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#do not add more white women to this post
nerdvi · 5 months
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In the wake of the whole james somerton fiasco and inspired by this post, I wanted to share a few of my um, soft signs, like, orange flags to detect when someone is bullshitting you.
First of all, I am on the spectrum which means 1) I tend to take what people say at face value and 2) I have a strong sense of justice which makes me prone to biases, all of which combined means I am at perpetual risk of swallowing the bullshit.
So, what to do about it? You turn on the critical thinking and pay attention.
As one of my favorite youtubers, Hannah Alonzo, likes to say: "consider the source, remember the motive". Who is talking to you?? What do you know about them?? What biases might they have?? How do they interact with your own biases?? Where are they talking from?? Is it anger?? happinness? boredom?? Also, why are they talking to you? Are they trying to sell you something?? Are they trying to convince you and why?? How do they go about the finantial motivation, if present? If you have, in this case, a white cis gay man talking to you as it he has it the worst of the worst in the world, there's probably some exaggeration and you should start to wonder. There's a good chance he's bullshitting you.
How they talk about women and POC No, no, stay with me. There's a rule I had back when I was dating men: Always beware of how they treat their mother. With the exception of extremes like mama's boys and cases of abuse, how a man treats the woman with whom they have that familial bond is a good indicator of how they are going to treat you. Do they berate her? speak ill of her? are aggressive or controlling? do they dismiss her opinions? Same with creators, and by god I tell you, specially cis male creators, queer or otherwise, always always beware of how they speak of women, how they treat women, how they treat POC. Somerton had a weird vendetta against straight women. It went mostly unnoticed. Then, he was dismissive towards lesbians and other queer women and it was once again overlooked. Then he went ahead and made sinophobic content about genres and cultures he knows NOTHING about. Again, it went unchecked. What I am telling you is IT'S NOT NORMAL. Contempt about women and non white-western cultures is not normal and if someone has them as them as an enemy or a scapegoat, they're probably bullshitting you. Take what they say and fact check it, see for yourself.
If at any point in a video or an essay you find yourself thinking "wait, really??" then it's time to fact check. Is it a bit suspicious?? is your logic telling you that's not quite how this works?? Then take to google, my friend, they might be bullshitting you. At worst, you dodge a fake fact, at best, you learn way too much about a topic you were already interested in.
Beware of the lack of nuance. I can not stress this enough. We all love monochrome, but life and societal issues are never black and white. It's just impossible, there's too many factors to consider. If you are being presented situations or anecdotes as absolute truths, you're probably being bullshitted. If it's too good to be true, it is. If it sounds waaay too convenient, it probably is. A good researcher, a serious investigator, will always have some nuance because they have done the work and checked the sources. If someone provides you 1) no nuance and 2) no sources, THEY'RE BULLSHITTING YOU.
These are the ones I can come up with just of the top of my head, I'm sure there's more and please, add them. Remember that naivité isn't a crime, I'm fairly naive and that's made me distrustful, and these are some of the techniques I've found that help me navigate through a world of information without losing myself.
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spenceobsessed · 2 months
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post prison!spencer reid x fem!reader
genre: enemies to lovers, smut with a plot
summary: spencer can't help but despise his "replacement", especially during an undercover mission in a nightclub.
MDNI 18+
“this is insane.” penelope garcia mutters on the other end of the phone call. “there’s no way jeffery was able to absolutely take himself off the internet.” she huffs, the keyboard clicking in the background. “i’m gonna keep working. i’ll be back in a jiffy, i swear!” she says sweetly before hanging up.
the unsub, jeffery hogan had abducted then murdered four young women in los angeles california. the team had been in la for three days now, and jeffery had already killed two more women before they could stop him. all of them were getting antsy and a little angry.
you sigh, leaning back in your chair as the rest of the team begins talking amongst themselves, minus spencer, who had been staring at a map for twenty minutes.
“reid.” you say, catching his attention. he doesn’t look up, but you can tell that your voice startled him slightly.
“hmm?” he says, annoyance lacing his tone. you roll your eyes. he had been an absolute dick to you since day one. the whole team had described him as a saint, yet, you couldn’t see it. yes, he was attractive, but that didn’t distract from how hateful he was towards you. plus, you had been nothing but nice to him when you first met him, doing nothing to get on his bad side.
“did you make a connection between the locations?” you ask curtly. he huffs. “i don’t see you doing anything helpful.” he snaps, finally looking up from his map to glare at you.
“spence,” jj begins, joining the conversation unknowingly. “any connections?” he smiles and turns to face her, like you hadn’t just asked the same question.
“the one common location that overlaps with all the crime scenes and significant places in jeffery’s life is the ‘night owl’, a local night club.” reid says, smirking at you when he finishes his sentence like a teenager. you scoff.
emily gives them a look that says “act professional please”.
“we have no idea what he looks like, we only know bits and pieces of his life that garcia could dig up, how are we going to catch him?” matt asks, leaning against a wall with his arms crossed, a coffee in hand.
“i could go undercover,” you begin with a shrug. “most of the girls he abducted have been around my age and have my same features.” emily nods in agreement.
“one issue.” rossi says. “the unsub has always abducted women on dates.” you nod. that’s true.
“i could go with you.” matt says, standing up straight and taking a sip of his coffee. you open your mouth to thank him but emily cuts you off.
“no offense simmons, but what if we sent in reid instead? he closer matches y/n’s age and resembles the victims boyfriends more closely.”
spencer opens his mouth to protest but tara cuts him off with a smile. “great idea, you guys should leave in an hour or so, you better start getting ready.”
you watch as reid fights the urge to say something rude, but is quickly whisked away by emily.
jj helps you get ready in another conference room of the precinct, dressing you like the average clubber.
your outfit is a small, tight, red mini dress, with matching heels and accessories. you had to admit, you looked good. you found yourself wondering what they had put reid in and whether he would find you attractive in this tight dress.
“you look amazing.” a voice breaks you out of your trance as you’re putting in an ear piece. you smile, turning to face emily.
“thank you.” you say softly, using your hands to smooth out your dress. “i think i’m ready.” you add, slightly nervous. emily reassures you that you will do great and asks you to follow her outside.
that’s where you’re met with spencer reid. he looks unfortunately handsome, hot even, wearing the most casual “spencer outfit” you have ever seen: corduroy pants, converse, and a white button down. the white button down was sheer linen (very beachy) and allowed you to barely see his chest. you quickly remind yourself that he is in fact a dick, hoping that will somehow make him less attractive.
you watch as his eyes wander your body. emily seems to notice and clears her throat.
“you guys gotta get going.” she breathes out a smirk on her face.
reid walks over to the side of the car. you smile slightly as he opens the door, your smile fading as he slides in alone slamming the door behind him.
“petty bitch.” you mutter. your heels angrily clicking against the asphalt as you walk to the other side of the suv, ripping open the door and sliding in with your arms crossed. you slam the door behind yourself, eyes glaring into the side of reid’s face.
“look,” you begin, your tone angry. “if this is going to work you need to at least try to pretend not to be a fucking asshole.” he scoffs, turning to face you.
“watch your tone.” he says lowly, his voice sending a shiver down your spine. your arms are still crossed and you watch as spencer’s eyes go from your face to your tits, then back up again.
you remind yourself that indeed, he's just a man. he may be a genius but behind that, he’s simply just a man with needs. you were going to make tonight hell for him.
you smirk, eyes glaring into his. “do your fucking job and i just might comply, doctor.”
he turns his head away from you, staring out the window, a new type of tension in the air.
“can you guys hear me?” jj says through you ear pieces. “yeah.” reid says, you can hear how angry he is, just through one word.
the team gives you both a rundown and reminds you both of your parts.
