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#didn't thought it would not be clear
arthursfuckinghat · 1 month
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I'm at that part of chapter three my friends, so let me be a reminder that Colm O'Driscoll's plan to lure in Dutch after taking Arthur failed because nobody came looking for him.
He would have died being held captive any longer, he barely escaped.
The gang did not come for Arthur.
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I am seeing some of the WORST takes about tdp season 4. Sweet, sweet tumblr users. This season was a lot of set up, not everything was supposed to be explained or resolved, or even "should" have been. Season 4 had to do the heavy leg work of re-establishing characters and arcs and the plot moving foreword. It just needs a little time to be able to act on everything it's now established. It did a good job building off of arc 1, and now we are fully indoctrinated into arc 2!
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literallyjusttoa · 3 months
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Left this abandoned in the drafts (which is a bit ironic) but it's a spin on this post, where instead of Apollo just being locked in some room on Olympus somewhere, he's bound to the ruins of an abandoned Ancient Greek city. Maybe somewhere near Delphi, maybe Troy, idk.
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queenlucythevaliant · 8 months
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So... since clearly Jack never makes continuity errors, tell me your theory on what happened to Reepicheep between PC and VDT.
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excuse me i need to Muse on something for a moment
so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.
but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?
so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.
(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)
and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?
i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.
Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)
one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?
or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.
and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???
there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally
#and its very ah. Autistic/Neurodivergent Horror i think?#the Wanting To Explain but Being Unable To because the people you're trying to communicate with#function differently than you. they don't understand. they Can't understand. their brains are wired differently.#no matter how hard you try there will never be understanding. your attempts to connect are somehow Incorrect.#and often - in my experiences at least - being that Different gets you hurt. people perceive your actions/behavior as a slight.#or as intentionally malicious! and then they get mad and you just.. dont get Why? you didn't Want to hurt anyone. you wanted to Explain.#you wanted someone to look at you and Understand. say 'oh. i see you! i get it now!' and have that Connection.#but you will never be understood. never Seen nor Heard. left in the dark. you're accidentally hurting them. they're hurting you.#it takes all of your strength to try to reach them and yet you still. fall. short. because they don't reach back.#anyway ive had these thoughts simmering for a lil while#Knowing whether or not the bug audios are present day or not would cross some theories off and write up new ones i think#that confirmation seems Important imo....#homebogging#welcome home speculation#welcome home theory#then of course there's the question of how Home fits into all of this... in the early days i was a 'home is evil' believer but now??#nah. home's not outright Evil i think. there's something complicated going on between them and wally and its role in all of this#im just... unsure of what. i think confirmation of whether his morse code says 'help me' or 'hello' would massively help clear up the sitch#is home an accomplice? a victim? a perpetrator? a secret fourth option? who's to say (yet)#i have many Thoughts about it based on a couple different things - the distorted voice under wallys. the waLLy guestbook entry. etc#but this post has gotten long enough and its Not on that particular subject#*grips the bug audios & home's morse code* you two motherfuckers would clear so much up i stg-#the bug audio's timeline placement could tell us whether or not wally is with his neighbors or if the neighborhood is intact (in some way!)#home's morse code would give Major insight into their place in all of this!!!#AGH THIS FUCKING PROJECT MAKES ME INSANE. IT'S SO GODDAMN GOOD WHO AUTHORIZED THIS-#as always take my words with a Hefty grain of salt & i hope it's coherent!#anyway there's nothing more dangerous & all-consuming than the need/desire to be understood <3
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screwpinecaprice · 10 months
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Got a freeform connverse ko-fi request, baby!
I mean, the request was them doing something cute as a couple, but almost same thing.
Thank you for the tip and request, Alphasun! 😁
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stormxpadme · 16 days
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Me @ the beginning today's ep: Cool, cool, the fucking annoying love triangle again, no wait the fucking TWO love triangles. Well, let's hope that's not the most interesting thing happening today.
Me @ the ending of today's episode with like half the cast dead and Genosha burning: Can I see the love triangles again?
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bonetrousledbones · 1 year
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whatever you do DON’T think about how papyrus undertale’s biggest motivations lie in encouraging the people around him to improve themselves and finding the joy in friendship and how he doesn’t have any of that in deltarune whatsoever and instead he’s just hiding inside of a dark house while everyone else is outside going about their lives relatively fine without him just dont think about it
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getonite · 7 days
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no one has ever gaslighted me better than those s*baciel shippers in 2019. cuz wdym the mangaka didn't say it was canon? wdym that (non)canon clip at the end of the season wasn't real? that sebastian didn't want a kiss before he ate ciel?? like wdym?? like, now im dropping ts tf??
top search on google and all 😭
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quillandrapier · 4 months
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Uhhh my ghosts thoughts
Spoilers under the cut but
TLDR: I enjoyed parts of it but was underwhelmed as a whole. It was a nice episode but fails to reach the heights of season 3
First I will say, I was happy while watching the episode I enjoyed lots of things.
Seeing the ghosts, Mike and Alison with the baby was wonderful. Really lovely. Mia is a lovely name and they really are great parents.
