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#cousteau animal crossing
quirk-nova · 2 months
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“Jump first, ask questions later.”
Cousteau (Animal Crossing) aesthetic board
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rat-crossing · 7 months
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Cousteau is my new camp caretaker! :)
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milkylambie · 7 months
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Cousteau's family-style restaurant 🦀🥡🐟
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gabbbyyyyyyyyyy · 8 months
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“I don’t like them putting chemicals in the water that turn the friggin’ frogs gay!”
-Alex Jones
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chrimsonfoxdon · 7 months
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ACNH Villager update!! I've got a couple frogs and octopuses!
🐙Zucker🐙
🐸Cousteau🐸
🐙Marina🐙
🐸Raddle🐸
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kirbro · 2 years
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frogs! pt 1
pt 2
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This is round 2 of determining the most popular villager. The one with the most votes will move on.
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donnatroydances · 3 months
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Not a very strong sketch but I like my starting Animal Crossing villagers for the new game.
Cousteau is the frog. He has a mustache.
Shari is the monkey who for some reason wore a shower cap a majority of the time.
Daisy is dog who was super sweet.
Doc is the blue rabbit who talked a lot about his bugs and wore some weird comedy glasses I gave him that made his look weird.
This is my intense life I lead. Drawing kaiju and Animal Crossing villagers.
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buggboyy200 · 6 months
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Day 115 of drawing every Animal Crossing villager:
Cousteau is fine.
I don't like him, but I don't hate him.
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princessdragon96 · 2 years
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Animal Crossing Happy Home Paradise vacation homes, part 8.
I gave Claude a roomate since they're both gamers.
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kappa-crossing · 2 years
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gamefrogs · 5 months
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Cousteau from Animal Crossing
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frog villagers from animal crossing
(from left to right, top to bottom) camofrog, drift, lily, henry, wart, prince, jambette, puddles, huck, tad, jeremiah, raddle, ribbot, cousteau, frobert, diva, croque, gigi
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navigatorwrongway · 3 months
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The genre of paleodocumentary – documentaries focusing on extinct ancient life – reemerged with Apple TV’s Prehistoric Planet in 2023. It draws heavily on traditional nature documentaries, tying together disparate segments with a common theme, and echoing the prestige of productions like Planet Earth, The Hunt, and The Blue Planet with renowned presenter Sir David Attenborough. This pedigree situates Prehistoric Planet as successor to the last landmark paleodocumentary series, the BBC’s wildly successful Walking With Dinosaurs. Released in 1999, the series set a standard that has scarcely been met since. Two and a half decades later, Prehistoric Planet might represent a renaissance, apart from one glaring flaw that undermines the project’s educational value.
Where most wildlife documentaries utilize on-location filming and stock footage, paleomedia by nature cannot rely on actual footage. Instead, a combination of practical effect modeling and computer-generated imagery (CGI) is used to depict extinct creatures. As this is prohibitively expensive, material often gets reused long past its expiration date. One clip from Walking With Dinosaurs has featured in at least three ‘talking head’ style documentaries, as recently as 2016.
Cross-pollination between documentaries is common in other respects. Many of Prehistoric Planet’s segments are extrapolated from documentary footage of modern animals, and as such are largely speculative in their presented behavior and physical appearance (neither of which fossilize well). While its visual material is a new breath of life for the genre, the copycat elements and influence of extant wildlife are such that the onscreen byline, ‘Planet Earth, 66 million years ago,’ might more accurately be, ‘Planet Earth, 66 million years ago.’
This may actually be beneficial; although derivative, the format is familiar and effectively demonstrates extinct creatures’ probable complexity and versatility. Documentaries are designed for accessibility — they speak to a layman’s understanding, encourage development of a deeper interest, and double as entertainment — even as they counter misinformation stemming from other forms of entertainment. Alongside the equivalent Tyrannosaurus rex, Velociraptor-the-movie-monster dominates the public consciousness, having featured as a primary plot element in no fewer than six massively popular entertainment productions. Prehistoric Planet aims to correct resulting misconceptions, drawing a distinction between Velociraptor, animal, and Velociraptor, movie monster, in the familiar format of a nature documentary.
