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#def not me and my eyes
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Listening to MCR;
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Watching Eurovision after;
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I wish I could actually do makeup that cool and pretty, but I can’t. Don’t wear any makeup normally so it would just be a blob of color. Probably with lots of red as I poke my eye out. :)
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theshadowrealmitself · 5 months
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Peter Parker, terrible at lying, trying to explain why he’s in Wade Wilson’s apartment without revealing that he’s there for Spiderman related reasons, looking the Avenger’s straight in the eyes and claiming he’s Wade’s life coach
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owlyhouse · 11 months
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philip babygirl i love youuuuuu (<- running out of titles to name these dump posts sfhjksfdf)
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turtleblogatlast · 11 days
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I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.
Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”
Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.
Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)
For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.
I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt headcanons#rise donnie#rise leo#rise mikey#rise raph#I love fashion actually#if you’re wondering where this came from it came from me watching hours of outfit creation vids#but yeah! I honestly could probably go more into it#but I’m going off my memory for the most part rip#Leo in particular makes me sad because I disagree with like 99% of the fandom about his fashion sense LOL#I don’t think it’s bad but it’s def not close to Donnie level#Donnie is his own category#Leo though he’s not just jerseys and ripped sleeves#he wears full eye makeup as a granny and kills doing it#his pirate costume was very well put together imo#even his regular weird frog like disguise is perfectly fine when you get rid of the goggles#I ALSO don’t think Raph’s style is bad either#my boy has more difficulty with clothes since he’s limited to the stretchier stuff but like#he’s got good style!!#I’m def looking more into this all than necessary but#watch me come back to this and change it like fifty times#if you’re wondering what I mean about Leo’s outfits taking from his brothers#look at Raph’s standard disguise (the one they go out to play basketball with)#ripped sleeves and a backward cap#one of Leo’s main outfits in The Clothes Don’t Fit the Turtle?#ripped sleeves and backwards cap#incedentally these borrowed aspects actually hinder his overall look!#his outfit without them is more HIM y’know? which says a lot about allll their individual styles
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kaladinkholins · 4 months
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
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But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
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When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
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So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
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And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
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But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
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Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
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This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
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Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
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Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
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But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
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Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
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"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
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NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
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Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
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Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
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Let's talk about Option A: Akemi.
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As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
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Then, of course, we have Option B: Taigen.
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Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
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Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
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Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
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The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
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sweetest-honeybee · 19 days
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I didn’t even know he had a plushie but also I’m fuckin ?? YO ??
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ef-1 · 4 months
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labour | female rage playlist, part 2
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icantalk710 · 2 months
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Pushed through sleepies to make arms work better 😌 (🥱)
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souriwin · 3 months
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my favorite person
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itoshi-s · 1 year
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I think you know enough hq characters at this point so, who do you think in haikyuu would fuck their step-sis and why is it tsukishima (also ushijima but hes more lowkey)?? - 💔
🥲 if u were to crack my silly little head open and take a look inside. this would be the only thing u see. just pure hell pure chaos nothin else. NONNIE.. do u really want me dead :(
cw stepcest, dubcon, timeskip tsukki n ushi
sob sniffle sister fucker tsukishima. i am literally going to lose my mind thinking about him. he’s so mean, shrugs all your tears and whining off whenever the sibling banter pushes a few too many buttons. it’s just how he is and you’ve grown used to it — his snarky comments and how he could spark all sorts of deepest insecurities w just a few teasing, light hearted comments. but kei nii doesn’t rly mean that, and you know it. it’s just how he is, with the kindest heart buried somewhere deep under the cocky demeanor — that’s what you think, until you come home from uni for holiday break and go out one night.
