Saw Saltburn and it was amazing, everyone should go see it
-- loved the parents way more than I thought I would? they were so funny and charming
-- the music was great even though it was (purposefully?) anachronistic
-- the HOUSE the LABYRINTH so BEAUTIFUL D:
-- Jacob rolling around in a field with golden light and a tragic voiceover? Lana del Rey vibes
-- Jacob in angel wings framed in the light?? nice to know no one else got over Baz Luhrmann's Romeo and Juliet either
-- literally there were parts of the movie where Pamela or the mom was talking and I couldn't hear the next line because everyone was laughing so hard
-- shoutout to the dude in my row who laughed HARD when Oliver said he hadn't sucked off any of his teachers
-- MVP was definitely Archie, I absolutely loved Farleigh (and he sings!!) as both a haughty bitch, a pigtail pulling bitch, and a very sad bitch
-- all of Farleigh's clothes were amazing. he was the most stylish guy in 2006. most of Felix's clothes were tragic. he was the most accurate guy from 2006 xD
-- can anyone get their hookup on in this movie without a third party peering through a window? very Downton Abby of them. well, except for that one "hookup" where someone interrupting would have been good
-- Oliver gets mad props for never being able to handle any level of conflict at a party cause his sense of retribution was off the charts
I would love to just vomit spoilers everywhere but I'm trying to be good xD
hi um. as an opera enjoyer do you have any thoughts on gounod's romeo & juliette?
just dug through my absolutely unusable inbox (sorry I did that ask meme and never replied I got really busy :/) to find this again because I just saw it last night and I have a couple of points ie an essay. first off the libretto is fucking deranged you have the entirety of one of the greatest achievements of the English language at your disposal
and do this instead
which proves again that the only way to adapt Shakespeare is ballet/physicality/mime because it's the only way of not using his poetry that you can convey his poetry
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adjacent is that obv above they're in their 20s-30s but with dance the acting comes across better bc it's the entire body whereas opera they've gotta stand fairly still and so you're very aware you're watching two 35 year olds do this same scene as 14/15 year olds only singing and singing bad verse besides.
point b leads into point b.5(?) which is I straight up don't like tenors. I've come to accept this about myself. I straight up dislike a tenor. grow up. why are you as a man a tenor. men should either be countertenors (I kno we all saw it six years ago and daily since but let's revisit) or baritone or bass. stop yelling. STOP IT!!!! STOP YELLING!!!!! oh MY god. as you can imagine this makes my life very difficult. not Gounod's fault. I understand that Romeo obviously cannot be a baritone.
b.5: in every French opera you inevitably have the one frenchman in the cast who instead of rolling the r's has decided to swallow them instead which just annoys me. thats the entire point I just dont like it I like French opera fine love it even but oh my godddddd stop it. stop it. get some help.
point d: all of that being said the music alone is absolutely. just absolutely. just absolutely absolutely. beyond beautiful. and obviously we're all there at least in part for the spectacle of it. I spent 43 usd to see her do this
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and obviously that was the bargain of a lifetime and regardless of all of the above I'd go again if I had another 43 bucks to spend. Ive seen her as Violetta as well several years ago and I will say that her Violetta is what took me from a casual opera fan to my current state and I did SPECIFICALLY go see this for her. the chokehold this woman has on an audience is unreal and this + je veux vivre are just really stunning pieces of Gounod's so what can you do.
