#deal with an animus

[the-netwyrm]

PLEASE RESPECT!! Sex repulsed headmates!! When they're in systems with mainly sex favorable/indifferent/ambivalent headmates!!

#did system #did osdd #endo safe #spread love not hate anti endos get your hateful asses out #plurality #actually plural #am ace arospec ambivalent (thought I was aroace but I fell in love with one of our ocs) #same goes for romance repulsed headmates in primarily romance positive/indifferent/ambivalent systems #just focused on our OWN experiences. we're incredibly lucky people aren't weird to us about that #hope it stays that way #don't wanna deal with arophobic bs #- 🕯 Animus #caps tw

[lander64]

Wings of Fire AU where instead of getting rid of animus magic, Jerboa lll gives everyone animus magic.

Does this make sense character wise? No. But who cares thats what AUs are for!

#Arc 3 is about everyone having to deal with this #and putting new laws in place or something #the pantalian dragons still show up and are very confused #<- or they also have animus magic too?? Maybe #wof #wings of fire #Lander Rambles

[missr3n3]

Only remembered to send this now but yeah

This is you with half of the characters you create / write about

https://youtu.be/7zpxgyG7eGk?si=g5u-8vlWwmaliMSE

me writing what alt!gabriel and six did to adam in cdta, what joel's (unwillingly) going to do to him in the sequel, what norman's doing to peter cabin tales rn, and what The Cult does to sam lupo: that's a lot of damage!

#ask the skeleton #the fact that i get sent this while im working on a 2 fics that are potentially even gorier than what ive already written OTL #listen.................... #its the externalizing of an internal pain these characters are already dealing with for me #and the rapid drastic character development too! cant forget about her <3 #cut down the altar au #access animus healing #ct rotten roots

[the-garbanzo-annex-jr]

by Daniel Ben-Ami

A man goes into a store to buy a can of Pepsi. The proceeds of the sale go through a chain of cash-thumbing, financial intermediaries. Eventually the money is handed over to someone to pay for the manufacture of a missile. The missile is fitted on to a combat aircraft, which closes in on its target. Eventually the missile locks on to a (presumably) Palestinian child. As it explodes, the word ‘boycott’ flashes up on screen.

This video, distributed on X by Palestine Online, is just one of countless anti-Israel clips on social media. But it bears closer examination as it helps to illustrate the nature of contemporary anti-Semitism. Here, as in many other cases today, Jews are not overtly identified. There is not even an explicit mention of Israel. Instead, the video assumes the target viewer will recognise the not-so-subtle anti-Semitic pointers, such as references to financial speculation and the age-old ‘blood libel’ of child murder. Not identifying Jews directly also gives some degree of deniability to anyone who wants to claim they are not anti-Semitic.

That’s not to downplay the existence of overt anti-Semitism. This has increased dramatically since 7 October. In the past few days alone, an Orthodox Jewish man has been stabbed in Zurich while another was beaten outside a Paris synagogue. But a great deal of Jew hatred still tends to take a disguised form.

Its most common manifestation, as the ‘boycott’ Pepsi video indicates, is an animus towards Israel. An animus that long predates its current war with Hamas. In the warped view of anti-Israel activists, Israel is the epitome of evil. It is said to be manipulating finance for its own ends and slaughtering children. Supposedly, it is a ‘genocidal’, ‘apartheid’ state – morally charged terms that tend not to be applied to other nations.

Seeing Israel as evil incarnate, today’s anti-Israel activists target its every manifestation. They try to cancel Israeli dance companies in New York. They demand Israel’s expulsion from the Eurovision song contest. And they attempt to banish it from the Olympics and the football World Cup. In short, they seek to erase Israel from the world. That is the true meaning of today’s boycott campaigns. To purge the world of any Israeli presence. To eradicate any signs of Israeli culture.

#israel #anti-semitism #boycott #pepsi #israeli culture #erasing Israel

[teecupangel]

I'm almost sorry to add another story idea to your backlog pile, BUT:

Elijah finds out what his dad went through, manages to break into a parallel universe, time travels to the 3 eras of the main ancestors, and tries to change things enough to save Desmond. Altair, Ezio, and Ratonhnhake:ton ask this tiny, angry, sarcastic, cactus of a child why he's doing what he's doing, and he eventually explains it over time.

Desmond, on the other hand, is watching all of this through the animus: a son he didn't know existed was trying to save him. An infant who he had never met, and who had never met him, was fighting time and reality itself to save him from a fate that still hasn't been explained, was showing more care and love and compassion for him than anyone Desmond had ever known before. And it hurts, because Desmond just grows to love him more and more, but thinks he'll never truly meet him outside of a Bleed.

Elijah never seems to age, even though he spends like forty years picking on Ezio. There's a statue of him in the Monterrigioni sanctuary, and he hates it with a passion.

Just... Elijah trying to fuck up time enough to save his dad, and Desmond watching all of it both touched and heartbroken, because if he's going through all of this anyways, it was all for nothing.

Then Elijah comes out of nowhere in the Grand Temple and sucker punches Juno with a data virus he had hardcoded into their lineage's DNA over nine centuries lmao

Please never be sorry for sending me an ask. Pile as much as you want as long as you guys understand that it would take a while for me to answer them (a month or so at this point XD)

Okay, but can you just imagine if Elijah was just a teenager in this one? That would give more of a sucker punch vibe to Desmond once he learns who Elijah is.

He has the ability to time travel but he can’t control where he gets sent. His goal had been to save Desmond Miles but he made the mistake of tying his time to Desmond Miles and not to someone more stable like Rebecca Crane or Shaun Hastings.

Hell, William Miles would be a better choice.

Because…

Desmond Miles’ ‘time’ is connected to the memories he watch in the Animus, making Elijah slip in and out of certain ‘times’, following the memories Desmond watches.

Desmond assumed Elijah was one of the informants in Altaïr’s memories. It’s only when Altaïr began to see him as an annoying child who always got in the way of Altaïr’s missions that Elijah told the truth.

Why?

Because Elijah has nothing to lose from telling Altaïr the truth. He was a prisoner of time itself, being yanked time and time again. He has a theory that he was being yanked to the time in Altaïr’s life where Desmond was watching him so he figured he could give Desmond information as well using Altaïr.

It would be funny, after all.

The Isus have chosen Ezio Auditore to be their prophet.

Why couldn’t Elijah make Altaïr Ibn-La'Ahad his prophet then?

And he’ll take Ezio Auditore from the Isus as well.

Maybe it was Aita’s selfishness and desire for power.

Maybe it was his very own selfish desire to have something that was truly his.

“Shall we make a deal, Altaïr Ibn-La'Ahad?”

“A deal?” Those golden eyes seemed to pierce his very soul.

But it didn’t matter what he saw.

He cannot begin to fathom the truth.

Not yet, anyway.

Right now, Altaïr Ibn-La'Ahad was a man lost in a vicious snowstorm threatening to swallow him whole and pull him to his frozen grave.

He still haven’t found the warmth he was meant to have, given to him by the Calculations.

“My name is Elijah.” He said, “I am a child of Time itself.”

“What nonsen-”

“I will correctly tell you what will happen when you confront Garnier de Naplouse.” Elijah stated, making Altaïr stop from walking away from him. Altaïr turned just enough to stare at him with one of his golden eyes as Elijah continued, “And I will tell you the future you are meant to have.”

“And what do you want in exchange?”

“From you? Nothing.” Elijah admitted, “All I want is a bit of your time.”

“My time?”

“To talk to Desmond Miles.”

Altaïr frowned as he said, “I do not know anyone by that name.”

“I know.” Elijah answered with a nod, “But he’s watching you. The Templars are forcing him to watch you right now and it is because he is forced to watch you that he comes to care for you so…”

“I will help you save yourself, Altaïr Ibn-La'Ahad.” Elijah said, “To change your fate to whatever you desire, instead of what has been laid out in front of you. In exchange…”

“All I ask is you listen to me so I can take to my father.” Elijah’s lips curved into a small smirk that felt more Aita than him, “And to commemorate my first message to my father, I believe I should tell him an important truth.”

“Lucy Stillman is a Templar who betrayed the Assassins.”

(I feel like in this case, Elijah would provide more information and let Altaïr do what he wants. He only starts to actually have a more active roll once the memory seals from ACR starts and he grows close to Altaïr’s children. By the time he gets to Ezio and Ratonhnhaké:ton, he’s more ‘fuck the backseat, I’m driving’ and actively helps. This ends up with Elijah finally ‘returning’ to Desmond Miles’ time just as Minerva and Juno told him what will happen if he lets the world burn and, by that point, Elijah had already completed a device that would force Juno’s consciousness to operate the device in Desmond’s stead).

#assassin's creed #ask and answer #desmond miles #altaïr ibn la'ahad #teecup writes/has a plot #fic idea: assassin's creed #elijah miles

[anchorage-refuge]

Addendum: Animus Magic

Back with another addendum!

An anon asked Whitewood what the deal with the stick was, so- Why not dedicate this update to them.

#wof #wings of fire #dragon #wingsoffire #dragons #digital art #clangen #clangen comic #icewing #sandwing #wof hybrid #wof oc #wof original character #wof comic

[some-pers0n]

Hi I made a crackfic for Arctic's death because I had a terrible, horrible idea inspired by that old fandom meme. I don't regret anything <3

"Aaannnddd...perfect!" Darkstalker stepped back. "All set and ready to go. Haha! Look at him! Clearsight, look, c'mon. Come see."

"Darkstalker, I don't think this is a good idea–"

"Shut up woman and come look," he bluntly said. "Come on, it's not like the camera's gonna bite you or anything. Neither is Arctic, but, eh, maybe that'll add to the drama. The kids love it when people get hurt, it's why they watch it."

He grabbed the camera again and pointed it at Clearsight. "It's rolling. Come on, babe, don't you wanna do it? For the bit? Ohhh it'll be such a funny thumbnail. Everyone's gonna click on it. Just stick your head near him."

"I'm not going to bite an innocent dragon..." Arctic muttered.

"HA! Oh but it's okay for you to do that to me. Not cool dad. Mid dad behaviour, tee-bee-haitch. To be honest. Tee-bee-haitch– you get it."

"Back in my day we just called somebody a 'loser' if they were a bad parent. Like, me? I'm a dead-beat dad."

"Yeah, that's true." Clearsight nodded.

"But I'm not...mid? What does that even mean?"

"Mannn you so did not cook. 'Dead-beat'? Yeah, you're gonna be dead as hell once I'm done with ya. Like for real done. Dead. Deceased. Ain't coming back from that."

"God just kill me now," Arctic grumbled.

"In a minute! Me. I'm God. It's me. Get used to it :)"

"What was that sound you just made with your mouth--" Clearsight began but Darkstalker cut her off. He couldn't bother to hear such a whiny, woman voice. He needed to pay more attention to the crowd that gathered.

"Hey, hey! Guys! Check this out! I'm a livestreamer. I do all of these cool things on Twitch and YouTube. Follow me! My handle's Darksalter. Like Darkstalker, but salty, cause of all of the noobs I own on my daily League of Legends streams."

The surrounding NightWings just blinked at him.

"Ughhhh. How about you guys being recorded, huh? You get famous! Right here, right now, this is a big deal. No cap, this is serious. This is gonna be a livestream to end all livestreams. There's gonna be like at least ten dragons watching!!"

"OH MY GOD!?" One dragon shouted. "TEN??? I've never seen anybody have that many, hold on! We gotta watch this guy!"

Immediately, the entire population of the Night Kingdom arrived. Even the queen (a closeted Darksalter fan, who was wearing all of his merch) was waiting for him. They all cheered and clamoured for him.

"Settle, settle! I know you're all such adoring fans. Believe me, I would love me too. Already do! Such a great, handsome, all powerful animus." He flexed his muscles. "Plus, the ladies love me." He glanced back at Clearsight, who had the most aggressively unenthusiastic frown he ever seen.

"But, but, we gotta wait a minute. First, I gotta mew."

"What does that even mean?" Clearsight asked.

Darkstalker did not answer. He brought a talon up to his snout and then traced the outline of his perfectly gorgeous jawline. I mean just look at that thing. Downright beautiful. Like, come on now. Look him up right now. Yeah, yeah! The thang of all time! That sweet, succulent jaw. Bro's been mewing since the day he was hatched.

[A/N: it is a pretty cool jawline]

He cleared his throat. "Anyways, enough talk. You had your shot for the thumbnail, so now it's all about me." He looked at the camera and enchanted it to float. It hovered above, pointing at him. "Three, two, one..." He clapped. "And we're live!"

The crowd cheered and roared as he did so. No omegaluls. No minus ones. He was an unboxing andy just about ready to tear open into his best work yet.

"Hey what's going on Stalker Gang! How are the stalkers in chat going? Can we get the hype train going?" He gestured to the crowd, which yelled and screamed louder. "Yeah!! Let's go Stalker Gang!!"

"Darkstalker...this isn't you." Clearsight sobbed. "You don't do this. You aren't like this!"

"Baby, I'm an influencer. It's my duty as Twitch's No. 27 streamer of all time!"

Clearsight cried more but Darkstalker did not care. He turned back to the camera. "Ayyy guys!" He clasped his talons. "So, today is a very, very special day, because we have a guest! That's right, my terrible, very uncool, incredibly mid father! Look at him. Blue pilled in every sense of the word. Even his blood's blue, which y'all are gonna see real quick." He pushed the camera directly in his face.

"Hey, hey, everyone!" He gestured to Arctic. "Can I get a 'boo' from you all?"

With his command, the crowd began to jeer at Arctic. A wave of rotting tomatoes came hurling his way, splattering against his face.

"And, with that being said, this stream is sponsored by Glep. Get a Glep. Now. Or else. You don't wanna be there when Glep is upset. That's how the last moon was destroyed." He stared silently into the camera for a minute, as customary with the Glep sponsors.

"NOW!! Let's get this going!" He pointed at Arctic. "You. Unbox yourself."

"Wh–" Arctic didn't have a chance to finish before he clawed at his torso and gutted himself. The crowd kept cheering and applauding and tossing money at Darkstalker.

"Woah woah, pretty messy, huh guys?" He raised an eyebrow. "Totally unpoggers. L behaviour. Boo!!" But when he turned back, he noticed that everyone stopped cheering.

"Bro, dude," one dragon began, "poggers is so, like, old man. That's so cringe, skull emoji."

Then, they began to dissipate. Quickly as they arrived, they left. He was cringe now. So cringe.

"No, NO! Wait! Come back! I'm still relevant! I'm still hip with the kids! I– I..." But it was too late. He was cancelled for being cringe. Everyone was bored by him. He was out-of-touch. He was out of time. He was out of his head when they're not around.

Behind him, he heard his sister, Whiteout, crying. He turned back to see that her favourite stim toy, a rainbow coloured pop-it shaped like a crewmate from Amomg Us, was lying on the floor. Things must be serious.

"Sis, are you upset at me?..." he muttered.

"Yes! You just unboxed our dad! My trauma points are like so high right now. I can't even..." She wiped her tears and kept crying.

Darkstalker looked back at Arctic, who was dead. Very dead. He growled. "When I'm the alpha king of the world, everyone will be my fan. Everyone will follow me! Everyone will like and subscribe! You'll see, you'll all see!"