Considering that the goal of any documentary is to distill dense, difficult-to-digest information into the need-to-know, science communicators shoulder an important responsibility, because they serve as an educational touchstone. Jaques Cousteau was the educational touchstone for oceanography just as Carl Sagan was the touchstone for an entire era of astrophysics and Stephen Hawking the touchstone for theoretical physics. For seventy years, David Attenborough has been the touchstone for wildlife and ecology.
Those who take up that role are obligated to present their data with care. Data may be disproven or incomplete, but to encapsulate 25 years of paleontological advancement, given those limitations you need to get the science right — and in one critical respect, Prehistoric Planet drops the ball.
The final episode of Prehistoric Planet’s second season features Pectinodon and Styginetta. Attenborough’s narration states that every year, “Styginetta, a primitive relative of modern ducks, stop here on their travels. And they’re not alone; dinosaurs are here, too.” The implication that Styginetta are not dinosaurs in their own right misrepresents the science, and might have been amended with the addition of a single word: "other dinosaurs are here, too." If the writers, editors, researchers, producers, and fact checkers uniformly didn’t catch this, Attenborough should have; he has (and is) the authority, having been a titan of wildlife presentation since before the advent of color television. He should have changed the script.
This neglect of the scientific consensus is disconcerting, the equivalent of the next Planet Earth including a line in reference to ‘whales, and other fish…’ Not all dinosaurs were wiped out by the asteroid impact; modern-day birds, it has been established, are the dinosaurs that survived. Alongside the extinct dinosaurs, Prehistoric Planet features their contemporaries, the flying pterosaurs and marine reptiles such as mosasaurs and plesiosaurs, which were wiped out and have no surviving lineages. Lacking living examples to draw upon, Prehistoric Planet embraces speculative potential to present these extinct creatures as interesting — but educational media cannot sacrifice accuracy for entertainment. Styginetta are recognizable as birds, having the expected beaks, feathers, and flight-capable wings. Notably, Pictinodon are also feathered, and yet this correlation is never directly addressed – another missed opportunity. Both look photorealistic, move energetically, and read as alive in a way that has only been made possible in recent years, thanks in part to advances in CGI revolutionized by the production of Jurassic Park.
In the post-Jurassic Park era, it is impossible to consider early paleomedia (e.g., the work of Ray Harryhousen) as plausible. Clunky stop motion using puppets or clay, charming as it is, cannot be mistaken for reality. A photorealistic degree of visual acuity is possible with CGI, but this development predicates an ethical responsibility to avoid blurring the lines of truth. Even though (one hopes) nobody actually believes there was a camera running 66 million years ago, the viewer’s brain still buys it and processes it as visual input.
There is an obligation to communicate when something is speculative; an ethical responsibility to not misrepresent known science. And while conflating the speculative with the factual is an endemic problem within the genre, most paleomedia simply does not have the reach and influence of Prehistoric Planet. When a production has the backing of both Apple Inc. and the BBC, and is being played on repeat on every showroom test screen at Best Buy (as was recently the case) it has weight behind it. The farther the reach, the more critical it is to get it right.
One only needs to look at Jurassic Park's impact on the public perception of dinosaurs to corroborate this. ‘Velociraptors’ in those films are nominally based on Deinonychus and Utahraptor — but because the name Velociraptor appealed more, in accordance with the ‘rule of cool’ it was taken from the turkey-sized creature in the fossil record and reconfigured as a reptilian grizzly bear.
Misrepresented data is thus embedded in the social mythos, becoming exponentially more difficult to correct as time goes on. Prehistoric Planet is many people’s first introduction to non-avian dinosaurs (et al.) as anything other than movie monsters. In fact, multiple segments throughout both seasons are in direct dialogue with Jurassic Park; there is no reason Velociraptor specifically should be as heavily featured as it is, except to counteract Jurassic Park’s pervasive misrepresentation. That Prehistoric Planet excludes birds from the category of dinosaurs will inevitably set back the entire genre. Just as Prehistoric Planet attempts to redress Velociraptor, the next production to cover this ground will be forced to redress Prehistoric Planet.