“…remember you’re a couple!” garcia reminds you. the team agrees loudly on the line. “yeah,” alvez says. “pretend to like each other for one night.”
“we’ll try, alvez.” you reply as the suv pulls up in front of the busy nightclub.
you look over at reid. “open my damn door and look like you fucking mean it.” you say through gritted teeth. he doesn’t respond as he steps out of the car, shutting his door quietly and makes his way over to your side of the car. he opens your door with a fake smile on his face, putting out his hand for you to grab. you get out of the car, leaning in to whisper in his ear.
“grab my waist.” you demand. he huffs under his breath, reaching his large hand to rest on your waist. he leans in to whisper back. “you will not dictate this night. i have over ten more years of experience than you, on this team. you do not get to boss me around, y/l/n.” he says through gritted teeth, pulling away from your ear with a fake smile on his face. you don’t have time to respond as he says; “let’s go, baby.”
the nickname hits you like a brick, especially the way it comes out of his mouth so effortlessly. in an attempt to control your composure, you smile and lean against him as he rubs his hand lovingly across your waist.
you both enter the night club, the mix of bright lights and darkness temporarily blinds you as you grip onto spencer for support.
“don’t respond, but we see you’ve made it inside. go grab a drink from the bar then hit the dance floor.” emily orders. spencer nods, leading you towards the busy bar.
as you approach the bar, the bartender asks what you both want. “i’ll have a club soda with lime.” spencer says, turning his head to look down at you. “what do you want, baby?” he asks, rubbing circles on your waist softly. you smile back up at him pretending like you don’t want to kill him and subtly dig your ass into his crotch. he sucks in a breath.
“i’ll have a vodka soda.” you say with a sweet smile on your face. the bartender nods going to make the drinks.
you look back at spencer, his jaw clenched and his breathing heavy. you set your phone down on the bar and “accidentally” knock it off of the counter.
“oops!” you say dryly, bending down to pick it up, your ass now rubbing against his crotch. you subtly feel something twitch in his pants.
“y/n.” he warns you. you nod innocently. “hmm?” you hum. he moves his hand from your waist. you look back at him to silently scold him, but he quickly uses both hands to push you away from his crotch. he slides his hands down your waist, to your ass, then pulls down your dress in one quick motion. a man standing to his left begins complaining loudly about how he can no longer see your "fattie". you almost thank him, then remember that its fucking spencer you're dealing with.
he doesn’t say anything and simply hands you your drink, leading you away from the bar and the creepy men, to a nearby table.
you bite your lip to hold back hateful words that dare to spill out. you stand in silence, spencer sipping his drink while you chug yours.
"you look miserable." emily says in your ears. "do something." she adds.
"wanna dance, pretty boy?" you ask him, the nickname falling from your mouth accidentally. you pretend like it was on purpose as spencer looks up from his drink, slightly stuttering over his response.
"y-yeah, yeah." he repeats, regaining his composure. he grabs your hand and leads you towards the crowd of sweaty people dancing, only looking back once to make sure you were still there
spencer scans the crowd as he pulls you into his chest harshly.
"i'm not just some doll you can throw around, reid." you yell over the music, sick of his bullshit. he looks you in the eyes and shrugs.
as the song changes, couples around you begin to make out.
"kiss me, reid." you say, realizing the awkward dancing in a crowd of horny couples would defer the unsub's attention. spencer doesn't seem to hear you. "reid." you repeat, his eyes still scanning the room. "spencer." you say, the first time you've ever said his first name to him. this catches his attention. his gaze finally falls to you, his frame towering over yours as you wrap your arms around his neck.
"i need you to kiss me, spencer."
the usually dick-ish man makes no cocky response. instead, he simply tips his head down capturing your lips in a kiss. the kiss is awkward at first, but quickly turns heated as you press your body against his. his hands, which were loosely on your waist move downward, rubbing circles on your ass and somehow moving you closer to him.
you run your hands through his hair, feeling him moan softly into your mouth. his sweet noises immediately go straight to your now-wet-core. you break the kiss for a second, to catch your breath, your faces still inches apart.
spencer's pupils are blown, his hair is messy, and his lips slightly swollen, tinted red from your lipstick. fuck, you want to devour him.
spencer quickly resumes the kiss, this time you don't have to ask. you easily feel how hard he is already, with his cock pressed against your leg.
you groan softly as you push your tongue into his mouth, eliciting more sweet noises from the handsome man.
"nice job guys, we have a suspect at 3 o'clock." emily says into our ears, reminding us that we aren't alone.
“let’s go somewhere more secluded.” spencer whispers, his breath hot on your cheek. he wants to lure the unsub out. you nod, waiting for him to move. instead his hands are still on your ass, his eyes on you, like he’s taking a mental picture.
“pretty boy.” you say almost inaudibly. “let’s go.” he spins you around so you’re in front now, able to maneuver your way out of the crowd. one of his hands rests on the small of your back protectively as you head towards the back corner of the club, a stark contrast to the way he was treating you less than 10 minutes ago.
“the hypothetical unsub’s eyes are still on you guys but he hasn’t moved, we can’t seem to see his face on camera. you need to get him to move closer.” jj announces in your ears.
“she’s telling us to kiss again.” you whisper. he nods, placing his large hand on your cheek and swiping his thumb across your lips. you wrap your arms around his neck, leaning into kiss him. he picks you up slightly, just enough to allow you to sit on him as he takes a seat on a random couch.
as he moves from kissing your lips to your jaw and neck, you instinctively begin rocking your hips against his, feeling how hard he is under you.
he groans softly against your neck, his kisses becoming sloppier.
“y/n.” his tone desperate, the use of your first name alarming. “if you keep going i might not be able to maintain professionalism.”
you bite your lip excitedly. “do you want me to stop then, spencer?” his eyes stare into yours, his hands on your hips.
“no.” he breathes out, pulling you closer to him and kissing you again. he moves his hands upwards as his lips move downwards, slowly leaving kisses and rubbing your now-visible nipples through the thin fabric for your dress. you suck in a breath at the new sensation, your head thrown back in ecstasy.
“the unsub moved into the light, it’s jeffery. sending alvez and rossi in now to apprehend him. you guys can stand down, nice work.” emily says, startling them slightly. you pull away from spencer, your underwear undeniably wet and your cunt begging for attention. you awkwardly remove yourself from his lap, sitting next to him on the sofa, noticing that in fact he was hard, an outline of his dick highlighted in the odd club lighting. he squirms in his seat slightly, obviously trying to readjust.
“y/n,” he says, noticing your eyes on him. you hum in response, your eyes moving from his cock to his face. “bathroom.” he says simply.
he doesn’t give you an opportunity to respond, simply getting up and leaving the room. you wait for a few seconds, processing his words and attempting to wrap your head around the fact that an hour ago you hated this man and now you were dying for him to fuck you.
a few minutes pass and you make your way to the bathroom where you don’t even knock, you simply walk in. spencer is there waiting. immediately as you enter the bathroom, he locks it, then attached his lips to yours. you moan softly into the kiss, jumping up to wrap your legs around his waist. he, however, seems to as other plans as he sets you down on the sink and lowers himself between your legs.
he leaves soft kisses up your thighs, your legs now thrown over his shoulders. “spencer,” you beg, his lips dangerously close to your cunt. “please.”
he smiles as you beg, hooking his finger on your underwear and pulling them down your legs roughly. he lowers his head farther in between your legs, licking a slow stripe down your cunt, causing you to squeeze your legs around his head and moan.
hearing your reaction, spencer moans softly against your pussy, the vibrations making you gasp.
unfortunately the club music had been turned off and if anyone were to walk by, they would probably hear you making sounds. you cover your mouth with your hand to make sure you guys don’t get caught.
he moves his tongue farther into you, the sound of his mouth on your soaking wet cunt making lewd sounds that fill the small bathroom.
you moan into your hand, bucking your hips against his face.
he pulls his mouth away from you and without skipping a beat he inserts one of his large fingers into you, grinding his crotch against the edge of the sink to get himself off.
you open your mouth to tease him but he interrupts you by adding another finger into your pussy. you can’t help but moan loudly, feeling your walls clench around his fingers.
