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#did this rambling make any sense
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so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.
#jrwi fanart#jrwi show#jrwi prime defenders#jrwi prime defenders spoilers#jrwi pd spoilers#jrwi pd#william wisp#vyncent sol#THIS ONE IS FUUUUCKIN OOOOOLLDD RAAAHHHHH i made it like. a year ago. but didnt finish it for so so long bc i just wasnt happy w it.#BUT LIKE A CENTURY EGG the decades of being encased in salt n lime n ash have done WELL to bring out the flavores of this piece#i sorta recently cleaned it up and posted it onto twitty. didnt tag it bc it was SO OLD AND SCUFFED(i see so many MISTAKES NOW)#that i didnt want to expose it to the open air just like that#if i show smth to my small circles then it shall only be understood in those small circles.#open air and open interpretation from minds i cannot predict are NOT something i enjoy the thought of. usually. i am brave tho#BUT EVERYONE ON TWITTY WAS SO NICEEE i was like damn... i guess it IS good enough to be enjoyed by the masses...#lets work on being nicer to our art together. THAT BEING SAID. i really love my colors here HELL YEAHHHH#FIRST TIME IN A WHILE COLORIN THESE BOYS.... i dont use proper color enough..I ALSO RLY LIKE MY BACKGROUNDS HERE#i LOVE when the bg is hyperrealistic (i frankestiened stock photos) and when the subjects are all flat colored n cartoony#recently rewatched Making Fiends and they do that similar thing!! soft shading! lotsa details! almost painted? ill paint one day#ive already rambled so much abt the art im runnin out of ROOm to ramble about WWWIILLIAM GODDAMN WWIIIISP. its been a minute since i saw-#-this episode..but i DO remember the funny smoke trick that will did to his funny brother. EVERYTIME U GIVE AN ORDER. THAT BRINGS HARM-#-INDIRECTLY OR NOT. YOU WILL HEAR THOSE SCREAMS. YOU WILL FEEL THAT PAIN. OHHH WHAT A COOL PUNISHMENT THAT IS#its still an olive branch in a sense! a final chance for big bro bell to show that hes NOT an irrideemable piece o shit. and if not#well. to the wolves of psychosis with him!!! i really think william did the best he could here. if i was in his shoes i have no doubt i-#-woulda done the same. IM ALSO GLAD THAT VYN DECIDED TO STICK AROUND N SUPPORT HIM! thas character development baybe!!#i loooove prime defenders.. its been so long since i watched any eps of it but i KNOW it still has such a grip on my heart..GOTTA rewatch i
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strixcattus · 3 months
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I really enjoy looking at this still from Slay the Princess:
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In the midst of all the weird imagery from the first part of the Stranger route, you see for a moment—and it is cut off at the end, so I had to be quick with my screenshot—every route laid out in front of you, paired up as the game does elsewhere, and described, interestingly enough, from what I can only believe is the Voices' perspectives, or perhaps the relationship between the Princess and the Voice of a given route.
Consumption: The Beast (Hunted), the ribcages in the bottom right. Being eaten, alive or half so, is one way or another the outcome you face in the Beast. This one seems to be the least connected to its route's Voice, though I can still see it in a relational sort of way. Betrayal: The Witch (Opportunist), the nail-studded... I can't tell what it is, but it's at the top left. Betrayal on your part is the cause of the Witch's route, and it too is inevitable in some form once you're on that route—the Opportunist is very vocal about it.
Skepticism: The Prisoner (Skeptic), the chains at the bottom. Pretty clear analogue given the name of the Voice, but not to neglect—you reach the Prisoner by taking the blade (distrust of the Princess) but ultimately using it to free the Princess (you take the time to think critically about what you're being asked to do, and decide the Narrator is less trustworthy). Blind devotion: The Damsel (Smitten), the... I can only imagine locks of hair at the top. You reach the Damsel by immediately and wholly assuming she has no ill intentions, an attitude made manifest in the Smitten.
Rivalry: The Adversary (Stubborn), the spikes to the left. The Adversary route is, so long as you embrace it, about your probably-a-metaphor-for-sex-I-mean-the-Eye of the Needle-isn't-even-trying-to-veil-it eternal fight with the Adversary, with the Stubborn in strong support. Submission: The Tower (Broken), the stone columns to the right. One of the most clear-cut "this is about the Voice" examples—the Broken has completely submitted to the Tower's will, even though the player still has a few chances to resist her.
Terror: The Nightmare (Paranoid), the eyes in the upper right. Of course, the Nightmare is all about fear, and the Paranoid is the embodiment of your fear of the Princess—the fear that made you lock her in the basement and the fear that stopped your heart when she broke free. Longing: The Spectre (Cold), the wisps in the bottom left. This one is interesting, and almost made me second-guess my "Voices" reading, as the Spectre herself is clearly a creature of longing—but then what about "Submission?" The Tower is not "submitting" to anything. That's her whole deal. Perhaps this one is connected to your desire for something other than what the Narrator calls the "Good Ending..." or perhaps it has something to do with the Cold's interest in feeling something, which he expresses in a few routes (the Greys being the most obvious).
