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themoongirls12 · 7 months
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231006 | Chuu for Daegu Bank (DGB) mobile banking app "iM Bank"
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lakottke · 6 months
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NOW ANNOUNCING BILLY 2 FOR DGB:R
HE'S BACK
AND HE'S STILL IN WET CEMENT
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maddi--paige · 15 days
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cactus after the rain is so insanely beautiful
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pastelniche · 4 months
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'chasing angels' -- jfm
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thislovintime · 2 years
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Bruce Farwell and Peter Tork onstage in Greenwich Village, early 1960s.
“As a matter of fact, the interesting thing is that it [Tork] came about because in my Greenwich Village days, I was wearing my father’s high school sweatshirt and it said ‘Tork’ on the back of it because it was his nickname. [Thorkelson] got shortened that way, and for a long time, I wasn’t even Peter Tork, I was just Tork. And some of my friends from back then still just call me Tork as though it were my first name, which is kind of funny.” - Peter Tork, DGB, February 12, 2006
Q: “Why did you get into the music business?” Peter Tork: “Approval. Respect. Love. Girls.” Q: “How did you get into the music business?” PT: “I was in Greewich Village in 1963, with some college buddy of mine, listening to some folksinger, when my buddy said, ‘go back uptown and get your banjo, you can do at least as well as this character.’ So I did, and I could and I never looked back.” - Beachwood Confidential newsletter, 1995
“When I left college the second time, I went to New York — Greenwich Village — where I scrounged around trying to make dimes and quarters to make enough to eat. Some weeks I made six or seven dollars, and I never made more than fifty. Sometimes I needed a handout from home — my father teaches at the University of Connecticut — but I got along without very much. Once I had a day job as an office boy for a music agent but got fired after a month because I couldn’t get there on time — I was burning the candle at both ends. I finally left the Village. There was only so much of that scene I could stand. I took off for the West Coast when a friend invited me out to stay with him. I began looking around for work as a singer. One place I walked into offered me a job as a dishwasher and I took it. I saved a hundred dollars in a month, making fifty dollars a week. I don’t need money. Money doesn’t mean anything to me. If you can’t be happy poor, you can’t be happy rich.” - Peter Tork, Seventeen, August 1967
“He was a funny kind of a guy. He ran around in an old sweat shirt with ‘TORK’ lettered on the back of it and always carried his five-string banjo á la Pete Seeger. He also had what was considered ‘lots of hair’ in those days. […] Peter had a way about it. I mean, he could soften up the toughest audience. If people didn’t like his serious songs, he would play his funny ones. If they didn’t like his funny ones, he would play romantic ones. If they didn’t like his romantic songs, he would sing his ‘provocative’ ones. Usually, the audience was pretty warmed up by then — but just in case it wasn’t, Peter would throw in a spate of funny gags, followed by a series of the most comic faces one could ever see. […] In spite of all his clowning, Peter was a rather serious chap. […] Peter was a loud, powerful singer (I used to call him a romp’em, stomp’em type of singer), while I was a soft ballad singer. He had enormous stage presence and I had very little. He played the banjo, I played the guitar. […] He was restless and intense, while I was calm. He loved to be with a lot of people all of the time, whereas I liked to be completely alone some of the time. And last, but not least, Peter Tork had quite a way with the girls. […] One night at the Why Not?, the owner came over and told us business wasn’t too good. ‘I think,’ she said, ‘that if you guys can make a little more noise, we can get more people in off the streets. Why don’t you sing together — and loud?’
