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#discuss as you please but
danielnelsen · 5 months
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while i get where this comes from and it’s true to an extent, i reeeaaaally don’t like how people try to explain “trans men don’t [necessarily] have male privilege” with things like “some trans men don’t pass”.
like sure that’s the most obvious example (someone who is seen as a woman won’t have the privilege that comes with being seen a man) but you’re still acting like being a passing trans man is just a free opt-in to male privilege which is………kinda the issue.
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gophergal · 4 months
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You get wrecked by a Heavy+Medic duo and see one of these taunts before you respawn. How do you react?
(aka: @cursed--alien and I were bullshitting about potential taunts that would kill homophobic gamer boys on sight and these shitty doodles are the result)
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soldier-poet-king · 4 months
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Ik halsin was a last minute addition but I kinda wish he had a full romance route ngl. Like. He's not normally my type of man but I am not immune to his treetrunk arms, kindhearted gentle trustworthiness, and stupid whittling of wooden ducks. The old worn sadness in his eyes. The burden of unwanted leadership. The hundreds of years of work to correct a past percieved mistake. The unending compassion for literally everyone, but esp children & the tiefling refugees. The wanderer and free spirit who, without giving up his freedom, finally finds a purpose, a reason to stop wandering, a devoted goal for his heart. He's SAFE and KIND and I like that in a man.
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inkskinned · 1 year
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you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.
you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.
instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.
you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.
your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.
because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.
so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.
all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.
#spilled ink#woke up at 530 to write this lmafo#me in a cold sweat:#how do i be normal#edit in the tags:#hey so i've seen y'all talk about like ... wondering if ur ''allowed'' to relate#like if this is about X specific diagnosis#and when i first posted it i really almost labelled it ''please don't assume this is about a specific condition''#because as an artist i am often walking this line of discussing a symptom or discussing my conditions etc#and sometimes yes ! i do want to talk about an experience that is specific to who i am and my condition#but sometimes the effort of the post is about the EXPERIENCE rather than the diagnosis#because yes i am not neurotypical and as a result that influences my work but it is ALSO true that there are many reasons#why someone might experience this particular vague horrible feeling that you are... almost being CHASED by what you ''really'' are.#that you're outrunning your symptoms... that you're not really normal you're just sort of a mockery of a person#.... that's a really isolating and horrible way to feel no matter why you are feeling it. and the nature of this PARTICULAR post is that#it is inherently talking ABOUT that sense of isolation & of feeling not-deserving & of minimizing your own experiences to make urself#palatable for society in a way that others find easy-to-deal-with....#this post is about a certain experience such that my impression is there's a higher likelihood that those who relate#would have more difficulty thinking they ''deserve'' to relate - that it doesn't REALLY belong to them#bc often we are the kind of people who are SO used to being alienated and set aside and ''different'' that we AUTOMATICALLY assume#that things are not ''for'' us... they never have been why would it start now#we are the kinds of people to be ... ''too normal for X diagnosis but too symptomatic to be normal''#[or as this post points out... so good at ''coping''/masking/hiding it that we essentially conform to whatever shape we're poured into]#but i have witnessed others already say in the tags ''thought this was about me but it's about X so it can't be''#and im like ... of course it was about you.#art is not a resource that is diminished by greater appreciation .#you reflect in whatever mirror fits your frame. not just the ones in your bedroom. not just the ones i specifically give you.#there will be - and often are - times that i will talk about my specific conditions... but if you're reading this#regardless of why you're here... we are here together. holding hands through space and time. and i love you for carrying it#and i know you're exhausted. i am too. but i understand. and i see you.
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chirpsythismorning · 11 months
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This is everything the Stranger Things writers have posted publicly about the WGA strike:
TIMELINE
May 3rd:
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Stranger Things writer Caitlin Schneiderhan tweets picture from personal Twitter account of sign from the strike that reads 'Pay us or Steve Harrington is toast'
May 6th:
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Official Stranger Writers Twitter account makes post on behalf of the Duffers Brothers. They have since pinned this tweet to their profile. "Duffers here. Writing does not stop when filming begins. While we're excited to start production with our amazing cast and crew, it is not possible during this strike. We hope a fair deal is reached soon so we can all get back to work. Until then -- over and out. #wgastrong
Bonus:
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May 12th:
Stranger Things writer Kate Trefry posts picture from personal Tumblr account of sign that reads, 'Byler won’t write itself'
As far as I know, the two writers that posted on their personal socials are the only writers from ST that even have personal accounts that are public, whereas the rest of the writers do not.
What does make me take a pause though, is that, while yes they did post these pictures from their personal accounts, which is about as official as it gets, they also cryptically did not include themselves in said pictures...
