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chainofclovers · 3 years

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Ted Lasso 2x6 thoughts

I felt like the physical embodiment of a series of iconic reaction GIFs while watching this episode. I felt like Higgins gagging on air and right and wrong choices. As an invested, non-casual Ted Lasso viewer, I feel quite absorbed in the experience of every episode, but I’m not usually a LOUD non-casual Ted Lasso viewer. At one point last night, I shouted “This is the wackiest show ever made!” at @bristler, and that doesn’t even sound like something I would say. And by “wacky” I just meant “all the emotions are happening at once.”

This episode was absolutely great and I knew that every single Rebecca Welton feeling I have would intensify because of this episode and that is exactly what happened.

This is me bravely writing down my episode thoughts after only one viewing (just like last week) and a bad night of sleep! Copious spoilers and emotions ahead...

This show goes all in on hats! A lot of bad hats for giving bad relationship advice and making bad decisions! Feel like you’re gonna do something correctly? Just put on a bad hat, that’ll snap you right out of it. Just had a revelation that you are almost certainly in an abusive relationship? Your girlfriend is hiding in the parking lot with a terrible hat for you! (I love this show.)

Dark forest dark forest dark forest dark forest.

I truly, truly, truly do not mean this to sound judgmental of any other fan, but it’s taking everything in my power not to just type “dark forest” in the comments of every person who is outraged that LDN152 is not Ted.

Gonna get my initial thoughts on the Sam=LDN152 reveal out of the way. I honestly like this choice.

First, I like this choice because of who LDN152 isn’t. I think about how awful it would be if she’d matched with Rupert and realized she’d been manipulated by him and charmed by him all over again, and how, when she gets the same reveal the audience already has, she would end up retraumatized by having been charmed and taken in by Rupert all over again. I think about her matching with Nate (if he’d redownloaded the app) and the inadequacy of her assertiveness advice and how Nate is one of the only non-Rupert characters who’s used sexist language against her and how Nate’s insecurities would be like water trying to co-exist with the oil of Rebecca’s insecurities. Nate and Rebecca are fond of each other and seem to want to be in each other’s lives, but a romantic squishing together via dating app would set them both back lightyears. I think about her matching with Ted, a man currently on a parallel-to-Rebecca trek through a very painfully dark forest, a man swinging wildly between performative attempted wit and utter panic. A man she trusts with her professional and personal challenges. [Her challenging mother comes to town and Keeley and Ted are the people she wants with her at lunch.] Ted and Rebecca, with all their current limitations, and with all the ways the forest obscures the view, are trying to be there for each other in their real, non-romantic comedy versions of their lives, and the discomfort of matching on an app seems like the kind of thing that would make them rear back from each other instead of bringing them even closer together. It is not time. It is so profoundly not time that I would have been furious if the writers had continued the “maybe it’s Ted?” line of thought for another second longer than they did.

Second, I like this choice because of who Sam is. I know. He’s not an appropriate match for her. The power dynamics are all messed up and their ages are all wrong. But this does introduce a potentially interesting parallel between Rupert and his younger women and the scrutiny Rebecca would risk herself and Sam experiencing if she goes for it. Rebecca seems to have tried to put away her Rupert-related trauma, but the specter of Rupert is lurking, and I do see that being a good person making an ethically complicated decision with another good person is very different from being an abuser setting out to take advantage of multiple people...but there are parallels she might have to reckon with. Also, Sam is a kind person with a strong ethical center and a well-documented interest in Rebecca. He and Ted helped each other feel more at home in London during a time of deeply missing other homes, and Sam has internalized a lot of Ted’s ways of living in a way that might genuinely appeal to Rebecca even if she doesn’t fully realize why. The writers on this show don’t write messes for the sake of drama. They write messes because life is painful and complicated and also very funny. I’d be shocked if, however this Bantr thing plays out, it isn’t painful and complicated and also funny.

(I am already a little worried that whatever happens next is going to activate some very ironic fan reactions given this is a show whose thesis statement is about withholding judgment. This fear is based not on Ted Lasso-specific knowledge but on unfortunate patterns of fandom, but...you can fear the impact of racist, sexist, and ageist tropes on two beloved characters without embodying those tropes as a viewer. You can watch characters make decisions that could subject them to harmful scrutiny without performing that harm yourself.)

Ted Lasso is a fictional character who tweeted about the joy of eating out (you know...at the Crown and Anchor) the day before 2x6 launched and during 2x6 Rebecca invited him to eat out at the Crown and Anchor. (I love this show.) I am so, so, so fond of all the little lunch-y things in this episode. Ted can’t bring Henry his lunch because he’s “at work” aka living in London. Ted and Beard surprise each other with secret sandwiches on Fridays. Rebecca is overwhelmed by her mother’s visit (her mother’s performance of a harmful pattern) and wants Keeley and Ted there. The scene at the Crown and Anchor, as painful as all the divorce/separation feelings were, was also so homey and lovely in terms of these characters being friends, being at home in a place despite the very not-at-home feelings emanating from Deborah. The Bake-Off viewing! Ted being the designated driver (probably a good thing on this particular day)! Rebecca feeling discomfort but not shutting down! Also cute British pub feelings. Evidence that Rebecca has talked to her mom about Ted! About personal things about Ted!

Naaaaaaate. His bursts of confidence and insight. The pain and insecurity and anger almost literally bubbling under the surface.

I cannot say enough good things about Higgins. He’s grown so much, and his decision to be honest with Beard regarding his concerns about Jane was absolutely impeccably done. Many, many trusted people in Higgins’ life told him not to do it. They are all good people, and they were all wrong. Sometimes one human being’s honesty makes the difference for someone who is struggling, and that’s exactly what happened here. Beard truly heard Higgins. And of course he didn’t immediately break things off with Jane. But he heard Higgins, and when Jane showed up Beard’s face looked different than it ever has, and Higgins words are with him as he walks off into the night with Jane and that might save him. And Rebecca witnessed it.

And I’m so glad she witnessed Higgins’ choice in the midst of this very difficult experience of a) trying to find Ted because she knows he’s in pain and being unable to and b) watching her mother repeat a pattern that Rebecca herself was able to break. It taught me so much about Rebecca. The way she was punished (and described the experience using the language of punishment) for having an honest reaction to her mother’s decision to leave her father the first time. The way she was taught that love is conditional, that love and reconciliation are things you can purchase with gifts. The way her mother uses the language of self-help without internalizing what it would take to heal, and probably has little use for actual therapy. The way her mother drinks alcohol as a way to feel free.

I don’t even know how to think, much less write, about everything with Roy’s coaching and his image and how Ted feels about it and all the fatherhood things Jamie brings up and all the fatherhood things Ted is missing w/r/t Nate and everyone except for Rebecca taking at face value (or willfully deciding to take at face value) the idea that Ted’s panic attack is actually just him needing to go barf up a fish pie. Ted hugging his backpack in Sharon’s office. Rebecca trying to find him, and Sharon being the one who does. The words “I wanna make an appointment” being the words that conclude the episode at the exact midpoint of the planned-for show. Halfway through the middle season. The moment Ted realizes he’s never going to be okay if he doesn’t give therapy a try.

I also can’t say enough good things about the moment with the team and Sharon, the way she agrees to one drink, the way it’s clear that she adores them all. Sharon is exacting and professional without being cold and calculating, and everything she does in this episode is such a gorgeous model of assertiveness, patience, and moderation...three things Ted struggles with the most.

What a dark forest. What an excellent group of humans.

#ted lasso #ted lasso s2 spoilers #ted lasso 2x6 #meta by me #a lesbian watches ted lasso

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thevindicativevordan · 3 years

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On Kong Kenan/Super-Man

It should've been him. He should've been the Superman of 5G/Future State/right now not Jon, and he should be the one getting an HBO Max series not Val. Hell he should be getting a movie!

God this dude is literally the best legacy character Superman has ever gotten, wholly his own person with his own lore and status quo while still building on the idea of "Superman". I am so pissed at DC for essentially just dropping him after his ongoing ended, what the hell Lee? You keep trying to make the Wildstorm characters happen, I need you to get my man Yang another Kenan book.

Have to admit I was a bit nervous at first about whether or not Kenan would be a worthwhile character. Yang's New 52 Superman run had been a disappointment to me overall, with only the the arc where Superman has underground wrestling matches against forgotten gods really sticking with me. Now he was introducing a brand new Superman? Didn't feel like he had "earned" that yet. But from the first issue I was hooked on this new character.

Kenan was unlike any other member of the Superfamily. He wasn't kind or sweet, he was an asshole! He was a bully! He was fantastic! Right from the start Kenan was set up to undergo a very different kind of character journey than the other members of the Superfamily. Empathy, humility, respect for people weaker than himself, these are all traits most heroes wearing the S-shield already posses by the time they first don the crest, but not Kenan.

Like all bullies he was even a bit of a coward himself at first, trying to bail on the experiment meant to give him Superman's powers right as it begins. After "saving" Lixin (the kid he bullies and steals lunch from every day) from Blue Condor he demands all the money Lixin has on him as payment. He's not courageous or selfless either at the start, Kenan is as much of an opposite of Superman as you can get short of being Bizarro. Learning the appeal of these traits formed the basis for his growth over the course of his series.

Seeing Yang bring in a lot of recognizable "Superman" elements in the series, but with a twist, was also great. Kenan is the one who bullies "Luo Lixin" rather than the traditional Clark/Lex friendship of Pre-Crisis and Birthright. Initially Kenan develops a crush on intrepid reporter for Primetime Shanghai, Laney Lan, but she dismisses him as too young and Kenan eventually ends up pursuing Avery Ho (Flash) instead. Baxi the Bat-Man of China has a similar relationship with Kenan as the traditional Superman/Batman in terms of being vitriolic best buds, however Baxi is the one who has the most respect for authority while Kenan is the rebel. Kenan is a part of the "Justice League of China" which does not meet with the approval of the already established Chinese superheroes, the Great Ten. That contrasts nicely with the good relationship the Justice Society and Justice League have, as well as seeing Yang lampshade the "Chinese copy" trope and incorporate that into his storytelling.

One of the funniest differences is how Kenan chooses to immediately reveal his identity as Super-Man to the world by taking off the compliance visor he was forced to wear, contrasting with Clark's choice to hide his identity. He was so eager to impress people that he never gave any thought to the danger he could put himself or his family in by revealing his identity until it was too late, something Clark is well aware of and has taken great pains to keep his identity secret. Was a missed opportunity for DC to have Kenan comment on Clark copying him for once when he outed himself under Bendis.

But one of the most poignant differences between Clark and Kenan is the gulf in separation between their relationship with their parents. Clark has a loving relationship with Ma and Pa Kent, trying to live up to their lessons as best he can. In contrast Kenan's mom was believed to have died in an airplane crash when he was just a child, and he never really knew her. His father was distant from him after that and the two weren't really close despite Kenan's attempts to impress him. So Kenan lacks that strong connection while still clearly loving both of them.

Pa Kent's death is one of the most tragic examples of Clark's love for his parents, and I've always been a fan of takes where Clark promises his father to fight for the powerless on Pa's deathbed. Kenan gets a similar scene at the start of his career, his dad "dies" (after being exposed as Flying General Dragon, a pro-democracy "supervillain" from the Chinese authorities perspective) and wants Kenan to promise he'll fight for Truth, Justice, and Democracy. But because Kenan's dad never really bonded with him, Kenan doesn't know what those mean, and can only promise that he never wants to see people die, something his father takes comfort in at least. In classic comic book fashion it's revealed that Dr. Omen, Kenan's "boss" and the one who gave him his powers, saved Kenan's father, because she is Kenan's mother! Kenan's relationship with his parents forms a lot of the crux of his character arc, and seeing how Yang utilizes the classic Superman concept of family kept the storytelling exciting.

Yang's brilliant exploration of the concept of "Superman" through the prism of Chinese culture was a great way to differentiate Kenan as well.

I absolutely freaking love how he tied to the concept of Qi to the S-shield in particular. Connecting the shape of the shield with the way Kenan has acquired his powers along the path of the Bagua (eight trigrams used in Taoism that represent the fundamental principles of reality), with his octagon S-shield outline representing all eight principles together, was mindblowing! So was the idea of restricting Kenan's access to his powers unless he was actually acting in a Superman manner, that tied his character growth to his power growth in an entertaining manner. There were so many characters and concepts that meshed Chinese and DC lore together, like how Emperor Super-Man was Kenan's "Doomsday", they even recreated that iconic dual kill shot! The Chinese Wonder Woman Peng Deilan, being based on the Chinese Legend of the White Snake! There was even some Korean mythology referenced with the Aqua-Man member of the JLC "Dragonson".

Yang also managed to do a Superman Blue/Superman Red story with Super-Man Yin/Super-Man Yang!

Shameful that it took me a while to realize what Gene Yang was doing but once I caught on I was touched. You can tell how much Yang loved Superman and his mythology, and how he was excited to incorporate as much from Clark as he could, while still using it in a way that was solidly Kenan's. And not just Superman's mythology, but the history and lore of the entire DC Universe. I-Ching got to be brought in, fleshed out, and used as Kenan's mentor! The "Yellow Peril" villain from Detective Comics #1, the comic DC gets its name from was brought in and revamped as I-Ching's twin brother All-Yang! Hats off to Yang for taking a racist caricature and attempting to make him into something more.

This series was a beautiful attempt by Gene Yang to build a space for Asian heroes and villains where they could be more than stereotypes, Kenan himself being a defiant mold-breaker in every regard as the complete opposite of most Asian characters in Western media (a jock, a bully, loves his dad but not on great terms with him, a powerhouse as a hero, etc). So much thought and hard work was poured into this by Yang and his team of artist collaborators.

Especially the costumes, man Kenan had so many great looks. From his starting outfit (which is my favorite Superman variant not worn by Clark himself), to the one with the Yin/Yang shield he acquired later on, to his Super-Man Yin & Super-Man Yang outfits, Kenan looked damn cool. Part of me is bummed they didn't go with the Chinese character shield they toyed around with, but I loved how Yang used the "s-shield" as a plot point, so I'm not too broken up over it.

