Tumgik
#creative writers
writers-potion · 2 days
Text
Scenes: The Basics🏕️
The Four Chords of a Scene
The scene is a fictional unit that comprises of the following:
Two major chords: Action + Reaction
Two minor chords: Setup + Deepening (be kept to minimum)
A "beat" is a smaller unit within a scene. You can think of this as a paragraph.
1. Action
Action happens when a character does something in order to attain his main objective. In a given scene, he has a scene purpose.
This can include: yelling, shutting the door, fighting, crying, pulling someone back, hugging....basically when your character does something or the other to alleviate the pain or take part in conflict.
2. Reaction
A reaction scene is how a Lead character feels emotionally when something happens to him.
A literary novel may feel like a lot of reaction scens because they are generally more about the interior life of a character.
Reaction is often done in "beats" where the character moves from (1) questioning himself, then (2) providing self-justification to (3) being angry beyond reason, etc.
You can put a "reaction beat" (not a whole scene!) in the middle of action so we know how the character is feeling.
3. Setup
These are things that must occur in order for subsequent scenes to make sense.
All novels need a certain amount of setup to show who the Lead is, what he does and why.
Build in some problem, however slight, to the setup scene. It can be just an alarm ringing or door suddenly opening - something that brings immediacy.
4. Deepening
Deepening is to novel as spice is to food.
This is what you mix to deepen the reader's understanding of character or setting. Make it fresh, drop it in strategically.
Deepening chords are interesting/shocking/fun and kind of in line with the overall theme, but they don't serve a particular purpose.
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
206 notes · View notes
novlr · 2 days
Note
Hi, can you write a paragraph about rain? Can you also give tips on describing nature? Thank you.
Rain can evoke a range of emotions and associations, from the childlike joy of splashing in puddles to the melancholy of grey skies mirroring a character’s mood. But while we’ve all experienced stormy weather, capturing its essence on the page can be surprisingly tricky. Here are some tips to help you write about rain in a way that will make a splash with your readers. (You can also adapt this advice to almost any nature description, but we will try to put out a separate post on more general nature advice at a later date.)
How does it look?
Use vivid adjectives to describe how the rain looks at different times of day and in different conditions.
Mention the angle the rain is falling at. Is it falling straight down? Angled? or even sideways?
Describe the size and shape of the raindrops – are they small and needle-like or large and heavy?
Note if the rain is clear or if it’s tinged grey or yellow from pollution.
Does the rain form puddles, streams, or mini-rivers as it flows?
Describe any ripples, splashes, or concentric circles the rain makes when hitting surfaces.
How does it sound?
Use onomatopoeia like “pitter-patter,” “tapping,” “drumming,” “plinking,” or “hissing” to mimic the sound.
Show the surfaces the rain hits and how that changes the noise — a “clattering” on windows, a “thumping” on the roof, a “plopping” in puddles
Describe the overall volume, from a soft “murmuring” or “whispering” to a loud “pounding” or “roaring”.
Note any variations or patterns in the sound, like a steady drone vs. syncopated rhythms.
How does the sound fill a space? Does it echo? Reverberate? Or is it dampened and muffled?
Describe how the noise of the rain interacts with other ambient sounds in the scene.
How does it feel and smell?
Describe the temperature of the rain and how it feels on the skin. Is it cool and refreshing or shockingly cold?
Describe the tactile sensations, like wetness, dripping, soaking, or chilly dampness.
Note how the rain changes the air, making it humid, misty, or heavy and saturated.
Describe the smell of the rain, which can be clean and fresh, dusty, earthy, or laden with ozone.
Describe how it feels to be out in the rain — are characters getting drenched to the bone or finding shelter?
Use metaphors to compare the feeling to other sensations, like tears on the face or a massage.
What mood and atmosphere does it evoke?
Use the rain to set the overall tone and mood you want to evoke, from gloomy and sad to peaceful and cleansing.
Show how the rain affects the setting, like making colours more vivid or obscuring things with mist.
Describe how the lighting changes, with skies darkening or a glistening sheen over everything.
Describe how the rain makes characters feel emotionally as well as physically.
Use the rain as a symbol or metaphor to mirror the characters’ mental states or the themes of the story.
