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coffeebeanwriting · 1 year

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Some Quick Character Tips

Here are a handful of quick tips to help you write believable characters!

1. A character’s arc doesn’t need to grow linearly. Your protagonist doesn’t have to go from being weak to strong, shy to confident, or novice to professional in one straight line. It’s more realistic if they mess up their progress on the way and even decline a bit before reaching their goal.

2. Their past affects their present. Make their backstory matter by having their past events shape them into who they are. Growing up with strict parents might lead to a sneaky character, and a bad car accident might leave them fearful of driving.

3. Give reoccurring side characters something that makes them easily recognizable. This could be a scar, a unique hairstyle, an accent, or a location they’re always found at, etc.

4. Make sure their dialogue matches their personality. To make your characters more believable in conversation, give them speech patterns. Does the shy character mumble too low for anyone to ever hear, does the nervous one pace around and make everyone else on edge?

5. Make your characters unpredictable. Real people do unexpected things all the time, and this can make life more exciting. The strict, straight-A student who decides to drink at a party. The pristine princess who likes to visit the muddy farm animals. When character’s decide to do things spontaneously or in the heat of the moment, it can create amazing twists and turns.

6. Give even your minor character's a motive. This isn’t to say that all your characters need deep, intricate motives. However, every character should need or want something, and their actions should reflect that. What’s the motive behind a side character who follows your protagonist on their adventure? Perhaps they’ve always had dreams of leaving their small village or they want to protect your protagonist because of secret feelings.

Instagram: coffeebeanwriting

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emilybeemartin · 6 months

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Boromir Lives AU: We Didn't Have a Choice

Alternate title is They're All Just Kids With PTSD, Your Honor

This (ridiculously long? omg why so long, I did not mean for it to be this long) comic is a good example of how my plotlines usually develop---I'll write what I think is a self-contained story and then realize there are whole new narratives beyond it. This is how my first novel, Woodwalker, became a trilogy---I was writing it as a standalone novel until about the last three or four chapters, when I realized I'd kicked off a whole new series of political events. For this AU, I was thinking about how it would feel for Elboron to grow up in the long shadow of his parents, and idolizing his uncle(s) while also wondering how he'd ever measure up. For Boromir, I think he'd be so fulfilled to see his nephew get to come of age in a gentler world that he and his brother and all the others didn't get. Though if he had a future as anything other than a soldier I'm pretty sure it would be as a TikTok star showing us how to create a perfect ballerina bun. Show us your products, Boromir, dang.

This comic also reminded me that I clearly have a distinct set of author tropes because this has STRONG Veran vibes (Sunshield, Floodpath), with a young character feeling overwhelmed with the legacies of his parents. This is a bit of an opposite arc, though--- Veran wants to follow in his mother's footsteps but isn't allowed to, and so gravitates toward diplomacy, while Elboron feels pressured to take up soldiering like his namesake but would rather study language. Come to think of it, the manuscript I turned into my agent a few weeks ago also has some of these themes, which either means I need to stop writing quest follow-ups or start a Protagonists With Heroes For Parents support group.

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Boromir Lives: Helm's Deep

Boromir Lives: Whump-Time After Pelennor

Boromir Lives: GO TO SLEEP

Boromir Lives: Aragorn's Coronation

Boromir Lives: Faramir and Eowyn's Wedding

Boromir Lives: It's a BABY

Boromir Lives: High Uncle of the White Tower

Boromir Lives: The Haircuts

#boromir lives au #lord of the rings #lotr #boromir #elboron #eowyn #faramir #eomer #legolas #gimli

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harmoonix · 2 months

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☾ Your Moon Phase ☾

☾ ~ In your Birth Chart ~ ☾

☾ • ☾ • ☾ ☾ • ☾ • ☾ ☾ • ☾ • ☾ ☾ • ☾ • ☾ ☾ • ☾ • ☾ ☾ • ☾

🌑 If you want to find your moon phase scroll down before you read so you'll know what you read about 🌑 ☾•☾•☾

☾ • ☾ • ☾

🌑 BORN ON THE NEW MOON 🌑

The native born during the new moon is meant to experience many vast, wild and beautiful experiences in this lifetime, since New Moon symbolize beginnings, your entire life is about yourself, to prioritize yourself, to prioritize your time. The new moon is also known as the "Dark Moon" is the phase where moon is the weakest, because is covered in full darkness. People born under the new moon love to try out new things, to start new journeys/ideas/ to extend their creativity, since Moon can be a bit more soft in this phase, the native has an unique sensitive nature, is very important to not lose your love for curiosity as you grow up, to always stay curious

🌑 BORN ON A WAXING CRESCENT MOON 🌑

The natives born under a waxing crescent are more to embrace their lives with more curiosity and joy than others, their energy can be from clingy - to an attachment style in a really fast way, above all they're are independent and love to do the things their own way, they also tend to prefer their comfort zone and security (feeling safe) over anything else. They may also love challenges, especially if there is a reward involved, (risk taking). Some of them can also be a bit timid/shy at first but kind and respectful! The native during this moon phase tends to attach themselves to the past which can be a bit bad for them because you cannot change the past, you may feel sorry or bad over your past but don't let it to ruin your whole life

