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#core set 2020
mtg-cards-hourly · 4 months
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Vampire of the Dire Moon
"This place suits me: craven authorities and plentiful prey."
Artist: Anna Podedworna TCG Player Link Scryfall Link EDHREC Link
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art-of-mtg · 3 days
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Temple of Triumph (Core Set 2020) - Piotr Dura
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Mountain (Magic 2020 Promo Pack Ver) by Piotr Dura
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joansblondells · 1 year
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Grace Van Dien as Ellie Lansing in LADY DRIVER (2020)
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yuyu-bubu · 1 year
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shoutout to helplessness, gotta be one of the top ten worst emotions fr fr. i am but a poor Webkinz plush a child has decided to pour milk on and throw against the wall
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pleasantdragontree · 11 months
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My "bad take" that I'm too scared to say on another site is that himi gauche sets are shite because they mold so easily
If you paint daily or weekly you'll be fine but if your like any other artist that only paints when depressed or feeling like shit. Himi gauche isn't for you.
That thing is so moldy but I refuse to throw it away cause I'm making the most of the £16.50 of my universal credit
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wordsinhaled · 9 months
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i’m so totally normal about the fact that aziraphale’s last (known) deliberate foray into the queer community was when he learned the gavotte at the fictionalized hundred guineas club (!!!) in the 1800s and now in the 2020s he’s like “grindr? what’s that?”
many are talking about his repression which is very valid… and yet the thing to me that stands out about aziraphale is that he’s actually… incredibly stable in his identity and that identity IS incredibly queer. queer by the standards of heaven AND by human standards as well
metatron describes his “de facto partnership” with crowley as “irregular.” and in fact aziraphale in his entirety is irregular. he likes and makes it his business not only to understand but to be a connoisseur of all manner of things angels aren’t supposed to even remotely care about. food. music. books. theatre. sleight of hand. and more.
it’s the sort of behavior that would’ve gotten him othered, treated as a bit odd, in heaven even if he hadn’t chosen to consort all across the earth with a literal demon. and it IS treated that way - the fact is aziraphale even as an angel has got proclivities that set him apart from the rest of the host (even after offering him the highest position in heaven, metatron still acts deeply dismissive of him… like aziraphale’s bookshop is merely a quaint little hobby of his that can be easily transferred to another custodian, and not a literal extension of who aziraphale has become, full of his tartan and unique bibles and special vintages of wine and the books arranged in a very specific way)
so. aziraphale is a queer angel but of course he’s also queer to other humans. but in such a way that… he had his realization a LONG time ago, and put the matter very much to rest after that. aziraphale is perpetually something like several centuries behind schedule. he owns an ancient computer that probably continues to run windows 98 simply because aziraphale’s decided it should. he wears the same waistcoat and coat for generations because he simply likes them precisely the way they are and sees no reason to change them. but the idea that he doesn’t know how he comes across to others - of course he does. he knows he looks like your prim and proper grandfather and he prefers it that way
aziraphale looked around at humans in the 1880s and said: ah yes. this is where i fit. and promptly ensconced himself in that queer subculture. learned the gavotte. read his austen. loved crowley from afar. aziraphale is fiercely and vibrantly queer. just with the sort of assurance of someone who lives with his lover in a commonlaw marriage for decades and then shows up at city hall for the certificate once society decides it’s ‘allowed.’ like… he hasn’t had any need to know what grindr is because aziraphale’s ‘scene’ was a century and a half ago and it defined romance for him too.
but my favorite thing about aziraphale is how much of him is about appearances versus the truth. he can lie straight to angels’ faces and sleep at night. he knows he comes off soft but he once wielded a flaming sword. he dissembles helplessness but he’s far from it and he knows precisely how it makes others treat him. and at the core of aziraphale is rigidity, inflexibility of ideas… his sense of self is stable where crowley’s is malleable, and so on, and so on
and the fact that he’s continuously fixated on trying to misguidedly do the right thing, the fact that he seeks heavenly approval and wants to fit the world into his schema of good vs evil… in no way do i think that means he isn’t one hundred percent aware of how he feels about crowley or what it means about him by angelic or human standards. i’ve seen some folks saying that aziraphale doesn’t want to like kissing crowley and like… as much as i love me some brideshead revisited/atonement flavored angst; i put forth that it’s not internalized homophobia or queer panic but simply: “i’m trying to do the right thing for both of us and you won’t let me.” and “i wanted our first kiss to be different.” he was envisioning an entirely different flavor of romance than what he got but he emma woodhoused too close to the sun
like, y’all. aziraphale in all likelihood has a glorious collection of historical queer erotica. he just has a feathery diva coat hanging in his closet, and for what. “oh, good lord” he says at crowley’s revolutionary outfit in the bastille, while eyeing him up like an entire meal. he’s so good at affected propriety, at carefully constructed stuffiness, but between the two of them aziraphale’s got to be the one who has experience
aziraphale had been physically throwing himself at crowley the entire season. he orchestrated an entire regency ball so they could touch hand to hand. he spends the entire season (well, and season 1) looking at crowley like he’s particularly coveted. he looked at crowley before the fall like he was glorious and beautiful. aziraphale’s queer and he knows it and i think that isn’t his problem, it’s the fact that he wants to build a different sort of future for the two of them but crowley’s gone and thrown a wrench in it by reminding him of everything he can finally have. like. that’s the heartbreak. it’s how dare you make this ugly? i forgive you for our first kiss being all pain and salt. it’s my dearest, i wanted to make heaven as beautiful as you deserve. as sacred and safe for us as our bookshop. and i can do that for us, because once i held a flaming sword and i still remember how the hilt felt in my hands. and now the taste of you is in my mouth.