in conclusion to enjoy this opera you must pretend it is not Romeo and Juliet because it is not Romeo and Juliet. not to be dramatic but it's a garish pastiche that offends me on a base level and if I'd seen it in 1860 whatever when it came out I'd be saying that loudly and complaining for the ENTIRE carriage ride home. but it's 2024 and I can turn on the baz Luhrmann Romeo and Juliet so it's all good. it's sonically really lovely and a great showcase for any soprano
Best Picture
“Avatar: The Way of Water”
“Babylon”
“The Banshees of Inisherin”
“Elvis”
“Everything Everywhere All at Once” — WINNER
“The Fabelmans”
“Glass Onion: A Knives Out Mystery”
“RRR”
“Tár”
“Top Gun: Maverick”
“Women Talking”
Best Actor
Austin Butler – “Elvis”
Tom Cruise – “Top Gun: Maverick”
Colin Farrell – “The Banshees of Inisherin”
Brendan Fraser – “The Whale” — WINNER
Paul Mescal – “Aftersun”
Bill Nighy – “Living”
Best Actress
Cate Blanchett – “Tár” — WINNER
Viola Davis – “The Woman King”
Danielle Deadwyler – “Till”
Margot Robbie – “Babylon”
Michelle Williams – “The Fabelmans”
Michelle Yeoh – “Everything Everywhere All at Once”
Best Supporting Actor
Paul Dano – “The Fabelmans”
Brendan Gleeson – “The Banshees of Inisherin”
Judd Hirsch – “The Fabelmans”
Barry Keoghan – “The Banshees of Inisherin”
Ke Huy Quan – “Everything Everywhere All at Once” — WINNER
Brian Tyree Henry – “Causeway”
Best Supporting Actress
Angela Bassett – “Black Panther: Wakanda Forever” — WINNER
Jessie Buckley – “Women Talking”
Kerry Condon – “The Banshees of Inisherin”
Jamie Lee Curtis – “Everything Everywhere All at Once”
Stephanie Hsu – “Everything Everywhere All at Once”
Janelle Monáe – “Glass Onion: A Knives Out Mystery”
Best Young Actor/Actress
Frankie Corio – “Aftersun”
Jalyn Hall – “Till”
Gabriel LaBelle – “The Fabelmans” — WINNER
Bella Ramsey – “Catherine Called Birdy”
Banks Repeta – “Armageddon Time”
Sadie Sink – “The Whale”
Best Acting Ensemble
“The Banshees of Inisherin”
“Everything Everywhere All at Once”
“The Fabelmans”
“Glass Onion: A Knives Out Mystery” — WINNER
“The Woman King”
“Women Talking”
Best Director
James Cameron – “Avatar: The Way of Water”
Damien Chazelle – “Babylon”
Todd Field – “Tár”
Baz Luhrmann – “Elvis”
Daniel Kwan, Daniel Scheinert – “Everything Everywhere All at Once” — WINNERS
Martin McDonagh – “The Banshees of Inisherin”
Sarah Polley – “Women Talking”
Gina Prince-Bythewood – “The Woman King”
S.S. Rajamouli – “RRR”
Steven Spielberg – “The Fabelmans”
Best Comedy
“The Banshees of Inisherin”
“Bros”
“Everything Everywhere All at Once”
“Glass Onion: A Knives Out Mystery” — WINNER
“Triangle of Sadness”
“The Unbearable Weight of Massive Talent”
Best Animated Feature
“Guillermo del Toro’s Pinocchio” — WINNER
“Marcel the Shell with Shoes On”
“Puss in Boots: The Last Wish”
“Turning Red”
“Wendell & Wild”
Best Foreign Language Film
“All Quiet on the Western Front”
“Argentina, 1985”
“Bardo, False Chronicle of a Handful of Truths”
“Close”
“Decision to Leave”
“RRR” — WINNER
Best Original Screenplay
Charlotte Wells – “Aftersun”
Martin McDonagh – “The Banshees of Inisherin”
Daniel Kwan, Daniel Scheinert – “Everything Everywhere All at Once” — WINNER
Steven Spielberg, Tony Kushner – “The Fabelmans”
Todd Field – “Tár”
Best Adapted Screenplay
Rian Johnson – “Glass Onion: A Knives Out Mystery”
Kazuo Ishiguro – “Living”
Rebecca Lenkiewicz – “She Said”
Samuel D. Hunter – “The Whale”
Sarah Polley – “Women Talking” — WINNER
Best Cinematography
Russell Carpenter – “Avatar: The Way of Water”
Linus Sandgren – “Babylon”
Roger Deakins – “Empire of Light”
Janusz Kaminski – “The Fabelmans”
Florian Hoffmeister – “Tár”
Claudio Miranda – “Top Gun: Maverick” — WINNER
Best Production Design
Dylan Cole, Ben Procter, Vanessa Cole – “Avatar: The Way of Water”