Pain: The Razor (Cheated,) the spikes at the top. She skewers you, and you die. Over and over again she skewers you, and you die, and it is painful over and over again. I'm not sure I have much to add to this one. Unfamiliarity: The Stranger (Contrarian), the abstract DNA-like strand at the bottom. You reach the Stranger by refusing to interact with the Princess, leaving her an unfamiliar blank slate whose actions you cannot predict and thus fracture into every possible image of her.
And at the heart of it all, an emotion that can only be described as—what? The Narrator doesn't get the chance to finish his sentence before you wake up in the Prisoner's basement, but I'd think the answer is obvious once you've finished the game.
After all, this is a love story.
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ambrosykim · 6 months
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i find it an interesting detail that this is where the thumbnail comes from, specifically the frame where he says "demonized" (from the titular song)
now i've only watched npmd once so idk if there's any like. subtext as to if max was a typical bully in how if he bullied others due to his own background or insecurities or if he was just genuinely just a terrible person, but it seems interesting that starkid chose this specific frame to go on the thumbnail (i get it he does look frightening and cool at once and it conveys the vibe of the musical)
i mean it's obvious that he's a completely deranged person (i think especially after coming back from the dead) but yeah, what i thought was interesting, was that by starkid choosing this specific frame, they're also immediately demonizing him to anyone that stumbles upon the musical, even before starting it so!!!
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tinned-beef · 6 months
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Allison Hargreeves is being unfairly vilified?
Allison Hargreeves as in 'SA'd Luther' Allison Hargreeves? Allison Hargreeves as in 'confirmed Viktor's worst ongoing fears and anxieties just because Viktor was grieving his friend/stepson and it annoyed her' Allison Hargreeves? Allison Hargreeves 'contributed to the deaths of two of her siblings' Allison Hargreeves? Allison Hargreeves 'nothing anyone else has lost over the course of this nightmare matters as much as what I lost so I'm gonna fuck everything up potentially irreparably' Allison Hargreeves?
That Allison Hargreeves? I mean don't get me wrong I like her but she's very much a villain right now. She's an interesting villain, a compelling villain, a better villain than Reggie since we actually know wtf her problem is and we wish things hadn't turned out this way. But a villain all the same.
i don't think allison is a villain. at best, i'd say she's an antihero. at worst, she was a catalyst for viktor's arc in season three.
i would like to start by saying that i'm not defending allison's actions. i think what she did was wrong. however, i don't think she deserves all the hate that she's gotten. she's a character that is very morally gray, and people continue to paint her in solely black or white.
what i try to convey in this... very long post is that there's a reason for what allison does in season three. the question of if she’s a villain or not can be debated, but i believe that the reasons for her actions don’t make her a villain.
a big reason why the umbrella academy is such an incredible show is that all the umbrellas are flawed and nuanced, and despite it all they love. all of the umbrellas have their faults, and allison is no different.
in season three allison has lost all hope. she thinks she will never see her child again, her husband is dead, the world is ending, and to her it seems like her siblings don't give a shit. amidst all the chaos and the whirlwind of her life, she needs something that she's used to. something she knows how to navigate.
so she turns to luther. and she gets the comfort she's looking for but it's not right.
allison and luther's relationship is something that has been a topic of many debates in this fandom. i don't really want to get into it right now, but they've always been a person of comfort to each other. allison wants to feel loved and cared for, and she thinks she can get that comfort from luther.
allison is naturally selfish. she's used to getting what she wants. she's used to having the world at her fingertips. and yet almost everything she's held close to her heart has been ripped away from her. and she's never getting it back.
in season three she falls back onto her old habits, rumoring people left and right with no consideration for others. it makes sense because it's the only way she knows how to get what she wants.
and then she rumors luther. she doesn't want to lose him either, and she thinks that he's choosing sloane over her (which is true, but she thinks he's leaving forever. she thinks she'll lose him too). but she almost instantly realizes what she's done, almost instantly tries to take it away.
as for her relationship with viktor, that's another can of worms. in season one, allison is the only one really trying to mend that relationship with viktor. but it's a rocky road. allison snaps at viktor, viktor snaps at allison. these two have had tension from the very start. eventually, that bond had to snap.
at the start of season three, viktor is the only one that really tries to help allison. he stands up for her, and comforts her after she returns from la. but by episode three allison is so consumed by her grief that she's already clashing with viktor.
and when harlan makes an appearance, it just gets worse. harlan is like a son to viktor. someone viktor can care for. and when viktor turns that care and attention away from allison and instead towards harlan, it hurts. why is viktor allowed to have his child when allison will never get to see claire again?
in season three luther tells viktor that allison has “always been good to you (viktor)”. but there comes a point where your love and gratitude towards someone can morph into bitterness and hate.
