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#contrasts
gayofthefae · 2 months
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We don't come back to this enough and how these are DIFFERENT. LOOKS. He cries. He's willing to cry. He is okay with being vulnerable and okay with being vulnerable in front of his mother. He is on the verge of breaking down in gif one. He is walking on autopilot, not looking up, eyes unfocused in gif two.
In gif one, he hasn't allowed himself to truly feel it until he is able to collapse into his mother's arms. In gif two, he started thinking and he has not stopped. Gif one is him breaking down into feeling something. Gif two is him sitting in something.
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mysticdragon3md3 · 4 months
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I'm sorry to say this, but the number can be WAAAAAAAAAAAYYYYYYYYY MORE than 3 years.
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gbiechele · 3 days
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Stair Light
Minolta MC Rokkor-PG 58mm f/1.2 Sony A7
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redrcs · 1 month
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Arrival and departure
Circular Quay, Sydney
I liked the colour contrasts
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damn-these-eyes · 1 year
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motel
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nobeerreviews · 9 months
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Every building is like a person. Single and unrepeatable.
-- Louis Sullivan
(Bucharest, Romania)
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itsmaddieforreal · 12 days
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FMAB / AoT Comparisons and Contrasts Pt. 2
I am not crazy, I don’t wanna hear it.
Ling Yao and Sasha Braus:
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Initially introduced as comedic relief with big appetites.
End up having bigger roles in the story later on.
Greed and Ymir:
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Selfish characters who are killed off in the middle of the series.
Their powers/memories are transferred to another user (Porco/Ling), but in the end they are stripped of their powers and die once more for good. (Porco dies, Greed dies.)
This is honestly all I have for character comparisons until further notice or until I come back to edit this post, but I did want to compare a couple of the locations in both shows too.
I think the obvious contrast in location is Amestris vs. Ishval and Eldia vs. Marley; these countries who have been at war with each other for a long time and their conflicts have spurred the story forward one way or another.
And then there’s the Gate and the Paths: alternate realms that the protagonist is sent to where an otherworldly being (Truth and Ymir Fritz) aids the protagonist for better or for worse.
That’s it, that’s all I’ve got.
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curiosity-matters · 8 months
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Salamanca, city of contrasts - I
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hansdurrer · 4 months
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Nice, France, 26 Novembre 2022
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kleinefreiheiten · 1 year
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08.2014 Hamburg
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random-xpressions · 7 months
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She's smiling, laughing, joking around. But I know, deep down she's just sad, broken & weeping!
Random Xpressions
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gayofthefae · 2 months
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Thinking about the phrasing "I don't know. I mean, he's been good to us and good to El but he wasn't able to protect me." The prefacing of the same boy who said [What did I say about the 'sorry's] "Sorry. I mean-". That prefacing of almost "I know that he treats the important person well, I'm not overlooking that, but what about......me? Would you consider that?" He lists it like he's making sure he doesn't get overlooked, that that doesn't get swept under the rug and forgotten.
And the contrast of that in El when she calls out Brenner "The demogorgon, the mind flayer" as it shows Will's pain flash on the screen in her anger. To him, it's "On one hand, he's stepped up for her, but...I needed that too, even if I'm not The Superhero". But to her, it's "How dare you hurt us, how dare you hurt him."
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mysticdragon3md3 · 7 months
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“For the longest time we had been figuring out exactly where Ballister and Goldenloin were in their relationship at the beginning of the film. For a few iterations of this scene, this had been the moment where they they first showed signs of affection towards each other, but for most iterations, this was one of the few displays of affection between them on screen. I was so surprised to see in the final film they went with a version where their relationship is well established and clear as day - it works so much better for the story! From the boards to the final renders, you can see how the space between them is compressed and how much more intimate their interactions are. It’s clear the filmmakers knew how important it was to sell their relationship from the get-go and infuse this scene with as much personality so that the audience immediately roots for them. Props to @itsnickbruno @troyquane @savethepretzelstand !!! That moment where Ballister leans on G’s shoulder really brought me to tears.💛🖤”—@estebravo on Instagram (https://www.instagram.com/p/CuSVFE8PRJ7/).
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barcoland · 7 months
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Blessed is he who expects nothing, for he shall never be disappointed. (Alexander Pope)
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vintage-ukraine · 1 year
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Vasyl Krychevsky`s cover of Contrasts by Hrytsko Chuprynka, 1913
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kmp-modernfurniture · 3 months
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Take a sneak peek at the world of color housed at the edge of the line between light and darkness.
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@flackstudio_ takes bright and rosy tones of pink and deep shades of blue and grey to create a bold interior where soft and sleek overlap. Why settle for normal when the limits to contemporary design go as far as one’s imagination.
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