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#cyan was ejected
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Yandere Imposter: Neige LeBlanche
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He’s the shining crewmate in cyan
With a reputation of snow
He’s innocent in any situation 
There's always an out 
Even if he’s found with blood splashed on his suit
He’s nothing but an unfortunate witness traumatized beyond belief
So traumatized he can’t recall who it was
Until its most convenient
“I-i’m so sorry everyone…I witness something so horrible the least I should do is be able to help…I-i’ll try my best for everyone.”
So it's best if he travels with you
The crewmate so determined to find the imposter
Or even the unconvinced crewmate who keeps giving him the side-eye
So why don’t you pair up with him?
Despite his flawless alibi, overwhelming lack of evidence, and testimony from trusted crewmates your friends
Somehow he can’t get you close enough
wHy ARe yOu BeINg sO dIfFiCUlt!?
At this rate, he’ll the imposter have to kill the whole crew before you give him anything but a passing gaze glare
But he’s a good crewmate liar
You’ll have no choice but to believe him when they eject the ‘real’ imposter:
You stared through the impact glass at the vastness of the space and the decreasing figure of the purple suit. A haze of finality and unreaching, endlessness ebbing your resolve, you tightened your fists; digging your nails into your palms. It hardly did much to distract you from the feeling in your heart but you’d take what you could.
“(Y/n), Rook set a course back to Innersloth…we’re going home.”
You ignored him, not even bothering to look at his worried reflection behind you, keeping your eyes on the spot you last found the supposed imposter’s floating body. The news brought nothing but guilt and rage. At who? You, the remaining crewmates, the dead, Neige? Even with the evidence pointing to your dearest friend and the innocence proclaimed to him you couldn’t ignore the feeling in your gut. 
The same one that told you to stay with your friend, even when he insisted you two split up for just a second. The same push that had you doubting the one in cyan from the very beginning. Even with his innocence being proven every time without fail, you couldn’t disregard the compass that held tried and true for this whole nightmare.
“(Y/n), maybe you should join me in the cafeteria! I recently made a pie for everyone to enjoy!”
“...Not everyone.”
Neige stiffened before letting his eyes and lips curve into a smile as he shed a tear. 
“You’re right *sniff* Not for everyone…but maybe in their honor?”
You resisted the urge to sneer at him. That voice. That face. Those tears. He was doing it again! Whether it was acting or mimicry it didn’t sit right with you; it never did. And even now in the wake of the majority of your crew’s death, it didn’t incur the empathy he so often elicited from onlookers. In your deepest of hearts you rationalized that was why he seemed so insistent on trying his tactics on you. 
“You can enjoy it without me…who’s to say the imposter really is off the ship anyway?”
At those words he made a face, puckering his lips and folding his hands to protest. You spoke, glaring at the despicable reflection of yourself in the window.
“ We’ve been wrong before. What’s to say we aren’t again?”
“B-but nothing has been broken! And we’ve split up many a time before and none of us have died! Don’t you think that means we finally got rid of the—”
“Imposter? Please, it make more sense to stay hidden now since they want a free ride to headquarters.”
Tightly closing your eyes,  you turned narrowly missing the ungloved hand attempting to grab your shoulder. Making your way out of the bay you went for the door, flashing a look toward Neige who hadn’t turned around and was still facing the window. You turned your attention officially storming off, to do whatever it was you felt like doing without his presence. 
The imposter stood still, blankly smiling at the star system as he tightly clenched his fists. Of course, it’d be like you to suspect such a plan. Only you. But you were just so uptight how could you go bringing such negativity to the Innersloth head quarters after such a hefty loss? It’d be best for him everyone if you had a relaxant relaxed a little. Smiling a bit after such dark times was healthy. And only a good crewmate would keep their remaining teammates healthy, even if their suspicions were debilitating to that health.
Right?
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sincerely-sofie · 2 months
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Embracing my inner Cringe Queen by dumping some Among Us OC art here. Meet Annings the Cyan Crewmate, Soot the Black Imposter, and Robin the Cyan Mini Imposter! Bonus context is under the cut at the end of this post, but you can enjoy the jokes and stuff in this without it! All you need to know is that Annings is a medic and Robin is her adopted daughter.
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(This one is a gif, but might not load until you click on it!)
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(Story summary / teaser below!)
Annings was the sole survivor of a civilian cruiser that was boarded by imposters when she was a child. She became a bit of a poster child for the war efforts against the shapeshifting alien rebels MIRA worked so hard to stomp out, despite never once voicing a similar opinion. After she grew up on Earth, she decided for take a MIRA flight back into space— this time as a medic instead of a civilian— seeking closure from her traumatic experience on her last flight.
Instead of closure, she was granted custody of an orphan whose mother was ejected on suspicions of being an imposter. Annings didn’t believe the accusations, and returned to earth with her newfound ward, Robin, whereupon she realized that most toddlers shouldn't be able to split down the middle and swallow their lunch whole, plate and all.
Robin's health began to fail not long after their arrival on earth, and Annings was forced to choose between her fear of meeting another hostile imposter and her fear of losing her daughter. She chose to return to space, taking as many jobs on MIRA flights as possible so that she could increase her odds of encountering an imposter who might know what was wrong with Robin and help her fix it. It took long enough that she began to fear whether Robin would make it to the next flight, but eventually she found one such infiltrated flight--- and the freshly deceased captain had named her his replacement in the case of his death.
Annings puts her knowledge of imposter stratagem to use in order to minimize the threat of continued deaths, and confronts one of the pair of imposters she picked out amongst the crewmates. This imposter, who used the human name Soot as part of his disguise, was fully prepared to kill Annings when she proposed a deal where he'd help her and she wouldn't reveal his true identity to the crew... But when she told him about Robin's wasting away and how she didn't know how to fix it, and he realized she had set up backup after backup to ensure he wouldn't find an alibi whenever he had the chance to kill her, he learned he was doomed to become a walking childcare manual for her.
Long story short, Soot ends up getting attached to both Robin and Annings, and when disaster strikes and threatens the lives of those they hold dear, he throws everything away for the human and child he's come to care for. Meanwhile, Annings has to reconcile her trauma with the bond she's forming with this new imposter and her fear of ending up just like the massacred civilians of her childhood flight.
Robin, meanwhile, is just chilling throughout the story and wondering why all the grown-ups are so angsty all the time.
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laracrofted · 1 year
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baby, i'm high octane (iv)
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synopsis: at bradley bradshaw's birthday party, nora has a realization under the disco ball.
pairings: jake seresin x nora rogers (oc)
warnings: 18+, minors dni, explicit language, alcohol consumption, pop culture references, slutty (affectionate) rooster, brief mention of blood, and smut. (wc: 6.8K)
note: at long last, the rollerskating chapter 🪩✨ and icymi, i posted another mood board for this chapter 💖
previous chapter | series post | next chapter
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tagging // @theharddeck (who talked me off a ledge about this chapter; i snuck a california coast reference in here for you, dear) @frenchyjuju @bioodforbiood @cursedtobe @roosterbruiser @t-nd-rfoot @bethbunnyy @filmflux @djs8891 @mayhemmanaged @sometimesanalice @eli2447 @bradshawsbitch @hangmanbrainrot @startrekfangirl2233 @kandierteveilchen @lostinwonderland314 @hangmanscoming @dempy @mlibbydp
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“Mav actually said I’m not supposed to do anything high-risk after I had that bird strike scare so…” 
And with that, Bradley crosses his big arms – dusted with new freckles and sun from his afternoon on the boat with Captain Mitchell and Penny Benjamin – over a barely buttoned shirt; something Nora half-suspects Bradley found from searching Hawaiian shirt comma eighties disco and ordering the first option.
What Bradley ended up with is a black shirt, covered in bright geometrics, squares and squiggles and martini glasses in neon shades of violet, cyan, and pinkish magenta.
As close to a Hawaiian shirt as the Naval aviator could wear and still be on theme and funnily, eerily identical to the carpet at the long-since-closed bowling alley where Mom booked one of Nora’s elementary school birthday parties. 
He could probably lie down and blend right in. 
Minus the martinis, obviously. 
Bradley uncrosses his arms. Crosses them again.
And Nora watches him, absentmindedly, blinking at this indifferent nonchalance that Bradley is putting on. So unbothered. So casual. Real believable. 
“Are you okay, Bradshaw? You’re sweating a little.” 
And as only a mature and newly minted 36-year-old could, Bradley ignores Nora.
Smiling, Nora slurps down the rest of a frozen strawberry lemonade, spiked with vodka. Cheap vodka. She pulls a face at the well of might-as-well-be-rubbing-alcohol at the bottom, rapidly blinking and deep breathing through the sharp sting in her nostrils. 
She will not let some bottom-shelf vodka ruin her eye shadow, not now, not in her favorite dress.
A delicate cough spurts from her mouth. She wouldn't be surprised to see a puff of fumes come out.
“That was like…” Mickey sounds confused.  “Four months ago, Rooster.” 
“And?” 
Bradley uncrosses his arms and spreads them wide, palms upturned – an incredulous gesture as bird-like as his call sign. His winged arms drop back down in a whoosh of wind. 
“I almost crashed into the side of a mountain and had to do an emergency ejection. Medical kept me overnight for observation. It was pretty serious, Garcia.” 
Bradley drags out the vowel and clips the constants in the word pretty for even more emphasis, and in her peripheral, Natasha pinches the bridge of her nose and screws her eyes closed.
Drama drama.
Reuben exchanges a bewildered look with the WSO and shakes his head. Deadpans, “You had one bruise, man. Singular.” 
“Nurse Julie said I had a hematoma,” Bradley retorts, like, so there!
Someone audibly groans. It might be Reuben.
“Fine. You had one bad bruise. Happy?” 