you take a few shots too many, those airhead friends of yours that kei never really liked busying themselves w some random guys, and you end up calling him to pick you up. there’s some creep at the club that just doesn’t let up, you’re a little scared, and your phone is almost dead. he’s the only person you really know that’d actually pick up at this late hour and come get you — he’s your brother after all. and yet, you regret ever calling him in the first place as soon as you get in the car, listen to him calling you even dumber than he’d thought of you, jaw slack and eyes firm yet tired behind his glasses as he drives. you hold back tears on the way home, and for the very first time in your life, you feel like kei nii might actually hate you :( and that he meant every single jab he’s gave you throughout all these years. he tugs you inside the house, unaware of your silence, and grumbles something about u being lucky that mums not home to see you this fucked up. you sit at the edge of your bed, shaky fingers struggling to undo the straps of your heels, and kei lets out an exasperated sigh as he crouches down in front of you. he slaps your hands away, works on unclasping the straps and tells you you’re hopeless. you’re just so annoying with how reckless you’re being, he’s got practice tomorrow morning and yet its 3 am and he has to deal with you — careless as always. he sets your shoes aside and is about to get up and leave when he hears the choked little sound. a tear or two falls on his hand and he looks up — breath hitching in his throat upon his step sister crying. he’s seen it so many times before, being the very cause for your tears more often than not, and yet this time, he’s confused. you wipe at your eyes, a poor attempt to hide the heartbreak, and swallow back little muffled cries. you tell him you’re sorry, that you never wanted him to hate you. you’re sorry that you’re annoying, sorry that you’re being a bother as always. kei watches in sheer astonishment as your bottom lip wobbles, still glimmering with your gloss. just don’t hate me, nii chan. he almost feels bad, for the first time in forever, as you sit there in your tiny black dress, with those pretty long falsies on, and cry your heart out — for him. its the exhaustion, he thinks, it has to be as he reaches a hand up and rests it on the back of your neck. he calls you silly, wipes a thumb below your eyes and furrows his brows a bit — he could never hate you, why’d you even think that? you really are a dumb thing. he’s just tired and not thinking straight, kei’s sure, as he leans up to press his lips to yours and taste you. your tongue is heavy with intoxication and shock, and he makes out the faint vanilla of your lip gloss and remnants of liquor as he kisses you, languid and sloppy, something to slow down the haywire in your mind. he could never hate you, he repeats, easing you down on the bed and hiking your dress over your hips — groaning when you give him the prettiest wide eyes, glossy with tears still but oh, so hopeful. kei nii is a good brother, despite his sharp tongue and teasing nature — and makes sure you never, ever doubt his love for you again :(
ushijima though,, he’s a whole another story you’re so right. i’m p sure he doesn’t even give you any remotely dirty thought — anything that would be immoral considering your relation. you’re his little step sister, and there’s nothing more to it. sure, he’s never been too close with you — always solely focused on his career — but he does appreciate you. you’re nice, sweet and caring with the way you always pick him up from the airport or fly over to some of his games. (you always cheer for him the loudest, and grin wide as you tell the couple sittin next to you that the ushiwaka is your older brother.) you always welcome him with the warmest hug, standing on your tiptoes to wrap your arms around his neck, and laugh as he squeezes you — welcome back, nii chan, i missed you lots. he’s no fool and sees how you’ve grown into a beautiful young woman, too. he’s aware of all the looks you get when you two walk down the street and how it’s hard to keep count of all the boyfriends you’ve mentioned before. for some reason, none of them lasted, though, and yet you’d always brush it off and give him a small smile when he asked if you were okay. wakatoshi doesn’t know a lot about girls in the first place, but you’re a whole another enigma. like i said, i think he wouldn’t even dare think of you in any other way than purely platonic — and so, you render his entire giant frame putty when you first crawl into his lap with that pretty little glint in your eyes. barely a minute earlier you were just scrolling down your phone, w your legs in his lap as he goes through his calendar — next thing he knows, his little step sister is grinding down on him, breath minty on his lips as you moan. large palms rest on your hips and it takes all your willpower to stand your ground, considering he wouldn’t even have to put any work into pushing you off. he fixes you a confused look, eyebrows knit together and voice low when he asks what are you doing, why are you— you cup his handsome face in your hands, a manicured thumb pressing to his lips and it shuts him up ridiculously quick n effectively. s’alright, nii chan, it’s nothin’. you need him bad, you tell him, and prove your point by the sinful roll of your hips against his hardening cock. you see he wishes he could deny you, that he could tell you that it’s wrong and fucked up and that you can’t be doing this — cause you’re siblings, blood bound or not — but his silence gives him away. always so blunt and straightforward, your nii san now sits completely quiet, and you know that the cogs in his mind must be struggling, but if he had any second thoughts abt all of this — he would’ve already told you. but he doesn’t tell you anything, doesn’t speak at all before he exhales and pulls you flush against him, lips finding yours with way too much ease. toshi nii doesn’t have to speak at all — his actions do it for him, as he has you all spread out n making the prettiest noises for hours on end that day </3
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sanasanakun · 8 days
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Gortash acting as an enabler for The Dark Urge is so interesting imo. I can easily see redeemed DU feeling extremely betrayed and angry by it given that they now have a chance to contemplate their past self’s situation. They easily could accuse him like “you say you were my ‘nearest and dearest’ but you never saw how much I suffered? Or did you just not care because my misery advanced your (our) goals? You never wanted to help me? You could have stopped me.” At this point in the story, DU’s come to understand friendship in a way his past self never could have and Gortash’s previous inaction is a betrayal of those values. If he never helped them, then Gortash never truly saw the real them nor understood them.
