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#cutler beckett
owenhcrper · 3 months
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PIRATES OF THE CARIBBEAN: AT WORLD'S END - Costume design by Penny Rose
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imaginepirates · 10 months
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How They Confess
For the anon who wanted to know how the characters would confess their feelings, and how they would react if the reader confessed first.
This includes Jack, Will, Lizzie, James, Beckett, and Barbossa.
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Jack:
Jack isn’t one to make a grand show of things, and if he’s to confess, it’ll be in a moment of simplicity. You’ll be curled up together in his cabin, warm and drowsy, soft light shining out from the lanterns. He can only admit it to you when he’s completely relaxed—he can hardly admit it to himself sometimes, how much he loves you. But he says it softly in your ear, and you’re more pleased than surprised, already tangled together in the sheets. Your brain’s a bit fuzzy anyway, and the full weight of it wouldn’t hit you until the next morning. But by then he’s up and out on deck, and you’re left with the knowledge that he really does love you after all. 
If you’re the first to confess, Jack would be taken aback. He doesn’t expect you to love him, not really, so it comes as a bit of a shock to his system. It would take him some time to process, too, and he has to do some serious introspection before he can say it back. Love is a heavy thing in his eyes, and he’s not about to mess it up. 
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Will:
Though he can be bashful, Will is completely unashamed of his feelings for you. If you’re of the same social station, he’ll simply tell you how he feels by taking you out for a walk along the oceanfront. If you’re too far above him on the social ladder, he’ll keep his feelings to himself, though they shine through with all the things he does for you to make life easier and more convenient. 
If you speak up first, Will’s a little embarrassed, but in a good way. He feels a little guilty for not saying anything, but quickly gets over it; he’s just happy you feel the same, and that you’re comfortable enough in your affection to tell him. He likes that you can own it—not everyone is attracted to blacksmiths. Besides, hearing the words from you is just the confidence boost he needs. 
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Elizabeth:
Elizabeth wants to make her confession as perfect as she can. She does it over a nice dinner, just the two of you, and she’s pulled out the candles for the occasion. She’s a romantic at heart, and wants to have the right atmosphere in which to tell you how she feels. She’s really one for the aesthetic. It’s honestly rather cute, the effort she puts in, and you’d be lying if you said you didn’t enjoy it. 
If you’re the first to confess, Lizzie is just delighted. She has butterflies for days, and be prepared for all the secret little messages dictated by high society. I’m talking fan-signals, flower language, the whole package. Even though she loves you earnestly, and even though you know both know it, she’s absolutely going to make the most of the courtship process and all it entails.
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James:
We all know how awkward James is about confessing his feelings. He’s been rehearsing for days, and is almost too anxious to do it in the first place. He’s afraid of coming off too strong, and overanalyzes every interaction you’ve had together. He ensures the setting is both pleasant and proper, and though it may seem a little stiff, you’re aware the confession is genuine. That being said, the moment you indicate the feeling is mutual, his composure cracks and he gives you that huge smile he tries so hard to hide. 
If you beat him to it, he’d be shocked. Not only is he surprised that you made the first move, which is so expected of him, but he honestly had no idea you felt that way about him. It takes him a good long time to find the right words to tell you he feels the same, and you’ll have to be patient as he recovers from his astonishment. 
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Beckett:
This man is never, ever, going to admit to loving you. He won’t even let himself think about his affection for you. In all truth and honesty, he’s terrified of his feelings, seeing them as a weakness that someone will figure out and exploit. He’s also afraid you won’t feel the same way. How could you? It would take a serious moment of vulnerability—either when something awful happens to you, or when you show him honest tenderness. Either way, it’s completely unexpected and almost unbelievable…until you see the fear in his eyes and realize it’s the truth. 
If you make the first move, Beckett doesn’t think you’re serious. He’s willing to play along, but he figures you want something from him. So he brushes it off, though your words linger in his mind for days after. He’s probably in his office doing paperwork when it hits him that you were being completely serious, and he’s absolutely overcome by it. He makes sure to explain himself when he sees you next; he just didn’t think someone could feel that way about him. 
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Barbossa:
Barbossa is, if nothing else, a gentleman at heart. Again, this will likely be a dinner confession, though Hector isn’t nearly as anxious as Elizabeth might be. He’s been around a while, and he’s really only going to say anything if he’s fairly certain you’re interested. He also isn’t offended if you reject—he completely understands why someone wouldn’t want to be with him. He’s relaxed about the whole affair so you never have to feel nervous over any of it. If it turns out you are interested, he’s going to treat you with perfect curtesy and warm affection.
If you’re the first to say anything, Hector’s a bit smug. He might be slightly sheepish that you beat him to it, but overall, he’s happy to hear you say it. He’ll tease you over it in good humor, though he knows you can give as good as you get. He’s secretly happy to hear you say it because he’s insecure about his age. 
