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dustedmagazine · 4 years

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Dust, Volume 6, Number 10

The Slugs

September seemed to be the month when all the records on endless delay finally got kicked out the door, COVID or no, ready or not here we come. We’re deluged with music, some recorded before the world changed, some clearly cooked up mid-pandemic. There are a lot of covers EPs, lots of solo material, lots of home-made lo-fi, lots of benefit comps, and who are we to complain? Better, instead, to reach for the headphones, load up the hard drive, pile on the LPs and do some listening. Here’s some of the stuff that caught our attention, as usual ranging all over the continuum, from traditional to edgy and experimental, from silly pop punk to enraged death metal to bookish electro-acoustic improvisation. Contributors this time out included Jonathan Shaw, Patrick Masterson, Jennifer Kelly, Bill Meyer, Derek Taylor, Ray Garraty, Tim Clarke and Andrew Forell. Happy fall.

Amputation — Slaughtered in the Arms of God (Nuclear War Now!)

Slaughtered in the Arms of God by Amputation

Given the degree of smugness that accompanies utterances of the phrase “Old School Death Metal,” it’s frequently instructive to listen to some. Right on time, the misanthropic bunch at Nuclear War Now! has delivered some seriously Old School sounds to our digital doorstep. This new compilation LP gathers both of the demos of Norwegian knuckle-draggers Amputation, along with a contemporaneous rehearsal recording. Likely the resulting record will be of principal interest to fans of Immortal, the long-running, on-again-off-again Norwegian black metal band that Amputation would morph into in 1991. The songs collected on Slaughtered in the Arms of God have some additional musicological significance, as they document the sounds of 1989 and 1990, transformational years in Norway’s metal scene. Mayhem and Darkthrone tend to get most of the attention, for reasons both good and bad; and like Darkthrone, Amputation made death metal before transitioning to blacker, more brittle sounds. The music on Slaughtered in the Arms of God is muddy, thudding and thick. Perhaps that’s the result of the primitive recording tech the band used, likely of necessity. But through the murk (and to some degree because of it), you can hear the influence of Stockholm’s fecund death metal scene, especially Dismember’s earliest stuff. Scandinavia’s metal currents run deep and dark. Whether that means that Old School Death Metal is intrinsically a good thing is a different matter.

Jonathan Shaw

Anz — Loose in Twos (NRG) 12” (Hessle Audio)

Loos In Twos (NRG) by Anz

I love the idea of listening to DJ mixes of original or all-new material; it’s probably why I still value, say, Ricardo Villalobos’ Fabric 36 so much. Manchester’s Anna Marie-Odubote, aka Anz, has been doing just such a thing annually since 2015 and really went wild with spring/summer dubs 2020, which compiled 74 tracks into nearly an hour and a half of new music. That would’ve been more than enough amid all of this (imagine me gesturing around vaguely), but “Loos in Twos (NRG)” on the venerable Hessle Audio imprint is an equally formidable, decidedly tighter release I played a lot at the start of September. Three club-ready tracks here break down acid, jungle and footwork, and while all three are heady breaks, the looped vocals and bongo of “Stepper” make it the one for me. Get those feet moving digitally now so they’re comfortable once the vinyl arrives in early October.

Patrick Masterson

Ashes and Afterglow — Everybody Wants a Revolution (Postlude Paradox)

Ashes and Afterglow drops pop punk melodies into deep buckets of fuzz, lets them bubble and bob to the surface before shoving them under again. The band is mainly the output of one Luke Daniel, who appears to have been in other band called Sea of Orchids, but neither outfit has left much of an internet trail. And sure, this is the kind of thing that could easily get shuffled under; it breaks no moulds. And yet shuffling “To Take a Look at the World,” has a heart-worn resonance, Daniel’s voice echoing in reverbed hollow-ness against surging tides of guitar noise. “My Yesterday Girl” churns a little harder, with a bright, pop-leaning sort of hopefulness hedged in by seething feedback. It’s not bad, but it never hits a melodic vein the way that similarly inclined artists like Ted Leo or Ovlov or Tony Molina do, and it never pushes the noise over the top, either. Neither pop nor punk but somewhere in middle.

Jennifer Kelly

Ballister — Znachki Stilyag (Aerophonic)

Znachki Stilyag by Ballister

A cake is still a cake, whether you put chocolate frosting and strawberries or white icing and a fondant roses on top. And while they don’t all taste or look exactly the same, a Ballister album is still a Ballister album, and the first Ballister album in three years does not mess with the recipe. Dave Rempis (alto and tenor saxophones), Fred Lonberg-Holm (cello and electronics), and Paal Nilssen-Love (drums and percussion) still trade in a particularly hard-hitting form of total improvisation. The changes are ones of emphasis — Lonberg-Holm sounds like he’s using a wah-wah pedal and deploys some especially slashing feedback tones, there’s a bit more space in Nilssen-Love’s intricate beat configurations, and Rempis left his baritone sax at home — and of location. Znachki Stilyag was recorded during the fall of 2019 in Moscow, Russia, which may explain why the big horn stayed at home. But the ones you hear still cut and thrust with broadsword force and rapier precision. This is a cake you can trust.

Bill Meyer

Vincent Chancey — The Spell: The Vincent Chancey Trio Live, 1987 (No Business)

Vincent Chancey likely isn’t alone amongst his peers in feeling exasperated by folks singling out his instrument as uncommon or unusual to jazz. It’s a form of damning through faint praise and one that feel

s even more lackadaisical with any time spent with his music. Chancey plays the French horn and he’s plied it in settings as diverse as Sun Ra Arkestra, Lester Bowie’s Brass Fantasy and Charlie Haden’s Liberation Music Orchestra as well as gigs supporting Aretha Franklin and Elvis Costello. It’s unclear whether the trio documented on The Spell was a working concern, but that hardly matters given how well bassist Wilbur Morris and percussionist Warren Smith gel with their convener. Spread across two sides of an LP, the concert recorded at a New York City art gallery covers four pieces, two by Morris bookending one apiece from Smith and the leader that stitch together very much like cohesive suite. An unadvertised surprise comes with Smith’s ample application of marimba alongside a regular drum kit. Recording quality isn’t optimal, but Chancey’s rich, rounded, phrases gain extra gravitas through the sometimes-grainy acoustics. Woefully underrepresented in the driver’s seat discographically, his acumen as both improviser and composer is easily vindicated by this limited edition (300 copies) release.

Derek Taylor

Che Chen — Tokyo 17.II.2012 (self-released)

Tokyo 17.II.2012 by Che Chen

Nowadays Che Chen has earned a measure renown as the guitar-playing half of 75 Dollar Bill, and all the praise is earned. But before that, he played a roomful of instruments in the True Primes, Heresy of the Free Spirit and duos with Robbie Lee, Tetuzi Akiyama and Chie Mukai. The through-lines to all these efforts is a willingness not to play things the way their supposed to be played, and a gift for supplying the right resonance in any setting. Since 75 Dollar Bill is a New York-based band made for social occasions, the COVID-19 lay-off has been especially hard — so there’s no better time to see what’s in those hard drives in the closet, right? Chen has released this solo concert from 2012 via Bandcamp. In Tokyo for a brief layover, he played amplified violin at a party held in the basement of someone’s apartment building. The amplified part is important; dips and swells of feedback count as much as in this 25-minute performance as the fiddle’s bright, plucked notes and rough, bowed tones. Chen moves purposefully from one mode to next, taking time along the way to savor the room’s lively acoustics.

Bill Meyer

Jeff Cosgrove/ John Medeski/ Jeff Lederer — History Gets Ahead of the Story (Grizzley Music)

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Odds are that even the estimable William Parker would be surprised by the prospect of a William Parker cover album. But that’s essentially what History Gets Ahead of the Story is as organized and realized by drummer Jeff Cosgrove. That the project is the province of an organ trio only adds to the potential consternation quotient. John Medeski officiates the Hammond B-3 console and saxophonist Jeff Lederer, doubling on flute, completes the combo convened by Cosgrove. The latter’s connections to Parker stem from a trio he was part of with the bassist/composer and pianist Matthew Shipp that disbanded in 2015 after fruitful collaboration. Parker’s personage and music left an indelible mark and the seeds for the present album were sown. Collective creative license doesn’t get in the way of soulful, energizing renderings of such staples as “O’Neal’s Porch,” “Corn Meal Dance” and “Wood Flute Songs,” but troika also cedes time for a triptych of strong originals that align aurally with their dedicatee’s inclusive tone world sensibilities.

