Take what I’m about to say with a grain of salt since I wouldn’t say snake was really written to be A Gay Character but regardless the way snake’s gender and overall personality is portrayed is probably one of the best depictions of gay men I’ve ever seen. He’s very pretty, dressed in expensive clothes reminiscent of a prince, with beautiful wavy hair and an air of poise and sophistication. He’s the smartest person in the room and he KNOWS this and he will not hesitate to be a condescending prick. He’s delicate and funny and charming. He has no fear or hesitation about suggesting he and Junpei share a bed or referencing gay sex. All these things tend to make a character the butt of jokes or at the very least regarded as lesser than the other characters but with snake hes the most admired one here. He’s very capable and is in fact so capable he literally needed to be removed temporarily from the situation so that the others could solve the mystery on their own. He’s absolutely fearless, doesn’t care about pissing off Aoi or getting shot multiple times by Ace. He’s fucking strong as hell and is able to survive being shot multiple times and have enough strength to dig his claws into Ace and force them to burn to death together. Everyone loses their shit without him and he’s the key to escape. He’s cool as hell and he fucks severely
115 notes
·
View notes
Not gonna get into danganronpa another spoilers because this whole scene is something else that I’m still processing but I absolutely love this line. Like to bring up milgram I think this is an idea which can reflect on lots of the characters as well. The idea of basing your entire existence off of a certain thing/person/ideology and then for something to happen that completely destroys that. Your entire person has been stripped away and just what’s left? You can’t comprehend your own existence or meaning without that specific attachment and you start to question all of your actions based off that…
I can only really think of John, Kotoko, and Es here (and possibly Amane and Mikoto to an extent). And John bases his life off of Mikoto, Kotoko upholding justice, and Es being the warden.
John’s idea of his whole existence and reason for being is Mikoto. It’s the only reason he believes he exists and if he were to fulfill his role he’d “disappear” as he would be completely worthless without him. John tries to repress and ignore his humanity and reduce himself as a tool to protect Mikoto and that’s all he can see himself as. But now Mikoto’s starting to not deny his existence and feels pure hatred for everything about him. And what will happen to John, when the person he’s dedicated his entire life to and desperately wants praise from, denies his existence? What will he be but some worthless existence that is only a burden, to him.
Kotoko. An ideology of upholding justice and punishing evil that has completely overtaken her. She has pushed herself into a role of a “fang” for justice, protecting the weak and persecuting evil. But even so matter how much she tries, she knows her goals are unreachable. She denies relationships and attachments to other people based on this ideology. Kotoko admits that she does feel attachment to the prisoners, but has to deny them in order to fulfill the role as a tool. And believes that pain and violence is necessary to achieving a greater good. Trying to deny any regret because wouldn’t it be easier to believe you’re entirely in the right? She latched onto Es, believing them to be similar as the warden who carries out judgement on wether the prisoners are forgivable or not. But now, Es has denied her whole ideology, her whole existence due to the pain she’s caused. Kotoko wants to believe that what she did was right and that Es, another enforcer of justice would accept her, because that’s how it is.
And Es… they’re the warden of the prison. There’s nothing more to them than that they believe. Es has no memories of their identity or past before Milgram and immediately latched onto the identity given to them, of being the guard. Es took this role as their entire identity, an extension of the milgram system in order to interrogate and judge prisoners. I think Muu put this best.
“Warden-san, we call you "warden" because that's what you are, right? And I was assigned the role of prisoner, but that doesn't mean I'm now nothing but a prisoner at heart, too. After all, I'm still me.”
Es has an unstable sense of identity, to the point they latched on to the first thing they were given in order to give themselves a purpose and a meaning for existence. And Kotoko calling them “imperfect caused them to question their identity. But as the story progresses Es will probably begin to learn about the audiences control and the truth behind what they assumed to be their verdicts. That their will never was 100% their own. Who knows what Es’ past was, but eventually they’ll likely have to tackle it and their whole identity, the warden, the arms of milgram, is gone.
gonna think about Mikoto and Amane here as well. Mikoto, although may not seem to be as first, focuses his entire identity around other people. He’s the friendly sociable guy who’s easy to chat with. But that’s all he believes he should be, I guess. As perhaps this mindset is upheld by an inherent fear of other people rejecting him, so he focuses all his attention and identity on being a social person. He’s never truly friends with people, as perhaps that would be “too close” and open up the possibility for danger. He doesn’t completely deny his identity like the others, but he molds and shapes it in a way that is acceptable to others. He likes what everyone else likes and does what everyone else does so the fear of being rejected for being different won’t hurt him. But now he’s stopped denying John’s existence and his DID, believing himself to be crazy, and to be completely rejected from other people, his entire sense of identity to an extent. And especially with John scaring other people off with the mindset that will help Mikoto, he has now been completely distanced from everyone else and now has to come to terms with himself, but not the ideal persona he put on to be acceptable to other people.
Amane is a more different case as she in a way has rejected that idea, but not completely. Growing up in a cult it’s very likely that she was always conditioned that she was just a servant for god. That all the good things she did were actually god blessing her and all the bad things a fault of her humanity, herself as a person. She is in a unstable relationship with the whole submitting her personhood to her religion, as she sacrificed her ideologies in order to help a cat. But at the core, that wasn’t about herself and her identity, rather a focus on the cat’s life. Amane’s murder was her will. Rejecting everything and fighting for her life in direct opposition to what she has been taught her entire life and how her identity should be, a rejection of that and a glance into “herself”. But once again, this murder wasn’t entirely self motivated. She’s still broken enough that she can’t fully grasp herself as a person besides god and religion. And a large cause of her murder was out of the death of the cat, rather than simply protecting herself. Amane still slips back into the belief that her personhood is entirely dedicated to god. As she tried to convince herself and Es that the only reason she killed is because they deserved religious punishment and she is in the right for carrying out god’s will, once again denying her personal reason for doing so. Reducing herself to “we” on behalf of her religion, that this isn’t herself anymore. Amane is in a limbo between rejecting her personhood for god, but at the same time rejecting the suffering she’s been through in order to save “herself”. Amane’s case is so interesting, as there’s no clear answer of what she believes in here, and it is truly fascinating.
23 notes
·
View notes
Sometimes I just think about Soi Fon. Like that shit was so insane. Easily one of The characters of all time. You’re going to give me a woman who hates the physical manifestation of her soul because it’s loud and explosive and she doesn’t think it’s “proper” that it suits her, but it’s so obvious it does because she’s angry and stubborn and loud and explosive!!! And then the fact that she never ever calls upon that physical manifestation of her soul until things are so dire it’s practically that or death? The fact that in so many ways she lets her emotions build and build and build until they quite literally explode???? And then!!! AND THEN!!!! Add in that she hates her bankai because it’s “inappropriate” for an assassin… for her role as captain of the Stealth Force… the position she inherited from Yoruichi after she abandoned Soul Society for Urahara… She despises the physical manifestation of her explosive nature, the nature she hides until she can’t, just like she shoved down her feelings for Yoruichi, the betrayal, the hurt, the love, until she quite literally couldn’t anymore and it all came back up in a BANG!!! Like god… oh my god, no one will ever do it again and kubo did not deserve such a cool fucking character in the least
118 notes
·
View notes