🌑 BORN ON A FIRST QUARTER MOON 🌑

Where the moon firstly finds herself being half illuminated, half and half, 2 pieces combining eachother, darkness and light. This phase of moon indicates growth. Therefore the native can be really grounding, motivational, more calm/peaceful. You are the protagonist/main character with this moon phase in your own life. The native has a very excited nature, the more excited thet get the more things they create out of it. They may also have a sense of achieving things, to collect as many things as possible and to open new doors in life. The native is a strong individual, proactive, sometimes a bit passive aswell. Your strong personality can help you to reach your full potential. Is very important to know that you can't change some things and have to let them happen, sometimes waiting for the result of a problem can be a key solver

🌑 BORN ON A WAXING GIBBOUS 🌑

The native born during this moon phase is blessed with the gift of communication, while other moon phases search for an individual knowledge, this moon phase wants to share their knowledge with others. These natives can also identify as the "psychologist" or "therapist" of their group (friend group if is the case) because of their analytical mind, they often know how it is to go through from bad to good moods and vice versa, and they know how to deal with problems in their own ways. What's special about this moon phase is that you can be what you want to be, since the native can be a big believer of their dreams and desires, they will certainly achieve those. The native can easily be an influencer in the relationship, inspiring the other one and themselves in the same time.

🌑 BORN ON THE FULL MOON 🌑

The time where wolves are howling to the moon, is a very wild phase for the moon to be in, is known for this moon phase to drive people crazy. The native born during this moon phase is very transformative. The moon is tightly tied connected to the natives feelings/emotions, and sometimes can even have a control upon it. For example to feel more agitated or stressed. You as a child of the full moon, you can often find yourself being a little more sensbile than others, sensbile to others people's energy as well. Is a state where your conscious mind allows you to dreams,to visualize your life, something about these natives is that gives "off vibes" is when it comes to being an extrovert or introvert, since it can manifest differently. An romantic native with a heart full of desires

🌑 BORN ON A WANING GIBBOUS 🌑

The children of the waning gibbous moon are gifted with a mind of a creator, they often have a very good intuition or like a little "angel" beside their shoulder energy, the moon finds herself being more of a reserved nature, if I was to describe this moon phase it will be the sound ocean waves at night. They're often that wise yet creative person of the group, but in the same logical and open-minded. You can find yourself always looking for a part that is missing, the feeling that you're not complete. You're very conscious of yourself/your life/your ambitions. And something very admirable about them is their beliefs, a native born during this moon phase will never be let down by their higher selves/by the God/source/universe

🌑 BORN ON A LAST QUARTER 🌑

The natives born during the last quarter have a sense of nostalgia in them, you have a quality about you that seems frozen in time, you keep yourself unique while trying to help others to do the same as well. This moon phase is more attachable than others, so therefore the natives not only attaches to people but to places/animals/things in life very easily. They may also have a sense of finding their meaning in life, while being happy about it even about the smallest things, because they represent "virtue". The native is known for being kind/lovely/loyal and sensible and sometimes they tend to hide themselves in their inner world. Sometimes the past can blind you from the joy of the present & future. The present is just as deserving of your love and attention as your past

🌑 BORN ON A WANING CRESCENT MOON 🌑

Born during the very last moon phase, the native born during this moon phase is gifted with an immense spirituality and intuition, to describe them with one eye they see the physical world and with other eye they see the spiritual world, so in a way they're connected with each other, the native is very likely to daydream a lot, may receive lots of insights and visions in their dreams. They are gifted with an active imagination, to imagine and create. A glorious nature yet sensibile and affected by others energy. You know how to get deep and meaningful, and it's because at your core, you're a thinker. The thing with them is that they get more wise by their age, just like a flower ready to bloom and show her beauty

🌑🌒🌓🌔🌕🌖🌗🌘 • 🌑🌒🌓🌔🌕🌖🌗🌘

How to find your specific moon phase?

Try searching on google/internet your birthday and to add "moon phase" for example: 13.09.2020 moon phase!!

Another example is that astro seek (the site) wil show the moon phase right after you did your birth chart, scroll down to planets table and look right under the moon placement, for example like this:

The 3rd option will be to just search "moon phase calculator" on google but some of them can have wrong results. I suggest that the first and 2nd versions are wayy better!

This was an easy take, hope it helped you to find your moon phase!! Also what phase was the moon where you were born?🌗 Harmo☾nix 🌗

#moon #astrology #moon phases #astro observations #moon aesthetic #birth chart #astro notes #astrology observations #placements #astro community #horoscope #ascendant #moon signs #astro.com #astronote #astro seek #astroblog

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jymwahuwu · 2 months

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can u recommend any good yandere porn games? 👉👈

Would you be disappointed in me if I said… most of the porn games I play are male-vision porn games and imagine myself as the innocent protagonist being gangbang and noncon? >_< Sorry I'm so hardcore sometimes…

I looked through the games and found the following:

14 days with you

"After moving back to Corland Bay, things have started to become more... unsettling. Your laundry always seems to go missing, creepy footsteps echo down your hallway at night, and to top it all off, your neighbour swears that she saw someone leave your apartment late last night. But hey… at least the pink-haired stranger you met at work is there to keep you safe."

