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#cristobal rios
reginaldqueribundus · 9 months
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Star Trek TOS: what if the captain was a slut who got in fights all the time and did whatever the hell he wanted and it all sort of worked out anyway
TNG: what if the captain drank tea and gave speeches instead
DS9: what if the captain was a single father and religious figure trying to hold onto his morals in the face of an existential threat
Voyager: what if the captain was trying to get her unruly scout troop back home and also she had a GUN
Enterprise: what if the captain was a massive dweeb
Kelvin timeline: what if the first guy was actually a horny frat boy
Disco: what if the captain was a cryptofascist? no wait, what if he was just sooooooo handsome, like so mind-meltingly handsome that is just feels unfair? wait, what if he was a deer? no actually what if she did whatever the hell she wanted, but also felt emotions about it?
Picard: what if the captain was a secondary character driven into solitude by his PTSD, and then we suddenly replaced him with some dipshit from Chicago
Lower Decks: what if the captain was your well-meaning perfectionist mother
Prodigy: what if the captain was a purple teenager
SNW: what if the captain was your dad
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evviejo · 18 days
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STAR TREK: PICARD - S1E10 Et in Arcadia Ego, Part 2
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avoicefromthestars · 1 month
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Maneuvers / Stardust City Rag
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witnbeauty · 6 months
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Santiago Cabrera...just because...
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trek-daily · 1 year
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Santiago Cabrera as Captain Cristóbal Rios in Star Trek Picard S01E03
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deepinthelight · 2 months
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Cristóbal Rios
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isagrimorie · 2 months
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The first half of season 2 of Picard really has a lot more pace until the back half. And the whole Picard-Mother thing kicked off and majorly slowed down the pace from a sprint into a walk.
(The part where Akiva Goldsman fully took over, I suspect. Plus, the whole COVID of it all.)
On the other hand, I really enjoyed the heist-y planning but mostly because of the judge-y and confused looks Rios, Raffi, and Seven were throwing at Picard for choosing Agnes to infiltrate and hack the system first.
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I love that there was a second where Seven, Rios, and Raffi look so skeptical. And Agnes Jurati looked shellshocked. Because the first time they did something similar in Stardust City Rag, Jurati was A Mess.
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Alison Pill was really, really funny in season 2 -- she's the Amy Acker of Picard Season 2 since season 1 really squandered her.
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(Honestly, I am so sad they broke up, I really like their relationship, and while I like Teresa, I do love Rios and Jurati dynamic in season 2. The ex-banter is amazing.)
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I love how Seven took Picard's 'she has all the skills' personally. Because Picard only knows the gun-toting Vigilante Pirate Ranger Seven of Nine and not the Know-it-All science-engineer!Nerd!Seven.
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LOL. She even gave Jurati a Look.
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And Agnes doesn't even know the Look Seven is giving her.
Seven's Borg arrogance and vanity were pricked, remember when she had that Know-It-All, I was Right energy All the Time?
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I bet sometimes she missed those days.
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knightotoc · 9 months
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gravelyhumerus · 10 months
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La Sirena
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iliadette · 9 months
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Trekkies my comrades my beloved! Let's get serious...
Reblog and drown me with discourse in the notes
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synthville · 1 year
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“Smoke ‘‘em if you got ‘em!”
RAFFI MUSIKER / SEVEN OF NINE - ST: PIC - DELETED SCENE
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regionalpancake · 1 year
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*watching Picard Season 3* “They wrote us out... for THIS?!”
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evviejo · 4 months
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STAR TREK: PICARD - S1E9 Et in Arcadia Ego, Part 1
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avoicefromthestars · 2 months
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You have the heart of a warrior.
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quasi-normalcy · 1 year
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For all that people complained about how bleak Star Trek: Picard was when it came out, I would say that its depiction of the Federation was just a culmination of all of the flaws that it was depicted as having on Deep Space Nine (and, to a lesser extent, Voyager and even TNG): Earth-centrism, disregard for the rights of artificial persons, and a willingness to regard entire non-Federation species as disposable if their survival is deemed a threat to the Federation (or even if saving them contradicts an abstract philosophical point). It’s a society that has clearly lost its way, and its annoying (at least to me) that the writers couldn’t have instead imagined the Federation getting its shit together, but the thing is: everything that’s wrong with it emerges organically from the Federation we’ve seen, and, most critically, it is problematised. Our heroes stand in opposition to this corruption. Picard, Rios, and Raffi all left or were cashiered out of service over various aspects of Starfleet’s authoritarian turn; Elnor is a survivor of the Federation’s neglect; Seven and Soji are both members of oppressed minorities and Jurati had her academic career derailed, all because of fear and reactionary opposition to cybernetics. And yes, it’s bleak, but it’s also fundamentally hopeful: they are standing up for what’s right, even in the face of bigotry and oppression, and what could possibly be more Star Trek than that? You can argue about whether it was successful or particularly well-executed, but its heart was very much in the right place.
And that’s why, for all that I’m enjoying Season 3--for all that I love seeing the TNG crew together again and paying-off character arcs that I’ve been watching play out over the course of my entire lifetime--it gnaws at me. Because the thing is: the Federation hasn’t gotten any better. The genocidal criminal conspiracy from Deep Space Nine is now considered “a critical division of Starfleet Intelligence.” This “critical” bunch of war criminals keeps a sentient AI comatose to guard its warehouse, and nobody even comments on how fucked-up that is. The captain of the Titan constantly denigrates his ex-Borg first officer and orders her to deadname herself, but it’s okay because he’s *traumatised* and kind of funny in his assholishness. You get to have a heartbreaking moment with Picard saying “I didn’t know...” when he hears the extent of Section 31′s war crimes, but then he and Beverly, in the face of 35 years of consistent characterisation, immediately compound the war crime by resolving to execute Vadic. No, the Federation hasn’t gotten any better; the heroes have just gotten worse.
I love the TNG crew. I love seeing Picard and Ro finally have it out with one another; I love having a lifetime spent shipping Jean-Luc and Beverly pay off; I love that we finally get to see just how deeply Data’s death affected Geordi, and that we finally get to see Data’s relationship with Lore and his “becoming more human” arc pay off in a way that’s so seamless that it honestly feels kind of obvious in retrospect. But at a deep, philosophical level, I would rather see an angsty story about heroes opposing corruption than a happy story about heroes going along with it.
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Something not a lot of people are talking about is how disrespectful and insulting Season 3 (and Season 2 as well, let's be honest) of Picard is to the viewers who actually liked Season 1. How this show was such a dishonest fucking bait-and-switch. The way S2 unceremoniously dumped the orginal cast, either killing them off ignominiously or straight up firing the actors.
"Well, duh. The show is titled Star Trek: Picard, not Star Trek: Sirena"
Perhaps an argument could be made, but if you were me and meticulously following any and all news of this brand new shiny show that Santiago Cabrera was going to star in back in 2019, you would have noticed that they consistently marketed it as a new, fresh chapter in Picard's life with Patrick Stewart insisting that it had to be something new and different and not a TNG 2.0. All the interviews and cons the cast appeared in repeatedly assured us that this was not a Star Trek: TNG, Electric Boogaloo, but a different show with a different tone and a different Picard and a different crew. That was the idea they marketed us. That was the story they sold us. That was what compelled me to tune in to this show.
And what did this show end up being after Season 1? A fucking Star Trek: TNG, Electric Boogaloo
Fuck the writers. Fuck the producers. Fuck everybody involved in this decision
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