“so good for me.” he says breathlessly, his fingers’ pace rough inside you and his hips fast against the sink counter.
���spencer,” you say in between ragged breaths. “i’m so close!” he smiles at your words, removing his fingers from your pussy with a pop.
you groan softly, hating the feeling of emptiness.
“spencer.” you warn, sitting up to get a good look at him. he has a look in his eye, a smirk on his face.
“what’s up?” he says nonchalantly, licking you off his lips and his fingers. you ask yourself how he can be so calm when he was literally just finger fucking you and eating you out. his cock is still dangerously hard, a spot of pre-cum on his cute little pants. you catch yourself imagining how big he is.
“fine.” you huff, seeing how he didn’t seem like he wanted you to finish. you insert your own fingers into your swollen cunt, pumping them inside yourself like spencer had been only a minute ago.
you over exaggerate your moans watching as spencer begins to rub himself through his now tight pants.
“i’m not going to beg you, pretty boy, but i need your cock inside of me right now.” he smirks at your words, making his way back over to you, hands moving to your face, kissing you passionately.
“i’m pretty sure that was begging, y/n.” he says as he pulls away from the kiss, beginning to unbutton his pants.
however, loud knocks interrupt him. "spencer?? are you in there??" emily's familiar voice, fills the room.
"uh, yeah! i'll be out in a second!" he says, beginning to re-button his pants, his cock still visibly hard. emily says something inaudible from the other side of the door then walks away. you lean forward on the sink counter, resting your head on spencer's shoulder, his arms wrapping around you.
after a second of peace, you hop of the counter in an attempt to fix your appearance, sliding back on your awkwardly soaked underwear.
"can we please finish this later?" spencer speaks up, catching you off guard. you smile, your brain still processing the fact that an hour ago you wanted to kill this man.
"yes, please."
part 2 :)
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mahtharula · 10 months
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✧・゚— nailtech!connie headcanons
starring: nail tech!connie x black!fem!reader wc: 627 cw: purely fluff 🫶🏾
nailtech!connie was the tech all of the girls wanted to book with. yeah, he knew how to get your hands right, but everyone wanted to book simply to get a closer look of the man. from his dyed buzz cut head that always had a different design every time you came into the shop, to his tall, to the tattoos that decorated his arms and hands perfectly and his eyes. oh his hazel eyes is what gets them.. but most importantly, his nails! 
nailtech!connie is both a great listener and conversationalist! Honestly, he should add being a therapist to his qualifications because the amount of advice he has given his clients is insane. most of the time, they complain about their man and his line is, “you too pretty to be dealing with that.” (which have the girls swooning out of their minds).
nailtech!connie who definitely plays music during his appointments. of course, he caters to his clients preference of music and rocks from there, but baby if you give him the aux you will be far from disappointed. his music is so diverse, it ranges from partynextdoor to bossa nova, depending on his mood. his main goal is to make the client comfortable, so when booking with him he has a section where he asks if you want a talkative or silent session.
nailtech!connie who learned to do nails after watching his aunt  do it for some time. at first, he only learned to expand his creativity as an artist since he dabbled in many mediums, but once he got the hang of it he was hooked. as he continued  perfecting the craft  and posting his work, two  years and a half later he had enough money to rent out a studio and widen his client intake.
nailtech!connie because of the overwhelming number of clients who began booking with him since the opening, trying to squeeze in new clients was a tricky task. most times, connie would be booked for weeks making it hard to even get a taste of his talent on your nails. so when his homegirl was begging for him to do her best friend's nails, all he had to say was that she was lucky one of his regulars canceled. 
nailtech!connie was absolutely floored when you walked into his studio. of course, he catered to many women due to his career, but something about you just had him stuck. from your smooth, dark skin to your locs that ended at the middle of your back, your plump lips that revealed a pearly white, gem decorated smile. you were like a dream personified. As you were explaining your vision for your nails to connie, he was trying his very best to focus but your scent of shea butter and florals was distracting him, “you paying attention, con?” “huh? yeah, yeah, i am!”
nailtech!connie trying to learn everything about you. from your favorite foods to what you do as a career, all of it. when he found out you were a rapper, he only wanted to go harder pulling out some exclusive charms he was saving. something he did love was how despite giving him an idea of what you wanted, you basically gave him freedom to present your idea into his vision, which he absolutely loved.
nailtech!connie who kept refusing to take the full payment and insisted on giving you a discount (because he can). after a few times, you finally convinced him to take the payment, but asked if you could become a regular because his work was so good. it only took a flutter of your lashed extensions for the man to fold,  but he only had one rule: don’t cheat on him.
✧・゚— author’s note • hey y’all!! i hope this was good, i’m super proud of it but please give me feedback 🙏🏾. do y’all want more nailtech!connie? do ya’ll want more connie & y/n 😗? let me know and i appreciate y’all, until next time 🖤
tags : @yourrfavzxri , @theemrsjaeger , @hqkalon , @1h3artm3
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stromblessed · 5 months
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Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
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Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
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I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
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When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
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By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
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(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
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Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
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No wonder Mizu gets mad after this, lol
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So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
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But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
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I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
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Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
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Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
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After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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brujahinaskirt · 9 months
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Okay, I obviously made the above post as a leetle joke, but since it's getting not insignificant traction, I do want to offer a more serious note.
I love this about Arthur. It's probably my favorite thing about him, but let me use this fresh new RDR2 meta post to clarify exactly what I mean. Despite the aspects of his personality & appearance that are traditionally hypermasculine, and despite how often he is annoyed with people (especially incompetents or people who meddle with his plans), Arthur is decidedly NOT annoyed by the social performance of femininity or by traits that are/were frequently stereotyped as feminine. Ever. Regardless of subject. I might go so far as to say he seems to canonically prefer hanging out with women and with "feminine" men.
Your long-winded, bullet-pointed analysis is below!
The Girls. Most noticeably, Arthur actually sits down to talk with and actively confides in the camp Girls (Tilly, Mary-Beth, Karen) more than anyone else around. These three are the most traditionally "girly" (single, 20s, active, pretty, unattached, highly social, feminine, chatty) members of the gang, though of course they are still criminals and don't perfectly adhere to all period-typical standards of feminine comportment. He doesn't mock the girls** like he sometimes does with other auxiliary members of the gang (like Uncle and Pearson, playful or not). Notably, he doesn't even gently tease Mary-Beth for writing her "silly" romance novels, a highly feminized hobby which she speaks about in a self-depreciating manner, much like Arthur speaks about his own artistic hobbies. Rather, he talks to her about writing like a peer and encourages her to write more by going out of his way to get her a nice pen. Crucially, there is no canon romantic or sexual interest in any of the girls on Arthur's behalf. He just feels the most comfortable in their company and seems to value their advice/opinions on life the most. To me, this is much stronger proof than his forever-burning torch for the cultured & ladylike Mary, which is (or was once) rooted in romantic desire. ** Unless the player persists in Antagonizing them, and these lines (while sometimes shockingly cruel and offhandedly sexual in nature; see Arthur teasing Tilly about pursuing Javier) are largely about goading them for laziness or, in Karen's case, her alcoholism. That said, many of the Antagonize lines strike me as clumsily tacked-on & poorly rooted in canon, which could indicate: (1) an Arthur who is deliberately trying to be disruptive (a generous interpretation), or (2) writers instructed to add throwaway content that will make a certain type of childishly misanthropic gamer (think 13 y.o. boys) squeal in glee with relatively low impact on the overall story.
