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#discovery channel
dev-solovey · 8 months
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what kind of homeland security threat did the mythbusters accidentally discover????
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life-on-our-planet · 3 months
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Giant otters are the apex predator in their environment, and have no serious natural predators threatening them. The reason they're currently listed as endangered is because of poaching, habitat degradation and ecotourism, all due to humans. ©Discovery Channel
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ophilosoraptoro · 4 months
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CONSPIRACY OF SILENCE [Banned Discovery Channel Documentary]
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Before Epstein, there was Boys Town.
This documentary was pulled just before its broadcast date, in 1994. It was never aired.
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wayward-delver · 1 year
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Does anyone remember Dragons: A Fantasy Made Real? That documentary where a T-rex fights a dragon and convinced an entire generation of kids that Dragons were real.
(Unless you count Yi Qi as a dragon)
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mystery-box-gifs · 2 years
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Off the Grid  ☼  Little Restaurant
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therogerclarkfanclub · 3 months
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ROGER CLARK as Chuck Brewer in:
Perfect Disaster (2006) Season 1, Episode 3: "Super Typhoon"
GIF Set: 1/7
Watch this episode on YouTube
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adi-azzz · 4 months
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do eddsworld characters and their favourite tv channels
sorry for the late answer i was busy hanging out with one of my friends
Tord: Some twisted 🟧⬛️
edd: Food network. master chef. hells kitchen, worst cooks in america. that type of stuff.
tom: discovery channel/documentaries. he likes the shark tab on disney+. his fav documentary is class action park on max.
Matt watches cartoon network. he liked craig of the creek, tawog, stuff like that, but he also just admires himself in the turned off tv (i dont blame him hes so cutie)
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dweemeister · 5 months
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November 15, 2023
By Jonathan Mahler, James B. Stewart, and Benjamin Mullin
(The New York Times Magazine) — It was April 2022, and David Zaslav had just closed the deal of a lifetime. From the helm of his relatively small and unglamorous cable company, Discovery, he had taken control of a sprawling entertainment conglomerate that included perhaps the most storied movie studio on the planet, Warner Brothers. The longtime New Yorker had always loved movies, and against the advice of several media peers, he had moved to Hollywood and taken over Jack Warner’s historic office, hauling the old mogul’s desk out of storage and topping it off with an old-time handset telephone. So far things were going great. He had met all the stars and players, was widely feted as the next in line to save the eternally struggling industry and was well into the process of renovating a landmark house in Beverly Hills. “You’re the dog that caught the bus,” the billionaire octogenarian cable pioneer John Malone, one of Discovery’s largest shareholders, told him. All he needed to do now was pay back the $56 billion in debt that he piled onto the new company to make the deal happen.
Money is never just lying around Hollywood, and the town was still reeling from the pandemic. But that was OK. Zaslav had set a “synergy target” — cost cuts, essentially — of $3 billion in the next two years, and now, with the clock ticking, he got to work. To help, he had brought along his chief financial officer from Discovery, an amateur pilot and former McKinsey consultant named Gunnar Wiedenfels. As spring turned to summer, they laid off hundreds of workers, shuttered or reorganized divisions and suspended or canceled hundreds of millions of dollars’ worth of programming. Anything we don’t think is awesome, Zaslav told executives, stop production right now. Turn the cameras off.
Cuts are the norm after a merger, but Zaslav and Wiedenfels were pushing things hard, and in sometimes unorthodox directions. By shelving several nearly completed projects — including the animated, direct-to-streaming movie “Scoob!: Holiday Haunt,” and the fourth season of the postapocalyptic TV series “Snowpiercer” — they saved millions in postproduction and marketing costs, as well as residuals down the line, and they locked in hefty tax breaks up front. Like so much of what happened in Hollywood, all this was reminiscent of a Hollywood production — in this case, the beloved 1967 Mel Brooks comedy “The Producers.” There, the producers, Max Bialystock and Leopold Bloom, realized that under the right circumstances, a producer could make more money with a flop than a hit. For Zaslav and Wiedenfels, the money would come from making sure that no one would get to see the shows in the first place.
