some BL actors must be. Yes, even the ones in China. But that’s so entirely not the point. Frankly, the gay ones are more likely to be reserved about showing affection, BECAUSE THEY’RE SCARED OF THIER FANS. 
Let’s call a spade a spade shall we? (rather than a not-gay a gay). 
This is touch shaming men, which is frankly disgusting, given how many problems we have (in the western world particularly) with men being touched starved. Should I make the correlation between this and toxic masculinity, incel behavior, and higher rates of suicide (and violence) amongst men? Well I COULD, but I’m not gonna, because it’s an incredibly complicated issue. And I’m exhausted by the whole conversation. 
Frankly, being queer means we gotta deal with higher rates of abuse, violence, and suicide ourselves... I don’t got a lot left over to worry about the straight boys, except on an anthropological level. 
In conclusion: IRL 
don’t assume sexual identity from the physical contact or physical comfort levels you observe, especially within a different culture 
ask permission for whatever you wanna do to someone else
don’t touch shame, celebrity or otherwise
and don’t let or teach your kids to do any of this, either, no matter how young they are 
Yes, as a breeder, it IS your responsibility.
It’s not complicated. 
BAH. 
This is supposed to be a happy blog. 
Anygay... 
I talk about this a lot in this particular post on skinship and Thai BL. 
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#MOOD
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By: Joseph (Jake) Klein
Published: Apr 13, 2023
Segregation has a new brand name: racial “affinity groups.” Race-based “affinity groups” have exploded in prevalence across the United States over the last few years, moving from workplaces into schools, religious congregations, and other organizations all across the country. Affinity groups can also be organized around other identity categories such as gender, sexuality, disability, and religion, but affinity groups were first created around racial identity.
In 1969, Xerox employees based in San Francisco launched the Bay Area Black Employees (BABE) caucus, the first known workplace affinity group ("caucus," "employee resource group," and "affinity group," are all terms that have been used to describe the same idea).  Overall, Xerox's chairman at the time, Joseph C. Wilson, was an important leader in driving workplace integration. He reacted to race riots in the 1960's with a mission to increase integration and hire African-Americans who had previously been denied employment opportunities, and took numerous concrete actions to do so.
However, as has happened on numerous occasions to other well-intentioned leaders (including in response to other 1960’s race-riots), Wilson chose to take advice not just from integration-oriented civil rights leaders like Martin Luther King Jr., but from the Black Power activists responsible for the riots. Wilson enlisted the counsel of a group called “F.I.G.H.T.” While much of F.I.G.H.T.’s activism was productive and aimed at pushing back on genuine and oppressive racism, it was also a “decidedly militant” organization that “alienated much of the black middle class” and worked closely with the explicitly anti-integrationist founder of the Black Power movement, Stokely Carmichael.
Today, more than 50 years later, affinity groups have spread to 90% of Fortune 500 companies. These companies sometimes claim that racial affinity groups help foster communication and help bring new ideas to leadership. Corporations also point out that membership in racial affinity groups is usually voluntary, and therefore it cannot be a form of racial discrimination as banned under Title VII of the Civil Rights Act of 1964. 
However, despite these claimed positives, many corporations have also found that affinity groups polarize employees, and many people of color are reluctant to join such groups for “fear of being reduced to their racial identity.” Even when they are organized and advertised as voluntary, the social pressures on individuals to join racial affinity groups are substantial. And although some data supports companies’ intuitions that affinity groups are helpful idea generators, these positive results may be better explained by the existence of a group creating increased discussion time, rather than the racial makeup of that group.
With affinity groups’ recent spread throughout K-12 schools, higher education, religious groups, and many other key institutions throughout our society, we face an even worse danger. While businesses are beholden to the profit motive, schools and other non-profit institutions are not. This creates more opportunities for affinity groups in non-profit institutions to advance a fanatical ideology, since organizational leadership doesn't need to worry, as businesses do, about the possibility that a Marxist ideological agenda would compromise their ability to operate in a financially viable manner.
Advocates of racial affinity groups claim they are not racist or segregationist, but do so while practicing racial segregation and making explicitly racist claims. For example, Truss Leadership, a so-called “racial equity” consulting group that works with numerous school districts, declares that “Racial Affinity Groups are NOT … Racist or segregationist,” but also says they are a place where white people can “reckon with their Whiteness” and non-white people can “take care of themselves and one another…in the absence of Whiteness.”
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FAIR ally Ye Zhang Pogue has written beautifully for this Substack on how affinity groups in schools can harm our society by needlessly pitting people against each other along racial lines. What advocates of affinity groups often ignore is how prejudice and discrimination is often caused by diminished contact between groups, and can be overcome by increasing that contact and having group members work cooperatively instead of separately (one of psychologist Gordon Allport’s four conditions for reducing racial prejudice). This insight into the power of contact is the same idea that has driven FAIR Senior Fellow Daryl Davis’s pioneering efforts to get Klan members and neo-Nazis to give up their lives of hate.
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Even racial affinity groups' most extreme and vocal advocates have acknowledged that “Caucusing can generate anxiety even at a visceral level for some. For people of color, history has shown that real harm can come from spaces exclusively reserved for white people. … People of color may also experience racial anxiety and stereotype threat, the fear of being viewed through societal stereotype ‘lenses’ by white colleagues and supervisors.” These are not ungrounded fears. Corporations seeking to pursue effective anti-racist strategies would do well to remember the horrors of the interoffice segregation of America’s past.
Segregation in the form of racial affinity groups today is disturbingly similar in concept to the separate bathrooms, water fountains, bus sections, and other spaces in generations past. Then as now, we ought to remember the worldchanging verdict from Brown v. Board of Education, that “Separate [is] inherently unequal.” As Supreme Court Chief Justice Fred M. Vincent explained in the Court’s also unanimous decision for McLaurin v. Oklahoma State Regents, which was cited in Brown v. Board of Education, “To separate [children] from others of similar age and qualifications solely because of their race generates a feeling of inferiority as to their status in the community that may affect their-hearts and minds in a way unlikely ever to be undone.”