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solaireez · 4 months
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Luke Castellan x fem!reader
warning: smut, sub!luke if you squint, not very good writing, not proofread😭
wc: 1.1k
a/n: i was bored and i want to post it so 🤷‍♀️ kinda slow build up towards the actual smut part. i had no idea how to transition from a non sexual setting so, mac n' cheese.
i apologize if my writing is poor, the only thing i’ve wrote besides this was a Draco malfoy fanfic back in 2020 which was so much worse. and i’ve never posted anything on tumblr.
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Summer air fills my lungs, camp was being more calm as usual. The campfire glowed dimly beneath the daylight. Luke sat next to me, eating through his lunch. His left hand placed delicately on my right thigh. I glanced up at him, his dark curls practically poking through his eyes.
“you should let me cut it.” I laughed, raising my right hand to push his hair away from his face.
 I took a strand and pulled, measuring how far his hair went. It sat right below his eye. He looked up at me. He smiled despite his mouth being full of mac n’ cheese. His scar scrunching up as he tried to hold his laugh. He quickly tried to swallow his food so he could reply.
“fuck, no” he pulled his head away from my grasp on his hair, laughing.
“why?” I asked firmly. My hand reached back up to mess up his hair.
He grasped on my wrist, both of them. He pushed them away from him. We stopped abruptly, staring at each others eyes. His drifted briefly to my lips. Our breaths were heavy. His grip still tight against my wrist, I was sure he could feel my pulse. He let go, chugging the glass of water before standing up and dragging me to his cabin.
It was empty. It was just us.
My back gently hit the wall by his bed. His hands falling down from my neck down to my waist. Our lips crashed, my hands reached back into his hair. The sounds of people screaming from afar was drowned out by our own breaths. I hummed, pulling away. My fingers traced his scar, I felt him twitch from the touch. He rested his forehead on mine. I pushed against him, guiding him to sit down on the bed. He followed my lead, looking up to me from his position. I stood in front of him, my hand stayed on his cheek, his hand still on my waist.
I slowly climbed on him. Carefully setting each knee beside him. Our eyes still locked. Our breaths still thick around us. I settled above him, refusing to sit on his lap. He had his head tilted back to look at me. My hand supporting the back of neck. Our lips met again, I pulled his head further up. I deepened the kiss, causing him to fall back to the bed. He laid down, watching me sit above him, his eyes never left me. I reached the hem of my shirt, slowly raising it to reveal my skin. That was when his eyes left mine for the first time. He watched me slowly remove the bright orange shirt. His breath hitched as I revealed my tits. His eyes were hungry. Hungry for me. I stepped off the bed, letting him reposition himself on the bed. I unbuttoned my shorts, watching his eyes try to decide where to look. The way I slid my shorts off forced a moan out of Luke. His eyes staring back to mine. He took his bottom lip between his teeth. His hands quickly took off his shirt, then his pants. He was naked before I made my way back on the bed. I still had my bra and panties on. I was on my knees above him. His hand reached behind, fiddling with my bra clasp. I smiled, letting him know he could take it off. He quickly did, with one hand, while the other rested on my waist. I let my bra fall down my body. His eyes falter, falling to my bare tits. my hands trace along the hem of my panties, the stop on each side of my waist. I pull them down slowly, purposely teasing Luke. He took a deep breath as I reveal my pussy. His cock twitched against his abs. I got back up, completely removing my panties.
I finally settled down on his thighs. The base of his cock sat inches from my core. I moved closer to his face, he moved forward, expecting me to kiss him. I held his head in place, roughly cupping his chin, causing his lips to part.
“open.” I commanded.
His mouth opened wider. I inched closer, and closer. I let our lips almost touch, before I shoved my tongue in his mouth. This kiss was different. We were desperate. I sat up, my left hand going down and guiding his cock into me. We moaned into each others mouths. We felt dirty. I lifted my hips, before slamming back down. His hands now gripping my ass. His grasp limiting my movements. He slowly pushed my body toward him, making me grind on his dick. Our mouths still latched on each other. He kept his place on my ass, helping me move. Our moans filling the empty cabin. I pulled away from him. My head lowered to his neck, biting down on his adams apple. His head fell back, allowing me more access. I chuckled at him, my lips kissed the skin. Occasionally biting down, hard enough to leave marks. Every time my teeth sank down, a whimper make its way out his throat.
“fuck…” he whispered, his nails digging into my skin. My hips maintained a rhythm against his cock. His hands leave my ass, moving up to my back. Then he was hugging me. His head falling, he rested his head on my collarbone.
“Luke.” His name left my mouth like a plea. He lifted his head, looking back to my eyes. We kissed again, this time it was softer. It felt reassuring. My arms sat around his neck. Our movements became sloppier, the rhythm lost within the pleasure. I felt his cock twitch inside me. A familiar feeling bloomed in my stomach. Our faces rest against each other as we caught our highs. His cum spilling inside me.
We let our breaths slow, embracing each other. My forehead touching his. I kissed his face, every part I could reach without moving too much. He softly gripped my hips. I understood what he meant. I got off from my place on his lap, his cock slipping out of me. He carefully laid down, leaving space for me in his arms.
“I’m pretty sure we have archery right now.” He groaned at my reminder. His arm went to cover his flushed face. I laughed at his behavior. I dressed myself, watching Luke complain and try to get me into his arms.
“we have to go Luke!” I threw his shirt to his face, then his pants, which he did nothing about, laying still. I removed the clothes from his face, and threw his boxers instead, which triggered him to get up. He hugged my body and threw me back into bed. He caged me. I couldn’t move one bit.
“I’m letting you have 5 minutes.” I grumbled, burying my face into his bicep.
He only hummed in response.
