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#cultural expression
tsenvrocrow · 5 months
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Movement of colour.
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artisticdivasworld · 6 months
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The Power of Street Art: How Murals Can Transform Communities
In our visit with art forms around the world, this is #3 in the series.  #1 was Mexican Folk Art, and #2 was Japanese Kintsugi. Please feel free to revisit them or check them out if you missed them. In cities around the world, blank walls and empty spaces are being transformed into vibrant works of art through street art and murals. Far from being a nuisance, this public art form is having…
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rixareth · 5 months
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As requested, I have examined my fondness for terrible characters, and I have concluded that I like them because they're terrible and I'm not sorry.
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barukar · 7 months
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Creative Expressions: Unleashing the Power of Imagination and Inspiration
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acehpungo · 7 months
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Creative Expressions: Unleashing the Power of Imagination and Inspiration
Phasellus vel ante mi. Aliquam sit amet velit tortor. Fusce efficitur diam sit amet mauris consequat, vel vestibulum est gravida. Praesent lacinia velit nec arcu aliquam euismod at at dolor. Vivamus efficitur pellentesque nulla et vestibulum. Praesent at luctus nulla, eget convallis nunc. Mauris a dolor dictum, sagittis elit non, hendrerit felis. In non pharetra risus. Proin tincidunt felis et…
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exilley · 3 months
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I do sort of wish western anime fans would analyze anime and manga from a framework of japanese historical and cultural context. Specifically a lot of works from the 90s being influenced by the general aimlessness and ennui that a lot of people were experiencing due to the burst in the bubble economy and the national trauma caused by the sarin terrorist attack. I think in interacting with media that’s not local to our sociocultural/sociopolitical sphere it’s easy to forget that it’s influenced and shaped by the same kinds of factors that influence media within our own cultural dome and there ends up being this baseline misalignment of perception between the causative elements of a narrative and viewer interpretation of those elements. It’s a form of death of the author that i think, in some measure, hinders our ability to fully understand/come to terms with creator intent and the full scope of a work’s merits
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skannar · 9 months
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Canceled & Trending as a Result
As You Grow (Freedom Island) by Kirk Cameron (Author), Juan Moreno (Illustrator) #1 Best Seller Can’t We All Grow? In light of a new children’s book “As You Grow (Freedom Island)” that portrays family, faith, and biblical wisdom, Kirk Cameron, an actor, writer, and producer, has encountered challenges in reaching numerous American children and families through the public library system. It’s…
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truthapparel · 9 months
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Streetwear culture has emerged as a dominant force in the fashion industry, with its roots tracing back to the streets and subcultures that have influenced urban style for decades.
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craycraybluejay · 6 months
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I also heavily resent the ever-present implication in mainstream media that at all touches on trauma that we cannot have any sympathy for Bad Victims. That it's evil to write a sympathetic Bad Victim. Hell, that it's bad to portray one at all at times. Writing a victim of trauma who's an addict or self-destructive is already an edge case-- writing trauma survivors who end up actually hurting someone else, being chronically "treatment"-resistant or having inconvenient ptsd, perpetuate the cycle, or are just kind of a total dick is considered an evil move. Instead of like. An actually complex and interesting artistic choice.
Idk. It pisses me off a lot how often Bad Victims[TM] are brushed under the rug and if you dare to speak of them/make art of them, let alone SYMPATHIZE with them you're an irredeemable monster. And that's just fictional characters. Don't even get me started on the way people treat actual people who have ptsd in a way that's at all inconvenient and problematic in their opinion.
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ignitesthestxrs · 5 months
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there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
#tlt#the locked tomb#i don't really have an answer lmao this is more#an expression of frustration and discomfort#over the way posts about john gaius seem to have very little connection to the background muir actually gave him#like you cant describe him as an educated leftist bisexual man#without INCLUDING that he is māori#that has an impact! that has weight and importance!#that is a background to every decision he makes#from the meat wall to the nuke to his relationship with the earth#and it also has weight and importance in the decisions that muir makes in writing him#it is not a neutral decision that he's known as john gaius lmao#it's not a neutral decision that the empire is explicitly of roman/latin extraction#it's not even neutral that this is a book about necromancy#it's certainly not a neutral fucking decision that john was at one point a māori man living in the bush#when the nz govt decided to send cops in#like that is a thing that happens here! that is a reference to nz cultural and political events that informs john's character and actions#and with the nature of who john is in the story#informs the narrative as a whole#and i think the tiresome part of this experience is that#in general#americans are not well positioned to understand that something might be being written from outside their experience as a default#like obviously many many americans in online leftist & queer spaces are willing to learn and take on new information#but so much of the conversation starts from a place of having to explain that forests exist to fish
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tsenvrocrow · 6 months
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#indigenous namêwi-sâkahikanihk
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Focusing on the role of sustainable gastronomy.
