So we knows those AU where Danny pops out the Lazarus Pits and meets like Damian or Jason.
What if, due to time travel shenanigans or even dimensional reasons Danny pops out of the Lazarus Pits when he was investigating it (maybe he's CW apprentice and helping keeping the Zone in check) and while looking he suddenly gets a sword put to his neck and a voice, a very very spine tingling smooth voice, saying
"Who are you. And how did you find this place."
Out the corner of his eye Danny could see a woman (or if time travel, teen! Talia) around his age and ooooh boy the Fenton 'I love a woman that just might kill me' genes are totally kicking into high gear.
remember the headcanon that Alhaitham was wearing hearing aids? we should bring that back i think
Bonus:
✨reblog to help ur local artist✨
Alt text under the cut
A short comic, all drawn with a loose style in a warmly tinted grayscale.
The first panel depicts Scaramouche from Genshin Impact, he is dressed in the attire he wears as the playable Wanderer character and is angrily gesticulating towards the viewer and looking down at them scornfully. He says, in all capital letters, "are you deaf??". The second panel is a view from behind the Wanderer, showing the viewer that he was yelling at the Genshin Impact character Alhaitham. Alhaitham is significantly taller than the wanderer, even with his hat, and has a neutral expression and stance. The Wanderer has an anime style anger mark above his head, and Alhaitham has a speech bubble that only contains ellipses.
In the first panel of the second image, the Wanderer and Alhaitham still face one another in the same poses, except for Alhaitham's right hand. His hand is moving in the American Sign Language sign for "yes", which is also plainly written out for the viewer in text. The wanderer's anger symbol is no longer present. The middle panel is a simplified silhouette of both characters facing one another, their profiles visible to the viewer. A large ellipses hovers above their heads. The final panel shows the Wanderer turning away from Alhaitham, tugging down his wide-brimmed hat from the front to cover his face. All that can be seen of his expression is a small smile and a bead of sweat. The Wanderer has a speech bubble, which says in lower case lettering: "ah. my mistake". Alhaitham is standing behind the Wanderer, his expression still mostly neutral as he watches the wanderer turn to leave, but he has lines below his eyes that show irritation. His arms are now crossed, and his left hand is holding a book open under the opposite arm.
The bonus image is a grayscale sketch of Lumine and Kaveh from Genshin Impact. To the left, Lumine looks frustrated, with her shoulders drawn up and her left hand pressed to her face while the other rests on her hip. The hand on her face is dragging the lower eyelid on her left eye down. Kaveh is slightly hunched over towards Lumine, and he is laughing so hard he's crying and spitting through pursed lips. He's holding his sides with opposite hands tightly, and looking towards Lumine.
"Saturn Devouring His Son" (c. 1819–1823 - Francisco Goya) / "Guernica" (1937 - Pablo Picasso)
SATURN DEVOURING HIS SON: There's a lot in this painting that's just OUGH. The look of desperation and sheer hunger in Saturn's face. The strength of Saturn's grip on his son. The fact that his son is a man, not a baby, which foregoes the theme of harm to the innocent often seen in remakes of this myth. The head being bitten off first, as if to perhaps save his son the fear and pain of slowly being eaten alive. In this painting, Saturn is showing a sort of primal fear and desperation that makes me feel a bit queasy. There's so much emotion here, and it's an emotion that is hard to describe. It feels like a last-ditch effort, like if he just does this one atrocity, it will be worth it. He needs it to be worth it. What if he is eating his son for nothing? What if the blood never washes off his hands, even though it is gone? (@orbleglorb)
("Saturn Devouring His Son" is a 1819-23 mixed media mural transferred to canvas (originally painted on the wall of his dining room) by Spanish artist Francisco Goya during one of the darkest periods of his life. It measures 143.5 cm × 81.4 cm (56.5 in × 32.0 in) and is displayed at the Museo del Prado in Madrid.
"Guernica" is a 1937 oil on canvas anti-war painting by Spanish artist Pablo Picasso. It measures 349.3 cm × 776.6 cm (137.4 in × 305.5 in) and is located at the Museo Reina Sofía in Madrid.)