#sp-writing #wof #darkstalker wof #wings of fire

[lesbian-in-leather]

Let's Talk About Alastor

Hazbin Hotel is rotting my brain so it's time for me to ramble about it to no one in particular!! Obviously this post will contain a whole multitude of spoilers, so please don't look under the cut unless you're fine with that/have seen the full season

As I mentioned in the tags of this post, I have SO MANY THOUGHTS about our beloved Radio Demon, especially in regards to the finale and how I think his plot could go next series, so buckle up folks, this'll be a long one

First off, let's talk about the way he fights. When he's fighting anyone, Alastor is big, and showy, and fucking deadly. We see it time and time again—he has fun when he fights, he enjoys the carnage and, most importantly, the terror he elicits from his foes. And that's why he was tasked with dealing with Adam—he's insanely powerful, and if anyone can take down the head of the exorcists, it would have to be Alastor (because obviously they didn't know Lucifer would show up to help, and Charlie hasn't fully come into her power yet, but that's another post). And he knows it! He knows he's powerful, he knows he's deadly, he knows everyone is shit-scared of him, and that's what he relies on.

And then the finale happens. He's in that final battle, and he's actually put to the test. And in terms of sheer power, for once in his afterlife he isn't the strongest in the room. He's actually outmatched, or at least on an even footing. And if he'd fought like everyone else, then maybe he would have succeeded—if he'd taken Carmilla's advice, I have no doubt that he would have won, or at least held Adam off for long enough that the others could have come and helped him. But he never stood a chance. Because he fights like an angel, and that's why he loses to one. Look at Carmilla's conversation with Vaggie:

"You leave yourself open with every swing; you fight like someone unafraid of harm" "Angels wield no shield, little armour, and fight with reckless abandon"

Remind you of anyone? Rewatch Alastor's fight with Adam—he's fighting just like he always does. He has multiple opportunities to take him out, but, like always, he chooses to play with his food. He's enjoying himself, he's riling Adam up, dancing around him, taunting him. Because at no point does he consider that he could lose this fight—he has no armour, no shield, he didn't even bring an angelic weapon! He just has his trusty radio mic (the source of his power? Perhaps... but that's a discussion for another post) that Adam breaks. And the genuine fear in his eyes, in his voice when that happens? He has no idea what to do. He never even considered this could happen. Everyone else is fighting for their lives, but he was treating this war like simple sport... until suddenly he couldn't.

And speaking of motivation, once again we can look to Carmilla's song to see why he loses when the other, objectively less powerful souls (Husk, Angel, Cherri, hell, even Nifty) succeeded. Yes, they weren't against Adam, but they were still fighting exorcists—you know, the same angels that have been decimating hell's population unchallenged for literal centuries. But they didn't die. Because they were fighting for what they truly believed in, because they had a real reason to not only fight, but to live. I saw it mentioned in this post earlier, and they make such a good point! Charlie's fighting for her dream and for her people; Vaggie's fighting for Charlie; Lucifer for his daughter; Angel, Husk, Pentious and Cherri are all fighting for their friends (something Charlie gave them, btw, but again, that's a different post). But what's Alastor fighting for? Power? Fun? To prove a goddamn point? I think he loses because even he doesn't really know why he's fighting. I mean, listen to Out For Love and tell me it doesn't apply to Alastor just as much as Vaggie:

"I see you're driven by your detestation Your every step is stoked with animus You need a different type of motivation Or there's no way that you can handle this I know you're thirstin' for vengeance, Vaggie You're out for blood But you'll only stand a chance if you're out for love"

Which would bring me onto where I think his plot will go in future seasons (should we get them), but first we need to clear a couple of things up and try to understand his character as best we can. Now here's the thing, I know a lot of people are divided on the topic of Alastor's feelings. Some people say he genuinely cares about the others, while some say he's just putting up a façade and playing the game, and that all of the supposed evidence of his feelings are actually manufactured manipulations. But I think both readings are true, and also, neither of them are.

Because I think Alastor does care about the others, to an extent. But I also think he refuses to acknowledge it, to recognise that part of himself, that he's buried those feelings so deep he doesn't even know that they can exist within him anymore. I think whoever holds his leash (Lilith? The seven year gap is a little too convenient to ignore, but at the same time, now that we know where she is, what's her motivation? Anyway, another post) pushed him towards the hotel for their own purposes, but I also don't think they're particularly checking up on him. I think his mission is to do with Charlie, but I also think he's grown genuinely attached to her over the months they've known each other. Why do I think this? I'm glad you asked!

First off, let's examine his reactions in various key moments throughout the series so far:

This first shot is the most annoyed we see him for the entirety of the song Should Have Stayed Gone, despite singing with one of his (many?) self-proclaimed rivals, Vox. Now yes, he does look moderately peeved, but I would argue that it's much less to do with Vox, and much more to do with the focus on television and his constant fear of irrelevancy (more on that later in this post). Then look at his expressions later—

Now he's enjoying himself, he has that ever-present shit-eating grin we all know and love. And, most crucially, no one else can see his expressions during this song. No one's looking at him in the first pic, and for the rest of the song he's in his radio booth, so it's safe to assume that his expressions are far less guarded than when he knows he's being observed. Why is that important? Well, let's take a look at another Alastor-heavy episode, shall we? That's right, no Alastor analysis would be complete without a delve into Dead Beat Dad, so here we go!

Right off the bat, we're shown his dislike of Lucifer. I know some people say it was all for show, but I disagree. Hear me out—Alastor's smart, no one's arguing otherwise, so why make an enemy of the literal devil just for sport? Now, let me be clear—I don't think he actually sees Charlie as a daughter-figure (at least, not consciously, and certainly not as strongly as he was making out). The thing is, he is good at reading people, and all it took was one look at Lucifer can't-wait-to-break-the-door-down Morningstar for him to realise that Charlie's affection was what mattered the most to him. However, his hatred of Lucifer was not all for show. So why did he hate him? The fact that he hadn't heard of him certainly won't have helped (again, Alastor definitely has a whole complex, we'll get to that), but his loathing started before Lucifer had even spoken to him. How do I know? Take a look at the moment when Lucifer has literally just opened the door

Look at that eye twitch. No one's looking at him. No one can see it. But the sheer, unbridled rage is so evident that he can't quite keep it from his face. And all Lucifer has done is hug his daughter. Now, assuming the two have never interacted before (Lucifer certainly doesn't seem to remember him, and Alastor doesn't act as though they've met) what reason does Alastor have to hate him? If Lilith is his master, perhaps it's on her behalf? But he doesn't seem particularly loyal to whoever holds his leash, far from it, so that leaves us with the two most logical options: either Lucifer is the one holding his leash (not impossible, but I wouldn't say it has much evidence thus far), or Alastor is genuinely opposed to him because of how he's treated Charlie. Because he does care about her, however little he'll admit it to himself.

Just to really hammer this point home, I'd like to show just some of the many other instances of Alastor being genuinely furious with Lucifer over the course of this episode—in fact, seeing as we've already talked about Should Have Stayed Gone, let's constrain ourselves to Hell's Greatest Dad for now, shall we?

All Lucifer has to do is laugh at the start of this song, and just look at Alastor's face! That's anger, or at the very least intense annoyance—with ever-smiling-Alastor, the proof is always in the eyebrows. Then we get this wonderful sequence of expressions while Lucifer begins insulting him:

Oh, and just in case you need a comparison, here's a shot of Lucifer insulting Alastor side-by-side with two different instance of Vox insulting Alastor. And some people still think Vox is his rival and he was just messing with Lucifer?

Now you may say, "Ah, but that's not a fair comparison! Alastor was clearly winning his argument with Vox, whereas he and Lucifer were on a much more even footing!" to which I would reply yes! Exactly! That's why Vox isn't anywhere close to being Alastor's rival, and also at least part of the reason Alastor cared so much when fighting with Lucifer. If winning against Lucifer was as easy as Vox, of course he'd pick that fight. But it wasn't. At the start of Hell's Greatest Dad, he's getting straight up humiliated (as those four waiter-esque pics demonstrate). And yet, he keeps fighting. Partially for pride, I'm sure, but some part of him absolutely cares about the argument he's making.

How do I know that? Well, you see, first of all we take a look at how Alastor acts when he first starts singing. As we all know, Alastor's power lies in his voice—his face was made for radio—and he's (almost) always so much more in control when he's talking, and always in control if his radio filter is in place. In fact, the stronger it is, the more he appears to be taking charge. So, when he first begins to fight back against Lucifer, he immediately puts that Cheshire-Cat-esque façade back into place, quite literally dancing around Lucifer as he does so:

And yet, his energy is so much higher than normal. He's leaping around, his usually calculated movements suddenly far more erratic and energetic than we've seen him. For example, in his first verse alone, he goes though all of this:

Not only is he using far more power, he's become so showy, his expressions are so much more unhinged than even he usually is, his pupils are near-constantly slitted, and, most importantly, take a look at his colour palette. Right at the very start it's still his classic red and black, but then—without Lucifer even interrupting—he gets so invested in convincing Charlie (and, by extension, proving himself better than Lucifer) that he switches to what I have dubbed his Powerful Palette. It only ever happens when he's demonstrating his full abilities; when he's angry at Husk, when he's fighting Adam, when he makes a new deal, and... now. Arguing with Lucifer over who's a better father to Charlie. And while usually it's in brief flashes before he returns to normal, here he stays consistently in his greens and pinks, for a good majority of the song. You don't think that means he really cares, even just a little bit?

And when Lucifer has the gall to interrupt him with his golden fiddle, and just look at Alastor then;

Look at his face, look at his posture. Alastor, notorious for waving his arms around in grand, swooping gestures, is standing there, gritting his fucking teeth, fists clenched, arms folded at what must be an uncomfortable angle. The only time he moves is to concede a tiny step so he can drop a fucking piano on the literal devil.

Now this bit is so interesting, because he, very briefly, seems to believe that he's won, or is at least winning. And even then, he doesn't relax, he doesn't return to his normal colour palette or even his normal expression. He's still furious, you can see it—with Vox, it was a game. This is personal, and then when Lucifer is actually not only fine but still fighting, now playing a new instrument, (literally playing the devil's chord) to deliberately ruin Alastor's melody? Oh that's pure rage.

This first expression is his immediate reaction to it and, perhaps even better, the other two are him trying to contain it. Because he knows he can be seen, but he physically can't look any more collected than that; he can't control his expressions during this song. If he could, he would, because it would irritate Lucifer all the more, and he's more than smart enough to realise that. But neither of them can control themselves here, because both of them really, genuinely, care.

Then he physically places himself in between Charlie and her father, not only pushing him out of the way, but then going so far as to physically drop him out of frame with a gesture reminiscent of a Roman Emperor as he reinstates his claim over Charlie—again, feeding into his need to be relevant and powerful (we're getting to that part, I promise). But isn't it interesting that this time, he didn't even use his power? He pushed Lucifer with his bare hands, not bothering with the intimidating shadows or powerplays, because for once it wasn't about that. For once he wasn't focusing on the person he was fighting, but on the person he was fighting for.

Now this exchange is so interesting. Because Alastor misses a really good opportunity to get Charlie on his side, and I think he misses it purely because he (almost certainly without realising it) gets actually, genuinely offended on behalf of his friends. Because when Lucifer calls the others losers, he's insulting Charlie's family. Knowingly and callously! Right in front of them! And if Alastor was in his right mind, he would have absolutely pointed it out with a fake gasp and a shit-eating grin. But look at the way he reacts to Lucifer's interruption—the narrowed eyes, the tensing of his shoulders, the flexed wrists and clenched hands. That's genuine anger; it's too immediate and out of character to be anything else. Because he didn't intentionally goad Lucifer into saying that. And instead of taking advantage of the opportunity, he responds by, very childishly, asking Lucifer to "butt out" of his song. Because they were Charlie's family first, and he may feign indifference, but he included himself among them for a goddamn reason, and how dare Lucifer insult them like that?

And again, compare how he's moving and standing to how he was in Should Have Stayed Gone. In this gif (and Hell's Greatest Dad as a whole, but let's focus on this bit right now) he's glaring, his shoulders are hunched—he tries for his usual nonchalance by pushing Lucifer out of frame with a swing of his hips, but then is immediately betrayed by his expression, and his reaction the second Lucifer comes back at him. Meanwhile, in Should Have Stayed Gone, this is how he acts while taunting Vox:

He's so much more relaxed, he's visibly having fun, and Vox is the one bending himself out of shape to try and get Alastor's attention win the argument. Another interesting parallel between him and Vox in these numbers is when Vox is clearly losing towards the end of his part in Should Have Stayed Gone, compared to Alastor's first verse in Hell's Greatest Dad.

I mean, these frames are just a little too similar, don't you think? Both of them desperately trying to grab the attention of the subject of the song, duplicating themselves and leaning over the borders to try and be noticed... oh Alastor.

And now, finally, we get onto the bit that I've been promising for this entire post: Alastor's inferiority complex. The thing is, I think I've worked him out (at least, to an extent). We've seen time and again that he hates the idea of being irrelevant—the fact he doesn't like any technology beyond radio (leading to the real reason for his annoyance in that very first picture I used, when he sees everyone gathered around Vox's screens); his reaction when Carmine said she had not in fact, been wondering where he was; his reaction when Lucifer says he's never heard of him; the way he rushes to "remind people why he's here" at the end of Dead Beat Dad, and the fact that when he first arrived he took out all of the overlords who dared to dismiss his power, just to name a few. His fatal flaw is clearly pride—he wants people to know him, he needs to be relevant or he doesn't know who he is.

And I think that's the real reason he hates Lucifer. Because, father-figure or not, the two of them do represent the same position in Charlie's life. But why would she need help from a human soul (albeit an insanely powerful one) when she has a literal angel around to do whatever she wants? Yes, Alastor is powerful, but if Lucifer is back in the picture... well, we all saw it in the finale. Alastor was quite literally fighting for his life, and barely escaped with it, while Lucifer was dancing circles around Adam, shapeshifting, taunting, joking, and all the while he was periodically rescuing Charlie too. His attention wasn't even entirely focused on the battle, and he wasn't even really trying to hurt Adam until the end when shit got personal.

And I also think that's why Alastor got so scared. Because he almost died. As I said right at the start, he fought like an angel. He didn't even consider getting hurt as an option. And now he's having a crisi of mortality, and being powerful and scared is a dangerous combination. So where will his story go from here?

Well, from the fact that he's still at the hotel, I think that's evidence enough that he's being forced to stay with Charlie—despite all the very real evidence we have that he does genuinely care about her (I mean, they way he talks about shaping her to Rosie? The gentle looks, the fact he loaned her his mic? Don't forget how he looked when that got broken, it's clearly so important to him, and he gave it to her twice. Not to mention the whole 'wanting to be relevant in her life' thing that I've been going on about for like, half of this post. Remember what Rosie said about words being easy, but actions are hard? Yeah, he says he doesn't care, but... anyway). So, he's being forced to stay while he looks for an out in his contract with someone. But where does that leave him in the wider story? Well, I do think he'll eventually turn on Charlie and the rest of the gang, but I also think that it'll be temporary. Assuming the crew gets as many seasons as they want to tell the full story (never a guarantee, but here's to hoping) then I think he'll probably stay for a while next season but work against them behind the scenes, then make an open move against them, then be gone for a while, then start his long and arduous journey back into everyone's good graces.

Obviously his deal with Charlie will come into play, and I think he'll probably use it as leverage to get out of his deal. "I'll make Charlie do what you want—without hurting her, or making her hurt anyone else—and I get to be free from this bullshit" kinda thing. I also think it'll be very interesting when that happens, because I have a theory on what he meant by the deal having "clipped his wings"—I don't think he can take anyone's soul anymore. Think about it; we've only seen him even attempt two deals this season, and not even once has he attempted to add a soul to his supposedly ever-growing collection. It would certainly clip an overlord's wings to not be able to amass any more underlings—especially since it seems that the more souls someone owns, the more powerful they are, not just in terms of owning other people, but in actual, tangible power. So I think he'll eventually get out of his deal, and then he'll be free and he'll go utterly off the rails... for a while. But it won't be as fun anymore. Husk and Nifty will have been forced to turn against their friends, and Alastor won't care what they think, because why would he?