All that great work Yang did to build that space up has been more or less forgotten sadly. It was nice to see Kenan in the DC Asian Month Celebration issue. Avery is going to be in Justice Incarnate at least (unsurprising considering she was created by Williamson). So fucking bummed that Superman Family Adventures cartoon didn't happen, they were going to have Kenan and John Henry Irons in it! Would've been a dream come true for me to see Irons in animation again, and Kenan making the jump to outside media! Maybe that would've encouraged DC to let Yang keep writing New Super-Man, or at least encouraged them to use him elsewhere instead of allowing him fall into Limbo.

Unfortunately I'm not sure what the future holds for Kenan. Jon is being pushed as Clark's replacement in the comics, with DC keeping all the other contenders such as Kon benched. Calvin is leading the Justice Incarnate team likely due to the upcoming Coates reboot that will make Clark black. Val will probably get something once Taylor leaves Jon's book or once they officially announce the HBO Max show is happening. So where does that leave Kenan, my new favorite PoC legacy hero? Currently my only hope is that Yang is working on something for DC involving him. Yang left Batman/Superman, where I was hoping to see a Baxi/Kenan team up, to go work on "exciting other opportunities" per his Twitter. So fingers crossed that there's something in the works for Kenan!

One day I hope he gets his day in the sun again.

#kenan kong #new super man #gene yang #justice league of china #superman #dc comics

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manuscripts-dontburn · 3 years

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The Unwomanly Face of War

Author: Svetlana Alexievich

First published: 1983

Pages: 372

Rating: ★★★★★

How long did it take: 12 days

No review is needed for this book. It is as gut-wrenching as any true voice crying out from the darkness of war. It also reminds one how alive, how near to our central and Eastern-European minds and hearts this particular war truly is still.

Across the Green Grass Fields

Author: Seana McGuire

First published: 2021

Pages: 174

Rating: ★★★★☆

How long did it take: 1 day

This is a lovely one. It seemed more for children than the rest of the series (to the point of being almost didactic), but I was glad of it. I was really in need of a "comfort" book and this one delivered on exactly that.

Vigée Le Brun

Author: various

First published: 2016

Pages: 288

Rating: ★★★★★

How long did it take: 1 day

This is a truly beautiful catalogue of works of celebrated during her life and yet somehow forgotten up until 1980s Elisabeth Louise Vigée Le Brun. I loved it. I have always been fond of portraits because they carry the stories of people in them as well as the stories of their creation. And Vigée Le Brun´s work truly appeals to my aesthetic tastes.

Solutions and Other Problems

Author: Allie Brosh

First published: 2020

Pages: 519

Rating: ★★★★☆

How long did it take: 1 day

Put a bitter-sweet smile on my face. Some parts hit me in the chest like a freight train.

You Had Me at Hola

Author: Alexis Daria

First published: 2020

Pages: 384

Rating: ★★★☆☆

How long did it take: 3 days

This was my first ever contemporary adult romance and... it was a pleasant experience. I am probably never going to be a big fan of the genre, but it was a welcome palate cleanser after some really depressing and emotionally (as well as mentally) taxing reads. The story was completely predictable, at times a little slow and dull, but I liked the characters, the Latinx representation and the wholesome feeling the book has throughout. And that cover is gorgeous.

Entertaining Tsarist Russia: Tales, Songs, Plays, Movies, Jokes, Ads, and Images from Russian Urban Life, 1779-1917

Edited by: Louise McReynolds

First published: 1998

Pages: 448

Rating: ★★★☆☆

How long did it take: 7 days

If I should rate it for the educational value - educational as in getting a telling glimpse into a common mind of a common man in the Imperial Russia of the 19th century mostly - the rating would be high. If I should rate it for the literary value and quality of the included texts, it would be very low. Naturally, the excellent and interesting writing of the period has found its recognition (we have all heard of or read Tolstoy and Pushkin etc), and these are the scraps of what we might call "folk artistry" where the "art" part is really the least of the author´s concern. Many of the included text make a reader of today uncomfortable with its sexism, xenophobia, racism and antisemitism so I would advise some caution if you choose to read them. In any case, an interesting collection for anyone vested in researching the period.

Jonathan Strange & Mr Norrell

Author: Susanna Clarke

First published: 2004

Pages: 1006

Rating: ★★★★☆

How long did it take: 22 days

This book is a delight of storytelling and plot gradation. Set in England during the time of Napoleon and Lord Wellington, it wonderfully combines the real historical characters and events with elements utterly other-worldly. And thus we see that Napoleon was defeated, among other things, by the "English" magic. The folklore of Great Britain is the basis for the rest of the plot and the source which the two magicians - Strange and Norrell - study and use to do their magic. The book has the social observance of custom and human flaws as penetrating and humorously presented as any Jane Austen novel yet at the same time Susanna Clarke conjures up scenes of complete desolation, terror and bleakness when she needs to. This book does many things at once and does them very, very well, no plot thread is useless and everything ties together in the end. Considering the length of the novel, it certainly takes you on a journey, starting off slow but being all the more rewarding to those who persevere. Just the ending I wished a bit different. For even though it makes complete sense, it was not as satisfying as I wanted it to be.

Stamped from the Beginning: The Definitive History of Racist Ideas in America

Author: Ibram X. Kendi

First published: 2016

Pages: 582

Rating: ★★★★★

How long did it take: 12 days

Important and above all illuminating. I definitely learned a lot and it put many things I have already known into their correct context and perspective. A neccessary read for anyone living in European-based society.

Caravaggio

Author: Milo Manara

First published: 2015

Pages: 128

Rating: ★★★☆☆

How long did it take: 1 day

Geniální dílo Michelangela Caravaggia jsem objevila poměrně nedávno a byla jsem zcela nadšená. Tento komiks si jistě zaslouží ocenění za výtvarnou stránku a tím, že dýchne vším tím ošklivým, v čem Caravaggio žil, aniž by to narušilo jeho schopnost vnímat krásu. Odhalených zadnic a poprsí je na 120 stránkách bohužel tolik, že je jasné, že Milo Manara si je prostě nedokázal odpustit, ne proto, že by byly pro příběh nějak zásadní, což je vždycky problematické. Celkově zajímavě zpracovaný příběh o jednom nenormálním leč skutečně talentovaném umělci od jiného poněkud sexem-posedlého talentovaného umělce. Jen je vtipné, že mezi všemi těmi nahotinkami není jediný náznak Caravaggiovi bisexuality, ne-li přímo homosexuality. Na to asi Manara neměl dost odvahy.

The Invisible Life of Addie LaRue

Author: V.E. Schwab

First published: 2020

Pages: 560

Rating: ★★★★☆

How long did it take: 8 days

This was possibly the most talked-about and hyped book of 2020, so it feels rather useless rehashing what it is about. I am just going to say I liked it. It was beautifully written (this was my first V.E. Schwab), I enjoyed the historical parts a great deal and even the contemporary setting had very charming moments (I tend to be bored to tears by anything set in a modern world, so this was a nice surprise). I only cannot decide if the ending was frustrating or clever.

#booklr #wrap up #February 2021

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off-in-the-moors · 3 years

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It is not the responsibility of art to be morally instructive. It is 100% YOUR responsibility to research something if you know you are a sensitive person, take responsibility for your self. Art does not need to be some clinical sanitized morality play, get over your weird Puritanical obsession that all art must conform to your specific world view. Either engage in challenging works or stick to children’s cartoons where you can feel ‘safe’.

Dear Anon,

I’m truly confused by this. I have no idea what are you referencing and what “inspired“ you to send me this “ask“. But I will do my best to give you something.

(It only took me this long to answer, bc I don’t log in very often.)

Let’s start with your assumption of me.

I’m not a sensitive person, in any meaning. I actually love reading and engaging in media that’s morally questionable or straight up morbid and disturbing. Some of my favorite thing are: paintings by Goya and Beksiński, folklore/mythology (in it’s most unchanged form), “Perfume“ both film and book, Hannibal tv series, true crime, to name a few. Your assumption that I’m just “a girl obsessed and only enjoying modern cartoons“ is insulting.

I actually do agree with you that art, in any form, isn’t responsible to be morally instructive, but every work of art is made to send some form of message, be an obvious one or hidden between pages. In my opinion, authors and writers should be aware of what message they want to send with their works and what messages they are sending with what and how they’re presenting.

On your “It is 100% YOUR responsibility to research something if you know you are a sensitive person, take responsibility for your self“ this is also true. But on the other hand, given media should provide you with some kind of warning and not a third party entity. For example, if I pick-up a YA book from a bookstore, bc of its synopsis or someone (be a person I know or a creator) recommended it to me, I don't expect "spicy" scenes or blatant a*use of a character by its love interest or just "torture p*rn" scenes in it but here they are. With no warning. Is it my fault? Partly yes. Is it the media's fault for not giving me any warnings? Also yes.

Even with researching "warnings" isn't that simple. When it comes to books, the only way is reading reviews or recommendations. With reviews, they're either positive and say nothing book related or are negative and full of spoilers. Recommendations nowadays most of the time don't even give you what the story is about, just "it has x, y and z in it", let alone "warnings". From my own experience, they either don't tell you about "unappropriated" stuff (be r*pe, d*ug a*use, a*use, etc.) or they down play them and in worst cases, excuse it or say "it gets better/it's addressed in the next book/later in the series".

But if you feel the need to micromanage everything you engage in, go for it. But most people don't and a warning would be nice.

(This of course doesn't apply to thing and character's actions deemed "problematic". If said stuff is well handled and addressed, it's perfectly ok to portray it. But again, if it addressed and/or showed as wrong, and not ignored, excused, or played as a joke.)

I don't know from where you took the "your weird Puritanical obsession", bc 1) I never petitioned for that in my posts, and 2) I'm actually against censuring and sanitation of media.

Now, on to what "inspired" you to write this.

Again, I have no f-clue. So here are my best guesses:

If it's about Pathologic: I only have problem with people forcing their politics, modern sentiments and opinions/interpretations on to something they don't fully understand, because they're from a different cultural climate. An American can't fully (or in some cases, refuses to) understand something made by Europeans (in this case Russians) for Europeans in mind. I don't want to mix myself into the fandom discourse/drama, because I don't care what people think or how they interpret stuff, even if it's taken from something minor or from nowhere with no support (or even is debunked) in canon. I don't care if people like or hate this one character. Just don't police people for liking things, you don't like. Nor do public shaming or send people on those you don't agree with. You don't like a pixel man on platform shoes? Fine. Just don't bully and attack people who do.

If it's about my post about B*rdugo's adult book: I will admit, the wording and presentation wasn't the best. I was writing it from a place of strong emotions, but I'm still standing by my opinion that some things should not be presented with graphic details in a book without any type of warning. Here we could have a discussion about trigger warnings in books, hers response to the idea of putting them on her book and what is consider "too far", but this isn't about that. I actually have a lot of problems with B*rdugo and her fan-base, besides that. Her use of Russia, it's history, religion iconography and culture only for aesthetic and not doing proper research (she called her series "Greg's trilogy") or showing any respect for it (with characters, how are not main and secondary characters, a Slavic stereotype); her portray of dyslexia and how the fandom likes to use it as a joke in relation to this character; or people shielding her from any form of criticism with "She's is xyz, so she can write this". But I don't care about her and her works.

I stopped reading YA books, because I can't stand them any longer and their "handling" of topics, with people holding up every-single-one as "the best book ever written", not because of the quality or story but because the author is xyz, and spitting at every book written before 2000s. I'll get flag for it but YA novels are the Pulp fiction of our times (of course not all, but most of the popular ones are). I stopped trusting people recommending them to me, because 90% of the time, I'm just disappointed by them.

If it's about K and TRC: I already said so much about this. Margaret isn't aware of her audience, she writes for herself (which she admitted on a podcast) and refuses to change it to please anyone. She created and killed K for two reasons: to further Ronan's character arc (to be used for teaching him to dream better and a (not working) foil of him (or Adam... or Gansey)) and as her weird catharsis of killing everything she hates (who she apparently was; "fratty boys and chortling men") personified as one boy (and yes, boy, because this fandom likes to forget he’s only seventeen, the same age as the Gangsey. If you excuses their actions, like Ronan and Adam’s racist jokes or Gansey’s toxic behaviors towards Adam with “they’re just teenagers”, why K is excluded from being a stupid teen?). With Jordan, it's now obvious that she has a bias of suffering/dealing with your trauma (and addiction) "in the right way", of which in her eyes, K wasn't. She could not create K or she could not make him a harmful stereotype of a Slav, but she did. In a book targeted at 13-18 year olds, we have a drug-addicted boy committing a public s*icide and being demonized and forgotten by everyone.

But I'm done with this fandom, I never had a place in it. TRC fandom is 80% P*nch with a 1% being about K, but even this little corner is "too much" for the stans. I left for a reason, the only thing I regret is not apologizing for my out-burst. If someone who knows what I’m referencing is reading this, I’m truly sorry.

So, yea. I hope, I addressed your issue, Anon.

#ask anon #ask #pathologic #anti leigh bardugo #anti trc #anti maggie stiefvater

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courage-a-word-of-justice · 3 years

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After much watching...I cut it down to 5 anime and 1 short.

Suppose a Kid… 1

I am not writing out that full title every time! Anyways, here’s the first “real” debut of winter 2021.

For some reason…this series reminds me of Pokemon. Probably how at the start, Ash tries to get along with Pikachu by doing all sorts of things like what Lloyd is doing here. (<- learnt protag’s name through synopses)

The name “Shouma” rang a bell and I was right – Shouma is voiced by Souma…Saito.

The Japanese title has “monogatari” on the end there…so it probably doesn’t fully translate into the English title.

These orange flecks in Lloyd’s eyes are kinda distracting…

Isn’t Kunlun in China, though…?

If this is just going to be Marie yelling…I don’t see why I should stay. (<- turned volume on for everything so far)

*facepalms* Lloyd is so dense…

That fight scene’s not very good…

…oh great. Selen’s fallen in love with Lloyd already…*sigh*

The missing princess is certainly going to be a plot point later.

Wow, that tiger looks impressive! If only they could’ve done that for the fight scene…

…oh great, Selen is a low-key yandere…

Didn’t Lloyd say he sucked at combat…? Anyways, I’m not keeping this. The designs are colourful and the tiger was good, but it’s meant to be a comedy and it’s not funny.

Hortensia Saga 1

Here for Ume! He’s voicing a guy called Defloitte Danois.

I-Is that CGI? So early on into the anime???

