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julzjulzjulz · 4 years
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And on the 31st day of quarantine I realized I have an attraction to most Jewish boys.
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bspolink1348 · 4 years
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Nouveautés de la semaine en BSPO (25/11/19)
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À la une : Le startupisme : le fantasme technologique et économique de la startup nation / Antoine Gouritin
Cote de rangement : HD 62 .5 G 258551 / Domaine : Gestion
« Le startupisme est devenu le nouveau mantra des décideurs économiques et politiques. Il est vanté comme la solution miracle, l'alternative aux défaillances de l'action publique (écologie, pauvreté, inégalités, etc.) et le seul moteur de prospérité. Ce modèle, aujourd'hui largement décrié aux États-Unis, a transformé les créateurs d'entreprise en « leveurs de fonds » dont l'action se résume principalement à séduire des financeurs, peu importe l'utilité du produit ou du service commercialisés. À travers une enquête menée auprès d'entrepreneurs et d'économistes, Antoine Gourdin révèle les présupposés et les limites du startupisme. Il montre que le manque de culture entrepreneuriale en France et l'importance d'un modèle centré sur l'action publique ont favorisé la diffusion du mythe de la startup nation. Il dénonce le culte de l'hypercroissance et de l'extrême concurrence, et démontre que si l'on décide de s'extraire de cette idéologie du startupisme, l'innovation pourrait davantage bénéficier à notre bien commun et à notre économie. » - Quatrième de couverture
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Méthodologie
Data in society : challenging statistics in an age of globalisation / edited by Jeff Evans, Sally Ruane and Humphrey Southall
Cote de rangement : H 61 .3 D 258562
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Marketing
Visualizing taste : how business changed the look of what you eat / Ai Hisano
Cote de rangement : TP 370 .9 H 258552
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Communication
John Dewey : a critical introduction to media and communication theory / Lana F. Rakow
Cote de rangement : B 945 R 258561
Le journalisme sportif : sociologie d'une spécialité dominée / Karim Souanef
Cote de rangement : GV 742 S 258547
The empathic screen : cinema and neuroscience / by Vittorio Gallese and Michele Guerra
Cote de rangement : PN 1995 E 258556
Journalisme mobile : usages informationnels, stratégies éditoriales et pratiques journalistiques / Nathalie Pignard-Cheynel, Lara Van Dievoet
Cote de rangement : PN 4784 .O62 P 258550
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Anthropologie
Exotic no more : anthropology for the contemporary world / edited by Jeremy MacClancy
Cote de rangement : GN 33 .6 E 258560
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Économie
Précis d'économie expérimentale / Nicolas Jacquemet, Fabrice Le Lec, Olivier L'Haridon
Cote de rangement : HB 74 .5 J 258546
La guerre sociale en France : aux sources économiques de la démocratie autoritaire / Romaric Godin
Cote de rangement : HB 95 G 258545
Behavioural macroeconomics : theory and policy / Paul De Grauwe, Yuemei Ji
Cote de rangement : HB 172 .5 D 258555
Marx's Capital after 150 years : critique and alternative to capitalism / edited by Marcello Musto
Cote de rangement : HB 501 M 258554
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Finance
Central bank independence and the legacy of the German past / Simon Mee
Cote de rangement : HG 3054 M 258559
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Sciences politiques
Introduction à la sociologie politique / Jean-Yves Dormagen, Daniel Mouchard
Cote de rangement : JA 76 D 258549
Welfare, populism and welfare chauvinism / Bent Greve
Cote de rangement : JC 479 G 258558
L'Afrique du Nord après les révoltes arabes / Luis Martinez
Cote de rangement : JQ 3198 M 258542
Confrontational and cooperative regional orders : managing regional security in world politics / Ariel Gonzalez Levaggi
Cote de rangement : JZ 5330 G 258553
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Sociologie
Local policies and the European Social Fund : employment policies across Europe / Katharina Zimmermann
Cote de rangement : HD 5764 Z 258557
Précis de sociologie / Philippe Riutort
Cote de rangement : HM 588 R 258544
Anoptikon : une exploration de l'internet invisible : échapper à la main de Darwin / Olivier Auber
Cote de rangement : HM 851 A 258543
Qu'est-ce que le sexe ? / Alenka Zupančič
Cote de rangement : HQ 16 Z 258541
Un désir d'égalité : vivre et travailler dans des communautés utopiques / Michel Lallement
Cote de rangement : HQ 970 L 258548
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Tous ces ouvrages sont exposés sur le présentoir des nouveautés de la BSPO. Ceux-ci pourront être empruntés à domicile à partir du 9 décembre 2019.