==
The KKK must be beaming with pride at the outright enthusiasm of re-implementating segregation.
Were it discovered that they were shadow-funding this, I would be incapable of feigning any amount of surprise.
Wokeness divides and destroys.
EDIT:
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That's so weird. We keep being told that "cRt iS nOt iN sChOoLs." And yet, here we find out that not only is it in schools, but it's a good thing, because "opposing" - as ominous, authoritarian, and nigh on DiAngelo-istic choice of words as I've ever heard - is wrong. Gee, when did that happen? They must have done that really quickly. /s
https://www.youtube.com/watch?v=YM2JvQVXWQg
"DiAngelo's essay doesn't talk about disagreements or debates, but only about those who 'practice' social justice, and those who, quote, 'resist' it."
To actually tell people "[not to] entertain this blog or its opinions" or "don't read the post" has really strong religious blasphemy overtones. Like the priest telling the congregation not to read Harry Potter.
Still, the very first thing the kids do when they get home from church after being told not to read Harry Potter is to read Harry Potter. So sermonizing people on how to close their ears to maintain their moral purity usually doesn't work out that well for the clergy. So, thank you for dangling an irresistible temptation for them, like the forbidden fruit in the Garden of Eden..
P.S. Opposing gay conversion therapy and child mutilation is a hill I'm willing to die on. Line in the sand. Pretty comfortable there. The latter, at least, used to be a self-evident taboo: you don't tattoo kids, you don't cut children's testicles or breasts off, you don't drug girls by flooding their bodies with quantities of hormones their body is not equipped to handle so they're balding and infertile at 16. Despite pretence to the contrary, these positions aren't the slightest bit controversial.
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cephalog0d · 7 months
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Whumptober 2023 - Day 2 - "My Pride Comes After A Fall"
Rating: Mature (swearing, violence)
Category: Gen
Characters/Relationships: Stephanie Brown & Tim Drake; mentioned Bruce Wayne
Additional Tags: Stephanie Brown-centric, Stephanie Brown is Spoiler, (roughly early preboot Spoiler to be specific), Tim Drake is Robin, (Steph doesn't know that yet), Whumptober 2023, Explosions, Drowning, Hypothermia, Concussions, Insecurity, Hurt/Comfort, (at least a little comfort)
Summary:
Gotham City would be radically improved, in Stephanie Brown’s opinion, if it was about ten million percent harder for every random citizen to get their hands on explosives.
A night of simple surveillance goes up in flames (literally) and quickly becomes deadly. As a mostly-brand new and mostly-unsanctioned crime fighter, Spoiler is on her own to get out of it.
Day 2: “I’ll call out your name, but you won’t call back.”
Thermometer | Delirium | “They don't care about you.”
Uh, welcome to Whumptober? A wildly different tone of writing than literally everything else I've shared here! I hope you enjoy it anyway! (There's still some humor in here, though. Because deflecting with humor to handle trauma is a Batkid staple.) This is not particularly tied to canon but it is roughly set in the early days of Steph's preboot Spoiler era. Relevant details are that she does not yet know Robin's secret identity and both Robin and Batman (but mostly Batman) have been extremely persistent in trying to stop her from doing the crime fighting thing. Title is from Anchor by Birdeatsbaby, which is a great song and also just generally gives me preboot Steph vibes.
Gotham City would be radically improved, in Stephanie Brown’s opinion, if it was about ten million percent harder for every random citizen to get their hands on explosives.
Tonight was supposed to be some simple surveillance. Just lurking on the rooftop of one of Gotham’s ten thousand waterfront warehouses and listening in on what was afoot between two of Gotham’s aforementioned overly armed citizens. Or, well, criminals, she was pretty sure, given the guns and general tough guy vibe. Wanna-be criminals, maybe, with all the posturing, even lower on the food chain than her dad, but clearly still a threat to Gotham considering, you know, the weaponry. She hadn’t managed to catch enough conversation to figure out exactly what shady business they were up to before one of them (the one wearing wildly unnecessary sunglasses, not the one with a ridiculous fedora) got trigger happy, set off an explosion, and turned her simple surveillance into a parkour run from hell.
One wall and a chunk of both the floor and the roof were obliterated immediately, throwing debris out into the harbor and ripping away support for the remaining part of the building, which rapidly started to crumble into the water after it.
Steph took off at a run the second she got her feet under her, thanking every deity that might exist that she had been perched far enough away from the epicenter that she hadn’t just gotten taken out instantly. It was entirely possible that had happened to the two crooks, given the size of the blast, but frankly she had bigger worries at the moment. She was too busy running for the nearest solid rooftop as fast as she could while dodging the cracks and holes of the rooftop she was currently on breaking apart under her feet.
“Shit, shit, shit!” She vaulted a split in the concrete just as the two sections ripped apart, landing rough on the other side of what was now a gaping chasm. So much for quiet reconnaissance. She hadn’t even screwed anything up; the dipshits with the guns had done that all on their own. Figured. She was going to break an ankle or get impaled by rebar and she hadn’t even done anything to earn it.
Just get to solid ground, and she could regroup and catch her breath.
The gap to the next rooftop was tantalizingly close when a huge crack opened right under her feet. Steph stumbled and lost her footing, dropping into the steadily widening gap and towards the churning water below. She grabbed desperately at the edge, but it crumbled away in her hand. One larger piece clocked her in the forehead hard enough that she saw stars and she lost a precious second of reaction time as she struggled to shrug it off and pull out her grapple. Her throw was more of a wild fling than anything, hoping desperately to grab something solid enough to stop her fall, but if there was anything up there to latch onto she didn’t hit it before she crashed into the harbor
The icy November water punched whatever air she had managed to hold onto out of her lungs and she only barely managed to suppress the reflex to breathe in again. Her cape immediately tangled around her and she clawed at the latch to unhook it and kick it away. The boots she had chosen for their sturdiness now seemed like the worst possible option, like lead weights dragging her down and slowing her movement, but they were too well fitted for her to just kick them off.