*a dude gets bitten into by the werewolf*…welp, at least this series isn’t afraid of its own gore.

I had a sinking feeling our real protag was Alfred…and I was right, according to the OP.

Huh? The song goes silent for a second near the end…what the heck?

The book appears to use English, albeit English so faintly inked in you can’t quite tell what language it is.

Alfred, governing Albert…? Isn’t that a bit redundant?

I swear all the female voices in this anime are squeaky as all get out…

All these high fantasy anime – or heck, any high fantasy series full stop – ever justify why the country is worth fighting for. It’s why I find war stories pointless and senseless.

You can tell from the voice and short stature “Marius” is Mariel…but she uses boku, which is why Alfred can’t really tell the difference. (Also, he wasn’t privy to the fact Mariel cut her hair.)

This almost smacks of a game tutorial. The CGI is still there…it’s not as bad as other examples I’ve seen, but you can tell it’s CGI when you look at it.

Roy’s kind of pretty, in a generic way.

A close-range archer! Ho, you’re kinda impressive yourself, Roy. (The feeling of a game tutorial has disappeared by this point.)

Hortense…of Hortensia…how confusing.

The scruffy guy you keep seeing with the dark hair is Defloitte. Keep an eye out for him for me, would you?

The ED seems to consist mostly of…anguished pop screams. *cringes slightly*

Anyways, this anime isn’t bad. It’s quite average though and its CGI could easily get worse.

Kumo Desu ga 1

…you know I don’t like 1st person cam, yeah?

…this is just Kumoko (as I’ve heard her being called) yelling so far…plus there’s quite a bit of CGI.

I like how the ED has an English overlay and the style they’ve used for it. The music, though…? Nah.

Wait a second? Millepensee? Shin Itagaki? That would explain the CGI!

“…a spider that just happens to have my memories.” – A butterfly dream, huh?

…well, at least this anime is well aware of the genre space it inhabits. Maybe you could say…it’s an isekai light novel, so what? *groans from the audience*

…well, you didn’t really “bring” your “brother’s” (?) corpse in case of an emergency, now, did you?

…welp, to have guts, you must eat guts. I guess that’s how it goes.

What’s a “skanda”?

This anime’s quite monologue-y (as expected of an LN). I can live with it, but I don’t know if it can carry the entire thing through the season.

…humans? Haven’t seen them almost all episode. What are they up to?

These designs sort of look like SAO’s. They’re not a dealbreaker yet, but they could be down the line…

This ED seems to take cues from Cop Craft’s OP (same studio). It also has some…“Aggretsuko rage”, I guess you could call it.

2.43 1

…Another confusing title, I see. I normally don’t do sports anime, but I’m here for Ume.

*sees the colour of the volleyball* - Basically anything volleyball has to collaborate with volleyball maker Mikasa, doesn’t it?

This anime seems to like putting characters’ thoughts on the screen for dramatic impact. The CGI is sort of visible, but not a dealbreaker.

I’d thought I’d heard of this OP artist before, but it turns out I haven’t.

This series has a nice sense of force. You see those moments where the ball squishes, or when Yuni presses against the wall without thinking? Those.

LOL, way to burn Yuni, Chika…

These transitions are a bit hard to detect. I think I like Akudama’s more overt ones more.

LOL, Dr Popper (sic).

The serves are nothing special. Haikyuu does the same thing from the episode I saw of it. (You know I don’t like Haikyuu, yeah? Dropped it after 1 episode because everything I heard the fans talking about caused me to connect the dots.)

The way Yuni blushes…it’s more than someone usually would, even if it is out of embarrassment. It may just be the entertainment I consume, but I could swear that’s going somewhere in more of a BL manner.

I get the feeling Chika has a bit of Virgo or Taurus in him somewhere. The sort of guy who nags at everyone to do stuff his way is probably like that.

Pocari Sweat (unaltered).

I gave myself dimples by puffing up my cheeks and poking them until they became permanent. I guess you can do the same thing with ambidexterity…?

For some reason, I can detect Chika’s jealousy when he discusses blocks and natural talent.

…wow, this anime is pretty serious for a volleyball anime.

The ED scene where the face is replaced with flowers is pretty creepy. Like Jigokuraku or something.

Cells at Work!! 1

What are these blob creatures you see in the OP, anyway…?

I think I remember reading something that the numbers assigned to the cells aren’t arbitrary – they’re hexadecimal colors, e.g. RBCs get shades of red as their numbers.

D’aww, Platelets warm the heart. They really do.

Platelets have a master…? I thought they were all just lil’ kids.

“What the cell’s going on?!” – Oh, I remember seeing a tweet about this. I love that pun! Kudos to whoever was responsible for that.

LOL, no. 4989 dancing in the background.

Hmm…those nets look like CGI.

…uh, I did not need that shot of the Megakaryocyte’s camel toe…that’s distubring.

Wait, Backward Cap is a she?!

Aw, lookit WBC being a dad. That’s cute.

Backward Cap = Ushiromae-chan.

Is that…a construction worker holding a giant pudding?!

Cells at Work Code Black 1

This anime is called “black” due to black companies. It’s Code Black to avoid being racist, I guess. I’m looking forward to it because it’s undoubtedly going to show a dark side to the main series…

…and there it is, the RBC complaining.

I assume OJT = on the job training.

I knew “pespin” (sic) was a typo. It’s pepsin.

Now that I’ve been working at customer service for two years (give or take COVID), I can see where the senpai RBC is smoothing over the relations.

…that also means I know where to suppress my emotions. I’m not a person who opens up to people easily without getting used to them, so people never see me as suitable for customer service anyway, but it’s the only experience I have so *shrugs*.

…oh gosh. I haven’t seen these words since…the time I was still learning biology.

…*sigh* Rookie RBC is worried about boobs.

The fact Senpai lost his iconic hat…is kinda sad, actually.

“Don’t let his resolve be for nothing.”

Hmm…does the male WBC from the main series wear black fingerless gloves?

I thought I’d heard of this artist before…but turns out I just can’t distinguish really autotuned artists from each other…(lel)

…and stuff goes ka-blam. It’s the spiritual successor to HypMic, even if I wasn’t asking for it. (LOL)

Back Arrow 1

…I heard you said “hot guys”? (Yes, I am predictable as all get out.)

What’s with that episode title…?

Stereotypes, eh? I kind of expected as much from the promo, but where’s the title character…?

…was that yuri fanservice? I can’t quite tell because it was the aftermath of an action scene, but I can see the shippers gearing up in my head.

…after a bit of waiting, there he is. Back Arrow himself. He kind looks like Takuto (Star Driver).

“I’m not trying to hide anything!” – Well, that’s…true.

…*sigh* Why do girls always have more feminine-looking mechs? (Plus this one has boobs…*sighhhhhhhhhhhh*)

So it seems mechs in this anime are the form of one’s conviction and they have skills along those lines, eh? An interesting concept.

…you do realise I abandoned an entire anime based on a joke about lucky underwear? However, this anime is so absurd and just keeps running with the joke that I just can’t say no to it. If there’s one thing I’ve learnt from volunteering at a charity store, it’s that when it comes to selling stuff, you can’t say no to a lot of stuff…including selling potentially used underwear, so long as it’s not dirty or stinky.

Whoa! Those things break?!

Why does the title card mention the wall...?

Anyways, I…like it, surprisingly enough. Let’s keep going.

Back Arrow 2

…eh? Didn’t expect inflatable clothing, LOL.

I suspect Shu Bi is scheming something.

What’s the long thing…?

“…tomorrow might not come.” – A good reminder to have in these times of COVID.

Peath = Peace. (Heh. What a stupid name…*thinks about the name “Quattro Bajeena” suddenly* Okay, “Peath” pales in comparison to that.)

What is that creature that circles in the sky…?

I know this is meant to be a serious fight, but…that attacking guy’s hat seriously looks like a bamboo stalk and so I keep seeing it and trying not to laugh.

I only just now realised there’s CGI. CGI these days is getting much better than it used to be.

Tomozaki 1

LOL, Yontendo. It’s clearly Smash Bros + Nintendo Switch and the character designer was also around for Iroduku, so that’s why this style looks familiar.

…lemme guess, since this is a romance, it’s likely NONAME is Aoi. Or some other girl.

I would pay for a romance where it’s the girl building the guy up to be presentable, instead of a girl building other girls up to be presentable a la Ageha 100%.

Didn’t the anime show us Tomozaki reflecting to himself, though…?

“…rules working in combination.” - Well, there’s social norms (e.g. knock before entering a room), laws, contracts, societal standards (e.g. in Japanese society, you bow to others as a greeting or apology)…(continues to blabber on for a bit)

I think Aoi said something like “onitadaku”, but I’m not sure what the joke is there. Oni is in there, sure, but what’s the original phrase she’s playing off?

…LOL, it’s a good time to remind people to wear a mask.

LOL, Krout.

Anyways, this seems decent. I like how it’s going the way I want it to.

Tomozaki 2

“…make sure I’m nearby…” – Okay, that’s just being pushy, Aoi.

Minami and Hinami…so confusing…

*Minami chomps on Natsubayashi’s ear* - …okay, that’s not a thing girls do in real life unless they’re lesbians. This is likely trying to take the fanservice route.

They didn’t even show why the “kiss” was broken up…meaning they were doing it to make potential girl-on-girl look hot. Just great.

*Aoi touches Tomozaki’s butt* - Dude, that’s groping…

I didn’t think we’d get the story on Aoi’s “hexactly” so soon.

…well, that episode just made me feel mildly bitter. I’m dropping it here.

Praeter 1

…aw s***. Only a few seconds in and this looks like a terrible game…

It’s like someone barfed paint across Durarara…

The only time the background buildings look any good are when there’s a fight scene…

These Seals (or whatever those designs are called) seem to act like mini shields. Update: They’re called tattoos.

That transition was a bit fast for my liking…

Seems like the series is mildly peppered with Greek terms.

“To Infinity and Beyond” by…some author I can’t really read the name of.

Suddenly, they throw in more characters…?

Where does Eiji keep those bullet cases of his…? In his jacket?

Having a guy die in the 1st episode is cheap. I mean, we don’t quite care for him yet – it’s too early in the anime for that.

Now there’s Norse terms on top of the Greek ones…

Even more characters? You kidding me?

Lemme guess, Eiji gave up his tattoo because Yamato inspired him and now he’s a goner.

Welp, the weight of the world is in your hands, Yamato. Including that dead dude on your back. (<- sarcastic)

Sk8 1

I’ve been hearing good things about this anime! Let’s go! (<- about a week late to the debut)

That politician is probably relevant…probably someone’s dad, if HypMic taught me anything.

LOL, a beef. They call this stuff “beef”? Where’s the chicken? (<- joke from HypMic)

Haemanthus…apparently a flowering plant from S. Africa.

That’s rare, you don’t see Canadians in anime all that much. I was just thinking as I came home from volunteering how you know British people all have fancy names like William and Australians are Johnno, Danno etc., but Canadians? No clue. Update: Apparently you’d call one Arnold or something just as generic…?

Why are all foreigners in anime half-Japanese with the mother being the Japanese side, anyway?...Because people can make their character speak Japanese while looking foreign. Right. Moving right along.

Ahh…I understand your plight all too well, Reki.

…Hmm. It seems Reki’s surname is written kiya, but read “Kyan”. His name literally translates to “history (calendar/age) of bravery (military might)” Update: Turns out his surname is 3 characters (read “kiyan”, although I’ve never seen that final character ever being read as “n”) and his first name is one, so his first name is just “history (calendar/age)”.

Even I suck at balancing on bikes and stuff (…yeah, I still can’t ride a bike even though I’ve done so many other things in my life) and I know you have to support yourself with one foot on the ground before you do things like trick flips. I may not have observed Tony Hawk all that much, but he was on the periphery of my knowledge.

“What’s your hourly wage?” – Ouch, I feel ya, Langa.

Koko ni netete actually means “Lie down here”, but…okay.

These eyecatches are cute.

That’s a cute fox.

Yikes! 60 mph = approx. 97 km/h!!!

Random umeboshi, LOL.

Aghhhhhhhhhhh! Cherry Blossom’s so pretty~! I love him already!

Thank you, based Bones!

Something that can be enjoyed, even without sound: this is why I enjoy both action and comedy anime!

Okinawa? We’re in Okinawa?

Well, that was cool! I didn’t even ask where the location was until the end. Update: Why is this anime sometimes called Sk8 the Infinity anyway…?

Horimiya 1

Horimiya…I’ve been aware of this series for a while. There’s even a Chinese volume of it at a library close to me, although due to contact tracing I haven’t bothered to check it out.

Oh, I bet Hori is the otaku!

Ooh, Marketing Script!

Because I’ve been behind on the premieres, I’ve seen enough to know this boy with the chain is Miyamura.

…argh! Miyamura is cute! Y’all were right!!! (<- likes blushing bois)

I bet there’s going to be an emergency meeting!

“Sorry, it’s egg time!” – Oh, I’m laughing so hard! So that’s the context behind the Wonder Egg Priority meme!

“…see these?!” – Well, it’s not like you have a tattoo or some-*Miyamura shows his tattoos* Never mind…

Oh, I just realised they even animate the minute movements of the eyes Miyamura does…cool.

Notice how Miyamura is blocked from the other guy due to the window.

Miyamura goes “Ishikawa-kun” but “Hori-san”…hmm. No wonder he’s letting Ishikawa get Hori.

The problem I find with romance series is that they’re generally tied to heteronormativity. Hori is coded with red silhouettes and Miyamura with blue…*sigh* Whatever happened to gender ambiguity?

Good heavens, what is up with this ED?! It looks like Pocoyo! (…Does anyone else know that cartoon…?) Aside from that quibble, this anime is great though.

Mushoku Tensei 1

Apparently this is the grandad of all isekai. Why it took so long for an anime of this…who knows?

…and of course this guy’s a loser virgin. Go figure.

*sighhhhhhhhh* He’s just ogling this woman’s boobs…

…oh, sorry. I was so distracted by the man candy, I didn’t care about Rudy.

I-It’s actually quite refreshing to not have an OP protagonist from the get-go for once. (Or maybe I’ve developed such a disdain for isekai since SAO rolled around that everything here suddenly feels fresh.)

You can see the birthplace of isekai without having watched any of the others right here, it looks like.