Then they came for “Batgirl.” The big-ticket streaming project had just finished filming in Scotland when Zaslav took over, and he and Wiedenfels had immediately identified it as a target — a “free ball,” as Zaslav described it to several colleagues. The audience test scores for a very early cut were not encouraging. Still, a number of executives warned him not to shelve it. “Batgirl” was a $90 million entry in a multibillion-dollar universe of movies and television shows based on DC Comics. Michael Keaton was reprising his role as Batman, and sequels were already in the works. Plenty of movies had tested poorly but still earned millions. Killing an all-but-completed movie would alienate the people Zaslav — or at least Hollywood — needed most: the people who made the movies. It was to no avail. On Aug. 2, the word came down: “Batgirl” was dead.
As predicted, the backlash was immediate and emotional. Stunned, the film’s up-and-coming directors, Adil El Arbi and Bilall Fallah, tried to look at their footage, but their access to the production server was denied. The head of the DC unit, Walter Hamada, who was not consulted on the decision, asked to be released from his contract and would leave before the end of the year. Courtenay Valenti, one of the most respected development executives at Warner Brothers, was equally devastated and would be gone in a matter of weeks, ending a 33-year run at the studio. The news dominated the Hollywood trades for days. Under fire, Zaslav defended the decision in an earnings call with analysts, saying he shelved “Batgirl” to protect the DC brand. More quietly, Zaslav also sought cover in the authority of Bryan Lourd, the powerful co-chairman of Creative Artists Agency and a leading arbiter of Hollywood mores. As Zaslav told it to several associates, Lourd had supported the decision, observing that it wasn’t in the interest of C.A.A. clients, like the film’s star, Leslie Grace, to be associated with a bad movie. But a C.A.A. spokeswoman denied that. “Bryan Lourd was not consulted in advance of the studio’s move to cancel ‘Batgirl,’” she said.
At Discovery, producers referred to having their budgets slashed as “getting Gunnared,” and Wiedenfels maintains a hard-boiled, McKinsey-esque attitude toward the bottom line. “It’s hard work,” he says. “You don’t make friends.” Zaslav, a born salesman who would prefer to make friends, is more reflective. “You do sometimes get bloodied,” he said in a wide-ranging interview at Warner Brothers Discovery’s corporate headquarters in New York. But business is business. “We have made unpopular decisions because they were necessary.”
That joke about selling to Saudi Arabia in the end. Just... no.
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chowdergal · 8 months
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No one in the super obscure Time Warp Trio fandom has drawn Uncle Joe or Mad Jack--so I had to fix that.
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pianocat939 · 7 months
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Bro-
BRO-
I JUST REALIZED-
A lot of the popular Yan rottmnt content creators use a side blog-
And there’s obviously those more popular than me-
THEY COULD BE WATCHING ME FROM A DIFFERENT PROFILE *GASP*
(I guess I never interact a whole ton with other content that use the same tags as me, and it just popped up to my head that I do interact with those people on the regular possibly, just by a different profile lmao)
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haveyoureadthisfanfic · 2 months
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Summary: Mob finally presents as an Alpha and goes to talk to an adult he can trust about his concerns. He gets Reigen and Serizawa instead. Hilarity ensues. AKA: Tinkertoysdamn watches too many nature documentaries
Author: @tinkertoysdamn
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sappholopodding · 9 months
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happy shark week! don’t forget to leave cookies out for the meg.
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redhatmeg · 1 month
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Once again I was remided t random about a Discovery Channel commercial that featured people from various countries talking about how Discovery Channel made them discover something interesting about world.
I remember a Russian guy hugging a big teddy bear, a Spanish/Italian girl talking about... dance I guess (I remember her say something alongside of: "Grande piccola. velocilente.") and a Polish guy that was holding a ball with constellations and say that since he found Discovery Channel his new passion is universe.
I was trying to find this commercial, but when i wrote "discovery channel commercial bear" in YouTube, in only showed me Ben Grears videos.
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jamesmarsdenfan · 4 months
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James Marsden is Ant Ansted and Cristy Lee's guest on "Celebrity IOU joyhide" on August 30, 2021.
https://people.com/home/james-marsden-helps-disassemble-a-car-on-celebrity-iou-joyride/
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wisdomfish · 1 year
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It was Newton who discovered the laws of gravity; but this didn't lead him to atheism, but to greater belief in God.
John Marsh 
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mystery-box-gifs · 2 years
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Off the Grid  ☼  Homemade Gambas
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