the reason i say allison is a catalyst for viktor in season three is because the writers needed someone to contest his ideas. someone that will create a struggle for viktor that he will ultimately come out of with a new lesson learned. and allison is a great contender for that position. the show needs conflict in order to have an engaging story at all, and tense relationships between the siblings can be seen throughout all three seasons. (luther and diego in season one, ben and klaus in season two)
as for the deaths of her siblings, do you really think she wanted that to happen? she doesn’t want to lose any more people, that’s the main driver of her character shift in this season.
allison turns towards reginald because she sees it as the only option left. klaus does the same thing, so why is it any different when allison does it? she didn’t know her siblings would die in the process.
allison isn’t even the only sibling that has contributed to a sibling’s (almost) death. viktor slashes her throat in season one, ben sacrifices himself to save the world, and luther willingly walks into the room to talk to reginald. how is that allison’s fault?
i think this is also why five gives his talk to viktor, not allison. he understands what allison is going through on some level, understands the despair of losing those who are close to you. understands being willing to do anything to get them back. even though he quite loudly disagrees with allison making a deal with reginald, it's because he knows she's getting tricked. reginald never had their best interests at heart.
they’ve all lost people, and they all react to that loss in different ways. in season 1, when diego finds that patch was killed, he instantly wants to go for revenge. he plans on going after hazel and cha cha but five inevitably talks him out of it.
allison doesn’t have that influence. in fact, diego suggests to instead let that grief out through anger. i don’t think it was a very good solution in the end.
and despite all that, she wants to redeem herself. she tries to tell viktor the truth, she admits that she made the plan for all of them. she kills reginald and she’s the one that pushes the button at the end of season three. there’s so much left that we don’t know. did allison know what would happen when she pressed the button? did she know what reginald’s real plan was?
but in the end, allison is the reality of a person who has lost those who are closest to her. it’s probably the best job the writers have done while showing trauma and grief. i don’t think allison is a villain, and i think that accusing her of solely caring about herself is unfair.
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human-for-tonight · 5 days
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the thing about watcher is I think buzzfeed unsolved fucked them over. both in terms of numbers but also in terms of output. if you go to buzzfeed unsolved network and sort by popular, you have to scroll past 84 videos before you get below 10mil views. and a lot of those are 5-7 years old, so those are numbers they would've been looking at when deciding to break off from buzzfeed (the first watcher video was posted 4 years ago). they thought they could get big numbers without constantly churning out videos, because that's what they'd gotten with buzzfeed unsolved. and I'm sure they adjusted their projected numbers to account for people not following over to the new channel, but I doubt they predicted their top videos would be in the 8mil views range (which is still a lot, but not what they had pulled in the past).
so they aren't getting old buzzfeed unsolved numbers, but that's okay! look at the try guys - they aren't putting up millions of views every video and they're able to have a company with a decent amount of employees. and this is where the output issue comes in. between their main channel and their various podcasts, try guys is putting out 5 videos a week, with 2 being main channel videos. watcher is putting out 3 with 1 being a main channel video. plenty of people who have been making videos for a while have talked about the youtube grind and the algorithm - there's a reason daily vlogs and content houses got so big. and watcher didn't want to do that grind. from the beginning they've said they want to do seasons of shows. which is feasible! again, this is something try guys does with without a recipe. but the difference is try guys has quick and cheap videos they can put out in between and concurrently with those big shows that help support them. eat the menu is their best example of this because it gets big numbers. watcher doesn't really have filler videos.
to further the try guys comparison, buzzfeed unsolved limited the type of content fans were looking for in a way try guys was never limited because trying new things is a really fucking broad category. try guys was always more about the people than the specific thing they were trying. obviously a lot of fans of watcher like ryan and shane (and to a lesser extent steven, based on how many people are blaming him specifically for this). but I'm sure there were also people only watching because they liked true crime and/or ghost hunting content, which makes it harder to branch out and retain ghost files numbers on their other shows.
overall, they thought they could be buzzfeed with just unsolved, and that's not how youtube works and now it's fucking them over that they got too ambitious too fast
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starheirxero · 7 months
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BTW ACTUALLY. I CAN’T HELP BUT WONDER IF RUIN ONLY SHOWED BLOODMOON BAD MEMORIES.
Like, Bloodmoon2.0 clearly has it out for Sun. There are enough videos where Sun and Bloodmoon are horrible and messy to each other to make Ruin go “look, isn’t he awful? terrible? don’t you just want to rip him to shreds?” but did he only show him the negative experiences of his previous self?
Did Ruin bother to show the new Bloodmoon the moments where he got along with Lunar and KC? Did Ruin bother to let the two new halves know how deeply their previous halves cared for each other? Do they only know the violence and rage from the Bloodmoon before them? If the new Bloodmoon met anyone else, would they have any idea who they are?
Are there holes in the story that Ruin has given the new Bloodmoon and they have yet to realize this?
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thisloveislikeabattle · 7 months
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SandRay is just AkkAyan spelled differently
I've lost count of the number of rewatches I've done of The Eclipse since watching it six months ago for the very first time, but once Only Friends started airing I haven't done any rewatch, just because all my thoughts these past weeks have been obsessively about Sand and Ray
BUT yesterday I found myself watching it again after months and when I got to episode 11 it hit me: SandRay's dynamic when it comes to taking care of each other is the same as AkkAyan's but backwards.