I would have liked more ghosts backseat parenting as a whole. Might have driven home the need for Alison to get away from them, rather than lady button needing to let Alison breathe. That or there being a bigger B-plot. Robin as the character who doesn't feel Christmassy feels eh, if there wasn't a bigger pay off than a speech about them moving on then maybe.
Kitty should have been the character. It would have been a lovely period of growth, and almost like a growing up type thing. Kitty grew up enough that she is ready to let Alison go.
They really missed the jokes in this episode. I maybe had two big laughs. Season 5 as a whole felt a lot less funny (other than En Francis.) like in the exorcism scene, when they realised they were going to be okay and it didn't work they should have made a joke.
I dont know if id ask for more ghosts in the episode. The show is Alison's and Mike's story. It's the Ghosts who are the supporting their story. They are the foundation and the last episode has to focus on them.
Finally the ending. Im fine with it. I think it's the right ending for the show. I don't know how else they could have ended it without making a massive swing or left it open ended (which would have been less complete)
Yes things are different and that's okay but they really should have constructed season 5 as a whole to support the ending. Yes it makes sense now the baby is here things are so different but my point is why then even make last resort? Why not make the episode end with the Julian reveal and speech still but don't introduce the idea of selling it in that episode. Maybe a line in A Christmas Gift about an offer to sell the house that Alison blows off saying "I don't think I could ever leave, I don't think the Ghosts would even let me" but as the episode builds we realise the ghosts have grown enough that they can face an afterlife without Alison always being a shout away. That like family it was time for her to leave the nest and grow as her own new family that still visits the old one.
It's my biggest issue with the episode. Also I really dislike the reaction fans are having to each other having differing opinions. Like don't directly sent hate to the creators (or even joke hate wtf) but also... Let people dislike it. Let people like it.
Anyway, a nice episode but as a final bow felt more of a whimper that turns into a yell rather than a standing ovation.
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fictionadventurer · 3 months
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It sounds like Joe and Ken focused on telling stories, stories that being stories focused on the world and characters they knew. While Pete's were more focused on delivering a message with story flavored wrapping.
This is very much the case, but the difference seems to go even deeper than that, to a fundamental difference in worldviews that affect how they approach story.
Episodes written by Joe Fallon and Ken Scarborough respect children as people. Children have been shaped by their experiences and have unique personalities. Children are curious and have brains--they are driven to explore new things and can draw conclusions from what they see and do. Children are already people who deserve respect, and like all of us, they're growing into different people as they learn new things and have more experiences. The child characters can thus be the drivers of their own stories and come to learn lessons for themselves. The child audience can relate to those characters, be drawn into the story, and learn what it's trying to teach without having every detail explicitly spelled out.
Episodes written by Peter Hirsch seem to approach children as people-in-training. They might have one or two personality traits, but instead of coming from and interacting with other elements of their background, they're just pasted on, like a sticker you can put on your Generic Child Prototype. These blank-slate children need to have knowledge poured into them so they can become Properly Educated Adults. So in his episodes, these child characters will go through their story with a question, and the adults--the real people--will tell them the information in great detail so these characters--and the watching audience--can go off into the world knowing what the writer has decided they need to know.
In Joe and Ken's episodes, flaws are funny, and can create funny conflicts that will teach the children better ways to approach problems. In Pete's episodes, flaws are horrible things that need to be pointed out, labeled, and sanded away, so these children can grow up into the perfect model of what a Good Adult should be. The first approach is engaging, and celebrates diversity of personality in a community, while the other becomes bland in the interests of shaping all the members of a community into the desired mold.
Comparing the two approaches provides a shockingly thorough lesson in how one should and should not approach writing and education. Story and character and message are all intertwined. Trying to force the message onto the story and characters makes for something bland and generic and unrealistic. Letting the characters shape the story and letting the story bring out the message makes for something much more unique, organic, engaging, and real. And yes, maybe I've come to this conclusion by spending far too much time thinking way too deeply about a bunch of shows for elementary-aged chlidren, but that doesn't mean it's not fascinating to see how, even within the same show, an writer's personality and approach to the audience can make such a vast difference in the quality of a story.
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bhaalsdeepbat · 2 days
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Thinking about Wyll at 17, raised to live his life in service to the Gate, doing just that, but in a way that wasn't conventional because the circumstances were dire. He was 17 and had no other choice. Had he not taken the deal, his father would have returned to a city destroyed and no son at all.
Thinking about Ulder raising his son for 17 years and still not believing in him enough to trust that Wyll would have only made that choice if there was no other option, that he had to have been coerced because Wyll, where it counts, tries to be someone his father can be proud of.
Thinking about Mizora presenting that deal with a smile on her face, hiding her true colors with the tease of enough power to be the hero he was raised to he, then being the only one Wyll could run to when he was shunned by his father. The wayward son who only strayed because his father rejected him in blind refusal to believe in who Wyll is.
