John Constantine was the biggest headache Danny had managed to get, ever. After becoming King he did not think that his first task would be to solve the man's soul problems.
And it seemed quite incredible to him that the hellbazer would consider selling his soul as if it were a used car that he wants to get rid of to buy a new one. He was aware that he needed a soul, wasn't he? That it was not possible to buy a new one? Because he didn't want to be the one to inform him if that was not the case.
To top it off, beings from different domains within his kingdom came explicitly to claim the British's soul, which didn't even make sense, there were thousands of souls! Why did everyone want the same one? And why did he have to be the one to take care of it?
Completely frustrated, he placed all the paperwork for John Constantine in an empty room and locked the door. He smiled as he came up with a plan to improve the situation, it might be worth it.
That's how a drunk John Constantine found himself signing a dubious contract in exchange for the power to turn any liquid into beer, he didn't bother to read the contract, most demons just wanted his soul and this guy looked so human, with a presence so light it must be a minor demon for sure.
This turned out to be a bad decision when the next morning he found himself trapped in a room full of documents, the door locked. Taped to the door was a green note that said "Enjoy doing your own paperwork sir, I hope you're pleased with yourself", and well, maybe he should have read that contract after all.
i was hoping to make a post like this under happier circumstances, but here goes.
as some of you know, everything with the cancellation and renewal campaign has happened right on top of the worst part of my mom's cancer treatment (plus the show was cancelled on my actual birthday 💀). i won't go into details, but it's been tough. lots of ups and downs, mostly downs, luckily ending (for now) on as much of an up as circumstances allow. the whole thing has been weirdly tied to the cancellation for me, kind of amplifying every feeling. the grief got mixed up, and there was so much of it - mourning the loss of the kind of future i thought i'd have with my mother and the time we might not get, mourning the end of a show that means so much to me and is such a big part of my life. different types of grief, sure, and of different magnitudes, but in one big ugly swirl. i sort of had a breakdown right at the start of february, and it was because of news about my mom, but it morphed into my brain telling me everything i'd ever written was shit and wanting to delete it all. stuff like that, spilling over.
anyway. i was holding off on writing this post to see if the show got picked up by someone else. but i still want to say it. because what also spilled over was the support and community from this fandom, and being in this space (despite the rough times and high emotions) helped me through it, because of all of you here. whether we talk regularly, or you left a comforting reply or simply a like on one of my posts about having a hard time (i tried to keep them few), or wrote a nice comment on a fic, or said something funny or nice or insightful in the tags of a gifset, or was active here (or on twt) in any way, talking/sharing/creating stuff about the show - THANK YOU.
you all helped me through all the ups and downs, and i am so grateful. thank you for being here, listening, distracting, helping me feel some joy despite the horrors. i love you and i love this incredible show and all it has brought and will continue to bring and inspire, and although it should go without saying, i'm not going anywhere. just do me a favor and give yourself a big ol' hug from me, and know that you made a difference for some random guy on the internet (but in reality for many more, and for this fandom as a whole, just by being here and being you) 💕
Okay I'm a little afraid to post this because of how ridiculous the discourse is right now, but I figured I'd ask anyway.
I am NOT looking to discuss politics or current events on this post.
Can anyone recommend to me reputable, fact-based resources (ideally books, articles, or websites) that can help me learn more about Palestinian history and culture? Pretty much everything I have ever learned about the Palestinian people has been in the context of the conflict with Jews and with Israel, and I would really love to know what is unique to their culture and who they are separate and apart from the conflict. When I've gone looking for this myself I've found: (1) lots of materials that define them as one half of a conflict and only discussing them in those terms, (2) lots of materials that function as Zionist propaganda that erases their history, connection to the land, and unique culture, and (3) lots of materials that function as Anti-Zionist propaganda that demonize Israelis and/or totally erase Jewish history and delegitimize Jewish connections to the land.
I just want to know more about, idk, if they have a specific dialect of Arabic, or the history of their beautiful textile art, their naming culture, music trends, or their olive orchard cultivation. Idk, anything that doesn't involve explosives and bloodshed.
I refuse to accept a political narrative that erases the humanity of Palestinians or their neighbors, but I don't know enough about Palestinians as people and want to fix that.