Derek Taylor

Derelenismo Occulere — Inexorable Revelación (Le Legione Projets)

Inexorable Revelacion (FULL LENGHT 2020) by Derelenismo Occulere

This sounds like a rehearsal gone wrong. In the time of the COVID pandemic, Neo Apolion, a guy responsible for the music in this Ecuadorean duo, recorded a demo and sent it to the band’s vocalist Malduchryst with a message to do with it whatever he wants. Malduchryst took his band partner’s words all too literally. With complete disregard to the music he began vomiting a noisy, messy mass of screams to a microphone (has he never heard of a black metal with no vocals?). If it sounds totally batshit, you can rest assured that it is. This is what makes Inexorable Revelación actually great black metal. When a lot of metal bands these days are just Backstreet Boys with leather jackets on and with guitars, Derelenismo Occulere care about only fury and mayhem. Their Argentinean mix man Ignacio only adds more chaos to the album. The only flaw this tape has is that it is 15 minutes too long.

Ray Garraty

Whit Dickey — Morph (ESP-Disk)

Morph by Whit Dickey

Drummer Whit Dickey and pianist Matthew Shipp have been recurrent partners since the early 1990s, when they were both members of the David S. Ware Quartet. It’s fair to say that each man is a known quantity to the other, and that one of the things they know about each other is that they might still be surprised by the other’s playing. Dickey’s retreated from time to time in order to revise his approach, and while Shipp has often threatened to quit recording over the years, he has never stopped working or evolving. This double disc combines one duo CD and another that adds trumpeter Nate Wooley to the pair. Wooley’s done a number of dates with Shipp in recent times, but he and Dickey were musical strangers before they entered Park West Studios in March 2019. Without Wooley, Shipp and Dickey seem very free and trusting of each other, transitioning with dreamlike ease from abstracted gospel to sideways swing to restless co-rumination this the ease. The trio seems more considered. The trumpeter dips quite sparingly into his extended technique bag, favoring instead linear statements that instigate fleet perambulations from the pianist and more supportive, less overtly dialogic contributions from the drummer. Both sessions work, and their differences complement each other quite handily.

Bill Meyer

Dropdead — S/T (Armageddon)

Dropdead 2020 by Dropdead

Yep, it’s that Dropdead, the Providence-based powerviolence band that hasn’t released a proper LP since 1998 and was on a long hiatus through much of the 21st century. Since 2011, Dropdead has put out a string of splits, with heavyweights like Converge and Brainoil. But a whole record? Maybe the unrelentingly shitty condition of our political and economic conjuncture motivated the four guys in the band (three of whom have been affiliated with Dropdead since 1991) to write the 23 burners, rants and breakdown-heavy hardcore tunes you’ll hear across Dropdead’s 25 minutes. It’s a welcome addition. Bob Otis’s voice doesn’t have the shredding quality of days of yore — but that ends up being useful. You can hear the lyrics, and they’re drenched in venom and righteousness. The rest of the band hasn’t lost a step. Pretty impressive for a bunch of guys with that much grey in their beards. That said, they don’t pull any intergenerational, “we’re-older-and-wiser” moves. This is still music that wants to collapse boundaries, between stage and mosh pit, between races and genders, between species, even. Not so much class positions: “Warfare State,” “United States of Corruption,” “Will You Fight?” Late capitalism’s depredations still bear the principal brunt of the band’s anger. Things have gotten worse, and Dropdead respond in kind. They may be a lot older, but they’re even more pissed off.

Jonathan Shaw

Fake Laugh — Waltz (State 51 Conspiracy)

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Earlier this year, Kamran Khan released his second Fake Laugh album, the charming, playful Dining Alone, which made its way into Dusted’s mid-year round-up of favorites released in the first half of 2020. Khan’s third album, Waltz, is a very different beast, featuring just piano, vocals and the odd keyboard texture, casting his songwriting in sharp relief. Undoubtedly created in this stripped-down way out of lockdown necessity, it’s hard to listen to these wistful, melancholic songs without imagining where Khan’s knack for colorful arrangements might take them, given the chance. (As a tease, closing song “Amhurst” offers up a shimmering electronic melody and some sighing synth chords.) There’s no doubting Khan’s way with a tune, and his naked vocal, though occasionally showing strain, suits the mood. It’s understated and undeniably lovely, yet Waltz feels like a minor release for this talented artist.

Tim Clarke

David Grubbs / Taku Unami — Comet Meta (Blue Chopsticks)

Comet Meta by David Grubbs & Taku Unami

In the 23 years since Gastr Del Sol fell apart, David Grubbs has done many things that don’t sound much like his old band with Jim O’Rourke. And Taku Unami has worked in such varied settings and ways that the most persistent quality of his engagement with sound is its ability to induce question marks and ellipses in any train of thought intending to decode it. So, it’s both remarkable and delightful that this record, the duo’s second collaboration, sounds rather like parts of Gastr Del Sol’s Upgrade & Afterlife. The foundation rests upon the way two guys who can and do play intricate guitar duets make subtle use of other elements — creeping acoustic piano, humming synthesizer, urban field recordings — to make music that thickens atmosphere and accumulates mystery with such subtlety that you don’t notice it until you’re in it.

Bill Meyer

Guided by Voices — Mirrored Aztec (Guided by Voices Inc.)

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I know, I know, it’s another Guided by Voices record, the fifth since 2019, but hear me out. Pollard is still tapped into the fuzzy, rackety, melodic sap of the rock and roll universe, and he has only to knock his hammer a few times against the gnarled tree of life to extract more of what sustains us. Shorter version: he can do this all day, every day, without any noticeable let-up in quality. So, let us celebrate another batch of Who-like power chords, of rumbling drums and monumental bass thuds, of melodies that curve out delicately like spring’s first vines, then thicken into thundering climaxes and triumphant refrains. Let us give thanks again for inscrutable lyrics that drift off into poetry then pull back in the most ordinary artifacts of the spoken word. “I Think I Had It. I Think I Have It,” crows Pollard in a voice that has been blasted by time but come out more or less intact, and yes, Bob, you still do.

Jennifer Kelly

Edu Haubensak & Tomas Korber — Works for Guitar & Percussion (Ezz-thetics)

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The celebrated Wandelweiser aesthetic serves as a loose overarching impetus for the four interpretations of compositions by Edu Haubensak and Tomas Korber that comprise Works for Guitar & Percussion. Classical guitarist Christian Buck and improvising percussionist Christian Wolfarth ply their instruments through pairing and isolation. Essayist Andy Hamilton describes context by delineating a distinction between music (based in the language of tones) and soundart (which is non-tonal) and placing the duo’s interpretations in the opaque border between these realms. Repetition and timbral disparity frame Haubensak’s “On” while Korber’s “Aufhebung” applies scrutiny to microtonal diversity and temporal impermanence. Wolfarth fields Korber’s “Weniger Weiss” from behind snare drum, trading recurring stick rolls with varying segments of silence that compel ears accustomed to Western musical structures to consciously fill in the blanks. Haubensak’s solo “Refugium” finds Buck bending two closely tuned strings in an extrapolation of an Arabic maqam that feels tenuously connected to the form, at best.

Derek Taylor

Inseclude — Inseclude (Inseclude)

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Brad MacAllister of CTRL and Blue Images and Benjamin Londa of Exit have been working in the darkwave and chillwave scenes for several years and their first album as Inseclude is a long distance collaboration that mines the darker side of 1980s alternative and electronic rock. From Pennsylvania, MacAllister sent musical ideas to Londa in Texas who added guitars, lyrics and vocals to produce a set of songs that are well made and enjoyable if largely unmemorable. There are a number of contemporary bands doing similar things — Hamilton’s Capitol and Manchester’s Ist spring immediately to mind — taking the Cure, New Order, Sisters of Mercy template and why not? Unfortunately, the passage of time and the law of diminishing returns have led to overfamiliarity with this style of music that makes for easy and perhaps unfair comparisons. When they stretch themselves, Inseclude’s songs do hit. “Sondera” and “Failing To The Pulse” carry some real menace with the juxtaposition of wide-angle synths and paranoid vocals but elsewhere the pair seem held back by a restraint and lack of bottom end that diminish the impact of some pretty decent songs.

Andrew Forell

Kvalia — Scholastic Dreams Of Forceful Machines (Old Boring Russia)

Схоластические Грёзы Силовых Машин by Квалиа

Krasnoyarsk sits on the banks of the Yenisei river in southern Siberia and is known both for the natural beauty of its surrounding landscape and for its primacy as an aluminum producer. Local musicians Aleksander Maznichenko and Aleksey Danilenko reflect the latter on their new five track EP Scholastic Dreams Of Forceful Machines, an icy, metallic collection of post-industrial clang pitched somewhere between Einstürzende Neubauten and early Clock DVA. Their machines are forceful but cranky, rusted, near obsolete. Maznichenko keeps the thrum of turbines is steady but the drum machines lurch and thump, the keyboards whine and scream, the Russian vocals protest their obstreperous charges. Danilenko’s bass is post-punk elastic skipping amongst the raining sparks hinting at a will to dance with his mutant riffs. They sound like they mean it and the result is a terrific EP full of fire, fumes, steam and sweat.