“…what’s the point of incantations?” – To make it easier for you to cast spells, I gue-spoke too soon.

…wow, they shamelessly showed off Rudy’s privates. I know he’s still young at this stage, but that reminds me of how I dropped Dragon Ball around the time Goku was shown the same way (which is…very early on, by my own admission).

I believe, based on the name of the spinoff I see in the 7 Seas emails, the magic tutor is called Roxy.

You’re thinking about marriage?! At your (reincarnated) age?!

Oh no! The tree again!

LOL, Rudy’s acting like a kid who’s been in COVID lockdown for a while.

I think what most of the isekai that spun off from here missed is that the loser is job age. Losers at life at job age are relatable and high school geniuses are relatable (albeit sometimes insufferable), but losers who become NEETs for no reason whatsoever and then get banged up by Truck-kun are not.

Anyways, this was good, but a risky kind of good, since it seems like this male gaze will continue to be around as Rudy gets older.

Update: Dropped after learning Rudy was a paedophile in his past life.

Update 2: Apparently the anime toned down this paedophilic tendency of Rudy’s, so...now the verdict is that I move on while I let other people tell me if this is true of the anime or not.

Kemono Jihen 1

“Kemono Jihen” means something like “creature incidents”. I wonder why Funimation didn’t change the name…?

Kabane means “summer wing”.

Kanoko Villa, I’d assume, is named after the deer (the name means “deer’s child”).

My experience with Sho Aimoto (creator of this manga) is reading a bit of Hokenshitsu no Shinigami. (That, by the way, reminds me of Nube, but it’s nothing spectacular.) However, Hokenshitsu no Shinigami has a very detailed artstyle…That’s why I’m pretty shocked Kemono Jihen has such a scratchy one…

Ooh, edamame!

Oh, I see…this is like Furuba or a werewolf story, huh? Rather than a Natsume Yuujincho sort of thing.

…I thought Inugami and Dorotabo had seen everything of each other because of bathing together…I guess not, then.

…is Yataro going to die?

It seems the “immortal demons” are oni, so…why subtitle them as “immortal demons” and not just “demons”?

Ohhhhhhhh…this shite’s good. It seems to have a throwback feeling to it, moreso than even Yashahime or a lot of the sequels I’ve seen recently.

Cells at Work!! 2

I was going to move right along to Wonder Egg Priority because I’m really behind on the debuts right now, but I accidentally opened this up while I was cleaning up so I might as well watch another episode or two before setting it aside.

He’s dead, Jim. (<-joking)

…gosh, these walls look like Hover all over again and that’s from 1995…

LOL, these background cells don’t even have any details. They’re basically stick figures with fat bodies…

I think that phrase that appeared, “Take good care of B Cell!”, may be a pun on Give My Regards to Black Jack (written with similar Japanese, “B Cell wo Yoroshiku!” vs. “Black Jack ni Yoroshiku!”).

LOL, “you sure have the guts”…while they’re in the guts.

The certificate says something about it being presented to someone in the face of bravery, I think (<- just looked at it briefly).

“You have a good head on your shoulders,” says the T cell as WBC struggles with the disguise…stuck on his head.

Wonder Egg Priority 1

I’ve been hearing this series is surreal, but no more surreal than Flip Flappers. So…I don’t know if I’ll like it or not.

What’s this K?(?96…?

There’s a sunflower on her raincoat…so that’s why I saw a post called “You’re the sunflower”. Personally, that just reminds me of Post Malone.

Those Seeno Evils…they’re CGI, aren’t they?

As Boueibu once said (but I may be paraphrasing here), “nothing is more scary than free”.

…to be honest with you, I haven’t had a best friend for at least 2 years now. I only really feel close to people who are like me and who I have sustained contact with over many years, so I end up cutting contact with people after we part ways and never trying to fix it.

I always find it slightly absurd when anime girls get a little pudgy and go, “I’m so fat!” (See, for instance, the Dumbbell series.) Or, in this case, Ai’s going, “I’m so ugly!” when there’s nothing wrong with her. She’s only a bit different from everyone else due to her heterochromia - she doesn't have any physical or mental difficulties.

IChu 1

Here for Ume and, of course, dem bois. Bring it!

I seem to remember one of the magazines called an “Ichu” “an idol egg” (i.e. a fledgling idol)…More egg puns for me, then.

I found him! Ume! He’s Akira Mitsurugi! Update: Turns out that’s Toshiyuki Toyonaga…Oops. (Ume is actually Lucas from I*B.)

Huh? For a second, I imagined Akira with a dubbed voice. Of course, I could only be dreaming, because idol anime normally don’t get dubs, but…it was interesting to think about.

LOL, “Onsta”.

This Akio-type character is popular lately. The sort who’s timid but has an outstanding talent they themselves might not see.

…uh, but Kocho means “Principal”…?

An idol bear?!

Torahiko is crazy…(Note the tigers. Tora = tiger.)

Specifically, that’s black coffee with no sugar.

As much as I want to keep watching this, I’ll hit pause on it here. There’s much better offerings this season.

YuruCamp s2 1

…grandpa’s writing is so…neat.

*glares at CGI car…*

This OP just doesn’t compare to Shiny Days, y’know…?

OOPArts.

Talking pine cones! They’re back!

Curry rice! Literally had some of the Japanese-style stuff the other day. It was great.

All this talk about jobs…I personally don’t like jobs because I like to work at my own pace (hence one reason why I’m working on being a translator), but…money…I’m jealous, girls.

I’m trying not to rely on the subs for those texts that appear on the screen so that I can keep my reading skills up…I kept up with them for the most part…but then I got distracted by the croquette sign at one point…

“…buy you some local food?” – That’s omiyage, normally translated “souvenirs”. “Local food” actually does make more sense in that gap, though.

…man, I’m jealous that the girls all got jobs suitable for their personalities and everything. Lil’ ol’ antisocial me sucks at retail, even after 2 years.

Design-bu 1

LOL, that man and his bunny. Update: That’s Unabara-san.

…geez, these utaite are everywhere now. I’ve seen 96neko, USSS, Eve and more being more central to anime song creation…

Thise characters in the OP seal (<-the stamp, not the animal) are saiyou, meaning “recruited”, or in this case, “accepted”.

OEM = original equipment manufacturer.

Hrm…you can tell it’s a giraffe by description, but…that “base everything on the horse” is interesting as you could count several things as horse derivatives. Also, the angels’ names are all standard Japanese names with natural components to them (Ueda = upright rice field, Shimoda = frost rice field etc).

Is this pink-themed guy…a guy? Or a crossdresser? Update: That’s Kanamori-san.

I like how the suits have little wing-like flaps. Also the wings on Shimoda’s back.

…I never thought an anime episode would make me so concerned about giraffes.

That guy in the green I remember from the Wave x Tendebu (Heaven’s Design Team) collab, his name is Kimura.

Oh, so there is a bird like that!

The random wiggling the chibis do in these short segments…it’s a bit disorienting. (<-Just a small quibble of mine.)

Oh! Galapagos effect!

Agonistic: “polemical; combative.” I thought they meant “antagonistic”.

Oh man, that punch line was great! It took me a while to get into the spirit of it, but this anime is great!

Update: Oh, that’s where those nature names come from! They’re actually meant to be gods! (Or…named after gods…?) Also, Ueda vs. Shimoda (the “shimo” could be the kanji for “below”).

Ex-Arm 1

I’ve heard this anime looks bad…even well before its debut. How bad? Let’s find out.

*stifles laughter* From the first pan, I know this anime is doomed on my list. Even Praeter was better than this!

*stifles laughter again* This OP really does look as bad as the stuff I was seeing prior to winter 2021! Like a game I shouldn’t take out of my archives! (It’s not as bad as Hover’s graphics, but still…that’s from 1995. Cut it some slack.)

That’s the 2nd Kimura this season…

Yugg is just…ugly. Never try to render elaborate eyelashes in CGI again, people.

Dimension High School was better than this because at least that had puzzles. This is even jankier than that!

Wait, why is Akira 3D when his dad is 2D? It’s not that obvious, but I notice these things. Update: That’s not his dad…but close enough. (That’s his brother.)

…and here comes Truck-kun! (LOL)

This would be good…if it weren’t rendered in the jankiest CGI known to man…

Alma’s gun strike doesn’t have a lot of force to it.

The fire is rendered so terribly…*stifles laughter*

This part with a disembodied Akira is what I assume I got up at 6 am for…but I can’t hear it, due to background noise. Remind me to confirm this later. (Minami’s mouth is rendered so terribly…augh.)

No force to any of these recent motions, either.

LOL, this censorship.

Wave 1

Ever since this project was announced, I’ve been watching developments unfold on Anime News Network. I knew it would get an anime or something similar I could follow…and now here I am. I mentioned in the Sk8 comments I have basically zero knowledge of surfing, so…this is very unexpected, in one sense.

Was that a drone…?

“Wizard of the Waifu Board”?! Are you kidding me?! (LOL)

There seem to be shots where I can see the CGI here, but…anything’s better than Ex-Arm. Let’s say that.

Actually…yappe is a derivative of yabai, meaning “cool” or “crap” (in an ironic sense). So it would probably be better to translate it as “Surfing’s the greatest!” or “Surfing’s the coolest!” Anyways, what I was thinking before I was going to say this was that the waves are so enticingly animated, it feels like a summer anime. Basically the only other anime I’ve ever said that for is Grand Blue.

If I’m understanding where Isokichi’s name comes from right, “iso” is the character for seashore or a rocky beach (磯).

LOL, the teacher just wrote “Show must go on.”

Hayama, Kanagawa. Kanagawa’s capital is Yokohama, so it’s not quite Tokyo, but somewhat close.

“Murphy”? I have zero clue what that means.

Oh, I see. The title is translated that way due to context. Now that I can accept.

I just burst out into laughter when I realised Nalu hasn’t dropped or put down his ukulele once.

BSD Wan! 1

Here comes my past to haunt me…aside from me being a fan of BSD, I’m here because I influenced this series. How so? Once upon a time in the now-distant year of 2016, I was a scanlator for a brief period. Most of the work I’ve done hasn’t influenced the world at large, but this is the most influential manga I had a hand in working on.

Oh no! They’re starting with the dog AU?! (That comes from pretty far into the manga, IIRC. Further than my work was on it, at least.)

It’s Rashomon, but Rashoken (that last bit means “dog”). Hence Ruffshomon.

Basically, they just insert dog-related words everywhere…don’t make me explain every one!

Ouch, I can only imagine how much pain it was to translate Inu Shikkaku. Literally, it’s “No Longer a Dog”, but how would anyone make it in line with the other puns…?

I wasn’t fully aware of how the dog AU was connected to the main Wan series because I haven’t really looked at it after I quit due to aggregators, but…that was a nice fakeout. Also, I was concerned as to whether this was going to be a full-length ep or a short…seems like it’s a 10 minute short, so I have more chances of taking it.

…oh gosh, that pose! I remember it! I worked on this one! (Now that I know it’s a TV short, I won’t cover future episodes, but I want to at least finish this one because I started it.)

I think they added a bit there. I remember Kunikida’s and Yosano’s were in the manga, but not the other members or Fukuzawa going “the wind is smiling” + Kenji working on the roof at the start.

Oh yeahhhhhhhhhhhhh, I remember Rampo. I think I had to approximate how he would say stuff with Pocky in his mouth, but Slug (current scanlator) went the extra mile and stuck food in his mouth to do the same panel.

It seems to make a short ep., they strung a bunch of the chapters together. Also, I don’t think we ever found out what Yosano’s puddle was and that was…probably for the better.

Oh yeah…I think I remember this one.

Now I remember it! I remember having fun explaining what a youkan was.

Whoa, Higuchi scrapped the SFX! That wasn’t in the original…

The ED seems to be an Atsushi cover of Namae wo Yobu yo.

Oh noooooooooooo! The flower gazing episode! That’s the one I remember most, because I was trying to figure out how to translate 移動 while making it smooth-sounding English…(I remember the final result was something like, “Move! Move~!”

Dr Stone: Stone Wars 1

Final debut! Let’s go~!

The last time this series was on the air was about 1 year ago. I can remember that far back…

I like how that recap is framed as Gen talking to the kids.

Senku overcomes every problem with science.

…not much to comment on here.

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thattimdrakeguy · 4 years

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Toxicity, gaslighting, hypocrisy, an overall just bad fandom folks on twitter.

I’m glad I’m not involved with twitter comic fandom cuz the amount of people trying to make Tim look bad like throwing a fit cuz he’s under too much pressure or like-- not being a saint. While calling characters that constantly murder people or violate human rights “baby” is way too high.

Even just the minor lies are nutty, acting like the 90s edgy art style at the time shows Tim is twisted cuz he looks scary in it-- when it’s just dated art

But then-- complain when people say things out of context for other characters-- when the context doesn't make it better. I really can’t process those people. they confuse me.

Also one of them apparently said Tim being a rich white kid makes him a power fantasy? Which is superficial at best when applied to Tim given when you read 90s Robin-- (Which I assume they’re complaining about, cuz he still lives away from Bruce then-- cuz otherwise Jason would technically count as a rich kid) Tim is just this dorky kid, who’s scared on the inside, putting on a brave face and fighting crime and his insecurity problem. He’s not some masculine power fantasy, he’s a relateable kid, his wealth besides being able to spend money in his first mini was even portrayed negatively if any thing sometimes with his dad as having been away for a lot of his childhood and leaving Tim without proper social development and being pretty socially clueless to the point it‘s a problem he has no street smarts.

So pretty much just gaslighting and strawman arguments.

You’re racist if you don’t like Damian.

You hate poor people if you don’t like Jason.

You’re sexist if you don’t like Stephanie.

But I’m someone who still likes Jason a lot even if I don’t like any thing in the Red Hood era not done by Winnick (and even then there’s a scene in Lost Days that creeps me out), and used to like Damian and Steph, I just stopped liking them because I just found myself realizing I don’t particularly like a lot of their writing.

At the same time as well, isn’t it just more reasonable that people don’t like them cuz of simple taste or their character actions?

Damian does kidnap people and violates people’s human rights currently, and did chemically paralyze and trigger Jon in their first meeting, as well as smacks him for freaking out later on that miniseries.