"14 Days With You" is an 18+ romance/horror visual novel centred around Ren; a mysterious individual who seems more than obsessed with you — and is willing to do anything he can to have you.

Artificial Academy 2

I played this a long time ago, and I remember that player could create a male or female character as a yandere! And the character you controlled could fall in love with those characters, but the campus life was relatively monotonous and boring.

Degrees of Lewdity

Degrees of Lewdity is an erotic game. You play an 18-year-old boy or girl in a town full of people with lewd intentions. Go to school and find honest work, turn to a life of crime, or sell your body in more carnal ways. The game has strong sexual themes, and lots of sex in general. You can choose the gender of the people who'll be attracted to you, and fetishes such as tentacles can be toggled off in settings.

Super famous game!! Lots of free choices and kinky encounters, just be aware that even passersby on the street will want to force the player… There is a yandere character in Love Interests, called Kylar, but I think Eden is actually a yandere too.

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3hks · 3 months

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How to Write an IMPACTFUL Backstory

Honestly, writing and reading about backstories is probably one of my favorite parts of a character's story! It's a strong foundation for a character's goals, motives, thoughts, and actions! Its most powerful effect, on the other hand, is its ability to change one's view on a character. So, then, how do we write such an impactful past?

For beginners, the more tragic the backstory, the better. While this does hold some truth, let me re-iterate that it's for beginners. The idea behind it is that a pure, devastatingly pitiful backstory is unique and pulls at your reader's heartstrings. Unfortunately, instead, we're left with an origin story that feels superficial, overly-dramatic, unnecessary, and shallow. However in this post, I will give you some tips on how to avoid creating such 2D backgrounds and actually bring your character's past to life!

First, your character's backstory can be made with whatever components you choose, but the key is that you must balance them out correctly. Additionally, the majority of the time, you do want their story to stick out, so I suggest trying to come up with something original! It's much harder than it sounds, but honestly, every other protagonist has dead parents at this point. Be creative, add details, and don't be afraid to let your character go through things if you feel that it's fitting!

Second, don't extend their past for too long. The point of introducing the backstory is to elaborate on a (few) certain event(s) that affected your character the most and forever changed their lives. Keep it centered around one, or at most, a couple events.

Next, most writers tend to use sadness and/or to fuel the character, but it should not be overbearing and excessive. Alternatively, it should feel GENUINE. Not dramatic, but genuine. Different genres do form different types of backstories, yes, but the core concept behind it should be something natural. It should be something that your readers will be able to understand; something authentic. They should feel some sense of relatability, even if it's just a little. This could be like family issues, broken friendships, betrayals, leaving someone, mental struggles, loneliness, etc. Complexity can surround these concepts, but the basic, fundamental ideas should still be present.

Furthermore, be sure that their backstory makes sense. Even if you're introducing it through quick, brief flashbacks, ultimately, you want the reader to have all the pieces to solve the puzzle.

Last but not least, make your backstory feel personal to your character! Build it in a sense that if it were to go to any other character, it wouldn't have an effect that's as severe. Make it targeted to its owner. While this is something that can be difficult to execute, it really provides insight to your character, and is an easy way to add some intricacy to a simple backstory! A good place to start is thinking about the things personal to your character. For instance, this could be their past before the event, people they care about, their morals, etc. Then, add it in said event so that it pushes and/or challenges your character in a way that makes them re-evaluate that value.

There you go! Here are my personal tips on how to upgrade your character's backstory and have it really impact your reader! Be creative, keep it centered around a couple things, make it genuine, and make it targeted to the character!

Happy writing~

3hks <3

#writing #writeblr #writerscommunity #writing tips #writing inspo #creative writing #writing advice #thank you #how to write a backstory #tips to writing a backstory #backstory #character creation #oc writing #character writing #writing a backstory

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novlr · 1 year

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How to write charming characters

With both positive and negative aspects to their personalities, charming characters can be difficult to write convincingly.

Whether you're writing a romantic love interest or a compelling con man, here are some examples for giving your charming characters depth.

How do they behave?

Attentive listeners: they pay close attention to people around them

Take pride in their appearance

Are happy to share personal space

Speak with a strong voice and an energetic tone

Are often hospitable and give off an air of welcome

Always give the impression that they are happy to see you

Demonstrate empathy

How do they interact?