Andrew Forell

Mezzanine Swimmers — Kneelin’ on a Knife (Already Dead)

Kneelin' on a Knife by Mezzanine Swimmers

These songs circle around noise-crusted, repetitive beats, the drumming stiff and mechanical, the riffs chopped to short bursts, the vocals woozy and distended. “Sexy Apology” reiterates a three-note keyboard lick ad infinitum, as main Swimmer Mike Smith drawls the title phrase, similarly on repeat. Yet within this unchanging structure, chaos erupts in detuned keyboards, miasmic feedback and corrosive noise. It’s hard to say whether these songs are too tightly organized or too loose, a bit of both really, and yet, get past the headachy thud and there’s an unhinged psychotropic transport. No one ever said that kneeling on knives would be comfortable.

Jennifer Kelly

Mosca — The Optics (Rent)

Mosca · The Optics [RENT001]

Part of the initial wave of neon-infused dubstep hedonism surrounding the Night Slugs camp at the turn of the last decade, Mosca’s Tom Reid has since survived on the strength of a regular slot behind the decks at NTS and sparingly deployed releases on such renowned labels as Numbers, Rinse, Hypercolour and Livity Sound. “The Optics” debuts his new Rent imprint, conceived as a way to get out music that doesn’t fit in elsewhere. (Originally, this was to be an a-side for a coming AD93 release, but as he says, “There's only so long you can keep a track with a baby crying in it back from the masses.”) Supposedly inspired by the Under the Skin beach scene, the five-minute track immediately throws you off with a dub-heavy shuffle and metallic, alien sounds that zoom around the mix. The main thrust of the melody arrives around a minute in, and gradually the sounds close in on you. There’s bells, birds, a baby crying and then, just when you’re feeling completely stressed out, it all falls away; a driving jungle rhythm carries you the rest of the way. Deeply satisfying dance from a head who hasn’t lost his way.

Patrick Masterson

Prana Crafter/ragenap — No Ear to Hear (Centripetal Force Studio/Cardinal Fuzz)

No Ear to Hear by Prana Crafter / ragenap

When Robert Hunter, the poet who wrote lyrics for the Grateful Dead’s “Dark Star,” “Ripple,” “Truckin’,” “Terrapin Station” and many other songs, died in late 2019, long form psych musicians Prana Crafter (William Sol) and ragenap (Joel Berk) mourned separately but simultaneously. The night he died, both took solace in improvised music, which didn’t so much evoke or represent Hunter, but captured some of their feelings about his work and their loss. When they talked, soon after, they found that both had made lengthy open-ended meditations on the same person. Those two extended pieces make up No Ear to Hear. Prana Crafter’s entry, “Beggar’s Tomb,” is weighted and slow moving, building gradually from simmering drones into towering edifices of feedback and dissonance. Although performed largely on guitar, the sound is filtered through gleaming effects and layers into astral strangeness, a mystic’s trip through mental interiors. ragenap’s “Nightfall” also takes shape slowly out of looming sustained notes and black velvet quiet and sounds that scratch and vibrate at the edges. A solitary acoustic guitar takes up space at the forefront finally, carving a hesitant melody across the hum. The tune turns fuller and more agitated as it progresses, adding layers of feedback and distortion. Neither of these pieces sounds much like the Grateful Dead, and of course, neither has any sort of lyrics. I doubt that anyone, hearing this album for the first time would say, “Oh yeah, Robert Hunter.” And yet inspiration works in strange and, in this case, fruitful ways. You can enjoy this even if you don’t like the Dead.

Jennifer Kelly

Raven Throne — Viartannie (Chroniki Źmiainaj Ciemry) (self-released)

Viartannie (Chroniki Źmiainaj Ciemry) /The Return (The Chronicles of the Serpent Darkness) by RAVEN THRONE

These Belorussian black metal veterans are true materialists. On their seventh album, they show that nature is a social construct, not something given. And boy, their nature is not a loving mother. Unlike many metal bands convey nature via field recordings, Raven Throne craft their ferocious sounds with guitars and drums. Aren’t these as natural instruments as stone and wooden sticks? The atmospheric black metal subgenre has been contaminated by pop and folksy metal so that it’s hard to maintain a truly evil sound, while still bringing the atmospheric elements into it. Raven Throne pull it off. This is how darkness should sound.

Ray Garraty

The Slugs — Don’t Touch Me I’m Too Slimy (2214099 Records DK)

Don't Touch Me, I'm Too Slimy by The Slugs

The Slugs are an exuberantly lo-fi punk pop duo out of London who bash and thump and shout short, acidic ditties about being female, in a band, under assault and under the weather. Liberty Hodes, who is also one half of the comedy duo A Comedy Night that Passes the Bechdel Test, plays a jangling, forceful electric guitar, while her Phoebe Dighton-Brown bangs away in brutal simplicity on the drums. Both sing, sometimes in unison, sometimes in rough harmonies, occasionally in slashing counterparts. (One chants “Feel sick/can’t be sick” while the other rolls out mellifluous “ah-ah-ah-ahs” in “Feel Sick.”) There is a charming, unstudied quality to their music, which is a bit too smart and biting to be primitive, but nonetheless eschews frills. It’s hard to pick favorites—the whole EP is over in five tracks and 11 minutes—but “Pest” is giddy fun, with its slouching, battering guitar-drum motif and slacker choruses. The shout along chorus of “Don’t touch me! I’m too slimy!” is the best thing on the record, hitting a rebellious, unwashed spot of resonance in the work-from-home era. Second best, the gleeful tirade about sleazy male promoters in “Girly Gang” (“Give you all the gigs if you touch my wang”), which builds in round-singing euphorias until it ends suddenly and a la Jane Austen in matrimony (“Married in a dress by Vera Wang”). People are comparing the Slugs to the Shaggs, but that’s just short-hand for banging away anyway without all the training. The Slugs are smarter, slyer and more autonomous, and if they sound a little rough, that’s exactly how they meant to sound.

Jennifer Kelly

Tobin Sprout — Empty Horses (Fire)

Empty Horses by Tobin Sprout

Blessed with one of the finest names in music (alongside dEUS’s Klaas Janzoons), Tobin Sprout is best known for being part of the Guided by Voices line-up that created classic albums such as Bee Thousand and Alien Lanes in the 1990s. Though Sprout’s subsequent solo output has been a steady stream compared to Robert Pollard’s deluge, Empty Horses is his eighth solo album. In it, the now-65-year-old ruminates faith, mortality and American history atop a spare, country-tinged backing. There’s a deep ache to many of these songs, the kind of emotional weight that manifests in pointedly low tempos, sparse drum parts that hang behind the beat and vocal performances that are almost uncomfortably intimate. Running to a succinct half-hour, with many of the songs clocking in at just a couple of minutes each, Empty Horses confronts demons seemingly too pernicious to overcome. Yet, when the music becomes more expansive — such as the graceful pedal steel of “Breaking Down,” the woozy modulation of “Antietam,” or the biting fuzztone of “All In My Sleep” — Sprout sounds like he may be on the verge of making a much-needed breakthrough.

Tim Clarke

Son Lux — Tomorrows I (City Slang)

Tomorrows I by Son Lux

Son Lux’s songs embed unsettling sounds in deep wells of silence, finding disturbing textures in string sounds, electronics, percussion and the fluttering soul falsetto of founder Ryan Lott. Tomorrows I, reportedly the first of three related albums, has a quietly dystopian vibe and a moist, echoing unease that might remind of you Burial’s classic Untrue. A brief, looped, keening violin motif punctures the opening cut, “Plans We Made” with all the threat of Bernhard Hermann’s shower music for the film Psycho, while Lott trills haunted phrases about being afraid to let go. “Undertow,” near the end, brings in a whole string quartet to swoon dissonantly, as a knocking beat (drummer Ian Chang) sounds like a body being dragged across the floor. “Just waiting for the undertow,” sings Lott in the dread empty spaces between, in arias of muted desolation. Minimalist and menacing and mesmerizing.