If you made Steph a dude, more people would be very likely to call Steph a sexual harasser for flirting with Tim past what he’s comfortable with, even with the knowledge he has a girlfriend. Plus she has shown dangerous cynicism in nearly letting criminals die, and even tendencies found in emotional abusers given her gaslighting, ill-trust, and attempts to go behind Tim's back, and even throwing crap at him while refusing to talk as he’s trying to apologize for some thing he didn’t actually do.

Not even to say Tim is a saint, he’s shown to be insensitive, and condescending, but if you start with his origin and not Red Robin, in my experience it ‘s more likely you’ll read him as a socially oblivious boy scout-esque kid rather than an angsty jerk. Doesn’t make what he did not bad, but just more interesting, because if a character is a saint it‘s boring, and Tim's actual original character makes what he does less offending to people. He has gotten incredibly pissed off at his friends, but ... he’s a literal kid that has to lead other kids with super powers. It‘s bad that he threw fits, but it ‘s never done in a way that makes it feel like “Oh i must hate this character”. Damian is also a kid, but what he does is way more notably offending to some people. He has a bad backstory but it is fiction, people have different standards with specific actions depending on how they feel about it. It‘s not illogical to be fine with a socially oblivious kid being insensitive but not be fine with a character that consistently does bad things even after they’re aware it‘s bad.

(Heck, Tim even cheated on his girlfriend, but given how that whole storyline chunk was written, it‘s more out of character and an example of bad writing than anything else, given how Tim feels on the topic of cheating before and after, as well as how much he cared about Ari. It was inconsistent and even the writing breezes past reality with how Ari suddenly agrees to mutually break up. I don’t believe the story actually treats it fully as cheating either, making it feel like they knew. So it feels more like bad writing than a thing to judge Tim on, because that‘s just something people use to criticize bad writing, quite commonly even with many shows or movies. I can still get why people don’t care. It‘s more of a writing complaint. Like Jason being a serial killer is. It‘s inconsistent, doesn't add up, and isn’t a good reflection of the character.)

If you are fine with it is some thing else, cuz that‘s a matter of tastes.

I actually started calling Tim “baby” cuz Damian fans called Damian baby-- which I find a bit more odd (sometimes honestly just worried given the crap he does in the images they say that to some of the time), cuz while I’m aware Damian is younger obviously, he’s only cute in pandering moments that‘d I’d actually deem ooc, using basic standards that it isn’t consistent with anything before and after, as well as not fitting who the character is or even built up properly if they even try. (Also cuz Aunt May called Peter and friends babies and thought it was charming). My blog as well is about 90s Tim Drake as well, where’d he’d be a year off of the same age as Damian mainly, I may call him baby past that age, but that‘s just cuz it‘s s tuck in my head now. I really can’t picture calling RR Tim baby in fandom usage of the word (which is the only way I use it) if that was the only way he’s ever been.

Like with characters I start from the beginning (besides Dick and Bruce cuz gosh that’d take forever) and judge what ‘s in-character from there and read, while noticing development as well as things they’ve done. i didn’t read Red Robin first, I read Robin first. I didn’t read Batgirl first I read her Robin appearances first. When I studied Jason I wen t with his post-crisis Robin run (I deem pre-crisis Jason a different character given so much is different the same way i do with the New 52 teen titans core four generally speaking besides comparing to pre-New 52 versions). When I went to study Damian for stuff I read his first appearances forward much the same. And at one point in time I liked all these characters, I judged them based off of reading them.

So I’m not someone with just a bias-- I’m aware some of my friends do, but I’m not my friends if that wasn’t obvious. I’m friends with some people that like vastly different things than me even.

All I can say in the end is that it bugs me that toxic people have convinced themselves they are some victim while spreading harassment, lies, and gaslighting, because other people just enjoy different things or read things differently.

A lot of these people bother me especially because they frame themselves or the character they like as some victim they have to defend, and even target specific people over, when they themselves are the ones showing basic toxic behavior. they are the toxic ones yet believe they’re the victim-- cuz someone read a comic differently or didn’t like the same character as them.

That is nuts to me

I’ve even had to deal with similar people since I gotten called a racist for not liking Damian-- when I’ve even mentioned that I’ve liked Damian previously, and explained I simply didn’t like his comic or his writing enough to reasonably like him. Meaning I guess the action of not liking Damian-- in of itself-- is racist, which is gaslighting at best. I’m sure someone out there even hates Damian because they’re racist, but why treat everyone (or at least some notable chunk to be worth talking about) that doesn't like him as if they’re that person?

They’d rather believe that people that don’t like what they do must be terrible people of some kind rather than treat them as normal people.

They’ve even showed hypocritical behavior, by complaining of others not giving context-- while doing the same thing to other characters.

As I said, I’m not on comic book twitter, I have not even interacted with these people. I’ve just seen it, and it‘s just so toxic to me. It‘s a bad thing to see over fiction.

#tim drake #Robin #DC Comics #fandom toxicity #discourse

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heroes-fading · 5 years

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Why Veronica Mars Won’t Have a Season 5

My introduction to Veronica Mars came in the midst of my father’s death. I watched episodes in hospital waiting rooms before it happened, and holed up in my room afterwards. I found a lot of comfort in the strength that the characters provided. The scene of Logan at his mother’s funeral - maniac and trying to find the humor in it - is exactly what I felt at my father’s. I, like Logan, made jokes and tried shrugging it off. I was certain that this was some sort of cosmic joke, and I was on the receiving end. Veronica’s personality shaped most of who I was in high school - my dad passed away two weeks before I started. Her snark, intelligence, and resilience inspired me so much then. I found a wonderful community with fans of the show, and to this day as a semi-adult I love and adore so many people I met through the show.

When the movie was announced, I was ecstatic. I remember rushing to a bathroom stall at my high school so I could eloquently keyboard-smash about it with my friends, donating to the Kickstarter, wearing my t-shirt, going to the theater with my friend to watch it and livestreaming it the night of its release with my online friends. In a sea of horrible feelings and helplessness, Veronica Mars helped me feel empowered and supported.

That’s partly why all of this stings so badly and feels so much like a betrayal.

Logan Echolls fits into a lot of tropes I’ve grown to hate as a self-identified feminist who has zero time for bad boys. Men who “atone for their sins” to get with a leading heroine are ones I often find boring - so often they’re executed poorly and their past mistakes would be absolutely unforgivable in a real context. Chuck Bass, Damon Salvatore, Spike, et. all are characters I’m tired of seeing in fiction. Logan Echolls organized a bum fight, took out Veronica’s headlights, burned down a community pool, made a series of racist comments to Weevil, and generally had moments of being the absolute worst. But for some weird reason, I have a massive soft spot for Logan and he’s become one of my favorite fictional characters.

Maybe it’s because we’ve seen him go through much, change so much over the course of the show. Maybe it’s because the show actually held him accountable (as well as Veronica) so the redemption didn’t feel cheap or unearned. Or maybe it’s because I’m just a weak heterosexual hypnotized by Jason Dohring’s abs and my feminism only goes so far as who I think is hot. I hope it’s not the last one, but I’m sure some would argue it is! The point is -- healthy, going-to-therapy Logan feels earned after the deaths of his parents, his abusive dad killing his girlfriend, numerous beatings, and too many near death experiences to count. Logan went from being an obligatory psychotic jackass to a fairly well-adjusted boyfriend in a way that made narrative sense.

His offscreen death right after getting married to the love of his life? Not so much.

The thing that stings about Veronica Mars’ final episode is not just Logan’s death - it’s what it means for the show going forward, especially its titular character. What made Veronica lovable was not her toughness as Logan’s final voicemail details. As season 3 Logan reminds us, Veronica isn’t invincible and she isn’t always right. What made her such a compelling character was what was underneath that toughness, and the people around her that highlighted that warmth buried underneath layers of trauma. In other words, what made her a marshmallow. Burnt on the outside, but gooey on the inside, as Wallace describes her in the pilot.

When we meet Veronica in the pilot, she’s been through a litany of traumas: her best friend’s death, a breakup, sexual assault and drugging, social ostracization, her mother’s addiction and swift exit from her life, a swift drop in socioeconomic status, and routine humiliation at the hands of her peers. But in spite of all of that, she’s still the girl that cuts Wallace down from the flag because it’s the right thing to do. She’s still the girl that worries about her father, has sympathy for Logan after his mother’s death despite all of his cruelty, defends and comforts Meg Manning after she endures the same bullying Veronica did, cares (often, initially unwillingly) about the people whose cases she takes, and bakes cookies for her friend after his basketball game just because. Even as recently as the books, Veronica bakes a cake for her terrible, abandoning mother on her birthday in spite of her replacing her and Keith with another family. She looks after her half-brother Hunter, even if he’s a painful reminder of her mother’s foibles. Veronica isn’t nearly as tough as she pretends to be, and that’s a good thing. That’s what makes her interesting and stops her from being like every other cynical hardboiled detective trope.

The people around Veronica - who support her, evolve with her, and serve as contrasts to her - are what help make her story so compelling. People who can tell her when she’s wrong (Logan, Keith, Weevil, et. all), who remind her of her soft side (Keith, Wallace, Mac, Logan), who can stop her from turning into a noir stereotype and cement her as Veronica Mars. People aren’t tuning in just to see Veronica snark at random side characters. Her personal journey in moving past her trauma and her relationships with other characters are what really makes the character who she is.

Her journey, from the pilot episode to the movie, is realizing that she can’t just shove down and run away from her trauma. Over the course of her show, we see her form bonds with people in spite of her attempts not to - Wallace, Mac, Logan, and a variety of others. They help her, support her, and challenge her in ways that only serve to make her story more interesting. In the movie, we see Veronica realize she can’t keep running and she doesn’t want a cushy life as a New York lawyer with a boyfriend who doesn’t understand why she cares so much about what happens in her hometown. Neptune, as corrupt and corroded as it is, is her hometown.

That’s why it’s such a spectacular slap in the face for the end of season 4 to offer the exact opposite. Veronica loses her husband (after finally evolving from the Veronica in the pilot who swore she was never getting married because she was so cynical about relationships) immediately after marriage. She leaves behind Keith, Wallace, and everyone else to chase unknown cases with unknown people in unknown places. As Rob has said, he saw this as the only way for Veronica to continue to be interesting - roaming the world solo as if she’s Sherlock Holmes.

This is not character progression. This is not driving the plot forward. This is regressing to a character to a point even before the pilot episode - a hardened Veronica who pretends she doesn’t care, who uses her trauma as an armour, and keeps people away from her. It undermines the central message of the movie - that Neptune is her home and in spite of her problems, she’s willing to fight for it. By killing Logan, Rob wanted to kill Veronica’s ties to Neptune. This isn’t an evolution - it’s a devolution.

Rob Thomas has offered this option before - a Veronica exit vehicle sans everyone else, including only Kristen Bell snarking at a camera - in the form of the last-ditch FBI pilot. It was not well received by fans nor networks, and unsurprisingly not picked up or seen anywhere other than a reposting on YouTube. I think if he sincerely expects any other result from a similar future attempt, he’s lying to himself.

If Rob Thomas wanted the male character-centric P.I. noir he initially planned on writing rather than Veronica Mars, he should have written that rather than allowed it to take over the Veronica Mars universe. Writing a woman with the same elements of toxic masculinity as male characters (a complete disregard for their own feelings, ripping themselves away from personal connections, framing “toughness” as superior and emotional development as a waste of time) is not feminism - it’s just lazy. “Strong female characters” don’t have to be made strong by undergoing trauma after trauma and shutting down until they’re a shadow of their former selves. Their male counterparts aren’t expected to have to deal with rape, death, ostracization, and every other possible form of trauma - women sure as hell shouldn’t.

Furthermore, the way that Rob Thomas has framed his fanbase is shameful. Veronica Mars fans aren’t just deranged fangirls too obsessed with Jason Dohring’s abs to care about the health of the story. This isn’t “not what we wanted, but what we needed” - we’re not an audience too stupid to know what’s good for us. We’re an intelligent audience when we’re giving the showrunners money, but when we’re disagreeing with the writing choices we’re just too invested in romance to “get it”. Predictably, these fans (who make up most of Veronica Mars’ fanbase that the showrunners claim to adore so much) are women. For decades, women have been stereotyped as media-consumers that only care about romance and thus can’t care about depth as if the two are mutually exclusive. This stereotype is incredibly sexist, especially given what this fanbase in particular has done for this franchise, and the continued insistence that these fans just don’t know what’s good for them or the show is incredibly condescending and transparent.

This fanbase poured $6 million dollars into a Kickstarter for a money, maintained energy for a revival and actively lobbied streaming services and networks for a continuation, and kept the fandom twelve years after the finale episode of its original incarnation aired. As much as some may resent how fan energy encouraged writers to see Logan evolve, or Logan and Veronica to sort out their issues, or anything else - these were choices the writers made and stood by for years. A sudden U-Turn in storytelling to go from “the fans were right, this dynamic is wonderful and we’re going to base our advertising around it!” to “well, it was never supposed to be about that” is a kick to the teeth to a fanbase that (literally!) gave so much.

It’s not as if this is the first time the fanbase has been disappointed by a writing decision. Speaking for myself, I was heavily disappointed by the way sexual assault was handled on the original incarnation of the show. Veronica’s rape was handled by at first not framing it as a sexual assault at all in “A Trip to the Dentist” - Duncan Kane (her ex-boyfriend/potential half-brother at some point in time) having sex with her while she was unconcious was framed as just “feelings and nature taking over” because he was under the influence. In season 3, the writers decided that framing women protesting sexual assault on campus as deranged feminists who sexually assault men by inserting them with Easter eggs was a good choice. That Easter egg part was played for laughs by the show, writers, and leading cast member.

Even the inclusion of Dick Casablancas for laughs - whose GHB was intended for his girlfriend and ended up in Veronica’s cup - doesn’t feel right. Ryan Hansen’s charm explains a lot of it, but the show seems to place a lot more blame on Madison for Veronica’s rape despite the fact she narrowly escaped the same fate at Dick’s hands. I was disappointed then, and I’m still disappointed with it now - far away from any romantic concerns of the show.

And my biggest problem with the ending of season 4 isn’t just that Logan is dead. I’m incredibly crushed and disappointed to see all of that character development be met with an offscreen car-bomb, but it doesn’t bode well for Veronica’s characterization and ultimate arc either. I fell in love with Veronica’s character first, and I don’t even recognize her anymore.