She swam as hard as she could in what she desperately hoped was the direction of the surface, her lungs already burning and her limbs rapidly going numb from the cold. The water was pitch black around her and churning with waves and falling debris. Something struck her hard on the shoulder and sent her spinning, ruining whatever sense of “up” she might have had.
Don’t panic, she told herself. Don’t panic don’t panic-
Her lungs were screaming at her to breathe and her teeth were chattering so hard it felt like she might bite her own tongue off. She locked her jaw hard against both reflexes and tried to focus.
Another piece of something rushed past her, dragging a line of fire down her arm for a second before the cold deadened the feeling. She tried to kick herself around so she was facing the direction it had come from, praying it had fallen straight down from the surface, and forced her frozen arms and legs to move.
It was impossible to tell if she was making any kind of progress with how turbulent the water was. It felt like she was going nowhere, just flailing around in the dark and waiting for her reflexes to win out and take a nice big gulp of seawater, or for a piece of concrete to crush her.
When her hand broke the surface she was almost too numb to notice except that the wind somehow, impossibly, made it even colder. With a last desperate kick her head followed and she inhaled without thinking. Instead of air she got a choking lungful of nothing as her wet mask plastered itself to her face. She fumbled frantically with her gloved, frozen fingers to get a grip and peel it off, her head spinning and her vision going gray, and finally managed to rip it free and inhale a huge breath.
She barely got one gasp of actual air before a wave slammed into her and filled her nose and mouth with gritty, salty water, sending her into a coughing fit. She kicked harder and arched her neck in an attempt to keep breathing as the coughs kept coming. Every one tore at her lungs and created a fresh burst of pain in her head and all she wanted to do was stop flailing around and catch her fucking breath.
Which meant she needed to get out of the water, now.
With enormous effort, she turned herself around to face the shore. She must have drifted with the current, or accidentally swam more out than up, because it seemed way too far away from where she was now.
Something in the warehouse was on fire, painting the dark water with red and orange streaks. It was pretty, sort of, like liquid light spilling over the surface.
Another wave hit her square in the face and refocused her a little.
She needed to get out of the water and get warm. It was getting harder to think, and whether that was the cold or the possible concussion it was a very bad sign.
It took way too long to reach the wall, and her focus kept slipping. She was thrown back and forth by the waves as much as she managed to move forward, and she was just so tired. Her teeth had finally stopped chattering so much and all she wanted to do was stop and rest.
Something about that was vaguely alarming, but she wasn’t sure why. Resting was good. It was important to get enough rest, especially for crime fighters. Batman and Robin probably didn’t. Maybe that was why they were so cranky all the damn time.
She was startled by a loud crack as something in the warehouse collapsed, and when she looked up she realized she was finally close to the edge of the building. Right. Get out of the water. Then she could rest. That made sense.
There was a chunk of the wall that had crumbled close enough to the waterline that she could reach it as a handhold. It still took a couple of tries for her to grab hold and actually hang on instead of being pulled away by the motion of the waves.
Up and out. Out of the water. Focus.
She wasn’t sure how long it took to actually pull herself up. She was drifting a little, her mind wandering, and sometimes she came back and realized she was still moving and sometimes she realized she had paused and was just sitting there.
Not good, whispered a little voice. Not good not good. She might have repeated it out loud, but she wasn’t sure. She couldn’t feel her face anymore. She wished the cold would extend into her skull and numb the pain there, too. It was kind of bullshit that everything else was frozen but her brain still hurt.
She made it as far as the outer wall of the warehouse, part of it that was still standing, before she couldn’t make herself move any further. She collapsed propped up against the soot-covered concrete. The fire was further inside what remained of the building, but she thought she could feel some of the heat from it. Clumsily, she yanked off her glove and reached out a hand.
She wasn’t shivering much anymore, so it must be warmer. That was good. She was too tired to do anything else, and her head felt like it was trying to split apart and float away.
Something dark dripped off her elbow and she followed the path of the droplets to a long tear in her sleeve, and a gash in her skin beneath that. She was going to have to fix her suit again. That sucked. She bet Robin never had to worry about fixing his own suit. She bet it would have been warmer and waterproof, too.
She didn’t get fancy suits. All she got was a radio, and it was all wet now. Or maybe she’d lost it? She’d lost her cape, which was a shame. Capes were expensive, and it would’ve been nice to wrap up in it and get warm now that she was out of the water.
With one hand she absently patted around, in case maybe her cape was somewhere nearby. She didn’t find it, but there was a lump in her belt that she pulled out to discover it was a little handheld radio. That was funny, for some reason, but she wasn’t sure why. Water was dripping out of it, and nothing happened when she hit the button, which was also funny.
It wouldn’t have done anything anyway, she thought in a distant sort of way. She wasn’t Robin. Robin’s radio worked to call Batman. Hers just leaked water, like a really weird squirt gun.
She giggled and dropped the radio onto the concrete. Her head didn’t hurt quite so bad anymore, which was nice. She was so tired, and now she could finally rest. She curled her arms and legs in, rested her head on her knees and drifted off watching the fire.
~*~
The first thing Steph was aware of was that her head was pounding. She groaned and tried to shift away from the pain on reflex, only to find she couldn’t really move.
That was concerning enough for her to drag the scattered bits of her awareness back together and attempt to take stock.