Show how the rain transforms the world, slowing things down or washing things away, and how characters react to that.
Positive story descriptions
Rain can bring a sense of renewal, growth, and life to the world.
There is a cosy feeling of being inside looking out at the rain, safe and warm.
Rain can make everything glisten and gleam in the light, looking fresh and new.
Show the soothing, hypnotic quality of the rhythmic patter of raindrops.
Rain can be invigorating, energising, and joyful.
Rain can symbolise a fresh start, washing away the old to begin a new chapter.
Negative story descriptions
Rain can create a sense of melancholy, isolation, or loneliness
Rain can be an obstacle or hindrance, slowing characters down or forcing them to change plans.
There is a chilling, bone-deep cold that comes from being soaked in the rain.
Describe the bleak, colourless world that seems to exist when the sky is endlessly grey and stormy.
Show how the rain can feel oppressive, like a heavy weight pushing down on everything.
Describe how the rain can make the world feel dreary, soggy, and depressing, sapping energy and vitality.
Helpful vocabulary
Use words like deluge, downpour, torrent, cloudburst, hammering, lashing, pelting, battering, or thrumming to describe heavy, intense rain.
Try terms like drizzle, mist, sprinkle, shower for lighter rain.
Describe rain-soaked things as drenched, saturated, sodden, waterlogged.
Describe how rain dimples or stipples surfaces.
Gutters may babble, gush, trickle or overflow with rain.
Puddles can slosh, ripple, or reflect like mirrors.
Raindrops may bead up, roll, or slide down windows, leaves and other surfaces.
Adjectives like windswept, blustery, driving, relentless, or unceasing can evoke a storm.
The air may feel close, clammy, sticky, or muggy from humidity.
Petrichor is the earthy scent released when rain falls on dry soil.
Slickers, macs, wellies, brollies, and goloshes are rain gear that can add character details.
After a storm, the world may seem scoured, quenched, drenched, or newly baptised.
84 notes · View notes
Tumblr media
37 notes · View notes
em-dash-press · 4 months
Text
I am going to take a deep breath and just remind you:
Writing is messy, even for the best authors. It's supposed to feel a little uncomfortable, exhilarating, freeing, natural, and terrifying.
It's supposed to inspire you and feel like a too-heavy backpack.
Sometimes, you're going to love being a writer and sometimes, you'll feel so disconnected, you'll wonder if you were ever a writer to begin with.
Give yourself room to make mistakes and hate your work and return to it with renewed confidence that yes, you will get 1% better next time.
It's what we're all going through. Let's speed up the growing process a little by accepting the entirety of it.
10K notes · View notes
thrxughthenxght · 2 months
Text
I'm doing an experiment
Edit: Should've added smut. If smut is your top struggle and you want to or do write it, reblog and say so <3
3K notes · View notes
saraswritingtipps · 5 months
Text
Body language that conveys embarrassment
1. Avoiding Eye Contact: People who are embarrassed may avoid making eye contact with others.
2. Self-Touching: They might fidget, touch their face, or adjust their clothing as a nervous habit.
3. Nervous Laughter: Some people may giggle or laugh nervously in an attempt to downplay their embarrassment.
4. Shifting Weight: Shifting weight from one foot to another or crossing and uncrossing legs can be a sign of discomfort.
5. Covering the Face: Using their hands to cover their face or mouth can be a subconscious attempt to hide embarrassment.
6. Reduced Speech: Embarrassed individuals may become more reserved and speak less.
7. Lowering Head or Hunched Shoulders: This can signify a desire to make themselves appear smaller or less noticeable.
8. Prolonged Silence: People may become unusually quiet when they feel embarrassed.
It's important to remember that these cues can vary from person to person, and not everyone will exhibit the same body language when embarrassed.
4K notes · View notes
Text
The Writer's Guide to Mastering Dialogue
You've heard it a thousand times—show, don't tell. One of the most effective ways to do this in your writing is through dialogue. Dialogue helps bring your story and characters to life, propels the action forward, and engages readers. But crafting realistic, compelling dialogue is an art form that takes practice. Don't worry, Rin's got you covered. In this guide, you'll discover techniques for writing dialogue that sparkles. You'll learn how to make conversations sound natural, differentiate character voices, convey subtext and emotion, and use dialog for exposition. By the end, you'll be writing dialogue with confidence and watching your characters come to life on the page. So grab a cup of coffee or mocha (my favorite), settle in, and let's chat about the art of conversation.