Let me explain, I was watching this specific scene
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And this thought came into my mind: "If in The Eclipse it's Khaotung's character that takes care of First's character, especially when it comes to emotional needs, in Only Friends it's actually the opposite with First's character taking care of Khaotung's character"
Since then I haven't been able to stop noticing all the ways Ayan and Sand mirror each other when caring for their partners
Ayan looked at Akk, and saw something extraordinary. He saw this beautiful broken boy, who was hurting so much and doing it all wrong, he saw him holding on to a very thin thread just on the verge of letting go. Ayan saw all the love Akk needed, and despite being very broken himself, he never ever let go of him.
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Akk did bad things and said awful stuff and pushed Aye away time and time again, and still Aye stayed right were he was and held him up every time Akk hit the ground.
Showed him how despite all his flaws, all his mistakes, he was still someone worthy of love.
And so throughout their journey Ayan gave his heart and soul, took all the love he could muster and stood firm by Akk's side, no matter what.
Ayan made no excuses for Akk's behavior, held him accountable, called him out when he was doing something wrong and at the same time offered Akk all the support he needed to get out of that bad place because he knew how necessary it was to have a support system.
And isn't that exactly what Sand has been doing with Ray ever since he first saw him, left alone, drunk as hell, getting into his car without any concern for his life?
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Just like Ayan, Sand has found this special fragile boy who needs lots and lots of love. And where Akk wanted acceptance and to be good for others, Ray only wants to be loved and to be someone's priority for once in his life.
Even the little things Sand does for Ray. And yes, we joke about Ray being Sand's spoiled princess, but before Sand came into Ray's life, did anyone ever treat him with this much care and affection? No.
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Lighting up his cigarettes, cooking for him, helping him with his helmet, driving him around, changing his dirty clothes when Ray is too passed out to care, going after him no matter what Ray said or did, shaving him...
Yes, Sand is a natural caregiver and perhaps acts of service are his love language, but to me the point is that Sand is able to see the full potential Ray could reach.
Sand knows how precious he truly is; with patience and love and care, with someone by his side ready to fight the battle with him, someone who will not give up on him, Ray may one day be able to blossom into this wonderful person that he is capable of being.
Until that moment comes, Sand will be there for him like no one ever has before. Because Sand looks at Ray and sees someone worth fighting for, someone worthy of love.
And yes, I am aware that Ayan and Sand are very different characters, they are at different points and have different expectations when it comes to relationships.
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Even the way they handle things when it comes to love is different: Ayan is very much open and ready and unafraid to communicate what he wants from Akk, while Sand is emotionally constipated, with his walls all up, still falling hard but refusing to admit it even to himself.
Yet the way Ayan and Sand care for their loved ones appears to me as the very same.
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understandably-odd · 4 months
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i feel like rachel dare is hated a lot because she “gets in the way of percabeth.” but in reality she was just a fifteen year old girl who liked a guy. like she was never an anti-annabeth or willfully stopping percy from being with annabeth (in fact she actually does encourage percy to go after annabeth). she, similar to calypso, just fell for percy, understood he did not reciprocate her feelings, and let him go. and that’s not even the whole of her story! like so much of what is said about rachel is just relating to percy, but she herself is such a cool character. like she led percy and annabeth through the labyrinth, something that nobody else was able to navigate. she hit kronos in the eye with a hairbrush, and though she didn’t know who he was at first, she knew he was dangerous. she literally became the oracle! like rachel dare is such a cool, incredible character and she is always watered down to an obstacle in the percabeth relationship, which she never was.
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Not sure if this is where you want your asks to be sent or not, I'm new to your blog so sorry if this is the wrong place
There is another instruction for Wally that I haven't seen you talk about and I want to know your thoughts! Back in november, before the responses, the secret URLs (such as woxyve) had the word "delete" added to the end (ex: woxyvedelete) implying that they wanted Wally to delete the page. After this most recent update it changed again and now says nodelete meaning that Wally refused to do that task. Thoughts?
where else would asks be sent if not the Askbox! inbox! both!
i actually wasn't aware of this until a few days ago, when i saw a post pointing it out - i had never gone directly back to those pages. which serves me right! i'm gonna be double checking Everything from now on lmao
but my fucking GOD is it interesting. thus far Wally has been... fairly cooperative. he's had a moment here and there, such as closing the guest book and losing his patience a lil, but he does his best with the rest! especially with requests! so for him to straight up go "lmao nah" when asked to delete something...