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Campmates. Following the above point... who doesn't Arthur hang out with much? The manly men of the gang; the very people social mores suggest he ought to be hanging out with. Bill, Micah, Joe, Cleet, and even Dutch. (To some extent, this includes John and Sean, but I'd say John sort of lives at the edges of gang life anyway, and Sean is, well, Sean.) Conversely, which male gang members does Arthur hang out with a lot? Sweet little bookish Lenny, a wordy, positive-energy, breezy intellectual who has just barely become an adult. Introspective, soft-voiced, long-haired Charles, who is traditionally masculine by some standards (strong, usually calm, can be standoffish) but decidedly NOT so when his appearance/demeanor is judged by the white Christian American male standards that began to dominate masculinity concepts in the later decades of the 1800s.
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Algernon. Oh, my, Algernon. Arthur clearly dislikes Algernon's fancy, loud, outrageous clothing. But weirdly, he seems to like Algernon, not just tolerate him. Arthur in fact goes through significant personal discomfort to avoid hurting Algernon's feelings (the awful hat, the POST.MAN. sobbing), and he immediately says yes to having tea with him without any awareness of a coming business proposition, though half the time Arthur clearly has no fucking clue what Algernon is talking about. I am left to conclude that on some level, he just enjoys hearing Algernon talk, which is word-for-word what he says while listening to the Girls argue about romance novels ("I just like listening to you [all] talk." Hello????). I mean, for God's sake, he meets the man while he's choking to death on a nut at a fancy party, and the second thing Algernon does is tell him he looks like a guy who wears a corset. If anything was going to set off the boiling defensiveness of a dude who worships masculinity, thirty seconds with Algie would have done it.
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Margaret, Mistress of Fucking Danger. It's pretty clear Arthur doesn't like Margaret. But that has little to do with Margaret's femininity & cross-dressing (this doesn't faze him at all when Charles Châtenay does it; more on that below) and everything to do with Margaret's deceptiveness and highly selective memory. It's not until the bullshittery unveils itself that Arthur starts getting visibly pissed off at Margaret. Conversely, Arthur does seem more positively disposed toward Sally Nash. (That said, this quest has a lot of problems and poorly aged lines that are depressingly easy for a politically motivated jerkoff to soundbite and miscast as Rockstar being pro-bigot. Cue 800 heterobnoxious gamerbro ARTHUR MORGAN ULTIMATE ANTI SNOWFLAKE SIGMA MALE OF THE WEST YouTube videos.)
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Albert, my beloved. Rather than goading him to man up, Arthur tries to persuade Albert (whom he very obviously likes) to pick safer animal photography subjects, e.g. horses, and doesn't insult him for his lack of wilderness knowledge (an aspect of traditional manliness that is highly relevant to Arthur's lifestyle). You'd think he would tear into him for this shortcoming, given that they share so many of the same interests and passions, and IMO his genuine eagerness to serve as Albert's protector and facilitate his art is highly convincing evidence that Arthur does not necessarily view masculinity as a net positive.
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Arthur is a basic goddamn boyfriend-hater. He pretty much harshly disapproves of every husband, boyfriend, male partner, etc. in the game and is very, very vocal about it... except one extremely unlikely candidate: Beau Gray. Weak, dandy artist Beau Gray, whom Arthur takes one look at and promptly hands the only gun to Penelope. Arthur is curt and impish to Beau at times, but helps him in his relationship troubles willingly (without collecting repayment), and seemingly for no other reason than the fact he can see that soft, fearful Beau is genuinely head-over-heels in love with Penelope. Is he projecting his own young love for Mary onto them? Maybe/probably, but Beau could not possibly be more different from young Arthur, and Arthur seems to believe this difference will make him a good husband for Penelope. A good husband, in Arthur's view, seems to simply be a man who ardently loves his beloved, regardless of his ability to provide for/protect her, and whose only goal in life is to live that life at her side. This is completely antithetical to mainstream late-1800s views on what constitutes a good husband and what it means to be a man.
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Châtenay. Arthur shows us some of the most obvious delight and mirth he experiences in the game when he's hanging out with Charles "Allo Boys" Châtenay, who is straight up in drag a third of that time. This baffles Arthur a little, but doesn't disgust or repel him. I've written about this mission elsewhere at greater length because it is one of my favorite disasters, but it's worth mentioning here too.
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Trelawny. Arthur clearly enjoys Trelawny despite his grumbly claims to the contrary. Most of these "claims" are just Arthur's established way of affectionate teasing (he does much the same with Uncle and Pearson, both of whom he genuinely likes). His authentic gripes about Trelawny are all about a perceived flightiness/lack of loyalty to the gang, not about his flamboyance. And even these gripes are half-assed, in Arthur's usual way.
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Bluegills & Daisy Chains. One of the most genuine moments of softness we have with Arthur in RDR2 is when he takes Little Jack out of the camp to go fishing. Arthur's usually a much truer version of himself when he doesn't have to play the Big Bad Gang Lieutenant role, but this moment of escape is especially important, and not just because Arthur reveals his fondness for children and his natural understanding of how to talk to them. I notice this: Arthur tries to gently teach Jack about fishing, and Jack is completely fucking uninterested. Jack prefers to make flower chains for his mommy. Arthur doesn't scold him for his drifting attention or his lack of attraction to masculine past-times; on the contrary, Arthur goes out of his way to encourage and protect Jack's natural sweetness and innocence. That's a wild stance for a murdering outlaw to have re: the "next generation" of his family. Hell, I've encountered far too many 21st century dads in my own family who flip their shit when their tiny sons prefer hanging out with women & partaking in "womanly" hobbies like art, cooking, and flowers rather than hunting and fishing.
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"...and be a god damn man." This seems like classic masculine bluster on the surface, but what does this keynote line mean in the context in which Arthur says it? Well, it's complicated. This statement serves as (a) Arthur's goodbye to John, (b) Arthur's final call to action for John, and (c) Arthur's last wish for his brother's life. But it certainly does not mean standing and fighting or being tough; i.e., "dying like a man." In that moment, it means abandoning all masculine bluster and revenge fantasy, and running away: leaving violence and fighting and brotherhood and all that crap behind to simply be there (alive, present) for your wife and son.
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The Best Women People. Who are the best people Arthur knows, by his own crystal-clear declaration? Abigail and Sadie. Sadie's a rough-and-tumble, super-violent gunslinger and Abigail's a stubborn thief & a former sex worker (in the time Arthur has known her), but they are also, critically, two wives: the most traditional feminine role for a woman of the time period (and indeed perhaps most of human history once the concept of "wife" subsumed that of "mother"). It's also important to note that Arthur doesn't truly give up on Dutch until Dutch abandons Abigail, which serves as Arthur's point of no return. The other men left in the gang at this point specifically note that she's "just a woman" and not worth going back for. Arthur is straight-up shocked by all of this; he obviously considers her among the most worthwhile and value-having members of the gang, and certainly one of the most core members of the gang. Without any hesitation or doubt, the instant it's clear Dutch is cutting Abigail loose, Arthur declares: "That's that, then."
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tl;dr: Arthur unironically prefers hanging out with women and queens and I love that for them.