Peter and I went over to the corner and talked it over and came up with several tunes which we both knew. Soon, we were up on the stage singing Fennario, Dark As A Dungeon and Blowin’ In The Wind. We took turns wailing away a lead and then harmonizing together. Afterwards, Peter was exuberant. ‘Hey, I thought we were great, man!’ he exclaimed. I admitted to myself that I owed it a lot at the time, but I remembered that my main interest was to become a soulful folk singer. ‘Hey,’ Peter raved on, ‘let’s become a duet.’ Well, it took me a couple of days to make up my mind, but there wasn’t much money and when I got good and hungry I found Peter and we started rehearsing together at his apartment on Bedford Street. Overnight, we became the unfamous, unknown duo — Tork & Farwell. Where did we work? Where didn’t we work would be more like it. We worked at the Why Not?, The Basement, The Cyclops, The Third Side, The Four Winds, The Samurai, The Dragon’s Den, The Raven, The Id — and all the time we kept adding to our repertoire. […] I had moved into an apartment on Broome Street and Peter had had to give up his Bedford Street pad due to a lack of funds. So he started rooming at my place, occasionally. Let me tell you, it was really ‘enchanting.’ A five story walk-up, just off New York’s infamous Bowery. […] Things got tougher and tougher, and Peter finally had to take a job writing music arrangements, just to pay his share of the rent. One night Peter got sick and went home to Connecticut to stay for a few days. I went off to the mid-west on a gig, and when we both came home we found that our apartment had been robbed. All of my instruments were gone. Fortunately, Peter had taken his banjo and guitar with him. […] He is a great guy and he was like a brother to me. I will never forget him — intense, friendly, frank, very funny and clever with an intelligence that goes beyond book learning, and an understanding that goes beyond the surface. And as for the girls — it’s a cinch that Peter still has a way with them. He’s just doing the same thing he used to do — standing up there, making faces, grinning, jumping up and down, singing and laughing and running all about — only now he is doing it for 20 million people all over America, instead of just for a handful of tourists in Greenwich Village.” - Bruce Farwell, 16’s The Monkees: Here We Are (1967)
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frogkingdom · 1 year
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I made a tier list for @mottinthepot’s OC’s
(This is only my opinion ofc & sorry if I missed anyone lol bro has so many OC’s)
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Days Go By: An Eighties Musical [UPDATE!]
Hey all! Bez here. Exciting news -- I am currently writing the finale number for Days Go By: An Eighties Musical, and once that's done we should have a complete FINAL DRAFT of our script + demo album! Of course there'll still be some editing and polishing to do but the show will be ready to put on in the near future (more on that later...)
It's been a hot second since we've done a QnA. Now that we're at this point in the process, I thought we should get back on our socials to answer all your questions about the show.
Please feel free to leave your questions under this post in the replies, drop an ask in our inbox OR head over to our socials @ IngenueTheatre on Instagram and TikTok and respond to our QnA stories there. Have a lovely day!
-- Bez
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aw3rs · 2 years
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Na polanie pełnej białych kwiatów Samotny chłopak, raczej kawał wraku
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nbgblatt · 3 months
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DGB-Chefin Fahimi kritisiert Politisierung der Vier-Tage-Woche
DGB-Chefin Fahimi kritisiert Politisierung der Vier-Tage-Woche | #DGB #YasminFahimi #Kritik #Politisierung
DGB-Chefin Fahimi kritisiert eine Politisierung der Vier-Tage-Woche. “Es wird derzeit oft so getan, als seien wir ein Volk von Faulenzern”, sagte Fahimi auf dem der “Welt”-Wirtschaftsgipfel im Axel-Springer-Verlag am Dienstag in Berlin. “Leistungsfähigkeit hat nichts damit zu tun, ob jemand Bock auf Arbeit hat.” Intrinsische Motivation entstehe durch gute Arbeitsbedingungen, faire Bezahlung und…
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flashlivede · 3 months
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DGB-Chefin Fahimi kritisiert Politisierung der Vier-Tage-Woche
DGB-Chefin Fahimi kritisiert Politisierung der Vier-Tage-Woche | #DGB #YasminFahimi #Kritik #Politisierung
DGB-Chefin Yasmin Fahimi kritisiert eine Politisierung der Vier-Tage-Woche. “Es wird derzeit oft so getan, als seien wir ein Volk von Faulenzern”, sagte Fahimi auf dem der “Welt”-Wirtschaftsgipfel im Axel-Springer-Verlag am Dienstag in Berlin. “Leistungsfähigkeit hat nichts damit zu tun, ob jemand Bock auf Arbeit hat.” Intrinsische Motivation entstehe durch gute Arbeitsbedingungen, faire…
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0xgames0 · 6 months
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Street Fighter II - The World Warrior (SNes) Personagem: Blanka Parte 1 de 1
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bauerntanz · 8 months
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Heute ist Antikriegstag
Heute ist Antikriegstag. In #Wietmarschen_Lohne findet dazu ab 17 Uhr an der Grundschule eine Veranstaltung des DGB statt: Gedanken und Gedenken zu August Perk, Remarque, Lohne - 17 Uhr
Heute vor 84 Jahren begann mit dem Überfall Deutschlands auf Polen der 2. Weltkrieg. Seit 1966 wird an dieses Datum mit dem Antikriegstag erinnert. Der DGB lädt in Wietmarschen-Lohne dazu ein. Drei Stationen werden die Veranstaltung prägen:
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pastelniche · 4 months
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some guy dot jpeg
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aktionfsa-blog-blog · 8 months
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Gewerkschafts- und Friedensbewegung gehören zusammen
Kein Abweichen bei Friedensforderungen!
