i keep thinking about ocelot takarazuka i dont really see the influence like he just looks like a middle age guy with masc features manner and fashion so what do you think the artist actually meant? there's nothing feminine about ocelot like how does the "is that a man or woman" thing play in here cause i don't see it. He's not like raiden or raikov. He's just a guy 🧍♂️so how does the all female theatre thing apply
Hello Anon! Full, immediate disclosure, this answer is messy and disjointed. I probably don't even answer the question your asking end of the day, but I'll try my best.
I believe this is the post you're wondering about?
As I said in this earlier post I'm not a Japanese speaker, so I have to go on interpretation, and what has been offered by the translations available. I can't help but think there is going to be some sort of nuance missing as a result, but I'll do my best.
To start, I think you and I might have a slightly different view on masculine and feminine-to me the two concepts are pretty interchangeable, but I do understand where you're (probably, I don't know you personally after all) are coming from and that, no, Ocelot doesn't have many traditional 'feminine' characteristics.
You'll note that in the original post, Shinkawa refers to getting inspiration from the idea of 'women in their 40's (the age Ocelot almost is in MGSV)' and 'long, flashing eyelashes'. (My interpretation here is that by this, he means in the way long eyelashes that are considered sexy have an eye-catching flow to them. Sort of like how we can say 'fluttering lashes'. Intended to draw a person's gaze in, and command their presence).
Doing some cursory research tells me that the Takarazuka Revue (because Takarazuka is also a city in Hyōgo Prefecture, Japan.) is an all-female musical troupe located within that same city. Started in 1913, by Ichizō Kobayashi.
(I also got distracted by this version that is a performance of Casino Royale, so there's that)
Anyway, ahem.
"Kobayashi believed that it was the ideal spot to open an attraction of some kind that would boost train ticket sales and draw more business to Takarazuka. Since Western song and dance shows were becoming more popular and Kobayashi considered the kabuki theater to be old and elitist."
Throughout the article, there is also this;
"Takarazuka has had a profound influence on the history of anime and manga, especially shōjo manga.[27][28] Osamu Tezuka, a highly influential manga creator, grew up in the town of Takarazuka. His mother knew many of the Takarazuka actresses, and as a child he knew them and watched many of their performances"
I can assume that the performances have a lot of influence on media, and it's not uncommon for MGS to take inspiration. There could be an entire article on the things MGS takes inspiration from, even outside the most obvious like Escape from New York, character model bases, etc.
Cycling back to the original point, (there is also a video that exact post comes from, but I don't have the link on hand, on YouTube *no translations). I think that it's entirely possible Shinkawa took 'loose' inspiration, or a little more. I can see why and how he might've based Ocelot's look on the idea. (Loose shirt, tight pants, scarf open neck). But there is also the element of which Takarazuka is a performance, more than anything.
It's acting. Playing. Something Ocelot does all the time. Half of his time on screen, he's putting on some kind of performance. While this is something he does the least in MGSV, that never fully changes 100%. (And after all, he's also hypnotized for most of the plot). So there's a counter argument to be had that this is one of his greatest performances pre-MGS4. But that's a different post.
Ocelot presents/is masculine. But, he has longer eyelashes, his clothes are a little more 'free' than the standard military garb when he's allowed to choose his own outfit. (Again this is specifically MGSV Ocelot, though there's something to be said about his chosen attire being such a sharp 3 piece later on).
At the end of the day, maybe a way you can look at it is to say that, Shinkawa looked to Takarazuka when designing MGSV Ocelot to give him a sort of 'flow' to his looks. He was attracted to the idea of taking elements from Takarazuka, because Ocelot is a performer, and he sees some possibility for feminine additions in his looks *or* might've thought it more 'fitting' than Kabuki.
But again, I don't know if we see fully masculine and feminine the same way, (and maybe Shinkawa personally associates long eyelashes with sexy women; or women made up to look like men but with longer lashes) I can't know for sure myself. I think you would need a native or very good Japanese speaker to interpret it fully.
If I was to offer you a personal opinion-I can see it. I can see where there's a draw that one might have with the look, and where Shinkawa might've gotten said inspiration. But I am not entirely certain how to put that into words either? My perspective isn't going to be 1-to-1 of yours either.
Maybe someone else can interpret all this better than me, I definitely feel as if I've not done this justice at all. Because at the end of the day, I don't see a hard divide in masculine and feminine in Ocelot, but I think that you, Anon, see him as 100% masculine. But again, I can't speak for you and I am not sure.