Florencia Martin, Anthony Carlino – “Babylon” — WINNER
Hannah Beachler, Lisa K. Sessions – “Black Panther: Wakanda Forever”
Catherine Martin, Karen Murphy, Bev Dunn – “Elvis”
Jason Kisvarday, Kelsi Ephraim – “Everything Everywhere All at Once”
Rick Carter, Karen O’Hara – “The Fabelmans”
Best Editing
Stephen Rivkin, David Brenner, John Refoua, James Cameron – “Avatar: The Way of Water”
Tom Cross – “Babylon”
Matt Villa, Jonathan Redmond – “Elvis”
Paul Rogers – “Everything Everywhere All at Once” — WINNER
Monika Willi – “Tár”
Eddie Hamilton – “Top Gun: Maverick”
Best Costume Design
Mary Zophres – “Babylon”
Ruth E. Carter – “Black Panther: Wakanda Forever” — WINNER
Catherine Martin – “Elvis”
Shirley Kurata – “Everything Everywhere All at Once”
Jenny Eagan – “Glass Onion: A Knives Out Mystery”
Gersha Phillips – “The Woman King”
Best Hair and Makeup
“Babylon”
“The Batman”
“Black Panther: Wakanda Forever”
“Elvis” — WINNER
“Everything Everywhere All at Once”
“The Whale”
Best Visual Effects
“Avatar: The Way of Water” — WINNER
“The Batman”
“Black Panther: Wakanda Forever”
“Everything Everywhere All at Once”
“RRR”
“Top Gun: Maverick”
Best Song
“Lift Me Up” – “Black Panther: Wakanda Forever”
“Ciao Papa” – “Guillermo del Toro’s Pinocchio”
“Naatu Naatu” – “RRR” — WINNER
“Hold My Hand” – “Top Gun: Maverick”
“Carolina” – “Where the Crawdads Sing”
“New Body Rhumba” – “White Noise”
Best Score
Michael Giacchino – “The Batman”
Justin Hurwitz – “Babylon”
John Williams – “The Fabelmans”
Alexandre Desplat – “Guillermo del Toro’s Pinocchio”
Hildur Guðnadóttir – “Tár” — WINNER
Hildur Guðnadóttir – “Women Talking”
I might be slightly insane (wrong) here but when Alex goes back to London after the leak and he and Henry meet and embrace on the staircase... is the first tune Henry is playing on piano the love theme from Baz Luhrmann's film 'Australia'?! Like is it supposed to be some kind of deep reference/callback to them having met in Melbourne in the movie (instead of Rio like in the book)?
Because if this is the case... it's yet another thing about this movie that makes me want to sob :'D
Edit: YUP it's the track "First Kiss" from the Australia movie score and it's the part that starts at around 2m35s.
HAPPY BIRTHDAY to Anastacia, recording artist/singer-songwriter Ben Anderson (great to have worked with you), Rita Arya, Bill Black, Kyle Chandler, Dolores Costello, Elvira a.k.a. Cassandra Peterson (good to have met you), Will Gregory (Goldfrapp), Charles Tomlinson Griffes, Ken Kesey, Mark Kleiner, Baz Luhrmann, Roddy McDowall, Brother Jack McDuff, Lamonte McLemore (5th Dimension), Reinhold Messner, the 2010 documentary WHO IS HARRY NILSSON & WHY IS EVERYBODY TALKING ABOUT HIM?, Robert B. Parker, Joseph D. Pistone, John Ritter, Rita Rudner, The Supremes 1964 “Baby Love” single, Ty Tabor (King’s X), Michiyo Tsujimura 辻村みちよ, Fee Waybill (The Tubes—keep up the good work), and one of America’s best-known cultural ambassadors, Luke the Drifter a.k.a. The Hillbilly Shakespeare a.k.a. Mr. Lovesick Blues a.k.a. Timber Snake, singer-songwriter Hank Williams. He learned guitar from African-American blues musician Rufus Payne (a.k.a. Tee Tot), and that, along with the music of Roy Acuff and Ernest Tubb, influenced Hank’s style. Chronic back pain, alcoholism, and pill addiction took a toll on Hank’s heart and he died young and tragically, but in his short but hugely influential career he released 55 Top 10 singles with 12 #1 records. He’s cited as one of the essential pioneers of contemporary country music, but his reach extended into mainstream pop, rock’n’roll, and even jazz, as his songs (now considered to be American standards) were covered by hit-makers of the day and still are.