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cryptotheism · 1 year
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A Review of The Way Of The Shadow Wolves: The Deep State And The Hijacking Of America by Steven Segal
Alleged rapist and human trafficker, cop groupie, washed-up action movie star, and personal friend to Vladimir Putin, the paradox of Steven Segal is how he manages to stick around despite being –by damn near every account– a universally unpleasant vacuum of charisma. I could go on, but I feel that no introduction of Steven would be complete without the tale of the headlock. Legends tell of Steven’s conflict with legendary martial artist and hollywood stunt coordinator “Judo” Gene Lebell. Allegedly, the two fell into an argument on the set of the film Out For Justice. The crux being Steven’s claim that he was “immune” to being choked unconscious. Allegedly, LeBell called his bluff, and put the actor in a headlock. A headlock that resulted in Steven losing consciousness, and control of his bowels. Steven denies the story. He also wrote a book.
The book is garbage, but garbage in a way that can be easily overstated. I wanted to take a page from other reviewers of this book, and call the text what it is; a fever dream of exhausting mediocrity, swaddled in delusions of grandeur. I wanted to whale on it. I wanted to denounce it like some ridiculous fire-and-brimstone preacher of internet literary criticism. But this does not capture the core, the essence of Way of the Shadow Wolves. There is a paradox at the heart of this text, a contradiction that even now I struggle to describe. Because despite everything, despite the balls-to-the-walls premise, the disastrous prose, and the buckwild plot, this book is deeply and powerfully boring. To call it a fever dream is to imply that it might be exciting. 
Some books are bad in a way that must be experienced firsthand. This is not one of those books. In a way, I feel that you’ve already read this book. You know Steven Segal. You met him in elementary school, when he told you he has “every black belt.” You met him in college when you tricked him into smoking a bag of oregano. You met him at your most recent family gathering, where you were trapped in an awkward one-sided conversation about “those people.” The bad-ness of Steven’s work is deeply familiar. 
We have our boots. We have our waders. We have our shovels. But, before we wade into the shit, there is one more thing we need to get out of the way: The Shadow Wolves are real. In 1972 the United States government agreed to the Tohono O'odham Nation’s demand that border enforcement agents patrolling their land have at least one quarter native ancestry. The result being the specialized unit of Immigration and Customs Enforcement officers known as The Shadow Wolves. In the 2020 Sonic the Hedgehog film, Dr. Eggman states that they are who trained him in the art of tracking. 
WAY OF THE SHADOW WOLVES
Let us cook Way of the Shadow Wolves from scratch. Think of every dogshit C-list action movie you’ve ever seen. Ideally, you want the trash cuts of post-9/11 hysteria marbled with ex-cia heroes and vaguely arab villains. Drop it all into a stockpot. Next, roughly dice some comic books and kung-fu movies, the more racist the better. Now add some datura, it doesn't matter if it's edible or not, because you saw a native American in a movie make something like that once and you’re totally 1/64th Cherokee. Add a whole can of Qanon and a whole can of racism. Boil until you have pacing thicker than mud. 
Way of the Shadow Wolves is a police procedural meets a spy thriller, a fast-paced action drama about elite agents on the fringes of the law who have the huge sweaty meaty balls to do what needs to be done for our country. It is Steven's attempt at the action schlock he embodies as an actor. Our hero is John Gode: Shadow Wolf. Reservation-born native American tracker, ICE agent, and Kung-Fu master. I believe he might have been described at one point. If he was, I do not care. Steven does not care. It does not matter. John Gode is Steven, and he’s the most badass dude to ever not be gay. He is: Special Agent Shaman Cop. He’s gonna beat up the deep state. That’s all you need to really need to know. In fact, it is shocking just how little you need to know about this book. 
We begin in a movie theater, where our protagonist is alone, watching the end credits of a movie about the atrocious treatment of native Americans on behalf of the united states government. When the film finally ends, John says to himself “It’s about time.” He gets up to leave. The chapter immediately ends. My compliments to the chef. A delightfully bland apéritif of a character introduction. Steven uses the essential point of first contact with our protagonist to tell us vital information like “He doesn’t like it when movies are long.” or maybe “He didn’t like this movie about the trail of tears.” It is unclear. To quote English-Albanian philosopher Dua Lipa, “Go girl, give us nothing.”
I have been dancing around the quality of the writing. It seems impossible to approach without the footing of a new paragraph, an opponent that requires full-focus, an all-out assault. It is nigh-incomprehensible. I hate comparing bad writing to drugs. It feels too easy. But there is a specific air to Way of the Shadow Wolves. There is a distinct cadence, simultaneously manic and lethargic, that comes from attempting to write while day drunk on over-prescribed amphetamines. And make no mistake, if Steven was not entranced by the muse of Too Many Uppers And Downers At The Same Time, if he wrote this thing stone sober, that is worse. Small quotes will not do the writing style justice, you must see for yourself how sentences flow into each other:
“The desperado’s mind went back in time to a small town in Mexico twelve years before, where he first met his two cohorts when they were thrown together by a tragic set of circumstances. Their parents had been gunned down by a cartel who was at war with a competing cartel for control of the area, which was a pathway to the American border near Nogales, Arizona. All three had been shepherded to a local mission where they were being cared for by the Franciscans, who were becoming overwhelmed by the growing number of children left homeless due to the rampant killings by the warring cartels . . .”
Labyrinthine. A paragraph structure that would feel more at home with Calvino, or Garcia Marquez at his most experimental, though stripped of its deft control and musicality. Segal will regularly change temporal perspective in the middle of sentences. A single run-on sentence will begin in the past, have a middle clause in the present, and then return to the past by the end. There is a downright massive cast of characters for a 200 page book. Damn near every chapter introduces three or four more names, and we are lucky if Steven describes them before discarding them entirely. This book is a slog. I find myself losing patience with Steven. 
Some time has passed since I began writing this review. Originally, my approach was surgical disassembly. I was going to go over the plot, summarize its anatomy, pick apart its flaws with surgical precision. But the more I cut, the more I felt as if I was the butt of a joke. I was performing an autopsy on a clown, pulling sheets of colorful rope from its gut, and the cadaver was laughing at me. 