Except suddenly he does. Husk's silences suddenly feel a lot more pointed, and Nifty refuses to even look at him, and suddenly he feels something he hasn't felt in a very long time, or perhaps he's never felt it at all. He feels guilt. Regret. He wants friends again, because they were loud and annoying and they didn't respect him but... he'll realise that his affection for them wasn't all for show, not even by half. Because he almost died for them. And even when he's talking about it, scoffing at his own perceived weakness... he calls them his friends.

And that's when the real fun will begin, because the Radio Demon On A Mission will be a force to behold, and god help anyone who gets in his way, because once he figures out the love he's fighting for... oh, he'll be unstoppable.

#hazbin hotel spoilers #hazbin hotel #hazbin hotel alastor #alastor hazbin hotel #alastor the radio demon #the radio demon #also this post contains baby's first gif!! #(and second and third and fourth. got a bit carried away here. as you can probably tell) #you're welcome #they may not be the best quality #but the eye twitch was too important to me #and it was all downhill from there #plus now that i have this skillset #nothing can stop me #this is definitely one of my longer rambles #which is fuckin saying something #and it has PICTURES #QUOTES #EVIDENCE #anyway i love this show #watch it please #i spent all day writing this #also it took me so long to get all these screenshots #rip my sanity #really hoping somebody reads this post lmao

[vedicastrology-thestarsguideyou]

🌞 - Surya , The Atman , The Animus, Father Archetype

The sun represents the true essence of the higher self of the personality.

That which we truly are when we let go of the bindings that pull us down.

It's the king , the royal , charishma , spotlight , father figure , expression of creativity , self esteem , pride , selfishness too.

Sun in Aries ♈ - Mesh Rashi.

The Sun finds it truest expression in the sign of it's friend Mars. Here he is free to express himself in a true manner , to shine bright, to take initiative, to create , to create something worthwhile, self confidence runs high , goal driven.

Sun in Taurus ♉ - Vrishabh Rashi.

Here the Sun indulges in the pleasure of accumulating resources , wealth & sensual pleasures. Pleasant , companionable & comfort oriented. Focus on beauty & wealth . Strong financial intelligence . Artistic taste & collection of valuable resources.

Sun in Gemini ♊ : Mithun Rashi.

Here the Sun deals with life with intelligence and humor. A touch of adolescence and a penchant for communication. Dexterous , eloquent speaking , crafty skills and a light hearted approach to numbers , life and living :).

Sun in cancer ♋ : Kark Rashi

Sun in it's friendly Rashi seeks rooted environments of caretaking, nourishment , emotional attunement , sheltering and schooling. It shines bright and feels patriotic towards its motherland. Sensitivity is enhanced . Supports & defends home. Home is where one's heart is. 😌🌞🪄

Sun in Leo ♌ : Simha rashi

Sun here likes to shine bright . Loves to express itself in various forms . Dramatic. Romantic, needs to be centre of attention, self confident , regal , loyal , a bit self centred, generous and large hearted , full of vitality & life :).

Sun in Virgo ♍ : Kanya Rashi

Sun here inclines itself toward service , healing and intelligently dealing with life. Analytical and intellectual. Healing energies. Kind and helpful . Hardworking & sincere .

Sun in Libra ♎ : Tula Rashi.

Sun here immerses itself fully into the relationships with the other , thus forgets itself. Likes harmony, beauty & sense of fairness. Love to serve their partners . Can make great lawyers & attorneys . Should maintain a healthy balance between self & others :)

Sun in Scorpio ♏ : Vrischik Rashi

Here the Sun imbibes the power of Mars in astral waters and subconscious and thus undergoes death , transformation and an alchemy of its innermost nature and leads a life of power & strength backed up by the depth of its intense emotionality.

Sun in Sagittarius ♐ : Dhanu Rashi

Sun here follows the adventure of his lifetime. Righteous , carefree , kind and optimism guide his heart . Helpfulness and generous nature . A happy go lucky. Honest , blunt , creative and full of vitality . A traveller of life itself. Expansive spirit.

Sun in Capricorn ♑ : Makar Rashi

The Sun here takes up life seriously and imbibes a sense of maturity. Responsibility and a sense of oldness . Father in his son's sign. Here he yearns to contribute to the society. Status conscious, financially conscious & hard working.

Sun in Aquarius ♒ : Kumbh Rashi

Here the Sun loves to connect with all the networks of society. Lucky and gains through connection. Friendly and fair. Values friendship and loves the exoticness . Detached yet connected. Intellectual and broad minded . Galactic and spacious . Full of ideas . Evolves.

Sun in pisces ♓ : Meen rashi

Here the Sun loves to swim in the oceanic waters of the subconscious, the astral world. Kind , patient , artistic, poetic, compassionate . Highly intuitive . A healer , shaman. In this world but not of this world. Is slowly learning the art of letting go.

Looking for the self in addiction does not help. :)

#astrology #vedic #vedicwisdom #vedic horoscope #vedic astrology #vedic chart #vedic astro observations #vedic astro notes #counseling #sun signs #astrology blog #astro notes #astrologer #western astrology #astro observations #astro blog #astro community #astroblr #tarot reading #occult

[aspoonofsugar]

Weiss and Jaune = Knight + Queen

Mirror Help me Who am I?

Weiss and Jaune are strong foils (mirrors), who can be analyzed through a specific motif.

They are both Knights (masculine):

And Queens (feminine):

This is made clear also through their respective allusions:

1 -Weiss alludes to Snowhite and plays all the different characters of the story with a specific focus on the Princess and the Prince, which is highlighted since the White Trailer:

Weiss and her inner Prince (Animus), who is corrupted and possessed by her Father

Here, Weiss fights a giant armor, which symbolizes the power her father (the patriarchy) has above her. She is fighting both for her freedom and to get back a possessed part of herself (the Arma Gigas is literally a haunted armor). If she wants to escape Jacques, she has to be her own Prince. In other words, to be crowned queen, she needs to become a knight first.

2 -Jaune alludes to Jeanne d'Arc who was both a maid and a knight. Jaune's story is about him growing into both. He needs to accept his inner maiden to become a proper knight. This is made clear in the Jaunedice's arc (this mini arc really works as Jaune's trailer). There he grows not when he gives in to toxic masculinity, but when he stands up to it:

Jaune performing his first miracle and later on being guided by his Goddess (Anima), who is none other than Pyrrha

Jaune makes progress when he nurtures his most feminine side and shows vulnerability by apologizing and asking for Pyrrha's help. A real man has no fear to show he is also feminine.

In short, both Weiss and Jaune's stories deal with the integration of their feminine and masculine parts, so that they can be full-fledged individuals.

ANIMUS AND ANIMA

Integrating the feminine with the masculine is a psychological process, which is described by Carl Jung with the archetypes of animus and anima:

The animus is the masculine part of a woman

The anima is the feminine part of a man

Each person has naturally both, but society promotes specific gender values and drives people to repress traits culturally associated with the opposite gender. So, to fully be complete a person should integrate the negated parts.

This is the case for both Weiss and Jaune, who are initially trapped in fixed gender roles:

Weiss is the rich spoilt princess. She is forced to adhere to the social role Jacques has chosen for her. She is the Schnee Heiress, which means she should always be classy, perfect and elegant:

Weiss: I'm. Not. Perfect! Not yet...

Jaune is instead the loser boy, who wants to be a knight. He doesn't really fit his gender nor social role. He is a male, but is weak, geeky and odd. He has a legacy of warriors to honor, but can't fight. So, he feels he isn't enough:

Jaune: I don't want help! I don't want to be the damsel in distress! I want to be the hero!

Basically they are both trapped in opposite ways. Weiss fits her legacy and stereotype so well people forget there is more to her. Jaune instead doesn't measure up to his ancestors nor to the classical male type, so everybody assumes he is bound to fail. This happens because Weiss and Jaune are victims in different ways of toxic masculinity:

As a girl, Weiss has to obey her father, to suppress her emotions and to be nothing, but beautiful. Think about how Jacques even weaponizes typical feminine traits Weiss has, like her talent at singing.

As a boy, Jaune has to conform to physical prowess and bravado. He has to be big, ripped and cool or else he is no-one. The idea he is not like the other boys is at the root of Jaune's insecurities.

At the same time, Weiss and Jaune are also incredibly immature and project outside the same gender roles they are trying to escape inside. Moreover, they do so specifically with each other:

Weiss: (mockingly) My hero.

This scene summarizes their whole early dynamic. On the one hand Weiss sees Jaune as the loser he is scared to be. She only sees his superficial bravado and misses who he is behind the mask. On the other hand Jaune is attracted to Weiss because he sees her as the perfect princess to his knight. So, he is drawn to the mask.

Even the reason Jaune initially falls for Weiss ties into this:

Weiss: Yeah! And we can paint our nails and try on clothes and talk about cute boys, like tall, blond, and scraggly over there!

Weiss here is mocking both Jaune and Ruby, two people she has misjudged and shows no respect for. She is being cold, superficial and rude. Still, Jaune falls for it and believes Weiss's words. He does because they describe Jaune as he wants to be perceived. So, he runs after Weiss and ignores Pyrrha.

In short, initially Weiss and Jaune can't see neither themselves nor others clearly. Luckily, this starts to change at Beacon.

ICE QUEEN AND VOMIT BOY

Sun: Ruby, Yang, Blake… Ice Queen.

Ruby: Look, I'm sorry! Vomit Boy was the first thing that came to mind.

Weiss and Jaune are given nicknames the moment they arrive at Beacon. This happens because they are both childish and self-centered, so they are called out by others. Specifically, their nicknames are light-hearted ways to criticize their perceived self-importance and the archetypes they are trying to emulate. Weiss is called an ice queen because she is acting as daddy's little princess. Jaune is instead jockingly named vomit boy because he tries too hard to look cool. They are still far away from who they want to become and their friends pick up on this. Luckily, giving them funny names is not all RWBY and JNPR do for Weiss and Jaune. Rather they help the two kids grow. In particular, Ice Queen and Vomit Boy develop in two different and complementary ways:

In volume 1 they learn to see who they are slightly better

In volume 2 they become able to see others with more clarity

Seeing One-Self

At the beginning of their stories Weiss and Jaune are running away from who they are:

I'm the loneliest of all.

Even when I told my parents I was going to Beacon, they told me not to worry if I ended up having to move back home. How depressing is that?

Both have big families, but feel lonely and misunderstood. So, they hope they can have a fresh start at Beacon, but immediately meet unforeseen circumstances:

By this point Weiss and Jaune are pursuing a superficial dream of heroes and monsters. They figure their most perfected selves beside the "right" patner.

On the one hand Weiss wants Pyrrha to be the "knight" to her "princess":

Weiss: This will be perfect! The smartest girl in class combined with the strongest girl in class! Together we will be unstoppable!

She wants someone strong (body) that complements her intelligence (mind). She thinks that in this way she can't fail.

On the other hand Jaune wants Weiss to be the "princess" to his "knight":

Jaune: Don't worry! No need to be embarrassed! So, been hearing rumors about teams! I was thinking you and me would make a good one! What do you say?

He wants someone who is beautiful and looks frail, so he can protect her. He thinks in this way he can appear strong.

Both are wrong obviously. This is why they end up with respectively Ruby and Pyrrha as partners.

Weiss needs to realize what complements mind is not body, but heart. This is why she is paired with Ruby, who lacks physical strength, but has more than enough heart to guide Weiss. Throughout the initiation, Weiss herself has to act as a Knight by saving Ruby from the Nevermore. And later on, she needs to follow Ruby's plan (so Ruby's mind) to take down the Grimm and pass the trial.

Jaune needs to realize a real knight is not physically strong, but is wise (mind) and brave (heart). This is why he ends up with Pyrrha, who is both and challenges him in two different ways. She doesn't fit feminine stereotypes and sees Jaune's value not in his superficial traits, but rather in his willingness to help. Throughout the initiation, Jaune shows this by staying behind to lead others into kiling the Grimm.

So, Ruby and Pyrrha are the ones, who can help Weiss and Jaune grow the most. However, the 2 kids struggle to accept it and enter into a conflict with their respective partners in The Bagde and The Burden and Jaunedice. These 2 mini-arcs are interesting because they do not really add anything to the main plot. Rather, they are episodes which focus on Weiss and Jaune respectively. Once again our wannabe queen and wannabe knight act as perfect foils to each other.

On the one hand Weiss is powerful enough to kill Grimms on her own, but wants to be the Queen giving orders. On the other hand Jaune has gained the title of leader, but wants to be the competent Knight slaining monsters.

In short, they want what the other has and miss what they already are. Why is that so? Because deep down they dislike themselves and can't see they have the seeds for greatness within. They don't need to look outside, but should nurture the inside.

Luckily, they are helped by 2 mentor figures:

Port: So instead of fretting about what you don't have, savor what you do. Hone your skills, perfect every technique, and be not the best leader, but the best person you can be.

Ruby: Because it's not just about you anymore. You've got a team now, Jaune. We both do! And if we fail, then we'll just be bringing them down with us. We have to put our teammates first, and ourselves second. Your team deserves a great leader, Jaune. And I think that can be you.

Port invites Weiss to grow as a person and Ruby reminds Jaune of his duties as a leader. So, Weiss and Jaune step up for the sake of their partners:

Weiss: Ruby, I think you have what it takes to be a good leader. Just know that I am going to be the best teammate you'll ever have!

Jaune: Don't ever mess with my team - my friends - ever again. Got it?

Weiss encourages Ruby to be a good leader and promises her she will be the best teammate ever. She even aknowledges she has always loved bunked beds and makes a small step in integrating with her inner child. Something necessary if she wants to blossom into an adult.

Jaune fights Cardin for Pyrrha's sake and decides to dedicate himself to his role of leader. At the same time, he accepts Pyrrha's help, so he shows vulnerability. In other words, he starts integrating with his feminine side. Something needed to become more mature.

So, by the end of their first semester at Beacon both Weiss and Jaune have come to understand themselves and their roles a little bit better. Still, they have yet a long way to go when it comes to the way they aknowledge others.

What better chance than a dance to work on it?

Seeing Others

When it comes to the dance, Weiss and Jaune find themselves in the same situation of the initiation ceremony. They are locked into "triangles":

Jaune wants to go to the dance with Weiss, who wants to go with Neptune

Pyrrha wants to go to the dance with Jaune, who wants to go with Weiss

They pursue the wrong partner and ignore another person's feelings. In this way they do to another what they lament it is done to them:

Weiss: All my life, boys have only cared about the perks of my last name.

Jaune: It's Weiss… I'm completely head over heels for her, and she won't even give me a chance. She's cold, but she's also incredible. She's smart, and graceful, and talented-- I mean have you heard her sing? I just wish she take me seriously, y'know?

On the one hand Weiss wants to be seen for who she is, not her name. And yet, she refuses to look earnestly at Jaune and doesn't even recognize his feelings as genuine (recognizing someone's feelings doesn't mean to reciprocate them by the way). On the other hand Jaune wants to be taken seriously, but the moment Pyrrha tries to open up to him, he reduces her feelings to a joke:

Jaune: Oh please, if you don't get a date to the dance, I'll wear a dress.

At the same time, both approach love superficially. Jaune has started to really like Weiss as a person, but he is still far from truly seeing the girl in all her complexity. Weiss is instead failing to recognize Jaune's good qualities and is attracted to Neptune's try hard persona:

Neptune: Haven. And I don't believe I've caught your name, snow angel.