This just got me thinking about how Stranger Things is quite literally Netflix and vise versa. They are practically one in the same, where one without the other just doesn't make sense.
While this conflict of interest might run deep for many writers out there fearing to speak out against their employer, for us, the consumers, the fans, we as a collective have so much more power than we realize.
In contrast to the writers, streamers can't just fire their consumer base sometime down the line, out of spite for speaking out. Without consumers, neither Stranger Things nor Netflix would be what it is today.
We have the affordance of being able to speak up the loudest of anyone. And so why wouldn't we take advantage of that?
There are so many people out there protesting: writers, actors, others in the industry and even outside of it who are also taking a stand, many who need support so that they can continue to fight in the upcoming days, weeks, months, without being deterred by corporations that are making them feel greedy for demanding a contract that at most, asks that they be paid fairly.
And so I want to encourage anyone that is reading this, but fellow fans of Stranger Things especially, who have so much power in this strike when it comes to getting Netflix's attention, to consider taking the time to do whatever you can individually + with the masses as a community in order to best support the strike.
Follow the Strike! If you're active on various social media already, please be sure to follow the official accounts advocating for the strike via Instagram (@writersguildwest/@wgaeast), via Twitter (@WGAWest/@WGAEast). Engage with posts from folks that are out there daily, many with whom you can find by following tags like #WGAStrong, #WGAStrike and #WritersStrike. Although most fans are not able to join in picketing themselves, we can at least recognize all of those out there's individual efforts and do our best to show that we're paying attention and listening!
Spread the word! Show support any way you can by sharing posts and articles about the strike, or even fun memes to inform others in a more engaging way. This is the official site for the WGA strike if you want to learn more about what’s going on before diving in! And make sure to stay up-to-date here as things continue to unfold!
Donate! The Entertainment Community Fund is endorsed by the WGA for anyone that wants to support those affected by the strike financially. And this thread on Twitter is an incredible resourse, as it provides an ‘easy, one-click, stress-free, accessible-to-all-budgets’ ways you can support folks on the front lines.
Also! Consider donating through this link for the Entertainment Community Fund, where the money donated still goes directly to that fund, this is just an organizing page for Stranger Things fans specifically! By allowing fans to see how much of an impact we make as a collective, in real time, this could encourage even more ST fans to want to contribute. In a best case scenario, if this GoFundMe were to reach impressive proportions of donations from fans, that could lead to news outlets reporting on it, which could allow an opportunity for even more eyes on the strike, while also even more importantly being able to provide financial support to those that need it.
Trend! On social media, use #StrangerFansforWGA to trend or even just to reach other fans also looking to come together to support the strike!
While I know this post probably wont reach anywhere outside of Tumblr, I want to make a point to encourage those of you that are on other platforms to inform fans in those spaces about the strike and what they can do to help!
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We might not all agree on everything, but I think we can agree on at least one thing... @Netflix & all major streamers and networks out there, who are still refusing to make a fair deal: PAY YOUR WRITERS!
In the mean time, if you're interested in working on different ideas for initiates we can carry out as a fandom, please reach out to me! I might only one person and I might not have all the answers and solutions, but I do know that with more of us working together, our odds of making an impact are much greater!
Over and out!
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yawningspring · 8 months
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I love our Nimbo
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barawrah · 2 months
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been extra miserable about them this past week
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simplyender · 7 months
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just some gifs of spot making his own solar (spotlar?) flares
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The last thirty seconds of Missing Limbs bothers me a lot.
Because it feels like a predator approaching from the murky waters below and it's just getting faster and you're powerless to defend yourself against it.
And then it immediately blends into Chokehold.
Like, that is warning bells if I've ever heard them.
Someone please understand what I'm getting at.
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royalarchivist · 4 months
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Quackity: Lately, I have been participating in events and projects, and unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community. [...] In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. That is not what my content is about - not me nor my content nor anything I’ve done.
Here's Quackity's commentary on respect and his reasoning for distancing himself and his projects from future events and awards shows.
[ Full Transcript ↓ ]
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Quackity: Before I leave, I would like to talk about something that is very serious for me and something that I would like to tell you about. Because for me it is a very serious topic and it is a topic that- well, I had my mind on and I want to express it- [reading Chat] yes, thank you. Merry Christmas, Merry Christmas.
Anyways, lately I have been participating in events and projects, and in these events and projects, unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community, and this is what I want to say: I'm NOT ok with these types of dynamics or stuff like this, and I want to make it very clear to my stream, my community, and everyone that, for this exact reason that I just mentioned, I want to make it clear that I want to distance myself and any of my projects from the Esland Awards, which you all know is coming up.