She was cold, for one thing. Aside from her pounding head, there was a deep ache in her left forearm, her shoulder, and she was shivering, although she felt something warm against her back and sides. She tried to shift closer to the heat and was once again foiled by whatever was restraining her. It was surprisingly soft, and did yield a little when she tried to push against it, but only a little.
“Don’t squirm too much, you’ll mess up the blankets,” said a voice directly in her ear. She was too tired to really jump, but it definitely startled her.
“Sorry,” the voice said apologetically. “It’s just me. Uh, Robin.”
Well that was...something. Surprising? A relief, maybe. Also kind of embarrassing considering she couldn’t even move. Way to make a good impression, Stephanie.
She tried to ask what had happened, or why Robin was there, or why she was mummified in blankets, apparently, but all that came out was a vague sort of groan.
“Take it easy,” Robin said. “You were in pretty bad shape.”
Something around Steph shifted, moving her a bit more upright, and she realized the source of the heat she could feel was Robin, who was apparently holding her. So yeah, definitely embarrassing. (Kind of nice, considering she hadn’t quite stopped shivering yet and he was pretty warm even through the blankets, but still.)
Steph tried to speak again, had a brief coughing fit that kicked the pain in her head up from “pounding” to “excruciating”, and then took a slow, careful breath and tried again. (God, she had inhaled so much harbor water. She was probably going to get some kind of super-pneumonia with all the shit that was in there, the kind that rotted your lungs or turned you into a sewer mutant or something.)
“Wha’ happen’d,” she managed to mumble out mostly clearly.
“We were hoping you could tell us. When we got there, there was an exploded warehouse, two dead bodies and you almost frozen solid.”
“Stupid ‘splosives. Wasn’ even my fault.”
“Who’s fault was it?” Robin sounded sort of skeptical that Steph wasn’t somehow responsible, which she thought was pretty rude. She certainly hadn’t blown herself up.
“Corey Hart,” she said.
“What?” Robin’s face was somewhere above and behind her, and she still had her eyes closed, but just from his voice Steph could imagine his look of vaguely annoyed confusion all too well. She’d seen it often enough.
“Dumbass in sunglasses,” she clarified. “He shot ‘em on accident. Like a dumbass.” She felt it was important to emphasize the level of dumbassery involved.
“Well. I guess at least we don’t have to worry too much about what they were planning to do with them. What else do you remember?"
“Building collapsed, fell in the water, got back to shore somehow, I guess. Pretty fuzzy.” She must have gotten back to shore somehow if that’s where they found her, but she couldn’t quite remember any of it. Or how they had known to look for her. Had she called them? That didn’t seem right.
“Hypothermia and a concussion will do that,” Robin said. It sounded almost accusing. What, like she had lost her memory on purpose, just to annoy them? Sorry I didn't take notes while I was drowning, she thought.
“You should have called us,” Robin continued, his voice veering rapidly into full on Lecture Mode where he would tell her exactly how she had messed up and what she should have done differently (like he wasn't younger than her, and like she wasn't figuring out most of this on her own anyway) with a heaping helping of “this is why you shouldn't be doing this and we don't take you seriously” on the side.
Cold and tired and with a persistent and painful headache, Steph was even less inclined to put up with it than usual.
“Why, so you could get in one last 'I told you so'?"” she snapped.
“So we could help you, idiot!” he snapped back. His hold on her tightened, maybe on purpose and maybe just on reflex, and Steph discovered it was extremely awkward to get in a fight with someone while they were basically hugging you.
“Do you have any idea how bad it was by the time we found you? And we were only there because of reports of the explosion! You would have frozen to death because, what, you're just too proud to realize you're in over your head and ask for help?”
Steph had an extremely vague and fleeting impression that she had thought about calling, and thought it wouldn't make a difference if she did. She couldn't quite pull an exact memory, but that was, admittedly, not the first or only time that particular line of thought had occurred to her. That they weren't about to drop everything to come rescue someone they had made it clear they didn't want out there anyway.
No way was she giving him any of that ammunition, though.
Lucky, she was also hit with an abrupt and vivid sense memory of clicking the button on her radio and water pouring out the sides.
“Or because I fell in the water and it killed my radio,” she reminded Robin sharply. There was a pause that was probably much shorter than it felt like before he responded.
“Those really need to be waterproof,” he finally conceded. No shit, Steph thought but maturely did not say. The pause this time was exactly as long as it felt before Robin finally broke it.
“Um,” he said; she could feel his fingers fidgeting a bit with the outermost blanket of her burrito. “Sorry if I was-...”
Steph both heard and felt him huff a quick breath and start again.
“We really did think you might be dead, at first,” he continued in a much softer voice. “You weren't responding at all and there was blood all over your face and on the ground from your arm. That wasn't actually as bad as it looked, you definitely have a concussion, but the hypothermia was…bad.”
Well when he put it like that…
“Thus the medically necessary snuggling?” she asked, deliberately choosing the cutsiest word she could think off of the top of her head. She still couldn't see Robin's face from her angle but she did feel him shift a bit in a shrug and hoped it was because he was also kind of embarrassed about the situation. It wasn't fair for it to be just her.
“We needed to warm you up, like, a lot," he explained rather unnecessarily. "I can always go get Batman if you’d rather cuddle with him.”
“Gross.”
“Exactly.”
“You’re the lesser of two grosses,” she declared magnanimously.
“Thanks?”
“You're welcome.”
(Maybe Robin was right about helping her if she needed it. She wasn't fully convinced, and she probably wouldn't be until it was actually tested and proven, but as she finally stopped shivering and drifted off into proper sleep it was a nice thought to hold onto.)
Notes: Later, when Steph's brain is fully online again, she'll get to have the fun of making an entire Cave full of Batfolk deeply uncomfortable by very casually asking who's responsible for getting her out of her wet costume. (Because the best way to handle being embarrassed about something is to get everyone else on the same level. I don't think Steph is actually upset about the situation because, you know, medical emergency, but that doesn't mean she's not going to push their buttons about it a lil bit.) (Me, writing: "Hmm, should I include this 80's music joke? Eh, this is sort of set in the 90's, I'm doing it anyway.")