Jennifer Kelly

Ulaan Janthina — Ulaan Janthina (Part 1) (Worstward)

Ulaan Janthina (Part I) by Ulaan Janthina

Steven R. Smith contains multitudes, and Ulaan Janthina is the latest manifestation of his mutating musical self. This release exemplifies three aspects of Smith’s practice. First, he likes to make beautiful things. Hard copies of this tape come in a custom-oriented box that contains tinted photos, shells and printed communications as well as the cassette. And he’s project-oriented. While other iterations have been devoted to an Eastern European vibe, or guitar noise or a virtual ensemble sound, Ulaan Janthina results from a decision to work primarily with the keyboards in his house. It’s a winning strategy, since his synthesizers, organ and harmonium all benefit from the grittiness of Smith’s recording methodology, and his spare playing style makes his melodies stand out quite starkly from the background atmosphere. Like the name says, this is part one of the Janthina (named for a genus of sea snail that makes its own floating platform — not a bad metaphor for the survival-oriented independent musician) venture; a second, similarly packaged cassette is pending from Smith’s Worstward imprint soon, and a future release is already planned by Soft Abuse records.

Bill Meyer

Various Artists — Spr Blk: Liberation Jazz and Soul From the '70s and Beyond (Paxico)

Liberation Jazz and Soul by Marcus J. Moore

Author Marcus J. Moore (late of The Nation but also found everywhere from Pitchfork to WaPo) has a book on the way in October, The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America. In advance of its release via cassette devotees Paxico, Moore cobbled together “rare and somewhat familiar” Black music from his own crates. “These are the kinds of songs I play when walking through New York City or driving through Maryland,” he says in the release. What that means for you is a two-sided mix that burns slower on the A and gets more percussion-heavy on the B. Leading off with Doug Carn’s fittingly titled “Swell Like a Ghost” and featuring jams from Willie Dale, Milton Wright, Ronald Snijders and other lesser jazz, soul and funk lights, it’s a revealing mix that will no doubt pair well with that fall reading you’re about to get going on.

Patrick Masterson

Vatican Shadow — Persian Pillars of the Gasoline Era (20 Buck Spin)

Persian Pillars Of The Gasoline Era by Vatican Shadow

Dominick Fernow is hugely prolific, and most folks with ears tuned to the densely churning worlds of noise and industrial music will be familiar with his abrasive, unsettling output under the Prurient moniker. Fernow’s releases as Vatican Shadow are fewer in number, and more attuned to ambient, even melodic movements and textures. That’s sort of odd, given that the Vatican Shadow records thematize and explore Fernow’s obsession with the history of the Middle East, especially post-9/11 collisions of Western military force, Islamic traditions of resistance and the tactics of terror used by both sides. Relaxing stuff, that ain’t. Consistent with the larger project’s tendencies, Persian Pillars of the Gasoline Era claims an interest in the CIA-coordinated Iranian coup (MI6 helped out, too, those imperial scamps) that deposed Mohammed Mossadeq, installed the Shah Reza Pahlavi and inaugurated some of the principal tensions that have shaped the last half-century of world history. It’s unclear how Fernow’s pulsing, shimmering, sometimes juddering synth sounds are meant to represent or otherwise engage that history. For sure, record art and song titles summon all the right semiotics, sometimes with an interesting edge. But “Taxi Journey through the Teeming Slums of Tehran” sounds more like a malfunctioning MP3 player than a taxi or a “teeming slum” (can we all be done with that phrase now?), and “Moving Secret Money” is pleasantly trance-inducing, rather than insidiously evil. Musically, it’s quite good. The packaging seems to want strike other notes. Maybe that’s the point — too many folks are too busy consuming quietist pop to bother with the grind of the political. But is this the intervention we need?

Jonathan Shaw

6 notes · View notes

the-type-a · 4 years

Note

Can you post your Duncney playlist since I don’t have Spotify? Please!

Of course! (I might have to do it in two parts so make sure to check the RBs!)

3:00am - Finding Hope

5 O’Clock - T-Pain, Lily Allen, Wiz Khalifa

7 Things - Miley Cyrus

About You Now - Miranda Cosgrove

Alive - One Direction

All I Ever Wanted - Basshunter

All I Do is Dream of You - Emilie Claire Barlow

All That Matters - Justin Bieber

Almost is Never Enough - Ariana Grande

A.M. - One Direction

Amnesia - 5 Seconds of Summer

Anaconda - Nicki Minaj

Animal - Neon Trees

Animals - Maroon 5

Apologize - OneRepublic

As Long As You Love Me - Justin Bieber

A Thousand Years - Christiana Perri

A Whole New World - Mena Massoud, Naomi Scott - Aladdin

Baby Boy - Beyoncé, Sean Paul

Backseat - New Boyz

Back to Sleep Remix - Chris Brown, Usher, Zayn

Back to You - Louis Tomlinson, Bebe Rexha

Bad Boy - Cascada

Bad Decisions- Ariana Grande

Bad Liar - Selena Gomez

Beauty And A Beat - Justin Bieber, Nicki Minaj

Beauty and the Beast - Ariana Grande, John Legend (also Disney Version)

Bedrock - Young Money, Lloyd

Bedroom Floor - Liam Payne

Behind These Hazel Eyes - Kelly Clarkson

Best I Ever Had - Drake

Better in Time - Leona Lewis

Better Than Revenge - Taylor Swift

Better Than Words - One Direction

Bound 2 - Kanye West

Bow Chicka Wow Wow - Mike Posner, Lil Wayne

Boyfriend - Ariana Grande, Social House

Boyfriend - Justin Bieber

Break Your Heart - Taio Cruz

Can I Have This Dance - High School Musical 3

Can’t Stand It - NeverShoutNever

Chasing Cars - Snow Patrol

Check Yes, Juliet - We the Kings

Close - Nick Jonas

Closer - Ne-Yo

Closer - The Chainsmokers

Cold - Maroon 5

Come Back to Me - Vanessa Hudgens

Come & Get it - Selena Gomez

Complicated - Avril Lavigne

Confident - Justin Bieber

Contagious - Avril Lavigne

Controlla - Drake

Corazon Sin Cara - Prince Royce

Crazy - Prince Royce

Crazy in Love - Beyoncé, Jay Z

Criminal - Britney Spears

Crush - David Archuleta

Dangerous - Prince Royce, Kid Ink

Dangerous Woman - Ariana Grande

Dear John - Taylor Swift

Dear Maria, Count Me In - All Time Low

Despacito Remix - Luis Fonsi, Daddy Yankee, Justin Bieber

Dile al Amor - Aventura

Dirty Little Secret - The All-American Rejects

DJ Got Us Fallin’ In Love - Usher

Does He Know? - One Direction

Doin’ Dirt - Maroon 5

Don’t Forget - Demi Lovato

Don’t Stop - 5 Seconds of Summer

Don’t Stop the Music - Rihanna

Down - Jay Sean, Lil Wayne

Drunk In Love - Beyoncé, Jay Z

Dusk Till Dawn - Zayn, Sia

Earned It - The Weekend

El Amor - Tito “El Bambino”