There is a moment, about halfway through. A woman approaches John at a bar. An assassin, who later attacks John in the parking lot with karate. A furious series of crescent kicks, effortlessly blocked by John Gode, who punches her in the ribs and knocks her to the ground. Realizing that her martial arts are defeated, she draws her gun, but John Gode is too fast. He fires his own weapon before she can get the shot off, killing her instantly. “Her round went upward toward the sky as she fell backward with eyes wide open, seeing nothing.”
This scene stuck with me. It illustrates one of the critical flaws at the heart of Way of the Shadow Wolves. Nothing hurts John. Nothing even gets close. He does not struggle. He does not sweat. He does not bleed. Steven clearly intends this scene to be badass, a moment where his self-insert hero defeats a dangerous enemy without trying. This book is an action movie, but John’s untouchability makes every action scene read as a moment of profound and boring cruelty. This was not a contest of master martial artists. This was an adult kicking a child in the throat.
I find myself losing patience with Steven. I am running out of humorous ways to describe this vapid tripe. This is, in my mind, the greatest condemnation of bad writing. There is no hell lower than being boring to mock. I see myself as a sort of sommelier of the awkward and disastrous. I will be the first to tell you “Wait! Don’t throw that out! There are things to be learned!” But Steven repeatedly proves himself to be a sort of Alchemist of Shit, capable of transmuting theoretically interesting bullshit into just fucking nothing. If this book deserves credit for anything, it is its miraculous ability to squander its own premise. 
Why write this? Any of this? Steven clearly does not read. Or, if he does, he seems to subsist entirely on a diet of comic books about monkeys that do kung-fu. Why write this? At some level it all comes down to “because Steven wanted to” right? 
Right? 
But I cannot shake the feeling. To call this book masturbatory is to imply that Steven might have enjoyed it. There is a desperation to the power fantasy here. To be feared by men, desired by women, revered by all, yaddah yaddah yaddah, all the same trite excretions of blunt masculinity. But there is something else. Steven wants the same thing that every conspiracy theorist wants; a simple world. A world he can understand. Steven is exhausted, overwhelmed with a world he feels he can neither effect nor understand. I am exhausted. 
I fear my earlier allusions to expressionist novels may have been more spot on than I imagined. Way of the Shadow Wolves has a plot in the sense that Sunny-D contains fruit juice. Its presence is a formality, a ceremonial hat worn for tax purposes. The plot is there, but it is unimportant. This is not a text that can be debated with. Because within the world of the text, politics is not complex. It is not actually a web of interconnected groups, each with their own interests, rivalries, alliances, and historical contexts. Behind all of it is two things: Good guys, and bad guys. The good guys are all working together, and the bad guys are all working together. 
I find myself losing patience with Steven. I fear my earlier allusions to expressionist novels may have been more spot on than I imagined. Way of the Shadow Wolves has a plot.
John Gode finds a human tooth in the desert. It belongs to a body, a body of a woman described in lurid detail. Nearby, he meets a young native American man, a man who calls himself Sweet Tooth. The body is missing teeth, missing hands, missing feet. A trademark cartel killing. A young native American man. “I’m gonna be like, your assistant right?” A buddy cop dynamic. Meeting the task force. Tailing an ICE van full of cartel soldiers. A hostage situation. A shootout in the desert. Far away, faceless men in suits with masonic ranks plan a mass killing. Some sounded like they had Arabic accents. Freemasonry. Interrogation with a snake. The corpse was a woman. The woman was a reporter. She had the evidence on a flash drive, evidence that proved the existence of the deep state. What if its all connected? A sex scene, or almost a sex scene. A sex scene interrupted. A shootout in the desert. Kung Fu assassins at a bar. A cartel defector. A shootout in the desert. What if its all connected. They’re working with the Jihadists. The USA is already “half latino.” The government is paying the cartels to ship Jihadists north across the border. They’re well-trained and well armed. You can’t trust anyone. A terrorist defector who hears the voice of the prophet. The ghost of John’s grandfather. The sun sets over the Sonora. A shootout in the desert. They kidnapped John’s mother. Bring them the flash drive. They’re planning to bomb the casino. A shootout in the desert. The police chief was a traitor. The Catholics are in on it. Its all connected. A shootout in the desert. Assault by night. Rescuing the hostage. A knife dipped in pigs blood. A pit of vipers in the sonora. 
Steven ends a chapter with the line. “They had functioned like a well-oiled machine that had just saved two innocent lives. All lives matter. Do they not?” 
I am tired. I find myself at a neighborhood block party, trapped in a conversation I’ve had a thousand times. This time the man on the other end is a sweaty divorcee in range glasses who looks like a sunburned thumb. Last week, it was a woman with a necklace of crystals and blonde hair bleached blonder. “Haha yeah” I say, looking down at my phone. “Burgers look good this year huh?”
Thank you to my Patreon supporters who made this review possible.
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superlinguo · 1 month
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New Research Article: Creating Inclusive Linguistics Communication: Crash Course Linguistics
This handbook chapter is a behind-the-scenes of how the Crash Course Linguistics video series came together. I’m really proud that this article includes contributions from the linguistics writing team, including my co-writer Gretchen McCulloch, and our fact checker Jessi Grieser, but also from members of the Complexly team, who produced the show, including Nicole Sweeney, Rachel Alatalo, Hannah Bodenhausen and Ceri Riley. As with the actual videos themselves, this was a dream team. Lingcomm that is inclusive doesn’t just happen as an accident - in this article we discuss some of the ways we set things up to make the best series we could.
This chapter is also a dream project, because it’s part of the excellent double feature: Inclusion in Linguistics and Decolonizing Linguistics, both edited by Anne Charity Hudley, Christine Mallinson, & Mary Bucholz for Oxford University Press. These books are both be available through digital open access. They include some of your new favouite classics about the state of linguistics in research, education and outreach, even if you don’t know that just yet.