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socialfairytale · 5 years
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Social Issues- the effect of Advertising
Advertising is becoming so prominent in today’s media that it affects our perception of the human race, as well as altering our habits and lifestyles in positive or negative ways - for example our diet.
The way adverts portray people is often incorrect - they all show skinny/hairless women with perfect skin and flawless makeup. Since we are exposed to this unrealistic expectation of beauty so often, we begin to believe that it is the norm and lose confidence when reality isn’t like its portrayed to be. This article agrees, saying that “ Mainstream advertising often depicts women as over-sexualized, underweight, and photoshopped to ‘perfection’. Studies have found that exposure to this unrealistic, thin, sexualized ideal is linked to disordered eating attitudes, lower self-esteem, negative mood and depressive symptoms among our young girls and women.” This exposure to such unrealistic women could potentially also affect men who are equally as disappointed that a women would not look at thin or tanned as one they’ve seen all over the media.
(link) to the article below:
The following statistics also show the impact which advertising has had on people’s body image:
“A study by A. Chris Downs and Sheila Harrison from Sex Roles found that one out of every 3.8 television commercials has a message about attractiveness in it. They determined that viewers receive roughly 5,260 advertisements related to attractiveness per year (or at least 14 per day). Of these messages, 1,850 of them are specifically about beauty.[5]
In a study published in the Journal of Advertising, Marketing professors Mary Martin and James Gentry noted that images of blonde, thin women are predominant in mass media, and that these characteristics are often portrayed as being ideal.[1] Martin and Gentry also found that advertising can "impose a sense of inadequacy on young women's self-concepts". This is because girls and young women tend to compare their own physical attractiveness to the physical attractiveness of models in advertisements. They then experience lowered self-esteem if they do not feel that they look like the models in advertisements.[1]
Today's models weigh 23 percent less than the average woman, while the average model two decades ago weighed eight percent less than the average woman. This currently prevalent media ideal of thinness is met by only about five percent of the population.[14]
Additionally, a study of Seventeen magazine concluded that the models featured in this popular teen magazine were far less curvy than those portrayed in women's magazines. It was also noted that the hip-to-waist ratio had decreased in these models from 1970 to 1990.[1]
In a study published in Sex Roles, psychologists Heidi Posavac, Steven Posavac, and Emil Posavac found that many young women will express dissatisfaction with their bodies, particularly with their body weight, when they are exposed to images of thin models who are slimmer than the average woman.[2] Early researchers in the area of sex roles in the mass media examined a large number of ads at a time in order to classify and count particular types of representation (Rakow 1986).”
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Of course, this representation also goes the other way - men are also represented commonly in an unrealistic light - tall, clean shaven and muscular which is also not representative of the majority of the population. This then leads to people who are interested in men to have unrealistic expectations for them. This section from the article above provides evidence for this:
“It is more prevalent that young men are more self-conscious and are showing great concern to their bodies. This indicates a huge awareness of both self-appearance and importance to the body itself. In other words, young men tend to be worried about their figure just like young women are. This is present due to the media and the messages it commonly portrays; these messages are mostly targeted toward a younger age group which shows how media has influenced these age groups. According to an online article, it states that "The male body in the media has an impact on how males, especially developing males, perceive their own bodies," said Brennan. "Males are being exposed to the same extreme ideals of body perfection as females."