Bradley makes a face – a distinctly, not happy face – and crosses his arms again.
“And when did you graduate from medical school, Doctor Fitch? My invitation must’ve gotten lost in the mail.” 
“I’m dating a nurse! A hematoma is a bad bruise.” 
From Natasha's side of the bench comes a prolonged sigh, a good four-second exhale.
“Moving on…" Natasha continues, "Rollerskating definitely doesn’t fall under what Maverick would consider high risk.” Air quotes are audible in her voice. She waves the roller skate around, abandoned when Bradley put them down. "Children were out there like... 10 minutes ago. Children, Bradshaw!"
A valid point. 
Before Moonlight Rollers made the loudspeaker announcement (“Anyone who isn’t of legal drinking age should turn in their skates and head to the nearest exit in the next 15 minutes. Saturday Night Fever is now in session.”), Nora sat down with her skates and lacing them, counted at least six skaters who were younger than the bourbon Penny Benjamin serves at the Hard Deck.
Children – as Natasha very much emphasized – who cut across the rink with the unselfconscious effort and fearlessness of a child who'd never broken a bone before and honestly, wouldn’t mind a super cool cast for their summer camp friends to sign on Monday.
As if reading her mind, Bradley’s next argument is: “Someone could fall or sprain their ankle or fall and sprain their ankle. How’re you planning to fly with a broken wing, Phoenix?” 
As Natasha studies him, unreadable, Nora decides to wade in.
She can't listen anymore. She's aged five months in the past five minutes.
 “Bradshaw – You’re the one who wanted to do an activity for your birthday party, remember?”
Clearly, Bradley needed the reminder. He was the one who specifically wanted an activity with alcohol and some sort of theme, and Nora found Moonlight Rollers on Instagram.
On Thursday, which was his actual birthday, Nora brought him an Americano (no milk, no sugar, steaming hot) and a breakfast sandwich (a bacon, egg, and cheese on an everything bagel, extra toasted) in the morning and as a present of sorts, secretly asked Technician Ethan to install the camera in his F-18 for the afternoon.
He was ecstatic, so ecstatic that Bradley picked her up and spun her around, like a rag doll in cool shoes, until Captain Mitchell crackled over the radio, sounding equal parts amused and long-suffering.
“Admiral Simpson says – and I quote. Put Miss Rogers down. She's a loan." Captain Mitchell then added, "And from me, I won't protect you or your wings from Charlie Blackwood if Nora somehow falls. Put her down please."
Bradley set her down with a grimace.
Now, Nora continues, “We could’ve done drinks at the Hard Deck again and called it a night. I could be one and a half Old Fashioned's down right now, watching Netflix in my underwear," and Bradley grins, wolfish.
He waggles his brows, impish and obnoxious, and Nora knows what Bradley is picturing right now. Anyone would be able to see it all over his face.
For a 36-year-old man, Bradley can really be a 16-year-old boy sometimes.
She sends him a blank I will kill you in your sleep stare and mimes a slow slash across her own throat, shaking her head from side to side, and Bradley barks out a laugh, apparently not very intimidated.
Should Nora be offended?
He should be like... a little afraid, at least.
Natasha stares him down, and now, Bradley does look a little afraid.
Dark eyes narrowed, sharp against the glittering lavender Natasha lined them with earlier; Natasha is a stunning lavender monochrome, dressed in a ribbed tank and short sweat shorts, even down to the light purple wheels on her skates.
How did Natasha manage that? Nora wonders. She peers down at her own skates and sees only a bright cherry red. Damn. She would've loved a bubblegum pink in this dress.
If Nora has learned anything in the past month, Natasha seems to get her way one way or another. Now is no exception.
Nora smiles. Watch out, Bradshaw!
Natasha rounds her lips to an O shape, smooth voice sweetening into something more saccharine; more patronizing. "Oh... You're scared, aren't you, Rooster? Why didn't you say earlier?"
Are Bradley's ears turning a little red?
"Really? You can pilot a million-dollar plane for a living but can't handle a little..." A polished nail spins one of the wheels. Mocking. "...sneaker with wheels on the bottom?"
And like that, Natasha has him.
Hook, line, and sinker. 
She's barely gotten the words out when Bradley yanks the skates from her outstretched hands with a grumbled, "Fuck off, Phoenix. I'm not scared. I just remembered I don't know how to roller skate. Goddamn," and drops right down on the carpet to strap them on, swearing up a storm under his breath.
Ever optimistic, Mickey calls out, "It'll be fun, man," and Bradley grumbles something unintelligible. 
Natasha doesn't even pretend not to look victorious. She beams.
Nora, on the other hand, is a little more sympathetic. A little. 
He is a big man. Tall and broad with a long distance to fall in a wobble. She'd probably be a little nervous too.
Everyone is drinking. Someone is all but guaranteed to fall on their ass before the end of the night. Who? is the only question that remains.
“I can show you the basics,” Nora offers, watching him fumble with the shoelaces, double and triple knotting them around his ankles. “You can surf, right?" A grumbled sound that Nora will interpret as a yes. "You'll be fine. Balance is the hardest part. We can even hold hands."
She wiggles her fingers in his direction, teasing, gleaming an iridescent pink that matches her dress.
He snorts. “Hot. Promise?” 
Never mind. She's less sympathetic now.
Nora kicks out a leg and lightly catches him in the side of the knee, scuffing the dark blue denim, and Bradley scoots away with a surprised exclamation.
She rolls her eyes.
Maybe if Bradley falls, Nora can get a good shot on her phone.
She'll frame it. A memento for the birthday boy.
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"Natasha, do you know when Coyote will be here? I still need to meet him."
Last Nora had heard, Javy 'Coyote' Machado had gotten back from the deployment in the middle of the week. He drove down late last night and crashed on Jake's couch. Got coffee with Captain Mitchell in the morning to discuss when Coyote could move down to North Island. It is still a vague – albeit promising – soon, but Natasha seems to think Coyote will be permanently moved before the beginning of August.
Natasha slides her phone from the front of the fanny pack slung around her waist – silver with prismatic purple, pink, and blue hues, same as the one Nora is wearing over her shoulder like a Miss America sash – and checks her appearance in the front camera.
Holding the phone like a compact, Natasha applies a fresh coat of shiny lip gloss and smushes her lips together to spread it around. Replies, slightly muffled, "He and Hangman got in an Uber like 20 minutes ago. They should be..." A bicycle bell notification chimes from her phone. "Speak of the devils!"
Natasha searches the rink, sipping from a Blue Moon bottle on the bench. Smiles widely.
She points with the sweating bottle, seemingly oblivious to the line of condensation that drips down her forearm and onto the carpet.
"He's right over there, next to Hangman."
Nora looks across the room, dancing over the multi-colored lights and foil streamers, gleaming and rustling in the warm evening breeze that sneaks in through the opening and closing of the main entrance – and lands on Jake.
He leans against the black-and-white checkered Skate Rental counter in a familiar stance, arms crossed lazily over his chest in a way that makes his muscles really shine. He probably does it on purpose.
Don't look at his arms, Rogers.
Coughing once, Nora remembers what Natasha said about Coyote and re-directs her gaze over one. Jesus Christ.
Even from across the room, Javy ‘Coyote’ Machado is… extremely good-looking. Model, good-looking.
“Are all Naval aviators hot?” Nora accidentally asks out loud, already a little buzzed somehow. Damn vodka.
A grumbling stomach makes her wistfully remember the cold pizza in the fridge that she definitely meant to reheat for dinner before Natasha called and said the Uber would be there in less than two minutes. Damn.
She hopes Moonlight Rollers has more options for food than the six options for alcohol at the concession stand. She would kill for a greasy slice of cheese pizza or even better, some crinkle cut fries that'd probably be inexplicably soggy but still taste good.
"Is it like, part of the admission requirement for Top Gun? Like America's Next Top Model, except instead of Tyra Banks, Admiral Simpson is there."
Nora imagines a stone-faced Admiral Simpson – who’d never so much as cracked a smile in her presence before – walking down an aircraft carrier, a collection of files under his stern arm.
Congratulations. You’re still in the running to be America’s Next Top Gun graduate.
Natasha bursts out laughing. "You should've seen my Top Gun class. You wouldn't ask that question."
She is still chuckling when Bob walks over a few minutes later, sipping a blue raspberry slushie from the concession stand with a cerulean tongue.
"Got us a locker," Bob announces, pointing to the wall of lockers in the corner of the room. "Anyone have anything that needs to go in right now? I can put 'em away while I have it open."
Mickey and Reuben dig around in the turquoise pockets of their matching nylon tracksuits – which must have been a buy one, get one deal – and produce loose change, apartment keys, and the like. They hand them over.
When Bob comes over, Nora gently pats her pack and shakes her head. She's got all the essentials in there. She's all set.
Something is different about Bob tonight.
As Bob quietly repeats the locker combination under his breath, a row of concentrated wrinkles on his forehead, Nora stares at him for a probably uncomfortable amount of time.
Pink dusts across his cheeks under her observation, and Bob shuffles his weight around. He looks startled when Nora snaps her fingers in an aha! moment.
“You aren't wearing your glasses, Bob," Nora says, almost accusing. "Have I ever seen you without your glasses?"
“Probably not,” Mickey ribs with a good-natured grin. “He practically sleeps in them.” 
Looking like a Hairspray character, Bob is dressed in a plain white shirt with suspenders. A single curl hangs loose in his face, fighting against the iron hold of what look to be a good amount of hair gel. He blows it out of his wide blue eyes with a sheepish smile.
"Guess not. I need to put in lots of eye drops when I wear contacts – sensitive eyes and everything – so I don’t wear them all that much,” Bob explains, looking much more comfortable now that Nora isn't staring at him quite so intently. A self-conscious sip. "But I'd much rather run to the locker every half hour to put in eye drops than break my glasses and need to get new ones."
