Zlatko
I wanted to draw her on fire like how she sets Zlatko's house fire. Also Zlatko's creatures because they all have cool designs and I tried to figure what models they were, the only conclusion I could come to was they are amalgamations of current models, might make it into a separate post talking about that tho
Kara Detroit with the LGBT lights, I referenced aurora's "infections of a different kind" album art for the design btw :)
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" "con, don't you ever fuckin' relax?"
"lieutenant, i'm a machine. i don't need to 'relax'."
"oh fuck you, come on, we're on break. loosen up a little or something. you can chill out from your fuckin' mission for the three minutes it'll take me to smoke this cigarette. and shut your mouth before you go telling me it isn't actually exactly three minutes on average to smoke a cigarette or whatever."
connie closes her mouth. a small addition to her list of missions to accomplish is made: try to appear "relaxed" to appease lieutenant anderson. a raise in friendship means an easier partner to work with, so connie carefully inspects the lieutenant's posture and does her best to replicate it. being a machine of plastic and metal certainly doesn't make it easy. "
hankcon, but gorls. did i base hank off of my butch lesbian manager at my old job at a sex toy store who was covered in spongebob tattoos? absolutely yes i did
mostly i just wanted to portray fem!hank as a Large Woman because i think there is a severe lack of that. broad with muscle hidden under fat, like the kind of woman who does shot put. so uh,,, ms trunchbull basically LMAO. deep voice, raspy from smoking and drinking, all that good stuff 😩👌 also peep the button on her jacket hehe
got some headcanons and stories for them under the cut!
-hank wears cargo shorts 100% of the time. no matter the weather or temperature. like, 'bill and ted at prom in shorts, but it's her at a dpd ceremony in cargo shorts' level. but not actually because i'm totally gonna draw her in a pantsuit later, totally not with connie on her hip in a slinky dress 👀
-also yes hank's shirt is a spongebob reference
-when people ask hank why she goes by hank and not her "real name," (which i like to headcanon is "henrietta") she always says, "oh it's actually a really funny story, i'll tell you later," and the later never comes lmao. or, if she does tell you, it's some made up wacky story that actually has nothing to do with giving herself the name hank. the real reason? she just likes it
-speaking of "henrietta," this story, 'if you know where to look' by ghost_teeth, works so fucking well with a lot of my headcanons about how their characters would be like genderbent! highly recommend it, and all their dbh stories honestly!
-connie has a compact gun (i asked my brother for examples and he said sig p365 or springfield hellcat, which i think work perfectly for this) holstered inside her jacket on the left side. also, i'm stealing this idea from this post (which basically almost has the same design for fem!connor (altho like, most designs for her are basically the same lmao)) but she also has a knife strapped to her thigh
-her skirt is actually made of some super high tech flexible and durable material, and she's got specific programming to make her balance crazy good, since she'll be running in heels. she's made to hunt and pursue deviants so obviously she needs to be able to run and jump. the outfit is only made to appear like a standard "business woman" to blend in with the humans she would be required to work with, but otherwise gives her everything/doesn't hold her back from doing what she needs to complete her mission. here's a bonus conversation i had with @extraordinaryandroid about it lmaoo:
-hank met connor-51 first for the ortiz case, but connie-52 (with 51's memories of course) came in the next day when it was announced they were to be officially paired to investigate deviants. cyberlife has their grubby lil hands in everything so of course they knew their RK800 unit would be paired with this lieutenant anderson before basically anyone else, and deemed that she'd get along better with a "female model" that she would find attractive. which of course has hank like WOW that's super weird and gross of y'all! and i fucking hate that it's working you pieces of shit at cyberlife !!!! but ofc connie's like "im a machine i dont even have a gender" all the while hank's sweatin major thirsty bullets
-at the cyberlife tower, connor-51 is the one to hold hank at gunpoint. how did he get hank to trust him? idk i haven't figured that out yet lmao, but the angst of connor-51 essentially taking the place of -60 from the game in the sense that he's clearly deviant in some capacity, in this context being that he feels connie stole the life he deserved (which he'd never admit) and now wants to suck up to cyberlife and be their best boi to feel important and special again and not knowing they'd just throw him away for the RK900 model, is very good imo. that was a very long sentence so i hope it made sense lmaoo. have i worked out all the details of how all that shit would work in a story? absolutely not, im too busy thinking about butch fem!hank making her robo girlfriend bluescreen in the bedroom 🤪
also if ur wondering wtf the background is, idk. my usual plain color gradient was too simple, but i did NOT want to put in the effort to do a whole ass real background, so i settled on something in between. meh, it's just them hagin' out behind the station on a smoke break ¯\_(ツ)_/¯
consider supporting me on ☕! ko -fi. com / maddsmallow (without spaces)
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"My heart is beating inside your chest. I'll always be with you."
"Set our people free, Markus..."
"What's the point of being free if no one is left alive?"
[image description]
a digital sketch of the characters north, markus, and simon from detroit: become human. markus is in the middle of the composition, from about the hips up, in his final outfit from crossroads, his back arched backwards slightly as he looks up. the skin on his face is metal where north’s hands touch him. north is on the left of the composition, slightly behind markus, she’s holding his face and looking to him with awe and worry. she’s in her final outfit from crossroads. simon is on the right of the composition. he’s positioned behind markus as well but slightly higher, his arm wrapped around the front of markus’s torso and holding his waist. his face is slightly obscured by markus’s face, he is whispering in his ear. there are 3 disembodied hands coming from the right side of the piece, reaching for markus, the middle hand holds his throat. the drawing is semi realistic, with thin, sketchy lines. no coloring.
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