A study published in JAMA Pediatrics in January shows concerns about physique and muscularity in particular, among young males are "relatively common". The researchers said approximately 18 percent of participants in their study (which included 5,527 males) were "extremely concerned for their weight and researchers found 7.6 percent of young males were "very concerned about muscularity" and were using techniques that could be harmful to obtain an ideal body.[19]
A study by insurer Blue Cross Blue shield found that in 1999 to 2000, use of steroids and similar drugs amongst boys ages 12 to 17 jumped 25 percent, with 20 percent saying they use the drug for looks rather than sports.[20]
Moreover, men in advertisements are more muscular today than they were 25 to 30 years ago.[21]
A 2002 study found that male college students who are exposed to advertisements featuring muscular men show a significant "discrepancy between their own perceived muscularity and the level of muscularity that they ideally wanted to have".[22]
Additionally, a study from the Journal of Social and Clinical Psychology by Daniel Agliata and Stacey Tantleff-Dunn found that exposure to media images of lean and muscular men increases muscle dissatisfaction and depression in young men.[23]”
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eurotickets20 · 4 years
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Euro 2020: Czechs Republic Schick scored a goal for Leipzig, Bartl helped defeat Piast, and hit Skoda
The shooting weekend was a successful weekend for Czech footballers in foreign competitions. Patrik Schick scored in the Bundesliga Leipzig jersey. Daniel Bartl helped to win his Czestochowa victory over Piast Gliwice.
Michal Papadopoulos also scored in Poland. In Hungary, David Vanecek scored and in the Major League Soccer overseas Zdenek Ondrasek in the opening match. Euro 2020 fans can book England Vs Czech Republic Tickets on our website on exclusively discounted prices.
England
The striker Matěj Vydra joined Burnley in the New Line up. He played 57 minutes, then was replaced. The match ended in a tie 0: 0.
In the second league, defender Tomas Kalas played the whole match for Bristol City. His team tied at Millwall 1: 1. Kalas contributed to the result by an unfortunate goal which he scored in 51 minutes.
Midfielder Jan Zamburek jumped into the match at Cardiff's pitch at the set time in the Brentford jersey. The match ended in a draw 2: 2.
Italy
Midfielder Antonín Barak played for Lecce the whole match against Atlanta Bergamo. Although the score was 2: 2 at half time, the match ended in a huge home debacle 2: 7.
Germany
Midfielder Vladimir Darida was at the sensational reversal of Herthy at Dusseldorf's court. The guests from Berlin lost 0: 3 in the Friday overtime. After the change of sides, however, within nine minutes, even the duel could even turn. The match ended in a draw 3: 3. Darida played 90 minutes.
Goalkeeper Tomas Kobuk caught for Augsburg the whole match against Monchengladbach. His team came out empty. He lost 2: 3 at home.
Striker Patrik Schick scored for Leipzig against Leverkusen in the 32nd minute. He equalized to 1: 1 when after a standard situation he jumped to the center of all and sent the ball to the pole. The duel also ended with the same result. Schick played 82 minutes, then was replaced.
In the second league, Dynamo won in Dresden almost a year later on the pitch. He brought a 2: 1 victory from Regensburg. Josef Haslauer, a midfielder, played his part in the game. The second half was played by another Czech midfielder Andrej Petrák.
Netherlands
In the second league, Josef Kvida played for Nijmegen. Kreda was given a yellow card in the 45th minute. Euro 2020 fans can book England Vs Czech Republic Tickets on our website on exclusively discounted prices.
For the reserve, AZ Alkmaar played the whole match midfielder Richard Solace. His team lost 1: 5. Sedlacek was shown a yellow card after 85 minutes. Midfielder Jaroslav Navratri scored a goal assist in his Go Ahead Eagles match on the Vole dam pitch. Eagles led 2: 1, but the match ended in a draw 2: 2.
Michal Sadílekplayed the whole match for the PSV Eindhoven junior on Friday. His team lost 2: 4 in Cambuur. For Sadilek it was the first game after the injury since the beginning of December. He was in the A-team match against Feyenoord on Sunday but did not make it to the pitch.
Slovakia
Goalkeeper Martin Jedlicka caught the whole match for Dunajska Streda in Zilina. The match ended in a draw 2: 2. Filip Kasa played 90 minutes on the home side. She lost 1: 2 in the field of Trencin. In the visiting team jersey, the midfielder Nicolas Sumsky started in the basic set.