Sustainable Gastronomy Day is a reminder that with environmental change comes food systems change, thus we must also change and adapt if we are to preserve our planet. 
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The UN General Assembly adopted on 21 December 2016 its resolution A/RES/71/246 and designated 18 June as an international observance, Sustainable Gastronomy Day.
The decision acknowledges gastronomy as a cultural expression related to the natural and cultural diversity of the world. As the COVID-19 pandemic is still unfolding across the globe, sustainable gastronomy - celebrating seasonal ingredients and producers, preserving wildlife as well as our culinary traditions - is today more relevant than ever.
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justdavina · 4 months
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Amazing, Such a pretty gurl! I love her mini skirt with what looks like cashmere top. Her long legs make her nylons just look wonderful! She's so pretty!
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Integrate culture as a strategic dimension.
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Sustainable Development Policies and International Cooperation Programmes integrates culture as a strategic dimension.
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acehpungo · 7 months
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Creative Expressions: Unleashing the Power of Imagination and Inspiration
Phasellus vel ante mi. Aliquam sit amet velit tortor. Fusce efficitur diam sit amet mauris consequat, vel vestibulum est gravida. Praesent lacinia velit nec arcu aliquam euismod at at dolor. Vivamus efficitur pellentesque nulla et vestibulum. Praesent at luctus nulla, eget convallis nunc. Mauris a dolor dictum, sagittis elit non, hendrerit felis. In non pharetra risus. Proin tincidunt felis et…
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direquail · 27 days
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One of the many things I find funny and irritating is the slant of a lot of interpretations of Alecto's name (that it's about feminine rage)--on this here wlw internet in the year of our lord 2024, it's easily made to figure as rage against God, or rage against patriarchy, or religious oppression, and therefore an allusion to the idea that she's going to get her vengeance on John for betraying and oppressing her somehow, but like
John is the one who named her Alecto. He's the one who named her that. So, naming her "Alecto" is alluding to the embodiment of John's rage--their rage, since they are joined inseparably (John even explicitly says that when he first perceives her: "You wouldn't stop screaming. You were so scared. You were so goddamn mad").
He says of Alecto to Harrow, "In a very real way, you are [Alecto's] children". At a very surface level, Alecto is (depending on the text or tradition), one of the Furies--famously, in several surviving Greek tragedies, who punish Orestes for the crime of killing his mother. In fact, in Aeschylus' Oresteia, they declare that they are specifically bound to avenge matricide.
So the name "Alecto" alludes to the nature of John's mission and how he sees it.
It also implies that his divine rage, the rage that gives him power, the power that makes him divine, that he either represents or wants to represent, is feminine rage. He was chosen by Earth (which, Furies are sometimes the daughters of Gaia); he is her champion, however he's managed to fuck that up. Once the truth of that comes out, it becomes clear that all of his power comes from her.
And that's why you get statements from Tamsyn Muir like:
“[T]he God of the Locked Tomb IS a man; he IS the Father and the Teacher; it’s an inherently masc role played by someone who has an uneasy relationship himself to playing a Biblical patriarch. John falls back on hierarchies and roles because they’re familiar even when he’s struggling not to. Even he identifies himself as the God who became man and the man who became God. But the divine in the Locked Tomb is essentially feminine on multiple axes – I think Nona will illuminate that a little bit more."
So yes, he plays the role of Emperor and God and Teacher, with all of the things that implies. And I don't think it should be discounted. But he also is (and partly sees himself as) the chosen champion of a goddess, or what is for all intents & purposes for a human like him a goddess. He is her avenger, and while she sleeps, her avatar.
And I don't think we're meant to read him purely as a parasite who's taking advantage of her to gain power for himself, either. Or an oppressive, Kronos-like figure. Especially if you consider Palamedes' theory of the Grand Lysis, even if he was purely motivated by desire for power before (which I really doubt), there are parts of each in the other, now. What was clear and separate before is uncertain and interpenetrated. Is his rage his own, or hers? Is his mission of revenge his, or hers? If he wants power, is that his own selfishness, or her desire to survive?
And does it matter?
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