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The Turing Test
(Chloe sitting in front of a computer)
*Chloe clicks the "I am not a robot" option on the CAPTCHA*
*Elijah and an entire team of engineers start celebrating*
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It sounds like Joe and Ken focused on telling stories, stories that being stories focused on the world and characters they knew. While Pete's were more focused on delivering a message with story flavored wrapping.
This is very much the case, but the difference seems to go even deeper than that, to a fundamental difference in worldviews that affect how they approach story.
Episodes written by Joe Fallon and Ken Scarborough respect children as people. Children have been shaped by their experiences and have unique personalities. Children are curious and have brains--they are driven to explore new things and can draw conclusions from what they see and do. Children are already people who deserve respect, and like all of us, they're growing into different people as they learn new things and have more experiences. The child characters can thus be the drivers of their own stories and come to learn lessons for themselves. The child audience can relate to those characters, be drawn into the story, and learn what it's trying to teach without having every detail explicitly spelled out.
Episodes written by Peter Hirsch seem to approach children as people-in-training. They might have one or two personality traits, but instead of coming from and interacting with other elements of their background, they're just pasted on, like a sticker you can put on your Generic Child Prototype. These blank-slate children need to have knowledge poured into them so they can become Properly Educated Adults. So in his episodes, these child characters will go through their story with a question, and the adults--the real people--will tell them the information in great detail so these characters--and the watching audience--can go off into the world knowing what the writer has decided they need to know.
In Joe and Ken's episodes, flaws are funny, and can create funny conflicts that will teach the children better ways to approach problems. In Pete's episodes, flaws are horrible things that need to be pointed out, labeled, and sanded away, so these children can grow up into the perfect model of what a Good Adult should be. The first approach is engaging, and celebrates diversity of personality in a community, while the other becomes bland in the interests of shaping all the members of a community into the desired mold.
Comparing the two approaches provides a shockingly thorough lesson in how one should and should not approach writing and education. Story and character and message are all intertwined. Trying to force the message onto the story and characters makes for something bland and generic and unrealistic. Letting the characters shape the story and letting the story bring out the message makes for something much more unique, organic, engaging, and real. And yes, maybe I've come to this conclusion by spending far too much time thinking way too deeply about a bunch of shows for elementary-aged chlidren, but that doesn't mean it's not fascinating to see how, even within the same show, an writer's personality and approach to the audience can make such a vast difference in the quality of a story.
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Just making a general post real quick in response to an ask.
When I say I'm anti-ai I mean I'm against any sort of AI that steals from others or would otherwise be used to put people out of a job. I don't feel like having an elaborate conversation about the positives and negatives of AI and all that, so I'll state this as plainly as possible.
I don't like AI art. I don't like AI voice impersonations. I don't like any sort of AI that has to steal stuff from people without their consent in order to function. That is literally it.
I'm not against ALL AI. I don't think people that are okay with AI in general should be burned at the stake or something. I'm just an artist and writer that doesn't like AI being used in CREATIVE SPACES. That's it.
I didn't think I would have to clarify this but, here you go, for anyone that was bothered.
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based on that previous post i reblogged:
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nothing like getting very minorly told off at work to make me feel physically ill for the rest of the day
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If Stan notices all the people who like Dipper, did Mabel or Pacifica notice when they were growing up?
I feel like Mabel missed in this area! I can see a lot of misdirected attention and wrong guesses, with her wanting to be a matchmaker for her brother, while simultaneously having the wrong instincts. Mabel's got rose-colored glasses on, and she's very firm about her opinions.
Meanwhile, Pacifica was in the right circles to hear people say they'd date Dipper Pines - then look around at their peers, and instantly play it off as a joke. Like, what? That weak nerd? No chance, haha, just kidding. That obviously raised a perfectly threaded eyebrow.
While Pacifica might be really out of touch with different social classes - she's not dumb.
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hello, everyone! we've received word back from all of our applicants, and have concluded final evaluations. at the behest of 𝚃𝚑𝚎 𝙰𝚍𝚖𝚒𝚗𝚒𝚜𝚝𝚛𝚊𝚝𝚘𝚛, we will be posting acceptances today.
acceptances are scheduled for today, february 15, 2024, starting at 10 pm pst. every acceptance will be posted every five minutes or so, and the lineup will feature our reserved players first, accepted players next, and end with admin characters.
thank you again everyone for their time, effort, care, and patience during this process. we were so touched by folks who reached out and wished our friend well. you guys have such amazing hearts.
while our submit box will be closed until the end of the first event, we hope that anyone who still wishes to join us for the second submission round keep an eye out for our plot drops, and solve the mysteries alongside our to-be-announced roster for the broken scales of themis.
see you all at site-φ!