Have a firm handshake and make strong eye contact

Are often encouraging

Compliment freely

Use humour to create a fun atmosphere

Communicate physically (through touch and gesture)

Make a point of using a person's name

Initiate conversations

Describe their body language

Have a relaxed stance with a straight and confident posture

Inclusive and attentive

Mirroring: they will mirror the body language of the person they are interacting with

Will lean forward to show attention

Lightly touch to create connection

A slight head tilt to show interest

Rarely cross their arms or legs

Maintain eye contact

Describe their attitude

Carefree

Good sense of humour

Friendly and playful

Self-aware

Opinionated and confident

Exhude an impression of honesty

Good intuition

Highly social

Polite and respectful

Eager to please

Potentially manipulative

The positive aspects of charm

Charming characters put people at ease, praise them freely, and boost their confidence. They make friends easily, talk their way to favourable resolutions, and are often the centre of attention.

They have impeccable grooming, conveying trustworthiness and concern for others, leading to a sense that they have your best interests at heart.

The negative aspects of charm

A charming character can manipulate others for personal gain. They can be overbearing, exerting their will on less confident individuals.

Their charm often draws focus, making others feel inferior, making them perfect for a protagonist to exhibit personal growth, or for a villain that a reader will fall in love with.

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burntoutdaydreamer · 1 month

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3 Steps to Improve Your Characters and Make Them Three-Dimensional

So I don’t have a process for creating/developing characters (to me the process is intuitive to the point where I wouldn’t even know how to explain it), but I do have a process for revising characters that just… fall flat, for whatever reason.

I like to get to know my characters by throwing them into a bunch of different situations and seeing how they react, but sometimes that’s not enough. In these cases I need to go back to the drawing board and figure out how to make them not feel like a cardboard caricature of the role I need them to fill. Here’s the process I use, and it involves three key questions to understand what makes your character tick.

1) What is this character’s fundamental belief- either about the world or themself?

2) Where does this belief come from?

3) How does this belief hinder them, and are they capable of growing past it?

Alright, here’s what the process looks like in action.

Let’s say I have a character I need to flesh out for my story.

Character A is a middle aged coffee shop owner and the protagonist of her story. The central conflict of the story revolves around trying to save the family run coffee shop she inherited from her father when he passed away, which has recently fallen on hard times.

What is this character's fundamental belief?

Character A believes that the world is an inherently good and fair place. She believes that good is always rewarded and bad is always punished, even if the timing isn't always perfect. As such, she strives to live a virtuous life, putting as much good into the world as she possibly can. While she understands that even good people can face hard times, she believes that in the long term, if things don't work out, it'll be because she didn't put in the work needed to turn things around.

Where does this belief come from?

Character A grew up in a solidly middle class household with good parents that treated her well- rewarding her for good work, and fairly punishing her for misdeeds. Her parents gave her everything she needed, but also expected her to work hard for the things she wanted. She also had the experience of watching her father build a successful business through hard work and by building strong connections with the people in town. If we want to push this further, we could also say that this belief was reaffirmed by watching her brother ruin his own life, squandering all his money and goodwill with those around him on failed get-rich-quick-schemes and outright scams that landed him in jail.

How does this belief hinder them, and are they capable of growing past it?

Let's say that Character A recently hired a barista who seems perfect for the job. Strapped for help, she gets him started right away before getting the results of his background check. When the results come in, she finds out that he is on probation and was recently released from jail for a violent crime. Shocked, she fires him. Believing that people who end up in jail always deserve it, she can't see past her initial prejudices. As a result, her coffee shop suffers from the loss of her new star barista.

Some time goes on, and Character A encounters the barista again, and learns more about the circumstances that landed him in jail (maybe he was falsely convicted, maybe he was battling psychosis, maybe the violent act was done to prevent a loved one- anything that makes her question her initial assumptions). He then confesses that he is struggling to provide for himself and his family because no one will hire him because of his criminal record. Character A comes to realize that her belief isn't completely true, and that the world isn't entirely fair. Though it takes a lot of inner work to do so, including coming to terms with her privilege, she eventually accepts this, and revises her beliefs. She decides that even though the world isn't fair, people have the responsibility to make it fair.

She decides to re-hire the barista she fired. After doing everything she can to make things right with him, she proposes an idea she wants his help with. Together, they transform her family business into a joint coffee shop and community rehabilitation center. In addition to selling coffee, they also launch a program to provide resources to recently incarcerated individuals looking to reenter society. They'll host weekly events on job interview coaching, alcoholics anonymous, motivational speeches, group therapy, opportunities to connect with open-minded employers, and more. Their promotion of this new program enables them to secure funding from local patrons and public grants, and customers are willing to pay for more expensive coffee with the knowledge that that money will be put to good use.

Additionally, if we want to go with the brother in jail backstory, we could have this ending be an opportunity for her to reconnect with him and maybe even repair their relationship as she gets to see him in a new light.

Main Takeaways

And there you have it!

You can use this process on any character- protagonist, antagonist, side character, etc. By grounding your character's motivations and development in their beliefs, you can easily introduce depth and internal conflict while keeping everything connected to the themes and plot driving your story.

Depending on your character's role or your story's plot, the belief can be wide reaching and complex (such as a philosophy or ideology), or specific and personal (such as having to do with their self-esteem). Either way, it should always be tied to their personal experiences or observations. This doesn't necessarily mean a tragic backstory. It could be, but I encourage you not to make this your default way of creating character depth. A mundane but grounded and sincere motivation will always be more compelling than cheap, dark shock factor.