El Amor Que Perdimos - Prince Royce

El Malo - Aventura

Eres Mia - Romeo Santos

E.T - Katy Perry, Kanye West

Everytime We Touch - Cascada

Fallin’ For You - Colbie Caillat

Familiar - Liam Payne

Feelings - Maroon 5

Fifteen - Taylor Swift

First Time - Liam Payne

Flicker - Niall Horan

fOoL fOr YoU - Zayn

Fool’s Gold - One Direction

For The Nights I Can’t Remember - Hedley

Friends - Justin Bieber, BloodPop

FU - Miley Cyrus, French Montana

Genie In a Bottle - Christina Aguilera

Get Back - Demi Lovato

Gimme More - Britney Spears

Girls & Boys - Good Charlotte

Girls Like You - Maroon 5, Cardi B

Give It Up To Me - Sean Paul

Give Me Everything - Pitbull, Ne-Yo, Afrojack, Nayer

Gives You Hell - The All-American Rejects

Good Girl Gone Bad - Rihanna

Good Girls - 5 Seconds of Summer

Good Girls Go Bad - Cobra Starship, Leighton Meester

Gotta Go My Own Way - High School Musical 2

Half a Heart - One Direction

Handcuffs - Prince Royce

Hands to Myself - Selena Gomez

Hate That I Love You - Rihanna, Ne-Yo

Heartbreak Girl - 5 Seconds of Summer

Heartless - Kanye West

Hearts Don’t Break Around Here - Ed Sheeran

Here We Go Again - Demi Lovato

Hero - Enrique Iglesias

Hips Don’t Lie - Shakira, Wyclef Jean

History - One Direction

Hold It Against Me - Britney Spears

Home With You - Liam Payne

Hot Mess - Cobra Starship

Hot N Cold - Katy Perry

I Don’t Wanna Live Forever - Zayn, Taylor Swift

I Fall Apart - Post Malone

If I Can’t Have You - Shawn Mendes

I.F.L.Y - Bazzi

I Hate Everything About You - Three Days Grace

I Knew You Were Trouble - Taylor Swift

I Know You Want Me - Pitbull

I Like It - Enrique Iglesias

I’ll Take You There - Sean Paul

I Love You 5 - NeverShoutNever

I’m a Slave 4 U - Britney Spears

I’m Yours - Jason Mraz

In My Feelings - Drake

In My Head - Jason Derulo

Into You - Ariana Grande

Iris - The Goo Goo Dolls

Irreplaceable - Beyoncé

I See the Light - Mandy Moore, Zachary Levi

I Think We're Alone Now - Tiffany

I Wanna Love You - Akon, Snoop Dogg

I Won’t Give Up - Jason Mraz

I Won’t Say (I’m in Love) - Hercules

Jealous - Nick Jonas

Juego Prohibidos - Nicky Jam

Jungle - Drake

Just Like You - Louis Tomlinson

Just the Girl - The Click Five

Keep Holding On - Avril Lavigne

Kill My Mind - Louis Tomlinson

Kiss Me - Ed Sheeran

Kiss Me Kiss Me - 5 Seconds of Summer

Kiss Me Thru the Phone - Soulja Boy, Sammie

Kiss the Girl - Samuel E. Wright - The Little Mermaid

Kiwi - Harry Styles

La Bella Y La Bestia - Romeo Santos

Last Kiss - Taylor Swift

Let Me - Zayn

Let Me Love You - DJ Snake, Justin Bieber

Let Me Love You - Mario

Lights Up - Harry Styles

Like I’m Gonna Lose You - Meghan Trainor, John Legend

LIKE I WOULD - Zayn

Listen To Your Heart - DHT, Edmee

Little of Your Time - Maroon 5

Little Things - One Direction

Love While We’re Young - One Direction

Llevame Contigo - Romeo Santos

Love Me Harder - Ariana Grande, The Weekend

Love More - Chris Brown, Nicki Minaj

Love On the Brain - Rihanna

Love On Top - Beyoncé

Love Song - Sara Bareilles

Love Story - Taylor Swift

Love The Way You Lie - Eminem, Rihanna

Love You Goodbye - One Direction

Love You Like A Love Song - Selena Gomez

Lucky Strike - Maroon 5

Mad - Ne-Yo

Makes Me Wonder - Maroon 5

make up - Ariana Grande

Mercy - Shawn Mendes

Midnight Memories - One Direction

Mine - Taylor Swift

Mine - Beyoncé, Drake

Misery - Maroon 5

Miss Independent - Ne-Yo

Miss You - Louis Tomlinson

Moments - One Direction

Mr. Brightside - The Killers

My Boo - Usher, Alicia Keys

My Favorite Part - Mac Miller & Ariana Grande

My Happy Ending - Avril Lavigne

Nice To Meet Ya - Niall Horan

Needed Me - Rihanna

Need You Now - Glee Cast

Neighbors Know My Name - Trey Songz

New Rules - Dua Lipa

Next To You - Chris Brown, Justin Bieber

Night Changes - One Direction

No Air - Chris Brown, Jordin Sparks

No Control - One Direction

No One - Alicia Keys

Odio - Romeo Santos, Drake

OMG - Usher, will.i.am

Once in a Lifetime - One Direction

One Dance - Drake, Wizkid, Kyla

One More Night - Maroon 5

One Thing - One Direction

One Thing Right - Marshmello, Kane Brown

Only Angel - Harry Styles

Only Girl - Rihanna

On The Loose - Niall Horan

Ordinary People - John Legend

Paralyzer - Finger Eleven

Partition - Beyoncé

Payphone - Maroon 5

Perfect - One Direction

Perfect - Ed Sheeran

Photograph - Ed Sheeran

Picture to Burn - Taylor Swift

PILLOWTALK - Zayn

Pills N Potions - Nicki Minaj

Please Don’t Go - Mike Posner

Polaroid - Liam Payne, Jonas Blue, Lennon Stella

Pop Princess - The Click Five

Potential Breakup Song - Aly & AJ

Princesita - Aventura

Promiscuous - Nelly Furtado, Timbaland

Promise - Romeo Santos, Usher

Propuesta Indecente - Romeo Santos

Red - Taylor Swift

Reply - Iyaz

Right Here, Right Now - High School Musical 3

Right Now - Akon

Rocket - Beyoncé

Rock Me - One Direction

Rock Your Body - Justin Timberlake

Rolling in the Deep - Adele

Rude - MAGIC!

Rude Boy - Rihanna

Same Old Love - Selena Gomez

Say OK - Vanessa Hugdens

Senorita - Shawn Mendes, Camila Cabello

Set Fire to the Rain - Adele

Shake It - Metro Station

Shape of You - Ed Sheeran

She Looks So Perfect - 5 Seconds of Summer

She’s Kinda Hot - 5 Seconds of Summer

#total drama #duncney #duncney playlist #td courtney #total drama courtney #td duncan #total drama duncan

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caitlinforesta-blog · 5 years

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Biografia di Caitlin Foresta

Caitlin Foresta è un personaggio della soap opera statunitense Telenovela D'Amore, interpretata da Miranda Cosgrove dal 2019. Universo Telenovela D'Amore 1ª app. in 12 marzo 2019 Interpretata da Miranda Cosgrove Voce italiana Sesso Femmina Professione Stilista della Foresta Modella della Foresta Parenti Erik Foresta (padre) Erik Foresta Jr. (fratello da parte di padre, deceduto) Juliet Foresta (sorella da parte di padre) Brittany Foresta (sorella da parte di padre) Aurora Foresta (sorella da parte di padre) Mark Foresta (fratello da parte di padre) Errico Foresta (zio) Johny Foresta (zio) John Foresta (zio) Stefaliana Foresta (zia, acquisita, deceduta) Charlotte Foresta (cugina) Hope Foresta (cugina, deceduta) Hayley Foresta (cugina) Cooper Foresta (cugino) Jared Foresta (cugino) Janet Foresta (cugina) Gianni Foresta (cugino, adottivo) Thot Foresta (cugino) Anita Foresta (cugina,deceduta) Kristel Foresta (cugina) Felina Foresta (cugina) Josh Foresta (cugino) Milena Foresta (cugina) Jennifer Foresta (cugina) Eva Foresta (cugina) Haley Foresta (cugina) Gina Foresta (cugina) Thomas Foresta (pronipote) A.J Young (pronipote) Logan Foresta Jr. (pronipote) Dylan Chiummi (pronipote) Donna Chiummi (pronipote) Arianna Chiummi (procugina) Melania Young (procugina) Jonathan Foresta (cugino di II grado) Mirko Foresta (cugino adottivo di II grado, deceduto) Serena Foresta (cugina adottiva di II grado) Stefania Foresta (cugina adottiva di II grado) Claudia Foresta (cugina adottiva di II grado, deceduta) GJ Foresta (cugino di II grado) Alexandra Foresta (cugina di II grado, deceduta) Drew Foresta (cugino di II grado) Theo Foresta (cugino di II grado) Theresa Foresta (cugina di II grado) Donna Foresta (cugina di II grado deceduta) Caroline Chiummi (procugina) DJ (figlio di cugino) Ligin Foresta (figlio di cugina) Immagine=

Biografia del personaggio Caitlin Foresta è la figlia di Erik Foresta. Caitlin è la sorellastra di Erik Jr., Juliet, Brittany, Aurora e Mark. Le migliori amiche di Caitlin sono Jasmine Horton e Francesca Walter.

L’arrivo a Los Angeles e L'amore per Lucas Chiummi Caitlin Foresta arriva a Los Angeles per lavorare come stilista e modella alla Foresta. Caitlin fa amicizia con Jasmine Horton e poi con il medico Francesca Walter. Caitlin inizia a fare amicizia con Lucas Chiummi ed si innamora di lui.