The narrative makes it very clear Neptune is just a shallower, but better looking version of Jaune. He is a geek (like Jaune), but calls himself an intellectual. He flirts with every girl that breathes, waaaay more than Jaune does initially. And yet, he looks cooler, so Weiss is attracted by him.

This "double triangle" is solved positively in 2 different ways:

Weiss and Jaune start to display respectively more masculine and feminine traits

Weiss and Jaune learn to see others a little bit better

Weiss plays the part of the knight and invites Neptune to the dance:

Weiss: I know this is a little unorthodox, but… I wanted to ask you something. Would you… like to accompany me to the dance tomorrow?

Jaune plays the part of the maiden and wears a dress to accept Pyrrha's late invite:

Pyrrha: I had no idea you were a dancer. Jaune: Yeah, well, these things tend to happen when you grow up with seven sisters.

On a deeper level, Jaune confronts both Pyrrha (the ideal self he must aim to be) and Neptune (the past self he has outgrown).

Pyrrha: I've been blessed with incredible talents and opportunities. I'm constantly surrounded by love and praise, but when you're placed on a pedestal like that for so long, you become separated from the people that put you there in the first place. Everyone assumes I'm too good for them. That I'm on a level they simply can't attain. It's become impossible to form any sort of meaningful relationship with people. That's what I like about you. When we met, you didn't even know my name. You treated me just like anyone else. And thanks to you, I've made friendships that will last a lifetime. I guess, you're the kind of guy I wish I was here with. Someone who just saw me for me.

He realizes he has hurt Pyrrha's feelings and has failed to see her the whole time. At the same time, he calls Neptune out on how he has treated Weiss's feelings:

Jaune: Do you even care about the girls you're hitting on? How they feel about you?

And finally, thanks to his ideal self (Pyrrha), he is able to give his past self (Neptune) a good advice:

Jaune: Then just go talk to her. No pickup lines, no suave moves, just be yourself. I've heard that's the way to go.

In this way, Jaune shows he has grown more mature and crowns his evening by wearing a beautiful dress and proving he is a great dancer (differently from Neptune).

Weiss grows too. She accepts Neptune's apology and thanks to him, she is able to finally see Jaune for who he is:

Weiss: You said you were embarrassed at first. What made you come talk to me? Neptune: You're looking at him. You got some good friends looking out for ya.

She might not reciprocate Jaune's feelings, but Jaune is still her friend and cares about her as a person, not as a trophy. This moment marks an improvement of Weiss's overall dynamic with Jaune and she starts to see him as a close one, even praising him occasionally:

Weiss: Well, he's certainly improved.

This is a top off for Weiss's growth as a less judgemental person. This process starts with Blake and her prejudice against Faunus and goes on with Jaune and her misjudgement of him.

All in all, Weiss and Jaune's months at Beacon are key for the kids' early development:

Weiss grows through Ruby and Blake

Jaune grows through Pyrrha and his team

They keep walking parallel paths and slowly start to aknowledge each other more. Weiss starts to see Jaune not as a loser, but as a person who is trying hard. Jaune start to see Weiss not as a damsel, but as a talented individual with wishes of her own. Similarly, their relationship with their inner selves improves, as well.

By the time of the Vytal Festival, both Weiss and Jaune are making small steps toward who they want to become.

The Vytal Festival: Unsure Knight and Clueless Maiden

Weiss and Jaune's tournament fights display their better qualities. On the one hand Weiss sacrifices herself for Yang. On the other hand Jaune is able to lead his team well. They are both more selfless with a better understanding of their roles in their teams.

This growth is marked by important moments outside the arena.

Weiss meets Winter, who inspires her to branch out a little. This is the catalyst for Weiss's transformation into a knight:

Jaune notices Pyrrha is off and tries to step into an adviser position. Basically, he tries to do what Pyrrha has done for him. He tries to guide her by symbolically playing a more supportive role. Moreover, he tries to help Pyrrha making sense of maidenhood:

Jaune: I guess… I'm just trying to say that… you've always been there for me… even when I didn't deserve it. And I can tell there's something on your mind, so… I don't know. How can I help?

Obviously, they are both still immature. Weiss is dependent on her father and can barely summon a tiny sword. Jaune is ignorant and isn't able to give Pyrrha the right advice. Still, they both try, even if they meet an unforeseen crisis. The Fall of Beacon.

Weiss manages to step in to protect Velvet. She acts as a real Knight in Shining Armor:

Jaune does his best to stand beside Pyrrha, even in her darkest moment:

Jaune: She's right. Whoever was on that microphone… they're the ones that did this. And we have to make sure they don't take anyone else.

Despite this, they both fail in the end. Weiss can't save Beacon and loses her new found home and family. Jaune can't save Pyrrha and loses the girl he loves. So, after so much development and growth Weiss and Jaune wake up to discover it still isn't enough. So, the finale pushes them back in the roles they have tried to escape so desperately.

Weiss is brought back under her father's thumb. Jaune is shoved into a locker, forced to fly away like a loser. Weiss is once again daddy's little princess, while Jaune is once again a wannabe knight, who couldn't save the girl.

SNOWHITE AND JEANNE

Ren: Well that embarrassment - that desire to go back and tell yourself not to be so stupid - that just proves you're not the same person you used to be. You're smarter, you're kinder, you're stronger, and you're not done growing yet. None of us are.

The Mistral arc marks a metaphorical growth spurt for both Weiss and Jaune. This development manifests in the volume 5 climax, where their stories intersect:

This scene is a culmination of their respective developments and ties with both their allusions:

Snowhite dies, but is resurrected by the Prince

Jeanne D'Arc performs a mircacle and brings back a person from the death

So, it is clearly very important symbolically, but what does it mean for Weiss and Jaune's characters, specifically?

1- Weiss and Jaune overcome two fake Maidens

Vernal and Cinder are the two fake Maidens of the Mistral arc, as the opening of volume 5 suggests:

Vernal is set up as the Spring Maiden and Cinder is set up as Raven's biggest foe. And yet, neither of them lives up to expectations. On the one hand Vernal is just a red herring, while Cinder isn't Raven's true opponent, but Yang is.

At the same time, Vernal and Cinder are Weiss and Jaune's opponents during the Battle of Haven. Interestingly, they both challenge the kids about their true identities. Who are they really?

Vernal: Let's see what the Schnee name really means.

Cinder: Who are you again?

Vernal mocks Weiss by stating she is nothing outside her name and Cinder sneers at Jaune by telling him he is a nobody. These are Weiss and Jaune's biggest fears. Weiss is scared her only value is her Schnee name, whereas Jaune is terrified of being a loser. In short, both Vernal and Cinder attack Weiss and Jaune's egos and leave them shattered:

Vernal physically breaks Weiss's aura, while Cinder psychologically destroys Jaune by targeting Weiss, just like she did with Pyrrha. Vernal and Cinder's objective is really to reduce Weiss and Jaune to nobodies. And yet, they fail. That is because the self is not found in physical strength or power, but rather comes from inside:

Yang: You might be powerful, but that doesn't make you strong.

In this battle Vernal and Cinder really symbolize Weiss and Jaune's illusory sense of selves. Their ugly personas. This is why they are both fake. Fake maidens masked with strength and confidence. And yet, they are deep down made of lies.

Vernal derides Weiss because of her dependency on the Schnee Family. And yet, Vernal herself has dedicated her whole existence to the Branwen Tribe and even changed her name for Raven's sake. In other words, she has reduced herself to her Spring Maiden persona. She is the one, who is nothing more than a name. And a false one, to boot.

Cinder laughts at Jaune's wannabe hero performance, but a lucky strike by her opponent is enough to derail her. An inexperienced fighter like Jaune grazing her breaks Cinder's whole facade and shows the ugly psychological wounds she hides behind a mask.

This is why Vernal and Cinder defeat Weiss and Jaune, but ultimately fail and actually destroy each other. Vernal dies by Cinder's hand, despite how strong and smart she is. Cinder is unmasked by Raven and falls because of Vernal's final desperate attack, which ensures Cinder's defeat.

Weiss and Jaune instead are reborn thanks to each other. Weiss is physically saved by Jaune, whereas Jaune starts to psychologically heal through helping Weiss. Weiss unlocks a new summon, while Jaune discovers his semblance. In the end, Weiss and Jaune don't need to play by Vernal and Cinder's rules.

Weiss's strength doesn't lie in her individual skill, but in the relationships she has built with others. She doesn't have to survive on her own because she is full of loved ones ready to help her shine. And she can help them too.

Jaune is heroic not because he is a lonely warrior slaying villains, but because he is a good friend always ready to help. His value lies in his wish to protect others. Moreover, he can rely on them when he needs.

Weiss and Jaune's real selves are in their hearts, which are growing stronger. That is why they lose the physical fight, but win the spiritual one. They ultimately succeed, as Weiss's Queen Lancer is key to saving Haven and Jaune's Aura Amp is fundamental in saving Weiss. Weiss protects a Kingdom, while Jaune protects a girl.

2- Weiss and Jaune integrate with their animus/anima

Weiss and Jaune embrace their true selves by reconciling their masculine and feminine parts. Once again this process is conveyed through their allusions.

Our Snowhite dies and is reborn twice. The first time, Jacques (the Evil Queen) kills her psychologically by taking away her Heiress title and imprisoning her in her room (the glass coffin). Weiss is able to escape by developing her masculine side (the Knight).

She successfully draws energy from her animus (her inner Prince) and uses this new found resourcefulness to escape. She leaves behind her passiveness (feminine) and grows more active (masculine). This is why her summon symbolically breaks the window and immediately after Weiss makes the choice to leave.

The second time, Cinder (another Evil Queen) kills her physically, but Jaune (the Prince) saves her. As a result, Weiss wakes up and is crowned Queen.

Becoming Queen in fairy tales means you have reached self-actualization. So, Weiss has become her true self, which is a combination of feminine (queen) and masculine (lancer). The Queen Lancer then symbolizes Weiss reconciling with her anima (feminine part) by making it freer, more genuine and stronger through her animus (masculine part).

Our Jeanne performs a miracle and has a vision. He brings Weiss back from the death in Haven. By doing so he physically plays the part of the Knight in Shining Armor. Still, he succeeds by integrating his animus with his anima. As a matter of fact he lets go of fighting and killing (masculine) and takes up healing (feminine):

Later on, he needs spiritual guidance and finds it in his anima (Pyrrha). So, he has a symbolic "vision" of her in front of her statue:

Obviously, the woman is probably Pyrrha's mother, but it doesn't matter. The whole scene is framed up as aetherial and ambiguous because thematically Pyrrha's soul points Jaune toward the right path. So, Jaune is guided by his feminine side.

Weiss and Jaune's journey in Mistral leads them to face their fears and let go of their personas. By doing so, they succeed at integrating their animus and anima. The end result is that they grow up.

Weiss blooms into a Queen:

Weiss's royal dress is blue (melted ice) and has snowhite-like puff sleeves.

Jaune becomes a Knight:

Jaune's outfit keeps his red details and adds more gold to it.

Upon their arrival in Atlas, they are not Ice Queen and Vomit Boy anymore, but genuine articles.

QUEEN AND KNIGHT

Right now I’m just a bit surprised Cuz I feel just fine And I might just touch the sky

The sun is shining in the sky The birds are smiling so am i I’m kicking ass in every way Think this change is here to stay It’s feeling like a brand new day

In Atlas, our Queen and Knight live their best lives.

Weiss arrests her father and reconnects with her estranged family. She becomes the Queen of the Schnee family. Jaune instead supports everyone, meets the admiration of civilians and is in generally successful. He becomes a perfect Knight in Shining Armor.

Even when the situation gets dire they both maintain a mature attitude. They are not touched by the Divide and their major conflict lies rather with a family member (sibling):

Winter: You're not leaving me. I'm giving you a head start.

Ren: You cheated your way into Beacon!

Winter and Ren oppose Weiss and Jaune out of repression and frustration. And yet, Weiss and Jaune's reaction is of empathy and understandment:

Weiss: Don’t worry, they’re sisters. Sometimes sisters just have very different ideas about what’s right.

Jaune: We’re all under a lot of stress right now. I used to push people away too.

They never doubt their loved ones and when Winter and Ren come around there is no need for apologies. Weiss and Jaune simply welcome them back with warmth.

In short, our Queen and Knight are among the characters who have grown the most, so they often come up with solutions. For example, Jaune offers a way to overcome the Divide from a practical point of view:

Jaune: Okay. Okay… Then let’s go for both. Get Amity up and running and evacuate Mantle.

Weiss is instead the one to state the theme outloud before the climax:

Weiss: Trust is a risk

This development is precisely why they both get to shine in the final battle.

On the one hand Weiss holds it together while her team is in disarray after Yang's fall. Ruby is traumatized and caught up in a fight with Neo, while Blake temporally loses it. Weiss keeps on facing Cinder alone and does her best to protect Penny and the relic.

On the other hand Jaune keeps a level-head and manages to evacuate the civilians only to join the fray at the very end. He reads the situation correctly and kills Penny when there is no other choice.

Weiss and Jaune have grown into who they want to be in the beginning. This is why they are the last fighters standing. And yet, despite all their training and maturation, they still fail. They face an Evil Queen (Cinder) and are defeated when they are at their strongest. Weiss is a true Queen fighting for her home and Jaune is a true Knight fighting for the people. And yet, they are crushed and fall. Just like at Beacon.

Once again, Weiss fails to protect a Kingdom:

Once again, Jaune fails to protect a Maiden:

At the same time, they believe the other can somehow succeed, even if they don't:

Weiss: Maybe… Jaune and Winter were able to get them out, despite… everything… despite us…

Jaune: I don’t know where the others are, but… Weiss will give us time!

Weiss hopes Jaune and Winter (aka her ideal) save the relics. Jaune hopes Weiss can buy him and Penny time, like Pyrrha (aka his ideal).

In short, Weiss and Jaune grow into their ideal selves, but still lose. Not only that, but they keep on projecting their ideals on others. And yet, these others also fail. So, what to do? The only choice is to let go of unreachable perfect paragons.

FALLEN QUEEN AND RUSTED KNIGHT

Weiss: I am a citizen of a fallen Kingdom and an heir to nothing. I will not be defined by my name because I will be the one to define it. I am Weiss Schnee, and I am a Huntress!

NeoCat: You were never the brave knight either! Just more fairytale nonsense!

Weiss and Jaune's journey in the Ever After is about letting go of their Queen and Knight idealized self-images. In this way they can truly accept who they are. This is difficult at first because they are full of self-hate and regret:

Weiss: But it wasn't enough! We hatched a crazy plan that put a whole kingdom at risk, and we don't even know if we saved the Relics...

Jaune: I’m trying so hard to save them… I stopped them from becoming what they needed to be. I was being selfish because I… I wanted the rush of rescuing someone and I got that here.

Still, they both work through it in 2 ways.

They face their traumas again:

Weiss: I am so tired of leaving places in ashes…

Jaune: On that bridge… I was the only one that could do it! I was the ONLY ONE! And I… And now I have to live with that forever… In here or back home…

They change their dynamic with Ruby, who they put on a pedestal.

Specifically, Ruby becomes a paragon for both Weiss and Jaune during the Mistral arc. There, Weiss learns to be emotionally vulnerable with her partner. Jaune instead grows to admire Ruby's optimism and hopeful self.

So, after the fall of Atlas, both Weiss and Jaune go back to Ruby. Weiss lets out all her troubles, while Jaune dives after Crescent Rose and proudly gives it back.

However, Ruby is in no condition to play Weiss and Jaune's hero. This shows and it unnerves them, who grow progressively more irritated with Little Red:

Weiss: Hurry! People are counting on us!