Czech defender Filip Wirdzek from Ruzomberok did not change the penalty with Michalovce. In the 79th minute, he could equalize to 1: 1 but failed. In the end, however, his team got the goal and scored a draw point.
Defender Petr Pavlikplayed FK Pohronie the whole match against Senica. 67 minutes into the game, the defenseless duel received a yellow card. On the side of the guests, the captured net account was scored by the Czech goalkeeper Vojtech Vorel.
Slovan Bratislava won 1-0 on the Nitra pitch. The whole match in his jersey played both midfielder Erik Daniel and defender Yuri Medvedev.
Belgium
Bruges won 2: 1 on the Genk pitch. Czech striker Michael Krmencik came in for the visitors after 75 minutes, making the score 1 - 1.
Cyprus
Midfielder Zdeněk Folprecht played the whole match for Pafos, who won 4: 0 in Doxy. But in the chart, Paphos is seventh, just behind the promotion to the group by title.
Hungary
Pucks Academy won 3-2 on the Újpesti pitch and was also involved in the Czech forward David Vaněček who scored the opening goal of the winners. In the basic line-up also midfielder Jakub Plšek was replaced, who was replaced in the 74th minute.
Poland
Midfielder Daniel Bartl with a beautiful shot from behind the 16th participated in the victory of Rakow Czestochowa over Piast Gliwice 2: 0. Bartl, however, did not finish the match, had to substitute already in the 39th minute. The home team played the whole match and defender Tomas Partakes, who in the set time of the second half received a yellow card. Midfielder Petr Schwarz also played a full 90 minutes.
We are offering Euro Cup Tickets so Football fans can get Euro 2020 Tickets through our trusted online ticketing market place. Eurotickets2020.com is the most reliable source to book Euro Cup 2020 tickets.
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theinvinciblenoob · 5 years
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Some more comments from readers on the changing culture around startups filing their Form Ds with the SEC, and then a short update on SoftBank and a bunch more article reviews.
We are experimenting with new content forms at TechCrunch. This is a rough draft of something new – provide your feedback directly to the authors: Danny at [email protected] or Arman at [email protected] if you like or hate something here.
Lawyers are pretty uniform that disclosure is no longer ideal
If you haven’t been following our obsession with Form Ds, be sure to read our original piece and follow up. The gist is that startups are increasingly foregoing filing a Form D with the SEC that provides details of their venture rounds like investment size and main investors in order to stay stealth longer. That has implications for journalists and the public, since we rely on these filings in many cases to know who is funding what in the Valley.
Morrison Foerster put together a good presentation two years ago that provides an overview of the different routes that startups can take in disclosing their rounds properly.
Traditionally, the vast majority of startups used Rule 506 for their securities, which mandates that a Form D be filed within 15 days of the first money of the round closing. These days though, more and more startups are opting to use Section 4(a)(2), which doesn’t require a Form D, but also doesn’t provide a “blue sky” exception to start securities laws, which means that startups have to file in relevant state jurisdictions and no longer have preemption from the SEC.
David Willbrand, who chairs the Early Stage & Emerging Company Practice at Thompson Hine LLP, read our original articles on Form Ds and explained by email that the practices around securities disclosures have indeed been changing at his firm and others:
We started pushing 4(a)(2) very hard when our clients kept getting “outed” thru the Form D and upset about it. In my experience, for 99% is the desire to remain in stealth mode, period.
[…]
When I started in 1996, Form Ds were paper, there was no internet, and no one looked. Now they are electronic and the media and blogs scrape daily and publish the information. It actually really is true disclosure! And it’s kind of ironic, right, which goes to your point – now that it’s working, these issuers don’t want it.
[…]
What I find is that the proverbial Series A is the brass ring, and issuers wants to call everything seed rounds (saving the title) until something chunky shows up, and stay below the radar too. So they pop out of the cake publicly for the first time with a big “Series A” that they build press around – and their first Form D.