In my personal headcanon (and somewhat supported by canon imo), I think Gortash tried to helped DU in his own “Gort” way. Aka promising that they’d one day rule as “Gods” which is essentially a promise to DU that they’ll rise above Bhaal or be free of his influence (as others have previously pointed out). However, I don’t believe Gortash has the emotional capacity to help DU in the way they needed. He doesn’t understand it or he might even be afraid to hit that particular nerve. He liked the routine they fell into, so why change it? It is also definitely pragmatic. The Dark Urge’s condition advances their plans. Gortash puts progress and the plan above all else even if it hurts loved ones. He rationalizes his inaction with cold logic, weighing the pros and cons of his intervention. Therefore, I don’t believe it’s necessarily malicious enabling. Gortash acts with the idea of pursuing whatever is more “comfortable” for him personally and their joint plan.
From my personal experience, this type of enabling is pretty common (at least in my irl situations). They don’t know how to act and are afraid to confront their loved one, so they do nothing. It’s “easier” to do nothing. Definitely would like to write something for it at some point because I feel like this would be a key tension point in their post-tadpole relationship (or lack of). Maybe even pre-tadpole where the Dark Urge just quietly endured but desperately hoped Enver would say or do something to save them, but he never did.
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Being a fan of Taylor when she has 10 albums and so many amazing songs, is loving so many songs, that when you hear one of them playing in a store or on a tiktok you think "fuck I forgot how much I actually love this song" and then obsessing over it till you rediscover another one and the cycle of falling in love never ends and I am so not mad about it.
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skitskatdacat63 · 8 months
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2009 Abu Dhabi Grand Prix - Sebastian Vettel
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general-cyno · 6 months
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just when I think zoro's sacrifice in thriller bark couldn't be more meaningful than it already is chapter 1097 comes for my life (spoilers ahead under the cut)
as more of kuma's heart-wrenching story is told - we now learn that just like zoro took luffy's pain as his own during thriller bark, kuma had been doing the same thing for his fellow villagers back when he was a pastor in sorbet kingdom.
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for kuma, whose life since childhood had been deeply marked by the discrimination he faced as a buccaneer and the slavery forced upon his family, using the paw paw fruit's power to free slaves and relieve those in suffering of their pain was his way of liberation - and this ideal was fueled in the first place by his belief in nika, the sun god who embodied the fight for freedom, which was passed on to him by his father. as ivankov later says, kuma now has "the hands of liberation that set people free".