Generally, protagonists with happy endings and villains with successful redemption arcs are capable of moving past their beliefs, while tragic heroes and antagonists aren't, and this failure is usually the source of their downfall. Keep in mind that even if characters do move past their old beliefs, it will always be a difficult thing to do. It will require them to confront their own mistakes, biases, and emotional wounds, and require both internal and external work in order to fix whatever their old beliefs have damaged.

Hopefully this guide will help you approach your characters from a different perspective. Feel free to share any insights.

Happy writing y'all!

#creative writing #writing #writers of tumblr #writers on tumblr #writing community #novel writing #writerscommunity #writing advice #writing problems #on writing #writing characters #character development #writing help #fiction writing #writing tips #writing thoughts #long post #really long post

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perpetual-stories · 2 years

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Starting Strong Scenes in Your Writing

Scenes are the fundamental building blocks of novels and short stories, and each one should propel a story toward the climax.

Generally speaking, your scene structure should mirror the story structure. In other words, take a novel-writing approach to a scene, crafting a beginning, middle, and end. Like a story, the beginning of a scene should have a strong entry hook that pulls the reader in.

Start with the setting. Often a new scene signifies a change in time and location. Establishing the setting at the top of a scene helps your readers get oriented. It also sets the tone and mood of what will unfold in the coming pages. A setting can serve as much more than a backdrop in literature. Have your scene take place somewhere that builds tension and hinders your protagonist. If you’re writing a thriller, describe a dark and foreboding place where the worst might happen. Be descriptive and use sensory details to make your setting come alive before you jump into the action.

Use visual imagery. In screenwriting, writers have to think in pictures. What images will excite an audience at the top of a scene? Your approach should be the same when writing any kind of fiction. As you write the opening of a scene, use descriptive language to engage a reader through detailed imagery. Think like a screenwriter as you’re writing scenes.

Drop the reader into the middle of the action. Hit the ground running by starting a great scene in media res. It doesn’t have to be a fight scene or a car chase, but physical movement creates momentum and builds tension in a story. It’s also a way to instantly engage a reader. Be sure you begin the scene before the high points of the action so you build up to the scene’s climax.

Write a character-driven scene opener. A good scene starts by giving characters a goal. Start by putting your protagonist in a situation that creates an obstacle or opportunity for both the scene and the overarching storyline. Try starting with dialogue, like an intense conversation between your POV character and a mystery character whose identity is revealed later in the scene. If you’re writing from an omniscient third-person point of view, consider starting a scene with a secondary character, even the antagonist, and use it as a chance for deeper character development.

Summarize past events. You might choose to use the beginning of the scene to do a quick recap of what’s brought your main character to this place and moment in time. A summary is especially helpful if you’re writing in third-person and a new scene switches to a different character. Take the opportunity to remind the reader where we left off. Instead of a straight-forward update, get creative. Go into deep POV and let a character’s thoughts provide the summary instead of the narrator. Be sure to keep this summary brief—just a line or two—so you can get back into the action.

Introduce a plot twist. The start of a new scene is a chance to pivot and take your story in a new direction. Start a new scene at a turning point in your story. Dive into a flashback or character’s backstory, revealing critical information that changes the course of the story going forward.

Keep the purpose of the scene in mind. Effective scenes are clear about what they set out to accomplish and how they contribute to the overall plot. They might include plot points or reveal important information needed to move a story forward. Establish your scene’s intention from the very first word and keep the rest of the scene on point.

Rewrite until you’ve found the perfect scene opening. When you’ve finished the first draft of a scene, go back and read it through. If your scene needs something, but you can’t figure out what, it might be how the scene starts. The best way to know if your opening works is by reading how it plays with the rest of the scene. Review the last paragraph and see if it ties back to your beginning. If the intro feels weak, rewrite it. Maybe your real opener is hidden in plain sight somewhere else in the body of the scene.

Make sure your opening scene is your strongest. While your entire book should be filled with compelling scenes that start strong, the very first scene of your book needs to lead the pack. This is the reader’s introduction to your story and where you’re revealing the characters, the setting, and kicking off the plotline with the inciting incident. This first scene has to hook the reader from the first line so they keep turning the pages.

Read a lot of books. If this is your first novel and you need some inspiration and ideas to help you start off your scenes, start by reading other books. Choose a book by a bestselling writer like Dan Brown or Margaret Atwood. Study the different ways they approach every scene. Reading other authors is a great way to hone your scene-writing skills.

Follow like and reblog if you find these helpful!

#writing #writing advice #writing tips #original writing #writers on tumblr #writersconnection #writerscommunity #short story #storytelling #writersupportingwriters

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nokkomo · 5 months

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DRAGONS RISING SPOILERS and tap for gud quality :,>

I know that everyone has finished s1 p2, but I put the warning just in case

"So... Let me get this right. You're the legendary Green Ninja, leader of a group of elite fighters with god-tier powers, son of the evil itself, nephew and student of a thousands years old man, grandson of the guy that created our world and many more, and now, one of the seven dragons source decided to give you a portion of its powers making you so strong that you were able to stabilize reality itself?!