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oodlesofoddnoodles · 8 months
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why i believe mlm-centric media is more popular then any wlw-centric media
(DISCLAIMER!!! I am not in ANYWAY discrediting any of the media i use as an example, i personally enjoy almost all of the shows mentioned and am merely trying to prove a point, i am glad we are at a point in society with ANY LGBTQ+ representation and I hope we only further it from this point on)
okay, so i’ve been thinking about this for the past couple of days, some examples of what i mean are as follows
Media that features mlm relationships (Heartstopper, Young Royals, Red, White & Royal Blue), is almost always in a “realistic” scenario. (i’m not saying that YR and RWRB are realistic, however it is not set in a fantasy setting)
Media that features wlw relationships (First Kill, I Am Not Okay With This), are almost always in “fantasy” type settings.
Why do I believe there is a correlation? I think it’s because of the fetishization of LGBTQ relationships.
For example, Heartstopper.
While yes, it does have a lesbian couple as well, Tara and Darcy aren’t the main characters. I think the reason Heartstopper was such a success is because it is realistic, and straight cis women think its cute. i am in no way saying that straight-cis people can’t enjoy gay media, but it becomes alarming when their whole personality revolves around the fact they like gay couples. If you think “Oh, there aren’t people like that!” Yes there are.
Meanwhile, on the opposite end, straight cis men don’t want to watch wlw couples be cute and fall in love because “ew thats weird and gross.” so there isn’t as big of a fanbase, straight cis men aren’t the ones who make the fan-works, and even if the LGBTQ+ community does like a show, they need the most possible appeal and they won’t find that with cis straight men.
Plus, straight people don’t want to see their own gender being with each-other. The ratio of straight cis women obsessed with wlw relationships to SCW obsessed with mlm relationships is like one to ten, and we’ve already established that SCM aren’t involved in fandom as much as SCW.
another disclaimer because i can already feel people attacking me for this, this is not a call-out post, merely me stating things i’ve noticed, i don’t care what you do lol.
If you have any other points you’d like to add, let me know :)
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yandere-writer-momo · 10 months
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Rent-A-Girlfriend
Part 2: Hanayama Kaoru
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Yandere Baki Various x Afab Reader
Part 1
Part 3
…………………………………………..………………….
Kaoru was frustrated that his recent fling bailed on him for this important dinner with his peers. Kaoru could never keep a girlfriend for more than a month. Each one claimed he was too rough or too cold towards them.
Yet they all came to him for the same reason. For his money and to be in his bed. It’s not his fault none of them truly caught his interest. None of them were the type he would let stay by his side anyways. They were nothing more to him than bed warmers and limited eye candy.
But this dinner was important. He needed to keep up his status among the other yakuza and what better way to do that than to have a beautiful woman by his side?
Kaoru lit a cigar, inhaling the smoke deep into his lungs before exhaling. Women were too stressful.
“Maybe you should try a rental girlfriend for the night?” Kizaki piped up from the door way. Kaoru slowly turned his head around to glance at his right hand man. That wasn’t such a bad idea.
Kaoru pulled out his phone and uploaded the app. He made himself a simple account and didn’t even bother to add a profile picture. Kaoru was positive most women knew who he was. His fingers scrolling through each available ‘girlfriend.’ His fingers stopped once he came upon an exotic looking young woman. A foreigner? How delightful. She would surely impress his comrades.
Kaoru quickly requested a date with her, his eyes widening when he saw that he can send her instructions on how to behave at the date and there were options to send her clothes. A small smile on his face as he typed the requirements to be his company.
Kaoru was thrilled that a woman was finally down to comply to his demands…
.
.
.
Friday rolled around and (Your name) made her way to the post office first thing in the morning to get the dress her date had bought for her.
She loved that her job supplied her with a PO Box so her dates didn’t know her address. Plus they had a strict code of rules. The customers were not allowed to kiss or touch her inappropriately or they’d be banned. It was an incredibly progressive company.
(Your name) was impressed by the long black gift box her date supplied for her. It seems he was a man of money.
A white envelope caught her eye. She quickly opened it and read the neatly written note.
“𝑀𝑒𝑒𝓉 𝓂𝑒 𝑜𝓃 𝓍𝓍𝓍 𝓈𝓉𝓇𝑒𝑒𝓉 𝒶𝓉 𝟧𝓅𝓂. 𝒟𝑜 𝓃𝑜𝓉 𝒷𝑒 𝓁𝒶𝓉𝑒.”
What a lovely gentleman, she sarcastically thought. He seemed to be incredibly dominant and have high expectations.
(Your name) opened her phone and scrolled through the app. Kaoru didn’t want her to speak at all. She was strictly to be arm candy only and she was fine with that. She honestly preferred not speaking to a man like this.
She gathered her dress and made her way back home. (Your name) would be sure to follow all of his demands. Maybe she’d earn even more money if she played the part of a subservient woman to him?
.
.
.
(Your name) had to admit that Kaoru had amazing tastes in clothing. The dress hugged her figure and left her back completely exposed. The red silk made her feel like a neatly wrapped present.
She chose to do an elegant style of makeup and to make sure he hair fit the description of a high class woman. (Your name) needed to impress him and his peers. She would not disappoint him.
She arrived to the meeting spot at 4:50pm. Giving her a ten minute window before he was to arrive.
A black limousine pulled up beside her not even two minutes later. A tall muscular man in a black and red suit stepped out, his entire face covered in scars. His presence itself was incredibly intimidating, it didn’t take her long to figure he was someone who was dangerous.
“You’re even prettier in person.” Kaoru complimented her softly before holding out a hand for her to take so he could help her into the limousine. She gave him a small smile and a slight bow in thanks. She wasn’t sure if he had given her permission to speak.
(Your name) accepted his hand as she lifted up a bit of the skirt of her dress to get into the limousine. She could feel Kaoru’s eyes burning into her as she maintained an elegant composure around him. Was he waiting for her to slip up?
(Your name) sat in the limousine and adjusted her dress. She made sure not a single wrinkle could be seen.
Kaoru sat in front of her. He was impressed. (Your name) was certainly a high class lady with outstanding elegance. There wasn’t a wrinkle nor a single hair out of place on her. So far, she has exceeded his expectations of a date.
“So far you’ve exceeded my expectations.” Kaoru muttered as he held her small hand in his, rubbing his thumb over the soft skin on the back of her hand. She even had a charming French tip nail. Classic yet elegant. He really liked her.
The two of them arrive to the restaurant. Kaoru getting out of the limousine first to hold the door open for her. Kaoru extended his hand out for her to take to help her step out of the car. His dark eyes admiring her form. She was more than what he hoped for…
Kaoru basked in the attention of his peers who paused their conversations to admire the woman on his arm. Kaoru adored how the stares at him in envy… he’d book her again for sure just from this alone.
(Your name) didn’t utter a word. She held her head high and looked forward. Her arm wrapped around Kaoru’s forearm as he lead her to the head of the table. The scarred man pulling a chair out next to him for her to sit.
(Your name) obediently sat in the chair, her body facing his slightly as he sat down. Something about him screamed possessive so she’d be sure not to trigger that.
She stayed silent the entirety of the dinner, ignoring the glances of his peers. Kaoru smirked into his glass of sake. He adored her attention on him.
Kaoru held her hand to get the stares of his peers to stop. He needed to establish that she was his lady in front of the others and he wouldn’t stand for their ogling all night.
It felt like hours until the dinner ended. (Your name) didn’t speak to anyone nor did she acknowledge anyone other than Kaoru. Kaoru seemed thrilled about this fact.
The scarred man lead her back to his limousine and helped her back into the car in the same fashion as earlier. The door clicking shut behind him as he sat across from her. His dark eyes gazing into her very soul but she didn’t dare to speak.
“You did well tonight.” Kaoru complimented her before scooping her hand up in his to press a kiss to the back of it. “Better than I had thought… I may book you again.”