Another piece of feedback we received was from Augie Rakow, the co-founder and managing partner of Atrium, which bills itself as a “better law firm for startups” that TechCrunch has covered a few times before. He wrote to us that in addition to the media concerns, startups also have to be aware of the broad cross-section of interested parties to Form Ds that hasn’t existed in the past:
Today, there is a bigger audience in terms of who cares about venture backed companies. Whether this spun off from the launch of the Facebook movie or the fact that over two billion people across the global have the internet at their fingertips via smartphones, people are connected and curious. The audience is not only larger but also encompasses more national and international interests. This means there are simply more eyes on trends, announcements, and intel on privately held companies whether they are media, investors, or your competitors. Companies that have a good reason to stay stealth may want to avoid attracting this attention by not making a public Form D filing.
For startups, the obvious advice is to just consult your attorney and consider the tradeoffs of having a very clean safe harbor versus more work around regulatory filings to stay stealthy.
But the real message here is for journalists. Form Ds are no longer common among seed-stage startups, and indeed, startup founders and venture investors have a lot of latitude in choosing how and when they file. You can no longer just watch the SEC’s EDGAR search platform and break stories anymore. Building up a human sourcing capability is the only way to get into those early investment rounds today.
Finally — and this is something that is hard to prove one way or the other — the lack of disclosure may also mean that the fears around seed financing dropping off a cliff may be at least a little bit unfounded. Eliot Brown at the Wall Street Journal reported just yesterday that the number of seed financings is down 40 percent, according to PitchBook data. How much of that drop is because of changing macroeconomic conditions, versus changes in filing disclosures?
Quick follow up on SoftBank
Tokyo Stock Exchange. Photo by electravk via Getty Images
Last week, I also got obsessed with SoftBank. The company confirmed today that it intends to move forward with the IPO of its Japanese mobile telecom unit, according to WSJ and many other sources. The company is targeting more than $20 billion in proceeds, and its overallotment could drive that above $25 billion, or roughly the level of Alibaba’s record IPO haul.
One interesting note from Taiga Uranaka at Reuters on the public issue is that everyday investors will likely play an outsized role in the IPO process:
Yet SoftBank’s brand name is still likely to draw retail investors long accustomed to using SoftBank’s phone and internet services. Many still see CEO Son as a tech visionary who challenged entrenched rivals NTT DoCoMo Inc ( 9437.T ) and KDDI, and brought Apple Inc’s ( AAPL.O ) iPhone to Japan.
Japanese households are commonly seen as an attractive target in IPOs with their 1,829 trillion yen in financial assets, even if they are traditionally risk-averse with over 50 percent of assets in cash and deposits.
More than 80 percent of the shares will be offered to domestic retail investors, a person with knowledge of the matter told Reuters.
Pavel Alpeyev at Bloomberg noted that “SoftBank is looking to tempt investors with a dividend payout ratio of about 85 percent of net income, according to the filing. Based on net income in the last fiscal year, that would work out to an almost 5 percent yield at the indicated IPO price.” A higher dividend ratio is particularly attractive to retired individual investors.
Despite SoftBank’s horrifying levels of debt, Japanese consumers may well save the company from itself and allow it to effectively jump start its balance sheet yet again. Complemented with a potential Vision Fund II, Masayoshi Son’s vision for a completely transformed SoftBank seems waiting for him in the cards.