Abstract
This case study vignette provides an insight into the choices made in the writing of Crash Course Linguistics (Complexly/PBS 2020). This series of sixteen 10-minute videos cover core introductory level topics for English speakers who consume online content. We discuss how the topics were selected and arranged into a series order. We also discuss the ways we actively built inclusion into the series workflow and content, including in the team that worked on the content, the language examples selected and topics covered. Throughout we discuss the challenges and benefits of working in a collaborative team that includes a media production company and linguists with a commitment to public engagement and communication linguistics to new audiences. Sharing these observations about putting Crash Course Linguistics together is part of our commitment to using public communication to advance the standard of public engagement with the field, and the field’s approach to inclusive practice.
Reference
Gawne, Lauren, Gretchen McCulloch, Nicole Sweeney, Rachel Alatalo, Hannah Bodenhausen, Ceri Riley & Jessi Grieser. 2024. Creating Inclusive Linguistics Communication: Crash Course Linguistics. In Anne H. Charity Hudley, Christine Mallinson, and Mary Bucholtz (Eds), Inclusion in Linguistics, 383-396. Oxford University Press. [Open Access]
See Also:
Open Access for the whole Inclusion in Linguistics volume
Crash Course Linguistics on YouTube
Mutual Intelligibility posts for Crash Course Linguistics
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blackmoonlightexpress · 10 months
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Fun Facts behind TTEOTM!
Creative Team
Till the End of the Moon is the second TV drama produced by newcomer Otters Studio (獭獭文化), which was originally set up for dangai/BL drama Immortality (皓衣行), also featuring Luo Yunxi.
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The Hangzhou-based Otters Studio is a subsidiary of Nanpai Entertainment (南派泛娱), the company owned by Kenneth Xu (aka “Third Uncle" 南派三叔). Xu is best known as the novelist and screenwriter behind "Grave Robbers' Chronicles" (盗墓笔记).
A big part of TTEOTM's core creative team also worked on Immortality. And a lot of the Immortality team came from Ashes of Love (2018) with Luo Yunxi. This includes...
He Fang (Screenwriter) - Immortality
Luo Xuan (Screenwriter & Associate Producer) - Immortality
Huang Wei (Costume Designer) - Immortality
Guan Dazhou (Music Director) - Immortality
Wang Yirong (Lead Producer) - Immortality
Wang Haiqi (B Unit Director & Action Director) - Immortality & Ashes of Love
Tsang Mingfai (Makeup Designer) - Immortality & Ashes of Love
Shen Xufei (Special Effects Director) - Immortality & Ashes of Love
Hua Tian World Concept - Immortality & Ashes of Love
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Wang Haiqi was the stunt coordinator who trained Luo Yunxi in Ashes of Love
Part of the creative team came from Huanyu (Bai Lu's management company, aka the production company of Yanxi Palace). This includes award-winning art director Luan Hexin, Huang Xinyao (Yue Fuya) and Liu Min (Nan'an).
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This is the second time Luo Yunxi and Bai Lu have paired up in a drama. They previously played a couple in modern workplace romance Love is Sweet (2020). Bai Lu expressed interest publicly in pairing up with LYX again in a costume drama numerous times.
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In addition, a number of Love is Sweet actors have minor roles or cameos in TTEOTM:
Zhao Yuanyuan (Qiao Na aka Yuan Shuai's colleague who has a crush on him) plays the Moon Goddess
Cheng Chang (Jiang Jun's father) plays Ye Xiwu's father
Deng Jinghong (Jiang Jun and Yuan Shuai's shady client) plays Ye Xiwu's brother Ye Zeyu
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The popularity of TTEOTM has generated renewed interest in Love is Sweet on iQiyi. In the first half of 2023, Love is Sweet is ranked #5 on Yunhe's "old/classic drama" list, receiving 360M views (10M views/episode), equivalent to airing a new medium-budget drama.
Two actors in Ashes of Love also have minor roles in TTEOTM:
Wang Yifei (Shuihe aka peacock princess in Ashes of Love) plays the Devil God's lieutenant Siying
He Zhonghua (Heavenly Emperor aka Runyu's father) plays the King of Sheng, again terrorizing Luo Yunxi's childhood
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In addition, a number of TTEOTM actors play minor roles in the unaired Immortality:
Huang Yunyun (Yue Yingxin) plays Song Qiutong
Zheng Guolin (Qu Xuanzi aka Susu's father) plays Jiangxi
Huang Haibing (Zhaoyou) plays Nangong Zhangying
He Zhonghua (King of Sheng) plays Nangong Liu
Geng Yeting (Ye Qingyu) plays an unknown role
Production
The source novel (黑月光拿稳BE剧本) was optioned by Otter before it was complete due to strong early hype around the IP and interesting characters & premise. It's one of the top 10 most-saved web novels of that genre on the Jinjiang platform. Its title literally translates to "black moonlight is guaranteed a bad ending screenplay".
The screenplay was written for 40 episodes, which was edited into 50 episodes of probably 45 mins each. The original plan (based on governmental records) was to air 34 episodes as part 1 and 16 episodes as part 2. However, the NRTA (Chinese government agency that regulates TV) closed the loophole around airing two seasons back to back early this year, which is why TTEOTM was edited back down to 40 episodes of 55 mins each so that it could air in one go.
TTEOTM changed its Chinese title twice. It was originally named 月照千峰为一人 (The moon shines for one person). It was then renamed to 长月无烬 (long moon without Jin/ember, also a pun for without limit or endless), which is the official publication name proposed by fans of the web novel. Right before the booting ceremony, it was renamed 长月烬明 likely for auspicious reasons (especially after the LYX accident and Immortality not airing)
Some keen netizens have noticed that if you break apart the characters of its Chinese title, 长月烬明, it becomes 长月火尽日月, which literally means....