Jaune: I know you may not care about protecting this village, but you could at least help your friends when they’re in danger.

Until Ruby herself snaps at the both of them. Interestingly, it is Weiss's demand that Ruby consoles Jaune, which sets her off. Moreover, throughout her monologue, Ruby calls Weiss out on her dependency on her:

Ruby: What about me? “No time”, right? “Gotta get home!” “Gotta help Jaune!” Gotta find someone who isn’t just going to screw everything up!

And she lashes out against Jaune's hero complex:

Ruby: I’m sorry, is this a bad time? Are we supposed to be mourning Jaune’s make-believe friends?!

She pintpoints both their flaws and then runs away. It is Ruby's outburst, though, which wakes up Weiss and Jaune.

Weiss finally realizes Ruby's pain and empathizes with her. Her words clearly have an impact on Jaune too:

Weiss: Ruby has always been the one to get us through the hard times. We say things like “We believe in you”, “We can count on you”. I know we mean well, but…

They both let go of their idealization of Ruby, which in turns helps them with their own struggles:

Weiss: I think you’re asking too much of yourself. We’ve been telling ourselves that failing means we’re no good. But I can guarantee even the best Huntsmen in history… they’ve all lost. But they were still incredibly brave… and good.

In front of a genial ruby, Weiss and Jaune manage to move forward through each other.

Jaune is spiritually guided and shown empathy by Weiss. Weiss instead starts healing psychologically by helping Jaune. In a sense, this is a parallel and an inversion of their shared moment in volume 5. There Jaune finds himself strong enough to cure Weiss. Here Weiss finds herself wise enough to teach Jaune. Both are in a self-hate spiral, but then realize they are better than they think by saving the other. At the same time, this moment also calls back Jaune's "vision" in Lost. There Jaune is shown the way by a Pyrrha stand-in. Here Weiss steps into the role of spiritual adviser.

After spending the whole volume looking for someone to guide her, Weiss discovers she can be the guide. After spending the whole volume wanting to be the hero, Jaune realizes he is the one that needed help the whole time.

They both learn the main theme of the volume:

Jaune: Maybe that Cat was right… Maybe I just needed to accept it. It’s not a place you go.

They reach acceptance of who they are. Both their good traits and their negative traits. They accept they did their best, but also that they lost. And once they do, they become able to better accept others, as well:

Jaune: I think I get it. This is how we got here, or… why the Tree brought us here. Acceptance.

Weiss: We've done everything we can. Now it's up to Ruby. Whatever happens next… we have to welcome that.

Not only do they let go of their idealized self-images, but of Ruby's too. This is why they are ready to welcome her, no matter what. Strengths and limits, alike.

Thanks to their inner development, they both get to make another step into self-actualization. This growth is shown symbolically in the finale . Weiss is finally able to summon a full Nevermore, which combines all her previous glyphs (so it is symbolic of the self). Jaune accepts Alyx's hand and goes back to his real self through her (he goes from iron to mercury). These are glimpses of who Weiss and Jaune are going to finally become.

SOPHIA AND HERMES

Curious Cat: Looking at you, wise huntress.

Alyx: Maybe it’s time for a change, to be the kind of man you always wanted to be.

So, who are Weiss and Jaune going to be at the end of their journey? It is still too soon to say, but I would not be surprised if they were to become Sophia and Hermes to each other.

Who are Hermes and Sophia? They are the embodyments of a perfected animus and a perfected anima. In short, by the end of their psychological development, a woman should integrate with Hermes and a man should integrate with Sophia. Personally I think (wish) Weiss is stepping in the role of Sophia for Jaune, while Jaune is stepping in the role of Hermes for Weiss. Volume 9 might have given symbolic hints of this.

Weiss is directly associated with wisdom, which is what Sophia means.

Jaune goes from iron to mercury through Alyx and Mercury is just another way to call Hermes. Moreover, one of the symbols of Hermes in alchemy is a stag and well... Juniper resembles one.

Now, this final integration can be romantic (my preference) or platonic/individualistic (if they chicken out). What is sure is that it's going to happen, one way or another. It is just the cherry on top on a animus/anima story.

Snowhite and the Animus

Snowhite is the story of a child growing up. The first step in self-actualization is to stop identifying with the Mother, so the mirror image changes. This transformation generates an inner conflict. On the one hand there is the side who wants to grow up (Snowhite), on the other hand there is the side who doesn't wanna change (the Evil Queen). It is only by conquering the Evil Queen (the shadow), that Snowhite can truly become herself.

And how does she do it? She succeeds through an integration with her animus (masculine side):

The King is absent and doesn't help Snowhite

The Hunter appears and helps Snowhite

The Dwarves give Snowhite a home

The Prince saves Snowhite

As you can see, Snowhite's story is full of male characters and each new one is more helpful than the one before. This is because all these characters are representations of Snowhite's interiority and of her strenghtening animus. It is initially possessed, but then it progressively blooms until it saves the protagonist.

Now, this is just Weiss's story in a nutshell:

Willow is absent and Weiss's animus is possessed (The Arma Gigas she fights in the White Trailer)

Winter helps her and inspires Weiss to pursue her career as a Huntress (After her visit Weiss summons a part of her Knight)

Team RWBY welcomes Weiss and become her adoptive home and family (Weiss becomes herself through them)

Only the Prince is missing and it will probably be Jaune (he already is in volume 5). Wait, aren't all these characters women? Yes, they are because Weiss's fairy tale is all genderbent except her. So, why should Weiss's Prince be Jaune? Because in his case, he is the genderbent one :P

Jaune can be Weiss's Prince (again platonically or romantically) only if he fully blooms into Jeanne first. He can't be a real Knight, if he doesn't become a Maiden.

The Four Stages of Anima

Jaune's journey through the anima is well conveyed through 4 stages, which stand for archetypical female figures. Each one represents a different level of maturity:

Eve is the mother - The boy has no romantic attachment and sees the woman as a source of protection and nourishment

Helen is the seductress - The boy feels romantic attraction and sees the woman as a talented individual, but pays no attention to her spiritual or inner life

Mary is the virgin - The boy fells mature love and sees the woman as a paragon of virtue, but pays no attention to her negative traits

Sophia is wisdom - The boy is ready for a relationship with a woman as an equal partner and sees the feminine as a source of wisdom with no need to objectify the woman anymore

This scale describes Jaune's relationship with the feminine perfectly:

Eve is Pyrrha - she nurtures and protects him as a mentor and Jaune feels initially no attraction to her

Weiss is Helen - she is Jaune's first crush and he grows enough to see her as a talented person, but can't understand her inner world

Mary is Pyrrha - she becomes Jaune's guide and the embodyment of heroism and virtue

Only Sophia is missing and I think she will be Weiss. In general, though, these phases describe Jaune's general approach to women and how it changes. He arrives at Beacon looking for a girlfriend because that is what a man should do, which in itself is a very childish behavior. Then he grows to see the girls around him as powerful individuals, but he can't go behind the surface. This is true for Weiss, but also for Pyrrha, whose struggles he ignores. After her death, Pyrrha becomes an ideal, but she isn't the only one. For example, Jaune believes Weiss and Ruby can save Pyrrha from Cinder and later on he keeps idealizing them. In volume 9, he learns to let go of his idealization and to see others as their own people. He is stepping into Sophia (wisdom).

MIRROR MIRROR

I looked in the mirror And I gotta say It’s been a long long time Since I felt this way

Weiss and Jaune go through perfect mirror journeys, which are about recognizing others to see their own selves and vice versa. This is why Weiss's mirror mirror motif works so well for them.

They don't know who they are (mirror tell me who am I?)

They realize they dislike their current selves (mirror tell me who is the loneliest of all? I am the loneliest of all)

They work to change (mirror I'll tell you something, I might change it all)

They overcome their narcisism rooted in self-loathing (I'm shattering the mirror that keps me split in pieces)

Now that they can see who they are better, the next step is to probably see others more clearly. This is the secondary theme of the volume, after all: empathy.

Ruby breaks Summer's pedestal and as a result she can see herself better. In turn, this makes her able to look at others in a new light:

Weiss and Jaune do the same. They break Ruby's pedestal and show empathy and forgiveness for themselves and her. Still, this is framed as just the beginning. The theme of empathy is probably gonna be explored in later volumes. This is true for both Ruby's arc and Weiss and Jaune's stories.

Wouldn't it be wonderful if the next mirror mirror song is a conversation not with the mirror, but with another person? A person that is a mirror, but not because stuck inside it like Weiss in the beginning. A person, who is a mirror because every person can be a mirror of another if looked at with empathy. And this is what beating the mirror really means. Not to look at ourselves through it, but to look at ourselves through others. And to accept them. And to accept us.

#rwby #white knight #weiss schnee #jaune arc #rwby meta #my meta #rwby theory #sorry for this post's lenght but i love their foiling very very much and wanted to explore it fully

[linkspooky]

Judai and Yubel's Chemical Wedding

A chemical wedding is central to many alchemy stories.

A chemical wedding is a reconciliation of opposites, often with the most significant character relationship to the protagonist. A relationship which destroys and then remakes them in the better version of themselves.

Jung said that relatioships are chemical reaction. If you have a reaction you can never return to your previous state of being. That's ultimately the role of a chemical wedding in a story. A relationship which is central to a character's development, and changes both parties.

Yubel isn't just important for Judai's character development, they're literally his other half and their union of opposites completes them both in an alchemical sense. Keep on reading below the cut for a lesson in alchemy symbolism.

Peter Pan's Missing Shadow

So, the story goes somewhere in the middle of developing season two the writers recognizing that Judai, would never be able to handle a Marik level antagonist. He lacked maturity compared to the previous series protagonist Atem. The concept of Yubel emerged to make Judai grow, because as he was, he wasn't enough.

Judai fits the archetype of the hot-blooded shonen protagonist almost perfectly in the first two seasons, but even in two seasons where he changes very little as a character the hints are there.

Sho immediately puts Judai on a pedestal, and soon so does everyone else. Judai is praised for his pure heart over, and over. The standards for Judai are set so high you begin to wonder what if Judai wasn't the person everyone sees him as?

At this point is it even Judai that his friends are seeing?

What does that do to a person's identity when everyone around you is love with the idea of you. When you're not seen as a person with flaws.

Judai doesn't grow but how can he, when he's not really allowed to make mistakes. When he's expected to always be cheerful, and always bounce back without help or support.

Judai is pure of heart, but is anybody really pure? The light always casts a shadow.

Jung pioneered a lot of analytical psychology theory. Jung divided the psyche into four parts, the persona which is how we externally engage with the world our public face, the animus and anima masculinity and femininity, and finally the shadow.

Complementary to Jung’s idea of the persona, which is “what oneself as well as others thinks one is” [CW9 para 221], the “shadow is that hidden, repressed, for the most part inferior and guilt-laden personality [...] that is his shadow does not consist only of morally reprehensible tendencies, but also displays a number of good qualities, such as normal instincts, appropriate reactions, realistic insights, creative impulses etc “ 

The shadow isn't made up of bad qualities, just what we are afraid to show others because of judgement. Hidden as it may be, the shadow is a fundamental part of your personality.

Jung had a deep interest in the shadow – its form and content – and in the process of assimilating “the thing a person has no wish to be” [CW16, para 470]. He saw quite clearly that failure to recognize, acknowledge and deal with shadow elements is often the root of problems in relationships.

Is a friendship with someone real if you're afraid to show any of your flaws?

Juda's never allowed to make mistakes around his friends. He's under constant pressure to fight their battles, to fear he might lose them if he loses.

Ryo, a foil and rival Judai suffers a complete breakdown after losing just one duel. Before that he spelled it out for Judai in the graudation duel, the "perfection" everyone expected limited his growth, until he finally fell apart. If one loss makes Ryo fall then how much farther does Judai who's under more pressure have to fall?

Judai hides his shadow from everyone, but the shadow isn't just a part of you. The shadow is you. You are your shadow. Which is why recognizing the shadow is a critical part of growth - and alchemy. As Jung once said, "The gold is in the dark. And one does not become enlightened by imagining figures of light, but by making the darkness conscious.” 

Judai's in unable to grow up, because like Peter Pan is missing his shadow. It needs to be retrieved and sewn back to his feet. Until then, he's stunted and missing an important part of himself.

Judai is missing something important without his shadow. I'm not pulling this from thin air, it's directly stated by the text repeatedly.

Here.

Kouji Satou: We have something that you lack. Judai: That I lack? Kouji Satou: Yes the darkness of the heart that slumbers deep within a duelist. The burden that a duelist bears in his heart. Judai, you have none of that.

Here.

Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he’s up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you… because you have nothing to lose but the match.

Even, by Judai himself.

Judai: They’re all… They’re all gone. There really was something missing in me. But what is it? What was missing? What should a duelist burden themselves with?

I often worry people will misinterpret Judai's ending with Yubel is unhealthy because he's "caving to the demands of a stalker."

Yubel's not a stalker, they're not even a real person. Judai's a character in a story, experiencing an arc about learning to accept and grow path his worst flaws. How could that arc end with throwing away Yubel, who represents the ugliness Judai tries to hide?

Yubel is Judai's shadow, run away from him just like Peter Pan. Yubel's more than just a cast-off shadow though, Yubel is Judai. A good example of two separate characters coded as each other's shadows in other literature is Katherine and Heathcliff, two characters designed specifically to be two halves of a whole. Katherine once said, "I am Heathcliff", or to be specific she said:

 My great miseries in this world have been Heathcliff’s miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty strange: I should not seem a part of it [...] Nelly, I am Heathcliff! Katherine - Wuthering Heights

So these are two different topics, shadow as a literary foil, and shadow as an aspect of peresonaity in Jungian psychology, yubel is both.

Yubel is the archetypal shadow character, a character who challenges the main character by being their internalized flaws made external.

In a Jungian text when a character won't look at their shadow, they're often forced to look by being confronted with an externalized version of their shadow.

This is the first line of dialogue Yubel says that's not chanting Judai's name in episode 117 to Amon.

Yubel: My power is not especially great. But those with darkness in their hearts can unleash great power in me. Yubel: The pus welling out of your injured heart forms a second heart. I can see that other heart. The darkness in it. Yubel: That's right. That is the darkness of your heart. it's there, in the depths of your mind. Th scream of your other heart, born from your stagnant blood!

Yubel's go-to strategy with manipulation is to throw in a character's face the secrets they've been hiding to make them more liable to their will. Until Yubel can reconstitute their own body, they're forced to act entirely through others, possessing Cobra, then Martin, and finally Johan.

Yubel, the runaway shadow can't exist in this world without glueing themselves onto someone else. Can't be whole without Judai.

Yubel: You'll formally become king. Yubel: It must be great to have your wishes come true. But then, who's going to be happy for you? Yubel: Living in a way that suits you. The one who'd be most happy for you would be that "echo" woman that you loved, am I right? Yubel: But you went and let her die. You won't even be able to see her celebrate, isn't that a bit weird to you? Amon: Silence... Yubel: I know I couldn't stand it. A world without the one I love. It's because of Judai I can feel pain, angiush, and agony.

They say it over and over again, a world without the person you love, even a perfect one like Amon imagines, isn't worth living in.

Yubel: I wouldn't want to live in such a world! Yubel: The world is a place that you make alongside the one you love! What Judai and I make together... that will be the world!

It seems like a one-sided dependence on Yubel's part, but because Yubel is Judai's shadow, Judai cannot exist without them either.

Yubel was literally introduced into the story to spur Judai's character growth after two seasons of stagnation.

Judai seems better off without Yubel. Judai even suggests as much, that it might have been better for Yubel to die in that crater, than crawl back to Judai in their wounded and hateful state.