Notes on Articles
Tech C.E.O.s Are in Love With Their Principal Doomsayer – Nellie Bowles writes a feature on Yuval Noah Harari, the noted philosopher and popular author of Sapiens. Bowles investigates the paradoxical popularity of Harari, who sees technology as creating a permanent “useless class” and criticizes Silicon Valley with his now enduring popularity in the region. Interesting personal details on the somewhat reclusive Israeli, but ultimately the question of the paradox remains sadly mostly unanswered. (2,800 words)
Why Doctors Hate Their Computers – Atul Gawande discusses learning and using Epic, the dominant electronic medical records software platform, and discovers the challenges of building static software for the complex adaptive system that is health care. His observations of the challenges of software engineering will be well-known to anyone who has read Fred Brooks, but the piece does an excellent job of exploring the balancing act between the needs of technocratic systems and the human design needed to make messy and complicated professions work. Worth a read. (8,900 words)
Picking flowers, making honey: The Chinese military’s collaboration with foreign universities – An excellent study by Alex Joske at the Australia Strategic Policy Institute on the hundreds of military scientists from China who use foreign academic exchanges as a means of information acquisition for critical scientific and engineering knowledge, including in the United States. China’s government under Xi Jinping has made indigenous technology development a chief domestic priority, and the U.S. innovation economy is encouraged to increasingly guard its intellectual property. (6,500 words)
The Digital Deciders – New America report by Robert Morgus who investigates the fracturing of the internet, which I have written about at some length. Morgus finds that a small group of countries (the “digital deciders”) will determine whether the internet continues to be open or whether nationalist interests will close it off. Let’s all hope that Iraq believes in freedom of expression and not Chinese-style surveillance. Worth a skim. (45 page report, but with prodigious tables)
Reading Docket
Eliot Peper’s new science fiction novel Borderless
Daniel J Hopkins’ The Increasingly United States (about how U.S. elections are more national and less local than ever before).
via TechCrunch
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nofomoartworld · 7 years
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Hyperallergic: Art Movements
A pencil sketch newly attributed to Alberto Giacometti. The work was authenticated by the Giacometti Foundation and added to the artist’s catalogue raisonné. (courtesy Cheffins)
Art Movements is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
Drawings attributed to Alberto Giacometti were recovered from the collection of the late antiques dealer Eila Grahame. The sketches, which were made on both sides of a single sheet of paper, will be sold on October 12 at Cheffins auction house, with all proceeds donated to the Art Fund.
Pussy Riot members Maria Alyokhina and Olga Borisova were detained by Russian police after staging a protest in support of jailed Ukrainian filmmaker Oleg Sentsov.
The National Archives of the United States began to publish previously withheld documents from the JFK Assassination Records Collection. The JFK Assassination Records Collection Act of 1992 states that the National Archives and Records Administration must publish any previously withheld records from the collection by October 26, 2017 — unless it is authorized for further withholding by the President of the United States.
India appears to have blocked access to the Internet Archive (aka the Internet Wayback Machine).
The National Trust U-turned on its decision to bar volunteers who refused to wear rainbow gay pride badges to mark 50 years since the decriminalization of homosexuality in the UK.
Members of Norman Rockwell’s family denounced the Berkshire Museum’s plans to deaccession works by the artist.
Marina Abramovic reconciled with her former collaborator and lover Ulay, following a talk at the Louisiana Museum of Modern Art. Ulay sued Abramovic for contract violation in 2015, and was later granted back-dated royalties and full accreditation for jointly created works by a Dutch court last year.
Art dealer Archie Parker acquired a painting that he believes is a self-portrait of Joseph Wright of Derby. Parker made headlines in March after he purchased a painting deaccessioned by the Huntington Library in San Marino, California. The work was later identified as the work of George Stubbs.
Zippo lighter (1970), New-York Historical Society, gift of John Monsky
The New-York Historical Society will present The Vietnam War: 1945–1975 — a “chronological and thematic narrative” of the conflict told with over 300 objects — in October.
Tristram Hunt, the director of the Victoria & Albert Museum, tweeted an apology to a visitor who was asked to cover up while breastfeeding.
The San Francisco Museum of Modern Art will debut a new commission by Julie Mehretu on Labor Day weekend.
Vogue commissioned Annie Leibovitz, Inez and Vinoodh, Bruce Weber, and John Currin to produce covers featuring Hollywood actor Jennifer Lawrence.
Christie’s will sell a number of works from the Museum of Modern Art‘s photography holdings next year. According to a museum spokesperson, the majority of the works are duplicates. The sales will go toward the department’s acquisition fund.
Robert M. Rubin, the former director of the Centre Pompidou, wrote an op-ed for Le Monde calling Jeff Koons’s sculpture for the city of Paris “a poisoned gift.”
The National Portrait Gallery filed a formal objection to the National Gallery’s expansion plans, arguing that the proposed addition would obscure the London skyline for its restaurant patrons.