长月 (long moon) - how people refer to the drama, in its short form
火 (fire) - Chinese internet lingo for explosive or popular
尽日月 (to the end of sun and moon)
(Gotta give one to Chinese people for coming up with auspicious names)
Luo Yunxi was injured right before production began when filming his final scene in Light Chaser Rescue. He got punched in the mouth by a costar which required emergency surgery and left a scar on the top left corner of his mouth. Production was delayed as a result. Bai Lu had to film her solo scenes first starting Oct 19, 2021. The booting ceremony took place on Nov 6, 2021 after Luo Yunxi joined the set.
Luo Yunxi was the first actor to be cast, according to an interview with the producer. It is rumored that he might have even picked which novel to adapt as Otter initially optioned both "Black Moonlight" and "Black Lotus Casebook". Bai Lu is also the "only choice" for Li Susu according to Yu Zheng.
Yin Tao (Who Rules The world, Love & Redemption, and Ancient Love Poetry) was originally considered for director, but he worked on the Blood of Youth instead. In the end they went with Kuk Kok Leung, an award-winning veteran TVB director who has adapted 7 out of 8 Jin Yong novels. One of the Cantonese songs Luo Yunxi kept singing on set is the OST of the 1983 Condor Heroes where Kuk served as Assistant Director.
Sun Zhenni (Pianran) and Zhao Shiyi (Fuyu) won their roles through open casting call. Sun Zhenni was a big fan of Bai Lu, and the two became close friends during the shoot. She is 1/4 German Jewish through her paternal grandmother.
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Chen Duling (Ye Bingchang / Tian Huan) briefly dated Xichao Wang (who plays Jing Mie, the demon god's other lieutenant). They were apparently introduced by Yu Zheng (boss of Bai Lu's studio).
Luo Yunxi and Sun Zhenni are the only actors who dubbed themselves in the drama. Bai Lu is dubbed by Duan Yixuan, who is also the voice behind Linglong in Love & Redemption.
This is the second time Luo Yunxi plays a dragon god (Runyu is the first). This is also the second time Bai Lu plays a character who leaps off the tower to her death in a costume drama.
Post-production was rumored to be delayed and then rushed due to a number of reasons, including covid which hit the special effects team hard and the last minute change of the 40-episode rule.
Promotion
During the premiere day, celebrities posted on Weibo to promote the drama in support of Luo Yunxi (usually actors only ask for this favor when it's a really important project to their career): Huang Xiaoming, Tan Songyun, Wu Jingyan, Chen Yuqi, Cheng Xiao, Victoria Song, Zhang Ruonan, Huang Xuan, Chen Yao. The most noteworthy ones were Chen Xiao (whose drama was also opening on the same day) and EDG (the esports team that LYX supports)
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art-of-mtg · 16 days
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Captivating Gyre (Core Set 2020) - Anthony Palumbo
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Lightning Stormkin by Rudy Siswanto
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thegildedbee · 4 months
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Sherlock Fic Recs: Christmas Edition {2023}
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❄️ Gather ~ ☃️ ☃️ ☃️ ~ 'round and 🎉 make 🎷merry🍹, all ye fic-loving fandom elves -- 'tis the season to shine a spotlight🕯️on Sherlockian Christmas fics!!! Here are some of my favorites -- I tried to pick ones that I haven't seen mentioned in recent lists that have been in my tumblr stream. Whether they're new to you, or just a reminder to re-visit faves, enjoy!!! ❄️ [In order of the year they were published.] ........................................................... 1. I'm Not His Date [2014] by objetpetita [ 17,029 words / T ] :: It all starts in a Boston coffee shop, where English professor Sherlock Holmes upends a visiting John Watson in a clever and fun "meet cute" (or "meet irritating-pompous-insufferable") in a whirlwind of Sherlockian proportions, and we're off to the races. There is a snowfight on the Common, Death Driving Miss Daisy: Lacan and Popular Culture, a Harry & Clara Christmas Eve wedding, witches, and a very boozy department party. It's as adorable as my favorite Christmas rom-com film, The Holiday. And it starts off with a corker of a first sentence: "It was morning, it was zero bloody degrees, everything around him was unfamiliar and American and cold, and John Watson was right on that inhuman precipice between still drunk and terribly hung over."
2. 5,687 (Approximately) [2015] by prettysailorsoldier [ 6,771 words / T ] :: Just a few years post-uni, Sherlock is enduring the agonies of a long-distance relationship with his boyfriend, who is on deployment in Afghanistan. During those times when John's on leave, the last people Sherlock wants to see are the idiots at the Met, so they've never caught sight of John and think he is a figment of Sherlock's imagination -- especially since he can't get home that Christmas. The set-up is sketched out with delightful fic flair, and the ending is not only sweet, but satisfyingly punitive [ c/o a very bamf John ]. The text messaging is some of my favorite writing in the Sherlock fandom -- their relationship in all of its multi-dimensionality comes through beautifully.