If the movie was a thank you to the marshmallows (both the fans and Veronica’s inner softness), the ending of the show was a middle finger to both. If the lesson from the series and the film is that you fight for things because they’re worth it and not because they come easily (whether they be relationships or towns), then the lesson from the revival is that the best thing to do is leave and take your bags. So much of the narrative was set up around Veronica accepting who she was and where she’s from - and the revival’s Veronica has finally been traumatized so much she’s packing her bags and giving up. That’s not toughness. That’s not strength. That’s certainly not saving the show or the character.

That’s selling a grim story because you think it’s edgy. That’s trying to be subversive and failing, too focused on shock value to care about the characters. There’s a reason shows like Game of Thrones, Dexter, and How I Met Your Mother got such backlash -- they just don’t make narrative sense and the endings are far from satisfying. Making the fans happy isn’t a mark of bad storytelling, especially when the survival of your franchise has been so contingent on it. Sometimes, they actually do know what they’re talking about! And if you want a season five, maybe don’t alienate your fans to a point they don’t recognize the show anymore. Rob mentioned, “...I will have made a really bad bet if, en masse, the fans turn on the show. That would certainly be a tough lesson to learn.” -- I think he accomplished that!

I wish the Veronica Mars that got me through the toughest parts of my life was still around. But I’d rather say goodbye to her forever than be faced with a cheap imitation.

#veronica mars #veronica mars spoilers #vm spoilers #logan echolls #logan x veronica #veronica mars season 4 #tv: veronica mars

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braham-is-bi · 4 years

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Okay so normally I would have left it at the bitchy post and move on but honestly I’ve had problems with Caithe’s writing for a long time and it’s high time I made a rant post so I can stop thinking about it.

Under the cut is a giant rant about how Anet shafted Caithe’s character and didn’t do her nearly close to the justice she deserved, while in the process messing with the Commander’s story in ways that still bother me and that I’ve rewritten in my own personal canon.

Tagging this as long post in case the readmore breaks. Tagging it as Caithe for personal filing. Don’t like it, don’t read it.

(spoilers for the entire game up through episode 5 of season 4 as well as mentions of abuse and criticisms of Caithe.)

TL;DR - Caithe’s writing is mediocre at best, but she had a lot of potential that was squandered. In my opinion.

The first major problem I have with Caithe’s story is simply the fact that the first and only wlw relationship we’re shown in game for a long time (I think 2 years? no canon major wlw relationships until the end of Season 1) is abusive. While I know Caithe as a character is great way for a lot of wlw to project and relate, it’s still not a great start.

That said, it’s because of this past abusive relationship that we get the base of Caithe’s character and the potential for growth. Caithe closes herself off from everyone and clearly has depression that’s affecting her worldview. Relationships only end in pain, friendships will get you hurt. Combine this with the secret (the Sylvari origin) she’s carrying that alienates her from her own kind and you’ve got the makings of a really dark backstory that gives plenty of potential for a story of “no matter what you’ve been through, you can learn to be happy again.”

In my opinion her involvement in the personal story is....eh. It matches the rest of the writing there. A bit flat, but overall fine with a note of hope at the end that’s pleasant. The Commander is there to bring hope to the hopeless and to beat dragon minions with their favorite stick.

Skipping to season 2, I personally think this is the only truly good season of writing for Caithe. Albeit her involvement is a bit sparse (that’s the problem with trying to juggle so many characters.) but the moments she does get are good. Caithe’s betrayal of the Commander by stealing the egg was honestly one of my favorite moments of her writing. I was genuinely upset with her.

But this leads us to more insight into how terrible Caithe’s relationship with Faolain was and just how devoted Caithe can be to those she loves as well as how abusers can use their power to make their victims do things they would normally never do. I mean Caithe helped Faolain slaughter an entire village of peaceful centaurs (never mind the incredibly racist Native American stereotypes behind the centaurs and the fact that the tribe was killed by British coded people...that’s a different analysis for a different time). It reveals just how truly heavy Caithe’s burden is while also giving us a sense of terror and realization of how fucked things are.

And then she abandons us to fight the Shadow of the Dragon all by ourselves (a particularly hurtful callback to a Sylvari commander).

In Heart of Thorns her writing is...up and down. Finally finding her and having the egg choose us over her is...a moment I’m conflicted on. Yet another moment of the Commander overshadowing her. But it also gives her more justification to close herself off further.

I would have liked more emotional talk from Caithe to vinetooth Faolain, but I understand why they didn’t do that. Caithe is, at the end of the day, extremely goal oriented. Worrying about her feelings while Mordremoth still lives is simply not something she can do.

Season 3 marks the starts of my real problems with Caithe and her writing. The base game through HoT sets us up with the understanding that Caithe has a one track mind. Whatever her current goal is, that’s the only thing she sees. Blinders on, all there is forward. It’s a good character trait that can be both a good quality and a serious flaw.

But the thing anet seems to forget is that once the blinders come off, Caithe can see the mess around her.

Her eldest brother is dead, as well as her friend and her ex lover. And at least part of it was her own doing. Not only did Caithe steal the egg and constantly distract the Commander from their goal of saving Dragon’s Watch and Trahearne, but Caithe knew that the Sylvari were Mordremoth’s minions and told nobody. Imagine if Caithe had revealed this to Trahearne. Imagine if the Pact had been more cautious entering the fray, uncertain what may happen when the Sylvari get close to the dragon that should be controlling them. Things could have been wildly different.

Instead there is no reflection. There’s no moment where you find Caithe just outside of Eir’s place, grieving and trying to process all her emotions. There’s no chance for the Commander to truly be upset with Caithe.

I certainly don’t count the forgiveness Caithe tried to force out of us in the middle of battle as proper anger or emotional processing for either of them. Why can’t I be mad that Caithe didn’t tell anybody the truth? Why can’t Caithe have a moment where she finally talks about her present emotions and has personal growth? Why must her character be so stagnant?

She literally ends her scene with a moment of self pity, proving she’s learned nothing this entire time.

I have no problems with her part in the egg chamber. Aurene is her new Wyld Hunt and she wants to prove to the Commander that she wants to help. Even if the Commander knows better than to trust her anymore.

And now we have to hop allllll the way to season 4 episode 4 to talk about Caithe again. Cause apparently Anet isn’t sexist for not including their women characters, but fans are sexist for not liking them.

Caithe appears at the end of A Star to Guide Us, revealing with a comment that she’s been around for a lot longer than she’s given on but didn’t feel compelled to help us or defend/comfort Aurene. In fact, she has yet another moment of self pity. Telling us that she felt like Aurene didn’t need her anymore cause she flew to Elona to try and save us from death instead of sitting in the egg chamber with Caithe. Cause that’s what I want from the adoptive mother of my child (who’s Wyld Hunt is literally to protect said child), abandonment at the first sign of independence. Not bothering to help save said child from death but then looking for pity and sympathy from the parent who literally died for Aurene.

All or Nothing has one moment that bothers me in particular regarding Caithe. Her branding. While I don’t see anything wrong with the act itself, it was honestly quite touching, I think it was handled poorly and completely erases the Commander’s connection to Aurene. The Commander has had a link to Aurene since she was an egg. That’s YEARS for the bond to grow between them. In A Bug In The System Aurene literally lets us see through her eyes. In Season 3 she’s shown to be following us around while we save the day. There’s an entire mastery line dedicated to our bond with her.

But instead Caithe gets everything. The psychic bond, the new look, all of the story attention. She’s even shown to be one of the only one who cares about Aurene’s feelings (Taimi being the other) even above the Commander.

And the whole reason they do this is so they can finally move Caithe’s character along. Because she’s never once in the writing allowed to grow or learn from her experience. The only way Caithe is allowed to have a happy ending is if someone else fixes her problems and fills the pain up with purpose once again.

That isn’t good writing.

Caithe never once in her entire story arc grows on her own. She’s never allowed to get better or to see more to life unless it’s handed to her on a crystal platter.

Does this mean that I hate her? No. Does it mean that I dislike her writing? Oh yeah. Caithe is repeatedly forced back into her personality from the base game and not allowed to develop in any way unless someone else makes her. That’s infuriating. Where is my story about someone leaving an abusive relationship, trying to make up for the mistakes they made when they were younger, and learning to find happiness in the people around her on the way?

I see why people love her. I see why wlw care about her so much. But to say that her writing is perfect is a lie and shows that you’re projecting your own fanon onto her to fill in the gaps.

You can still love a character while admitting the flaws both in them and their writing.

#gw2 #guild wars 2 #caithe #long post

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dachi-chan25 · 4 years

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I had books that I either loved or hated so idk maybe I need to do another unhaul to ensure I read books I'll actually enjoy.

1- OtherEarth (Otherworld #2) by Jason Segel

🌟🌟

So this was a big disappointment. It started out fine, but I had this bad feeling about what the twist of this book would be about 50% into it, and then the twist comes and it was just as bad as I feared. Honestly I don't even know if I wanna continue with the last book, I have it but honestly I can't say I am looking forward to it, it wasn't just the plot that fell down but the characters felt pretty inconsistent and yeah not a fan.

2.- Fireborne (The Aurelian Cycle #1) by Rosaria Munda

🌟🌟

The only thing I knew going into this was that it was inspired by Plato's Republic and that it was similar to Game of Thrones, so maybe that is why I found it pretty underwhelming. Like yeah I could see why it was based off the Republic with this system of education (tbh I still found it pretty basic and very much alike to other social systems I've read in other YA books) and there was some intresting tid-bits but not enough to keep me intrested. Now the characters, I liked both individually (unpopular opinion but I liked Annie more, I thought she had real potential but it was wasted because the moment she and Lee have this romance her character completely lost herself on thinking about him and what he did all the time) but I do not think they worked together romantically. There is some potential drama for book 2 but I am not intrested in reading it.

3.- The Mistress (The Original Sinners #4) by Tiffany Reisz

🌟🌟🌟🌟

This book was so good. Yeah it was super predictable, but the drama tho. I really loved Layla, she gave us an outsider's insight on Søren and Nora's relationship, and she is just the sweetest that I instantly knew she and Weasley were gonna get together. I cried at that last confrontation scene with Nora and Marie Laure and I am so happy that Nora is back together with Søren because they are truly a good couple despide everything.

4.-Gods of Jade and Shadow - Silvia Moreno Garcia

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I LOVED it. Ever since I saw the cover I was sold. This book I feel like it was meant for me. Like our protagonist Casiopea Tún is a dark skinned mexican girl of mayan descent in the 1920s who meets one of the lords of Xibalba and goes on a quest to help him retake his throne???? And on the way he falls in love with her so much he is about to forfeit his divinity to have a chance to be with her. I just, it was so beautiful, I felt my culture was really represented here, and it's so wierd to see the 1920's represented in Mexico I don't believe I had read something like this before and I will read anything Silvia Moreno Garcia writes from now on. Hopefully we will have a second book for this because that ending makes me wonder what adventures Casiopea will have.

5.-Little Gods by Meng Jin

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This book blew my mind. The structure is perfect for the themes . Su Lan was a truly fascinating character though I felt very sad about her, always wanting to escape her past and thinking she was so undeserving for anything good in her life and still fighting to go on. The ending was so good, and all the cast of characters made an excellent conection between the past and the future.

6.- As I Lay Dying by William Faulkner

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Yeah I am a pretentious ho. I was very intimidated by this book (and anything written by Faulkner really) and I was really having trouble understanding the book at first because the prose is so particular (there are sentences that read like Shakespeare, some are almost Biblical stuff and then most of the dialogue is this very coloquial english with very poor ortography) and as English is not my first lenguage I struggled. But then we get to Addie's death and all this odyssey the family goes through to bury her, and it was so beautiful and exciting. I especially loved everything about Addie's chapter, she was so much better than her husband and she deserved better than what she got. I really liked Dewey Dell and Darl. While I hated Anse Bundren with a passion so the end really made me angry like waaaaat this selfish asshole gets everything he wanted and then some??? But I got why it made sense for the book. So I definitely recommend this, but my advice is to let yourself glide through the book, do not try to understand or make sense of it as you start it because then you become frustrated like it happened to me at first but it's a really beautiful book so I am really considering reading more Faulkner.

7.-Chosen (Slayer #2) by Kiersten White

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I enjoyed this book so much. It's a very easy read and we get some growth on Nina and Artemis. I liked the idea of the Watcher's Castle being a refuge for inofenssive demons. And omgggg I fangirled SO hard when Oz, Harmony and Clem appeared (my fave characters, like literally I only need a Spike cameo in these books to be completely happy). I really wanna see Nina meet Buffy in real life and ahhh I am excited for whatever the next book will bring us.

8.-Out of Salem by Hal Schrieve

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This is perharps my favorite book I read this month. It felt so relevant to things that are happening in the world, but escapist enough to bear it. For starters I love a good urban fantasy setting, and this was it. Z was a great non-binary protagonist (the fact the author is also non-binary also helps) like it was pretty original to make them a zombie when necromancy is viewed as wrong in their society and they get discriminated for it even though they knew nothing about how it happened to them. And their friendship with Aysel (lesbian muslim werewolf girl!!!) and Tommy (shapeshifter boy) was amazing. Like the way this book translates real life bigotry and social injustice to this magical creatures was truly amazing I recommend it to everyone of any age. Especially middle graders as this book is meant for that age group and I feel this is an amazing diverse read for that age group.

9.-El murmullo de las abejas de Sofia Segovia

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Realmente este libro es precioso, soy una super fan del realismo mágico y este libro realmente me toco el corazón. Aunque he de admitir que entre a este libro sin saber nada, y bueno que este libro pega diferente en el 2020, yo no tenía ni idea que este libro nos presentaba la Pandemia de Influenza Española de 1918, y bueno es bastante triste leer todo lo que paso cuando nosotros estamos pasando épocas muy similares. Simonopio es un personaje divino, poseedor de una sensibilidad y una inocencia verdaderamente fuera de esta mundo, y la forma en que la familia Morales lo adopta y lo abraza tan profundamente dentro de la familia es realmente hermosa. Fue muy difícil leer acerca de Anselmo Espiricueta porque puedo ver de donde venía todo ese odio y esa ignorancia que terminaron en tragedia y no puedo dejar de sentir lastima por él a pesar de todo el mal que hace durante el libro. Recomiendo mucho esta lectura.