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rebelpeas · 9 months
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I've always had ccabinet as the mirror of ccrime in my head the fact that people don't see them as connected at all is destroying my autism brain
i think ccabinet and ccrime have some similarities, and a lot of differences. they don’t necessarily strike me as actual mirrors (partially because i get grouchy when people analyze them only as an element to support ccrime, sorry, still haven’t healed from the one time somebody told me ccabinet was walmart brand ccrime i will never forgive for this/silly) but when you split em into cclingy and ctnt, there are a lot of similarities as far as living in the others shadow, earning respect and power, identity, etc. and then as a dynamic of four, there’s a lot of rlly interesting layers and differences, because cquirky and cvice are soooo vastly dissimilar. i think that is a very fun group of characters, even if i don’t have a ton of concrete thoughts regarding like. narrative parallels.
to me ccrime and ccabinet’s differences are most notable in that ccrime knew each other first and then got worse as things grew worse, whereas ccabinet knew each other when the situation was already terrible, so they are starting off seeing one another at their worst. ccrime also have that element of the other being the most important person to them often, while ccabinet would never think of the other person in that way. but they will always trust the each other. i dunno. im rambling. i need to go eat breakfast. i’ve been on here screeching over cabinetduo since the moment i opened my eyes today
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poisonousquinzel · 2 years
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VARIOUS HARLEY QUINN HEADCANONS
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She's always wanted an animal, but her parents wouldn't allow it growing up for one reason or another. Once she had moved out she had dived so deeply into her work that she knew she'd not be able to spend enough time with them.
Good for her that now she's in a profession where it's always Bring Your Pet To Work Day.
Bud and Lou sleep in the bed with her, snuggled up at her legs.
They can tell when she's having night terrors and they'll both begin whimpering and howling until she wakes up. If she's just upset they'll curl up near her head and nip lovingly at her pigtails until she calms down.
Nathan always sleeps on the pillow next to her or on her stomach.
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She will personally visit the headquarters of businesses that test on animals with her biggest mallet and a duffle bag full of toys.
"Sometimes tha only way ta get through ta these chumps is a bit'a aggressive negotiations."
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She attends group therapy sessions for DV survivors, in disguise at first, but then one day one of the other members mention him during their Talking time. That they'd gotten into this altercation with their ex because they'd said they felt bad for her. For Harley.
It had happened shortly after it was made public that Joker had knocked her out of that window and she had been in critical condition at the time inside of Arkham's hospital wing.
She didn't mean to start crying, and she didn't mean to run out, but she did.
Harley was nervous about returning to the group sessions after that, but she wanted to. She enjoyed the people, she enjoyed the social interactions unjudged due her identity.
But she didn't go in disguise this time, she needed to own up to why she ran off and she didn't want to lie anymore.
She was surprised that they didn't seem shocked by her when she came in the room.
"Hon, there ain't that many people in this world that drive around with a couple of hyenas in their backseat. The dots connected themselves."
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Harley has a large (mostly stolen) collection of high brand nail polishes. She enjoys a nice, calm night painting her nails and watching cartoons.
She's got a storage container full of cartoons to choose from, Lucy loves cartoons.
She gets that from her ma.
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They discover that Lucy's got side effects from Harley being dunked in acid when she's 8.
She kicked a concrete trash can across the room in a fit of rage.
Harley's horrified. Lucy thinks it's super cool, hell yeah 🥰
The immunity serum Ivy gave Harley had also transferred into her DNA, something Ivy discovered upon doing her own research when they told her Lucy was showing signs of being a meta human too.
-
Lucy also has a natural nack for gymnastics, something Harley's more than joyful to help coach her in.
She finds Ivy's "potion making" very cool, so Ivy starts letting her sit by her while she's working and explaining what she's doing. Suuure, maybe it's a bad idea to be inadvertently teaching a child how to create some sort of toxic fume, if you're a killjoy like Batman. :)
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Harley's happy to accommodate to whatever new lil hobby Lucy takes up that week, if she wants to finger paint the entire apartment? she'll go steal all the paint her little girl needs to finish her wonderful art piece.
( And she'll break a finger or two if the landlords get bitchy about it. ;)
When Lucy's 10 she goes through a dinosaur phase. She wears a T-Rex Halloween costume she'd gotten the month prior and refuses to take it off for school.
Harley picks up lil dino knick knacks she spots while she's out totally not committing crimes.
And maybe she breaks them into The Batcave so Lucy can take a selfie with that ridiculous T-Rex statue down there, but Batsy shouldn't have such a fun prop if he doesn't want guests!
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idololivine · 2 months
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sometimes a song will hit me in the character brainworms so so good in the same way when you're 13 and you want to make anime MVs. I will share my current top picks and invite you all to marinate with me. and if you have songs for characters I don't have songs for (most of the characters) share them so I can have more things to spin in my head
Olivine - Bad Blood
You fixed your eyes on us Your flesh and blood A sculpture of water And unsettled dust When there was bad blood in us We learned our lessons Genesis to the last generation So we wrestle with it all The concept of grace And the faithful concrete As it breaks our fall Our questions are all the same Identical words; how they feel brand new Against different time frames Identical words against different time frames
Dante - Little Lion Man
Tremble for yourself, my man You know that you have seen this all before Tremble, little lion man You'll never settle any of your scores Your grace is wasted in your face Your boldness stands alone among the wreck Now learn from your mother or else Spend your days biting your own neck But it was not your fault but mine And it was your heart on the line I really fucked it up this time Didn't I, my dear?