"Hum... Yeah, pretty much. Why do you ask?..."

There's no way that they didn't have this conversation the next day after they saved the world (If you don't know what is around Lloyd's face, that's cereal and his smol beard :])

I hope that I described the lore correctly cuz MY GOD, ANIME PROTAGONISTS LOOK LIKE WEAK FUCKS ASIDE LLOYD'S LORE AND POWERS AND ITS KINDA HARD TO GET IT RIGHT FROM MEMORY

Smol hc for Sora: Her cat ears are robotic, and their movement depends on Sora's expression/mod

#ninjago #ninjago fanart #ninjago art #lego ninjago fanart #digital art #dragons rising spoilers #ninjago dragons rising #ninjago drawing #dragons rising #lloyd ninjago #lloyd garmadon #sora ninjago #ninjago arin #ninjago sora #arin ninjago #nokkomoart

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im-this-kind-of-girl · 7 months

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Aziraphale and Crowley's unhinged character analyzis (pt1)

Controversial opinion:

Aziraphale and Crowley at the end of Season2 managed to accomplish the main goal they each had since the beginning of time. Only to realize that what they wanted no longer made them happy.

It sounds crazy, but to explain myself I have to do an in-depth analysis of their personalities and the possible transformation arc that both characters are probably going to have at the end of the Good Omens story.

Disclaimer: I have no idea about what is going to happen in Good Omens. This analysis could clearly be considered a theory since I'm not Neil Gaiman, but as someone who knows about narrative and character structure, I'm going to elaborate. Also, English is not my first language, so sorry in advance.

Aziraphale

First let's talk about Aziraphale. For two reasons, firstly because he is the one who seems to deserve the most defense right now; and second because Aziraphale, in my opinion, is the main character of Good Omens. This is because Aziraphale, out of the two, is the one who is likely to have the biggest change in his personality once his arc ends.

In a story, especially one like Good Omens with many characters, it is common for there to be many arcs, as every character has something to learn. Crowley, as a co-protagonist and love interest, is clearly going to have a change at the end of the plot, but his change won't be as big as our angel's.

First things first, what is a transformation arc?

It is the transformation that a character undergoes from the beginning to the end of the story. Basically, at the beginning of a story, a character is in a certain state of equilibrium, he lives and thinks in a certain way until he is exposed to a situation that forces him to act outside of his comfort zone. During this, he will undergo different changes that will be reflected in actions that take him away from his natural state until the climax, where the character will make a decision that will change his normality forever. This is important. In every story, the climax marks a before and after in the protagonist's life: whatever he decides at this moment has no turning back and will mark his life forever, so that after the climax, the character may again have a state of equilibrium but different from the initial one.

What is the climax of Good Omens? Well, in the 1st season we have the bodie swap and in the second season the separation of Crowley and Aziraphale. But of the story itself? It's still a mystery.

Neil Gaiman has already confirmed that Good Omens is a three-act story, so its climax will be located at the end of season 3. We still don't know what definitive change there will be in our characters… although throughout the series we have enough clues to at least know what they probably have to work on changing.

Aziraphale's Role

In order to analyze Aziraphale we must begin by understanding his role within the angelic hierarchy. Aziraphale was created as a Cherub and then, after Eden, became a Principality. Both ranks have one thing in common: they are guardian roles.

Cherubs are second in the highest circle of heaven, below Seraphims. They are described as "guardians of the universe from a divine plane and without direct contact with humans, although they positively influence them". On the other hand, Principalities are seventh within the last circle of the angelic hierarchy, and the highest rank within it. They are the guardians of nations and countries, overseeing global events within politics and commerce.

So, Aziraphale was created with the main purpose of being only one thing: a soldier. His function is to obey and protect objects, places and beings. That is why he was the angel who received the sword of fire, his task was to protect Eden. But he also has a very strong sense of intrinsic goodness that has led him to make erratic decisions throughout history that question just how much he is willing to obey orders.

If Aziraphale feels that something is wrong, he won't do it. It doesn't matter if he has to go against Heaven or sin. It doesn't matter if killing a child saves the rest of the world, he won't do it. It doesn't matter if God will grant Job new children, he can't stand idly by. These actions make him stand out from the rest. A simple soldier just obeys while Aziraphale has a critical mind, he has too strong of an opinion about right and wrong. If an event happens that he considers evil, Aziraphale will go to great lengths to prevent it.

It is remarkable that the first thing he did having free will was to give his sword to Adam and Eve. Of course he did it with the function of protecting them but, by giving them his only weapon, Aziraphale was left in a serious state of vulnerability. He did it because he is good and kind, but it could also be considered an act of sacrifice. Here enters another important issue when talking about Aziraphale that relates to religion itself.