Thinking about if Mizora was able to hold back some of the condescension and be relatively pleasant with Wyll at first. An Other Mother type situation. A tease of the greener grass that was never actually there to begin with. Then the meanness comes out. The biting quips and condescension. The reminders that he is only where he is because of her. He was always just another pet to add to her menagerie, a 17 year old boy who lost his charm as he grew into manhood and remained firm in the ideals passed onto him from the very father who abandoned him.
Thinking of Wyll breaking the pact, becoming the Blade of Avernus while free from Mizora, and still taking time to visit his father so they can repair the relationship that was broken.
the unbreakable love of a son for his father.
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undead-potatoes · 7 months
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I think if we stop putting certain companies on pedestals for being "better" or "different" from the rest, we'll stop being surprised when they do things just like everyone else
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yeahivegotanaccount · 1 month
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Crosscode is fun but exposes my failures as a non-gamer.
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discocandles · 1 year
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more customer service voice Damian hcs, bc it's been a bit.
After learning the "regular citizen" voice, Damian decides he has to master more accents and dialects, in case he's on a mission away from Gotham and needs to blend in. (This is the son of Batman we're talking about, of course he plans for these things). Over the summer Damian travels to large cities around the world, and familiarizes himself with their way of speaking.
Cass found out very early on and decided she's going with Damian, bc I think Cass would enjoy sightseeing. But after they were caught leaving for Moscow(and after Damian explained that he was doing this for research at least 7 times) it was decided someone should supervise them. Dick patrols Bludhaven, so that was a no. Jason and Tim were automatically out. Steph went to supervise them, but was exempt after they were arrested in Seoul. So Duke ended up being supervision, unless Dick was available to go with them.
This doesn't mean they didn't get into chaos bc of Duke. No, it's bc with Duke, they can be invisible and not be caught doing the chaos. Duke does enjoys the trips with them tho, mostly for the sightseeing and food.
One time, Cass convinced Bruce to join them(how, no one really knows. Cass is just magic like that). And they had a good time in Rio de Janeiro, tho Bruce was almost recognized a few times, and he would sometimes try to sneak off and work. Unfortunately, Cass's attempts to invite Babs weren't as fruitful, mostly bc she didn't understand why Damian wanted to actually go to those places instead of learning it through the chatter radios of those areas instead. Damian's only response was that it wasn't the same and being there changes everything about it.(he was actually doing both methods).
Damian, Cass, and Duke do run into Talia at one point. She was intrigued as to what her son was doing in Melbourne with Cassandra, and the newest child Bruce had taken in, but is by no means unhappy to see him. Duke on the other hand, is scared to meet Damian's mom, given her reputation. Damian and cass being so nonchalant about meeting up with her probs didn't help.
There was a small "hi, what are you doing here? Huh, what a coincidence." Type of conversation. And then Duke sticks out his hand and says a (very awkward) "it's nice to meet you, Ms. Al Ghul." Which Talia shakes and says (also very awkwardly) "Uh, Talia is fine. And nice to meet you as well, Duke." Then leaves. Damian was surprised, he's never seen his mother so blatantly awkward before. He's seen her at a loss for words, but she remained elegant as she pondered what to say next. But in that moment, she was shy and dare he say nervous. "Thomas, what did you do to my mother?" "What? I dunno man. I was more worried about her glaring a hole in my skull."
The only trip that Damian went on with someone besides Cass was his trip to England, bc he wanted to go with Alfred. While he knows Cass would do fine, Damian wants to learn as much as he can, and learning from someone who grew up there and is close to him is his best bet. This of course took a lot of work, bc as everyone knows, Alfred Pennyworth is the backbone of the Batfamily, so convincing both him and the rest of the family would take some time and effort. But after a promise from Bruce to not be up to his ears in work while they were gone, Babs noting she will enforce that promise, plus Jason and Duke vowing to protect Alfred's kitchen at all costs, Alfred went with Damian for a week to visit the UK(by far the longest trip Damian went on).
And while the trip wasn't perfect(Damian almost beat a man bloody for insulting Alfred, and lots of bad weather), it was by no means a bad time. Damian picked up the accent and slang almost automatically, Alfred met some of his old friends. By consequence, Damian learned a lot about what his grandfather did before meeting the Wayne family, which he will not retell in a promise to Alfred(but he will say he knows just to mess with the rest of the family)
Did Wayne manor crumble in Alfred's absence? Surprisingly no. For the first couple days, Bruce made good on his promise to take care of himself, but by day 4, Babs had to entirely disconnect the computer when it was time for Bruce to sleep. And if Cass didn't guilt-trip the hell out of him and Steph didn't bully him, he probably wouldn't have fully left the bat-cave. Duke and Jason were able to protect the kitchen for the most part. Jason often made the dinner, and Duke catered to the random cravings of the rest of the family. They did have to call Kate for backup twice, but the smoke alarms never went off.
Overall having to fill Alfred's shoes was a good bonding experience for the family, though not one they would ever try to replicate willingly.
So I think that's all for Damian Wayne's summer world tour.
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scootersscooter · 4 months
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the blatant misunderstanding and vilification of Drayton's character because of one thing he says to Kieran is making me sick
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