In an age of scientific illiteracy, the documentary is one of the most accessible formats for communicating the basic information necessary to understand the world around us. Those involved in the production of educational material have a responsibility to their audience and to their topic, and for all its many strengths, Prehistoric Planet fails to deliver.
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dannypageoflight · 5 months
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Animal Crossing amiibo cards for Sale
I've made a number of amiibo card trading and, later on, selling posts in the past. After I brought my number of needed amiibo cards down to nine and the most recent trading/selling post stopped gaining notice for some time, I bought the final handful individually on eBay. Now I still have a bunch of duplicate amiibo cards left over from the first four series, the Welcome amiibo series, and the New Horizons fifth series. So...so many from the New Horizons fifth series.
Since I have pretty much all the cards I want now, I have nothing left to trade for, so this is exclusively a selling post. (Unless maybe you have a spare Japanese promo "CP" card for Isabelle or K.K. you're willing to trade off, because I'll take 'em for collection purposes, but I am not desperate enough to spend over a hundred bucks to a couple of scalpers.)
Most of the duplicates I have are North American versions (they are labeled with two alternate name translations and their birthday formatted as MM/DD), and the occasional European versions of the cards that end up in my duplicate piles are labeled as such in the list below (they are labeled with four alternate name translations and their birthday formatted as DD/MM). I will sell anywhere between 1 to 6 cards at a time, and the price I am asking for is 1 dollar per card plus 64 cents to the total. If I’m mailing outside of the United States, that’s 1 dollar extra.
Below the cut is a list of all the duplicates I have to sell. I will update the post to remove whichever cards get sold the day they get shipped. Feel free to IM me to discuss shipping and PayPal information if you wish to buy. (Or trade if you have one of those "CP" cards.)
[Last update: February 27, 2024]
Series 1-5
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(002) Tom Nook [European Version] - (008) Timmy [x2] - (014) Luna [x2] (015) Tortimer - (017) Lottie [ European Version] - (026) Renée (031) Sheldon - (036) Alli - (041) Quillson
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(046) Winnie - (053) Limberg - (054) Deena (060) Samson - (085) Pancetti [x3] - (090) Axel (112) Don - (118) Poncho - (122) Lucha [x2]
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(132) Vladimir [Euro Ver] - (142) Peck - (149) Broccolo [Euro Ver] (154) Rhonda [x2] - (155) Butch [Euro Ver] - (158) Timbra (172) Agnes - (184) Anicotti - (185) Chops
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(186) Charlise - (207) Mabel [Euro Ver] - (210) Cyrus (211) Grams [x3] - (216) Franklin - (217) Jingle [Euro Ver] (219) Anchovy [Euro Ver] - (221) Kody - (223) Del
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(229) Cousteau - (231) Elvis [x2] - (235) Spork (246) Eloise - (256) Diva - (260) Tammi (262) Blanche - (275) Hamlet - (275) Astrid [x2]
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(304) Phineas [Euro Ver] - (313) Pavé [Euro Ver] - (316) Zipper [x2] (339) Frita - (343) Anabelle - (347) Tammy [x2] (349) Lucy - (353) Elise [x2] - (368) Chow [x2]
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(369) Sylvia - (372) Doc [x2] - (373) Pompom [Euro Ver] (379) Nibbles - (381) Gloria - (390) O’Hare (405) Wilbur [Euro Ver] - (409) Sable [Euro Ver] - (411) K.K.
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(418) Gulliver - (420) Lottie - (425) Sherb [x4] (426) Megan [x2] - (427) Dom [x5] - (428) Audie [x5] (429) Cyd [x3] - (430) Judy [x7] - (432) Reneigh [x8]
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(433) Sasha [x3] - (434) Ione [x4] - (435) Tiansheng [x5] (436) Shino [x3] - (437) Marlo [x5] - (438) Petri (439) Cephalobot [x4] - (440) Quinn [x9] - (441) Chabwick [x3]
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(442) Zoe [x3] - (443) Ace [x7] - (444) Rio [x7] (445) Frett [x4] - (446) Azalea [x6] - (447) Roswell [x3] (448) Faith [x5]
Welcome amiibo
SOLD OUT
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