It seems that Yubel's reapperance triggered Judai's breakdown, and without it the breakdown never would have happend. However, there's two seasons of foreshadowing that JUdai is "missing something" without Yubel, which is why they can't grow or adapt to new circumstances. Judai needed to go through a death of his old self, a loss of innocence to become someone new, that's how alchemy works, that's how growing up works.

JUdai needed to reintegrate his shadow (Yubel) so he could become aware of his flaws, and while he does hit a low point, in the aftermath he can finally better himself.

The question is what flaws of Judai does Yubel reflect?

At first brush they seem as opposed to each other as hero and villain.

There's a tragic symmetry to the way both of them lived their lives for the past ten years. They began in the same place, Judai's childhood was just the two of them together. Then Yubel drove all of Judai's friends away, and Judai sent Yubel away in return.

Ten years go by and Judai attends Duel Academy and makes friends for the first time. He learns of his destiny was the one to protect Neo-Space and the Neo-Spacians led him their power helping awake within him the power of the gentle darkness. Judai spends almost two years almost always surrounded by people, alone in the center of a crowd.

At the same time Yubel has spent the past ten years alone in space, crying out for help from Judai. When they finally return to earth they ask for help one final time only to be met with silence. In that moment Yubel decides that silence is their answer, that abadoning Yubel, ignoring their screams of pain and forgetting them was all Judai's way of showing love.

Judai awakens his powers of the gentle darkness, whereas Yubel is corrupted by the light of destruction. Judai receives the help of everyone around them, Yubel only survives by manipulating several people to eventually crawl their way back to Judai.

They started at the same point, but by the time they meet again they're completely unrecognizable to each other.

As easy as it is to see them as villain and victim you can flip their roles too. As Judai is responsible for the chain of events that led to Yubel's torture, from Yubel's point of view they are the victim and Judai the villain.

It's unfair to hold a decsion they made when they were five against him. However, abandoning Yubel is a choice Judai continually makes, even after learning Yubel's undergone ten years of torture they were responsible for.

Judai: Yubel didn't come into being by coincidence. I made them who they are.

Judai continually ignores Yubel to search for Johan. However, he's not responsible for Johan. Johan made the choice to sacrifice himself. Wanting to save Johan isn't bad of course, but wanting Johan back is about what Johan represents to Judai not who he is as a person.

Yubel rightfully points out Judai will go so far to save Johan, but won't lift a finger to help them.

In fact Judai's obsession with Johan, is a narrative flaw (one Yubel reflects for the audience). It leads to his destruction.

Sho even calls him out, his willingness to sacrifice anyone, including his friends for Johan's sake. It's selfishness on his part. To quote this post:

The way he goes after both after Johan in season three and O’Brien shows that he actually doesn’t care all that much for them as people. To him, they represent a concept: Victory, or at the very least atonement for his past actions. A convenient way to right what he did wrong.  That is not to say that he doesn’t like them as people - he does. But when the chips are down, what he ultimately wanted was a chance to redeem himself by saving them. 

Yubel's obsessive pursuit of Judai to the destruction of everyone else, reflects Judai's obsessive pursuit of Johan destroying his friends.

To quote the above post again.

Yubel is a deeply selfish person as well. However, it’s a different kind of selfish. Yubel has exactly one priority: Juudai. Anyone or anything that isn’t Juudai doesn’t matter, and Yubel will go after Juudai no matter the situation and no matter the consequences. 

They're both two deeply selfish people and Yubel is needed to cast a light of this selfish side of Judai. When the two of them are compared though the image blurs, Yubel doesn't have the right to take their pain out on Judai's friends, but Judai goes on to later do the same thing.

"But then that's the nature of love, isn't it? I wanted all that torment to convey the depth of my love."

Judai rightfully calls out Yubel's involvement of innocent people, but it's hypocrisy on his part. He doesn't have the moral high ground here. Yubel's suffering doesn't entitle them to take out said suffering on Judai's friends, but Judai also slaughtered innocents as the supreme king.

Judai framing Yubel's reaction as revenge is ignoring his own flaws and role in things. Sharing pain = understanding = empathy for Yubel. Yubel wants to be understood, but Judai wants to ignore his shadow.

Yubel's strategy is a kid of forced empathy - to drag Judai down to their level and make Judai understand the same pain so Judai will understand them.

I'm going to quote another post again, this post here.

In her desperation to grasp why she was being made to suffer if Judai loved her, it makes a certain amount of sense that she would latch on to the suffering itself as being something Judai wanted for her.  (She knows and admits this isn’t true, btw, but it’s the only thing that allows her even a tenuous grip on sanity)  Then, when she was in a position to meet him again, her own views on love would allow her to subconsciously justify making him suffer the same way because her pain had left their life experiences too disparate to form a meaningful connection once more.  And the hilarious thing is that she was ultimately right?  Yanking Judai down to her level is what allowed Judai to understand her in a way that was impossible before he had his own little fit of love-induced murder spree. I think what people sort of miss is that what Judai is reviling her and calling her an unfeeling monster near the beginning of their duel, he’s the one that’s wrong.

This symmetry they eventually reach where they both become perpetrators shows the biggest thing they share in common: trauma, and how they react to it.

Trauma comes to define both Judai and Yubel, but they react in different ways.

Yubel externalizes their trauma, the same trauma Judai hides internally. What Judai conceals, Yubel by acting out their grief on others reveals.

Yubel wears their heart on their sleeve for all intents and purposes. They will act out their pain on others, gleefully, sadistically so. Their entire philosophy of love revolves around the idea that intentionally inflicting pain as a show of love.

However, as stated above that's a coping mechanism. When Yubel says they want to share pain with Judai, it's not revenge, it's a desire for empathy and understanding. Yubel wraps themselves in a blanket of love, to endure years of torture they suffered alone.

Yubel can't just ask for Judai's love though, they demand it.

This too is Yubel shielding themselves, they're coping with their abandonment trauma. Yubel can endure any pain inflicted on them if they convince themselves that Judai still cares, they can crawl out of a crater if it might lead them back to Judai. If Judai rejects them however, they completely fall apart.

Judai too, is protecting himself from fears of abandonment.

Judai's coping method is opposite, he internalizes all his emotions. The pressure of having to constantly rescue his friends, his fears that he can't lose once, or else he'll lose everything. Judai hides it under a smile, and a fun loving attitude.

Judai even states point blank, the reason he always runs forward is because if he stops to think he won't be able to continue. Judai compartmentalizes everything, and it all starts to pile up so high that if he just can't process it.

Judai: I can’t just stay and wait. All this time I’ve run on instinct, never second-guessing myself. If I just stand still now… I’m sure I won’t be able to start running again. And I won’t be able to get to Johan.

Even Judai taking on his friend's burdens, is done out of a fear of being alone. In his backstory Yubel drove all his friends away and it doesn't seem like he made friends until he came to Duel Academia.

Yubel and Judai both spent a significant amount of time alone, and they both fear going back to that time.

When Judai takes on other's burdens, it's a way to protect himself. If he's constantly doing them favors, they have to stick around right? It's still a transactional relationship though, the same way Yubel thinks all of their love entitles them to Judai's love.

Judai's method is to internalize everything. That seems better than Yubel, because Judai's not hurting anybody right? Except Judai's owbmethod of coping turns out to be just as unhealthy as Yubel's.

Judai carries the weight of everyone on his shoulders until he can't.

Judai's fears of being abandoned become a reality.

It's telling that Judai's breaking point isn't Fubuki, Sho, Asuka and Manjoume's apparent deaths. He's deeply upset by it for sure, but what pushes him over the edge is Sho's rejection afterwards.

Judai's friends being taken away in circumstances out of his control is one thing, but the fact that Sho leaves him? That Sho sees the part of Judai's self that he's always been hiding and gives up on him. That rejection sends him spiraling, because all along Judai was driven by the same fear of rejection Yubel was.

When Judai reaches his breaking point, he externalizes all the trauma he held within. He starts sacrificing others for power, because he's convinced himself with his friends gone power is what he has left. Judai acts out that trauma on others, as Yubel does with Judai's friends.

In the end Yubel and Judai react the same way to being abandoned, they share the same flaws and the same fears.

Rejecting Yubel, villainizing them, despising them is an act of self-loathing for Judai. However, empathizing with them, understanding, trying to reach out a had to break the painful cycle between them - is Judai accepting himself.

Chemical Wedding

Judai and Yubel become their worst selves when they are alone, they walk parallel journeys in season 3 dragging down Judai to Yubel's level until at last they finally reunite.

This metaphorical union is a chemical wedding, of two opposites coming together. How Judai and Yubel's relationship changes throughout the narrative is vital to how they develop. Their bond develops each of their characters, until they integrate qualities of each other.

The final stage is called a wedding, it's not necessarily romantic but Yubel's 10,000 love confessions can certainly be interpreted that way.

Once again it's not really about what's healthy in a real life relatioship, it's a symbolic journey two characters take in a story. Yu-Gi-Oh Gx uses chemical weddings to develop the romantic relationship between Judai and Yubel.

(What about Bruno - I'll talk about him later next post. Please be patient, I can't cover everything in one post).

Here's another meta on the concept of chemical wedding's in general for a different show. The chemical wedding between Judai and Yubel is woven into the text in may ways.

The show is rife with direct references to alchemical imagery (references to medieval portraits, the solar king and the lunar queen)

A process of death ad rebirth they both undergo multiple times, until their last union where Judai says he might be destroyed by the attempt to fuse with super-poly but he doesn't mind).

The four elements are referenced in the clash between Judai and Yubel, Judai is fire and air - their favorite monster is flame wingman an air and fire hero combined. Yubel is water and earth, their entire deck has a plant motif).

The two of them literally fuse together into someone new. That act is what purifies Yubel's soul by uniting it with Judai, the process of alchemy is purifying metals until they forge gold.

Yubel is also literally a hermaphrodite, and by incorporating Yubel into themselves the two of them together become a hermaphroditic figure.

So that’s the role and importance of the chemical wedding.  Pretty vague, right? But over the centuries the most common imagery has been a man and woman--often King Sol/Sulphur and Queen Luna/Mercury--1. standing together, 2. conjoined, or 3. combined into a hermaphroditic figure.  -In the Dictionary of Alchemical Imagery, Lyndy Abraham definition of chemical wedding.

The basic formula of a chemical wedding is the union of opposites (Fire and water, air ad earth, sun and moon, light and dark), that union creating a "Rebis", a figure that is both male and female. Judai and Yubel's journey takes them on a path to uniting as one.

It's a violent sometimes dangerous process as in each step dissolve et coagula occurs, in order to forge your better self you have to let your old self dissolved, which is sometimes a violent even painful process.

It's why Chemical Weddings often take the form of violent conflict. A conflict that threatens to destroy both parties.

The first chemical wedding is usually somewhat violent, primitive even, whereas the second one signifies the creation of the stone. However, characters can have more than two weddings (Hamliet).

Yubel and Judai have three violent confrontations in Season 3, before their final union of opposites take place. The three weddings are the three steps in their journey. It's also a process where both experience several metaphorical deaths, before finally their two souls unite into something new (which is why the ship is called Soulshipping).

SOULSHIPPING WEDDINGS - STAGE ONE

Alchemy is a process of continual death and rebirth. Yubel and Judai both go through two symbolic deaths, (the second one they die together to reforge themselves into something new).

Yubel's first death takes place sometime during season 1 and 2. The satellite containing them finally crashes back to earth, and Yubel burns up upon re-entry. Putrefecation, or Nigredo is the first stage of alchemy a process of boiling away all impurities, and it's associated with the element of fire, and associated with the color black. Yubel's spirit form of a black dragon comes out to protect them, and that burns away too. Nigredo is often signified with the death of a dragon.

Yubel comes close to death, but their true death is metaphorical.

What Yubel truly experiences is the death of their old self, as the trauma they've endured makes someone new crawl out of the wreckage.

This is the moment onscreen where Yubel snaps and adopts their new philosophy of love, that love is sharing pain with someone else.

Yubel literally crawls out of earth, out of a crater that could have easily been the sight of their grave. However, their rebirth comes when Yubel reconstitutes themselves in time to meet Judai face to face a second time.

Yubel's true form is revealed then to be that of a rebis.

The head on the left is male, the wing attached to his side is red. The head on the right side is female; the wing attached to her side is white and in her hand she holds an egg. This figure is known as the Hermaphrodite, half man and half woman.

Yubel's design is a Rebis, split male and female down the middle. It's even implied in their backstory they were more masculine, and through an alchemical process to become a dragon altered their body to look as such, giving them several feminine traits.

Yubel as one boob and one pec, speaks in two voices a deep masculine one and a light feminine one, defaults to using masculine "ore", but plays a feminine role to comparison Judai's more straighforward masculinity, they even have their face split one side being drawn with eyelashes. The image above is the hermaphrodite and the dragon, Yubel is both.

Yubel can be a reference to the greek story of the hermaphodite or the concept of the Hindu god "Ardanareshwara" which translates to "Lord wo is half woman." Likely both, they have a third eye on their forehead in the place of a bindi in traditional depictions of that god.

Ardanareshwara is the embodiment of the union of male and female energies in the universe, as well as the sacredness of marriage and copulation. [Mythcrafts]

The Splender Solis pictured above are images from the ripley scroll, a in alchemy text. There are 22 plates total, but plates 5-11 are called the parallels they reference the process of death and rebirth.

The seven parables are:

Plate 5 - Miners excavating a hill

Plate 6 - Philosophers beside a tree

Plate 7 - The drowning king

Plate 8 - Resurrection out of the swamp

Plate 9 - Hermaphrodite with an egg

Plate 10 - Severing the head of the king

Plate 11 - The bath

Season 3 goes through all seven, quickly covering the first two plate 5 is mining the Rainbow Dragon out of the side of a mountain, Philosophers beside a tree is Johan's deck using crystal tree, and also Judai awakens after Austin snaps him from his Haou phase underneath a tree.

Judai and Yubel's parallel journeyes reference plates 7-11, #9 was already pictured above.) They both experience two deaths, two rebirths, before their final third union.

Yubel's second death occurs here, at the hands of another dragon (Rainbow dragon is involved).

The first chemical wedding is usually somewhat violent, as metals need to be melted down and reforged through multiple steps in order to create a purer metal.

Judai definitely doesn't want to unite with Yubel their first encounter, they're at each other's throats, in fact Yubel specifically states they want violence, to share as much pain with Judai as possible.

Yubel ends the first wedding literally dissolving gain right in front of Judai's eyes, only to reforge themselves with Johan's body.

Those are Yubel's two deaths, and Judai's two deaths happen in parallel.

SOULSHIPPING WEDDINGS - STAGE TWO

Yubel is the process of two people breaking down, and mixing until they acquire each other's traits. Yubel pushing Judai down the path of becoming the supreme king, so they can be reunited again is exactly that.

Yubel's plan is to force drag Judai down to their level, so they can be reunited, and at that point Judai having walked a similar path and taken on traits of their can understand them, they tell Judai as much.

So when I solved the riddle you posed I was delighted. ANd that fueled my decision. I would try to fill the entire twelve-dimmension universe with my love towards you, Judai. And once I did, you would have to recognize my loev wouldn't you? That's why I sought to fill all those linked to you, your world, with sadness and anguish. And my line of thinking wasn't wrong!

Judai has to go through a process of two deaths mirroring Yubel's own before he can reunite with them in their second wedding. Yubel even says, the first time they dueled didn't work out, because Judai hadn't awakened his darkness of the heart yet. Judai needed to take on Yubel's traits.

Judai's journey to Yubel is referenced by two Splender Solaris plates.

"The destruction of one thing is the birth of another " - Aristotle.