Artist Pope.L (aka William Pope.L) launched a Kickstarter for Flint Water Project, “an art installation, a performance and an intervention” that calls attention to Flint’s contaminated water crisis.
Thieves posing as city employees stole about a dozen works by the street artist Invader (real name Franck Slama) in Paris.
The New York Public Library‘s Rose Main Reading Room and Bill Blass Catalog Room acquired landmark status.
The Metropolitan Museum of Art‘s online collection has seen a 17% traffic increase since the museum launched its open access initiative. The Met made over 375,000 images available under a Creative Commons Zero (CC0) license, 90% of which have been uploaded to Wikimedia commons so far.
The George Eastman Museum launched the Technicolor Online Research Archive, a resource of over 40,000 documents from the Technicolor Motion Picture Corporation (1914–1955).
Transactions
Judy Chicago addresses a gathering of volunteers in the Dinner Party studio (ca 1978) (photo by Amy Meadow, courtesy National Museum of Women in the Arts)
The National Museum of Women in the Arts announced the creation of the Judy Chicago Visual Archive — a repository of photographs and ephemera spanning the artist’s career.
The Los Angeles Department of Cultural Affairs designated $2,997,120 to art-based activities as part of its 2017–2018 Cultural Grant Program.
The National Endowment for the Humanities announced a three-year partnership with the First Nations Development Institute. The Institute will match $2.1 million in funding from the NEH for 12 immersive Native-language programs a year.
The Williams College Museum of Art announced a promised gift of over 340 objects of African art from Drs. Carolyn and Eli Newberger.
The Chocolate Factory acquired a new space at 38-29 24th Street in Long Island City, Queens. The $3.8 million purchase was administered by the New York City Economic Development Corporation.
Transitions
Beatriz Salinas Marambio was appointed director of the the National Center for Contemporary Art Cerrillos, Chile.
John McKinnon was appointed executive director of the Elmhurst Art Museum.
Meg Hagyard was appointed interim director of the University of Arizona Museum of Art.
Noelle Foye announced her retirement as executive director of the New Bedford Art Museum.
Amanda Donnan was appointed curator of the Frye Art Museum.
Erin M. Greenwald was appointed curator of programs at the New Orleans Museum of Art.
Jared Ledesma was appointed assistant curator at the Des Moines Art Center.
Brenda Blount was appointed director of development at the Ohr-O’Keefe Museum of Art.
Writer (and Hyperallergic contributor) John Seed ended his HuffingtonPost art blog.
W.A.G.E. (Working Artists and the Greater Economy) launched its new website.
Accolades
Zack Ingram, “There Ain’t the People,” screenprint on glass (via bigmedium.org)
Zack Ingram was awarded the inaugural Tito’s Prize.
Pam Tanowitz was awarded the 2017 Baryshnikov Arts Center’s Cage Cunningham Fellowship.
The Corning Museum of Glass awarded its 32nd Rakow Commission to Dr. Karlyn Sutherland.
Jesse Wine and Haffendi Anuar were awarded Battersea Power Station’s inaugural Powerhouse sculpture commission.
BRIC announced the recipients of its new ArtFP commission.
Smack Mellon announced its 2017-2018 Hot Picks Artists.
Obituaries
Arlene Gottfried, “Summer Afternoon” (1985), vintage 11 x 14 in cibachrome (© Arlene Gottfried, courtesy Daniel Cooney Fine Art)
Claudio Abate (1943–2017),  photographer.
Glen Campbell (1936–2017), singer, songwriter, and musician.
Ann Walker Gaffney (unconfirmed–2017), artist and preservationist.
Arlene Gottfried (unconfirmed–2017), photographer.
Daniel Licht (1957–2017), composer.
Hashem El Madani (1928–2017), photographer.
Haruo Nakajima (1929–2017), first actor to play Godzilla.
Alan Peckolick (1940–2017), logo designer.
Martin Roth (1955–2017), former director of the Victoria and Albert Museum.
Bobby Taylor (1939–2017), soul singer. Secured a contract for the Jackson 5.
The post Art Movements appeared first on Hyperallergic.
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