Why Dialogue Matters in Your Novel
Dialogue is one of the most powerful tools in a writer's arsenal. It brings your story to life and creates realistic characters that readers can connect with. If you want to master the art of fiction writing, you need to know how to write compelling dialogue.
Dialogue reveals character and moves the story forward. Through dialogue, readers get a sense of your characters' personalities, backgrounds, and motivations. It's a chance to show, not tell, what your characters are like. Dialogue also propels the action and builds suspense, as characters chat about the events unfolding in the story.
There are a few keys to crafting believable and engaging dialog:
•Make it sound natural. Listen to real conversations for inspiration. Dialogue should flow and feel spontaneous, not stiff or forced. Use contractions, interruptions, and imperfect speech.
•Give each character a unique voice. The way people speak depends a lot on their background, education level, profession, and personality. Capture the subtleties of different speaking styles to bring your characters to life.
•Use dialogue tags and actions. Adding "he said/she said" and descriptions of characters' actions and expressions during conversations helps readers keep track of who's talking and provides context. Use a variety of tags like asked, exclaimed, and murmured.
•Move the conversation along. Keep dialog concise and avoid unnecessary filler words. Get to the point so readers stay interested in what's being said. Dialogue should always move the story forward.
•Show tension and conflict. Interesting conversations often involve disagreement, sarcasm, arguing, or questioning. Create tension through dialogue to keep readers engaged.
With the right techniques, you can make dialogue a pivotal part of your story. So listen, observe, and practice the art of great conversation - your readers will thank you!
Developing Distinctive Character Voices Through Dialogue
To develop distinctive voices for your characters, focus on how they speak. Dialogue is one of the best ways to bring your characters to life and propel your story forward.
Pay attention to your characters’ backgrounds, experiences, education levels, and attitudes. All of these factors influence how people talk in real life, so apply that to your characters. Maybe your wise-cracking character uses a lot of humor and sarcasm, while your shy character speaks hesitantly in short sentences.
Listen for speech patterns, accents, and catchphrases in real conversations and note them for inspiration. Capture the rhythm and flow of natural dialogue.
Give each character their own vocabulary based on their interests, jobs, and lifestyles. The tech geek’s dialogue will differ from the history professor’s.
Establish characters’ voices from their first lines of dialog. Look for a memorable way for them to express themselves. The impatient character may frequently use phrases like “spit it out already!” while the pessimist’s go-to is “what could possibly go wrong?”
Use dialog to reveal aspects of characters’ personalities and backgrounds without telling readers directly. Show, don’t tell. For example, a character who says “please” and “thank you” in every sentence likely has a polite and courteous nature.
Read dialogue aloud to make sure it sounds natural. Get friends or family members to read different characters’ lines. If anything sounds off, rework it.
With practice, crafting distinct voices for your characters through dialog will become second nature. Your characters' voices, conveyed through the words they say and the way they say them, will make your story come alive for readers. So take the time to get to know your characters by how they speak. Their voices are worth developing.
Using Dialogue to Reveal Character
Reveal Character Through Dialogue
Dialog is one of the best ways to reveal details about your characters and show their personalities. Carefully crafted conversations can expose a character's background, values, education level, and more without telling the reader outright.
As your characters talk, think about what kinds of words and phrases they would use based on who they are. An older British gentleman will speak very differently than a teenage skateboarder from California. Listen to people with similar backgrounds and life experiences to your characters for inspiration.
Also consider:
The rhythm and cadence of their speech. Do they speak quickly or slowly? Formally or casually?
Their vocabulary. Does your character use complex words and jargon or simpler language?
Grammar and pronunciation. Does your character follow the rules or have their own way of speaking?
For example, here's a short exchange that shows the contrast between two characters:
Jenny (teenage skateboarder): "Hey, you gonna drop in on the half pipe today or just pose by the ramp again?"