The Martyr Hero

One of the most basic conceptions about the Christianity is that without sacrifice a person cannot really be good. Jesus was crucified to free us from our sins; Job sacrificed his whole life to prove that his faith was genuine. Even centuries later, the ecclesiastical institution maintains that the more you suffer, the poorer you are, the more chances you have of ending up in Heaven.

All the sacrifices made in life will eventually be rewarded in the Kingdom of God. It is the eternal figure of the martyr that is worshipped in Church, the idea that to really love, to really do good, sacrifices must be made.

Aziraphale believes this blindly. Now, he is an angel, not a human. He will not have an eventual reward of any kind, and that does not matter to him, because he considers himself lucky to be able to be a being of light who brings happiness to others no matter the price he has to pay. He was willing to fall only to save the lives of Job's children just because it was the right thing to do.

Performing actions for your own happiness without thinking of the consequences is frowned upon throughout the Bible. It is considered selfish and is a great source of guilt for all its faithful.

There is a line from the Good Omens Musical that has always stayed with me. When they argue, Crowley tries to talk some sense into Aziraphale by claiming all the reasons why he should help him avoid Armageddon, to which Aziraphale replies "you and I are not important."

Why didn't Aziraphale quickly give in to the proposal to stop the end of the world? Why didn't he tell Crowley where the Antichrist was without hesitation? Why did he help Gabriel in spite of everything? Why didn't he kiss Crowley back although he wanted to?

Truth be told, Aziraphale does not prioritize his own happiness because he does not consider himself important.

At the center of it all is God, good and ineffable who would never let anything happen unless it is not amenable to the greater good, then there is all the rest. Aziraphale believes he is just a soldier with a mission: to protect the Earth and everything he considers worth saving. He is not on this list: his welfare does not matter to him because, in the grand order of things, Aziraphale does not believe he is important.

There is no afterlife reward for him, though that doesn't stop him from feeling guilty about wanting it.

Aziraphale's dilemma

Aziraphale's great dilemma ould be summed up as:

Do I do what I want or do I do what I must?

Should he obey the rules or get what his heart yearns for now that it is within his grasp?

Throughout Good Omens, we learn Aziraphale has given into various temptations such as food. But these sins are small in comparison to what he really wants. For how does he explain to God that what his heart desires the most is to be able to love the Serpent of Eden?

He is madly in love with Crowley. He could lose everything: his bookstore, restaurants, music, art, but the feelings he has for him will never go away. It were years of repression, believing that if he loved him in silence, everything would be okay.

Now, in the season finale, Crowley expresses it, confesses and kisses him, offering him what he has always secretly wanted on a silver platter.

But Aziraphale was also offered a place in Heaven, finally being accepted by the family he misses. Aziraphale spent the entire 2nd season getting involved in trying to save Gabriel, in bringing Maggie and Nina together, getting perhaps a little too invested because he clearly missed having a purpose.

He was not well emotionally. He missed feeling that he does good because, despite everything, he believes in the potential that Heaven has. Aziraphale knows that if he is in charge, if he gives up everything that makes him happy, if he stops being selfish as he was all these years, he can make the necessary change to prevent the End of the World.

Aziraphale is a soldier whose main goal has always been to protect. Becoming the supreme Archangel he is able to protect everyone he loves. Because of this, he decides to sacrifice his earthly happiness and make the most difficult decision but the one he feels is right: to leave Earth, reject Crowley and become Head of Heaven.

The end of his arc and Crowley

Like any arc, Aziraphale's is clearly at the end of the story. He's already changed a lot, and he's done mostly so because of Crowley. Not just because of love, no, Crowley manages to awake something in him. Crowley is the driving force that encourages change in him, that reaffirms or questions his beliefs whenever he is in doubt about whether something is right or wrong. He inspires something that Aziraphale, an obedient soldier of the Lord never had: freedom.

Obviously, our angel always had that spark of freedom, though repressed, hidden in the darkest part of his being because he knows it is something that makes him different from the rest and he doesn't like to admit that he doesn't fit in Heaven.

Because this means that he doesn't fit in Hell either, nor on Earth completely. Ergo, admitting to being different means confirming his suspicion that he doesn't fit in anywhere. But he never had to pretend this with Crowley.

Knowing all this, how will Aziraphale's arc end?

Well, he's going to have to choose between heart and duty again. Aziraphale is going to want to save Earth at the Second Coming, that's obvious. He is going to be forced to disobey Heaven once again as he realizes that he cannot change them. In this way, he will confirm something tragic: his sacrifice was in vain.

But it is necessary that he can assume this in order to understand that he is wrong:

It is not necessary to suffer in order to deserve love.

It is not necessary to sacrifice everything that makes you happy to prove you are good.

Eternal sacrifice is not the solution. Aziraphale has to learn that being happy and being loved is not a reward that has to be given, no, it is something he is worthy of without the need to sacrifice his life. Aziraphale must understand that he does not have to prove that he is a good person by martyrdom. He is a good person because he is empathetic, smart and sweet.

The secret is to find the balance between love and duty, between good and evil, to embrace his freedom and find happiness by accepting his mistakes that make him different from the rest. The easiest way is to learn to love in the most genuine way: the human way. Discovering that love does not necessarily have to be painful or repressed, that he can do it openly, that what he feels is not a test of faith, but the reward he has been waiting for all these years.