> 𝚞𝚜𝚎𝚛 🅟
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I've been hunkering down in Gundam Seed JP Twitter and it has been extremely enlightening, especially since I haven't rewatched the main series in a while. Things I forgot, things I actually remember but see in a new light...
Some people love/hate the new movie on there, but I've seeing a lot of people find it good - because it makes the point that 'Kira didn't actually heal from the events of Gundam Seed, and now that he's back on the battlefield without Lacus his sanity is hanging by a thin thread'.
A bunch of people pulling receipts on the discriminatory behaviours/opinions even Kira's friends had possessed unconsciously (in Sai's case, kind of... A bit more blatantly than most back when Kira didn't even pull shit, which had me hissing through my teeth...), the things that isolated Kira into thinking he has to handle things on his own (Tolle's death when he tried fighting by his side, for example), a comparison of behaviours between Murrue who gave him a bow of respect vs his friends who tell him 'we'll distract ZAFT as EA soldiers while you're on the refugee shuttle!' oblivious to the actual dangers because they were only ever on the bridge (haha,,,,, the fact this saved them even if it backed Kira into a corner,,,,,,,, ffffffuck)
Back to the movie, I've seen some mixed reactions about the second half, but!!! I'm generally seeing a lot of people looking at first half Kira and going 'my sad baby. my poor meow meow. get whumped.'
Again, this is all JP twitter, not EN, and definitely not the actual movie - but seeing people's reactions have been an entertaining ride.
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today days old faun/fauna same etymology (equivalent to pan roman god faunus &/or fauna)
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in an alternate universe where they didn't split, what subunits do you think sm would've given tvxq? i wonder if homin / jyj units would've still happened or if they'd do something like suju kry with the main vocals. or maybe they just go "damn here" and give yunjae a duet
sm doesn't seem to like giving actual 'subunits' to their <five member groups, so i don't think jyj would have happened, but we'd probably still have gotten solo careers (eventually) from the four that have them, and probably i think a couple of duets, but they wouldn't have extensive promo periods/albums attached to them. probably yunjae and maybe changmin jaejoong? they might have also done a yunho junsu dance type one as well. but to be honest i do actually think the split was for the best, bc had they all had continued under sm we would not have gotten all that excellent angry music out of 2011-2014, AND we probably would not have gotten any of junsu's iconic songs either.
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So I love Generic with my whole-ass heart and soul. However, there's still a lot I wanna read of the bean and I gotta scroll down a lot of beautiful comics. When will you update the masterpost for Generic, or is there another one in the works?
OH thank you!!! 😳😳😳
I have the PLA run all caught up on the second half of the masterpost which is my pinned post!!
unfortunately I haven't like... made any masterposts for oc sunday or anything with short comics from there, or any of my early guzma content 🥲🥲🥲
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hi! saw your tags on a reblog about the real/barça video and wanted to explain the history for you, i’ll try to keep it as short as i can, but know that the history is extensive.
of course the main reason behind the conflict between the clubs is who they represent. historically barça has represented catalonia and real madrid has represented spain, spanish royalty, and the francoist regime.
franco was dictator in spain and sought to destroy all semblance of catalan culture, language, and political movements. the catalan language was banned under his regime and barça was made to remove the catalan flag from its crest after the spanish civil war (in which franco’s fascist side won). leftist political organizations were eliminated and franco responded with violence to any uprising that demanded democracy and independence for catalonia, bombing their cities multiple times.
probably the most damning thing for franco’s action against barça was when the president of fc barcelona was assassinated by his troops. suñol (barça pres.) was vocal about his support of left-wing politics and anti-fascism, and was unjustly killed one year after becoming president of barça.
it is beyond football. as neutral as the clubs try to be it has always been more than just football. so i hope you can understand how horrible that video is. to claim that franco was in favor of barça and that barça is the “regime club” is appalling after all that barcelona and catalonia had been through during the francoist dictatorship, and what they still continue to experience to this day.
hi anon! thank you for answering my call, and i really appreciate you taking your time to explain this to me quite comprehensively. i was initially so confused - as to why such a video was even posted in the first place, and why people were getting mad about it. thanks to your elaboration, i now understand the context, and why that video is a pretty fucked up thing to put out there. although i have been watching the spanish league from a young age, i was genuinely not aware of such deep political issues transcending the sport of football itself. i tried to do some reading on the matter, but it's quite obvious that some materials out there are biased and the stories kinda differ from one another.
so thank you, once again, for the insight! as you said, the history is extensive, so i'll definitely try to read up on this!