It's like Bradley Bradshaw was waiting for that very moment.
On his knees, Bradley butts in, "Did you hear that? Even Floyd is afraid to fall on his ass and break something. Are you gonna make fun of him too, Trace?"
Robbie frowns a little. “I don’t know if I’d say I’m – ”  
“High. Risk. Activity.” 
Nora laughs out, "Go away, Bradshaw," and gently shoves him backwards.
He shouldn't have budged, but Nora must catch him in an uneven moment.
Bradley reels back, arms flailing like a wild goose, catching himself on a spread palm. His expression is comically dark and promises retribution, and Nora puts in a concerted effort not to laugh.
A giggle escapes, and Nora's eyes grow wide.
"Wait, I'm – Bradley!"
"Say your prayers, Rogers!"
For the second time in 72 hours, Bradley grabs her around the middle, and Nora is in the air.
At least Nora decided to wear bike shorts to make the short dress – usually reserved for parties and cocktail bars – more wearable. He'd be a dead man otherwise. He might still be a dead man.
Because Bradley is barely skilled enough to balance his own weight on the skates.
His proud smirk quickly falls as Bradley stands and starts to zig zag on the carpet. His skates go out from under him.
He goes down like a collapsed Jenga stack, and Nora is falling.
Strong arms catch her under the armpits and pull her out of the splash zone of Bradley Bradshaw's flailing arms, and still unbalanced, Nora wobbles and stumbles back against a firm chest with a sharp inhale.
Mint and cologne.
She tips her head back and sees an upside down – and very amused – Jake.
"Hi," Nora says, a little winded. She spies the black Stetson, perched on his head. “You really are such a damn cowboy, aren’t you, Texas? What’re you even supposed to be? Butch Cassidy and the 80's Dance Kid?"
She feels more than sees him chuckle, a low vibration against her back that sends a warm shiver down her spine.
Jake releases her arms, but a careful hand hovers around her lower back until Nora has her sea legs again.
She smooths down the dress down, running her hands over the glimmering pink sequins, and in the background, Reuben and Mickey rescue a dazed Bradley, who is flat on his back on the outer space patterned carpet.
"Howdy," Jake drawls with an ever present smirk. "Good guess, sweetheart, but I'm Patrick Swayze in Dirty Dancing. Don't you know your Hollywood movies, Hollywood?"
From here, Nora is close enough to smell the spearmint gum in his mouth. She can see the pale blue flash between white teeth. He smells incredible. Damn damn damn.
Casually, Nora does her best not to breathe in.
"Patrick Swayze doesn't wear a cowboy hat in Dirty Dancing." Jake is rocking the black-on-black look. She'll give him that. "Did you watch a porno with the same name?"
Someone laughs, full-bodied and delighted.
“Aren’t you gonna introduce me, Hangman?”
Nora smiles, and Javy Machado smiles back.
"You must be Javy. I'm..."
"You're Nora," Coyote cuts in, smooth and polite as can be, despite the interruption. He shakes her hand with a blinding smile. "Maverick gave me the whole run-down on the documentary when I saw him earlier. If I was any more envious of the bastards who get to be in it, I think I'd be green. Really."
"Well," Nora replies with a cool smile. "I bet I can sneak you in. I could probably delete all of Jake's footage and make it look like an unfortunate accident. How would you feel about pretending your call sign is Hangman?"
Javy guffaws, but Nora looks sidelong at Jake with a smirk.
Jake's chuckle is a pleasant and rasping sound. "You're a little mean today, Hollywood."
"More than usual?"
Jake drawls, "No. You're always a little mean," and makes it sound like a compliment. Warmth slips down her spine, and Nora swallows hard.
"You tired yet? Need to lay down?"
Can you? Nora doesn't need to repeat the question from the kitchen – over a week ago now – for Jake to hear it in her voice. Can you keep up with me?
His smirk deepens. "I'm wide awake, Hollywood."
Javy watches them like a ping-pong match, looking absolutely delighted. "We only just met, Nora, but I think I might be in love with you."
She grins. "Hm. That's too bad."
And as Natasha grabs her arm and pulls her into the roller rink, glimmering in the dark, Nora misses when Jake knocks an elbow back and catches Coyote in the ribs.
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A crescent moon rises outside on the pitch black horizon, and inside, Moonlight Rollers glows in the dark.
Everyone is a little more drunk and a little less self-conscious in the silver gleam of the disco ball, spinning and shining like a glittering moon.
And in the rink, Nora is pleasantly surprised to find that the limited rollerskating abilities – emphasis on limited – Teen Nora used over a decade ago now have been dormant somewhere in the back of her mind. Not lost in the endless spiral of time.
Rollerskating is a little like riding a bike in that way.
She wobbles for the first few minutes and sticks close to the sides of the rink, just in case, and then, slowly finds the balance. Finds the rhythm.
Soon enough, Nora is coasting.
Natasha and Bob are her partners in crime for a while. 
She skates alongside them, casting sidelong glances at where Jake and Javy are on the sidelines, catching up and nursing the beers that can't come into the rink with them. Alcohol isn't allowed in.
"Come in," Nora calls on her umpteenth rotation. "Water's nice."
Javy opens his mouth, already grinning, but Jake shouts over the music, "And who would stand here and admire that sparkly little dress of yours then, darlin'? You should wear that on Monday."
Nora gives him the finger, and Jake laughs.
Eventually, Bradley joins the rest of them. He picks it up quickly, just like Nora predicted. He only rams into the side of the rink once and like, barely.
He spins her around the rink until she is breathless with laughter and seeing spots of light behind her closed lids.
"Stop," Nora gasps, "I need a breather."
Citing a need for another fucking drink, Bradley follows her out of the rink and heads for the concession stand, winking at a woman in a Maid of Honor sash.
Nora sits down on the nearest bench, pressing down on the stitch in her side, and soaks in the atmosphere.
According to their Instagram, Moonlight Rollers had been in business since 1986. It looks the part. It'd be a dream of a movie set.
Nora can see it now.
A romance, bathed in the changing lights of the disco ball, pink and purple and blue. Soft.
Exactly the kind of movie Nora wanted to make once upon a time.
Take Me Home Tonight blares over the speakers, and Natasha's laugh rises over the music as Bob launches her across the rink, shimmering like a purple shooting star across the night sky of mismatched walls and lights. 
Nostalgia is a dull ache in her chest.
Growing up, Nora used to strap on an old pair of roller skates from the garage – passed down from Mom, who loved an old school roller rink – and spend hours down near the Santa Monica pier.
So many summer nights were spent in the warm ocean breeze, breathing in the salt air, stretching her arms out to reach for the pinprick stars, as the Pacific Park neon blurred in the distance.
She was never so much great as Nora was unafraid.
Not afraid to, as Mom often said, fail with her whole heart. Take the leap.
Some late night, Nora skinned both elbows and both knees on an uneven sidewalk. Tears still burned in her eyes as Nora slapped on some ointment and a few oversized bandages outside the nearest CVS and got right back out there.
She still had dried blood on her forearms and calves when she got home. Gave Mom a damn good scare.
Sixteen is another world, and Nora isn’t quite as fearless anymore. 
Reminiscing, Nora almost doesn't notice Javy is still at the side of the rink, drinking a nearly empty Blue Moon. She doesn't see Jake anymore.
Javy nods in greeting, and Nora waves.
Everything Nora knows about Lieutenant Javy Machado has come secondhand from the Daggers and Captain Mitchell. He is obviously a skilled pilot. He wouldn't have been recalled to Top Gun in October otherwise.
Natasha knows him from OCS in Newport and flew with him on several deployments. She calls him a good guy.
And Javy is the only person Nora's ever heard Jake outright call a friend. She knows Jake is friends with the Daggers, but Javy is his best friend.
"Did you lose your wingman?" Nora asks when Javy is close enough to hear the question over the music. "Where did Jake run off to and leave you all alone?"
Smiling, Javy shrugs, a movement that's oceanic on someone as broad-shouldered as him.
"He's on the phone."
 She looks over her shoulder and sees the Emergency Exit door is propped open with a brick. She can just make out a sliver of the night and Jake. His expression is soft.
"It's Sarah, I think," Javy answers the question before Nora can ask. "His older sister."
"Jake has a sister?"  
"Two. Sarah and Bethany." 
Nora absorbs that information with an absent-minded nod. "You've met them then?"
He passes the beer bottle from one hand to the other with a nod. "I even spent Christmas with them one year. We were stationed in Fallon – in Nevada, I mean – and I'm from Louisiana. Neither of us had enough leave to go all the way home."
"So Mrs. Seresin and Sarah and Beth..." His voice softens on Bethany's name, and Nora wonders. "... met us in the middle. We spent Christmas at a Holiday Inn in Phoenix, Arizona."
Fondness shines in his whiskey brown eyes, and Nora can't help her own smile in response.
Something nudges in the back of her brain, and Nora pulls on it like a loose thread. She remembers how Jake had stiffened at the nepotism comment in Natasha's kitchen.
Carefully, Nora asks, "Not Mr. Seresin?"
Javy gives her a long, searching look that feels far too appraising for comfort; that feels like Nora is the only one in the room who doesn't get a joke.
After a moment, Javy says, "No." Short. Opaque.
Right then.
"So," Nora starts, but Javy cuts her off with an expectant smile.
“Can I ask you something?" 
"Sure," Nora replies slowly, "but I might not answer."
He seems to get a kick out of that. 
"You know, I get it now. I really do," Javy muses with a low laugh. And before Nora can ask him to explain, the Naval aviator distracts her with, "You and Rooster. You seem... close."