Mr. Edwards (older British gentleman): "I'm afraid vert skating is a young man's game, my dear. I'm quite content to watch you whippersnappers from the sidelines."
Even from this brief conversation, you get a sense of each character's age, background, and attitude without the author explicitly telling you. Mastering the art of subtext in dialog will make your stories come alive and allow readers to discover the depth in your characters for themselves.
Driving the Plot Forward With Meaningful Dialogue
To keep your readers engaged, your dialog needs to propel the story forward. Meaningful exchanges between characters should reveal information, create conflict, and raise the stakes.
Share Relevant Details
Use dialogue as an opportunity to share important details about the characters, their relationships, backstories, and the world they inhabit. For example:
“Did you hear they’re raising tuition again next semester?” Jenny asked.
“Ugh, not again,” Mark groaned. “How are we supposed to afford another five percent?”
This exchange informs the reader that Jenny and Mark are college students struggling with the costs. Look for natural ways to slip in context through dialog without sounding forced.
Create Conflict
Interesting stories thrive on tension, disagreement, and clashing perspectives. Have your characters bicker, argue, and challenge each other. For example:
“You never listen to me!” Alice shouted. “You always have to be right.”
“I’m not trying to be right,” Brian retorted. “I’m trying to protect you, but you’re too stubborn to see that.”
The quarrel fuels the underlying conflict in their relationship and keeps readers wondering how they’ll resolve their differences.
Raise the Stakes
Use meaningful dialog at key moments to increase the urgency, suspense or importance of what’s happening in the story. For example:
“The test results came back—it’s not good news,” the doctor said grimly.
Not only does this distressing announcement raise the stakes for the character’s health issue but it also creates a cliffhanger, leaving the reader wondering about the diagnosis and anxiously awaiting more details.
Meaningful dialog is essential for crafting an engaging story. Use it to inform readers, create conflict between characters, raise the stakes, and propel the plot toward a climax. With practice, writing authentic dialog will become second nature.
Creating Tension and Conflict Through Dialogue
To keep readers engaged, effective dialog should create tension and conflict between characters. As in real life, the conversations in your story should have stakes and push characters outside their comfort zone.
Show underlying tensions
Have characters disagree and argue to reveal underlying tensions. For example:
“You never listen to me. It’s always about what you want.”
“That’s not fair and you know it. I’ve sacrificed a lot for this family.”
This type of emotionally-charged exchange shows the couple has deeper issues to work through regarding resentment and lack of appreciation.
Create awkward situations
Put characters in awkward situations through dialog to ramp up the tension. For example:
“How’s the job search going?”
“Um, still looking. The market’s tough right now.”
“Really? I heard your company is hiring. I put in a good word for you with some people I know there.”
“Oh. Thanks, I guess.”
The second character is now in the difficult position of admitting the job search isn’t going well and they don’t actually have any leads. This cringeworthy moment translates the tension to readers.
Issue challenges and ultimatums
Have characters challenge each other by issuing warnings, demands or ultimatums, for example:
“If you walk out that door, we’re through. I mean it this time.”
“Don’t threaten me. You need me more than I need you.”
Throwing down the gauntlet in this way forces characters to back up their words with actions, which heightens the tension and conflict. Readers will keep reading to see who comes out on top!
Using dialog that highlights tension, creates awkwardness, and issues challenges is a great way to craft page-turning scenes that keep readers on the edge of their seats. Mastering the art of writing gripping dialogue is key to writing a story that resonates.
Avoiding Common Dialogue Mistakes
One of the biggest mistakes new writers make is crafting unrealistic or clichéd dialog. Your characters’ conversations should flow naturally and sound believable to readers. Avoid these common dialog doners:
Repeating Characters' Names
In real life, we rarely use someone's name in every sentence when talking to them. Only use a character's name when beginning a new exchange or for emphasis. Repeating names too often makes the dialog sound unnatural.
Overusing Exposition
Don't have characters explain things solely for the reader's benefit. Only include exposition that makes sense for the characters to actually say to each other. Find other creative ways to convey important backstory or worldbuilding details.