Sadly, the Esland Awards have been an event with a history of much controversy, a lot of division, and a lot of divisions within the community, and as you guys know, as you know, my content has never been characterized by seeking controversy or divisions or anything like that. It's for this exact reason that I don't want to be involved with these awards.
In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. I don't want it to happen. That is not what my content is about - not me nor my content nor anything I've done. That's what I want to make very clear here.
That's about it. I'm going to continue with the projects I'm doing and I want to thank my community so much for the support and love. I appreciate it very much, but I wanted to make this clear - I wanted to make this clear. This is just a topic I wanted to address quickly.
Thank you for all the love and support, I love you all so much.
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engagemythrusters · 9 months
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“Anakin Skywalker was the best Jedi” uh no that was Mace Windu. Mace was the best Jedi.
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shitpostingkats · 3 months
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The world ends with you gave the depressed 2000s tweens so many gifts, and one of the greatest is introducing the player to a cast of fun, well rounded, and deeply human feeling background characters, only for the very premise of the game to be that all of these people are dead, leaving the player to grapple with the fridge horror and possibly fill in the blanks with their own ideas.
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arthurtaylorlester · 3 months
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controversial i know but yes, malevolent is a queer story.
no, jarthur are not /r gay.
yes, malevolent is unintentionally queer.
no, this does not take away from the queerness actual queer people have found in it.
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Viktor: "The time to seduce me with beautiful women and katsudon is over. You can fight with your own charm now." Yuuri (suddenly all possessive): "Don't take your eyes off me!" Viktor (utterly clueless): He's so different today. I wonder what has flipped his switch.
Recently, I've found myself coming back to this scene over and over as I was reconsidering the link between the progress of Viktuuri and Yuuri's understanding of Eros. For years, I was convinced that Yuuri had grasped the concept of Eros in episode 6, but (and this is probably controversial) I no longer believe that is true.
So, what happens in episode 6?
While the events during the weeks between the press conference and the Cup of China are open to speculation, the subtext of episode 6 us some cues as to where Yuuri and Viktor currently are in their relationship (the hugging, the cuddling, you know).
In this sense, the short dialogue before Yuuri's short programme, tells us that:
So far, Yuuri hasn't seduced Viktor as himself.
Viktor thinks Yuuri is ready to do exactly that.
They are dating (note the lover's bind aka the lacing of the fingers, which is an expression of romantic intimacy in Japan)
Yuuri's reaction is untypically fierce and possessive.
Viktor has not the slightest clue what triggered Yuuri's response. When put into the context of the whole story, this gives us another hint that Yuuri possibly can't have seduced Viktor prior to the competition. If he had (be it on or off-ice), Viktor would no longer react surprised. (You can actually see the difference in episode 8).
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However, Yuuri and Viktor are in entirely different headspaces, which becomes obvious if we think back to the events in the mixed zone. Viktor feels that it's time to gently nudge Yuuri towards a more intimate stage of their relationship. However, Yuuri is upset because just learned that everyone wants Viktor to give up on him and return to competition. He is convinced that Viktor's fans will deem him a poor replacement for Viktor if Viktor keeps coaching him. He thinks that he would disappoint his own fans if the returns to where he was before Viktor. The only option left is pressing ahead on the path he's already on and thus works himself up into wanting to be hated as the man who took Viktor Nikiforov from the world.
With that mindset, Yuuri steps onto the ice.
Viktor's confused reaction when Yuuri storms off shows us something else: He doesn't have the slightest clue that Yuuri is upset because of things that happened right before the short programme. The subtext of the scene implies that he interprets Yuuri's reaction as a sign that Yuuri is indeed ready to seduce him. The lip-licking and all the sensuality Yuuri pours into his immaculate performance must seem from his perspective as if Yuuri truly wants him. He's not entirely wrong about that, but he isn't entirely right either.
Yuuri's eros is dominant and possessive. Several months have passed since the first time he skated Eros to seduce Viktor, but their relationship and Yuuri's understanding of Viktor has deepened since. His eros has evolved into a violent force of nature. His skating no longer is about "seducing" Viktor to stay his coach, he's showing the world (and Viktor) that Viktor is his and his alone and that he is all that Viktor wants ("I'm the only one who can satisfy Viktor. I'm the only one who understands Viktor's love"). And he goes out puling all the stops. And at the next competition, he's going to double down on that. Sounds kinky? It absolutely is.
Ever wonder why Viktor is so flustered right after Yuuri's skate? That's why. This precious boy felt seduced through-and-through by Yuuri's performance.
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Viktor: "Yuuri, did it feel that great?" Yuuri: "I was hoping everyone else felt great watching me." Viktor (basically talking about himself): "Of course, they felt great watching a performance like that."