3. The 12 Truths of Christmas [2016] by @breath4soul [ 3,321 words / T ] :: This is a fic that has at its core the surfacing of unspoken emotional attraction betweenJohn and Sherlock via a very fun concept: “In place of some appalling or imbecilic gift inflicted upon me in the name of tradition on Christmas day, I propose that you provide me with one previously unknown fact about you for each day leading up to Christmas. 12 in total, John.” #9 has all the feels, and is a tour de force -- every time I re-read it it makes me break out in a smile, even though I know what's coming. Sherlock breaks out somewhat more: "Sherlock feels a flood of heat in several places at once. He stands up quickly and walks to his violin. He plays wild, erratic snaps of quick-paced music." The author has a whimsical and entirely understandable note to add: "You may fall in love with John reading this - I did." 4. The Romance Was There [2017] by @apliddell [ 4,011 words / G ] :: The author deserves an award for this being one of the best uses of Harry Watson in a fic, and of HW by Sherlock in a fic :-) 221B has never been cozier, Sherlock has never been more winsome, and John is a species type model of John in all of his clueless Johnness. The narrative dances along and sparkles and shines as seduction evolves, and Sherlock's rogueish charm is on full display. There's a poignant and endearing confessional letter, plus there's a Sherlock/Jeremy Brett reference that is absolute perfection in serving its role in helping the narrative quickstep the night away. 5. The Man in Aisle Ten [2020] by @blogstandbygo [ 1395 words / G ] :: Sherlock has several mysteries to unravel in the midst of Harrod's on Christmas Eve: what is the perfect gift for John? why is he having so much trouble identifying the perfect gift for John? and, incidentally, along the way to solving those, a local one. Luckily, Sherlock has Moira, master department store sleuth, to lead him to the solution. This fic is a small, perfect gift -- rather like the story's denouement --and is as witty as all of SBG's fics are. This is a veritable Peppermint Schnapps Hot Chocolate of a fic, warm, rich, sweet, delicious, tingly, and you'll find you reach the last bit much too fast, immediately requiring a refill. [ And there's a splendid podfic by @podfixx ! ]
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*fic repost recruits, perhaps??? ❤️ @totallysilvergirl, @7-percent, @discordantwords, @helloliriels, @elwinglyre, @mydogwatson
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eldesperadont · 11 months
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hello and welcome to the start of my rough Despe/Hiromu recap essay! I'll go over their history in relation to one another. A big reason for this recap is to explain my fascination with the 10+ year long history of these characters, and why I, a queer person, is so drawn to it — this post will include links, spoilers and cover the first 9 years of their careers. If you have corrections or additional infos pls DM me!!
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egg, (2010-2012)
Hiromu Takahashi and El Desperado started their pro wrestling training around the same time in NJPWs dojo – both passing NJPW's entry exam in 2009 and training for roughly a year till they officially debuted in 2010.
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Desperado in March under his real name, Mikami Kyōsuke, and Hiromu later in August. And here we already have some key moments:
Takahashi's professional debut was a singles match against Mikami. (its on YouTube btw)
Despe's first ever singles victory was defeating Hiromu in said debut match.
Mikami is older and ahead of Takahashi, going on to have an impressive winning record over Hiromu, who only managed to get a sole victory over Despe during their time together as students. (two if you count in a dark match)
Hiromu genuinely struggled a lot as a Young Lion (dojo trainee), having been close to giving up on wrestling if it weren’t for main roster wrestler Tetsuya Naito, who took him under his wing.
So yeah starting off Despe had the upper hand.
This part of their career is the hardest to research given that 1.) the language barrier was way higher a decade ago, 2.) there straight up is barely any footage. So instead, I want to explain the emotional importance of the NJPW dojo background:
The time as Young Lions in NJPW is kayfabe canon. These guys are rivals but also teammates, live and train together, fight with/and each other, cheer each other on in their bouts with the seniors, carry each other to the back when they once again got beaten – these guys are close, they have to, it's them against the world.
And that is the case for pretty much all the homegrown NJPW talent. This system provides feuds with an emotional core; why would someone who was that close be so cruel to each other now? What turns brothers, best friends, partners into enemies? So much room for juicy rivalries with a real weight behind it, after all we watched these guys grow and learn, saw their highs and lows.
Also on a less serious note it's simply amusing to watch old stuff and see two guys that will be bitter rivals, who’s matches will get praise and awards - tag together in mostly fruitless efforts, stumble behind the curtain together and be so clueless about all the greatness they’ll achieve one day thanks to each others hard work.
Young Lions my beloved <3
oceans apart, (2012-2016)
As is custom with most Young Lions both went on excursion: Mikami graduating first, in 2012, and working in Mexico for a year as "Namajague" - Hiromu leaving Japan the year Desperado debuts on the New Japan main roster, in 2014, touring in Mexico and the US as "Kamaitachi" till August 2016.
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Both worked in CMLL as heels, as is custom for foreign trainees, starting as masked wrestlers, loosing them in a stipulation match, and also getting their hair shaved at some point.
Here you have unmasked Namajague, who went on to rock a half facepaint look and had half of his hair bleached (in 2014, a trendsetter)
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and here you got a young unmasked Kamaitachi (yes he was in a team with Christopher Daniels and Frankie Kazarian in RoH)
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These are the years Mikami and Hiromu don’t interact in canon, but in an 2020 interview Desperado confessed that he kept an eye on Takahashi during the latter's excursion, cause of his success in Middle/North America and spectacular matches with Dragon Lee.
Love confessions, (May - June 2018)
Their rivalry was fully rekindled in the “Best of the Super Juniors 25” tournament, so let’s set the scene:
Takahashi’s successful: having won the most important championship for their weight division in his first year on the main roster. He’s beloved by fans and critics and a valuable member of his mentor's faction, Los Ingobernables de Japon.
El Desperado is struggling: unsuccessfully having fought for singles titles several times in the last couple of years. His only championship victories so far having been in the tag division, after joining Suzuki-gun, a shady group that tolerates him, but not without hurdles. The masked man debuted in 2013 as a cheerful honourable guy, but by now he was just a bitter, sinister bastard.
They will have their first singles meeting in 6 years, and their first on the main roster.
They are winking and nodding towards the fact that Desperado already has several wins over the younger guy, but do not address who Despy really is - officially Mikami Kyōsuke hasn’t wrestled in New Japan ever since he left for Mexico.
Leading up to the BOSJ Hiromu made a booklet in which he describes all of his possible opponents, Desperado's page is kept blank at first, but later Takahashi adds “I know who you are, and I hate you.”
Despy wants to impress Hiromu. He was one half of the IWGP Jr. Tag champs at that point and took both belts with him to the ring - he's also wearing a special mask, that is mostly white, a colour Japanese wrestlers tend to only wear on special occasions/in big matches.
A lot has changed since they last fought 1 on 1 - except one thing: Hiromu cannot beat Desperado.