A 78 of Hank’s “Lovesick Blues” turned up in my house when I was kid, and I remember enjoying it. In recent years I started performing regularly in assisted living homes, and my set includes Hank’s “Hey Good Lookin’” (along with “Jambalaya”). He wrote and recorded "Hey, Good Lookin'" in 1951(it was inducted into the Grammy Hall of Fame in 2001). The song has been covered by countless artists and was a precursor to the genre known as Rockabilly. Hank was friendly with musician Jimmy Dickens. Having told Dickens that Dickens needed a hit record if he was going to become a star, Williams said he'd write it, and penned "Hey Good Lookin'" in only 20 minutes while on a plane with Dickens and entertainer Minnie Pearl. A week later Williams recorded it himself, jokingly telling Dickens, "That song's too good for you!" Here’s my cover of it (recorded by Chris von Sneidern). Meanwhile, HB HW and thank you for crafting so many great songs. https://johnnyjblairsingeratlarge.bandcamp.com/track/hey-good-lookin
You won’t learn much about David Bowie’s life in Moonage Daydream (Parents were stiff, adored older brother went mad, fame isolated him, found true love before the end) and you won’t get any talking head analysis about what his art meant. Brett Morgan’s documentary eschews godlike narration (though adroit editing of interview tracks form the illusion that Bowie is telling his own story) in favor of immersion, taking us into a kaleidoscopic, sometimes dizzying vision of a chameleonic artist whose mastery of artifice, image, persona (he describes himself as a “human canvas”) and ironic detachment (he became a rock star by playing one) turned him into perhaps the first post-modern rock star.
He was also an aesthetic dilettante whose restlessness kept him from true greatness, a fault the film shares. Morgan’s hyperactive style – he’s like the Baz Luhrmann of documentarians – means to posit Bowie as the ultimate late twentieth-century artist (with too many everything-but-the-kitchen-sink montages of Bowie’s influences) but unintentionally exposes the fecklessness of his vision. Ironically this approach makes Bowie a more interesting film subject, a tourist of ideas, making his way through one avant-garde movement after another bringing it into the pop zeitgeist, before moving on to the next thing. And when both artist and film do touch greatness -- as in a stirring version of “Heroes” before a Berlin audience that could move you to tears – the journey is more than worthwhile.
favorite color: any combination of pink, or red recently
currently reading: just finished one to watch by kate stayman-london (i give it three stars, its ok but it gets annoying), im gonna start lock every door by riley sager soon.
last song: this is how you fall in love by jeremy zucker and chelsea culter (yes i got this from the hating game soundtrack don’t come for me)
last series: just finished stranger things (im still not done crying) still on the boys and in my third rewatch of bridgerton (fight me j)
last movie: baz luhrmann’s elvis, and yall imma watch it again.
sweet/spicy/savory: put your hands together ;D (but really savory)
currently working on: rejumpstarting the thieves series with j, sleeping at a consistency, trying not to kill people at work, to actually be productive in society, you know the useual.
tagging: @lcvebirds, @strawberrylaceswrites , @midsvmmars , @lovltters , yall i have no friends lmaooo but everyone can do it!
if we're talking pure entertainment value it's gotta be top gun maverick (for my sins.) otherwise maybe elvis? i go absolutely insane for anything baz luhrmann does tbh, the unrestrained extravagance of it all really tickles my giblets
Game of the year?
this was a pretty slow year games-wise for me but i've played an a b s u r d amount of crusader kings iii. staying a measly insignificant count whilst blackmailing and murdering all the great powers of europe to seat my children on their thrones is oodles of fun
If you could send a message to yourself back on the first day of the year, what would it be?