Kaoru chuckled when she smiled at him. His interest was piqued. She was asking him for permission to speak with just her eyes… what a marvelous woman. “You can speak. I haven’t heard your voice all night.”
“Thank you, sir.” Kaoru shivered a bit at the nickname, his hands tightly grasping the fabric of his pants when she bowed her head to him a bit. Perfect… she was perfect. “I just followed your orders, sir.”
Kaoru leaned forward and held her jaw in his hand, his obsidian eyes gazing deeply into hers.
“I will seek you out again.” Kaoru huskily whispered before releasing her. He leaned back in his seat and pulled out a cigar from his suit jacket. “Do you smoke?”
“I don’t, but thank you for the offer, sir.” (Your name) smiled politely at him, the scarred man humming in response.
“I appreciate your honesty.” Kaoru lit his cigar before blowing the smoke off to the side. “How much for a night with you?”
(Your name) paled a bit at the question before giving him a bow. “That is another thing I don’t do. It’s against my contract with my company, sir.”
This was the first time someone close to her in age asked for a night with her but she wasn’t interested in those sorts of activities. At least not with someone so dangerous looking. He was more than likely a gangster.
Kaoru sighed but he nodded in response. “Polite even when you decline me. I’ve never been rejected before. Do you even know who I am?”
(Your name) gave him another polite smile. “I hope you’re not offended that I do not know who you are, sir.”
Kaoru felt a surge of excitement course through him. This was the first woman he met that didn’t know who he was and wasn’t after his money nor his title… he decided there and now that was going to keep seeing her. She interested him.
“Not at all…” Kaoru almost told her how much it thrilled him but he didn’t want to scare her off. He never wanted to scare off a potential new play thing.
Kaoru’s driver dropped her off on the street he picked her up on. The man really wanted to take her to her house but she wouldn’t tell him her address… a shame. He’d spoil her if she told him.
As soon as (Your name) bowed to him and left the vehicle, Kaoru turned to the driver, Kizaki.
“I want all the information you can get on her.” Kaoru told Kizaki.
“Right away, sir.”
Kaoru put his thumb on his lip as he smirked to himself. He had to have her… he had to have the very best and he would have a night with (your full name)… one way or another.
(Your name) made her way into her house, her phone vibrating in her pocket. She opened up the light, pastel pink screen with a whistle.
𝐇𝐚𝐧𝐚𝐲𝐚𝐦𝐚 𝐊𝐚𝐨𝐫𝐮 𝐠𝐚𝐯𝐞 𝐲𝐨𝐮 𝟓𝐬𝐭𝐚𝐫𝐬 𝐚𝐧𝐝 𝐚 𝟏𝟎𝟎% 𝐭𝐢𝐩! 𝐖𝐚𝐲 𝐭𝐨 𝐠����!
𝐇𝐚𝐧𝐚𝐲𝐚𝐦𝐚 𝐊𝐚𝐨𝐫𝐮 𝐰𝐨𝐮𝐥𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐨𝐨𝐤 𝐲𝐨𝐮 𝐟𝐨𝐫 𝐧𝐞𝐱𝐭 𝐅𝐫𝐢𝐝𝐚𝐲 𝐧𝐢𝐠𝐡𝐭 𝐟𝐨𝐫 𝐚𝐧𝐨𝐭𝐡𝐞𝐫 𝐝𝐚𝐭𝐞!
𝐃𝐨 𝐲𝐨𝐮 𝐚𝐜𝐜𝐞𝐩𝐭?
𝐘𝐞𝐬 𝐨𝐫 𝐧𝐨?
“And he paid me twice the amount just for this night… I wonder who he is.” (Your name) thought for a minute before accepting the date. Her phone lighting up again with a new notification.
!! 𝐔𝐫𝐠𝐞𝐧𝐭 𝐫𝐞𝐪𝐮𝐞𝐬𝐭 !!
𝐎𝐫𝐨𝐜𝐡𝐢 𝐊𝐚𝐭𝐬𝐮𝐦𝐢 𝐢𝐬 𝐥𝐨𝐨𝐤𝐢𝐧𝐠 𝐟𝐨𝐫 𝐚 𝐟𝐚𝐦𝐢𝐥𝐲 𝐝𝐢𝐧𝐧𝐞𝐫 𝐝𝐚𝐭𝐞 𝐭𝐨𝐦𝐨𝐫𝐫𝐨𝐰 𝐚𝐟𝐭𝐞𝐫𝐧𝐨𝐨𝐧! 𝐏𝐚𝐲 𝐢𝐬 𝐭𝐫𝐢𝐩𝐥𝐞 𝐭𝐡𝐞 𝐫𝐞𝐠𝐮𝐥𝐚𝐫 𝐩𝐚𝐲 𝐫𝐚𝐭𝐞!
𝐃𝐨 𝐲𝐨𝐮 𝐚𝐜𝐜𝐞𝐩𝐭?
𝐘𝐞𝐬 𝐨𝐫 𝐧𝐨?
Oh! A family dinner? Someone must’ve lied about having a girlfriend…
(Your name) laughs before happily accepting the offer. She wasn’t going to let some other broad take her money opportunity. She skimmed over the details. Dang… this guy was in dire need for a girl to pretend to be his partner for an entire afternoon in front of his family.
“Your misfortune is my gain…” (your name) whispered as she started to slip out of the silk dress. It seems she’d have to play the part do being a sweet girl who absolutely adored her boyfriend…
Sometimes her job was a headache because she had to pretend to be so many different people. The pay was certainly worth it all though. She’d pretend to be anyone her clients wanted so long as they paid her for her valuable time.
(Your name) scrolled through Katsumi’s profile with a hum. He was a cutie. He seemed to be the typical ‘boy next door.’ He was active in the community so she was going to have to be careful in case anyone recognized her…
(Your name) took a glance at her reflection in the mirror. She was going to have to look soft and extremely feminine tomorrow… that seemed to be Katsumi’s type. The innocent doe character…
She sighed before going to her fridge and cracking open a beer. She just had a few more months of this contract with the company and then she could stop going on dates. It was exhausting pretending to be interested in all these men.
(Your name) took a sip of the beer with a smile. She wondered where she’d move next after all of this was over… maybe she’d go back to the States?
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hausofneptune · 4 months
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[the astrology of megan thee stallion] - "tryin' hard to find a flaw, but you still watchin'"
[astro notes no. 001]
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hey y'all! i'm finally getting around to doing some astro notes. in this post we'll be going through some signficant aspects/placements in megan's chart. i've noticed a lot of astro content on here centers for and around white cis women, and quite frankly i'm over it. if i see one more gif of megan fox, angelina jolie, or [insert random white woman here] i'm going to lose my damn mind. so here's some seasoning and flavor for the girls!