Aziraphale will ultimately become free through Crowley's love.

#stay tuned for crowley's analysis #some day i'll get over these two #but that day is not today #good omens #aziraphale #aziracrow #aziraphale and crowley #ineffable husbands #neil gaiman #character analysis #terry pratchett #crowley #good omens aziraphale #martyrs #transformation arc #good omens theory #amazon prime #give me s3 or give me death

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rhysstrongforksfagswag · 1 year

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I need to scream about the brilliant thematic juxtaposition between hbomberguy’s “ROBLOX_OOF.mp3” and Kevin Perjurer/Defunctland’s “Disney Channel’s Theme: A History Mystery”, which came out within 3 days of each other in November 2022 and both concern artistic credit and legacy. Here they are linked for those who haven’t watched one or both:

youtube

While both are very different stylistically (with hbomberguy maintaining his signature edge of unhinged video essayist humor while Defunctland is produced in a more traditional documentary style), they are both very well made with a strong narrative through-line— something I consider to be very important in a good documentary. They also have strikingly similar subject matter, but very different “protagonists”, so to speak.

Tommy Tallarico, the center of hbomberguy’s doc, is a well-known and successful video game composer who, over the course of the video, is revealed to be a grifter and seemingly compulsive liar. Perjurer’s doc, by contrast, spends most of its runtime trying to uncover the composer behind Disney Channel’s well known auditory channel theme; eventually this is revealed to be Alex Lasarenko, a composer who wrote a lot of music for brands and sadly passed away in 2020 without much fame to his name. While Lasarenko was obviously unable to be interviewed for the documentary, Perjurer manages to get into contact with many of his collaborators and they have nothing but nice things to say about him. Contrast this with Tallarico, who is far more successful than Lasarenko, but is also a total dick who takes credit for the work of those who work under him (among many many other issues).

To me, the idea at the center of these docs is artistic legacy. When you die, what will you be remembered for? What art that you have created is inherently connected to you as a person? And, does it matter if those who personally know you actually like you as long as your art is loved? Is it better to be famous and despised or unknown and beloved? They also both have commentary to make on media preservation, with Perjurer’s doc being made possible through the tireless work of online archivists who catalog tv bumpers and interstitial content, while hbomberguy’s doc shows how Tallarico actively seeks to rewrite history in service of his own fame.

Basically, I love YouTube documentaries and there were a ton of great ones made in 2022.

#defunctland #hbomberguy #krakoan original #Youtube

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iberiantalesif-game · 2 months

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Genres: Heavy romance, Fall of your entire culture, Ancient history slice of life, Found family

Rating : 16+ for depictions of violence, mature themes and language. (List to be expanded on)

Summary

Life was once tranquil on the isolated coast of your city, surrounded by a loving family and promising prospects for success in your societal position. However, tranquility shattered when the Romans emerged victorious in the Punic War against Carthage, signaling the impending demise of the Iberian people.

As flames engulf your city, escape becomes the only viable option, if luck favors you enough to evade the soldiers blocking your path that is.

Yet, amidst the chaos, you realize that the existence of a stray and that of a Roman slave may not be so disparate.

If the gods truly have a plan for you, their track record thus far suggests they're not worthy of your trust either. But when a fate worse than death is upon your door, you really cant get picky can't you?

Features!

Assume the role of a member of an Iberian civilization dwelling along the coast.

Customize your protagonist's background as a warrior, priest, or noble, shaping both personality and appearance.

Flee from the Romans (or choose otherwise) and embark on a quest to find a new place to call home.

Reconnect with or forge new bonds to create your newfound family, if circumstances allow.

Decide between preserving your culture from extinction or embracing the dawn of new societal norms, and confront the repercussions of your choices.

Engage in romantic pursuits with one of the available romance options. (Witch will be expanding as the game develops and progresses)

The RO´s Cast

Theodosius (Theo) Aurelius [He/Him]

Theo resembles his father´s features, tall, blond and with eyes coloured by the sea. He also has a cold temperament and a tendency to keep people at arm's length.

But being a powerful Roman family heir might make him a good ally. The truth is that you have no option but to please him or his father who bought you, all in hopes of a change of fortune. Or so you tell yourself, as the cold man shows you a mercy not proper of Romans. Maybe they are not as beastly as you thought after all?

Tropes: Snow Prince with warm heart, Fake love to Soulmates.

Eon[He/Him]

Eon is a huge man, with signature red hair, heavily tanned skin and a green stare. So is his entire family, a mercenary group from the northern city of Numantine.

With a world of differences in between and a war that has shaken the safety of the entire peninsula, he is as good a bet on survival as it gets. But when the times can't seem rougher, this giant man offers a sweetness that you have rarely known amidst despair, maybe one strong enough to survive hunger?

Tropes: Buffed fluff/could kill and is a cinnamon roll.

#if game #interactive novel #if wip #interactive game #choicescript #dashingdon

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