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#confident people
doccywhomst · 4 months
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introvertedx10 · 5 months
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If I could just muster 1/8 of the confidence this guy possesses
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intotheelliwoods · 2 months
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tubbytarchia · 4 months
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so ranchers huh
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As fun as it is to make fun of returning tumblr users, I’m actually surprised to see quite a lot artists coming back to test the waters and post their art on here again eventhough they’ve lost all momentum on here and/or naturally lost most of their followers because of the drought of activity. 
If you see an artist you haven’t seen post in awhile and they post their new art on here. Please give them a reblog and not just a like for their work. 
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glorious-spoon · 5 months
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the thing about steve that i feel like fic consistently gets wrong is that he is really not easily embarrassed at all. this is a man who did that goofy-ass handshake with dustin in the middle of the mall with nary a second thought and sang 'total eclipse of the heart' in a muppet voice to make robin laugh and cheerfully flirted with cute girls (a) while wearing a sailor outfit and (b) after striking out so many times that it turned into a running joke.
he is simply not that attached to his dignity, and i think that's beautiful
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ad-claritas · 1 year
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I'd love to have the cofidence that people who have a selfie as wallpaper on their phone have
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sabertoothwalrus · 2 months
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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selfhealingmoments · 6 months
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bixels · 3 months
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(guy who sent in the original i thought you were a lesbian ask) i just wanted to say i still find you just as attractive with the knowledge that you are a man, apologies if i made you feel uncomfortable or like you're less handsome for not being a hot butch. you're still plenty hot regardless and i'm sorry for inflicting tony hawk's sapphic nightmare on you
Tony Hawk’s Sapphic Nightmare is very funny, I would photoshop something if I could right now. Thank you.
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sharkface · 7 days
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If there are supposedly hordes of trans women sniffing out shy moody androgynous goth boys and turning them into extroverted freaky raver puppygirls explain why hasn't it happened to me yet. Am I not pretty enough
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spidertams · 8 months
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A doodle of my spidergirl mireia which I’m particularly fond of 🧡 I promise she does more than play the bass and sing, but I love drawing her doing that,,
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femmefatalevibe · 6 months
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Femme Fatale Guide: 15 Essential Business Skills Everyone Should Master
Articulate, confident communication
Crafting effective, compelling pitches
Operating and communicating through a solution-oriented framework
Research of all types (Google, market research, studies, polls, interpersonal conversations, etc.)
Learning how to streamline, edit, and organize information in a clear and logical way
Accumulating high-level working knowledge/proficiency in all tools and programs directly related to your type of work/industry
Budgeting and financial optimization (investment, tax benefits, etc.)
Reading and interpreting legal contracts/documents
Setting rates, boundaries, and learning when/how to delegate
Good posture, direct eye contact, and a firm handshake
Building streamlined systems for onboarding, different repeat project scopes/workflows, and KPI measuring
The art of following up, listening to (potential) clients' needs, asking thoughtful questions, and benefit-oriented salesmanship
Consistently reading, learning, and studying current events/cultural platforms/industry and field-related knowledge
How to spot customer/client/business partner red flags
Self-management, task/project prioritization, and optimization of your personal energy clock + levels
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deadeyedfae · 1 month
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Well here it is! The promised comic about being a plus sized trans girl and how that has effected me and how I’m going to try my best to be visible for all the plus sized baby trans people out there who need representation like I did and do! 💜💜🏳️‍⚧️💜💜
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artharakka · 2 months
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Beautiful, But Broken
#bg3#tiefling#tw blood#c: Viivi#so I redid my bg3 character because I wasn't feeling durge that much. So now my sibling does durge and I regular tav Viivi#(changed her to tiefling for funs)#at least I meant to do regular tav but uhhhhh things have gone very unfortunately very fast#anyway. Viivi is an artist; she does painting sculpting poetry and some prose. Experimenting with this and that#unfortunately she is deaf which made making connections a bit hard in the fine arts world#fortunately she has a patreon with one very generous patron (she's fey warlock)✨ who has bestowed some gifts of charms for her#which have opened doors of many art galleries#She's not a fighter so although she is confident in her own lane she is also very aware of her mortality#so she avoided any fights she could#which might have saved her but also got her into the mess of her lifetime#you see she couldn't fight the entire goblin camp and their leaders. She would've just not survived that. So she convinced them#that she is a True Soul. She is good at convincing people. It worked. They thought she is on their side. Good#Halsin also though Viivi was on their side. Halsin attacked Viivi's party. Now Halsin is dead.#So Viivi and her group were still alone deep within enemy fort. Viivi made new plans. She frees the prisoner who says he will warn the grov#Good thinks Viivi now they know to flee. I will go to Minthara and tell we got the information from prisoner of the grove location#she will trust us and we walk off#when we get back to grove they have not fled and Minthara is at the gates#Minthara wants Viivi to sound the horn. Zevlor wants Viivi to sound the horn. Viivi asks Zevlor to please tell this plan in detail.#Zevlor says just blow the horn already. Viivi does that. Minthara thanks Viivi for leaving the gate open as planned#Zevlor does not thank Viivi for that. Viivi is confused as she did not leave the gate open. (for real the damn gate was left open)#So I did a Massacre.#now Karlach is gone Wyll is dead. Lae'zel is also dead#but apparently Minthara is ready to be very loving and sincere with Viivi. The most helpful person she has met in very long time.#Viivi might love her#so that is how she's doing.
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peach-pot · 4 months
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ok my turn
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