religion is one of the most prominent recurring themes on the album, and it has been present in some capacity for quite a few records now. taylor previously compared love to religion: her saving grace, her belief system, and a fated divine intervention (false god, cornelia street, and cruel summer are the best examples of this). ‘sacred new beginnings that became my religion’ and ‘we’d still worship this love even if it’s a false god’ are two of the defining statements about her philosophy on the lover album.
taylor doesn’t want to leave all of that behind on ttpd, at least not at the beginning. the first supernatural force she mentions is the spaceship on down bad, which she compares to a skylight of freedom in the epilogue. *something* has finally come to save her from her life of suffering. she doesn’t care if it’s a force of good at first; if anything, she’s just fine being taken away by aliens. she views this man as her destiny. it isn’t until guilty as sin? that taylor starts to ponder the moral implications of what she’s doing. is she guilty as sin for wanting to leave her previous religion and relationship behind? she comes to the conclusion that, even if she rolls the stone away and gets resurrected/redeemed, she cannot avoid the fallout. she is okay with the thought of having to wait, as long as both lovers vow to be together forever, just as she once did with someone else in false god. ‘I choose you and me religiously’ finishes the bridge of the song in a direct callback to cornelia street.
the next mention of religion has murkier imagery. she claims that she does not need the Lord’s help to save this man. she sees the halo that he has, and she can fix him herself. now that she feels free of her prior cage, she isn’t looking for divine intervention anymore. she wants control. she is their route to salvation.
when the relationship falls apart, she retreats back into the position of a believer rather than a divine figure. she compares him to a Holy Ghost who promised to save her and take her to heaven. instead, she is in hell in every sense of the word: she’s down bad and feels guilty for digging up the grave. he was a jehovah’s witness who promised that she could break free of the cage imposed by love without changing her religion altogether; she would’ve just had to switch denominations. she could still have a marriage and kids! she could still have a blue tortured poet! the man was different, but not the dreams they had together. the story of the first part of the album ends here. her faith has been broken, and she has only found any semblance of sanity by refusing to mention these belief systems altogether.
side b/the anthology blends the christian imagery of side a with goddesses, sorcerers, and prophecies. she bargains with these powers to let her have the future she wants (the prophecy). she doesn’t sound like someone believing in salvation. if anything, she feels cursed. she decides that the concept of divinely ordained timing will never work in certain relationships (‘the goddess of timing once found us beguiling / she said she was trying / peter, was she lying?’). this disdain extends onto her perception of other people’s faith (‘bet they never spared a prayer for my soul’). she does position herself as a prophet in cassandra, but even then, she admits that the role has hurt her. perhaps the pain in thank you aimee was meant to be, or perhaps she was just strong enough to build a legacy in spite of it, boulder by boulder. is she a martyr? does she want to be? or did she save herself?
the only real love song on this half of the album makes no mention of fate or any divine forces. it wasn’t meant to be. it’s not a supernatural invisible string or lightning in a bottle. she is just in love.
the album ends with the manuscript, which revisits an old story of a defining, formative heartbreak. as she sings ‘at last, she knew what the agony had been for’ while describing the legacy of her writing, she seems to revert to thinking about the purpose of trauma. the only exception is that, in this case, she is the one who found meaning in her pain by turning it into a manuscript. writing is her belief system now, and she proselytizes by telling her stories and thus giving up the manuscript.
ultimately, her belief in destiny has chewed her up and spat her out. she so desperately clung to her existing belief systems that she was fooled by a conman, which left her feeling cursed. religion is supposed to be with someone even in their darkest moments, but the album explains that taylor often felt abandoned. the only constant in her life was, well, herself. she’ll be okay, but her pen will be her saving grace.
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taylor releasing those two random live versions of suprise songs really makes me think she's planning on releasing them all at some point. other than being a perfectionist, it would also make sense why she wants to repeat songs she's messed up on or wants to perform again in a different key. I love when artists release live versions so it'd be so cool <3
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i’ve seen a lot of people saying that since taylor didn’t sing cornelia street in new york she’ll probably never play it (or a lot of her other joe love songs) ever again and i just don’t think that’s true at all. i think maybe for right now and definitely for this leg of the tour it would probably be really painful to sing lines like “i’m so terrified of if you ever walk away” and “would it be enough if i could never give you peace” and “i’d marry you with paper rings” etc etc with the breakup so fresh but over time the wound is going to heal and i’m positive they’ll go back into the surprise song or setlist rotation. right now is not forever and one day this will stop being so painful for her, just like has happened with all her love songs and break up songs of albums past (all too well is the classic example of a song that brought her pain and tears to sing on the red tour every night but now she happily sings it for 10 minutes on the eras tour)
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the fact that one my favourite Tumblr users ever likes one of my favourite dramas is sending me. anyway, how's your day so far and do you feel just as perplexed as me by the fact live up to your name has literally three fics on ao3? Like I dunno a more fanfic worthy couple but like noooo this drama is ignored. a literal crime I swear
UM the fact that you called me one of your favorite Tumblr users is sending me, but anyway!! (tysmmm)
My day is good, thank you for asking, and I KNOW!! And of those three fics only one is a written work in English!! They are disgustingly under appreciated. That's why I'm taking matters into my own hands,,, can I take this ask to mean that you'll read my fic when I start to post it?????
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Sat on the roof, you and I // And at every table I'll save you a seat // Sit with you in the trenches // Now I just sit in the dark and wonder if it's time //
I'm searching the room for an empty seat // I’m sitting here thinking it through // Sitting eyes wide open behind these four walls, hoping you’ll call
cornelia st//lover//peace//youre losing me
x
the story of us // cold as you // I dont wanna live forever
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