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boltlightning · 1 year
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the blade is folded steel. that’s gold filigree laid into the handle. if i may — perfectly balanced. the tang is nearly the full width of the blade.
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cressidium · 8 months
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Sir, what do you command?
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Pirates of The Caribbean + Text Posts
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cupcakeshakesnake · 11 months
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POTC aroace headcanons that a friend and I came up with
(Emphasis on “headcanons”, we were just a couple of aroaces starved for representation and jokingly slapping the flag on almost everyone, don’t come after us. AU versions are canon though because I made the AU and I say so)
(Canon Beckett one is almost directly quoted from TPOF don’t @ me)
+ EDIT: Quick meme based on this
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pizzat-i · 9 months
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sopping wet cats of the Caribbean <3
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sepublic · 10 months
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Now that I’m older, it’s occurred to me that Jack Sparrow really does play the role of the mentor figure in Curse of the Black Pearl. He’s definitely a very cleverly subversive take on the trope, but he is a take on it nonetheless; The older figure who teaches our young, hotshot hero how to act and passes on wisdom. “I knew your father.” An experienced member of a forbidden group that our protagonist learns to accept he is a part of. Acts as a call to action, and isn’t introduced until past the first few scenes of the film.
By contrast, Elizabeth and Will are established in the movie’s first scene, which further strengthens the actually hot take that they’re the main protagonists of the film and the trilogy as a whole, not Jack. Jack is just less recognizable as a mentor because he breaks a lot of the rules (more guidelines really) of the trope, and is treated as more than just a tool for our main character’s growth; He’s someone with his own life and wants and stake in this, too.
Jack Sparrow is ultimately the Gandalf, the Obi-Wan of Pirates of the Caribbean. And that leads me to my argument that PotC is the Star Wars of its generation, with its own Empire Strikes Back and everything. It’s got a lot of the same tropes and structure, but it’s mixed around and dressed up in such a unique way that most people fail to realize this at first glance. 
Take for example, the dynamic of Davy Jones and Cutler Beckett... This is just Vader and Tarkin in A New Hope; A more iconic, supernatural threat, physically imposing, who is nevertheless subservient to Just Some Guy who is British and represents the Machine that strips the world of its magic and wonder. Vader and Jones are more romantic, they’ve got sad backstories and are humanized to the audience; But Tarkin and Beckett are banal and simple, just ruthless men who don’t care, like in real life.
But while Tarkin dies in the first film to make way for Vader taking the spotlight, as well as his similarly theatrical Emperor, the creators of PotC clearly wanted to explore the dynamic of a supernatural force straining against his imperial collar, and the tension of knowing he is contributing to the decline of his own kind. They took Vader and Tarkin’s relationship and made it front and center, happening at the end of the trilogy and not at its beginning. And it is Beckett and the imperial machine that is emphasized as the true evil, whereas in Star Wars, the Empire takes orders from Palpatine and his Dark Side shenanigans, who are framed as the foundation for the conflict.
The crew reinvented Star Wars for a new audience, rather than just... pulling off of the brand and imagery of Star Wars, or copying it word-for-word. They understood the core foundation of the story and the earnest creativity that comes into making something both familiar yet inarguably new, which subverts the stories that came before it in a meaningful manner.
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owenhcrper · 7 months
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PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST - Costumes
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Pirates of the Caribbean: Dead Man's Chest (2006)
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imaginepirates · 11 months
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Welcome to the Caribbean we've got...
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The Caribbean Where We're LGBT (Losers Gays Badasses and Traumatized) (insp)
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thechaosghost · 12 days
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i was reading an article on cutler beckett and here are some golden lines i got
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Edit:
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boltlightning · 8 months
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ari-the-arotistic · 5 months
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So I was thinking about pirates of the Caribbean, and each characters unique moral code and way of approaching life, as one does, when I remembered a particular scene about our beloved James Norrington... the very first scene in which Jack and James meet. Now, as a long time Sparrington shipper, I adore the Sparrington fandoms adopted head canon of Jack's compass pointing directly at Jack when James is holding it as having a romantic connotation too it, but this is Disney we're talking about, and a Disney from 20 years ago at that, so it is of course just a head canon. And while it is a beloved head canon, I will always be a writer before a shipper, and what that scene says about Norrington from a writer's perspective is far too juicy not to share... So buckle up for a very long meta post about who James Norrington is as a person, and how it was set up in this scene(and later reinforced in the second and third movie). This is my first real meta post, and I'm very excited for it, so let's jump right in.
First of all, the compass scene.