characterization-wise, i think it's very telling. as of now, Wally has been commonly portrayed as a bit of a doormat - getting talked over, sitting off to the side, being a bit of a background character - in in-Home media. less so in his whrp/qa/You interactions, but he's still widely agreeable & willing. but him refusing to delete the urls gives major points to him Having A Spine. he's holding his ground. he knows what he's doing. he's not going to let the whrp shut him up. there's a Thought Process / Plan / Purpose being shown here, or at least hinted at. there's a sense of.... Control. of "this is the way we're doing things, this is what i'm saying and you're going to sit down and listen" it's just... such a shift from the Wally we see in his interactions with the neighbors. which again, lends credence to there being a time discrepancy, with whrp Wally being older and more "experienced" while past Wally is still figuring his shit [being alive] out <3
story-wise it adds some Delightful friction. like obviously there's already tension, what with the staff only page, "Let Me In", the mysterious black stuff, the guest book closing, and the whrp/qa being disturbed by it all. but Wally outright refusing to delete things is a Different sort of conflict. it's more... direct. which makes sense! his interactions with the whrp/qa are becoming more personal, too. but it lends to the feeling of a push-pull. as the whrp/qa investigates Wally and starts treating him like the person he is instead of a long-lost character, they're probably gonna clash (a lot) despite the apparent impulse to pursue Welcome Home. currently, Wally doesn't seem big on compromising. if he doesn't know what to do, it looks like he simply Won't or he'll do his own thing and be like "shrug". if he doesn't want to do something, it also looks like he simply Will Not.
of course, there's the strong possibility that the whrp Were Not Serious about it. the 'delete' command might have them testing the waters, poking the bear, etc. but then were they testing to see if Wally is there, or were they testing his level of compliance? both? a secret third option?
and if they Were serious about it... why? what is it about the marked urls that made the whrp go "get that outta here"? and why couldn't they delete it themselves? i mean, obviously they can't delete anything Wally adds, otherwise the extra stuff he's added probably wouldn't be there (unless the impulse / curiosity driving them is too strong to delete anything added). but there's still a why about it. what changed so fundamentally in the site's code - or laws of physics/reality - that made it impossible to alter Wally's additions?
it's just. i feel that there are a lot of implications in such a small interaction. it shows more than one would expect.
#I JUST. AGH#idk if i said any of this in a way that makes sense#how would/do the whrp/qa react to that? to him being like 'we are Not deleting this <3'#whether they were serious about it or not thats Gotta raise some feelings#were they scared? frustrated? shocked? vindicated?#MAN IM SO CURIOUS#wally said no! the whrp asked and He Said No!#i mean to be fair#from what we know about wally - both from shared trivia/thoughts and the main canon#he doesnt seem hesitant to say No in general#but still. with almost everything else asked of him he Tried. he made an effort. hm#homebogging#rambles from the bog#wh speculation#welcome home speculation#AND THEN - OH THIS IS A TANGENT!#about him flipping sally's portrait. HOW THE FUCK? its technically a 2-d image. there isn't a back#so did wally make a back - or did his Direct Interaction bend reality and make it so that there's one to show?#fucking Fascinating. i mean i already have a lot of thoughts on reality fuckery in this story but mmmmm man. implications.#or - oh or - are the character portraits The Characters. this is a crack theory but hm#the fact that there are tiny versions of some of the neighbors in their houses on the map. trapped inside. multiple franks.#you see what im getting at?#not to say that they're trapped in the site! but what if there's a direct Connection. the character and the art aren't explicitly separate#as implied with wally's 'every time you look into my eyes' / 'you draw mine'#if his art has a direct link to him - Is him in a sense - why wouldn't that be the case for the others#huh. i wonder if they'll ever sense it like he does. will they ever look back? will their pupils slowly start to look at the screen?#i mean the teeny eddie in the post office is looking straight out at us but yk. Inch Resting.
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coquelicoq · 6 months
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what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.
#the other thing i love about it is that in a very real sense it's his actor day job that is his alter ego#being an exorcist is his normie job. he's just a famous celebrity on the side#which isn't that uncommon in secret identity setups but it's still very funny#natsume's book of friends#natsume yuujinchou#natori shuuichi#natsuyuu meta#my posts#f#i think probably the actual answer is that acting was a very natural career choice because he already masks so extensively#both to hide that he can see things other people can't (and that youkai exist and that he exorcises them)#and to hide what he's really feeling so that no one can use it against him#so if it's already something he has to do & he's good at it...why not have someone tell him exactly how to do it & get paid for it?#and the other part of the answer is that most ppl don't go into acting assuming they'll get famous. the fame was a side effect#so each decision as it was being made probably made perfect sense. but put them all together#and you have this hilarious assortment of elements that seem to directly contradict each other#okay also i would be remiss if i didn't mention the other possible answer which is that the attention came first and was unavoidable#and the acting developed from the need to protect himself from the attention that he was going to be attracting no matter what he did#because he's so beautiful. and (in the exorcist world specifically) because he's the last of the natori#the more i talk about it the more i'm like no becoming a famous actor was the only path that made any sense for him lol#1) he's gonna be watched no matter what bc he's him -> gotta figure out how to hide his secrets -> learn to act as self-defense#or 2) he's got secrets -> he's gotten a lot of practice hiding them -> hey you could make a career out of this!#all roads lead to actor natori shuuichi. and since he's beautiful...all roads lead to FAMOUS actor natori shuuichi#i love it when i ramble so much in the tags that i end up contradicting my own post lol#he's neither thinking ten steps ahead nor is he irrational. he's simply making sensible individual decisions#that follow logically from what is available to him and what his priorities are
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franki-lew-yo · 2 months
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An 'A-ha!' fandom moment, ft. The Owl House
These comments I screencapped from a user I watch elsewhere really hit like a brick in the face to me. I'm blotting out OP's name, mostly cuz this was just a shower thought they had rather than any meaningful open discussion with people, but it ended up making me realize something (also NO they're not some contrarian AntiSJW type or even hate TOH; they're a very gay+trans writer themselves. Sorry if youknowwhoyouare sees this and recognizes ur posts but you don't allow reblogs or comments and I wanted to present it on my own):
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The Owl House was always hampered by being killed halfway through, writing wise and that will always be it's greatest 'sin'. However, OP's comment made me realize how much the show kind of tells you it's characters are flawed rather than actually give them arcs to suggest it, especially in season 1. When I say flawed I don't mean lacking quirks that are relatable but human: Eda is a recluse criminal; King thought he could kill people and acted like it; Luz is a genki girl; Amity starts off as a bully; Hunter...is unfortunately Hunter, ect. Those ARE flaws, character wise, but in the presence of the complete story (as complete as the show will ever be) they really aren't actually flawed, bad people in anyway.