I cannot express the anger I experience being unable to do anything about anything while Christians salivate over the idea of the Israel-Hamas conflict being a sign of the Rapture
yk, while chinese is a nightmare to learn (for me at least) they're also such an interesting language... "来, 小姐!" hits a lot different than "miss, your order's ready!" but i can't really explain why hahahah
the narrator's little speech to his boss about shooting up the office feels so much different nowadays than when it was first written which i think is really interesting. obviously gun violence has always existed in america and his speech in particular meshes well with going postal, which was common in the mid 80s, but with Columbine only occuring the year the movie was released and the speech itself being written into the book that was published in 1996 — it's certainly a different air, compared to now. school shootings specifically have become incredibly common, turning what would have at the time of writing been a reference and development from other workplace killings into essentially an extremely juvenile subject. it creates a different interpretation. it characterizes the scene and the character differently. looking back on it is morbidly interesting, seeing the cultural associations with mass shootings change — and what stays the same, as well (white male, warnings ignored). because the action and reaction desired from this scene is relatively similar it's easy to miss that the tone of it definitely inherently has changed through the years.
on my quest to find more books to read this year, there's been something kind of heartwarming to see that of the books on hold at my local library, or on the weekly bestseller's list at my local bookstores, there's always at least one book up there that's about Palestine. It's at least nice to see that some people in my area want to learn about the historical context of what's happening now, and learn far more than what a few posts on their feed can tell them. It makes me hope that public perception will continue to change for the better - and that the kind of support I've seen in my area won't die down immediately after a ceasefire is called
I love when I get a little sad about something personal and then instead of looking at something else to cheer myself up I just, start looking at heart-breaking shit that confirms my personal worst-case scenario and worrying myself to death over what if it happens. instead.
love spamming my friends dms with me hating on whatever the hell aa5/6's plastic artstyle is vs the absolutely artistry that is kazuya nuri's artwork
looking at the 2 side by side it is absolutely a downgrade. much like everything after aa4
was also checking his wiki page (such a reliable source lmfao) and apparently he had a background in economics. dude is just naturally talented as f his art is absolutely stunning
i bet aa5 wouldve been more tolerable had he been the character designer. yes the story wouldve still been crap but at least it wouldnt be an eyesore
from what ive heard tgaa has some really good 3d animations and from what ive seen the designs are just as good as always and i have no doubt thats thanks to kazuya nuri
Re: the end of your Joever/renegade post, it’s almost like wondering at what point does the “rough patch” cease to be a rough patch and just how the person *is*. As in, this is just how they choose to exist or are most comfortable living as a person.
(Not villainizing him at all, it’s just alluding to what you and others said… at some point it stops being a single issue or issues to fix and starts revealing itself to just be fundamental differences in compatibility and outlook.)
Just got this and I know it was sent pre-TTPD tracklist, but yeah!! Like it makes so much sense to me that a relationship would take over a year to go from Renegade to YLM and then another year to reach breaking up for good. That honestly feels like the most normal progression in the world, and I’m sooo interested to hear how she describes this experience and gives voice to something that I think a lot of people have been through.
I’ve talked about it on here before but my current relationship is 6 years old, and Renegade literally sparked some very VERY serious conversations for us when it came out because it gave voice to things we were dealing with and we were able to address using the language she offered us in the song. That was a definite “rough patch.” We nearly broke up, and had a real epiphany about things that we both needed to change in order to continue, and the types of support we both needed in order to stay safe and healthy. I felt so seen by Renegade and then in midnights as well- labyrinth and The Great War come to mind - the decision to stick it out. When I heard about joever it hit me (and others, from what I’ve heard!) suuuuper hard because it was like wait. Whatever measures they took after Renegade and the Great War actually didn’t fix it; what does that mean for me!? I was soo shaken up because of how strongly I related to the struggle (as it was portrayed to us). But that gets to the point of this ask: the difference between a rough patch and something un-fixable. I’m certain this will come up on TTPD, and it’ll be a deep portal time travel exploration of how she came to that exact conclusion. I can’t wait.
thought a little too long about what readjusting to being in each other's lives again must have been like for Majima and Saejima. coming back to one of the only people you still have left only to realize they're not the person you had to leave behind. the commadarie is there, but in a new font because you lived an entire life away from each other. how long did it take for Majima to ease up on the Mad Dog persona around Saejima, to register that he was still safe and wouldn't be taken away from him again?
only for Saejima to go back to jail and set them back to square one, adding another name to the list of people that Majima is patiently waiting for. another hand holding the leash that grounds him because they're all he really cares about at this point, Tojo be damned. how long did it take for Saejima to learn how to navigate the minefield that is the Mad Dog? how many times did Majima metaphorically bare his teeth and fight against someone seeing under the mask? it would be safe to let him in, it's just his Taiga, but for almost 30 years raising his hackles is what he's known best.
and how many times did Saejima push through regardless, because despite the showmanship and the decades lost, that's still his kyoudai.
I’ll see so many “gojo is coming back because he needs to fight kenjaku to make peace with geto <3” theories while there’s zero passion for yuuji who’s attempting to do the same thing with sukuna and megumi’s situation. pains me a bit