Something about the way Javy says close seems weighted, but Nora is too surprised to give it much attention.
"Oh. Well, Bradley and I knew each other before. His mom, Carole was friends with my Aunt Charlie before..."
Before Carole died.
Before Nora lost a mom too.
"Bradley and I are kind of family friends, I guess. Was that a question?"
He smiles again. Nods again, like Fair enough. 
Javy asks, "Ever been more than friends?" and watches her closely for a reaction.
But Nora had looked up to Charlie Blackwood her whole childhood. A woman who'd never once broken a sweat. She learned from the best.
Cool as ice, Nora asks, "Maybe. Maybe not. Who's asking?" and arches her eyebrows. She'd really like to ask, Who told you?
For his part, Javy looks a little admonished, so Nora softens the expression. She's not uncomfortable. She doesn't want to make him uncomfortable.
He's not as similar to Jake as Nora initially suspected. Jake, who would've grinned wider and pushed more, not stood down until the end.
Maybe Nora kind of likes that about Jake.
She remembers what Jake had said almost a week ago, "You like that I can keep up with you," and goddamn, maybe Nora does. Fuck.
Distracted, Nora only catches the end of what Javy is saying.
"...and Jake is my best friend, so I had to ask."
Confusion wrinkles her brow. "Bradley and I are friends." 
"Just friends?"
"Just friends," Nora repeats, firm. "But Jake and I aren't..."
Evidently satisfied, Javy's smile is back in full force.
"Right. Of course not."
And Javy only sounds slightly knowing.
"I'm gonna grab another drink. You want anything?"
Nora shakes her head. "No, I'll get my own in a few."
He strolls away with one last smile, whistling along to Everybody Wants to Rule the World, and Nora is left alone on the bench, staring into space.
Over her shoulder, Nora sees Jake again.
Pink light shines across the rink now, and Jake laughs on the phone, golden in the rose blush of the disco ball. She can almost hear the depth of sound; can almost feel the vibration behind her ribcage.
Fuck. When did that happen?
Nora faces forward, blowing out a long breath, and heads for the concession stand. She needs five minutes with Bradley Bradshaw – and a goddamn drink. 
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Anyone who works in a place like Moonlight Rollers has probably heard their fair share of famous last words.
One final misguided question or daring declaration that precedes a dislocated elbow and a late night drive to the nearest emergency room. 
Like, “Crouch down, I can definitely jump over you.”
Or, "Oh my god. Let's do the lift," when the Dirty Dancing soundtrack comes on after midnight.
“Holy shit, Nora!” 
“Are you alright, Phoenix?” 
Crumpled like a punctured balloon animal, Natasha lets out a hyena laugh, loud enough to draw the attention of the Naval aviators who were lucky enough not to witness the absolutely catastrophic failure of a Dirty Dancing lift.
Did Nora even leave the ground? She can’t remember. 
She is definitely on the ground now. 
Fuck. Everything is spinning a little bit. 
Wait, Nora is directly below the disco ball, which was already spinning before. False alarm. She’s not horribly concussed. Everyone can calm down now.
“Holy damn,” Natasha gasps out, wiping at her eyes. "That must’ve been the worst Dirty Dancing lift in the history of Dirty Dancing lifts. We should be ashamed of ourselves.”
"We absolutely should." Nora winces. "Fuck. I think I broke my sunglasses."
She pulls out the pink sunglasses that were once shaped like hearts and are now little more than shrapnel. Damn. She liked those.
Natasha wiggles on her side like a beached mermaid, wrenching her neck back. “Think I ripped my shorts. Can you see my ass right now?” 
Nora lets out the giggliest giggle that’s ever been giggled.
“No, I can't see your ass."
“Shame. I’m wearing really good underwear, and I wanted at least one hot woman to see them tonight.” 
Nora clutches her stomach, laughing, and Natasha spills back into a high-pitched shriek of laughter. Tears spill down their cheeks.
Mickey pulls away from an intense lip-lock on the sidelines to reach them. He is the first one, sinking down on his knees.
"Are you guys okay?"
Nora drops an arm over her face and gives him a weak thumbs-up from the floor, and Natasha hiccups.
"Here. Take my hand!"
She does, but Nora has a lot of liquid in her stomach right now, sloshing and splashing. She is having a hard time engaging her core.
Mickey pulls, and Nora only slides.
Her dress is probably around her stomach right now. God bless bike shorts.
"Would you...?" Mickey lets out an exasperated sigh that makes Natasha pout.
"Don't get mad, Fanboy!"
"I'm not mad," Mickey insists. He looks around and focuses on a spot Nora can't see. She tries and only succeeds in painfully pulling her hair. "Can you help me out here, guys? They’re so drunk. It’s like deadlifting a fish."
"We are not fish. We are ladies," Natasha pipes up, sounding indignant. "Some of us are anyway." A bright smile lights up her face as Javy and Bob come into frame. "Coyote! Bob! Did you see our lift?"
"I saw it, and I wish I hadn't," Javy says dryly. He has her off the ground and on her feet in a single move, guiding her arm around his shoulder as Bob grabs the other one. "How about some water? Hangman..."
"Go ahead. I'm good."
As the slurred sound of Natasha’s giggles fade under the swelling finale of (I’ve Had) The Time of My Life, Nora briefly closes her eyes. She opens them again, and Jake is standing over her wilting form. 
He glows against in the light from the disco ball, a golden gleam in the silver incandescence. Twinkling.
“Hi Jake,” Nora says softly, poking at a sore spot on her bottom lip with her tongue. She must’ve bitten it in the fall. She doesn’t remember that either.
“Hi Nora.” 
“You’re sparkling.” 
“You’re bleeding.” 
Confused, Nora frowns.
Dull pain radiates from her left knee, and Nora spots a red and angry scrape across the skin, pulsing and throbbing with a forming bruise. She wipes at her eyes again, stinging with more tears, now that Nora has remembered the pain.
“Oh, I think I'm fine though. I'm tough. I'll get back out there."
She doesn't move.
His cheek twitches, but Jake doesn’t let her distract him. He crouches down.
“Come on, Rocky. Let’s get'cha cleaned up, yeah?” 
She sticks out her arms, and amused, Jake peels her from the rink.
She is on the bench again in a flash. Metal is cold against the backs of her thighs, and Nora shivers.
A warm hand brushes across the nape of her neck, and Jake murmurs something in her that Nora doesn’t quite catch. 
Only after Jake leaves does Nora comprehend the words.
“Be right back, sweetheart.” 
Alone, Nora looks around. She feels a little out of focus.
Underneath the neon arcade sign, Natasha is chugging a bottle of water while Bob readies another. She doesn't see Bradley anywhere. He must've snuck off or gone home with that girl.
Nora remembers their conversation and drops her head into her hand, propped on her thighs.
Nora caught the stiff edge of Bradley's sleeve.
“Sorry. Can I speak to you for a second? Alone?”
He was in the middle of a conversation with Maid of Honor sash, who glared suspiciously at Nora as Bradley slid into the booth across from her.
Don't even worry, Nora wanted to reassure. He’s all yours.
“So Coyote asked me an interesting question,” Nora started. She explained the context and repeated the question. "Did you tell anyone?"
“Did I tell anyone what?” 
“You know,” Nora insisted, and Bradley shook his head, scrubbing a hand over his mouth to hide the glimpse of the entertained smile forming there. Jackass. “You know, Bradshaw. Don’t make me spell it out for you.” 
He shrugged. “I really don’t know.” 
“Christ…”
What had Nora done to deserve this? Riddle me that, universe.
She exhaled. "Fine. We were both at Captain Wolfe's party a few years ago." Five to be exact. She held back a groan. "There was a pool game and drinks and shots and..."
And a silver dress sparkled in the blue darkness, gleaming in a shimmering puddle on the leather back seat of a faded blue Bronco as a shirtless Bradley Bradshaw leaned over the bench seat and popped open the glove compartment for a condom.
And and and.
He grinned.
"Oh, I think I remember now. So I shouldn't have told everyone I know about the hot sex in the back of the Bronco? I shouldn't have mentioned that?" And if Bradley expected her to blush, Nora disappointed him with an unimpressed glare and a swift kick in the shins. He yelped. "God, I'm kidding, Rogers. I didn't tell them anything."
She whispered quickly, "Why would Coyote ask me that then?"
"I don't know, okay? Everyone here is a nosey son of a bitch who can't mind their own business," Bradley said. "Even Phoenix has asked me once or twice. Someone probably has money riding on it or something. Not a big deal." He sulked. "Can I go back now?"
After an internal debate, Nora said carefully, "I have one more question. Do…?”
Do you all think something is going on between me and a certain arrogant pilot from Texas?
Her lips parted as Nora hesitated, and impatient, Bradley pulled a pained face. “
“Nora, I was about to get laid."
God. She waved him away. “Fine, sorry. Use protection.”
"Always do," Bradley said with a wink and was gone, leaving Nora alone with the smothered question, still kicking up sparks in the back of her awareness.
She needed that drink to be a double.
Something brushes against her knee, and Nora startles.
“Careful,” Jake cautions, voice low and soothing, like Nora is a spooked horse. “Don’t hurt yourself.” 
She didn’t notice him come back. 
She relaxes. 
“Did you get your skates?” 
He blinks. “My what?” 
“You went to the Skate Rental counter, didn’t you? I saw you.” 
“I went to ask them for their First Aid…” Jake is cradling a small red and white box in his arms. A roll of gauze is around his thumb like a ring. “…and get you some water because your knee is bleeding, Hollywood."
He says it like Nora might’ve forgotten. She frowns.
She didn’t forget.
She would've remembered.
She carefully sips the water as Jake opens the kit and pulls out some bandages and ointment. He opens a packet of alcohol wipes with his teeth and nods at Nora’s leg. 