disclaimers | masterlist | ask
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– "body bangin', i ain't have to let the doctor cut me"
taurus ascendant (chart ruler: venus in capricorn)
being a taurus rising, megan’s appearance, and approach to life, may be very venusian in nature. those with prominent taurean energy in their chart are ruled by their senses and tend to be drawn to life's finest luxuries
these are definitely the type of people to indulge in fine dining, travel to exotic countries or big cities, drink the finest wine and champagne, wear high-end fashion etc., they may also prioritize self care and could be the types that keep up with their skincare, always smell good, and keep their hair and nails done at all times (this could also manifest in the opposite way as taurean energy can be “lazy” at times, but we know with meg that this isn’t the case)
physically, they can be on the curvier or more muscular side, and tend to have darker hair, eyes, and skin, i've also noticed taureans tend to have prominent noses and more round/softer features
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they prioritize their comfort and stability over everything, and enjoy being surrounded by people that make them feel safe and secure
their homes tend to be their sanctuaries, and they may want their surroundings to be comfy and “aesthetically pleasing” 
meg’s ascendant is also trine her venus (1°04’), which physically adds to her sultry sex appeal, and also gives her that regal, “vintage beauty” look
asc trine ven. can also influence one’s sociability and popularity, despite whatever insecurities they may have, people tend to be able to see the good in these natives, and recognize their humble, loving spirit, they typically make friends and fall in love very easily
on the other hand, asc. trine ven. can also make them a target for vitriol and biased demonization from others who feel “attacked” by their empowerment and strength
moon in leo / mars in leo in the 4H
this can ignite someone with a hot, fiery confidence, these natives typically have a creative outlet they’re passionate about that they can express this energy through, and feel comfortable being the center of attention and enjoy entertaining their friends and family
they can be oblivious at times, and act too quickly on emotions regardless on the impact it will have - it may be more important for them to “get something off their chest” instead of having tact or being strategic
they may be extremely competitive, and refuse to let obstacles to get in their way, they’re extremely determined and rarely do they accept defeat
they can be prone to stubbornness in some cases, and more often than not, can struggle with asking for help, they tend to feel as though they have to fight their battles alone and typically don’t expect others to advocate for them
similar to aries, they tend to wear their hearts on their sleeve when it comes to their feelings, a trait those around them can grow to appreciate and love them for over time
they're usually less likely to get married and instead prioritize their foundation first and foremost, they're extremely dedicated to the security of safety of the home and life they build for themselves
regardless, they’re extremely loyal and generous to their partners, and take great pride not only in their relationships, but in everything they pursue and put out into the world as well
ruler of the ascendant (venus) in the 9H
this can manifest as being called to expand one's horizons, both intellectually and culturally. megan’s identity and life path could potentially center around traveling, experiencing different cultures, and pursuing higher academic learning
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this aspect can explain megan's interests in completing college even after becoming famous, and pursuing philanthropic endeavors (i.e. the Pete & Thomas Foundation, badbitcheshavebaddaystoo.com, etc.)
there may also be a strong inclination towards religion or spirituality, and a natural understanding of certain philosophies and recognizing the role that they play within the their lives 
they can have a natural inclination towards being hopeful and optimistic, and may bode well as teachers, mentors, or motivational speakers
with venus’ influence, they may find the most peace and harmony in living abroad and hearing the lived experiences from people of different ethnicities and cultures
this is can also manifest as being attracted to people of foreign cultures, or feeling the most fulfilled in relationships with a partner that they can connect with on a cerebral level, and feel as though their love has a “higher purpose” to serve in their lives
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– “breaking down and i had the whole world watching, but the worst part is really who watched me? every night i cried, i almost died and nobody close tried to stop me”
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sun square pluto (3°58’) / moon square pluto (1°33’)
these aspects can be indicative of feeling like one always needs to be in control of every situation they’re in, and of those around them
at it's worst, this can manifest as stubbornness or manipulative behavior from the native. they may struggle with constantly feeling on edge, or operating on offense, as they’re inclined to believe everyone is out to get them
these are also aspects that can manifest in extreme cases as parental loss, as the sun represents the father and the moon represents the mother. in megan’s case, her father passed away when she was young, and her mother, Holly, passed away in 2019
moon square pluto can also be indicative of addiction and escapism in some cases, in the context of megan’s life, she found herself dependent on alcohol and partying for a period of time after her mother’s passing
rebirth is not only a constant for these natives, but a necessity, as these periods of metamorphosis, no matter how painful, show them the parts of themselves that they need to let go and evolve beyond. they may encounter death, both literally and metaphorically, more often than the average person, and typically benefit from prioritizing self care in their routines, as well as therapy and counseling
they have the opportunity to channel the intense energy of these aspects into their careers, and typically benefit greatly from doing so, as this grants them an extremely ambitious, competitive nature that sees them into positions of power and authority
– “i ain’t sayin’ i do voodoo but i got the magic, any time they go against me, shit gon’ end up tragic”
jupiter in the 8H
with this aspect, the native may find abundance in inheritance or financially benefit from working with business partners, and overall encounter a great amount of wealth granted to them by other people
this can also indicate someone with an “insatiable” sexual appetite, or a hyperactive libido
they may be drawn to exploring and expanding their understanding of the more “taboo” sides to life, or enjoy exploring the subconscious sides of both themselves and those around them, they would benefit from tapping into their own spirituality and practicing meditation
this can also imply longevity in regards to their life span, and in more extreme cases, can indicate being “saved” from near-death experiences, in the context of megan’s life, she was shot by a man who was belligerent drunk, and luckily only ended up with bullet fragments in her feet
descendant in scorpio / pluto in the 7H
with these placements, these natives may find themselves drawn to people who stimulate them on a subconscious level, and may crave a deeper, more spiritual connection with those around them
this can also manifest as attracting people into their lives that they encounter power struggles with, they may find themselves either behaving possessively or having people behave this way towards them
their relationships may be prone to trust issues and general toxicity (or abuse in extreme cases), they should be wary of partners (and friends) who exhibit controlling, jealous tendencies towards them, and should avoid partaking in this type of behavior themselves 
saturn in pisces in the 11H
while pisces can ease the restrictive nature of saturn, this can also manifest as a general lack of boundaries, and leads to a lifelong lesson of instilling their own boundaries and remaining cognizant and receptive to the boundaries and feelings of those around them
this can also indicate a compassionate, spiritual nature, and it may take time and effort to find practical ways to express their kindness in a way that is rewarding for both them and others
with saturn in pisces placed in the 11H, this can indicate challenges in relation to their inner circle and network. these natives could suffer from trust issues, and are typically desperate for a deep connection to others, all the while feeling isolated and misunderstood more often than not by the people they surround themselves with
we can see this manifest in megan’s life in terms of the company she’s kept over the years, we’ve seen her fall out with long-term friends and be betrayed in extremely traumatic ways, which is clearly indicative of this placement. she recently went through her saturn return, and it does seem like (from the outside looking in) she’s prioritizing her boundaries and recognizing that not everyone is her friend or has her best interest at heart, something that her mother desperately wanted her to understand before she passed away
on the bright side, saturn aspects become an area of expertise for those who eventually internalize the lesson that saturn is instilling in them, in the context of saturn in pisces, this can birth long-term, emotionally fulfilling friendships and relationships with those around them in the long run, these natives can become extremely loyal to their loved ones and eventually find friends that extend the same level of love and trust to them 
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as always if anyone has any of the aspects/placements i'd love to hear how it manifests in your own life and personality! feel free to reach out with any questions as well.
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offtorivendell · 3 months
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My thoughts on the Bryce, Azriel and Nesta HOFAS bonus chapter...
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Disclaimer: as suggested by the title, the following discusses the Walmart HOFAS bonus chapter featuring Azriel, Bryce and Nesta. I haven't read the main text, so it won't feature anything related to that, but there are massive Maasverse and HOFAS spoilers ahead regardless. Please beware.
These are just my initial thoughts, not expanded upon in any substantial way and, as usual, I could always be way off the mark.
Also, yes, fair warning that I'll be mentioning the ACOTAR characters a lot. If that's not your jam, and you'd rather avoid any of the possible implications of the crossover, then I'd give this post a miss. On the other hand, if you're interested in how CC/HOFAS may affect Prythian going forward, please read on.
Music:
The Stone Mother song has me 👀 especially as the stone and water were "talking" at the start.
@cassianfanclub and @wingedblooms have already posted about the Stone Mother (here and here); @ladynightcourt3 has found the Phrygian goddess Cybele, also known as the "Mountain Mother," who sounds very relevant.