Forgetting Emotion
Dialog without emotional cues like facial expressions and body language can seem flat. Use emotive verbs and adverbs to show how the lines are delivered. For example, "she exclaimed" or "he muttered angrily." Also describe characters' physical reactions and behaviors to further bring the scene to life for readers.
Talking in Complete Sentences
Real conversations are often choppy, filled with interruptions, tangents, and imperfect grammar. Vary your sentence structure and length. Use fragments, run-ons, and breaks when appropriate. Not all dialog needs to be in perfectly punctuated full sentences.
Clichéd Phrases
Certain overused phrases like "it's quiet...too quiet" or "we've got company!" indicate lazy or clichéd writing. Come up with original ways for your characters to express themselves that fit with their unique personalities and situation. Avoid reusing trite or familiar sayings.
With practice, writing natural-sounding dialog will become second nature. Pay close attention to how real people speak, and aim to replicate the flow and cadence in your writing. Follow these tips, and your characters' conversations will truly come alive on the page!
Formatting Dialogue Correctly
When writing dialog, formatting it correctly is key to making it clear and compelling for readers. Here are some tips for formatting your dialogue effectively:
Use quotation marks
Place all dialogue between double quotation marks (“”). This indicates the character is speaking. For example:
“Hello,” she said. “How are you today?”
Start a new paragraph for each new speaker
Having each character's dialog on its own line makes it easy to follow who's talking. For example:
“Did you finish your homework?” Mom asked.
“I'm almost done,” I replied. “Just have some math problems left.”
Describe the speech
Use speech tags like "said", "asked", "replied" to indicate how the dialog was delivered. For example:
“I don't want to go to bed yet,” the little girl whined.
Punctuate properly
Place punctuation such as periods, commas, question marks, etc. within the quotation marks. For example:
“Where are you going?” she asked.
I said, “To the store. Do you need anything?”
Use beats
"Beats" are actions or descriptions that replace the "he/she said" tags. They make dialog more engaging and help set the scene. For example:
"I'm tired." John yawned and rubbed his eyes.
"Then go to sleep." Mary folded her arms, annoyance in her tone.
Avoid over-tagging
Don't tag every single line of dialog with "said" or the character's name. Let context and formatting do some of the work for you. For example:
"Did you talk to Mom today?"
"Yeah, she called this morning."
"What did she say?"
"That she'd be home in time for dinner."
Following these guidelines will make your dialogue clear, compelling, and help bring your story to life. Readers will appreciate dialog that flows naturally and is easy to follow.
Using Dialogue Tags Effectively
To write effective dialog, you need to master the use of dialog tags. Dialog tags are the parts of speech that indicate who is speaking, such as “he said” or “she asked”. When used properly, dialog tags can enhance your story without distracting the reader.
Choose tags that match the tone
Pick dialog tags that match the emotional tone of the dialog. For example, use “he whispered” for hushed speech or “she shouted” for loud, angry speech. Avoid reusing the same generic tags like “he said/she said” repeatedly, but don't get too creative either. Stick with simple verbs that imply the manner of speech.
Use action tags
Action tags describe a character's physical actions or expressions while speaking. For example, "“I’m not going,” he shook his head.” or ““What a day!” She ran her hands through her hair and sighed.” Action tags bring dialog to life and help the reader visualize the scene. They also give you an opportunity to reveal character details.
Drop the tag when implied
Once two characters establish a back-and-forth dialog, you can often drop the dialog tags altogether. As long as it's clear who is speaking, the tags become unnecessary. For example:
“Did you finish your homework?” Mom asked.
“Most of it,” I said.
“Most of it? What didn’t you finish?”
“Just some math problems. I’ll do them after dinner.”
“You’d better. I’m checking it tonight.”
After the first two lines, the reader understands that Mom and I are the speakers, so the remaining dialog does not need tags. Dropping implied tags creates a snappier feel and prevents repetitive, unnecessary tags.
Using a mix of well-placed dialog tags, action tags, and implied dialog, you can craft seamless conversations between characters that flow naturally, without distraction. Keep practicing and listening to real-world conversations for inspiration. With time, writing compelling dialog will become second nature.