“Can I?” 
Nora nods, and Jake sinks down on his knees. 
She is surprised when Jake doesn’t start with her knee, instead carefully unknotting the laces and pulling the skates from her feet, setting them down on the carpet.
He smiles faintly at the pink socks, the little embroidered heart on the ankles, and Nora swears Jake brushes a gentle thumb across the pattern.
He applies the alcohol, and Nora lets out a sharp hiss at the sting, the burn.
He doesn’t prolong the sensation. He moves with such quick and efficient purpose that she wonders if one of Jake's sisters is a nurse or doctor.
She wants to ask him. 
What comes out instead is, "What did you tell Coyote about me?” 
For a brief moment, Jake pauses, then carefully sets the bandage in place, crumpling the plastic wrapper in a clenched fist.
His voice is hard to read. “Why’re you asking?” 
She should say something like, “Sorry, I’m really drunk, and I didn’t mean to ask you that. Let’s pretend I never said anything. This never happened,” and Jake would say something like, “Can do, Hollywood.” 
That would be that. 
Instead, Nora throws away the shovel and starts digging the hole with her hands. 
“Something Coyote said. What did you tell him?” 
“Well, I guess I just said I might've met a beautiful and smart and clever as hell woman, who's basically my dream girl." Jake looks at Nora, all dimples and gleaming green, stroking across the edge of the bandage with a soft touch. "My argumentative dream girl."
She swallows against a suddenly dry mouth. "Just that, huh?"
"Just that." His expression is warm. "She doesn't like me though, right, sweetheart? Not even kind of?"
She realizes that on his knees like that, Jake could slide over half an inch and be between her parted legs. He could lean right in and...
“Right," Nora echoes. "Not even kind of."
A grin brims on his lips.
She lets the moment fade, and blessedly, Jake does too. 
Jake pats her on the knee and rises. He gathers the wrappers and runs the First Aid kit back to the Skate Rental counter, coming back with another water and fries.
She could actually cry. She munches on the burning hot fries and drinks the water instead and sobers enough to push down the urge to lean on Jake's broad shoulder.
She puts on her skates again as Jake tosses the rest of the fries and dusts off his hands. She flexes her knee like a brand new Barbie doll with a proud grin. He watches her with a fond expression that softens every part of his face.
“Will I live, Texas?” 
“Think so, Hollywood.” 
Jake sweeps his fingers through his hair, picking up the cowboy hat from the bench and setting it back on his head.
"Now," Jake drawls. "We have enough time for a few more trips around the rink. Want to get back out there?"
He holds out a hand, and Nora slips her hand in his.
She doesn’t let go in the rink, and Jake doesn’t either.
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When Jake walks her to the door and lingers, looking at her with those eyes, Nora should probably close the door in his face. She should close the door and go to bed alone and tell him to do the same. 
She can't be trusted around him, not with the alcohol and the adrenaline coursing through her bloodstream, making her feel unbalanced.
Instead, Nora digs her own grave.
She holds the door open, and Jake comes in with a smirk, smug and knowing.  
Everything is a blur from there. A supercut of soft touches and gasping breaths and the sound of his name as Jake presses her against every damn surface in the damn apartment.
Every kiss is devouring, sucked into the column of her neck, pressed against her bare shoulder, open-mouthed and possessive.
He doesn’t kiss her on the lips, not yet, and Nora wonders if Jake wants to make her beg him. 
She’s never begged for anything in her damn life. 
She might let him.
She is pliable under him, and Jake is more than willing to use that to his advantage, maneuvering them onto the mattress.
She is still dressed, and on her back, Nora can hardly breathe as Jake reaches under the dress and pulls her underwear down.
"You're so beautiful..."
He licks a long stripe over her core, tongue flat and broad. 
She can’t think. She can hardly breathe. 
She’s right on the edge, aching, when Jake pulls back.
He looks up. Mouth slick with her, grinning like a devil. 
"Come on, sweetheart," Jake murmurs on a low breath that fans right across her exposed core. She whimpers. "We’re just gettin’ started. Be good for me."
She shakes awake, drenched in sweat, with a familiar ache between her legs.
It was a dream. She's alone.
Her dress sparkles from the corner of the room, where a drunken Nora had left it a few hours earlier and crawled into bed in an old NYU shirt that feels too warm now.
She peels it from her skin and gulps down the whole water glass on her nightstand.
Neither is enough to soothe the heat that burns under her skin.
Nora sighs out an emphatic "Fuck" in the darkness and lets her hand drift under the covers. She comes with a hand over her mouth, a familiar name on her tongue.
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note: i will add a real note when i don't have a blue light headache, but... past nora and bradley, confirmed? current nora and jake, still a question mark? what do we think?
should i spring the nora and bradley one shot from the vault next?
read the next chapter here!
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wendig0ld · 1 year
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Cyan : "A-afraid of him ?! No way ! I'm going to eject him from this ship by myself if I have to !"
Yes c: he's afraid ! He is scared of impostors in general, they must all be ejected at the slightest doubt. Cherry is one of the worst for him since he easily attracts sympathy with his fake kindness.... What a monster °A°
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macbethz · 1 year
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Poll Among us
there are 2 impostors
each day, the color with the most votes will be ejected
if crewmates outnumber impostors, cremates win.
If impostors outnumber crewmates, impostors win
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Webb reveals new structures within iconic supernova
NASA's James Webb Space Telescope has begun the study of one of the most renowned supernovae, SN 1987A (Supernova 1987A). Located 168,000 light-years away in the Large Magellanic Cloud, SN 1987A has been a target of intense observations at wavelengths ranging from gamma rays to radio for nearly 40 years, since its discovery in February of 1987. New observations by Webb's NIRCam (Near-Infrared Camera) provide a crucial clue to our understanding of how a supernova develops over time to shape its remnant.
This image reveals a central structure like a keyhole. This center is packed with clumpy gas and dust ejected by the supernova explosion. The dust is so dense that even near-infrared light that Webb detects can't penetrate it, shaping the dark "hole" in the keyhole.
A bright, equatorial ring surrounds the inner keyhole, forming a band around the waist that connects two faint arms of hourglass-shaped outer rings. The equatorial ring, formed from material ejected tens of thousands of years before the supernova explosion, contains bright hot spots, which appeared as the supernova's shock wave hit the ring. Now spots are found even exterior to the ring, with diffuse emission surrounding it. These are the locations of supernova shocks hitting more exterior material.
While these structures have been observed to varying degrees by NASA's Hubble and Spitzer Space Telescopes and Chandra X-ray Observatory, the unparalleled sensitivity and spatial resolution of Webb revealed a new feature in this supernova remnant—small crescent-like structures.
These crescents are thought to be a part of the outer layers of gas shot out from the supernova explosion. Their brightness may be an indication of limb brightening, an optical phenomenon that results from viewing the expanding material in three dimensions. In other words, our viewing angle makes it appear that there is more material in these two crescents than there actually may be.
The high resolution of these images is also noteworthy. Before Webb, the now-retired Spitzer telescope observed this supernova in infrared throughout its entire lifespan, yielding key data about how its emissions evolved over time. However, it was never able to observe the supernova with such clarity and detail.
Despite the decades of study since the supernova's initial discovery, there are several mysteries that remain, particularly surrounding the neutron star that should have been formed in the aftermath of the supernova explosion. Like Spitzer, Webb will continue to observe the supernova over time.
Its NIRSpec (Near-Infrared Spectrograph) and MIRI (Mid-Infrared Instrument) instruments will offer astronomers the ability to capture new, high-fidelity infrared data over time and gain new insights into the newly identified crescent structures. Further, Webb will continue to collaborate with Hubble, Chandra, and other observatories to provide new insights into the past and future of this legendary supernova.
TOP IMAGE....Webb’s NIRCam (Near-Infrared Camera) captured this detailed image of SN 1987A (Supernova 1987A). At the center, material ejected from the supernova forms a keyhole shape. Just to its left and right are faint crescents newly discovered by Webb. Beyond them an equatorial ring, formed from material ejected tens of thousands of years before the supernova explosion, contains bright hot spots. Exterior to that is diffuse emission and two faint outer rings. In this image blue represents light at 1.5 microns (F150W), cyan 1.64 and 2.0 microns (F164N, F200W), yellow 3.23 microns (F323N), orange 4.05 microns (F405N), and red 4.44 microns (F444W). Credit: Science: NASA, ESA, CSA, Mikako Matsuura (Cardiff University), Richard Arendt (NASA-GSFC, UMBC), Claes Fransson (Stockholm University), Josefin Larsson (KTH), Image Processing: Alyssa Pagan (STScI)
LOWER IMAGE....Webb’s NIRCam (Near-Infrared Camera) captured this detailed image of SN 1987A (Supernova 1987A), which has been annotated to highlight key structures. At the center, material ejected from the supernova forms a keyhole shape. Just to its left and right are faint crescents newly discovered by Webb. Beyond them an equatorial ring, formed from material ejected tens of thousands of years before the supernova explosion, contains bright hot spots. Exterior to that is diffuse emission and two faint outer rings. In this image blue represents light at 1.5 microns (F150W), cyan 1.64 and 2.0 microns (F164N, F200W), yellow 3.23 microns (F323N), orange 4.05 microns (F405N), and red 4.44 microns (F444W). Credit: Science: NASA, ESA, CSA, Mikako Matsuura (Cardiff University), Richard Arendt (NASA-GSFC, UMBC), Claes Fransson (Stockholm University), Josefin Larsson (KTH), Image Processing: Alyssa Pagan (STScI)
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dj-wayback · 1 year
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An unspecified time later, a clearly modified slugcat bulldozes through the wilds, mostly on account being large enough to fight a red lizard in close quarters. Spines, sharp black teeth and no less sharp claws, bright coloration and protective plating. It ignores clinging wormgrass when it doesn't chomp down on it like a snack, it swims through ponds and sewers and gets stuck every once in a while. It gets lost, a lot. But inevitably it advances towards the can, where it stumbles and tumbles and, upon clumsily landing in front of the iterator, presents a beaten package that contains several smaller packages of nikes, in different color combinations. The Nikes are undagamed. The pearl, which the slugcat throws up, contai- it was a wrong pearl, the beast quickly snatches it back, swallows and ejects another one. It reads: "Hello! The promised package is here! Took me a while to prepare them. On second consideration, I was unsure which colors you would like most so I styled one after the fairy lizards, another after cyan lyzards and third one was a bit of an experiment. Do not mind Nineteen Dandelion Peaches on a Lone Island staying for a bit, they are a sweetheart but will take a while to eat enough for a trek home."