Before I go further, two things: 1, IN ALL FAIRNESS, this is why myself and others particularly LOVE the characters and why TOH was a comfort show for me rather than a 'high-tension narrative'. The characters are a lot of what you want and hope to be like and I think that's really sweet and enjoyable, especially for horror and especially for kids.
2, NO! I DON'T think any particular bad faith cartoon reviewer opinions about coddling certain characters and punishing others IS WHAT DANA and co did at all here! Steven Universe and certain crap-reviewer's takes ON Steven Universe and how it's characters were flawed but overly forgiven by the fandom the show itself are NOT the b-all end-all of this discussion, nor are they the reason The Owl House is the way it is!
The context op was talking about was how in the upcoming hate crime The Last Airbender live-action show the showrunners are going to tone down Sokka's sexism because they think it's 'unlikable'. Even though, we all knew as children that this was an arc for him and it was WRONG, so axing it because we the audience lack nuance to recognize characters we love doing problamtic-sisms is BEYOND annoying.
Op's point is how The Owl House in particular doesn't actually expect much or want much out of it's characters. Or audience. For any infighting early on about how much Amity should 'die' because of reasons, that's really just fandom infighting when you get right down to it. There's nothing on par with the disagreement people have over, say, the Diamonds from Steven Universe and how Steven 'totally forgave them or 'should have murdered them in cold blood' about The Owl House. And like...from a fandom point of view that's good, but otherwise the show is pretty concrete the way you're supposed to see certain characters vs other shows which allow you to make up your own mind.
Avatar, Star vs the Forces of Evil (pre finale), Centaurworld and Amphibia all showcase your protagonists being genuinely, intensely flawed. Sure, maybe some neckbreather crap-pseudocritic complains that they 'made the unlikable' or whatever (i.e. me with Friendship is Magic) but overall the actual point is HOW the characters actually have grown and have ended up with the ending and morality they need. The villains, no not Zukos or 'redeemed' villains who joined the protagonist squad, VILLAIN-villains, will always be at least one serious step behind the protagonists and that's what give the protagonists the cautionary wherewithal to end them like they should and not 'be like them'. It's such a fufilling narrative, there's a reason people like it so much because it's really good when it's delivered well.
Removed from my fandom gaze; the Owl House feels like it's saying it has that ultimate messaging and character arc when it actually doesn't. Your protagonists have the endearing aspirational-part totally covered, but as far as the actual 'edge' and nuance? Well...
Eda is, at most, naughty. She really isn't any kind of morally sidetracked character. She's an outlaw because literally her society is awful to her and she's in the right to be against it. She's cursed but she's not addicted to her potions or hiding it or not really taking care of herself or her loved ones because of it. Her actual biggest flaw is that she's been 'running away' from problems rather than dealing with them, but I'd be lying if that wasn't suggested more than it's actually portrayed; or at least, dealt with fast enough in "Eda's Requiem". A bigger issue I see, even if it's what's also endearing about her, is that she REALLY isn't a flawed caregiver at all. It's portrayed as her most redeeming feature that she's otherwise a good mom and mentor, but Eda having virtually no problems in raising Luz and King just, again, makes her feel ONLY aspirational. All of the angst about 'failing' to parent and making up for it is moved all onto Camilla and sadly all of that angst for her is mostly within an already bloated episode. Eda, while an absolute mood, lacks any real kind of edge. Does she need it or not? I don't know. Discuss, kids.