#telenoveladamore #caitlinforesta

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theindustryng · 2 years

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Tems, Adaeze Onuigbo, Focalistic, Makhadzi, Major League Djs, Uncle Vinny, others nominated for the Nickelodeon’s Kids' Choice Awards 2022

Tems, Adaeze Onuigbo, Focalistic, Makhadzi, Major League Djs, Uncle Vinny, others nominated for the Nickelodeon’s Kids’ Choice Awards 2022

African superstars lead with nominations at the nickelodeon kids’ choice awards Miranda Cosgrove and Rob Gronkowski to co-host Nickelodeon’s kids’ choice awards 2022 African superstars from a variety of disciplines are set to be celebrated in this year’s Nickelodeon Kids’ Choice Awards 2022, with an exciting list of nominees unveiled by Nickelodeon Africa. Nominees in the Favourite African Star…

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#Adaeze #african superstars #Nickelodeon

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youressentialsblog · 3 years

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‘We Were Kind Of Ahead Of Our Time’ – CBS New York

(CBS Local)– What’s old is new again in the world of streaming and the reboot of the hit Nickelodeon series “iCarly” is streaming now on Paramount+. The series starring Miranda Cosgrove, Jerry Trainor and Nathan Kress has been one of the most watched on the new ViacomCBS streaming service and it has already been greenlit for a second season. CBS Local’s DJ Sixsmith recently chatted with Kress…

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#ahead #CBS #kind #time #York

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temkblr · 6 years

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ТЁМКЛИП 2018

Лучшая мужская роль

• Zayn - Entertainer • The 1975 - TOOTIMETOOTIMETOOTIME • Troye Sivan - Bloom • Мальбэк - Плакса • Хаски - Иуда

Лучшая женская роль

• Lady Gaga - Joanne (Where Do You Think You're Goin') • Таня Терёшина – Виски • Ёлка - Дом��й • Анна Седокова - ��антарам • Лера Яскевич - Давай не будем

Лучшая мужская роль второго плана

• Филипп Киркоров - Извинение за Ibiza • Miyagi - Charisma: Hustle • Эндшпиль - Charisma: Listen to Your Heart • Рем Дигга – Делай любовь • Ozuna - Taki Taki

Лучшая женская роль второго плана

• Noah Cyrus - My Way • Nicki Minaj - Friendship Song • Kehlani - Playinwitme • Chelsea Jade - Lost • NAO - Complicated

Лучшая мужская роль драма

• Pizza - Это хорошо • Мак Сима Мгла - Пламенем • Нигатив - Лавина • Mnogoznaal - Минус 40 • Miyagi - Captain

Лучшая женская роль драма

• Лолита - Раневская • Celine Dion - Ashes • Elvira T – Зараза • Lady Gaga - I'll Never Love Again • Наргиз - Нелюбовь

Лучшая мужская роль комедия

• Loqiemean — Быть дауном • Гурам Нармания - Это Россия, бро • Ленинград — Цой • Satyr - Егор Крид. Пародия #22 • Little Big - Слэмятся пацаны

Лучшая женская роль комедия

• Chelsea Jade - Laugh It Off • Ида Галич - Найти тебя • Azealia Banks - Anna Wintour • Iowa - Спецэффекты от Mark • Netta - Toy

Лучший бессловесный персонаж

• Александр Гудков - Слэмятся пацаны by Little Big, Руки Вверх • Andy Panda - Мультибрендовый by Скриптонит • Алена Михайлова – Compromise by Tesla Boy • Георгий Кудренко – Compromise by Tesla Boy • Miranda Cosgrove - Happier by Marshmello, Bastille

Лучшее камео, персонаж словесный

• Сюзанна - Плакса by Мальбэк • Вадим Галыгин - 8 Марта by Ленинград • Надежда Сысоева - Найти тебя by Ида Галич • Сергей Бурунов - Страшная Месть by Ленинград • Марина Федункив - К чёрту эту гордость by Руки Вверх

Лучший актерский ансамбль

• Хаски - Иуда • Джарахов – Пьём • Дима Билан, Polina - Пьяная любовь • Филипп Киркоров - Цвет настроения синий • Ида Галич - Найти тебя

Лучший новичок

• Calum Scott • Мак Сима Мгла • Matrang • Chelsea Jade • Лиза Громова

Лучший артист

• Элджей [Минимал, Suzuki, Hey Guys, 360°, 1love] • Ariana Grande [no tears left to cry, god is a woman, breathin, thank u next] • Ленинград [Не Париж, Жу-Жу, Страшная Месть, Цой, Чемпионы, Не хочу быть москвичом, Балалайка, Золото] • Elvira T [Мы самые, Зараза, Школьная] • Мальбэк [Плакса, Не твоя вина, Глаза, Стильный бит, Волнует меня, Вода, Я Рыдаю]

Лучший музыкальный фильм, альбомная антология

• Estelle - Lovers Rock. The Mike & Deen Story • Janelle Monae - Dirty Computer [Emotion Picture] • Tove Lo - Blue Lips (Short Film) • Miyagi & Эндшпиль - Charisma: Фильм • Hunter Hayes - Mini-Movie Pictures

Лучший режиссер года

• Семен Багиров (Плакса, Не твоя вина, Бумажные, Крот) • Макс Шишкин (Минимал, Медуза, Это хорошо, 360, Cartier) • Айсултан Сеитов (Afrika, Медина, Charisma: Фильм) • Илья Найшуллер (Жу-Жу, Цой) • Алина Пязок (Skibidi, Faradenza, Punks Not Dead, Пьём, No Rules, Пачка Сигарет, Холостяк)

Лучшая режиссерская работа

• Хаски - Иуда. Directed by Lado Kvataniya • Little Big - Skibidi. Directed by Alina Pasok, Iliya Prusikin • Ленинград - Цой. Directed by Ilya Naishuller • Tesla Boy - Compromise. Directed by Alexander Gorchilin • Pizza - Это Хорошо. Directed by Max Shishkin

Лучшая комедия

• Ида Галич - Найти тебя • Джарахов – Пьём • Ленинград — Цой • Ленинград - Страшная Месть • Little Big, Руки Вверх - Слэмятся Пацаны

Лучшая драма

• Cream Soda - Уйди, но останься • Наргиз - Нелюбовь • Jah Khalib - Медина • Elvira T – Зараза • Marshmello, Bastille - Happier

Лучший клип года

• Ленинград - Цой • A'Studio - Тик-так • Tesla Boy - Compromise • Хаски - Иуда • Chelsea Jade - Laugh It Off

Лучший оригинальный сценарий

• Marshmello, Bastille - Happier • Ленинград - Цой • Ленинград - Страшная Месть • Вася Обломов - Жизнь налаживается • DJ Snake - Magenta Riddim

Лучший адаптированный сценарий

• Elvira T – Зараза • Jah Khalib - Медина • Монеточка - 90 • Джарахов – Пьём • Little Big, Руки Вверх - Слэмятся Пацаны

Лучшее женское видео

• Mylene Farmer, LP - N'oublie pas • Ёлка - Домой • Charli XCX - 5 In The Morning • Azealia Banks - Anna Wintour • Анна Седокова - Шантарам

Лучшее мужское видео

• Pizza - Это хорошо • Хаски - Иуда • Miyagi & Эндшпиль - Charisma: Hustle • Andy Panda - Charisma: Коконъ • Andy Panda - Брат передал

Лучшее поп видео

• Ани Лорак - Сумасшедшая • Джарахов – Пьём • Лера Яскевич - Давай не будем • Troye Sivan - My My My! • Zayn - Entertainer

Лучшее традиционное поп видео

• Avril Lavigne - Tell Me It's Over • Lady Gaga - I'll Never Love Again • Camila Cabello - Consequences (orchestra) • Celine Dion - Ashes • Kylie Minogue, Jack Savoretti - Music's Too Sad Without You

Лучшая баллада видео

• Miyagi & Эндшпиль - Charisma: Фея • Lady Gaga - I'll Never Love Again • Celine Dion - Ashes • Ольга Бузова - Принимай меня • Марьяна Ро - Помоги мне

Лучшее дэнс видео

• Mura Masa, NAO - Complicated • Маша Вебер - Фанта-Кола • Ольга Бузова - Wifi • Монеточка - Каждый раз • Azealia Banks - Anna Wintour

Лучшее электроника видео

• The 1975 - TOOTIMETOOTIMETOOTIME • Tesla Boy – Compromise • The Chemical Brothers - Free Yourself • Marshmello, Bastille - Happier • DJ Snake - Magenta Riddim

Лучшее диско, фанк видео

• Christine and The Queens - Girlfriend • Jake Miller - Rock With You • A'Studio - Тик-так • Ленинград — Цой • Cream Soda - Уйди, но останься

Лучшее регги, дэнсхолл видео

• Jukebox Trio - Сука любовь • Pizza - Это хорошо • Lizer - Пачка Сигарет • Miyagi & Эндшпиль - Charisma: Listen to Your Heart • Aya Nakamura - Copines

Лучшее тропикал видео

• Fifth Harmony - Don't Say You Love Me • Ёлка - Домой • Таня Терёшина – Виски • Lena - Thank You • Monmart - Бумажные