6th Hollywood Critics’ Association Awards — Winners
Best Picture
Avatar: The Way of Water
Elvis
Everything Everywhere All At Once — WINNER
RRR
TÁR
The Banshees of Inisherin
The Fabelmans
The Woman King
Top Gun: Maverick
Women Talking
Best Director
Baz Luhrmann – Elvis
Daniel Kwan & Daniel Scheinert – Everything Everywhere All At Once — WINNER
Gina Prince-Bythewood – The Woman King
James Cameron – Avatar: The Way of Water
Martin McDonagh – The Banshees of Inisherin
Park Chan-wook – Decision to Leave
S.S. Rajamouli – RRR
Sarah Polley – Women Talking
Steven Spielberg – The Fabelmans
Todd Field – TÁR
Best Actress
Cate Blanchett – TÁR
Danielle Deadwyler – Till
Michelle Williams – The Fabelmans
Michelle Yeoh – Everything Everywhere All At Once — WINNER
Viola Davis – The Woman King
Best Actor
Austin Butler – Elvis
Brendan Fraser – The Whale — WINNER
Colin Farrell – The Banshees of Inisherin
Paul Mescal – Aftersun
Tom Cruise – Top Gun: Maverick
Best Supporting Actress
Angela Bassett – Black Panther: Wakanda Forever — WINNER
Hong Chau – The Whale
Jamie Lee Curtis – Everything Everywhere All at Once
Keke Palmer – Nope
Kerry Condon – The Banshees of Inisherin
Stephanie Hsu – Everything Everywhere All at Once
Best Supporting Actor
Barry Keoghan – The Banshees of Inisherin
Ben Whishaw – Women Talking
Brendan Gleeson – The Banshees of Inisherin
Brian Tyree Henry – Causeway
Ke Huy Quan – Everything Everywhere All at Once — WINNER
Best Cast Ensemble
Babylon
Everything Everywhere All At Once — WINNER
Glass Onion: A Knives Out Mystery
The Woman King
Women Talking
Best Voice or Motion-Capture Performance
Antonio Banderas – Puss in Boots: The Last Wish
Ewan McGregor – Guillermo del Toro’s Pinocchio
Jenny Slate – Marcel the Shell with Shoes On — WINNER
Rosalie Chiang – Turning Red
Zoe Saldaña – Avatar: The Way of Water
Best Action Film
Black Panther: Wakanda Forever
RRR — WINNER
The Batman
The Woman King
Top Gun: Maverick
Best Animated Film
Guillermo del Toro’s Pinocchio — WINNER
Marcel The Shell With Shoes On
Puss in Boots: The Last Wish
The Bad Guys
Turning Red
Best Comedy
Bros
Glass Onion: A Knives Out Mystery — WINNER
The Menu
The Unbearable Weight of Massive Talent
Triangle of Sadness
Best Documentary Film
All the Beauty and The Bloodshed
Fire of Love
Good Night Oppy — WINNER
Moonage Daydream
Selena Gomez: My Mind & Me
Best First Feature
Charlotte Wells – Aftersun — WINNER
Lila Neugebauer – Causeway
John Patton Ford – Emily the Criminal
Elegance Bratton – The Inspection
Domee Shi – Turning Red
Best Horror Film
Barbarian
Bones and All
Nope
The Black Phone — WINNER
X
Best Indie Film
Aftersun
Cha Cha Real Smooth
Everything Everywhere All At Once
Marcel the Shell with Shoes On — WINNER
TÁR
Best International Film
All Quiet on the Western Front
Argentina, 1985
Close
Decision to Leave
RRR — WINNER
Best Short Film
All Too Well: The Short Film — WINNER
Moshari
North Star
Regret to Inform You
Triggered
Best Adapted Screenplay
Guillermo del Toro & Patrick McHale – Gulliermo del Toro’s Pinocchio
Rebecca Lenkiewicz – She Said
Rian Johnson – Glass Onion: A Knives Out Mystery
Samuel D. Hunter – The Whale
Sarah Polley – Women Talking — WINNER
Best Original Screenplay
Daniel Kwan & Daniel Scheinert – Everything Everywhere All At Once — WINNER
Martin McDonagh – The Banshees of Inisherin
Seth Reiss & Will Tracy – The Menu
Steven Spielberg & Tony Kushner – The Fabelmans
Todd Field – TÁR
Best Casting Director
Everything Everywhere All At Once – Sarah Finn
Glass Onion: A Knives Out Mystery – Mary Vernieu and Bret Howe — WINNER
The Menu – Mary Vernieu and Bret Howe
The Woman King – Aisha Coley
Women Talking – John Buchan and Jason Knight