Luz, like OP says, is treated like this high-energy super-optimist. She's like Star Butterfly in that her fangirlism and impulsivness are supposed to get her in trouble. But, she absolutely just isn't one when you break it down. Besides episode 2, Luz really is never that inconsiderate or lost in her fantasies ever again throughout the show. She never has anything like what Steven goes through where he hops into Larz' body and makes things worse for people by trying to fix things- which is not only good filler but it calls forward to the ultimate ending of Steven's arc for the series - Luz is just sort of adorable. Luz has blindsided by hype moments of weakness, like when she accidentally hurts Owlbert or messes with Amity's secret room, but still always level headed and down-to-earth. Her impulses are always kind of treated like...excusable? Because, again, they usually are. This is a large part about what makes her self-hatred at the end of the show about accidentally helping Belos' feel 'forced'. Even MOREso than what Hunter and Daddy Titan explain about Belos using her, we the audience never see Luz's choice to go back in time and try and get answers from Philip as being anything other than just, you know, logical. Because it is. The show acts like what Luz did was reckless and bad and that she was SOOO overtaken by her fangirlism about Philip and now just how much she has to live with the guilt and regret of helping being duped by him...it just doesn't come off that way at all. She was only so much excited about meeting him and her interest was getting home to her mother. In terms of comparing her to Philip, that's all fine and good, but again it's not 'flawed'. Not really, anyway.
Lilith absolutely has it the worst...but I kinda think people know that. She arguably does have the most morally-gray turning point in the show given what she did to her own sister. But neither the characters nor her nor the show really hold her accountable in any lasting way for cursing Eda. Lilith is the closest we get to that 'Diamond'-dilemma. She does 'make things right way too quickly and it's obvious to even her biggest fans that her character is really rushed in this area. They lampshade what Lilith did and that she was their villain in season 2 and 2B, but lampshading isn't the same thing as progress. As a result, as a Lilith fan you kind of never really forgive her for what she did. None of that's her fault, cause' you know...she doesn't exist, but it makes it frustrating that you the fan watching the show is doing the heavy-lifting in your mind in this area.What you come away from is this feeling of loving the characters for being able to work everything out. They're engaging and nuanced in theory, but you also feel robbed, w or w/o the Disney interference, of them being fully rounded or WHOLE. It kinda feels like 'and suddenly, he wasn't racist, anymore' all the time with every character ever with except Amity's mom, the Titan Trappers and Belos.
The reason everyone dunks on Star vs the Forces of Evil's finale, (besides being salty over ship wars and declaring THAT'S the reason for the drop in quality) is that 'Cleaved' could have not only worked but REALLY worked. It just needed to be better written and processed as an ending. Instead people reviled Star, the protagonist we're supposed to be rooting for, for what feels like impulsive apathy and cruelty towards everyone else by destroying magic, as opposed to it being an actually selfless sacrifice that makes her different than Toffee. Ultimatley, I do prefer The Owl House, unfinished as it is, to any of that. But yeah... I can now never unsee the characters as being what they are: fun but indulgent when they're supposedly complex. Indulgent is never bad u guys, but the problem is when you only have that to go on while insisting you have fully developed characters, there's a lot of the show telling you how to feel and how to come away from it rather than letting you, the audience, make of that yourself. As annoying as fan-wars can be over this stuff and when people are either WAAAY to forgiving of their villain blorbo or form hate-campaigns over Glub Shitto for ruining their life, it is ultimately a good thing that shows give you that chance to really see the characters that way at all.
The Owl House is, as OP calls it, "tumblr feels" not for being gay and magical and fun and wholesome and indulgent like that stuff is GREAT. It feels 'tumblr oriented' in that it all kind of feels too easy even when it's not for your protagonists. It's never actually "challenging". I guess, in as far as 'good' indulgence is concerned, it's as warm and fuzzy and a happy AU fanfic you found but not so much the Pacifist Ending of Undertale where you really do feel bad if you rectify the good ending in anyway. It's fun and it's comfort food, but not entirely lasting as you want it to be???
Amphibia, I think, was also way better than Owl House in this respect. It wasn't perfect cause nothing is but you really got a feeling for HOW flawed Marcy, Sasha, the townsfolk and even Hop Pop throughout their arcs-- which made it so SO rewarding to see them get their happy endings and come together to defeat the core and be the better people they needed to become.
The Owl House is my favorite where I think Amphibia is the better of the two.
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cieric-of-chaos · 5 months
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i love Wanda Maximoff but not in the way wandastan love her "she's sooooo powerful she could beat ur fav actually 🤓☝️" and not in the way Kevin Feige wants you to know her "she is crazy and can't control her powers🥴🙄" but in a way I see her "she was a kind and soft person who hated conflict and violence but was born in a shitty country and she is (unwillingly) gifted a power bigger than her so she was exploited by everyone....and she wants to be love and accepted until she find someone who is an outcast (vision) like her and then he died and she's lonely again she try to move on but she can't until she had a breakdown and finally her loneliness and Years Mental turmoil finally take a toll on her and she finally breaks"
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catalystcreature · 2 months
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Say cheese!
