#dieskau

[uwhe-arts]

an old watercourse . . . | uwhe-arts

#an old watercourse #photographers on tumblr #original photographers #nature #mirrorings #dieskau castle park #uwhe-arts #original creators #vertical #explore #photography #landscape #uwhearts #dieskau #trees

[lascitasdelashoras]

Dietrich Fischer-Dieskau at the piano, 1970 - Photograph Erich Auerbach Getty Images

#dietrich fischer dieskau #erich auerbach #piano #musica

[bobdobalina]

This album art for Karl Böhm’s 1964 recording of Die Zauberflöte is iconic and beautiful, but it’s also very funny that this fae feathery magic twink is supposed to represent Dietrich Fischer-Dieskau, of all people

#album covers #Dietrich Fischer-Dieskau #Papageno #wolfgang amadeus mozart #opera #die zauberflöte #baritones

[paul-archibald]

Fairy tales

Fairy tales have stimulated generations of composers to write some of their finest music. With a rich source of characters that includes dragons, dwarfs, elves, fairies, giants, gnomes, goblins, monsters, talking animals, trolls, unicorns, witches and wizards, it’s no wonder these stories have captivated the imaginations of compsers and audiences alike. Engelbert Humperdinck (1854-1921)Hansel…

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#Alan Gilbert #Cinderella #Cinderella’s Departure for the Ball #Classical Music #Dietrich Fischer-Dieskau #Engelbert Humperdinck #Franz Schubert #Gennady Rozhdestventsky #Gerald Moore #Hansel and Gretel #Moscow RTV Symphony Orchestra #Music #New York Philharmonic Orchestra #Nikolai Rimsky Korsakoff #Paul Archibald #Scheherazade #Sergei Prokofiev #Sir Georg Solti #The Earl King #Vienna Philharmonic Orchestra

[clamarcap]

Cambio della guardia in estate

Gustav Mahler (7 luglio 1860 - 1911): Ablösung im Sommer (Cambio della guardia in estate), Lied in la minore per voce e pianoforte (c1887-90); testo tratto dalla raccolta Des Knaben Wunderhorn rielaborato da Mahler. Dietrich Fischer-Dieskau, baritono; Leonard Bern­stein, pianoforte (registrazione dell’8 novembre 1968). Lo stesso Lied nella versione orchestrale di Harold Byrns. Bernd Weikl,…

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#Bernd Weikl #Dietrich Fischer-Dieskau #Giuseppe Sinopoli #Gustav Mahler #Harold Byrns #Leonard Bernstein #Philharmonia Orchestra #trascrizioni

[nunc2020]

Durchdringung von Wort und Ton

https://www.faz.net/aktuell/feuilleton/buehne-und-konzert/cd-edition-zum-liedsaenger-dietrich-fischer-dieskau-18537278.html?premium=0xc1a389efa38e4e18c86e23f04dea6f62

#Dietrich Fischer-Dieskau

[elrastrodetusangreenlanieve]

This time of the year I tend to get in a mood...

#dichterliebe #robert schumann #Dietrich Fischer-Dieskau #azucena's opera tag #yep #Spotify

[verdiesque]

Behold my magnum opus

(list of Rodrigos under the cut)

In order of appearance:

Dietrich Fischer-Dieskau (Deutsche Oper Berlin, 1965)

Étienne Dupuis (Metropolitan Opera, 2022)

Mariusz Kwiecień (San Francisco Opera, 2016)

Sherrill Milnes (Metropolitan Opera, 1980)

Simon Keenlyside (Royal Opera House, 2008)

#don carlo #don carlos #opera tag #i think i'm so funny for this sorry

[u2fangirlie-blog]

Good Omens Aziraphale's Sad Bastard Breakup Playlist

After the breakup, Aziraphale has a new job in heaven, having taken Gabriel’s vacant position. Aziraphale is haunted by sad music reminding him of his time with Crowley. The songs are dramatic, tragic, melancholic, angry, wistful, romantic, and sentimental. How does he listen to music at his new job in the head office? Are material objects allowed? Does he keep a secret stash of tea, cake, and records and a phonograph player in his office? Does he have a celestial radio that can tune in Earth radio stations? Does he sneak off to Earth to hang out in record shops and bookstores? Or more dramatically and emotionally torturously, does he remember every note, every nuance, every feeling, of every song and replay them in his mind? He's stuffing his face with angel food cake and tea while crying and listening to sad bastard songs and hiding from Michael and the Metatron.