FAQs About Writing Dialogue
When writing dialogue, questions inevitably come up. Here are some of the most frequently asked questions about crafting realistic and compelling dialogue.
Do I use quotation marks or italics?
In fiction writing, use quotation marks (“”) to denote direct speech. Only use italics for thoughts or emphasis. Quotation marks allow the reader to easily distinguish between dialog and narration.
How do I avoid “he said, she said”?
To prevent repetitive “he said/she said” tags, use action tags that describe the speaker's actions or expressions. For example:
“We should get out of here,” he whispered, glancing around nervously.
She slammed her fist on the table. “Why didn’t you tell me sooner?”
You can also drop the dialog tag altogether if the speaker is clearly identified through context or action. The dialog itself and how you structure the conversation can imply the tone.
How do I make dialogue sound natural?
Pay attention to the cadence and rhythm of actual conversations. Dialog should:
Sound like natural speech, not formal writing. Contractions are okay!
Have an easy back-and-forth flow. Keep responses concise and avoid monologs.
Capture unique speech patterns based on a character's background and personality.
Include interruptions, changes in subject, and imperfect grammar. We don't speak perfectly in real life!
What are the rules for punctuating dialog?
Use a comma between the dialogue tag and the dialog: “Hello,” she said.
If the dialog tag comes before the dialog, end it with a comma: She said, “Hello.”
If the dialogue is interrupted by a dialog tag, use commas to separate it from the tag: “Hello,” she said, “how are you?”
Use a period to end a sentence of dialog: “Hello.”
Use a question mark for a question: “How are you?” she asked.
Use an exclamation point for excitement or emphasis: “Wow!” he exclaimed.
Start a new paragraph each time the speaker changes.
Following these tips will have you crafting dialog like a pro in no time. Let me know if you have any other questions!
Additional Tips For Writing Dialogue
Keep it concise
When writing dialog, less is more. Keep exchanges brief and avoid long speeches. Readers will get bored quickly if characters drone on and on. Focus on using just enough dialog to convey key information or advance the scene.
Use natural language
Write dialog like people really speak. Use casual language, contractions, slang, and imperfect grammar. Drop words like “um”, “like”, and “you know” into conversations to make them sound authentic. Read your dialog aloud to ensure it flows naturally. If it sounds stilted or awkward when spoken, it will come across that way to readers as well.
Share emotions
Dialog should reveal characters’ emotions and attitudes. Have characters express feelings like excitement, frustration, fear or affection through their word choice, tone, and body language. For example, a character who sighs, rolls their eyes or speaks in a sarcastic tone conveys a very different emotion than one who smiles, makes eye contact and speaks enthusiastically.
Keep it relevant
All dialog should serve a purpose, whether to reveal something about a character, advance the plot or set a mood. Avoid “empty” exchanges that fill space but add no value. If a conversation seems pointless or dull, cut or rewrite it.
Use action and description
Don't rely solely on dialog to carry a scene. Include action and descriptions to give readers a more complete picture. For example:
"Where were you?" Anna asked.
Mark sighed and ran his fingers through his hair. "I got stuck at work. I'm really sorry."
The description of Mark's actions and appearance helps the reader understand his emotional state and see the full context of the conversation.
Leave room for interpretation
Don't have characters over-explain or outright state their feelings and motivations. Leave some details to the reader's imagination. For example, instead of:
"I'm angry that you lied to me," Amy said angrily.
Try:
Amy folded her arms and glared at him. "You lied to me."
The emotional context is clear without having to explicitly state Amy's anger. Subtlety and nuance in dialog make for a more engaging read.
Conclusion
So there you have it, the keys to mastering dialogue/dialog in your writing. I hope my extensive research was enough information for you all. Focus on listening to the voices around you, develop unique voices for your characters, keep your exchanges tight and impactful. Remember, dialog should always move the story forward, not just fill space on the page. With practice, writing compelling dialog can become second nature. Now go eavesdrop on conversations, study your favorite books and shows, and get to work crafting those conversations. Your characters and readers will thank you for it. Keep at it and before you know it, you'll be writing dialog with the best of them!
(Keep in mind I used both dialog and dialogue just in case there's a few who get annoyed with that.)