Quincy - Be Good To Me
Flesh and bone Plain as paper I'm not made of stone Simple heart True believer Not meant to be alone So be soft as rain And be calm as the breath you take And be free as you need to be But please be good to me
Blade - Brass Goggles
Now the war is passed and over We're left to sit and wonder What is life and what is real? And why do living things need feelings?
bonus: All The Lights In The Sky for the members of the old squad who loved/admired Huey
There's three parts to love or so I believe There's a part of you you lose and another you receive Here I break with the concept, though it's central to the piece Leave my mark on the canvas that only you can see I deferred my happiness for loneliness and time But once I'm where I wanna be, you'll be far behind All the lights in the sky are falling to the ground And the chains that pull me down slacken off when you're around As the line begins to blur, it's comforting to know But I'll rip out all the hooks from my skin so I can grow
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bledf1rst · 10 months
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AN INÉS CONNORS DRABBLE : the day the music died.
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it's overcast, but not rainy. inês hasn't had any contact with her brother for over twelve hours, but she does not worry. curt tells her not to. he reminds her that oscorp has some of the most advanced security on the planet due to the sensitive research that goes down there and ines- does not worry. but that does not mean she doesn't keep busy so that she can actively avoid it. she stops a purse snatcher here, a car robber there, and even spends a half hour coaxing a poor tail-tucked puppy that got spooked by some unlawful firework usage in the nearby park. she gives the perpetrators a good scolding and returns the dog to it's owner.
it's almost two in the morning before things really, really wind down. there's a new silence settled over the city, and her good mood is so intoxicating that she's practically preening from her perch, keeping a keen ear out for any calls for help. the past six months have been good to her. telling her brother about recluse, thwarting his corrupt boss at every twist and turn. with their insider's knowledge, she's spent the last several months disrupting shipments, destroying supplies, and getting potential sellers for osborn's modified super soldier serum arrested. they've been carefully collecting irrefutable evidence of osborn's crimes in the process, and they're probably a week out from locking him up for good. he's her first actual villain- not some thug, or criminal wannabe. he's done real harm and will keep doing it if he isn't stopped. and inês will stop him.
( what inês doesn't know : osborn is sick and tired of the games. he pumps himself full of his own off-brand serum and loses his mind in the process. he becomes obsessed with recluse. so obsessed, that after a week straight of pouring over the available footage of her appearances, he discovers her identity. he remembers curt connors. and when he threatens his life, sneering and snarling in curt's face, her older brother refuses to give her up. osborn plunges a needle into curt's neck, which was just as good as killing him. )
she's deep in thought over it, perhaps too deep, because it takes her second to realize what she's hearing isn't the city's white noise, but rather screams of terror. she tears out between the buildings, using her momentum and her webs. she comes across an overturned manhole, an almost-flattened car, and perhaps the most inhuman creature she's seen in her entire life. it's hulking, green, over eight feet tall. he's got fangs and claws and when he roars it reverberates in her bones. she realizes she can't let this problem go on for much longer and swings into the fray.
it's her first mistake.
whatever this thing is, it's STRONG. stronger than anything she's encountered thus far. she's caught mid-swing and claws catch the soft flesh of her stomach, and for a blinding, white-hot second-
she thinks she's going to see her intestines spilling out. the pain is so intense, and inês is too present, but when she rolls into the concrete and presses her fingers into the concave of her stomach, it's in ribbons but it's in one piece.
" do mutant lizards talk? " she quips, blinking through the pain. she climbs to her feet and readies her stance again, " 'cause this feels like a conversation we should be having while we're BOTH sober and i'm not delirious from blood loss. " mutant lizard doesn't respond to her. that's okay. rolling with the punches is what she does- will do, now that she has a better idea of how far his reach is and how strong his claws are. they juggle blows for a bit before inês decides they aren't getting anywhere and need a change of scenery. she needs range. she remembers seeing a construction sight nearby when she was just arriving, and it looks well-abandoned like a bookcase layered in dust. she spouts some more venomous, clumsy taunts, drawing him away from the streets. there'll be a lot of loose building to throw when they get there, she thinks, catching about ten feet of air and then roughly TWO TONS OF MUSCLE.
mutant lizard and inês land inside a swathing of decrepit tarps and rebar. she's getting tired and starting to slow down, trying to take him higher in the structure where she has the advantage. inês is lithe, all balance, and she can find bigger gaps in his defense if she can just stay away long enough. it works for a time, they're ten stories up, but then the supports wobble and the floors collapse and they're both falling, falling, in a cloud of dust and dirt.
she gets back up in what she assumes is only moments later, groaning and trying not to claw at the wrongness still wrenching her stomach. she's never fought this long on a wound this bad before and it's taking it's toll, making her take a whole TEN MINUTES before she's back on her feet. she wonders where mutant lizard is if he isn't attacking her, if he's dead- which he can't be. he looked sturdier than fifty inês' combined. but when she really focuses her hearing, on the other heartbeat on the property with her-
it can't be mutant lizard's. it's too human. and slow, dying-
shit fuck fuck fuck fuck.
inês had known for a FACT that there was no one at this construction site when she decided to lure mutant lizard here. she had listened for it. the place had been completely devoid of life. how the hell had someone gotten caught up in the crossfire? the thought is incredulous and daunting, she can't believe she'd gotten someone killed-
but when she enters the clearing. when she sees who it is.
she's got to be DREAMING, surely. that's not her brother's body splayed out across a spattering of red-soaked rock, a metal bar perforating right through the meat of his thigh, the jut of his shoulder. he's pinned. he's breathing. he's-
" -curt? " she knows what she must sound like. a scared child, as she limps across the distance and collapses at his side. she takes his hand in hers, " oh my god. curt, " her brother. her brother. the man her raised her, the man that took her in when she'd had the audacity to SURVIVE what their parent's couldn't. the horror roiling beneath her ribs is all-encompassing, bitter and acidic and she can still taste the penny-metal-blood on her gums. she clenches his fingers harder and tries again, " curt? curt, please wake up. please. please. "
blond lashes flutter and she's seeing in his eyes, finally. curt looks like he's seeing somewhere far away, but he returns her grip albeit with a bit less intensity. his face is as white as a sheet.