See note after list on song selection process.

Songs include:

“Lacrimosa” – Mozart, Requiem in D Minor, Vienna Mozart Orchestra

“Commendatore” – Mozart, Don Giovanni, Amadeus film soundtrack

“Ja, tot katoramu vnimala” – Rubenstein, The Demon, Nicolai Ghiaurov

“D’amour l’ardente flemme” – Berlioz, The Damnation of Faust, Maria Callas

“Liebestod” – Wagner, Tristan and Isolde, Waltraud Meier

“Ach ich fuhls” – Mozart, The Magic Flute, Gundula Janowitz

“Thy hand, Belinda … When I am laid in earth” – Purcell, Dido and Aeneas, Janet Baker

“E lucevan la stelle” – Puccini, Tosca, Placido Domingo

“Celeste Aidia” – Verdi, Aida, Mario Lanza

“Ich bin der Welt abhanden gekommen” Mahler, Dietrich Fischer-Dieskau

“Der Wanderer” – Schubert, Dietrich Fischer-Dieskau

“Love is a Plaintive Song” – Gilbert and Sullivan, Patience, D’Oyly Carte Opera Company

“I am a Courtier Grave and Serious” – Gilbert and Sullivan, The Gondoliers, D’Oyly Carte Opera Company

“The Gentleman is a Dope” – Rodgers and Hammerstein, Allegro, Blossom Dearie

“A Hymn to Him” – Lerner and Lowe, My Fair Lady, Rex Harrison

“Could I Leave You?” – Sondheim, Follies, Alexis Smith

“We Do Not Belong Together” – Sondheim, Sunday in the Park with George, Bernadette Peters and Mandy Patinkin

“On My Own” – Schonberg, Les Misérables, Frances Ruffelle

“As Long as He Needs Me” – Bert, Oliver, Judy Garland

 “Stranger in Paradise” – Wright and Forest, Kismet, Richard Kiley and Doretta Morrow

“A Nightingale Sang in Berkeley Square” – Sherwin and Maschwitz, Vera Lynn

“Night and Day” – Porter, The Gay Divorcee, Ella Fitzgerald

“I’ve Got You Under My Skin” – Porter, Born to Dance, Shirley Bassey

“Bewitched, Bothered, and Bewildered” – Rodgers and Heart, Pal Joey, Sarah Vaughan

“They Can’t Take That Away From Me” – Gershwin, Shall We Dance, Fred Astaire

“Mon Deu” – Dumont and Vaucaire, Edith Piaf

“Non, Je Ne Regrette Rien” – Dumont and Vaucaire, Edith Piaf

P.S.: Aziraphale likes Les Mis because it reminds him of that time Crowley rescued him from the Bastille. Don't tell anyone. It's a big secret.

P.P.S.: “Bewitched, Bothered, and Bewildered” reminds him of the time he and Crowley got drunk in the backroom at the bookshop the day the anti-Christ was delivered to Earth. Basically, this song reminds him of every time they went out for drinks or stayed in and drank.

P.P.P.S.: “I am a Courtier Grave and Serious” was the song Aziraphale planned to play when trying to tempt Crowley into learning the gavotte. It reminds him of the ball in the bookstore when he finally danced with Crowley.

P.P.P.P.S.: “Non, Je Ne Regrette Rien” is as close as Aziraphale can get to telling the world and Crowley to eff off. He has no more effs to give. Or at least he’s trying to convince himself he no longer gives a f***. He’s going off to his new job at the head office and Do Good.

Note on song selection:

I selected songs that thematically fit with the relationship between Aziraphale and Crowley. I think the songs tell a story of Aziraphale’s struggle to reconcile his conflicted motivations. They reflect Aziraphale’s fears and desires. He fears being hauled off to hell for disobedience. He fears Crowley’s death and being alone in the world. He desires to be emotionally intimate with Crowley. (Dare he risk physical intimacy with Crowley?) He feels self-righteously indignant, but he’s soft and squishy and weepy and misses his best friend.

I don’t have much knowledge of opera or musical theater, but I have some experience with choir and solo performance. I did a lot of research into opera, art songs, musicals, showtunes, and standards to create a playlist on YouTube. Selections were based on availability, popularity, and sound quality. My big question was whether or not Aziraphale is a strict originalist or if he likes different versions of songs. In some places, I chose newer versions over original versions due to the sound quality of the recordings. I tried to keep selections accessible to a wide audience with varying degrees of musical knowledge. You may not like my choices, so your mileage may vary. You can make your own playlist.