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As we can clearly see in the image above, since the red line that points to the object of the holder's desires is no where to be seen, its relatively easy to conclude that it's hidden from our view by the sun dial in the middle, and thusly is pointing directly at Jack. Elizabeth is off to James's right, and no one is standing behind Jack, so unless the compass was pointing at something in the far off distance that just so happened to be in Jack's general direction(unlikely) its pretty clear what(or who) the compass is pointing at. For most potc fans, this is fairly standard knowledge. But it's what this fact says about Norrington's character that I'd like to focus on. After all, what does it say about a man that a compass that shows you what you desire most is pointing at a pirate, and the very face of piracy at that, instead of your canonical love interest, when you're a Commodore of the Navy? As stated above, Sparrington shippers often point at this scene as proof that James has a bit of a pash on the ruggedly handsome pirate, or at the very least, a thing for men. But from a writer's perspective, this just simply isn't the case, and not because the writer's in this instance are the notoriously homophobic corporation we call Disney. The reason why this is so unlikely from a writing perspective is because given the context clues, we as an audience are meant to draw the conclusion that this is the first time that they meet(I have heard rumors of them meeting as children in the books, but having never read them, and focusing only on the movies, I'm not including that in this post). And since this is the first time they've met, it's highly unlikely that the compass is pointing at Jack because James has a bit of a thing for him. Even if James has heard of Jack's many exploits, he does not truly know the man behind the legend, so having romantic feelings for the pirate at this point in time just isn't believable. And even if James was a closeted gay/bi man, it's still unlikely that the compass would be pointing at Jack of all the men around the Commodore(of which there is a lot, some of whom he is incredibly close with) seeing as Jack is the poster boy of piracy, and at this point in the movie it's made abundantly clear that James vehemently detests the notion and all who practice it. If James were to be holding the compass in Jack's vicinity in later movies and it still pointed at the pirate, an argument could definitely be made that it was because he had developed feelings for Jack, but for their first meeting, it's just not realistic. So it's much more likely that the reason the compass is pointing at Jack is because of James's desire to send every pirate he meets to "a quick drop and a sudden stop" as he so eloquently put it to a young Elizabeth. This is further reinforced in the third movie when it is revealed that Beckett's desire to have Jack dead at his feet would prevent him from using the compass to find Shipwreck Cove if the pirate was not already at the aforementioned location, or, well, dead. This is again, relatively common knowledge. But like I said before, it's what this fact says about James that is the whole point of this post... and that is that James cares more about his career than anything else, even the woman he claims to love. Now for some, that statement alone might seem like a pretty obvious conclusion, but it's how this scene subtlety sets up this core aspect of Norrington's character before we even truly get to know who he is, and how it's brought to it's full height in the second movie, and the core aspect of his redemption and subsequent death in the third that I'd really like to talk about. Which brings us to the next segment of this post...
How James lost his commission to the navy...
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And how he got it back
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So let's start off with how James lost his commission... it's a story we all know pretty well, and one he tells to Gibbs in the scene shown above, when he plans to either join Jack's crew or get revenge on the man that(he believes) ruined his life. After Jack's escape in the first movie, James grew obsessed with capturing the pirate, so much so that he foolishly followed the Black Pearl into a hurricane, resulting in the sinking of the Dauntless, and the loss of countless lives that had been aboard the vessel. It's unclear aside from James himself who had been on the ship at the time, and who did or did not survive, but the death toll was heavy, with most, if not everyone who wasn't James, having perished in the storm. While it is not the most extreme example(which we'll get too in just a bit), this is a pretty clear example of James prioritizing his career above everything else, even reason and logic. And all just to capture a singular pirate, even at the cost of his own ship and crew, and rather ironically, the very career that he had been so desperately trying to hold onto in the first place. Which brings us to the next scene I'd like to discuss... James stealing the heart of Davy Jones. This moment is the absolute peak of this part of James's character. This is the moment where James takes his obsessive need for his career to the max. This is the moment where James truly prioritizes his career above everything else, even the woman he claims to love(and for Sparrington shippers, above the man he's reluctantly come to care about). At this point in time, when James decides to take the heart for himself to regain his old station, he's been on the Black Pearl long enough to know the full situation. That Jack is in some kind of trouble with Davy Jones, and that if Jack doesn't use the heart to bargain for his freedom, then the Kraken will hunt Jack, and subsequently the Black Pearl, down until he and everyone aboard are dead. And that includes Elizabeth. And yet, despite knowing that stealing the heart would basically mean sealing Elizabeth's death, he still decided to do so. Sure, the argument could be made that he thought Elizabeth would be able to escape somehow, but the chances of her dying at sea, or some other terrible fate befalling her before she could safely make it back to civilization would have been highly likely. Of course we as an audience know that this isn't the case, but James does not. So essentially, James was so obsessed with his career, and maintaining the image of the honorable Commodore that he didn't even truly register that he was putting Elizabeth, the woman he loves and has been trying so desperately to woo for the past two movies, in danger. And he won't fully realize the consequences of his actions until the third movie, in a deleted scene no less(I swear when I find whoever decided to delete some of the most important scenes to James's character...), when Davy Jones informs Governor Swann of his daughters untimely demise on the Black Pearl. Of course, almost immediately afterwards, Beckett retcons that statement by informing the Governor that Elizabeth was recently seen in Singapore, but for a few minutes, James has to sit with the fact that Elizabeth was dead, and it was his fault. And even after learning that she was in fact still alive, James has now finally come to the realization that if she had still been on the Black Pearl when it sank with its Captain, he would've been the one to send her to her death. And for Sparrington shippers, James has to sit with the unavoidable fact that he was the reason Jack had died(even if the pirate does come back), despite the fact that it was Elizabeth's betrayal that was the final nail in Jack's coffin, since she wouldn't have had to do that if the Kraken wasn't after them in the first place. Which brings us to the final scene I'd like to discuss...