The plate depicts an old king drowning, and a new king being reborn at the same time.

The text describes to us how the old king was taken under, but then reborn the next day from the earth as the new king; the old king must die before the new king is born.

Judai's first death is his breakdown after Sho's rejection, he quite literally experiences a death or self, while at the same time rising up as the supreme king - but it's not a split personality or anything like that, merely an inversion. Judai once internalized their pain, now they externalize like Yubel. Yubel in acquiring darkness of the heart, Judai then begins to take on Yubel's traits, integrating facets of Yubel into themselves.

Within the stages of physical alchemy there is a set referred to as the drowning king; this is the dissolution step of the Nigredo process. This is when the alchemists would take their chemically calcified ashes and dissolve them into water.

Judai experiences the same Nigredo that Yubel does, as his old self dissolves away. Judai sinks into a mental landscape which is pictured as all black, while a new Judai the supreme king assumes his form out of the shadows. The new king has golden eyes, like the new king in the painting is dressed in gold.

This is where Judai begins taking on parts of Yubel, not only do they lash out at innocent people as Yubel does, don a plate of armor to protect themselves (Judai has black armor, Yubel has impenetrable scales).

It's also a direct parallel to Yubel's experiences. Judai is left alone by the friends who he thought would always take his side and sinks into darkness. Yubel spends years alone in what they call "a capsule of darkness" in space after Judai's abandonment, sinking into denial because Judai couldn't possibly treat them this way when they love them so much.

Judai dies and is replaced by the supreme king, but the supreme king is a just a temporary stage in his development.

In order for Judai to heal he needs to be dismembered first, the Supreme King's head is torn off in a reference to Splendor Solis: Plate 10, severing of the head of the king.

Alchemy is violent; the motto of Solve Et Coagula demands dissolution before rebuilding, tearing apart before putting back together. This idea applies to the material world as well as the spiritual realm; before the psyche can grow, it has to be ripped asunder.

The Supreme King is eventually stopped by Austin, they burn away in in fire, against a duelist with a flame deck, reduced to ash only to rise from the ash reborn like Yubel did out of the crater.

After the end of the duel, Judai's helmet is removed and thrown for all to see to signify the king's dismemberment.

Judai now struggles to become someone new, as he cannot return to his previous state of innocence, but can't keep continuing on as the Supreme King. When Yubel and Judai reunite again Judai has taken on so many of Yubel's traits, they are mirror images of one another.

The second stage of alchemy is albedo, the word is taken from ablutio - the washing away of impurities. When Yubel and Judai meet for a second time, Judai's only priority is to cleanse Johan of Yubel's body, literally through purifying Rainbow Dragon in order to return Johan to his body.

His action in the duel is to destroy the "advanced darkness" field spell which changes Johan's crystal beasts, into darkness crystal beasts. First Nigredo, then Albedo, the prima materia is boiled in a flask where all impurities rise to the surface and make a thick black material, and then those impurities are washed away.

Cleansing Johan's soul doesn't go as intended for Judai however, because the only result is that Yubel reconstitutes themselves for a second time and faces Judai again in their true body.

The cleansing turns from Rainbow Dragon from Black to White and both Yubel and Johan are purified into their true selves.At this point they've both experienced multiple deaths, they've both been torn apart and sewn back together again. However, they still have one stage to go.

The duel ends in a draw and they restart another duel facing each other this time, thus beginning the third and final wedding.

SOULSHIPPING WEDDINGS - STAGE THREE

The final wedding in a chemical wedding forges a philosopher's stone, and I bet you can't guess how this third wedding ends.

Everything so far has made use of the death and rebith imagery. Yubel and Judai grow closer each other through a violent union of opposites (extremely violent in this case ). They experience two metaphorical deaths as a part of their journey to finding each other.

Death and Rebith is a major theme in the last duel, before they both experience their final death together, to become a new being together.

As I said above they've experienced several violent deaths, Yubel is ripped to pieces until they're nothing more than an arm, Judai experiences an ego death and reforms as the supreme king, before the supreme king's armor is torn off him.

In the third duel Yubel's signature monster experiences two deaths, only to be reborn again into stronger forms, yubel terror incarnate, and yubel the ultimate nightmare.

Yubel starts as a one headed dragon, their second form has two heads, their third they fuse with the dragon becoming the third head representing the three stages of alchemy. In the picture above the red, white and blue signify those three stages as well.

Judai and Yubel are also positioned as the Solar King, and Lunar Queen in their duel, just as in the alchemy painting above.

The above image  image is taken from is called Rosarium Philosophorum–which literally means “rose garden philosophy. In this case I believe the anime writers are deliberately reference the "rose garden philosophy" name b/c even Yusei and Aki in 5Ds have a similar duel in a Rose Garden that parallels this duel - representing their union of opposites too.

The final duel between Judai and Yubel takes place in a rose garden, intentionally so. Yubel uses two rose themed cards, and their method of attacking and sharing pain nightmare pain revolves around lashing out with a vine covered in rose thorns.

They're both entangled in the rose garden together, as Yubel says my suffering will become your suffering, Judai. Yubel isn't immune to pain they suffer alongside him, for Judai hurtng Yubel is an act of hurting himself. That's also a reference to the ouroboros, the snake biting it's own tail is a common symbol associated with initiating the alchemical process.

Judai has taken so many traits of Yubel at this point they are inseparably intertwined, there's no telling where Judai ends and Yubel begins so any damage Judai attempts to do is dealt to himself as well.

Standing together in the garden Judai assumes the role of the solar king, and Yubel the lunar queen.

Yubel's machinations were to make Judai ascend into a king, Judai is referred to as being like the sun by Sho drawing everyone in.

Bro... Bro, you're too selfish. Before now, I thought of you as the sun. Someone who gave others energy and made the impossible, possible.

Yubel is the moon which orbits around Judai. There's the time they spent in a literal satellite, floating in space among the stars to signify this. Yubel even drops a reference to the myth of Endymion. A story where Selene, the titan of the moon fell in love with a young boy and asked for them to fall asleep and stay young in their sleep forever so they could gave upon them lovingly as they slept.

I will take you to a distant dimmension, where no one will ever reach you. There I will watch over you as you sleep forever.

Once again Judai is fire, and Yubel is mainly plant themed. Judai assumes a masculine role, Yubel after transforming into a Rebis changed their body to take on feminine traits. Judai is the holder of the gentle darkness, Yubel is corrupted by the light of destruction which is engaged in a battle with the gentle darkness.

Theirs is a violent union of opposites, they are literally trying their best to kill each other.

Yubel frames themself as the selfless protector of Judai like a knight or servant, but their obvious desire is to stand together with Judai and be on the same level with him (hence dragging him down).

They spend a duel against Amon reviling him for how easy Amon could throw Echo away, because ultimately Amon is the king, and therefore Echo is beneath him. In fact Yubel was content to just sacrifice their body like Echo and serve as a protector in a previous life, until prince Judai offered Yubel their eternal love, giving something in return and elevating to them as equals.

So Yubel's primary goal is to be by his side, to be lunar queen to his solar king.

In order to accomplish this the art depicted above has to happen, they both have to dissolve, experience a death and become something new together.

Judai even explicitly tries very hard to kill Yubel, saying they'll use the power of the supreme king to erase them from the universe. Yubel similarly, rejected one too many times responds to violence with violence. Their union is inherently marked by violence. However, it's what brings them to a closer understanding of each other.

However, while violence brings them closer together, it eventually has to transform into a a union.

As they reach the final stages of the duel, Yubel states to Judai they finally understand that Judai has chosen to respond to all of their love with hate (once again union of opposites, love and hate). At the same time a wind begins to blow, elemental symbolism occurs as the wind and clouds appear in a process of "sublimation", and Judai's past is revealed to him, and he realizes his memory of his past life of the Supreme King.

Sublimate appears as a term for a mineral deposit, by analogy to the alchemical process: minerals in a vapor state, thrown up from the interior of the earth.

The introductory of the element of air also signifies Yubel and Judai moving from Citrinatis, the yellowing, signified by earth to Rubedo the final stage where the philosopher's stone is forged. Judai and Yubel's first duel takes place in a desert (earth), their second they climb high into the sky, and their third they climb even higher until they are standing above the clouds fighting in an arena of air.

Sublimation is a whole new experience of self and reality, both being redefined. Judai's reconciliation isn't just Yubel, it's with the three faces of himself Prince Judai, Regular Judai, and Haou / Supreme King. These memories lead to Judai's eventual decision, to propose a union. This union takes place as the last chemical wedding, which is also a real wedding in everything but name.

Their entire duel contains elements from both japanese and jewish weddings (the three phantasms that Yubel utilizes in the duel against amon are based off of three kabbalistic angels so the jewish symbolism has already been used before).

A traditional Jewish wedding starts with drawing up a marriage contract (Spell Chronicle), and the bride paying out a dowry (the five cards Yubel banishes at the start of the duel). The wedding must be observed by a minimum of two witnesses (Shou and Ojama Yellow). During the wedding the bride circles the groom seven times (Yubel makes 7 successful attacks on Judai between their 3 forms, all others were negated in some way). At the end of the ceremony, the groom presents the bride with a ring (Judai giving Yubel Super Fusion), and a glass is broken to the cry of “Mazel tov!” (the glass window breaking in Samejima’s office). Finally the ceremony isn’t considered complete until the bride and groom retire away from everyone to ... consumate the marriage (Judai and Yubel leaving together). Source [HERE]

Judai attempts to use super polymerization card to start the process of alchemy (fusing the 12 dimmensions - there are 12 steps to Alchemy). However, Judai announces that the two of them are going to fuse together.

Judai and Yubel's quite literal fusion into one being is the formation of a hermaphrodite. From the essay of "Get your Gender On, Jaden Yuki and Yubel",

Art historian Arturo Schwarz argues that “the Great Work is but a metaphor” in which alchemists don’t create a Rebis but become a metaphorical Rebis themselves, as Judai does over the course of the series. By joining his soul with Yubel’s through “Super Polymerization,” he arguably becomes nonbinary like them. Even before literally fusing with Yubel, he gains “aurea apprehensio (golden awareness) of this marvelous reality: we are gods, because we all are man and woman at one and the same time.” 

Hermaphordadites are a recurring symbol in a lot of greek mythology, the name comes from Hermaprhoditus a son of Hermes and aprhodite originally born male. A female nymph fell in love swam to him in a pool and wound herself tightly around his body and begged the gods to never tear them apart creating the co-joined male and female figure the hermaphrodite. The parallels to Yubel and Judai are present, especially in them becoming entangled in one another.

One origin story for humanity is also that human beings were originally two headed, four armed, and four legged beings, combination of men and women, men and men, and women and women. However, they were torn apart into two seperate beings, and forever doomed to go searching and be reunited with their second half.

When opposites are finally reconciled, the great hermaphrodite is formed. Judai even refers to this as an act of finally purifying the light's corruption from Yubel's soul by uniting it with the supreme king's soul. The union is a purifying process, and the end of Yubel and Judai's long journey of losing each other and finding each other again.

However, in order to be purified they have to both let their old selves die in order to form something new, the final death but one they experience together. Just like the painting of the dismemberment of the solar king and lunar queen, they need to be torn apart and sewn back together again.

I don't care.

Yubel is finally moved, and all the anger between them is washed away by tears as they're finally allowed to grieve (as death is central to alchemy, so is grief, both are parts of life).

To signify the end of this journey, Judai falls to earth the same way Yubel did at the start of their story. However, while Yubel was suffering, all alone, this time Judai and Yubel are together.

#yu gi oh gx #yu-gi-oh gx #judai yuki #yubel #soulshipping #yu gi oh gx meta #ygx meta #alchemy #jaden yuki

[cosmicoceanfic]

“Taako,” Edward says as Taako puts his hand on the wheel. “We’ve had a little confab, and-“

“Confab?” Merle interrupts. “Isn’t that a little conference room-y?”

“Like Wolf of Wall Street?” Magnus adds. “Did you guys see Wolf of Wall Street?”

“Er, yes. A little too, a little too long for us.”

“Yeah, I kinda felt like it was just a redo of Goodfellas, too.” Merle shrugs. “Goodfellas was good enough on its own, y’know?”

“Yes, definitely, definitely not Scorsese’s best work. Taako?”

“Speaking,” Taako answers, trying not to feel the conspicuous lack of hit points too hard.

“We’ve been having ourselves a little think, and we want to make you a very special offer.”

“Yes,” Lydia chimes in. “We’ve never given this option to anyone journeying through Wonderland before, but we just can’t resist.”

“Hit me,” he answers wearily. “Maybe not literally. Cha boy is hurting.”

“We are going to allow you to opt out of the wheel and instead answer this very simple, very easy question.”

“You see, Taako, Edward and I are, mm, rather taken with your fetching umbrella there.”

Taako blinks, looking down at the Umbra Staff, dread growing in his stomach. “Okay.”

“That’s why we’re offering you the choice of a lifetime: you can take a penalty or you can give us that tasty little treasure.”

“Penalty,” Taako answers, only aware that he’s saying so halfway through the word coming out of his mouth.

“Taako,” Magnus mutters. “Taako, a penalty might kill you.”

“I don’t care, just means I get my Sunday afternoons back. I’m fine. Taako’s good out here. Penalty me.”

“Taako,” Merle says. “We’ll buy you a new umbrella. Real nice one.”

“Nope. I’m good. All good for Taako. I said it, I meant it, let’s move on. Hit me with that bad boy.”

There’s an almost disconcerting silence punctuated by Edward and Lydia muttering to each other. Taako grips the Umbra Staff in his slightly sweaty palm.

“We’re prepared to up the ante,” Edward says.

“Whatever you have, I don’t want it.”

“Are you sure? We think you might.”

A little 8 bit cartoon of a bell floats in front of them, placidly turning in a steady circle. Taako swallows.

“What,” he says, in an attempt at breezy. “Something Pac-Man could eat? No, thank you. Grossarooni.”

“If you give us the staff,” Lydia says. “We will give you the Animus Bell.”

Taako’s hands are shaking. He looks down at the handle of the Staff and is a little surprised to see he’s white knuckling it.

“No more fighting,” Edward tells him. “No more choices. Everybody’s happy.”

He thinks he’s gonna throw up. He swallows, staring at the handle.

“Taako,” Merle says. “This seems like a reeeeeeally good deal.”

Taako’s mouth works. He doesn’t know how to vocalize what he’s feeling. He doesn’t even know what it is he’s feeling at all. This is my last piece of- he thinks before the thought is unceremoniously cut off. He doesn’t know what it’s the last piece of but they can’t have it. They’re not allowed to touch it.

“Taako?” Magnus has his cautiously steady voice on, which is never a good sign. “You good?”

Taako looks up at them helplessly. Both their brows are furrowed but Magnus is looking off into the corner at something else, staring intently.

“Hey,” Merle says suddenly. “You didn’t say we could take it with us.”

“Beg pardon?” Edward asks.

“The Bell. You didn’t say we could take it with us, you just said Taako could have it. So does he get to leave with it?”

“Well-“

“I mean, kinda bogus, isn’t it? You’re asking him to give something up when really, you get to keep both things.”

“Yeah,” Magnus says, finally pulling his attention off from the corner. “Yeah, I’m with Merle. This is bullshit.”

Taako, decisively, sits down.

“Taako?” Lydia asks. “What are- what are you doing?”

“I mean, if I die in here, you can just take it off my corpse, right? No harm no foul. So why would I give it to you now? So I’m just gonna stop playing.”

“That’s not… really an option, Taako-“

“I can sit here in this room forever,” he interrupts. “And be miserable but not like, that miserable. Or I can spin that wheel, and keep going, and get even more miserable, and eventually, probably, uh, pretty soon, I’ll die, and you can have it then, what do I give a shit, I’m dead.”