You can listen to it on YouTube.

#good omens 2 #neil gaiman #aziraphale #crowley #breakup #sad bastard music #angry love songs #breakup playlist #playlist

[princesssarisa]

Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

#opera #complete performances #youtube #le nozze di figaro #the marriage of figaro #tosca #don giovanni #madama butterfly #madame butterfly #wolfgang amadeus mozart #giacomo puccini

[opera-ghosts]

Today a romantic advertising from Steinway Co. 1909

Note: Steinway & Sons has been renowned for producing pianos since 1853, for different opera singers include Adelina Patti, Aino Ackte, David Bipsham, Dietrich Fischer-Dieskau, Edouard & Jea De Reszke, Elisabeth Rethberg, Emma Calvé, Emma Eames, Emma Juch, Emmy Destinn, Enrico Bevignani, Etelka Gerster, Frances Alda, Francisco Vignas, Fraser Gange, Frederick Jagel, Frieda Hempel, Geraldine Farrar, Jean Lasalle, Johanna Gadski , Julia Culp, Karin Branzell, Lillian Nordica, Louise Homer, Lucrezia Bori, Luigi Ravelli, Marcella Sembrich, Margarete Matzenauer, Maria Ivogun, Maria Roze Mapleson, Marian Anderson, Mary Garden, Minnie Hauk, Nellie Melba, Nina Koshetz, Olive Fremstad, Paul Robeson, Reinald Werrenrath, Sigrid Arnoldson, and Sofia Scalchi and Italian conductor Enrico Bevignani.

#Steinway & Sons #Piano #classical music #music history #composer #classical composer #classical studies #classical musician #classical musicians #classical history #classical voice #classical pianist #Steinway #opera #bel canto #aria #chest voice #maestro #diva #prima donna #musician #musicians #history of music #historian of music #music education #Musical Instruments #Instruments #opera singers #conductor #postcard

[kneipe]

halle 2022

#macah #peg #peg's #kpc #dieskau #halle #graffiti

[tuttocenere]

recommending all these winterreisen

Fischer-Dieskau 1985: this is the guy you should listen to if you want to know how it is supposed to sound like.

Kaufmann 2014: surprisingly good. The piano has great chaotic energy. Tenor voice sounds better than bass/baritone on cheap earphones.

Pentaèdre 2008: this one has a bunch of woodwinds instead of a piano, love it. Singing is a bit overly pretty but what can you do.

Di Pierro 2017: bassy and dramatic, choose this one if you want to get depression.

Gerhaher 2013: this one's for playing on a grammophone in an apartment where the rooms are 3m tall and the ceilings have stucco on.

Sly 2019: this guy's singing is borderline pissing me off but the instrumentation is really interesting. Irritating but fun!

#schubert #winterreise #mini reviews #i love lists

[girlscarpia]

I'm once again asking. Chi è questo fischer-dieskau

#fully immersive erlkonig experience in the groupchat.

[clamarcap]

Apparizioni molteplici di una pulce

Es war einmal ein König, Der hatt’ einen großen Floh, Den liebt’ er gar nicht wenig, Als wie seinen eig’nen Sohn. Da rief er seinen Schneider, Der Schneider kam heran; « Da, miß dem Junker Kleider Und miß ihm Hosen an! » In Sammet und in Seide War er nun angetan, Hatte Bänder auf dem Kleide, Hatt’ auch ein Kreuz daran, Und war sogleich Minister, Und hatt einen großen Stern. Da wurden seine…

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#Aleksandr Nikolaevič Strugoščikov #Dietrich Fischer-Dieskau #Ferruccio Busoni #Geoffrey Parsons #Gerald Moore #Jörg Demus #Johann Wolfgang von Goethe #Ludwig van Beethoven #Modest Petrovič Musorgskij #pulce #Richard Wagner #Semën Skigin #Sergej Lejferkus #Thomas Hampson

[lesser-known-composers]

Ferruccio Busoni (1866-1924) - Doktor Faust / Last Scene - Hilf, Sehnsucht, Urzeugerin ·

Dietrich Fischer-Dieskau ·

Symphonieorchester des Bayerischen Rundfunks · Ferdinand Leitner

#ferruccio busoni #opera #Youtube