Join my discord server if you'd like to talk to other writers, authors, and anyone who loves writing like you. Receive updates on exclusive content! Don't miss out.
Want me to turn Your character into a Artbreeder portrait? Fill this form out! ↓ 
Copyright © 2023 by Ren T.
TheWriteAdviceForWriters 2023
717 notes · View notes
whereserpentswalk · 4 months
Text
If I can tell you on singe sentence of writing advice that you'll take to heart its this: Don't assume your audience is dumb and don't assume your audience doesn't like you.
275 notes · View notes
get-prompted · 4 months
Text
Prompt;
The princess will only marry her suitor if they succeed to beat her in a sword fight. Every single match loses. Except for the librarian, who didn’t even know how to hold a sword.
128 notes · View notes
xisadorapurlowx · 3 months
Text
I'm proud of you for working so hard on your book, writing can be difficult so remember to take regular breaks, drink some water and don't be too hard on yourself. Writing a book is really hard and not everyone has it in them to do something like that, be proud of yourself :)
72 notes · View notes
vavandeveresfan · 4 days
Text
That brilliant plot idea I had at 3 AM when I try to remember it.
Tumblr media
50 notes · View notes
writers-potion · 3 days
Text
Tumblr media
So, You are Stuck in Act II.
Analyze the stakes. Ask yourself what the main character will lose if he does not achieve his objective.
Strengthen the adhesive. What is it that bonds the Lead and the opposition together?
Add another level of complication.
Add another subplot. Use this one sparinigly. Subplots must be organic and relate to the main plot.
Push on through the Wall. Sometime, the Act II Problem is merely writer's exhaustion. A temporary loss of confidence.
Take one whole day off from writing.
Try to spend some time at a peaceful location
Spend at least thirty minutes sitting without doing anything.
Do something for pure fun
In the evening, drink a glass of warm milk and fall asleep reading one of your favorite writers.
First thing the next day, write at least three hundred words on your novel.
How To Trim An Overweight Middle
Combine or cut characters.
Absorb a subplot
Trim the dullness. Cut the long descriptions and dialogues lacking tension.
If you like my blog, buy me a coffee! ☕
Reference: <Write Great Fiction: Plot and Structure (techniques and exercises for craftin a plot that grips readers from start to finish)> by James Scott Bell
118 notes · View notes
novlr · 4 hours
Text
“Writing is a miserable, awful business. Stay with it. It is better than anything in the world.” — Ann Patchett
73 notes · View notes
Tumblr media
GET THAT POWER, KEEP THAT POWER.
25 notes · View notes
em-dash-press · 2 months
Text
Unlock Your Emotional Blocks to Start Writing Again
Writer's block posts often focus on how to tackle whatever's stopping your creativity. It's often about changing your surroundings or reading new books.
Those resources can be incredibly useful, but I've found more help recently by asking myself this question:
What's been going on with my emotions since the block started?
Sometimes we go through things where we have to box our emotions away. It's a survival strategy and one we often learn when we're so young that it becomes an instinct.
The hard part is that tough situations don't stop happening. There can be long breaks in between and varying levels of hardship, but when they return, you might stop yourself from feeling the full weight of your sadness, anxiety, panic, hurt or whatever else it triggers in your heart.
Creativity correlates with our emotions. If we can't feel them, we're going to have writer's block.
Ask yourself if you've been processing any heavy emotions lately or even avoiding them.
Journal about it either way
Talk with a therapist
Vent to a loved one
(If you're into psychology, EMDR and binaural beats can unlock that hidden part of your brain too.)
While you do, pay attention to your physical sensations. They can indicate your underlying or blocked emotions before you feel them.
Ask what each sensation is trying to tell you. Sit with that feeling. Let it flow through your body. Follow it to the next sensation or emotion it brings up.
Set a timer so you don't get too lost in your feelings. Give yourself some self-care afterward.
Your writing will likely come back when your subconscious isn't actively blocking your emotions.
248 notes · View notes
thrxughthenxght · 1 month
Text
So I already posted a writing poll and it's not closed yet so if you'd like to vote in that here... But based on some responses I got I'm posting ANOTHER one. Have fun. Please reblog 💛.
95 notes · View notes