Лучшее рнб видео

• Елена Темникова - Не сдерживай меня • Pharaoh – Одним целым • Janelle Monae – Django Jane • Elle Varner - Loving U Blind • Анна Седокова - Шантарам

Лучшее реп видео

• Miyagi - Captain • Andy Panda - Charisma: Коконъ • Miyagi & Эндшпиль - Charisma: Hustle • Andy Panda - Брат передал • Хаски - Иуда

Лучшее инди видео

• Empress Of - When I'm With Him • Chelsea Jade – Laugh It Off • Лиза Громова – Дурачок • Мальбэк - Не твоя вина • Belle and Sebastian - Poor Boy

Лучшее рок видео

• Good Charlotte - Actual Pain • Jack White - Connected By Love • Snow Patrol - Don't Give In • Пошлая Молли - Типичная вечеринка с бассейном • Florence + The Machine - Hunger

Лучшее кантри видео

• Kylie Minogue - Dancing • Kacey Musgraves - Butterflies • Hunter Hayes - Dear God • Kane Brown - Lose It • Алёна Свиридова - Ранен

Лучшее латинское видео

• Alejandro Sanz - No Tengo Nada • Shakira - Nada • Sofi Tukker - Benadryl • Jennifer Lopez - El Anillo • Maluma - Marinero

Лучшее дневное видео

• Ёлка - Домой • Анжелика Варум - Ливни • Empress Of - When I'm With Him • Олег Майами - Ближе • Монеточка - 90

Лучшее ночное видео

• Chelsea Jade – Laugh It Off • Лера Яскевич - Давай Не Будем • Miyagi & Эндшпиль - Charisma: Hustle • Элджей - Suzuki • Елена Темникова - Не сдерживай меня

Лучшее зимнее видео

• Макс Корж - Горы по колено • Нигатив - Лавина • Mnogoznaal – Минус 40 • Эндшпиль - Charisma: Я хочу любить • Miyagi - Charisma: Вера

Лучшее летнее видео

• Ани Лорак - Сумасшедшая • Олег Майами - Ближе • Aya Nakamura - Copines • Джарахов – Пьём • Nicki Minaj, Ariana Grande – Bed

Лучшее спортивное видео

• L'One - Трёхочковый • Анита Цой - Победа • Семён Слепаков, Ленинград — Чемпионы • Ольга Бузова - Чемпион • Зена - Shine

Лучшее мокрое, водное видео

• Пошлая Молли - Типичная вечеринка с бассейном • A'Studio - Тик-так • Таисия Повалий - Ты в глаза мне посмотри • Matrang - Медуза • Nicki Minaj, Ariana Grande – Bed

Лучшее огненное, горящее видео

• Ленинград - Цой • Ленинград - Не Париж • DJ Snake - Magenta Riddim • Post Malone, Ty Dolla $ign - Psycho • Travis Scott - Stop Trying To Be God

Лучшее земельное, пыльное видео

• Ольга Бузова - Бери меня • Nicki Minaj - Ganja Burn • Звонкий & Ёлка & Рем Дигга – Делай любовь • Алёна Свиридова — Ранен • Kali Uchis, Tyler The Creator - After The Storm

Лучшее воздушное, летающее видео

• Дима Билан - Молния • Ленинград - Не Париж • DJ Snake - Magenta Riddim • Ёлка - Домой • Burito - Взлетай

Лучшее семейное видео

• Анжелика Варум - Ливни • Ленинград — Не Париж • Максим Фадеев - Новая Колыбельная • Dенис Клявер - Когда ты станешь большим. Мамы • Лолита - Судьба

Лучшее свадебное видео

• Tamia - Today I Do • Кузьма - Гремела Свадьба • Дима Билан, Polina - Пьяная любовь • Мот - Свадебная • Kesha - I Need a Woman to Love

Лучшее религиозное, церковное видео

• Travis Scott - Stop Trying To Be God • Little Big, Руки Вверх - Слэмятся Пацаны • Ariana Grande - god is a woman • Сергей Лазарев - Шепотом • Miyagi - Charisma: Вера

Лучшее городское, асфальтное видео

• Monmart - Бумажные • Miyagi & Эндшпиль - Charisma: Колизей • Моя Мишель - Хватит убегать • Мальбэк, Сюзанна - Стильный бит • Мальбэк - Плакса

Лучшее природное, пейзажное видео

• Miyagi & Эндшпиль - Charisma: Listen to Your Heart • Pizza - Это хорошо • Макс Корж - Горы по колено • Ёлка - Домой • Нигатив - Лавина

Лучшее готичное, пасмурное видео

• Lizer - Пачка Сигарет • Эндшпиль - Charisma: Я хочу любить • Мальбэк - Плакса • Pizza - Это хорошо • Каста - Стоп-игра

Лучшее разрушительное видео

• Ленинград – Не Париж • Ленинград – Золото • Iowa – Молчишь на меня • The Hatters – No Rules • Джарахов – Пьём

Лучшее технологичное видео

• The Chemical Brothers - Free Yourself • Iowa - Спецэффекты от Mark • Ленинград - Цой • Justin Timberlake - Filthy • LCD Soundsystem - oh baby

Лучшее медицинское видео

• Loqiemean - Быть Дауном • Matrang - Медуза • Эмма М - Солью • Eminem - Framed • Boulevard Depo, PowerPuff Luv - Кащенко

Лучшее молодежное видео

• Elvira T - Школьная • Джарахов – Пьём • Тима Белорусских - Мокрые кроссы Незабудка • Юлик - Каждый День • Marshmello, Bastille - Happier

Лучшее пожилое видео

• 5 Seconds Of Summer - Youngblood • LCD Soundsystem - oh baby • Little Big - Faradenza • Snow Patrol - Soon • Филипп Киркоров и Николай Басков - Ibiza

Лучшее патриотичное видео

• Анита Цой - Победа • Мак Сима Мгла - Беломазый • Mnogoznaal – Минус 40 • Miyagi & Эндшпиль - Charisma: Колизей • Хаски - Поэма о Родине

Лучшее ретро, трибьют прошлым десятилетиям

• Nicki Minaj - Ganja Burn • Chelsea Jade – Laugh It Off • Charli XCX, Troye Sivan - 1999 • Монеточка - 90 • Christine and The Queens - Girlfriend

Лучшее ЛГБТ видео

• Kesha - I Need a Woman to Love • Calum Scott - No Matter What • Анна Седокова - Ни слова о нем • Troye Sivan - Bloom • Френдзона — Бутылочка

Лучшее социальное видео

• Justin Timberlake - Supplies • Гурам Нармания - Это Россия, бро • Макс Корж - Горы по колено • Наргиз - Нелюбовь • Calum Scott - No Matter What

Лучший месседж в видео

• Burito - Взлетай • Ольга Бузова - Чемпион • Анита Цой - Победа • Григорий Лепс - Life Is Good • Настя Кудри - Я-Тяue

Лучшее звериное видео

• Marshmello, Bastille - Happier • Ariana Grande - breathin (first version) • Travis Scott - Stop Trying To Be God • Christine and the Queens - La Marcheuse (The walker) • Mnogoznaal – Минус 40

Лучшее фешн видео

• Iowa - Спецэффекты от Mark • Ольга Бузова - Принимай меня • Таня Терёшина – Виски • Betty Who - All Things • Troye Sivan - Bloom

Лучшее праздничное видео

• DJ Snake - Magenta Riddim • Анита Цой - Победа • Elvira T - Школьная • Николай Басков - С Днём рождения! • One Bit, Noah Cyrus - My Way

Лучшее малобюджетное, минималистичное видео

• Лолита - Раневская • The 1975 - TOOTIMETOOTIMETOOTIME • Thirty Seconds To Mars - Rescue Me • Tom Grennan - Run in the Rain • P!nk - Wild Hearts Can't Be Broken

Лучшая русификация интерпретация, полезный ремейк

• Звонкий, Ёлка, Рем Дигга – Делай любовь (Meet Me Halfway) • Элджей - Минимал (Rockstar) • Pharaoh – Одним целым (Starboy era) • Ольга Бузова - Wifi (Love Sex Magic) • Юлия Началова - Я выбираю (Get Outta My Way)

Лучшая киноадаптация

• Matrang - Медуза (Форма воды) • Pizza - Это Хорошо (Форрест Гамп, В диких условиях) • Loqiemean — Быть Дауном (Большой Лебовски) • Ariana Grande - thank u, next (Дрянные девчонки, Блондинка в законе) • Дима Билан, Polina - Пьяная любовь (Горько)

Лучший клип саундтрек видео

• Jukebox Trio - Сука любовь (OST Я худею) • Антон Беляев - Лететь (OST Лёд) • Celine Dion - Ashes (OST Deadpool 2) • Loboda - Лети (OST Гоголь: Вий) • Севак Ханагян - Пустота (OST Непрощённый)