Remember that I said that Viktor has a totally different grasp of the situation than Yuuri because he doesn't know what Yuuri is going through? Viktor projects his own state of arousal from watching Yuuri on Yuuri. But Yuuri is not a second Chris and his response reinforces the implications made above based his inner monologue before and during his performance: He wanted to give "the audience" a good time aka making Viktor feel seduced and convincing the skating world that he is worthy to skate in Viktor's stead.
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Learning that "everyone" (and most of all Viktor) had a "good time", is an important step for Yuuri in mastering his short programme:
In episode 6, Yuuri truly understands the power he has over Viktor and what he can do to Viktor with his skating alone.
So far, Yuuri has had a hard time grasping eros, using all kinds of workarounds (food, women etc.). He has refined this understanding as his relationship with Viktor deepened, he has learned to express himself in a sensual manner, but it doesn't come naturally to him. In episode 6, he finally understands that he has the power to turn Viktor on and what exactly he must do to achieve that. He's still using workarounds and these are 100% Yuuri, and because of that, they are successful. Even if he never understands eros beyond the abstract theory, he now has acquired the set of tools to hone is performance and to seduce Viktor if he sets his mind on it. (Yes, this anxious katsudon fatale has some massive kinks and they work for him and Viktor, and I will die on that hill.)
But what about the banquet?
Drunken horniness due to dancing physically with his celebrity crush. Friction is a thing. And let's be honest: otherwise, the whole "grasping eros" story arc would make no sense. Either you have an innate sense of that concept or you don't, and memory gaps can't explain that away.
(No, I'm still on a break from posting meta, but I've been agonising over this for quite a while and had to get it out of my system because I'm currently fixing some stuff related to this in my novelisation.)
If you like my meta, please check out my works on AO3 (link in bio).
Last but not least many thanks to cecebeanie for a discussion that set this thought process in motion 💜💙
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An analysis of Alhaitham's egoism in relation to Kaveh
(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.
Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).
In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.
As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.
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In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".
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With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).
In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:
“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not…  sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185
It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:
“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186
The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.
Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.
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By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.
In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.
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This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.
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This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.
In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.
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Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.
Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.
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chawarin-panich · 3 months
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Disclaimer: I'm not Thai and this contains a lot of conjectures that needs to be fact checked by someone who is either Thai/ knows enough about Thai folk culture to comment. So the tits out nagini played by Babe joke (that I'm really enjoying this isn't to knock us having a laugh down) really made me think about how demonizing female tits is a relatively post christian missionary disseminating puritanism as a extra religious extra cultural inherent to human civilization idea. So then, are the naginis meant to have their tits out and is using babe to portray the authentic nagini style of dress just a clever way of circumventing modern laws about censorship? Bottom line is - I don't know and I have no way of knowing on account of having zero access to Thai people but I do have some evidence:
Babe is wearing a 'female' style of dress
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I don't think I really needed to start here because the deliberate use of female pronouns makes it fairly clear that Babe is supposed to be a woman here but there's also the chain, the scarf, the long hair, gaudier accessories etc 2. Babe and Freen are supposed to be the same person and look very very similar, more similar than they do in real life but maybe even identical for narrative purposes
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The show has pushed the audience towards suspension of disbelief when it comes to how similar Freen and Babe look. The portrait of Freen as the Nagini looks like Freen and NOT Babe and yet all the characters in the show are convinced it looks like Tharn (played by Babe). This told me that no matter what I think for the show to make sense to me Babe and Freen look like they could be twins for all that reality matters. They have the same name and modern day Wansarut, played by Babe, shows up as a reflection of the past Wansarut, played by Freen, BEFORE the transformation at the end of ep 5
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In fact, the transformation is never shown and modern!Wansarut appears fully formed in front of Phaya as though once Phaya has allowed himself to open his eyes, he can see the truth - that they're the same. Their gender is never shown to 'transform' on screen and I think what this show is pushing for is that gender is just NOT an inherent part of their identity. IMO, that's taking it a step further than simply saying Wansarut was a girl in past life and Wansarut is a boy in this life. It's like saying Wansarut is Wansarut, whether Wansarut is a a boy or girl is just as relevant as whether Wansarut is wearing modern day clothing or traditional clothing. 3. The women have their tits out too????
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look at freen's hand, that's not a shirt, that's her skin and it's the same color as Babe's clothing is when Babe plays Wansarut
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same with Songjet she doesn't have the scarf or chains and her shirt is textured to the scales of a serpent. I think this is a tits out look too.
All their tits on principle appear to be out 4. Are tits out nagini the tradition? This is the part I have no idea. It's not like googling a hundred nagini statues from thailand will tell me when they were made easily or accurately. All I can say is that all the anthropomorphized nagini statues that were wearing clothes were very obviously wearing clothes and not scale textured clothing. There's also these tits proudly out variations
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