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it's not the most well-written or popular of arcs, but I want to know, what were some of your favorite things about the Alvarez arc?
When it ended.
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Christ's sacrifice on the cross fulfilled prophecies, freed us from the old covenant (that would be what your friend was talking about with the animal sacrifices), and reconciled us in our fallen nature to God our heavenly Father.
Why would God want to prevent the fulfilment of a prophecy of our redemption through his Son?
You can find really clearly broken down explanations with simple Google searches. or even on Youtube, if reading isn't your thing.
[Continued in second anon]:
also, catholics don't believe that people capable of change are condemned to hell... that's sort of the whole shindig of purgatory.
it seems like the issue wasn't that you were "too much of a fag" to stay, but rather when the questions you had weren't addressed by those in your immediate circle of influence you decided it was all bogus. cause these are good questions! good questions that have been answered hundreds of times over hundreds of years beginning with the early church fathers
[This is in reference to a post I made about how I feel Jesus died for no reason and that my childhood in Catholic school failed to explain it to me. I wrote "thank goodness I was too much of a fag to stay."]
I mean I very much was too much of a fag to stay - the Catholic Church is not kind to queers, and there's a reason every one of my queer friends who grew up Catholic is no longer part of the Church. Lil Nas X knows what's up! Better to rule in Hell and all that. My girlfriend often talks about how she believes if she was raised Catholic as an autistic queer, she would not have lived to adulthood. I agree with her. The shame of it all would have destroyed her. So I very much was and AM too faggy to be a Catholic, and I am immensely grateful for this because I was very very unhappy in the Church.
But actually, the initial reason I had a long agonizing crisis of faith and then dropped it entirely was actually a thought that occurred years before my realization of my own queerness would have forced me either out of the Church anyway or else deep into dangerous self-loathing.
I think the actual heart of the question that destroyed my faith is this:
Is God omnipotent, or not? And if yes, why does he need us to suffer?
Because if he's not omnipotent, then all of this makes sense to me. The whole theology, I mean. Horrible sacrifices had to be made to stop every human soul from going to Hell for all eternity. A long painful battle against the Adversary waged by the good God and his people! It would make sense that he had to suffer if there are other powerful forces at play that established the prophecies he is fulfilling!
But... if he wrote the prophecy..... then....... why? Someone has to write the prophecy in the first place, right? It's not impressive to fulfill your own prophecy, and it doesn't explain why he made one.
If God is not omnipotent, then of course child abuse exists in this world on a massive scale. He hates it and is doing his best to fight it! This fits with the picture of a loving and merciful God that I was taught in school.
But... if he IS omnipotent, then I need to know why child abuse exists. "Mysterious ways" won't cut it because that just means "it doesn't make sense and also maybe that suffering is actually necessary." Which is not an answer I will accept.
The thing that killed my faith was the idea that God cannot be both all-powerful AND kind.
And everything I have experienced about God's Love has been through threats of Hell. I don't think it's kind to save someone from Hell if you condemned them in the first place and also you created Hell. That sounds a lot like an abuser saying you ought to be grateful they didn't hit you and will let you make it up to them. It's a warped version of mercy.
The Catholic church has historically relied on and continues to rely on shame, fear, and social ostracization in order to gain funding and influence. These are very powerful weapons that they use very liberally - shame, fear, isolation - and as long as that Central Paradox I mentioned above continues to exist, then their claim to power and righteousness sounds awfully hollow.
Which brings me back to the concept of martyrdom. I was taught, in no uncertain terms, that sacrifice was something inherently holy. Even when it didn't help anyone! Lent was just a practice in self-denial. It was never clear why Jesus needed it from us.
I was told the only way to 100% be a good person is to never stop sacrificing myself, and even after I stopped believing in a god, this attitude remained deeply, poisonously rooted. (Thanks, Capitalism!) When I was 25, I worked myself nearly to death, and I'm still dealing with the permanent health consequences of that. So ingrained is this mindset in me.
Being gay helped me to avoid falling back into the Church because they hate queers so much, and I am so so grateful for that.
The day I decided God didn't exist, I remember feeling like I could breathe for the first time. I was free! I was loved! I was no longer alone! I no longer had to define my life around shame and guilt! It was terrifying, but also like going from a world full of gray to one full of color!
I think in the end, little 11-year-old me decided that if God was not kind, then I don't know what the point of him is.
And as much as it hurt, knowing that going back wasn't an option for me also helped me stay safe!! Thank goodness I am a dyke!!!
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