" inês, " he finally says, a curl on his lips. he got one of the kindest smiles she's ever seen on a person and seeing it here, amidst the blood and dread, making her choke on her next gasp. she's sobbing, next. openly. she pulls her mask off her head and tosses it somewhere to the side, " . . . hey there, buttercup. it'll be alright. " it won't be, but she knows he's just trying to reassure her. she brings their joined hands up to her cheek and rubs the salt of her tears on the back of his hand, trying to calm down and breathe. but she can't- she can't.
" listen to me, " and GOD she tries to. it doesn't feel real. she doesn't feel real, " -with great power, comes great grief. you will want to punish yourself over who you could and couldn't save. don't let that grief destroy you. don't let your grief over me destroy you. just keep doing what you've been doing, inês. new york needs you. it needs RECLUSE. "
he speaks steadily, calmly, firmly. she knows that in order to remember every detail of this moment, she'll carve it on the inside of her skull if she has to.
" . . . okay, " she says, voice like sandpaper. his grip his getting weaker, going slack. his eyelids close and his breathing starts to slow, " okay, curt. i'll do it. for you. i'll do it for you. "
she holds his hand long after the sun rises and the sun sets. her knees ache where she's leaning on them, and she only has the strength to gather curt's body in her arms when HOURS pass. when she tips his weight into her chest and stands up, his body is cold.
her brother is dead.
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marciabrady · 11 months
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hi love!! your most recent post on the first 4 princesses in comparison to the 90s ones, as well as why tangled is heteronormative was fantastic! it was so well-put and eloquent, you really have a gift for writing. anyways, it had me thinking what your ideal disney princess/disney princess movie be like? would it be based on a fairytale/folktale or would it be an original creation? hand-drawn or cgi, a musical or no? feel free to go into as much detail as you’d like, i’m so curious to see your response!
Hi there- thank you so much! Nearly everything about the original four princess movies are perfect to me, personally, but I wouldn't want to replicate it so it isn't that I want something specifically thematically (though I can list specific things I enjoy about each) but I do want a fairytale that isn't ashamed it's a fairytale? I want concrete world building, where it feels like we're being taken to a new universe and feel immersed in it and not in a self aware, meta textual way. I want a heroine who isn't the result of all of the expectations of the Disney Princess brand or only has attributes because they'll appease certain sectors of the audience- I want to be introduced to a new energy and a new life that's totally true to who that person is and not just the same character we've seen over and over again (in Rapunzel, Anna, Moana's case, etc). The fascinating thing about the original four princesses is that they're so different and you don't know all the answers about them? People have lazy criticisms against them, but the way Cinderella or Aurora would justify their choices- even things that seem shallow to us or don't make sense- they do it in a way that makes the most amount of sense and reveals information we don't know about certain things that rounds it out and just reminds you that you really can't dictate how other people would act. If you don't understand their reasoning, it's more because you're missing pieces of the puzzle and it just shows how unique people are- whereas now, I feel like people don't see the answer super obviously, they'll just assume it's not there or read something that's not there into it to the expense of the character.
But, I digress. I, myself, am a romantic person so I would like a romance that's based entirely on the two character's chemistry with one another, the type of ship that's fascinating without needing plot points to bring the thrill of their chemistry alive. I really wish we could have a real adaption of Rapunzel, especially- the imagery of the princess in the tower, the power of Rapunzel's voice, to get to know the witch, and the Prince who journeys above the forest and stumbles about her. It really is one of the best stories and so much of it is missing from Tangled. Also, I think Princess and the Pea would be interesting! They could make the Princess more of a Vanessa type, from The Little Mermaid- the imagery of her coming to the castle, amid the rain, and her identity not being believed. I also think it'd be funny if they made her more spoiled or unlikable because, after all, she can feel a singular pea through so many mattresses lol and they're overdue for allowing a female character to be herself, whether that is unlikable to some people, then trying to make them super palatable in EVERY WAY. but I do love just the idea of the castle being so cozy and quaint in the midst of such a rainstorm. I love the ways in which the Prince's mother, the Queen, is a central character and seems like such a wise woman. Which reminds me- I'd like it to be consisting of primarily female characters, mostly with older female characters like we see in Sleeping Beauty. I want the focus to be on wit and amusement and hte human condition as opposed to action (I can't tell you a single thing that happened in Frozen 2). I'd love a natural speaking voice that's more mature- no more Moana or Rapunzel voice actresses ever, please. And it'd have to be traditional animation because I think it lends itself to sophisticated story telling- 3d, as we've seen, really infantilizes the movies. I, personally would like a musical and ideally something that's more natural sounding like Cinderella, operatic and grand in scale like Sleeping Beauty or Snow White, or if it is broadway, I want it to be inventive in its own way like Little Mermaid instead of the same thing for the 100th time. And definitely no Lin Manuel.
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thedsgnblog · 1 year
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How Interesting Custom Illustrations Strengthen Your Brand
If you’ve looked deeply at any of the top brands, their images and designs, you’ve likely noticed that they’re customized to exemplify who they are as a company, and custom illustrations are probably a big part of that.
 In this blog, we’ll explain:
Why stock imagery isn’t the standard anymore
What custom brand illustrations are
Why illustrations are important
How it can benefit your organization
And where you can go for high-quality illustrations of your own
Why Don’t We Use Stock Imagery Anymore?
In print, custom illustration has always played a significant role. Still, in digital media, popularity is just now starting to match that demand. However, cheap stock photography became the norm in digital media, and the accessibility of stock imagery undercut custom illustrations in digital products.