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These are twisted! And your little guy’s cute as heck too!
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thefanciestborrower · 10 months
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Haha lol Ice Emperor goes Brrrr part 2 electric boogaloo
It was no more than hours later when The Emperor entangled himself in a meeting, his best generals returned from the wastelands to report their findings.The little thing he'd stowed had since stopped his distracting writhing, and instead took to squeaking and whining in quiet, soft tones. The Emperor, for the most part, ignored such noises, perhaps aside from the occasional order to be quiet. He had things to do, after all, and unless the little thing got too loud, it didn't matter if it was whining or yodeling. Now, when a hitched, shrill noise warned of only the loudest of cries, The Emperor had the single, standalone thought that send him rising from his seat at the war room. He waved off his generals as he swept through the door. No sooner had the entrance closed behind him did the boy's shrill squeal morph into a wail, as if the winds of the mountains had possessed him to echo their woes. The sound, itself made his metal sing, painful cascades of rattling rising up through his panels and circuits. Ice fell to the ground in flakes, and it was only the instinct to get somewhere—hidden. Safe. Quiet—that had him ducking into his private quarters. The room was little more than a frozen box, crystals growing from every wall in jagged shapes that reflected the single window stuck into the right side. There was nothing in the form of bedding or personal accoutrements, though with a wave of The Emperor's hand, a frozen throne nearly identical to the one in the entry hall rose from the floor. He dropped into place easily, staff anchoring to the ground in a rush of frozen energy. The boy was still wailing. Annoyance rose like tea steam, seeping out of his mouth in a cloud of ice crystals. "Be silent, child," he hissed, tapping a single, gloved finger against the metal of his chest. "I have no time for this petty whining." The boy wailed louder. "I said silence!" He couldn't hear himself over the cacophony the boy was making, the volume of his pathetic little noises seemingly amplified to The Emperor's audio sensors by the simple action of coming from within. He had the vaguest notions of pulling out the hair that he notably did not have. He thought if the boy wailed any louder, Vex might hear him from two rooms over. Frustration overwrote the annoyance with the very idea of it, and The Emperor gave another couple of harsh taps to his chest. "Why must you insist on this ridiculous protest? Are you hurt? Dying?" He knew very well the boy was neither of those things, but the concept still felt... uncomfortable. Like centipedes crawling over his circuits. "Is there something wrong with you? Are you broken?" The child trembled as he interrogated him, curled nearest to The Emperor's spinal column and pressed into the silicone as if by sheer force of will he could vanish. An odd, tight feeling settled in The Emperor's throat, rising until it settled in his face and chest. Heat. Bright, brilliant heat. Painful heat that had him retching and coughing on pure instinct alone, his systems blaring warnings he couldn't translate through the haze that came with his impromptu prisoner ejection. Like there was something interrupting his logic circuits, he couldn't make sense of any of the cries and yelps until the weight of the boy had moved higher up in his torso. Until the little lump he made was deposited behind The Emperor's teeth, and quickly transferred to an open hand. Wide green eyes stared at him from atop a cyan glove, the boy's hands clutched into his own shirt and pulling down on the hood of his cowl until the thing strained visibly. The Emperor's eyes narrowed minutely. He didn't mean to spit the little thing out, but it shook, and whined, and cried, and something in his backup systems didn't want a sniveling, crying thing in his internal functions. On the bright side, the boy had stopped screaming. The Emperor perked a synthetic brow, nose bridge wrinkled somewhat with his frown. "Are you finished, little boy?" A keen rose in the back of the child's throat, only barely audible, but very much a warning. The annoyance was back. Frustration and irritation mixing into one bitter huff. "There is nothing to cry about." It was an effort to keep his tone level, and he only just caught the rasp of his voice fading with the effort it took to not rant at something not even a tenth his size. The whine rose in both pitch and volume. Like a snapping bone, frustration turned to something sharper. Faster than before, he spoke again. "No, no, no, no, stop—stop doing that." His voice lowered, spoken in a rough, jittery hum as footsteps echoed out in the halls. Vex was a hard sort, and while The Emperor trusted him with kid kingdom and life, he found threat in everything, an irritating sort of infantilization when he, The Emperor could freeze continents at a whim. "You're fine—you're fine—stop crying—" Desperation was not a word that should be used to describe an Emperor, but anything to stop that metal-rattling cry. He was almost tempted to set his staff aside to sigh into his hand, but he resisted the idea. It was too important to lose. "There's nothing here to cry abou—" It was in that moment that he realized. The whine had slackened to something wet and hiccupy. Like boiling water. The child was laughing at him, now. Granted, something The Emperor would see more in hysterics. Like those under torture, saying anything to be released, and in such volume that it was difficult to pick apart. Still, though, the child threw back his head and laughed until he wheezed, whereupon the sound devolved into tears and the whole process started over again. It was almost fascinating. It was less fascinating an hour later when the child finally, finally stopped his fit. He shook like he would fall apart at any moment, and his face still streaked with wet tracks, but he seemed to have, for the most part, stopped wailing. And as his first comprehensive sentence of the new day that crept over the mountains, the boy spoke. "Are you... are you going to eat me again?" Quiet and scratchy, the boy's voice sounded of fear. "Of course." It was honest and blunt as The Emperor raised his boy-laden hand to his face and slipped his mask down, again. Still, he didn't open his mouth quite yet. "It is the easiest place to keep you." A wrinkled nose set under emerald eyes. "What about the dungeons?" The boy scowled at him. And truly, what about the dungeons? He could very well just dump the child there and be done with the whole situation. It didn't sit right in his mind. Then again, he had, after all, never kept prisoners quite so young. "You are much too small for those." The boy was promptly stuffed back in his mouth, though the little thing did little more than squeak and wiggle faintly to—it seemed—straighten out on his tongue. In any case, it made swallowing a far easier affair than before, and the boy vanished under his collar in less than the time it took him to huff a cloud of ice into the air. Upon settling, he did not begin whining again, so The Emperor took his chance to rise and stalk his way back to the War Room. He had missions to plan.
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andromeda1023 · 8 months
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Webb Reveals New Structures Within Iconic Supernova
^^Webb’s NIRCam (Near-Infrared Camera) captured this detailed image of SN 1987A (Supernova 1987A). At the center, material ejected from the supernova forms a keyhole shape. Just to its left and right are faint crescents newly discovered by Webb. Beyond them an equatorial ring, formed from material ejected tens of thousands of years before the supernova explosion, contains bright hot spots. Exterior to that is diffuse emission and two faint outer rings. In this image blue represents light at 1.5 microns (F150W), cyan 1.64 and 2.0 microns (F164N, F200W), yellow 3.23 microns (F323N), orange 4.05 microns (F405N), and red 4.44 microns (F444W).
NASA’s James Webb Space Telescope has begun the study of one of the most renowned supernovae, SN 1987A (Supernova 1987A). Located 168,000 light-years away in the Large Magellanic Cloud, SN 1987A has been a target of intense observations at wavelengths ranging from gamma rays to radio for nearly 40 years, since its discovery in February of 1987. New observations by Webb’s NIRCam (Near-Infrared Camera) provide a crucial clue to our understanding of how a supernova develops over time to shape its remnant.
This image reveals a central structure like a keyhole. This center is packed with clumpy gas and dust ejected by the supernova explosion. The dust is so dense that even near-infrared light that Webb detects can’t penetrate it, shaping the dark “hole” in the keyhole.
A bright, equatorial ring surrounds the inner keyhole, forming a band around the waist that connects two faint arms of hourglass-shaped outer rings. The equatorial ring, formed from material ejected tens of thousands of years before the supernova explosion, contains bright hot spots, which appeared as the supernova’s shock wave hit the ring. Now spots are found even exterior to the ring, with diffuse emission surrounding it. These are the locations of supernova shocks hitting more exterior material.
While these structures have been observed to varying degrees by NASA’s Hubble and Spitzer Space Telescopes and Chandra X-ray Observatory, the unparalleled sensitivity and spatial resolution of Webb revealed a new feature in this supernova remnant – small crescent-like structures. These crescents are thought to be a part of the outer layers of gas shot out from the supernova explosion. Their brightness may be an indication of limb brightening, an optical phenomenon that results from viewing the expanding material in three dimensions. In other words, our viewing angle makes it appear that there is more material in these two crescents than there actually may be.
Continue reading: https://www.nasa.gov/feature/goddard/2023/webb-reveals-new-structures-within-iconic-supernova
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Guide to Technician Ability Modes - ESP Mode
“Up up down down left right left right… so many portals… how am I still alive…”
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"Go around whenever you please with Portalize! Spawn portals to ease travel, letting you go from one side to another in just a few seconds. You can even teleport attacks, allies, and your poor enemies, or if you don't want the wrong things to teleport around, just move or lock the portal. Maybe this is indeed a neat gun for you who is still alive."