Best Cinematography
Avatar: The Way of Water – Russell Carpenter
Everything Everywhere All At Once – Larkin Seiple
The Batman – Greig Fraser
The Fabelmans – Janusz Kamiński
Top Gun: Maverick – Claudio Miranda — WINNER
Best Costume Design
Babylon – Mary Zophres
Black Panther: Wakanda Forever – Ruth Carter — WINNER
Elvis – Catherine Martin
Mrs. Harris Goes To Paris – Jenny Beavan
The Woman King – Gersha Phillips
Best Editing
Decision to Leave – Kim Sang-bum
Everything Everywhere All At Once – Paul Rogers — WINNER
Glass Onion: A Knives Out Mystery – Bob Ducsay
RRR – A. Sreekar Prasad
Top Gun: Maverick – Eddie Hamilton
Best Makeup and Hairstyling
Black Panther: Wakanda Forever – Camille Friend and Joel Harlow
Elvis – Shane Thomas, Mark Coulier, Jason Baird, and Louise Coulston
Everything Everywhere All At Once – Michelle Chung and Anissa Salazar
The Batman – Naomi Donne, Mike Marino, and Zoe Tahir
The Whale – Adrien Morot, Judy Chin, and Anne Marie Bradley — WINNER
Best Marketing Campaign
Black Panther: Wakanda Forever
Everything Everywhere All At Once
Nope
Smile — WINNER
Top Gun: Maverick
Best Original Song
Black Panther: Wakanda Forever – “Lift Me Up” performed by Rihanna
Elvis – “Vegas” performed by Doja Cat
RRR – “Naatu Naatu” performed by Rahul Sipligunj and Kaala Bhairava — WINNER
Top Gun: Maverick – “Hold My Hand” performed by Lady Gaga
Turning Red – “Nobody Like U” performed by 4Town
Best Production Design
Avatar: The Way of Water – Dylan Cole, Ben Procter and Vanessa Cole
Babylon – Florencia Martin and Anthony Carlino — WINNER
Black Panther: Wakanda Forever – Hannah Beachler and Lisa K. Sessions
Elvis – Catherine Martin, Karen Murphy, and Bev Dunn
The Batman – James Chinlund and Lee Sandales
Best Score
Babylon – Justin Hurwitz — WINNER
Guillermo del Toro’s Pinocchio – Alexandre Desplat
The Banshees of Inisherin – Carter Burwell
The Batman – Michael Giacchino
Women Talking – Hildur Guðnadóttir
Best Sound
Avatar: The Way of Water – Christopher Boyes, Gwendolyn Yates Whittle, Dick Bernstein, Gary Summers, Michael Hedges, and Julian Howarth
Elvis – David Lee, Wayne Pashley, Andy Nelson, and Michael Keller
Nope – Johnnie Burn and Jose Antonio Garcia
The Batman – Stuart Wilson, William Files, Douglas Murray, and Andy Nelson
Top Gun: Maverick – Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon, and Mark Taylor — WINNER
Best Stunts
Everything Everywhere All At Once
RRR — WINNER
The Batman
The Woman King
Top Gun: Maverick
Best Visual Effects
Avatar: The Way of Water – Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett — WINNER
Everything Everywhere All At Once – Zak Stoltz, Ethan Feldbau, Benjamin Brewer and Jeff Desom
Guillermo del Toro’s Pinocchio – Aaron Weintraub, Brian Leif Hansen, Georgina Hayns and Ian Mackinnon
RRR – V. Srinivas Mohan
Top Gun: Maverick – Ryan Tudhope, Scott R. Fisher, Seth Hill and Bryan Litson
Special Honorary Awards
Acting Achievement Award: Angela Bassett
Artisan Achievement Award: Rick Carter
Filmmaking Achievement Award: Rian Johnson
Spotlight Award: RRR
Star on the Rise Award: Gabriel LaBelle
#ElvisFilme, dirigido por Baz Luhrmann e estrelado por Austin Butler e Tom Hanks, já levou mais de 760 mil pessoas aos cinemas d... - Via @wbpictures_br
Eminem and Snoop Dogg Share Video for New Song “From the D 2 the LBC”
Eminem and Snoop Dogg Share Video for New Song “From the D 2 the LBC”
Eminem and Snoop Dogg have shared a new collaborative single called “From the D 2 the LBC.” The track arrived tonight with a partially animated new video directed by James Larese, which shows the two rappers occasionally transforming into Bored Ape-style avatars. Watch it below.
