There isn't much discourse about how Mike went from saying that El was a weapon in s1, even encouraging the others to use El's powers when she was still recuperating after finding Will in the void, to then in s3 accusing the others of being reckless with her powers, saying she's risking her life for no reason.
Now, I want to make clear that I'm not bashing Mike here, this has less to do with what he's doing being right or wrong. What this is about is how Mike went from doing something himself, to calling out other people for doing it, without acknowledging that fact and why the writers chose to frame it all this way.
You might think it's insignificant, but these two following scenes are clearly being paralleled to each other. And so the fact that Mike himself is acknowledging this as something to be critical of, makes me wonder what exactly is going on in his mind...
I want to preface this scene from s1 by saying that Mike is giving very off vibes here. I know that I certainly viewed this scene as romantic the first time I saw it, but since rewatching it recently, I was getting completely different vibes.
They literally make a point to focus on Mike being distracted, on the verge of impatience. Then, the way El reacts upon Mike getting up abruptly, gives this feeling of uncertainty about Mike's consideration for her in this moment, as she's clearly not what's on the top of his mind right now. And it just makes you wonder, are we truly supposed to be feeling peak romance rn?
I never realized how out of place this scene was until now (or is it...). It's just such an odd choice to have El resting her head on Mike's shoulder for comfort, only for Mike to cut it short with him being distracted, and with Dustin and El looking awkwardly at Mike like "Okay?...", then followed by a scene where he's trying to convince the others to use El's powers to help.
Here we have s1 Mike displaying behavior that s3 Mike was calling out the others for displaying:
Here we have Lucas, who was very, very critical of El being dangerous ALL of s1, and yet now in complete contrast to that, he is showing more consideration and common sense for El's well being than Mike, the supposed love (at first sight) interest ...
'That's the most important thing, remember?'
A question, followed by Mike just standing there in silence, like he's only just now really thinking about El being safe as their main priority... This is something that combined with everything else unfolding over the course of this season and the seasons after, that makes Mike's behavior a whole lot easier to understand.
I'll have to make several other posts about this, because there are a lot of aspects to it, but for now I'm just going to focus on these two parallels.
Here we have what happens in s3, with Mike being critical of the others doing something he himself literally did in s1:
In fact, how careless all of you are.
THIS. When Mike makes it a big deal to call out everyone for doing something he himself has already done, he's outright admitting that it's something that he believes is wrong, and by not even slightly acknowledging his role in doing something similar in the past, it's very likely that he feels guilty about it.
This was probably his way of trying to make it right, by standing up for El in a way that he didn't before because he was treating her like some superhero and not a real person back then.
It's just that the word love slipped out, in the heat of the moment. And El, upon overhearing this, is seeing this development of Mike herself, with s1 Mike going from, yes being more kind and considerate than the other 2 boys in the beginning, but still sort of expecting stuff from her without her being able to verbally agree to it, to now having developed and changed to saying that one of his big priorities is her safety.
El is taking this as being evidence he went from not loving her, to loving her. Another reason why it's pretty obvious El didn't believe Mike's monologue, bc she herself witnessed Mike develop his apparent romantic feelings for her over time, and so him saying it was love at first sight, was probably the catalyst that made it abundantly clear to her that he wasn't being truthful, bc she knows it's not the truth. She's not stupid.
Again this isn't about Mike doing this back then or even the others doing it now as being bad vs. good, this is about the writers going about it this way, sending a message that Mike feels guilt, enough to try to make things right, but is apparently not ready to unpack the actual guilt that is beneath the surface which lead him to this point.
And then there's this scene, which... it's actually terrifying how obvious it is they instructed Sadie and Caleb to lean out of that shot with Will and Mike reacting to El entering the room... Like... It's SOO obvious when you watch it now what they're trying to hint at without saying it.
Not only are they hinting at Will's feelings, because that is part of it, they're also hinting at Mike's internal struggle. Will is always on the back of his mind whether he's willing to address it or not. And all while that is happening, he is feeling unaddressed guilt about how he treated El when they first met and spent that one week together helping her run away from the bad guys while also looking for Will, something Mike viewed as being worthy of El using her powers...