10.-Riot Baby by Tochi Onyebuchi

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A book so relevant in our current times. So powerful and impactful even if the book is pretty short. We get to see how the systematic racisim at work. We get to get a glimpse of this awful reality through Kev and Ella, two gifted siblings that have lived this experiences in different ways and they cope with this in vastly different ways.It was such an intimate read I cannot begin to describe how angry and sad it made me, but also very glad I got to read it because we need to keep being aware that this is the reality for black people all around the world and they don't get to shy away from it so we shouldn't either we should see, learn and fight as hard as we can to change things for the better.

11.-Brave New World by Aldous Huxley

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I re-read this book to have it fresh in my mind before the new series airs on July. And I liked it better now than the 1st time. This world is so scary because I see so many realistic elements it shares with the present. I felt a lot for Lenina (for everyone who lives in this world really) because she wanted more than what the society had to offer yet was so deeply conditioned as to what was right that she could just supress her emotions with soma. This book is of course full of racist and sexist stuff (cuz woman and indigenous people can never win) but I feel it helps to get a feel about how fucked up society is as a whole. In the reservation woman are subjected to the usual slut shaming and gender roles we get in our society while in London we get a world in which woman are judged for not sleeping around and being happy and infantile. Like it seems controling woman and their relationship to intimacy and sex is always a bit theme is classic dystopic books which makes a lot of sense given it works like that in the real world too. Same thing with indigenous people being treated as savage to congratula te ourselves for being so much more "civilized" never stopping to think how deeply fractured and flawed this may be. We also get explotation and brain washing of working classes and all that fun stuff. Really and amazing book eerily accurate tho.

12.-Brick Lane by Monica Ali.

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This is the story of 2 very different Bangladeshi sisters with very different temperaments making their way through life. Nazneen is a very dutiful daughter that marries the man her father picked for her, moves to London, though her husband doesn't make her happy she tries very hard in this foreign country with so many desires of her own she wishes that she always supresses because of her upbringing. Then we have Hesina, she was always beautiful and runs away with a guy she was in love with, later he abandons her and she gets jobs and loses them because different man keep making her fall for them to abandon them later. Different as they are this 2 Sisters keep relying in each other through letters. I thought it was very moving, and I really liked the ending for Nazneen while Hasina left me feeling worried and unhappy.

13.- Gideon the Ninth by Tamsyn Muir

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I was very hyped for this book and I am so sad I didn't like it. I just didn't feel the world building was cohesive (we have space travel but we don't have baths??? And rapiers as weapons??? Most of it felt like aesthetic decisions) the characters felt very one dimensional to me. And the plot was all over the place, just when I thought I knew what it was about it takes another turn and introduces so many generes but it did not feel natural at all so yeah I will not be reading the next one.

14.- Luces de Bohemia de Ramón Maria del Valle Inclan

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Me pareció una obra maravillosa. Definitivamente captura el espíritu creativo bohemio.

15 .- Don Juan Tenorio de José Zorrilla

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Yo adoro el Tenorio, sin embargo si que he de decir que prefiero la versión del Burlador de Sevilla de Tirso de Molina pues siento que el final es más adecuado. Me parece que aunque la prosa es hermosa Doña Ines pierde mucha agencia en esta versión, me recuerda mucho más a Angelina de la obra "El Honor del Brigadier" que la versión que hizo de ella Tirso de Molina, definitivamente se romántiza mucho más está figura de seductor canalla en esta versión, aun así es una historia arraigada en México, es una tradición para mi verla cada Noviembre, este año me temo que no será posible así que disfrute muchísimo leerla.

#june 2020 warp up #booklr #dachi reads stuff

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izzymalec · 5 years

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why don’t you see how “clary the god” negatively affected magnus? in s1, 2a they only let magnus be part of the group when he was doing things for the shadowhunters. and so in 2b, 3a, 3b when she was god, he was cut off from everyone but alec cuz they didn’t need him anymore (and god forbid he gets to be actual friends with anyone. cuz no, only saying “biscuit” to clary, nada to jace, and 1 scene with izzy per half isn’t friendship when the shadowhunters and simon are being pals every single ep

magnus literally didn’t say even 1 word to clace- you know the main characters of the show- in 2b. not 1 word. and you can count his lines of dialogue with them in s3 on 1 hand, literally. meanwhile alec’s out here getting arcs with both of them every single half. i mean, you claim to like magnus so why you don’t care about him as part of the group? cuz everytime i see you hype “clary the god” it feels like a punch in the face cuz that choice cost magnus all his screentime with the other mains.

why doesn’t it make you uncomfortable that they gave a white character (1/3 of the mains) powers just to cut the only asian main from the group dynamic so that it really just became only the 3 whites and 2 hispanics spending time together at the center of the show, while the 1 asian and 2 black mains were always cut off and on the outside (and not allowed to connect to each other, cuz god forbid POC mains connect to each other instead of merely being “spokes” on the whites “hubs of the wheel”.

it is such a joke that so many fans are crying “clary deserved better” in the finale and that it was bad to derune her- WHERE was that energy when magnus gave up his magic for all of 3b? no fans cared cuz “oh he’ll get it back.” so would she, her last scene with jace showed she may not be a god anymore but she was still a shadowhunter. he suffered all of 3b and not 1 single character outside of alec and his mom said even 1 word of comfort to magnus. not one!! why do only white tears matter?

“clary the god” ain’t as cute as you’re acting like it is unless you only care about her, in which case your username is misleading. also doesn’t it bother you that an asian’s man accomplishment (creating the portal) is dismissed when the white girl can do it with zero effort on a whim? you can tell this show is run by whites. or that they barely let magnus do magic in s2/ s3 cuz they didn’t want to spent their cgi budget on him but they had no problem blowing it on her playing god? yikes.

there are a lot of very valid points here and i’m glad u got it all out, let me answer thoroughly!!

point 1: magnus doesn’t get enough screentime

agreed. the writers don’t appreciate him at all. he does get more screentime as the show goes on though, he isn’t part of some episodes in season 1 and 2a, they change that later

point 2: magnus doesn’t get to interact with the other mains and doesn’t get friends because of clary’s powers

i partially agree with this, i never made the connection to clary’s powers but it does make sense since magnus was often used as a plot device in the beginning. however, i don’t think he even is meant to be friends with some of the group (or maybe he is, the show generally is really bad at building family and friendships because they don’t really let characters interact) so i don’t think it’s /horrible/, however i do think that he should be getting more of his own storylines and that the storylines he does get should be more explored and he should be allowed to get more scenes with dot or catarina

point 3: clary having god like powers is racist

first things first: clary is the main character of the show, the show is meant to be about her. she is supposed to have more screentime than everyone else, it’s her storyi don’t think that they gave clary her powers with the intention of cutting out magnus’ screentime, i think they gave her those powers to move the story forward. that doesn’t change that they give far less screen time to poc, and i agree that they shouldn’t have done that.

point 4: no one cares about magnus, everyone just cares about clary

this is the point i gotta say i disagree the most with, maybe it’s perception, maybe it’s because of the people i follow, but i had a completely different experience for this. i remember several posts about magnus losing his magic and how it must have affected him and metas and fafics and everything revolving around this topic. i personally have rarely seen anything about clary.but that’s the fandom, i do agree that the writers should have let many more characters who supposedly care about magnus talk to him about his magic loss (refer to point 2)

point 5: the last message

“clary the god” ain’t as cute as you’re acting like it is unless you only care about her, in which case your username is misleading.

i clearly care about clary and i’m not really making anyone think that i don’t, my icon, title and description all reference her. i don’t exclusively care about clary, otherwise i’d exclusively blog about her. i understand how from your point of view the clary is god concept is bad, but for me it’s a fun theory, i just like it, i don’t think about how clary having some of her powers could have maybe potentially lost magnus some screentime, i think about how amazing it would be to see clary with glowing eyes and flying hair ripping raziel apart. i think about how funny it is that clary came into a new world and a two months later was like “yeah i can bring people back from the dead, what about it?”. i think about how due to the writers having given clary those powers, whether they should or shouldn’t have is open for question, clary is about as powerful as warlocks, the most imo most powerful beings in the shadowworld, and due to clary defying the angel’s will she’s more powerful than the angels, so? clary is god.

i like to focus on the story, because yes, shadowhunters is deeply problematic, i never doubted that, but i’m honestly here to have fun with it and i enjoy talking about the concept, if i only ever focused on the stuff i don’t like about the show, the stuff i disagree with there’s no point in having this blog

also doesn’t it bother you that an asian’s man accomplishment (creating the portal) is dismissed when the white girl can do it with zero effort on a whim?

sure that’s p fucked up, when it comes to clary the writers just make her be able to do anything, which is a flaw, i know that’s what your entire message is. yes. it is wrong that clary can just do things that push magnus out of the picture, it is something that shouldn’t be done. but clary being able to do anything at any given time is also a bit funny, because it’s bad writing and that bad writing is what makes her god, you know?

or that they barely let magnus do magic in s2/ s3 cuz they didn’t want to spent their cgi budget on him but they had no problem blowing it on her playing god?

maybe it’s due to my lack of perception but i really never noticed that, i can think of many instances where magnus uses magic, in fact there’s a lot more (or at least better) cgi in season 2 and 3 than there is in season 1, so i’m not sure that statement is factual

so! in conclusion: thank you for your message, it really gave me a great insight on why someone might not like the theory and it’s understandable! but for me it really is just something to have fun with because it lets me make fun of the show due to its ridiculous writing and lets me appreciate clary, two things i love doing. you took things a lot deeper than i ever intended them to be, but we all love the show while complaining about things that were problematiqué. i don’t see how my god clary theory is really harmful as it is only based on things that are shown in the show. things that maybe shouldn’t have happened, yes, but in the end they did and all we can do is get angry at them, ignore them, or make something with them.

conclusion: the god clary theory is just meant to be dumb fun, it’s completely okay if you don’t like it, or can’t like it if you feel like it’s based on injustice or for any other reason

thanks again! have a nice day!!

#Anonymous #answered #i hope i'm being coherent askmdkms #this is rlly long sorry to everyone scrolling past this rip #rlly took me 1 1/2 hours to answer this rip anon gave me some content there!!#god clary

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sometimesrosy · 5 years

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But don't you find it controversial that Kim is, indeed, Clexa shipper and has some preferences khm. That she also called Bellamy 'a white privileged male' lol. What was definitely disrespectful to Bob. And to Bellamy. That she tries each time to erase Bellamy from Clarke story?? Doesnts it like confuse you a little? IN cl mind space she gave a scene with no Bellamy at all, like he didn't even exist. It's a bit hilarious according to the plot of the show. Also, Erin was feeding from her.

All right. So you need a little backstory.

I am mixed race. White and Puerto Rican (white, taino indian, and african.) As Bob is mixed white and Filipino.

I am 48 years old. And have been mixed race ALL that time, since 1970 as a matter of fact, and have had people call me white, thus erasing my heritage the entire time. White people. Black people. Latinx people.

So I am, ACTUALLY, not at all confused about what it’s like when that happens, what it means, or how it makes mixed people feel.

In my experience, people who are not mixed often don’t understand what it means to be mixed. For that matter, people don’t understand what it means to be any race but white or black or east asian. They do not even RECOGNIZE it. This is not limited to white women. It is ignorance based on our racist society and lack of visible example of what the more unusual ethnicities might look like.

Ignorance is not a moral failing. I have not noticed anything in the time since that indicates Kim has not learned more about what she’s talking about. There has been no repeat of that kind of statements.

HOWEVER, the same fandom who called Kim out on erasing Bob’s heritage and calling her racist for doing so, did exactly the same thing to me. On tumblr. In public. They called me white, said I was not allowed to speak as a mixed race person, said latinos were white, spoke for me, said I was a white feminist, decided I wasn’t dark skinned enough to speak about being a minority, and were all around racist to me, all while MAINTAINING that when this was done to Bob or Bellamy it was racism. And racism was bad.

Essentially the people saying Kim Shum=Racist have also shown racism towards me in the exact same way that they think Kim Shum is racist. And I think they can go fuck themselves. The hypocrites. They AREN’T ignorant. They know that erasing a mixed person’s ethnicity is racist, and they did it anyway. Because they wanted me to shut up because I didn’t agree with their stupid theories on a fictional tv show.

So when you come into my ask box and tell me I should be confused about what’s going on here? Is pretty damn condescending. Perhaps you’re ignorant and you’re not aware that I’m mixed race. Or perhaps you weren’t around when the bellarke fandom was being racist towards me. Or perhaps you agreed with those people that I was racist for speaking about what it means to be mixed race and asking people to not invalidate mixed race people, relationships and families. I really don’t know.

But I do know I am not confused. At all. In the slightest.

And I also don’t trust fandom to be unbiased. And I don’t trust them not to trivialize serious issues in defense of a shipwar that I think is fucking stupid.

As for your dumb shipwar arguments. Let me just cut and paste from before I got so pissed off about the racism I experienced in the bellarke fandom… which they are still claiming means I am the racist one.

Enjoying a story you wrote and supporting the fans of that ship is not the same as being a shipper. Shipping is a fandom thing, not a writer thing.

It is not controversial for a writer to like the story she is telling, even if you don’t.

Because when they are writing it, it is not about fandom ideas, it is about THEIR ideas.

She is not erasing Bellamy from the story. She is WRITING BELLAMY INTO THE STORY. She wrote that scene that had Octavia say Clarke was afraid that Bellamy didn’t

In conclusion. The controversy is all your shipwar nonsense. The confusion is yours. And Erin is nincompoop.

#moratorium on this topic

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tessatechaitea · 5 years

Text

Black Condor #5

Five issues and five pure cheesecake covers.

Crud-for-brains? I'd wager my life savings that Brian Augustyn was an early Adventures of Pete and Pete fan.