Eminem recently shared a new collaboration with Cee-Lo Green for Baz Luhrmann’s Elvis soundtrack called “The King and…
HAPPY BIRTHDAY to Anastacia, recording artist/singer-songwriter Ben Anderson (great to have worked with you), Rita Arya, Bill Black, Kyle Chandler, Dolores Costello, Elvira a.k.a. Cassandra Peterson (good to have met you), Will Gregory (Goldfrapp), Charles Tomlinson Griffes, Ken Kesey, Mark Kleiner, Baz Luhrmann, Roddy McDowall, Brother Jack McDuff, Lamonte McLemore (5th Dimension), Reinhold Messner, the 2010 documentary WHO IS HARRY NILSSON & WHY IS EVERYBODY TALKING ABOUT HIM?, Robert B. Parker, Joseph D. Pistone, John Ritter, Rita Rudner, The Supremes 1964 “Baby Love” single, Ty Tabor (King’s X), Michiyo Tsujimura 辻村みちよ, Fee Waybill (The Tubes—keep up the good work), and one of America’s best-known cultural ambassadors, Luke the Drifter a.k.a. The Hillbilly Shakespeare a.k.a. Mr. Lovesick Blues a.k.a. Timber Snake, singer-songwriter Hank Williams. He learned guitar from African-American blues musician Rufus Payne (a.k.a. Tee Tot), and that, along with the music of Roy Acuff and Ernest Tubb, influenced Hank’s style.
Chronic back pain, alcoholism, and pill addiction took a toll on Hank’s heart and he died young and tragically, but in his short but hugely influential career he released 55 Top 10 singles with 12 #1 records. He’s cited as one of the essential pioneers of contemporary country music, but his reach extended into mainstream pop, rock’n’roll, and even jazz, as his songs (now considered to be American standards) were covered by hit-makers of the day—and still are.
A 78 of Hank’s “Lovesick Blues” turned up in my house when I was kid, and on TV I watched the biopic film I SAW THE LIGHT, a song that has always been with me. In recent years I started performing regularly in assisted living homes, and my set includes Hank’s “Hey Good Lookin’” (along with “Jambalaya”). He wrote and recorded "Hey, Good Lookin'" in 1951 (it was inducted into the Grammy Hall of Fame in 2001). The song has been covered by countless artists and was a precursor to the genre known as Rockabilly. Hank was friendly with musician Jimmy Dickens. Having told Jimmy that he needed a hit record if he was going to become a star, Hank said he’d write it and penned "Hey Good Lookin'" in only 20 minutes while on a plane with Jimmy and entertainer Minnie Pearl. A week later Hank recorded it himself, jokingly telling Jimmy, "That song's too good for you!" Here’s my cover of it (recorded by Chris von Sneidern). Meanwhile, HB HW and thank you for crafting so many great songs. https://johnnyjblairsingeratlarge.bandcamp.com/track/hey-good-lookin