I'll have to make the other posts regarding this soon, because it all starts to click what's going on with Mike when you look at all of these things together.
While Mike is just a kid like pretty much everyone else in this story, and while he didn't mean any harm by asking El to help them find Will (none of them did), I think that's kind of the whole point?
I think that he got lucky superman landed on his doorstep, who just so happened to be in danger herself, giving him his own purpose to help her too, with her needing him as well, and so it became a situation where they both needed each other.
But because El could literally not speak, it's not like she could really voice her feelings about things they were doing, beyond yes and no. She had Lucas sort of being critical of her, with Mike encouraging El to do things that would make the others see her as being worthy of sticking around so they can find Will. It goes without saying she felt obligated to do these things, even if they didn't outright tell her she had to or else. We literally see almost all of these scenes with her doing stuff for the others being instantly juxtaposed with scenes of Brenner doing the same. It's not the same scale of severity, but it is an acknowledgment that although she is outside of the lab, she still feels like her powers are what define her and it's all people want from her.
I think what it comes down to, is that in that moment when she is sacrificing herself to the demogorgan at the end of s1, we are seeing in real time Mike realizing what he and the other's have been asking of her this whole time, without outright asking her.
And you can literally see the retaliation and devastation hit him all at once. The instant regret, where he's backtracking and El stops him from even trying.
'Goodbye Mike' singles him out, because while he was the one out of the three that showed her the most kindness from the start, he was also the one who at the end of it all, was still expecting her to risk her life for them...
And that just makes it hit so much harder when you think about how that made Mike feel in that moment.
And then in s2 how that impacts Mike and his journey going forward.
His breakdown at the end of s2 upon her return.
His behavior in s3-4, in relation to him juggling his relationship with Will and El, now that they are both in his life at the same time.
It all starts to make sense.
I won't go too much into it because those other posts are bound to be long with a bunch of pictures too!
But on that note, there's at least one thing Mike isn't acknowledging, and it's literally what led up to the unintentional love confession that then led us to 10 more episodes of miscommunication because of it...
It's going to be important for him to address this guilt for him to fulfill his arc and to also close off his expectations that he has to have a romantic relationship with El in order to keep her in his life at all.
The audience themselves seeing this and being forced to face it is also going to make it a lot easier for them understand why Mike did what he did, not only because he's a queer kid in the 80's who has every reason to doubt and repress, but also because he understandably feels sort of indebted to El after everything.
It's more complex than him just falling out of love with her and falling in love with Will because of XYZ.
I think there is a lot of guilt and shame and trauma connected to their meeting and the events that followed. And addressing that is going to give a lot of closure to the ending of the story and also the beginning.
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Okay so now that the Black Swan story quest has officially dropped the lore that Sampo IS in fact a part of the Masked Fools, I think now is the best time for me to present to you my thoughts on what Sampo's fool's mask should be.
Bear with me now, this is going to sound stereotypical, but I have my reasons. I think Sampo's mask should be that of a black cat.
Aesthetically? Flawless. It will make his green eyes pop, go great with the blue hair, and gives the designers an opportunity to give in to the slutty punk goth aesthetic they were kind of already cultivating.
Thematically, I think this is very appropriate because black cats, while nowadays mostly considered to be "bad luck" were initially more about the change of luck. If a black cat crossed your path, your luck would be fated to change, whether for better or worse. As he says, where there is business, there is Sampo. People with cash will suffer because he will sell them junk. People in a bad situation can be taken right out of it by Sampo, but may have to pay a price. He brings luck and he takes it away with a clever word and a flick of the wrist. To a certain degree, encountering Sampo in the story has consistently been in line with this notion! We were having a good time exploring when we found him in the snow, and he got us into an altercation with the Silvermane Guards. Later when we were in a really bad pinch trying to escape Bronya and the guards, he whisked us away (along with Bronya, changing her luck in the process too). When we were in need of a guide to the surface willing to get us in touch with Serval? Sampo to the rescue. Trouble with stolen artifacts during the museum event? Sampo was at the source. Still need help at the museum? Sampo is your man. One can even argue that our luck turning sour on Penacony only started happening after encountering Sparkle disguised as Sampo which can count if you want. Either way, Sampo is a tricksy little creature and luck follows silently in his invisible footsteps.