James choosing a side, and paying the price
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Now, before we fully delve into this scene, I'd like to take a moment to talk about James's own perception of himself, and his relationship with honor and integrity. From the very first scene in which we meet James Norrington, we are made aware that he has a strong moral compass. He firmly believes piracy is evil, and that all who partake in piracy deserve a swift end. He perceives his Commodore persona as being the paragon of honor and integrity, and the sole arbiter of justice. We can infer from the line "By remembering that I serve others, Sparrow, not just myself" that James does have honorable intentions when ridding the world of pirates, that being protecting the innocent citizens under his care, but as seen once again in the first time James and Jack meet, wherein James adamantly tries to arrest Jack despite the fact the fact that pirate had just saved Elizabeth's life, his actions to achieve that goal are not always quite as honorable as his intentions are. This is especially highlighted once again when James gave Beckett the heart of Davy Jones. James's intentions here were once again rooted in honor and integrity - he believes that the only way to keep people safe from pirates is too return to his old station, to the image of honor and integrity he had built around the title of Commodore, and the only way to return to his old station is to give Beckett the heart. But the action itself was far from honorable, seeing as James had to betray the woman he loved just to obtain the heart, and that he was now putting it into the hands of a dangerously unstable individual who planned on using it to commit mass genocide.
And now, we finally get to the scene above... Of course, it's made clear throughout his scenes in the third movie leading up to this one that James is already starting to regret giving Beckett the heart after seeing the damage being caused, but since Beckett is targeting pirates specifically(although we as an audience know that Beckett's definition of pirate is very loose) James figures that the ends justify the means, as he often does in situations regarding piracy. It is not until his reunion with Elizabeth, where he learns that Governor Swann is dead, and that Beckett lied to him about the Governor's whereabouts, that James truly realizes the enormity of his mistake. It is in this moment that James has a sudden realization that fundamentally shakes him to his core, and is the reason behind his change of heart later on. He realizes that the honorable Commodore persona that he had tried to cultivate and keep a hold of for so long had never been truly honorable at all, and that by giving Beckett the heart of Davy Jones, he had effectively tied the noose around the neck of his own honor and integrity, as well as the necks of hundreds, if not thousands of innocent people, with his own hands. And as that one vine goes, this was the moment James knew, he fucked up. Which leads to his decision to change sides in an attempt to redeem himself, and his subsequent death in the process. Of course, part of James's reason for helping Elizabeth escape was that he does care for her, but given everything I've detailed about him so far, I think it's safe to say the main reason that James decided to help Elizabeth and her crew was because he wanted to undo the damage he had done, and he had faith that Elizabeth, Will, and Jack would have some sort of plan to defeat Beckett, and stop any further damage to come from his mistake. And now, for his death scene itself... As much as I love the idea of James surviving and joining the pirates(whether at Elizabeth's side or Jack's is unimportant), I firmly believe that his death was a necessary end of this part of his character arc, and that if he were to survive he would still have to go through a major ego death for this part of his character arc to end properly. Because as Bill turner drives that wooden pike into James's gut, it's not just the physical death of his body, but also the metaphorical death of Admiral James Norrington, and the ideals that James had used to build the persona out of. So even if James survived, the Admiral would still have to meet his metaphorical end, thusly causing James to lose a core part of himself that had been guiding most his decisions so far, in the process, which would start the next part of his character arc, where he would have to deal with the loss of a key part of his personality, and rebuild himself from the ground up to finally, truly become the image of honor and integrity he had envisioned from the beginning.
And that concludes this very long post. I could probably wax enough poetics about this aspect of James's character to write a short novel, but I've said everything important to this post, and if I go on any longer, I'm likely to start repeating myself lol. Thank you for reading, and feel free to share your thoughts in the comments or a reblog! I will always love hearing more about our polished peacock <3
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Still fricken love the losers
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