Лучшая романтика в видео

• Мальбэк, Сюзанна – Волнует меня • Zayn - Entertainer • Алексей Воробьёв, Вика Дайнеко - С Новым Годом, мой ЛЧ • Cream Soda - Уйди, но останься • Jah Khalib - Медина

Лучший разрыв отношений в видео

• Полина Гагарина - Выше головы • Наргиз - Нелюбовь • Fifth Harmony - Don't Say You Love Me • Элджей - Минимал • Максим Фадеев, Molly - Рассыпая серебро

Лучшее мемориальное видео

• Валерий Сюткин — Время не проведёшь • Lady Gaga - Joanne (Where Do You Think You’re Goin’) • Mac Miller - Self Care • Xxxtentacion - Sad! • Xxxtentacion, Lil Pump, Maluma, Swae Lee - Arms Around You

Лучший эксплизит, R, нсфв

• Ic3peak - Сказка Fairytale • Элджей - Минимал • Logan Lynn - Nothing's Ever Wrong • Little Big - Punks Not Dead • Слава Кпсс - Грустные Танцы

Лучший экшн, постановка трюков

• Дима Билан - Молния • Ленинград - Не Париж • Ленинград - Золото • Jah Khalib - Медина • DJ Snake - Magenta Riddim

Лучшая хореография

• Ленинград - Цой • Christine and The Queens - Girlfriend • Little Big – Skibidi • Diplo, Mo - Get It Right • One Bit, Noah Cyrus - My Way

Лучшая реклама, продакт плейсмент

• L'One Vs. Plc - Rap Battle For Azeroth • Iowa - Спецэффекты от Mark • Satyr - Егор Крид. Пародия #22 • Satyr - Mc Хованский Дисс На Моргенштерна. Пародия #18 • Ленинград - Цой

Лучший вирусняк культурный феномен

• Little Big – Skibidi • Филипп Киркоров - Цвет настроения синий • Matrang - Медуза • Артур Пирожков - Чика • Childish Gambino - This Is America

Лучший анимационный клип

• Childish Gambino - Feels Like Summer • Father John Misty - Please Don't Die • Лолита, Ксения Прохорова - Раневская • Ленинград, Глюк'oZa, ST - Жу-Жу • Miyagi & Эндшпиль - Charisma: Фея

Лучшая документальная работа

• Miyagi & Эндшпиль - Charisma: Фильм • Рем Дигга, Miyagi - Бадаландабад • Tom Grennan - Found What I've Been Looking For (Summer 2018) • Benny Blanco, Halsey, Khalid – Eastside • Dенис Клявер — Когда ты станешь большим. Мамы

Лучшее концертное лайв видео

• DJ Khaled, Rihanna, Bryson Tiller - Wild Thoughts (Grammys 2018) • Sufjan Stevens - Mystery of Love (Oscars 2018 Performance) • Лолита - Раневская (VI Реальная Премия MusicBox 2018) • Loboda - Superstar (Премия МУЗ-ТВ 2018) • Елена Темникова – Мне нормально (LiveFest URBAN 2018)

Лучшее студийное лайв видео

• TumaniYO - Freedom (Live) • Pizza - Это хорошо (#LIVE Авторадио 29.11.2018) • Монеточка – Нет монет (Live On Air) • Dakooka - Минута (Official live video) • Наадя - Движение (Monoleak Guest 2018)

Лучшее акустик видео

• Mura Masa, NAO - Complicated (Acoustic Live) • Elvira T - Зараза Live (Acoustic Version) • Pizza - Это Хорошо (Акустика) • Влад Соколовский - Гораздо важней (Акустическая версия) • Лера Яскевич - Давай не будем (Acoustic version)

Лучшая пародия

• Филипп Киркоров, Николай Басков - Извинение за Ibiza • Saturday Night Live, Nicki Minaj - Friendship Song • Satyr - Mc Хованский Дисс На Моргенштерна. Пародия #18 • МС Хованский - Это Россия • Гурам Нармания - Это Россия, бро

Лучший кавер

• Akeem - I Got Love (Эндшпиль, Miyagi, Рем Дигга) • Вечерний Голубой Ургант: Мальбэк, Сюзанна – Солнышко (Demo) • Akeem - Медина (Jah Khalib) • Вечерний Голубой Ургант: Монеточка – На заре (Альянс) • Лера Яскевич - Вода (Matrang)

Лучшее лирик видео

• Selena Gomez - Back To You (Lyrics Video) • Луна - Заколдованные сны (Lyrics Video) • Troye Sivan - Bloom (Lyric Video) • Azealia Banks - Anna Wintour (Lyric Video) • Florida Georgia Line - People Are Different (Lyric Video)

Лучший тизер, трейлер

• Pizza - Это хорошо (teaser 2018) • Chelsea Jade - Laugh It Off (Teaser trailer) • Miyagi & Эндшпиль - Charisma (Official Trailer) • Монеточка - 90 (teaser) • Таисия Повалий - Ты в глаза мне посмотри (тизер)

Лучший Behind-the-Scenes

• Kylie Minogue - Dancing (Behind The Scenes) • Charli XCX & Troye Sivan - 1999 [Behind The Scenes] • Джарахов – Пьём (Backstage) • Монеточка - 90-е (Backstage) • Little Big – Skibidi (Как снимали клип)

Лучшее вертикальное видео

• Nicki Minaj - Chun-Li (Vertical Video) • Hunter Hayes - Dear God (Vertical Video) • Ariana Grande - No Tears Left To Cry (Vertical Video) • Camila Cabello - Consequences orchestra (Vertical Video) • Lykke Li - deep end (Official Video)

Лучшее видео с закадровой речью

• Paloma Faith - Warrior • Ashanti, Ty Dolla $ign - Say Less • Miyagi & Эндшпиль - Charisma: Фильм • Loboda - Superstar • Kesha - I Need a Woman to Love

Лучшая стилизация

• Example - Show Me How To Love • Vanotek, Eneli - Back To Me • Noah Cyrus, Gallant - Mad at You • Matrang - Вода • Tamia - Today I Do

Лучшие визуальные эффекты

• DJ Snake - Magenta Riddim • Justin Timberlake - Supplies • Miyagi & Эндшпиль - Charisma: Hustle • Ленинград - Цой • The Chemical Brothers - Free Yourself

Лучшая операторская работа

• Jah Khalib - Медина • Miyagi & Эндшпиль - Charisma: Фильм • Chelsea Jade – Laugh It Off • Хаски - Иуда • Pizza - Это хорошо

Лучшая работа колориста, цветокорректора

• Jake Miller - Think About Us • Jah Khalib - Медина • 5 Seconds Of Summer - Want You Back • Мак Сима Мгла - Жуть Котёл • Мальбэк - Плакса

Лучшая работа осветителя, гаффера

• Chelsea Jade – Laugh It Off • Ольга Бузова - Wifi • Troye Sivan - My My My! • Charli XCX - 5 In The Morning • 5 Seconds Of Summer - Want You Back

Лучшая работа художника по костюмам

• Charli XCX, Troye Sivan - 1999 • Troye Sivan - Bloom • A'Studio - Тик-так • Jah Khalib - Медина • Ленинград - Страшная Месть

Лучшая работа художника по гриму

• Iowa - Спецэффекты от Mark • L'One - Старая школа • Джарахов – Пьём • Troye Sivan - Bloom • Satyr - Егор Крид. Пародия #22

Лучшая работа художника-постановщика, арт дизайн

• Belle and Sebastian - Poor Boy • Troye Sivan - Bloom • A'Studio - Тик-так • Ariana Grande - no tears left to cry • Ariana Grande - god is a woman

Лучшие специально выстроенные декорации

• Nicki Minaj - Ganja Burn • Ленинград - Цой • Christine and The Queens - Girlfriend • Kali Uchis, Tyler The Creator - After The Storm • 5 Seconds Of Summer - Want You Back

Лучший монтаж

• Хаски - Иуда • Tesla Boy – Compromise • Chelsea Jade – Laugh It Off • Ленинград - Цой • Miyagi & Эндшпиль - Charisma: Hustle

Лучшее сведение звука

• Christine and The Queens - Girlfriend • Ленинград - Страшная Месть • Джарахов – Пьём • Элджей - Suzuki • Дима Билан - Молния

Лучший монтаж звука

• Ленинград — Не Париж • Лолита - Судьба • Jah Khalib - Медина • Хаски - Иуда • Ленинград — Цой

Признание поколения

Виктор Резников - Спасибо, родная

0 notes