Therefore I think black cat imagery suits him very nicely, especially with his whole slinking around through dark alleys and knowing the ins and outs of places and always carefully eluding situations that could end poorly. Probably has nine lives and claws to deal with anything he can't wiggle out of. Just as willing to steal scraps as he is to indulge in given treats. Terribly charming in that same way that cats who know they've caused you trouble are, making huge innocent eyes at you until you shoo them off with a sigh. Always capable of appearing when you least expect it and turning the whole situation on its head.
Point is, in my humble opinion, they need to give Sampo a black cat aesthetic for his Fool form because I think it is classic and fits him.
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WIP its-not-Wednesday-but-close-enough
tagged by @autistic-sidestep! thank you for the tag :D i have,,, so many wips rn. pulp stop starting a million projects challenge. all of these are very rough, and a lot of them feature other steps, but i wanted to share a few :]
for writing, ive got these:
“What the hell, man!” Mitchel hisses. He’s let go, but he hasn’t bothered lowering his voice. Too loud, but real. Caine groans, pulling themselves up from the mattress. At least it wasn’t the floor– this could’ve hurt a lot worse. They wince at the throb in their shoulder as they reach for the wall, probing for a light switch. When he flicks it on reality re-establishes itself once more.
It’s Caine’s room, familiarly bare-bones. There’s only a singular twin sized bed in one corner of the room and a desk just across, with a heap of laundry they haven’t bothered to do taking up the chair. Mitchel stands on the mattress in the middle, both parts pissed and bleary eyed. His cheek is a lightish colour that’s a telltale sign it’s going to bruise, and a portion of his blanket stubbornly clings onto his shoulder. There’s no threat in here, or at least nothing more threatening than Mitchel annoyed. The knowledge doesn’t stop the blood pounding in their ears.
-caine wakes up and gets jumpscared by @hyper-pixels mitchel. they react to this calmly.
Marshal Steel has hair stuck in his finger joints. That's the first thing Daniel noticed when he came in to work this morning. Steel has his civilian hands on, which is normal when he has admin work. Those civilian hands will usually have hair in it too, mostly from Spoon. That's also normal. What's not normal is the colour; because instead of the odd tufts of grey fur Daniel's used to seeing scattering Steel's joints, this is a single, longer strand that he's sure wasn't left on purpose. Because the hair strand is brown. Suspiciously similar to Ortega's own brown hair.
-herald is suspicious that his boss is having another secret relationship with a pretty old man, but its none of his business! not at all. thats why hes eavesdropping on them from the breakroom pantry.
“What are you two talking about?”
Ortega jerks, nearly spilling coffee all over Wei, tearing a curse out of him as he yanks his head to the direction of the voice.
Speak of the devil. Caine glances between the two, head cocked. When did he get here? Ortega doesn't remember inviting him, and nobody told him he was coming either. Not that Ortega isn't happy to see him, but the timing…
“Dios mio, Spot, how long have you been standing there?” he mutters. He gives his coffee a once over, but nothing's spilled.
He turns back to Caine and double takes. The poor guy looks like he's just run a marathon– he's drenched in his own sweat. He's not wearing his raggedy sweater, for once. Instead, he's got a skintight suit with a simple white tee over it.
-a multi-pov fic featuring the same conversation, but told from the perspective of ortega, chen, and caine. trying to practice voices with it, and so far its been fun digging into each of them!
as for art wips:
-arde and vera based on the song "the villain i appear to be"! i actually made this today after playing the new revelations demo lmfao. i do not remember what arde looks like 😔 im so sorry ive done you a disservice
the next two have blood+mild gore in them, so im throwing them under the cut!
-cyrus gets Fucked Up by a dream version of fawn from @villainsidestep, based on this absolutely vile(/pos) soul read of him:
because why not fuck him up even more??
-mitchel painting i have yet to put down colours for that i am lovingly dubbing "cannibalism (NOT ROMANTIC)". chew it out with your teeth mitchel!!!!
ill be tagging everybody mentioned in the post, plus @idlenight, @disastersteps, and maybe @euelios if you all wanna give this a shot?
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