“Yeah.” Magnus sits on one side of Taako. “Yeah, I’m with Taako. No easy outs.”

“I like easy outs,” Merle says, sitting on Taako’s other side. “But this doesn’t seem like it’s it, so, y’know, I’m with him, too.”

“I will say,” Taako adds. “I will be exponentially more miserable with these two thugs here with me for all eternity, just gonna be a real downer, so maybe it’s a more difficult decision for you than not.”

“Gee, thanks,” Merle grumbles. Magnus doesn’t blink.

Edward and Lydia mumble again, then fall silent.

“You still want that job opportunity?” Lydia asks.

“I mean, I think I’m good. Love your style, real Zoolander shit, but I’m gonna have to pass on that one.”

“Bummer.” She sighs softly. “Spin the wheel, Taako.”

All three of them get up and Taako approaches the wheel, feeling profoundly, inordinately grateful that the Unbra Staff, for now, remains in his hand and, a little surprisingly, grateful to the two chucklefucks standing on either side of him.

For a bizarre moment, he thinks the Staff might be a little grateful too.

#taz balance #taz fic #the adventure zone #adventure zone #taako taaco #magnus burnsides #merle highchurch #the suffering game #ocean speaks #ocean’s fic

[cygnus-cypres777]

Pick a Pile Tarot Reading- Why did I have this dream? Dream TAROT

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

PILE 1 - Eye Photo

Why did you have this dream or what did your dream mean?

You may have had a dream with a couple different people, there may have been an ancestor trying to reach out to you they want to help protect you at this time. I feel like you are very in tune with you subconscious emotions and your dreams may be very vivid. You feel a calling like the dream world is calling to you, maybe you are being more called to an unconventional spiritual path, if so, go for it.

Water will be very healing for you at this time, taking baths with Epsom salt or drinking tea and healing with water will be very good for you. You also may be a water sign, Cancer, Scorpio, or a Pisces. I am also getting Leo energy. Your dream may have been telling you that the connection you feel to your lineage or family line is real and your spirit guides may be trying to connect you with your ancestors. This is a very fertile and verdant time for you. I feel like you may be connected with swans or cranes or geese, these animals may be a sign for you. You are healing a lot in your sleep and this is an important thing for you at this time.

You are also very mentally active during the day so at night you get to mentally unwind. You may have dreams about being active or traveling. This means that you are motivated and plan for the future in you unconscious mind.

You may also be creative and like Japanese Studio Ghibli films.

You may want to look into the "Anima and Animus" archetypes as this may prove to be helpful for you.

Thank you for reading <3 Blessed Be.

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PILE 2 - Moon Book Photo

Why did you have this dream or what did your dream mean?

You might dream about things you want to manifest and might enjoy reading. If you dream about conquering your fears this is a good sign. You may be a person who lucid dreams or does astral travel, it is good when you are able to make decisions in your dreams and it helps you problem solve in real life. You are maybe dreaming about rivers and bodies of water, as well as sculpting or shaping clay or removing obstacles. You may be dreaming about places you lived while you were growing up. This is you reflecting on your past and healing.

You might be having dreams about flying, this is a sign that you are looking for freedom. Freedom will come to you when you take action.

You might be wanting to be more healthy in your life, this is affecting your sleep and dreams. Look into the term "Sleep Hygiene" as this may be beneficial for you at this time. You might be dreaming about forests or jungles. You may be dreaming about old friends and you are longing for them in the astral.

You may be a Sagittarius or a Fire Sign- Sun, Moon, or Rising. Aires, Leo, or Sagittarius.

Conquering your fears is an important theme in your dreams and this is healthy.

Thank you for reading <3 Blessed Be.

______________________________________________________________

PILE 3 - Stargirl Photo

Why did you have this dream or what did your dream mean?

You may be having dreams about different animals and animals might be showing up as omens in your dreams. You may be seeing, dolphins, cats, rabbits, butterflies, or deer. These all may be signs for you. You might be seeing signs from your past life in your dreams, or you might just be feeling really connected to your higher self right now. You might have an old flame or relationship who keeps showing up in your dreams. This is your subconscious dealing with this and moving on.

Sacred Geometry and Shapes may be showing up in your dreams. You should google what different shapes mean, like the universal hexagram as well as circles and triangles. You may be at a standstill at the moment and your dreams are showing you what you need to let go of and release so that you have room to grow. You may be having a few nightmares lately and this might be about something you need to face in your waking life.

You have a very strong and lively spirit and you are very protected.

Thank you for reading <3 Blessed Be.

#witchblr #tarot reading #tarot #pick a card #pick a picture #tarot cards #tarotcommunity #dreams #dreaming #unconscious

[warsofasoiaf]

On ceasefire negotiations related to how Israel-Hamas is operating. Israel demanded to know how many hostages remain and who is alive, and apparently Hamas is refusing to provide the names and count. Is this a normal thing to argue over and is it normal for a country to sacrifice military campaigns for a comparatively small number of civilians? For example would the United States act similarly if it were in Israel's situation? Would another Western country?

This is actually something I can talk a great deal about, because it deals with negotiations, game theory, and applying economic concepts to non-economic subjects. This will be pretty clinically heartless, so I'm going to throw a cut down.

A hostage negotiation is, at its core, taking prisoners to extract some form of compensation for their safe return. The hostage taker wants something, and trades in human lives to get it. This can be money (ransom), an exchange of prisoners (a prisoner swap), or to exert pressure to enact political change (terrorism). The negotiation is largely an argument over price - how much is it worth to return the hostages safely. We'll get back to this in a bit.

It is typically standard practice to declare the name, number, and status of hostages for a few reasons. One is verification, to prove that the organization has the hostages in question. The second is to establish good faith that the negotiations can be conducted, that the hostages won't be immediately executed. If there is no good faith, the other side does not negotiate and instead attempts rescue (or in Russia's case, just mows them down indiscriminately). That's the same reason why hostage takers can release hostages as a show of good faith that further negotiations are fruitful.

At the end of the day, a hostage negotiation is an argument over the price of the hostages' lives. In any negotiation, information asymmetry is the name of the day, and the more advantages you have in that category, the better price you can command. Hamas is incentivized not to declare the name and status of the hostages for both benign (relatively) and malign reasons. By refusing to name the number and status of the hostages, it forces uncertainty into the Israeli negotiations. If Israel doesn't know how many hostages it's "buying" then it's liable to offer more than Hamas is willing to settle for, which makes Hamas come out ahead in the exchange. If Israel offers too low an amount, Hamas can simply demand more - there are no downsides unless Israel refuses to negotiate.

Of course, the malign reason is that the hostages are not in the best shape - they're either the victims of torture or are already dead. In this case, Hamas is disguising the status to up the price of the negotiations. Typically, negotiators don't pay for dead hostages, so in the event you have dead hostages, it's advantageous to disguise that status to extract something for them (typically money because once you have it in your hand, it's tough to go backsies). It's not good business in the long run, because no one does business with you again, but Hamas likely doesn't believe it's going to be in a position to negotiate again so that threat is less prescient. Similarly, Hamas likely believes it's insulated from the inevitable blowback that it would bring. Support for Hamas, either from their Iranian backers or Western groups, doesn't typically go down even in response to perfidy, torture, or other crimes. So in that sense, being a habitual bad-faith actor doesn't hold the same animus - they're still going to enjoy support from their backers regardless of what they do, which are prime conditions for reinforcing bad behavior. It's similar in Israel, where the Netanyahu government largely doesn't care about foreign political pressure - their reaction typically to international condemnation is to close ranks and accuse their critics of wanting them dead, or at least not caring whether they live or die.

Typically, governments don't like to negotiate ransoms for hostage taking for the all-too-logical reason, it incentivizes other hostage taking attempts. Private citizens often pay ransoms because for them, it is a singular iteration of game theory - there typically isn't a second instance of hostage taking unless the individual is quite unlucky. Governments however, frequently interact with terror groups and are thus less likely to negotiate directly save in the event that the hostage in question is extremely important.

In that sense, hostage taking is usually an attempt to force private citizens to enact domestic pressure on a government, not to pressure the government directly. In the sense of the United States or any other Western countries, this is more effective than in autocracies such as Russia or China, which both are relatively resistant to domestic criticism and are more willing to accept civilian casualties. So to answer your question of what would the United States or another Western nation do, the answer is "it depends on the willingness of the public to place domestic pressure on the government to free the hostages versus their desire to punish the perpetrators."

Thanks for the question, Cle-Guy.

SomethingLikeALawyer, Hand of the King

#hamas #israel #economics #cw: terrorism #cw: hostages

[duskymrel]

More TWST as actual incorrect quotes from my friend group

to spare any confusion i'll be putting a ^ on the lines said by yours truly have fun kids don't get anybody pregnant

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^Ruggie: What if you removed my mask only to see it was my throat you just slit?

Leona: That would suck

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Idia: I’ve made all the Call of Duty men my father figures

^Lilia: Oh I fucked them

Idia: Yeah I did that too

Silver: *bombastic side eye*

^Lilia: Bro your kids are gonna have extra chromosomes. 2 for 1 deal.

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^Ace: I think I’m actually possessed by Satan

^Ace: …Fire daddy

Trey: *concerned staring*

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Epel: There’s a big goo monster trying to eat my brain rn

^Ace: Dw I’ll slurp it out

Jack: Don’t stick a straw through his ears >:|

^Sebek: There’s a ballerina dancing gracefully in my brain rn to the derpiest music

Ace: I have that meme of the plush of Donkey from Shrek sitting on the toilet and starts flying stuck in my brain

^Epel: ….I wonder what brains taste like???

Deuce: Part of my frontal lobe is missing :)

Epel: THE BITE OF 87-

^Ace: The only bite of 87 was when i bit ur mom last night 😏

Jack: *deadpans judgementally*

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^Cater: My first mistake in life was beating my siblings to my mom's egg

Idia: I could’ve beaten future presidents and people who could’ve changed the world but here I am now and I like goldfish and making memes

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^Ace: *tearfully* bozo

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*Floyd, to ^Riddle (i was Riddle)*: If this were Wings of Fire and I were an animus, I would curse your mother to only digest a third of what she eats and force her to throw up intestinal worms after every meal forevermore

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Cater: HELP I did not just say that citrus in plural is citri 😭

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Azul:

Floyd:

Azul:

Floyd: Oyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyo-

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^Rook: You are a beautiful individual

Vil: No you

^Rook: *sits up, stares him down*

*Rook and Vil*: *leans in, staring each other down*

Vil: No we’re not

^Rook: Are we about to kiss right n- HOW DID YOU KNOW !!!!??!?!?

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^Leona: If my parents won't support me then at least my bra should

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Teacher: There are certain parts of your life where you get free money—graduation, when you get married, when you have kids, etc.

Leona: *deadpan*

^Ruggie: Man you’re not getting hardly any free money in your life except for graduation 💀

Leona: No, no, I am getting married. The tax benefits are *does a chefs kiss*

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Teacher: Who wants to play with a calculator and make a hypothetical life situation

^Jamil: But what if I get hit by a car tomorrow

Kalim: Then I’d take out whoever hit you

^Jamil: What if it was you

Kalim: I can’t drive

^Jamil: That’s why I got hit

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Malleus: I’m not killing you

^Lilia: Meanie

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#duskys memes #dusky writes #malleus draconia #lilia vanrouge #twst incorrect quotes #kalim al asim #jamil viper #leona kingscholar #ruggie bucchi #ace trappola #twst first years #epel felmier #vil shoenheit #rook hunt #riddle rosehearts #floyd leech #cater diamond #idia shroud #sebek zigvolt #jack howl #silver vanrouge #deuce spade #twst #twisted wonderland

[teecupangel]

So, we have done the whole "Desmonds ancestors can hear Desmond" deal, but have we thought on how inheritantly horrifying the concept is? Suddenly one day, your body is no longer yours to control and the being who took it seemingly feels no remorse as "This is just a game", "It's not real" and "man, the controls sucks ass, i wanna just throw myself off the roof in anger!". The ancestor can do nothing but curse or pray at the being. Altaïr curses it and Ezio begs and prays that it won't hurt anyone he cares about. The being forces his hands to be stained with the blood of city guards who were just doing their job, but got in the way of the spirit. "Man, fighting and killing guards is pretty fun".

There is rarely any escape or reprieve. All they can do is hope it will end. For Altaïr it came quickly, but Ezio was cursed for a lifetime and went in search of the Library of Altaïr in hopes of finding a solution. He refuses to die a puppet.

.

Desmond just thinks it's all part of the Animus and his feelings being reflected back. If we want just a smidge of comfort. Maybe the ancestor can feel the beings feelings of fear and loss of control and wonder if the being uses them to escape something?

Idk, just kinda realised how horror themed the "Ancestors hear Desmond" asks could be. XD

The Ratatouille AU where the ancestors can hear Desmond while ‘playing’, its more unhinged cousin, the Ratatouille AU where Desmond can hear us and the outside POV of Al Mualim thinking the Apple broke Altaïr and the sidestory of Altaïr accidentally connecting with Ezio while looking for Desmond (I hope I didn’t forget anything else)

.

This isn’t real.

Ezio has come to loathe that thought.

He was real.

The world around him was real.

Everyone he sees was real.

The blood in his hand was real.

Who was this puppeteer that dared say he was just a memory.

That everything Ezio held dear and tried to protect was a memory.

He controlled Ezio’s limbs, forced Ezio to watch as he moved against his will.

Killed against his will.

There could have been a better way.

They weren’t Ezio’s target.

They were just doing their job.

They were doing this to survive.

Yet they were cut mercilessly, by Ezio’s limbs.

The Assassino.

The nightmare of Italia.

This wasn’t the life Ezio wanted.

This wasn’t the reason why he continued to wield the blade of an Assassin.

He wanted to avenge the cruel unjust deaths of his father and brothers.

He wanted to protect his mother and sister.

He wanted…

Ezio wanted…

I want to be loved.

I want to be acknowledged.

I want someone to see me for who I am.

He wasn’t…

I’m not…

“I’m me.”

I’m me.

“The rest is up to you, Desmond.”

Ezio could feel it.

The surprise…

His puppeteer knew this Desmond that Minerva spoke of.

No.

How can she see me?

A prophet.

What a cruel lie.

He wasn’t Desmond’s prophet.

He was Desmond’s puppet.

As long as he remained useful…

He will continue to be a puppet.

When will it end?

How sure was he that the puppeteer wouldn’t force Ezio’s blade against those he loved?

He could feel it.

The emptiness.

The puppeteer watches because he has nothing else.

He is a captive.

And now he holds Ezio captive.

Until he no longer has use for him.

When that happens…

Will he be abandoned as well?

Will the stories of the madness that plagued Altaïr Ibn-La'Ahad after becoming a mentor be his fate?

The controls are different. He doesn’t move like Altaïr.

Will the puppeteer take his sanity when he leaves him as well?

.

(I intentionally made this more confusing than it had to be because I wanted it to have the vibe of a person slipping into insanity after being in the presence of an old one. Yeah, I was going for a Lovecraftian vibe XD I focused on Ezio and Desmond’s controlling him but I guess let me know if you want a Desmond and the voices he hears horror-esque version???)

#ratatouille au horror version #ngl #was tempted to write this as altaïr #but i figured altaïr would be more indignant than ezio #desmond controlled ezio during the time he should be grieving #so desmond’s control became a constant reminder of ezio’s grief and hopelessness #altaïr would have tried to kill desmond early on XD #assassin's creed #desmond miles #ezio auditore #fic idea: assassin's creed #teecup writes/has a plot #ask and answer