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of course, kuma's backstory is completely different from zoro's own, so they're not really comparable in that sense per se. but it speaks highly of both their characters that they're the only ones so far to have sacrificed themselves for others in such a specific way. this shows the strength of their spirits and bodies, how far they're willing to go for their beliefs and the ppl they cherish, the plain goodness and selflessness that's written into who they are within the story.
zoro is a bit of a curious case, in that he's "selfishly selfless/kind" just like luffy, and doesn't enjoy being treated nor seen as a hero despite what he and the crew do for ppl. still, his kindness and willingness to protect others have been there pretty much since the start. the reason why he ends strung up by the marines in shells town is because he chose to save a little girl from helmeppo's violent wolf. the reason why luffy chooses to recruit him as part of his crew is because he eats those stomped riceballs and asks luffy to thank rika for them in his stead. imo, luffy and zoro start out as the pillars of the crew (they are the first two after all) but zoro and the rest of the straw hats each represent all the good qualities luffy himself has and admires in others.
throughout his journey with luffy and the straw hats too, zoro starts driving himself to get stronger not just for the sake of his dream anymore but also to keep his promise to luffy and for his crew. of course, thriller bark is that one moment in which this part of his development is made perfectly clear.
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also - while zoro's sacrifice was rooted in how loyal he is to and how much he cares for luffy (and by extension the crew), by going through with this, unknowingly, both zoro and kuma ensured, at least in this instance, that nika's fight for liberation would continue to exist within and later awaken in luffy via his devil fruit.
in the aftermath of thriller bark, kuma acknowledges that luffy has exceptional friends and says that "he's your son after all, dragon". knowing now about kuma's past and how/why he came to join dragon's revolutionary army, there's no one better suited to highlight this moment - the kind of loyalty, devotion and endurance zoro displayed for luffy's sake is not the kind that's earned without reason. this says as much about zoro as it does about luffy. considering that now luffy's unlocked joy boy/nika the warrior of liberation through his devil fruit and zoro's been revealed as a descendant of folks who have either been heroes and/or stood firmly against oppressors (ryuma and ushimaru), that both of them alongside the crew have fought for the freedom of different people/nations so far... well. you can see why zoro's sacrifice, why kuma protecting the straw hats and the sunny in sabaody have all become so much more important.
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hereforthefunnyguys · 2 months
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I know they're teeeechnically the same person (I am not an advocate of Yugi Civil War Separatism) but the difference between when we call him Yami Yugi, the Pharoah, and Just Atem is so funny. Like:
Yami Yugi: Terrible terrible goblin demon man who really likes his friends and nobody else. Memetic serial killer.
The Pharoah: Noble Immortal Being of tragic circumstances, possessed of ancient vengeance and a crushing emptimess.
Atem: oooo my innocent baby boy. My sweet babou who may yet do no harm. please go to therapy.
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pepperpixel · 1 month
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A pic of my human whirl design and holomatter avatar whirl hanging out together! Cuz I thought that’d be cute! And I was right… it is!
#transformers#mtmte#whirl#tf whirl#humanformers#mtmte whirl#doodles#Srry it’s been so long since uploading anything. I got a job! last month#and! it’s been going good… but also I do not have as much free time…#also… I’m.. it’s at a daycare… and I got a 102 degree fever last LAST Tuesday#2 Tuesdays ago. and I’m still fucking coughing. every time I start feeling better I go back to work and the sickness like resets itself.#also one of the kids gave me pinkeye!!!#im… thinking about looking for a diff job lol#im rlly proud of how well I’ve been handling this one. and its def boosted my confidence!#but.. like… i live with old ppl. who have there own serious issues. also I have my own issues!#espec w the eye thing like i had to go to an eye doctor ever month for like 2 years cuz my eyes were screwed up#and finally last year i got the ok that my eyes were doing good! and they weren’t screwed up anymore. and then i get fucking pink eye!#that freaks me out!!!! and Ive been sick for 2 weeks straight! that sucks!!!#like.. ive just realized… this level of exposure to illness and bacteria.. is not worth it lol#ive still got to do like 2 weeks notice tho so hopefully im not fucking sick for 2 more weeks#I feel like that’s a possibility ghgh#anyway yeah I got a job that’s why arts been scarce. gonna get a new job after this one so art will probably still be scarce lol#it’s ok that just means it’ll be more of a treat when I do post! like u guys’ll cherish it more right? lol#absence makes the heart grow fonder and all that#maccadam
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