Weapon Information:
The Virtual Portal Gun is attached to Kirby's right arm most of the time. It's a blaster-like contraption with a generator-like part in the middle alongside round energy spots around it that can cast energy to form portals. Floating around the middle of this strange weapon is a ring that helps regulate energy with a small visor part attached to it, which helps with aiming precision.
Skill List:
Portalize - Creates a portal. Each portal has a color, and two portals of the same color will ‘connect’ to each other. The color changes every 2 uses, so for example the first and second would be cyan, the third and fourth would be orange, and so on. If a portal of a color were to be disabled, generating the replacement to remake the pair will be prioritized. The portals last until they are disabled or until the mode is disabled. Teleblocker - Locks a portal, causing it to be unusable. When interacted with, the portal becomes ‘solidified’, and can be used as a wall of sorts. If someone or something is using a portal when it's being locked, they will be stuck there, preventing the two portals from being disabled. This mode CANNOT be ejected if this is the case. Half Enclosure - Closes a portal, disabling them safely. Full Enclosure - Closes all portals, which explodes with energy to damage foes. Using this puts a cooldown on Portalize for 20 seconds.
Note: -Ability Modes that Kirby has may differ from Robobot Armor in terms of skillsets and weaponry, as both are considered separate
RETURN TO THE FOREWORD HERE
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abowgail · 8 months
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‘Lime, Cyan, and Green were ejected’
The stars glow in the dark but I couldn’t get a good picture of it
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Yandere Imposter: Tomura Shigaraki
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He’s often a subject of suspect during meetings
Always backed up by one of his groupies
With the white or cyan suit, you have every right to be wary of him
He’s the heir to a massive galactic crime syndicate
That needs the majority of this crew gone
Whether they’re ejected or eliminated by him and his team
It will be done
But he’s allowed to have a prize for himself
The cute and haughty navigator who he wants nothing more than to see you crying his name out will suffice
Since you met he’s wanted to break you down
To put you in your place next to him as a power
To own the bossy navigator that has no problem telling him how you feel about his work ethic
Always nitpicking in that adorable bossy voice of yours
Wagging your little finger in his face teasing him to no end
He’s always felt especially steamy in his suit when you’re critiquing his tasks over his shoulder
Just reach over and kiss him, why don't you
But he thinks it’ll feel even better when he’s the one calling the shots
With permission from his father, you are his reward 
As long your not working for the enemy you’re all his:
“Geez could this night get any worse!?” 
You called out to the echoing chamber of the control room. Awoken in the heat of the night by your captain you rushed to try and fix the malfunctioning system. Your crew was dwindling leaving the few of you to divide and conquer. Splitting apart to fix the most vital inner workings of the Innersloth ship which conveniently have all begun to malfunction at the same time. You were given your original station–Navigation, only for the adjacent system of communication to also be glitching. Trying to manage both systems you're running back and forth throughout the room you were so frazzled you almost missed the entry of your assistant. 
“Shigaraki?! Good, I’m glad that your here. I need help stabilizing communications and navigation, take your pick.”
You continued working, stopping to yell at him when you heard no movement or response. But when you turned the confusion of his appearance was enough to make you stop.
“What are you wearing? And why are you smiling like that?”
He indeed was smiling as he continued to walk into the room; wearing a red-hooded cape over a black skintight suit that reminded you of the elite space heroes uniform. He moved to the communication panel took out a flash drive and plugged it into the port. You opened your mouth to reprimand him for this bizarre behavior but you were stopped by the feedback from the public announcement system. 
“As of now we have control over all communications and in a bit, we will have….navigation. In three...two...one.”
At the mention of the word the red blinking lights changed to green, indicative of the remote access that was apparently being used. You wished that was the end of it but it was not. 
“Done! Oh and in a lil’ bit we’ll begin our little,” the speaker laughed before continuing,” firing squad courtesy of Dabi!! Would you like to hear from the lucky contestants?”
“Mmmf agh No please you can’t do this, please–mmmmf”
The voice of your captain pleaded to shrink as she was pulled away with a hand covering her mouth. Listening you could hear similar silenced noises of the remaining crew struggling.
“And that’s all from them! We’re going to have a great show! Do you want to join us Shiggy-boss man?” 
The click of a walkie-talkie from behind you and the smug response of your former assistant solidified any doubts that might have lingered on.
“You guys can start without me. I’ll just be getting my prize…”
Hollering and muffled screams on the PA were the last you heard before it was clicked off. A cold sweat formed on your neck and a bubble of fear formed in your mouth. You refused to turn, to look the man in his blood-hungry eyes. 
“So are you going to kill me now…?”
“You know that’s not what I want.”
“Than the prize you want…?”
“It's you. It’s always been you.”
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aviatrixcadenza · 1 year
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For the WIP ask -
📝
Hey Pyro :D
I feel I should go with my two Among Us wips for this one, huh? warning for death n violence in the first one, oops. Im gonna stick this under a read more, it got long.
So my first is an animation, that haunts me as as all my animations do, set as all good animations should be, to ABBA's Gimme Gimme Gimme (a man after midnight)
its so dark.
Theres lowkey a lot of people dying and gore, oh my god, but its mostly off screen, so hey! this is what is affectionately known as my angst Au, and I have currently story boarded about 24 seconds, when its meant to run over the entire length of the song.
hhh.
Its uh, what I would call the finale of that au? some context, there's two impostors, both with very different reasons for being there, and both with very different reasons for even being imposters. Those two are Pink and Cyan.
Pink, my bastard child, is probably considered the true imposter, but in their defence, they didn't want to be there. Their species, a line of asexually reproducing autonomic plants prone to adaptable mutation, just so happened to have a seed whistling through the vaccum just so happened to pierce the glove of the poor og pink on a spacewalk. in the wake of the 'my glove just got depressurized in vacuum' the seed was missed, and pink (bastard) ate pink (poor bastard) from the inside out, with a unique ability to preserve a certain amount of the og meat's memories, to go along with the inherited memory passed along their family lines.
so pink is pink now, and obviously better than their predecessor bc that guy died and they wont, except theyre on a ship tracking towards a hyperjump, which is really, really bad new for a species that cant survive hyperjumps. also purple, the xenobiologist with a degree in psychology, whom had slowly been befriending them, just straight up asked them if they were an imposter, and they may have panicked and eaten their face, so there's that.
And that kinda kicks off everything.
And then there's Cyan. Cyan is the security officer, and his job is to protect the crew. Cyan is a very decorated, very senior security officer, who should have probably gotten trauma leave, but this is MIRA, because he just came from polus where he was one of only two survivors of a devastating alien viral attack, which cumulated in him having to shoot his not-his-friends-anymore.
Basically, Cyan's crew just got 'The Thing'd, and Cyan....
..well Cyan's been feeling sick lately. Cyan's been bleeding black, lately. Cyan's just came to awareness over the still gurgling body of his junior officer with Cyan's knife in Limes gut, and he's still not sure if he was the one in control, the one who did that or not.
So Cyan's having a fun time.
and thats what ultimately leads into the finale. Of their crew of twelve and one civilian occupant, Lime, Purple, White and Brown are dead, Pink has been revealed to not be pink, Green, Black, Red and Yellow are currently MIA, and Cyan just got ejected by the monster on board. The only crew that Blue, the captain, has been able to find is her second officer, Orange and his very scared child, on her way to the emergency lifepod's after she made a call to scramble the ship, the last broadcast before the internal systems went down. Because the skeld is slowly getting dragged into Polus's gravity, and Blue is very, very scared for her crew.
The Crew in turn, are scattered around the ship, some injured, some fighting to reboot systems to make sure the lifepods can even detach (MIRA incompetency at work again), one no-longer-crew desperately trying to get the engines going so they can commandeer the ship, and one with a gun in hand hunting down the sunovabitch that killed her friends. Red has never handled a gun before, but shes maybe not exactly thinking straight right now.
Because here's the thing. Ghosts are very, very real in my au, and there is a certain lime ghost who does know how, and they've just learned they can affect the physical world still, and whats a little possession with lives on the line?
And here's the last thing. Cyan, poor ejected Cyan floating in the vacuum, the infected imposter fighting against himself to stick to his job to protect and save the crew..
Well, Cyan hasn't had the good manners to die just yet. And Cyan is pissed at Pink.
And that's what kicks off the angst au finale animation :D
Annnnnd then a complete tone change, with a small excerpt from the other, much more comedy Among Us au, aka Define Imposter, aka Lime joins the Idjit Crew (affectionate) aka that Time I Accidentally Wrote a Hallmark Movie in Space, whose current reviews are "I would kill for them and I'm stealing them' from Brass, and 'I hate that I enjoyed it and it was Amogus,' from an anonymous irl, which I feel is pretty good for feedback:
"Captain," Lime stressed, "surely this ship can't be above board - wasn't this particular line of freighters recalled over ten years ago?"
Brown laughed sheepishly, pausing in the hallway, "I mean, technically yes, but ours is pretty refurbished and she’s had some extensive overhaul done to her, so they gave us a pass." 
The lines 'the outer rim’s are short on functioning deep-vacuum capable ships so they run them well past their use-by' and 'no scrapyard mechanic even wants to approach the nest Yellow has going on at the back of the ship' were left unsaid.
"Besides!" Brown chuckled. "She’s a good ship, this old girl. I've been flying her for over the decade, and she's nothing if not reliable." She banged on the wall for emphasis.
Unfortunately that particular poor panel, unable to take anymore in its decades of abuse came loose at browns savagery, falling from the wall with a great clatter, and revealing the Skeld’s innards and some horrifying little charm probably left by Purple, bouncing once then falling flat with a final death rattle.
Both Lime and Brown stared at it, silently, before the captain coughed abruptly into the offending fist. 