Das war seit Jahrzehnten völlig klar. auch wenn es meist aus Richtung der IG Metall in einigen jahren Bedenken gab zu Rüstungsbetriebe zu stark zu kritisieren. Doch durch den Ukraine-Krieg und die von Bundeskanzler Scholz ausgerufene "Zeitenwende" droht neues Unheil.
Beim Bundeskongresses der Dienstleistungsgewerkschaft ver.di, der vom 17. bis zum 23. September in Berlin stattfinden soll, könnte es geschehen, dass sich dort die größte deutsche Gewerkschaft auch programmatisch hinter den Kurs der Bundesregierung stellen und die Aufrüstung befürworten will.
Deshalb hat ein Bündnis linker Basisgewerkschafter in einem Aufruf eine öffentliche Debatte darüber eingefordert. Die friedenspolitischen Grundsätze von ver.di müssen erhalten bleiben. Mit dem Aufruf "Sag nein! Gewerkschafter:innen gegen Militarismus, Nationalismus und Burgfrieden" und einer Petition bei Change.org sammeln sie Unterstützung dafür.
Noch ist die ver.di Position eindeutig: ver.di fordert ein Ende des weltweiten Wettrüstens – und auch konkrete Abrüstungsschritte in Deutschland. Daran darf nicht gerüttelt werden!
Petition unterschreiben!
Mehr dazu bei https://www.telepolis.de/features/Geht-die-Gewerkschaft-ver-di-auf-Kriegskurs-9268382.html und zur Petition https://www.change.org/p/sagt-nein-gewerkschafter-innen-gegen-krieg-militarismus-und-burgfrieden
Kategorie[21]: Unsere Themen in der Presse Short-Link dieser Seite: a-fsa.de/d/3vM Link zu dieser Seite: https://www.aktion-freiheitstattangst.org/de/articles/8498-20230821-gewerkschafts-und-friedensbewegung-gehoeren-zusammen.htm
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cryptobanker · 1 year
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Crypto Update: (2023-04-10)
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what are each of the main characters' favorite colors and artists/bands?
Oh my goodness I LOVE this question thank you.
For those of you who don't know, Days Go By features seven principal characters -- Isaac, Mark, Leighton, Chad, Steve, Ratio and Eden. Here are their faves: ISAAC: Favourite colour - Orange Favourite artist - Frank Sinatra, The Lovin' Spoonful, Lionel Richie LEIGHTON: Favourite colour - Flamingo Pink Favourite artist - Prince ('duh!') CHAD: Favourite colour - Turquoise Favourite artist - If anyone asks, it's Guns 'N' Roses. Truthfully, it's Air Supply STEVE: Favourite colour(s) - muted green and brown (earth tones) Favourite artist - Miss Dolly Parton
RATIO: Favourite colour - CMYK 78%, 56%, 0%, 70% (Oxford Blue) Favourite artist - Tchaikovsky, or Luther Vandross EDEN: Favourite colour - 'the colour of space' (also purple) Favourite artist - The Beach Boys, Joy Division
Thanks again for your question!
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