Both didn’t shy away from using dirty tricks, but in the end Despy has the upper hand once more. As his opponent lays defeated in the ring the masked menace has this to say:
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(postmatch promo) (the match)
Hiromu will go on to win the tournament and IWGP Jr. Heavyweight belt from Will Ospreay at the 2018 Dominion show, but the loss to his fellow former Young Lion means that the latter has the right to challenge him, and so he does, in this now infamous promo.
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please watch the whole thing: link
(funfact, this happened the same night Kenny won the IWGP Heavyweight Title with Ibushi in his corner, the gays were EATING that day, in pride month no less)
Leading up to their confrontation Hiromu would post a video on his twitter playing the 'love me/not' flower game, landing on "he loves me" - which promptly makes him eat the flower in frustration
On the day of their match, June 18 2018, he brings Desperado a present:
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A bouquet in a guitar case, a cruel call back to Desperados main roster debut back in early 2014: after Kota Ibushi won the IWGP Jr. Heavyweight belt at Wrestle Kingdom 8 a masked stranger approached the ring with a guitar case, revealing it to carry a bouquet of black roses for the freshly crowned champ (who was a lil confused by the whole situation)
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It was the start of Despes unsuccessful run as a face and partnership with Ibushi (which you can read as the first man he tried to pursue).
The masked lad wasn't that fond of Hiromu bringing back old memories.
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Their match is an all out war, both using underhanded tactics to keep the other one down, including Hiromu unmasking Despy, who shockingly doesn’t care at all - which is a huge deal, I'm going to quote Japanese NJPW commentator Milano here because he said it best:
“To a masked wrestler that’s your identity. It’s everything. But Desperado has it ripped off and then just puts it on like he was fixing his necktie. He was saying that this very essence of himself wasn’t as important as Hiromu or the belt." (translation by Chris Charlton)
But in the end Hiromu is victorious, finally ending his losing streak. After the match he has some interesting things to say:
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(postmatch promo) (the match)
Life’s a b*tch. (mid 2018 - late 2019)
Hiromu's next title defence is in August 2018 in the USA against Dragon Lee, a match I still haven't been able to watch and probably never will. Due to a messed up move from his opponent, Hiromu lands hard on his neck, breaking it in the process. He somehow managed to finish the match but collapsed backstage, immediately being rushed to a hospital.
In the documentary RED HEADED REVIVAL Hiromu shared that he knew right away that something was wrong – he saw his life flash before his eyes and feared that this is the end of his career, but he decided against stopping the fight:
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It took Hiromu over a year to fully recover.
That wasn't the only unfortunate incident though: in spring of 2019 Desperado broke his jaw in a deathmatch against his idol Jun Kasai. The timing couldn't have been worse: the highly anticipated BOSJ Tournament for that year being just about to start. Despe had to withdraw mere days before its opening.
Neither of them would make a return till late 2019. And their next actual confrontation wouldn’t be till 2020.
It was a sad time to be a fan of either - with Hiromu we didn't know till his return if he will even be able to wrestle again. And with Despy we had to witness fans being unnecessarily rude to him, ridiculing him about doing a deathmatch in the first place, eventho the injury could have occurred in any type of match. (if I remember correctly, Desperado even deleted his twitter due to the fan backlash)
BUT I'm gonna end this post on a good note:
1.) Despy's return marked the start of a new era for him:
He wasn't gonna apologise, he broke his jaw, so what? Shit happens. He wasn't going to pretend that the situation didn't happen either tho, hell - Despe returned in a shirt covered in blood spots, making direct references to the match he got injured in. (sth he talked about in this video) And his mask? Dons a fractured jawbone now, the cracks filled in with gold - reminiscent of kintsugi, a Japanese method for repairing broken ceramics with a special lacquer mixed with gold, silver, or platinum. The philosophy behind the technique is to recognize the history of the object and to visibly incorporate the repair into the new piece instead of disguising it.
2.) Hiromu wasn't giving up on his way of life either, making a spectacular return - the best was yet to come. Individually and together/against each other.
Stay tuned for the next part, that will absolutely also take me ages to finally put out, I'm apologising in advance,, anyways thx bye!! <3 👹🐱
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auvtre · 5 months
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your painting of your character Zaresh is so striking and gorgeous! is there any way to learn more about that character or is he too new?
Hello, thank you so much for your message, it really means a lot to me that you want to learn more about him! He isn't actually new at all, I made him in 2020, but since I don't post much online I suppose the last one is actually the first time I've posted him to tumblr haha
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Here's a little Zaresh sketch as well as some more bits and bops about him, rambling ahead:
At his core I think my artfight description of him is the most accurate: "A bitter oracle living in a damp cave. Eats gold bought to him by the desperate".
He canonically doesn't share a universe with any of my other characters, and his story is more of a backdrop that acts as a setting, only obsessed with having been cast out from gods domain, making it impossible for him to change while retaining his ego. To others he's folklore, a fable, to himself he remains the angel of fate and destiny.
Other creations that came after are, to him, not capable of true sentience and introspection. There's nothing on earth as alive as he is so the only thing left is a continual self-identification with the past.
The hamlets around his grotto acuumulate legends about Zaresh, some casting him as an evil warlock and others as an incarnation of punishment. Really he is neither, just an oracle - again being much more in line with the vision he still has of himself as the governor of fate. He revels in the position of power he has over those that seek him out however, taking all that is important to whomever enters his grotto. The consumption is both symbolic and connected to secular idolatry. While Zaresh isn't in need of sustinence, he does feel ravenous whenever he is not eating (or maybe that's just a trick of the mind).
Prophecys received are kept only between his visior and Zaresh. Being a recipient of a divine vision also means disappearing from mortal's destiny. An obscene and fatal experience, but one that doesn't entirely take place in his grotto.
Either way wielding that power creates an emotional dichotomy between self-validation and self-obsoletion. Zaresh will spend the next unspecified amount of time slowly consuming his little meals until he has to go back to feeling starvation set in and not being able to think of what he is but only what he used to be.
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