"I'm going to go get an engineer to fix that. Good talk, Comm's Officer Lime." Brown nodded stiffly, clapped lime on the shoulder, and broke into a brisk jog down the corridor and around the corner.
Lime felt that small shred of reassurance Brown had just allowed him slip away just as mournfully fast.
Ty for asking! :P
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reetling · 1 year
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(Worldbuilding) Spirits of the North Star
Orbiting around Polaris, there is a frigid, tidally locked planet with bizarre climatology. I actually have art, this time. The planet is divided into four regions by latitude, since they get treated so differently by the sun.
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THE LOOMS occupies almost the entire western half of the world, where the sun never shines (the north-south pole is perpendicular to the direction the planet is facing). Only geological activity has any effects here, and water that leaks through the porous stone excites movement of tectonic plates and volcanic activity that creates tall spires.
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THE SPIRITS occupies the circles around both poles in the middle of the planet, where it is cold enough for much of the atmosphere to fall as snow, but the magnetosphere is thin enough for ionizing rays to enter. Animals here are blubbery and thick. When one dies, microorganisms take to its corpse, producing a flammable gas as a byproduct. When ionized, the gas glows bright cyan, appearing as if the soul of the animal is escaping. Because the decomposition also produces heat, many animals take refuge at the corpses of others. Sometimes, when the rays hit at the right angle, the soul gas can catch fire, producing a slow burning bonfire that acts as an oasis in the cold.
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THE SHADOWS occupies most of the rest of the sun-side part of the world. Though it is closer to the sun, light is blocked out by ice particles that come from the sun-side pole. The entire ground is an empty, thick sheet of ice, underneath which all animals live. They make ample use of bioluminescence. On rare occasion, animals will manage to chip out a hole in the ice. The water pressure instantly ejects and then freezes a fountain, decorating the landscape with ice sculptures.
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THE NORTH STAR is located at the eastern pole of the planet, and receives the utmost of the sun's light. The rays are bright enough to glass the seabed sand and melt a hole in the thick ice sheet around it. The result is a glass-sand island with a circular liquid water moat and all surrounded by kilometers-high ice. Trees, to avoid damage caused by sunlight, reject all pigment and are instead made of a sugary, clear resin.
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spacenutspod · 6 months
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Exquisite, never-before-seen details help unravel the supernova remnant’s puzzling history. NASA’s James Webb Space Telescope has gazed at the Crab Nebula, a supernova remnant located 6,500 light-years away in the constellation Taurus. Since the recording of this energetic event in 1054 CE by 11th-century astronomers, the Crab Nebula has continued to draw attention and additional study as scientists seek to understand the conditions, behavior, and after-effects of supernovae through thorough study of the Crab, a relatively nearby example. Image: Crab Nebula This image by NASA’s James Webb Space Telescope’s NIRCam (Near-Infrared Camera) and MIRI (Mid-Infrared Instrument) reveals new details in infrared light. The supernova remnant is comprised of several different components, including doubly ionized sulfur (represented in red-orange), ionized iron (blue), dust (yellow-white and green), and synchrotron emission (white). In this image, colors were assigned to different filters from Webb’s NIRCam and MIRI: blue (F162M), light blue (F480M), cyan (F560W), green (F1130W), orange (F1800W), and red (F2100W). : Image: NASA, ESA, CSA, STScI, T. Temim (Princeton University). Using Webb’s NIRCam (Near-Infrared Camera) and MIRI (Mid-Infrared Instrument), a team led by Tea Temim at Princeton University is searching for answers about the Crab Nebula’s origins. “Webb’s sensitivity and spatial resolution allow us to accurately determine the composition of the ejected material, particularly the content of iron and nickel, which may reveal what type of explosion produced the Crab Nebula,” explained Temim. Image: Webb and Hubble This side-by-side comparison of the Crab Nebula as seen by the Hubble Space Telescope in optical light (left) and the James Webb Space Telescope in infrared light (right) reveals different details. By studying the recently collected Webb data, and consulting previous observations of the Crab taken by other telescopes like Hubble, astronomers can build a more comprehensive understanding of this mysterious supernova remnant.: Hubble Image: NASA, ESA, J. Hester, A. Loll (Arizona State University); Webb Image: NASA, ESA, CSA, STScI, T. Temim (Princeton University). At first glance, the general shape of the supernova remnant is similar to the optical wavelength image released in 2005 from NASA’s Hubble Space Telescope: In Webb’s infrared observation, a crisp, cage-like structure of fluffy gaseous filaments are shown in red-orange. However, in the central regions, emission from dust grains (yellow-white and green) is mapped out by Webb for the first time. Additional aspects of the inner workings of the Crab Nebula become more prominent and are seen in greater detail in the infrared light captured by Webb. In particular, Webb highlights what is known as synchrotron radiation: emission produced from charged particles, like electrons, moving around magnetic field lines at relativistic speeds. The radiation appears here as milky smoke-like material throughout the majority of the Crab Nebula’s interior. This feature is a product of the nebula’s pulsar, a rapidly rotating neutron star. The pulsar’s strong magnetic field accelerates particles to extremely high speeds and causes them to emit radiation as they wind around magnetic field lines. Though emitted across the electromagnetic spectrum, the synchrotron radiation is seen in unprecedented detail with Webb’s NIRCam instrument. Video: Tour of Webb Image To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video This video tours the Crab Nebula, a supernova remnant that lies 6,500 light-years away in the constellation Taurus. Despite this distance from Earth, the Crab Nebula is a relatively close example of what remains after the explosive death of a massive star. NASA’s James Webb Space Telescope captures in unprecedented detail the various components that comprise the Crab, including the expanding cloud of hot gas, cavernous filaments of dust, and synchrotron emission. The synchrotron emission is the result of the nebula’s pulsar: a rapidly rotating neutron star that is located in the center. To locate the Crab Nebula’s pulsar heart, trace the wisps that follow a circular ripple-like pattern in the middle to the bright white dot in the center. Farther out from the core, follow the thin white ribbons of the radiation. The curvy wisps are closely grouped together, outlining the structure of the pulsar’s magnetic field, which sculpts and shapes the nebula. At center left and right, the white material curves sharply inward from the filamentary dust cage’s edges and goes toward the neutron star’s location, as if the waist of the nebula is pinched. This abrupt slimming may be caused by the confinement of the supernova wind’s expansion by a belt of dense gas. The wind produced by the pulsar heart continues to push the shell of gas and dust outward at a rapid pace. Among the remnant’s interior, yellow-white and green mottled filaments form large-scale loop-like structures, which represent areas where dust grains reside. The search for answers about the Crab Nebula’s past continues as astronomers further analyze the Webb data and consult previous observations of the remnant taken by other telescopes. Scientists will have newer Hubble data to review within the next year or so from the telescope’s reimaging of the supernova remnant. This will mark Hubble’s first look at emission lines from the Crab Nebula in over 20 years, and will enable astronomers to more accurately compare Webb and Hubble’s findings. Learn More Want to learn more? Through NASA’s Universe of Learning, part of NASA’s Science Activation program, explore images of the Crab Nebula from other telescopes, a 3D visualization, data sonification, and hands-on activities. These resources and more information about supernova remnants and star lifecycles can be found at NASA’s Universe of Learning. The James Webb Space Telescope is the world’s premier space science observatory. Webb is solving mysteries in our solar system, looking beyond to distant worlds around other stars, and probing the mysterious structures and origins of our universe and our place in it. Webb is an international program led by NASA with its partners, ESA (European Space Agency) and the Canadian Space Agency. NASA’s Universe of Learning materials are based upon work supported by NASA under cooperative agreement award number NNX16AC65A to the Space Telescope Science Institute, working in partnership with Caltech/IPAC, Center for Astrophysics | Harvard & Smithsonian, and Jet Propulsion Laboratory. Media Contacts Laura Betz – [email protected]’s Goddard Space Flight Center, Greenbelt, Md. Hannah Braun – [email protected] , Christine Pulliam – [email protected] Telescope Science Institute, Baltimore, Md. Downloads Download full resolution images for this article from the Space Telescope Science Institute. Related Information Neutron Stars – https://universe.nasa.gov/stars/types/#otp_neutron_stars Universe/Stars Basics – https://universe.nasa.gov/stars/basics/ Universe Basics – https://universe.nasa.gov/universe/basics/ More Webb News – https://science.nasa.gov/mission/webb/latestnews/ More Webb Images – https://science.nasa.gov/mission/webb/multimedia/images/ Webb Mission Page – https://science.nasa.gov/mission/webb/ En Español Ciencia de la NASA NASA en español  Space Place para niños Keep Exploring Related Topics Stars Overview Stars are giant balls of hot gas – mostly hydrogen, with some helium and small amounts of other elements.… How does the universe work? How does the universe work? Understanding the universe’s birth and its ultimate fate are essential first steps to unveil the… The Big Bang Overview The origin, evolution, and nature of the universe have fascinated and confounded humankind for centuries. New ideas and major… Universe Explore the universe: Learn about the history of the cosmos, what it’s made of, and so much more. Share Details Last Updated Oct 30, 2023 Editor Steve Sabia Contact Location NASA Goddard Space Flight Center Related Terms Galaxies, Stars, & Black Holes ResearchGoddard Space Flight CenterJames Webb Space Telescope (JWST)Neutron StarsOrigin & Evolution of the UniverseStarsThe Universe
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macbethz · 1 year
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CYAN WAS THE IMPOSTOR
Congrats! Poll among us has eliminated an impostor.
there is 1 impostor remaining
each day, the color with the most votes will be ejected. if crewmates outnumber impostors, crewmates win. If impostors outnumber crewmates, impostors win
PREVIOUS VOTES
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