Stock photography is typically forgettable and generic. You need to go through thousands of stock photos before finding the perfect image that precisely conveys your goals. 
Hiring a photographer for your brand can be expensive, and most newer companies and startups don’t have it in the budget to have one on retainer. Some photos can be great but not unique enough or evoke the wrong feelings. Web products and solutions are also challenging to find images for because they aren’t concrete items.
Custom brand illustration services can truly step and shine in this arena. Illustration in branding doesn’t have those same limitations because something can literally be created from scratch that suits your specific needs.
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Why Are Custom Illustrations Important?
Thanks to social media, brands and consumers are more connected than ever. Content is created daily at lightning speeds, and businesses must find a way to stand out in that crowd of faced-paced advertising. By working with someone to create a custom illustration design that you can carry across all your assets, you’ll be able to:
Create a visual signature for your brand
Craft a brand story that’s consistent across platforms (social, print, web, etc.), and
Enhance connections with consumers by improving brand recognition
Let’s dive into the purpose of custom illustrations even more.
The Purpose Of Custom Illustration in Branding
Custom illustrations for your company are more than just decorative. They are amazing tools for communication with your target audience. In fact, it’s a significant part of modern UI thanks to its valuable ability to communicate concepts quickly and easily. They can show (or illustrate) your audience how your products or service work and enhance the written content.
Custom imagery can simplify complex ideas, which can be particularly important in tech products where it helps users understand the ins and outs of your service or software. As digital products and services become more abstract, illustrated metaphors become a more and more effective tool as they articulate what is happening in a simple way.
Illustration in business marketing enhances your brand identity, helping to create a unique, memorable style that your users can easily remember. Illustrations can capture and communicate feelings, foster strong emotional connections, and make online experiences feel more personal. They can humanize a brand and help it seem less cut off and distant.
The Mascot Effect
Nowadays, customers tend to stick with a brand once it's been drilled into their memory and they’ve had a chance to actually try it.
Brand mascots are an increasingly popular marketing strategy and help to personify your brand. A good mascot can help customers and clients strongly identify your brand with a certain product or service, creating a more memorable experience as the face of your business. 
These mascots can come in handy when you’re trying to communicate a product or service. It is especially crucial for web-based brands with no tangible product or service; here, a unique mascot gives viewers something to create that “relationship” when shopping. 
As with any other illustration, a great mascot enhances the user experience and acts as a friendly guide. It should never distract users.
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How Can Custom Illustrations Help My Business?
Brand illustrations help companies stand out from the competition. They help a branding look to come together and create a seamless yet enjoyable user experience as they interact with your brand.
Instead of solely relying on a logo to do all your work, a logo/illustration combo allows your brand to create a host of assets that can work together across your marketing efforts. 
A strong, custom logo is extremely important. Still, you’ll truly kick things up a notch if you can expand on that icon with an illustration or set of illustrations.
Using custom illustrations for your website and print materials can also increase customer conversion rates. Whether selling a product or service or getting visitors to stop and read your articles or blog posts, you will likely retain more users if you use illustrative elements to break chunks of text.
What If I’m Not A Big Company? Can I Still Benefit From Custom Illustrations?
Not only do custom illustration designs benefit large companies, but they also work especially well for smaller brands and startups. Because logos, illustrations, and content can all work together to strengthen a brand, they’re valuable assets for any business. The graphics help strengthen the brand's values and connect the company to its target audience. The same thing goes for the character illustrations.
Building a strong brand foundation from the very beginning can be a huge benefit to companies just getting started and will save you the headache of trying to go back and connect everything when you’re already up and running. Add custom illustrations to your pre-launch marketing checklist.
What Is A Custom Illustration Service?
Custom brand illustration services can help you to create custom assets, from logos to mascots to illustrative umbrella designs. An important part of unlimited graphic design services, there are many companies online that offer monthly plans for a flat rate.
One of the top providers of custom illustrations is Flocksy.
How Flocksy Custom Illustrations Work
Are you looking for ways to enhance your brand’s visual presence? Need a creative mascot or a hand-drawn logo? Or even a tattoo? Flocksy’s custom illustration service can help you craft the perfect image for your needs. Just follow these simple steps!
Request a Custom Illustration Project
What type of custom illustration design and style are you looking for? Flocksy’s talented team of illustrators can bring your vision to life. If you don’t know what type of design you want, that’s fine. The artists can provide a few examples to see what you like. Look around the web and find designs you love. Your artists can use them to inform your new illustration.
Review Your Proof
When they’ve created something, your illustrator will send you a design for approval. On Flocksy, you’ll have unlimited revisions to get it right. On average, their turnaround time is about 24 to 48 hours. What’s more, Flocksy’s artists are extremely dependable when it comes to quality. You’ll never get something subpar or unprofessional.
Utilize Your Custom Illustration
Once you’ve signed off on the design, you can start using the design all over your site, in your print material, and wherever you want! The artists will be sure to provide you with the file types you need, and you’ll have full ownership over the design.
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What Do Unlimited Custom Illustration Services At Flocksy Include?
Avatar Creation
Character Design
Comic illustrations
Custom Brand Illustrations
Custom Line Art
Custom Typography
Illustrated Manuals
Mascot Design
Merch Illustrations
Portrait Illustrations
Product Illustrations
Storybook Illustrations
Tattoo Design
And much more
Flocksy’s custom illustration services can help you make the most of your company branding and keep it cohesive and coordinated when you use them for all your graphic designs. Flocksy also provides content and web development services, making them more than just a design resource. They can take care of all your creative content needs under one roof. It’s like having your own in-house design and content department.
Conclusion
Custom artwork and illustrations help create a visual signature that can make your product easier to understand and more engaging. 
If you’re looking for custom illustrations for your business, look no further than the unlimited design services at Flocksy.
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