MY FIRST IMAGE OF THEM ALL TOGETHER!!!! Very proud of this one, even if I didn't really do a background causwcause this is 5 PEOPLE IN ONE DRAWING!!! Actually a milestone for me :>>>
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actually I think the thing about being a youth leader is that 25% of it is teaching about God, 25% is playing fun games, and more than that though 50% of it is making a safe space for kids to be. not to try and make them believe, not so they'll be open or anything. just. a 100% no stakes, safe place for them to just BE. whatever else comes after that. and I don't just mean physically safe, two-adults-in-the-room-at-all-times, et cetera. I mean emotionally safe. I mean not hitting them over the head with scripture, not trying to help them feel better or any particular way. just... a no-judgment, emotionally safe place to exist as kids.
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i-am-a-fan · 9 months
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Sees post about how all the LMK characters are intelligent in their own ways: could you elaborate on that point...please?
Okay i’m so sorry to the bunch of other asks in my in-box. This is freshest on my mind and so its easier for me to respond.
Okay. So. Usually in each show there’s the naive character/ the dumb character that kinda becomes the butt of the joke or has to learn a hard lesson. Except EVERYONE in Lego Monkie kid is this character, and everyone also isn’t.
Mei is a technical wizard who has built her own motorcycle, piloted mechs, built an underground base and also provides Mk with some life wisdom sometimes. But she’s also impulsive, and childish at times.
Pigsy has more life knowledge and cooking expertise. He has been shown to give Mk and others lectures about being more responsible or how hard work is good work. But he also can neglect emotional issues and get stubborn. (Trying to dig out of a palace cell with a ceramic spoon)
Tang has more book knowledge and is clearly well versed in history. But he’s lazy and prefers to keep his hands clean when possible. More so, he ALSO has a hard time listening to others. (Wow, a shocker)
Sandy has great emotional knowledge and is clearly a skilled fighter. He knows how to navigate wildlife (tying ropes to trees to find his way back) and has vast knowledge in teas (creating his own brews.) Sadly, he’s so one-dimensional at this point that there is nothing really to him. :/
Wukong has a vast knowledge on artifacts and his own skills. He’s a trained fighter and is clearly witty. But, maybe you’ve guessed it, he’s stubborn (and has a hard time trusting others.)
Redson is just a whole package that I don’t think I’m going to fully unpack, but mechanics + magic + teaching abilities + insecurities + impulsive.
Mk might be impulsive and have a hard time with his priorities, but he’s clearly a good strategist. He’s good at negotiations (look at how he was able to STAY THE NIGHT at his ENEMIES house when they were clearly looking for something IN THAT HOUSE.) He’s able to come up with plans on the spot, and has Mei to help fill in the spots.
You see, these characters are meant to interlock. Where pigsy lacks, Tang makes up for it. Where Mei messes up, Mk is there to fix it. So on, so forth. It’s really great because that means you can basically pick any two characters and have them compliment each others strengths, yet draw out each others weakness. (You can also look at all the other characters. Jin and Yin are an exception because I said so.)
Thus, it’s really easy to make joke comics when looking at the places where no character overlaps.
It’s so fun to see comfort where the characters overlap and build on each other.
And it’s so heart breaking when comparing where only one character can actually succeed.
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divine-misfortune · 9 months
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Please be a problem, phantom with a breeding kink is so fucking amazing 🩷🩷🩷🩷💙❤️❤️💜💕🖤🖤💛💙🩷💜
Oh good, an enabler !!! >:3
I've been thinking about his first time on the receiving end...
Poor thing would just be shaking with excitement and anxiety splayed out underneath Aether, wishing he could see the way he's stretched out around the older ghoul. Aether is careful with him despite his own burning instinct, rubbing little circles into his hips with his thumbs to calm him. If it were anyone else, he might not have had the strength to pace himself, but Phantom looks at him through the gaps in his fingers. Flushed face hidden behind his hands, tail wrapped around his thigh, he's all nerves. Aether cant, couldn't, wouldn't, not for his first time. He's not cruel.
But fuck if it doesn't do something awful to him to look down to where their bodies meet. The ring of muscle grips his cock desperately and stretches with the slightest whine from Phantom when his partially inflated knot pops out. He could watch it all day...But Phantom had begged him so nicely, so sweetly, to really fuck him - "breed him". Just thinking about how it sounded goes straight to his dick. Whispered, hesitant, an odd innocence about the way he asked.
How could Aether not?
He digs his nails in when he starts to get close, encouraging Phantom to ask for what he wants "like the good boy I know you are". And Phantom does, a little nonsensically through the moaning. Hearing it again makes his stomach swoop.
Oh Aether pins those bony hips right to the mattress and grinds his knot into him until finally, finally, finally it catches and oh its like the poor bug's brain goes offline for a split second. The sounds die in his throat, eyes rolling back, holding Aether's forearm in a mild death grip. It all melts into bliss in an instant, he melts, it's adorable. He smiles stupidly, happily, and fixes Aether with those glassy dark eyes. It makes his heart skip a damn beat.
He chuckles, still slowly rutting into him, stroking Phantom's weeping cock. Now that he's knotted him, things become a little more lazy. He takes his time pushing Phantom over the edge, and the little ghoul is beyond content to keep laying there. Keep being a good boy and let Aether fuck load after load into him.
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