The guys on the cover are just four young dude-bros stealing from drug dealers. They burn the drugs and take the money to give toward good causes. And probably also to buy cool shit for themselves. They're only human! Probably. I haven't read far enough along to know what they're really doing with the cash. Black Condor will find out after he beats the shit out of three of them. Sorry. I've been gone for awhile. You wouldn't have noticed since my long absence fell between writing the previous paragraph and this current one. And unless you ran off to take a desperate shit right at the same moment, the time between these two paragraphs was negligible, minuscule (I decided to use both words because I'm so proud of my ability to spell my native language (I considered misspelling "native" and "language" but decided that was a boring old joke which has carried more water than Capri-sun (that's a new joke and it's not very good because it doesn't make sense. But at least it's new))). But I was caught up in playing a stupid computer video game about dungeon delving dice trapped in a horrific game show. Spoiler: the dice never get to fuck. But I'm back now because this is blog is the only thing that keeps me sane anymore. You might think that because this blog was my link to sanity, I'd be more earnest. You might think I'd want to be grim and serious and discuss political, social, and environmental matters with the gravity and seriousness they deserve. But that's all the stuff that's doing my head in. So I'd rather pretend that I'm angry at comic books. Here's a secret for the few of you reading this who made it to this specific paragraph out of all of my paragraphs: I wish I were friends with Scott Lobdell. I bet he's kind of an asshole but he's the kind who, if he was getting his ass kicked at a bar for being smarmy and pretentious and smug (smug because he's a rich writer whom a lot of thirteen year old boys (and men with thirteen year old boy minds) think wrote some of the seminal X-men stories), he'd completely understand if you didn't step in to defend him. He feels like the kind of guy who knows what he really deserves (a righteous ass beating) and wouldn't think the world unfair should he ever receive it. Then he'd probably buy drinks for the people who beat his ass, and I'd look him in the eye and shrug, and he'd laugh, and we'd continue to not mention that time we jerked each other off when we were fucking wasted on single malt scotch and peyote. Black Condor and Ned decide they need to find the girl with humongous afro before she hurts people who don't deserve it the way the color changing white supremacist Nazi rapists did.

What does he mean by "completely autistic"? In 1992, I'm guessing that meant nonverbal with loads of stimming and maybe the ability to play any piano concerto immediately after hearing it once.

Karin was experimented on by Black Condor's grandfather's Society but she failed to gain the ability to fly. She did, however, gain mental abilities as powerful as his own. He's concerned that, being autistic, she'll hurt people with her mind rage. Please. She almost certainly just wants to be left alone by everybody in society expecting her to think and act in a specific way that she can't think and act, nor would she want to if she had the ability. Just leave autistic people alone, normals! They don't need help. Just because your autistic kid isn't giving you the kind of unconditional love you were looking for when you decided to have a kid that you would eventually love only conditionally based on how they loved you doesn't mean the kid needs to change. That's on you and your needs. Maybe just find a way for the kid to express themselves (or not! Who knows sometimes?!) and let them do and act as they please. Unless what they want to do is fuck the dog. I'm not saying autistic people fuck dogs but I am saying we're all individuals, you know? Use your common sense! And if your kid is fucking the dog, autistic or not, don't let them near the dog! The Merry Men on the cover (oh hey! There were Merry Men in the Sky Pirate issue! Brian Augustyn either loves old tales of daring adventure or LSD) have been robbing drug dealers to help fund a homeless camp run by a priest named Gamble. The priest isn't involved in the theft; he chastises them about their plans to get money illegally. But they assure him the money isn't tainted and he decides to believe them when they dump thousands of dollars on his desk. Doing the right thing is hard when doing the wrong thing will solve all of your money issues. If you're a weak minded jerk, that is! I totally would never sell out for thousands of dollars so hopefully nobody embarrasses themselves by offering me loads of money to write positive comic book reviews for their publications. Father Gamble refuses the money because he just can't be sure it was honestly come by. I would be less suspicious of the money and more suspicious of the white college kids trying to donate thousands of dollars to a homeless camp. What's really going on in this camp?! Why are these young men so interested in keeping it funded so it doesn't get shut down? Four probably rich white boys risking their lives to help the downtrodden? Sorry but this is the most aggressively fantastic comic book I've ever read. And I'm not using the informal definition of "fantastic."

"Which member of this organization could possibly be giving all of this information to these white boys and why am I exposing my plan to kill them before plugging the leak?!"

Maybe that's racist suggesting that the white guy in the gang is giving the information to other white guys. But this comic book has already asked me to believe too many fanciful plot points so I'm glad Augustyn decided the white guy was absolutely the inside man. The white guys name is Herbie and his boss, Mr. Soto, already knows he's the leak. I'm glad Mr. Soto is as smart as I am. Or as racist. Probably smart though! They follow him as he's trying to meet up with the college Merry Men to warn them that they're in danger. Luckily for Herbie, Black Condor happens upon the scene as he's searching for Karin. And even though Black Condor doesn't give a shit about this guy and his problems, he figures even a reluctant hero wouldn't just stand by and watch some jerk get what's coming to them. After Black Condor saves Herbie, he has to take him to the hospital because he was pistol whipped. Meanwhile, the rich white kids aren't warned that they're about to die so they drive off into the trap to steal more money that Father Gamble won't be accepting for his charity.

What a dumb asshole! Even the most ignorant of ignorant jerks knows there were only three musketeers! Unless he's so familiar with the book that he's including d'Artagnan along with Porthos, Mythos, and Harpos.

I never read The Three Musketeers because I was born in the late 20th century and exciting stories to thrill young boys wasn't a popular genre anymore because we had Batman and Green Lantern. Although I did once play the text adventure version of the book. When I did that, I poked fun at the idea that the author of it was writing the game so that people would remember Alexandre Dumas and yet it's the only reason I know anything about him! Although now I know a little bit more about him because I Googled his name to make sure I was spelling it correctly and now I know what a fancy lad he was!

Now I want to listen to an audio version of his book where every few sentences, the person reading it just says, "Oooooooh, my!"

The Musketeers (maybe I was wrong to assume they were more like the Merry Men?!) manage to get away with only one of them shot in the ankle (the others weren't shot at all, if that wasn't clear). They decide the best way to save their own lives is to lead the gun men on a chase through New York back to Father Gamble's homeless camp. They already know he doesn't want any trouble so why are they taking this gunfight back there?! What is Father Gamble's hold over these young men?! Luckily for everybody in the homeless camp, Black Condor is there still searching for Karin. He'll save everybody's lives reluctantly! Unluckily for everybody, Karin is also there and the gunfire and chaos freaks her out so much that she has a mind-storm! That's the thing she had before that killed four of her attempted Nazi rapists. And that's where the comic book ends! Lucky for older me, younger me bought the next issue so I wouldn't be stuck with this cliff hanger! Lucky for younger me, older me doesn't have a time machine so that fucker has gotten away with some pretty abhorrent behavior which I couldn't correct by going back in time and punching him in the nose. Unlucky for him, he's going to be a virgin for a long, long time! Ha ha! Take that! Ow. Older me just hurt older me's feelings. Black Condor #5 Rating: B. A solid rating that I probably wouldn't have given this comic book back when I was twenty-one. I don't think I understood just what this comic book was doing and wound up only remembering it as a comic book about a reluctant hero. I didn't realize how much of it was Black Condor trying to live his now much more complicated life while also continuously doing the right thing. Even when he just wants to hole up in the woods and say "Fuck it!" to everybody and everything, he still shows the heart of a hero when he's needed by people nearby. And he's fucking sexy hot too.

#Black Condor #Rags Morales #Brian Augustyn #DC Comics #DC

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khtrinityftw · 5 years

Text

My counters to anti-KH2 Strawman Arguments

The strawman arguments presented here are taken from another blog; it’s sad that they were deliberately written as strawman quality and yet that’s exactly how certain obsessive KH2 haters actually type like.

Disney is reduced to pure filler! - Nope. Beast's Castle, Olympus Coliseum, Disney Castle, Port Royal and Space Paranoids all hold plot relevance, and the more filler-esque Land of Dragons, Halloween Town, Pride Land and 100 Acre Wood still have justifications for existing as levels in the game. Only Agrabah and Atlantica feel like complete wastes.

But what reason do they have to go to these places? Where's Mickey, Riku and Kairi? - You go there to stop all of the leftover Heartless from the mass invasion in KH1 from continuing to threaten the worlds' inhabitants, and to find out what Organization XIII and the Nobodies are up to. Later, it's to find a way into the Nobodies' home base (although this one admittedly gets botched by some truly bad writing). This complaint is as stupid as it is when applied to the first KH, where the small detail of locking keyholes to slow the progression of a world-eating invasion of darkness is conveniently forgotten.

All the Disney Worlds' plots just recycle the plots of the movies! - Nope. Just the first visits to Land of Dragons, Port Royal and Pride Land, both visits to Agrabah, and all visits to Atlantica. Iconic movie elements used in otherwise original stories, such as in Halloween Town, does not count, since that's the same thing the original KH did.

Original and Final Fantasy characters dominate the game! - Somehow this was a complaint? Even though there is pretty clearly more Disney characters in the game than there are original and FF characters. And that among those Disney characters, there are just as many that are important to the plot as there are original and FF characters.

Horrible retcons, especially Ansem not being Ansem and the Heartless not being those without hearts! - The Heartless were not retconned in the slightest since them being corrupted hearts was established in the original game, and Ansem not being Ansem wasn't so much a problem as the writing of the situation around it was (having Ansem the Wise, disguised as DiZ, disguise as "Ansem" in order to get Riku to embrace the darkness, which causes Riku to disguise as "Ansem" and yet he can't change back to normal, and the enemy is Xemnas, the Nobody of "Ansem"...yeah, you get the idea.)

Organization XIII were bland, shallow villains and terrible characters who never should've been! - This complaint is very clearly fueled by backlash against how the KH fandom latched on to the Organization to...shall we say, an inappropriate degree. Organization XIII is fine. (Although no shit “they never should've been”, that's kind of the whole point. Why do you think their lair is called The World That Never Was?)

The Organization is severely underdeveloped! - Not in the Final Mix version, they're not.

Yet the Organization totally steals the show from the Disney aspects! - Again, this seems more based around the KH fandom instead of based in reality. The Organization only got a little under an hour of screentime in the original version of KH2! For Pete’s sake, PETE had more screentime than Xemnas!

The Organization are retconned into Nobodies who want their hearts back! - That's clearly what they were in CoM. They even said as much. This claim is bullshit.

The Organization subliminally have gay sex with each other! - Once again, fandom /=/ canon.

Convoluted and horrible storyline! - Convoluted? Yes. Horrible? No, especially when compared to the storyline of the series beyond.

The novels tell this story so much better! - Hahahaha, no. There are even some improvements made in the storytelling in the manga, but the novels are utterly worse in every aspect, as Tomoko Kanemaki is not really interested in telling the actual story of KH2, but of her personal KH2 fanfic.

THE NOBODIES! - What about them? They were fine. Nomura may have made them more convoluted than they needed to be, but as a concept they felt natural. If a heart can become a creature, then it's only natural that what gets left behind can become a creature as well.

The Nobodies are Designated Villains! - No, they weren't. Suffering from some kind of ailment does not give you the right to inflict it upon others. The Nobodies not having hearts and wanting them is sympathetic, but them planning to obtain hearts by forcibly taking the hearts from millions of innocents kills that sympathy and firmly makes them villains.

But you spend the first 5 hours playing as an Organization member/Nobody only to kill them off in the main game! - Except that Roxas was already killing off other Nobodies and had turned on the Organization by the time of that prologue. Roxas' tragedy is that because they're going by what they know of other Nobodies and Organization members, DiZ and Riku are boxing him into a heavy fate and not allowing him to choose, treating him as if he's an enemy and a tool rather than a person with feelings of his own.

The enemies should've just been the Heartless, the Disney Villains, and Ansem! - The Heartless known as Ansem is dead, where could he have logically come from to fill in that last enemy slot? The only way you could feasibly have him is through his Nobody, which is exactly what happened. Hence the Nobodies, Organization XIII included, being the third enemy after the Heartless and Disney Villains.

All beautifully constructed themes from the first KH were raped! - Please define which themes and how they were raped, because I ain't seeing it.

Sora is now an immature idiot hero who is gay for Riku! / Riku is a bland, monotonous emo and a non-character / Kairi and Namine recieve severe underexposure and minimal development / Axel is a raging pedofag who wants to molest Roxas! / Ansem the Wise is a old, boring Mcpurple prose racist peice of shit. He's not the one true ANSEM! / Mickey Mouse should not be a badass: that is out of character! / Roxas sucks! - This is all beginning to sound like ill-thought out, incoherent ramblings that are based on fallacies such as fandom depiction of characters or willful misunderstanding of the text. I just don't give a crap.

Namine was retconned into being Kairi's Nobody instead of a witch with powers over memory! - She quite literally called herself "the shadow of Kairi" in CoM, and Riku noted that she and Kairi had the same scent. Re:CoM clarified the point even further by translating a line Axel said to her as "WE Nobodies can't ever hope to be Somebodies". Like with the Organization being Nobodies, Namine being Kairi's Nobody was always the plan.

Maleficent suffered Villain Decay! - Yeah, that was the point. The whole objective behind her arc in this game was clawing her way back to the top. It's not a fault of this game that she wasn't allowed to ever reach that top afterward despite what the ending implied.

That Longest Prologue Ever sucked! - That is a very subjective opinion.

Cloud's Side Story sucked! - Yes, but it's just a few scenes long, and finishing it is optional. It's a similar case to Atlantica, which is entirely optional. If you don't like it, don't play it.

Gameplay is no longer challenging! - This was never entirely true (certain points of the game are very challenging, particularly in its second half), and it has been particularly debunked through the Critical Mode of Final Mix.

Too many boring long-ass cutscenes! - Oh, you don't like that? Get used to it, it's not going away from the rest of the series.

These worlds are not fun to play through! - That depends on what you want out of them, as there are plenty of people who prefer the more linear, combat-oriented action RPG style than the larger, platforming style of the first KH, which they claim were the ones that were not fun to play through. And even if you want more exploration and item collecting in the worlds like there was in the first KH, then the Final Mix edition has you covered.

The finale to the story was awful! - No. Not at all. Fuck you.

The experience is not magical whatsoever because the Disney magic was consumed in a Nomura explosion! - No. That's the series beyond. This was pure compromise: not as much unrestrained Disney magic as the original game but not as much of a Nomura explosion as what followed, but a balance where both were equally rich in quality and quantity, and so fans of both could appreciate it. Like with the Disney world visits, this is the way the series should have stayed, instead of granting Nomura unlimited power and the ability to destroy it with his own self-indulgent crap.

#Kingdom Hearts II

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