That being said, am I crazy to think Elain could have been listening in? Is Azriel stone and Elain water? His stone siphons - which Elain called beautiful, did she hear their song, as kin? - and Elain possibly as water? Was she using salt water to boost her powers, or a reflection pool to scry, and keep tabs on her sister and friend?
Or is it the space between linking worlds? Are the old gods talking?
Alternatively, could stone be referring to Nuala and Cerridwen, who are capable of manifesting stone around themselves and others (ACOTAR).
Is this what SJM meant when she said we'd see Elain in "some form" in the next book?
@psychee92 said she wished that SJM had somehow included Mr Brightside, and now I wish the same; even a mention of indie rock. 😭
Josie and Laurel - "He/god will add/increase" "(laurel) trees/victory"? Elain? Lol sorry, but it's either giving gardener, or Elain killing Hybern.
Wraith-like harmonies? After the description of Josie and Laurel's voices? It's crack, but is it a metaphor for Nuala and Cerridwen?
The musical similarities between what Juniper dances to and Prythian's music?!
Azriel's humming/singing made the shadows dance, once more suggesting that shadows dancing is a response to power, not mate bonds
The music Az liked was death metal. Could this link to any sort of metal artefact, like an iron crown for grounding? Or wyrdstone jewellery?
The glass coffin?
"Nineteenth century literature presents the glass coffin as a prison within which sleeping women are frequently mistaken for dead or vice versa." (Source). It's giving Sleeping Beauty (credit to @elriell for the OG SB theory), and a little Snow White.
Check out this tale from The Brothers Grimm, which sounds... suspiciously relevant to Elain.
@cassianfanclub also suggested that it's giving necromancer vibes, and I'd love that for Elain.
Feyre once said she could sleep for a hundred years after coming back from the Prison, right before going to the Hewn City in ACOWAR. After Elain had left the room, and before Feyre went to check in on her to find her "asleep—breathing."
Let's not forget Elain's assistance in rescuing the human COTB, Briar, from Hybern's camp.
Will Elain prick herself while weaving?
I was tired enough that I could barely summon the breath to ask, “Do you think the Cauldron made her insane?” “I think she went through something terrible,” Lucien countered carefully. “And it wouldn’t hurt to have your best healer do a thorough examination.” I rubbed my hand over my face. “All right.” My breath snagged on the words. “Tomorrow morning.” I managed a shallow nod, rallying my strength to rise from the chair. Heavy—there was an old heaviness in me. Like I could sleep for a hundred years and it wouldn’t be enough. “Please tell me,” Lucien said when I crossed the threshold into the foyer. “What the healer says. And if—if you need me for anything.” I gave him one final nod, speech suddenly beyond me. I knew Nesta still wasn’t asleep as I walked past her room. Knew she’d heard every word of our conversation thanks to that Fae hearing. And I knew she heard as I listened at Elain’s door, knocked once, and poked my head in to find her asleep—breathing. - ACOWAR, chapter 27
Azriel specifically said Nesta "beheaded" Hybern, after looking down at Truth-Teller.
This is not Azriel giving Nesta credit for the assassination. If anything he's hiding Elain's involvement.
I've said before, and I'm sure I'm not the only one who has done so, but I would expect Azriel to protect his LI with silence, whoever they are.
He had to have been thinking about Elain, who I've theorised could now/soon be known as "The Shadowsinger's Knife" after she became the "knife in the dark" in Azriel's place at the end of ACOWAR.
The young girl sitting on the mushroom:
I'm still looking into the carving of the young girl sitting on the toadstool with the hound sprawled on the ground beside her, as I find it really interesting. My initial thought was that it seemed like a convenient place to drop a mention of a garden-like fairy carving with a hound right after Bryce had quizzed Azriel about his hypothetical mate, or lack thereof (Elain being both heavily associated with plant life, thanks to her "little garden," as well as dogs, after Nesta called her one in ACOSF).
I also wonder if it has anything to do with the Czech tale that amanita muscaria - while psychoactive/toxic - are said to protect from lightning and other ill fortune. If this is correct, it reminds me a little of the markings - wyrdmarks - on the Archeron cottage.
I don't know where Bryce and co were walking, as I have only read this bonus chapter and the prologue, but given it was carved on an underground wall, and I suspect that there are underground portals in at least the Hewn City and the Prison, and maybe the waterways... could it have been for protection against the invading lightning Asteri? Or did the Asteri (Daglan?) put them there to protect against Thunderbirds, or whatever Hunt is?
Miscellany
Maybe Bryce hadn't been sent there by Urd? Who then? Was @silverlinedeyes right all along?
The mention of pleasure halls seems like a call back to Azriel's bonus chapter, but it's also likely that they aren't all brothels (see Rita's).
Azriel listening closely about Nesta now liking being Fae; he could extrapolate her responses to Elain. Maybe she's no longer miserable, and in need of their pity. And maybe she's changed her mind from ACOFAS, when she said to Feyre "I don't want a mate, I don't want a male."
Azriel said "no" to whether or not he has a mate rather quickly. Hmm... the shadowsinger doth protest too much?
It's also potentially important that Nesta said "yes, WE are" curious about Azriel's mate status. Her, Azriel and most of the fandom! 😂
"Okay, okay," Bryce said. "But it'd be cool to know something about your world. Or about you." They were both silent. Bryce asked Nesta, "You have a mate, right?" She nodded to Azriel. "Do you?" "No." Azriel said quickly, flatly. "A partner or spouse?" "No." Bryce sighed. "Okay, then." Azriel's wings twitched. "You're incurably nosy." "I think that's the nicest thing you've said about me." Bryce winked at him. "Look, I just... I'm curious. Aren't you?" Azriel didn't answer, but Nesta said, "Yes. We are." - HOFAS, Bryce, Azriel and Nesta bonus chapter
All in all, while there were no overt mentions of Elain - and really, why would SJM do that in a series that wasn't Elain's own - imo we got the Elain-shaped holes in the text that I was hoping for, and I can't wait to see if there are any more in the full book.
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she-posts-nerdy-stuff · 5 months
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Symbols I would be making sure were present (or adding) if I were producing the Six of Crows TV show
(Btw I’ve been writing my own script for a bit of fun since the cancellation news so if anyone wants to see that I’ll tag you, and the save S&B petition is also on my page if anyone wants the link)
EDIT: Sorry I should’ve put this I forgot; SA reference warning for the second point, nothing explicit but in talking about Inej’s experiences and the experiences of women in Greek mythology 🖤
FLOWERS. I want geraniums on the Exchange balcony from chapter 2 and I want reference to the geraniums at 19 Burstradt, I want Matthias the big brooding yellow tulip contrasted with the red tulips laid on his chest and in the water after his death, I want crocuses at the Hoede manor, I want jurda blossoms in Jesper’s flashbacks and maybe Kaz’s too (and probably crocuses in his), I want geraniums hidden all over the caravan and circus tent in Inej’s flashbacks, I want wild flowers in Wylan’s hands on the way to St Hilde’s that get discarded in the lobby, I want wisteria growing outside St Hilde’s, I want blue tulips painted on the floor tiles at St Hilde’s, I want white roses all over Nina’s room in Ketterdam and I want to hear the comment about how all the flowers at the White Rose are perfumed by hand, I want a cascade of geraniums falling all over Kaz and Inej as they tumble of Goedmed Bridge, I want lavish flower arrangements at the Menagerie accented by peacock feathers, I COULD TALK ABOUT THE FLOWER SYMBOLISM IN THESE BOOKS FOR YEARS I WANT IT NOTICED LET’S GO
BIRDS. I want crows, I want pigeons, I want nightingales (that one’s my personal addition but oh boy do I have reasons; Nightingales are a symbol of immortality in literature and could be painted on the tiles at St Hilde behind the wisteria for all the same symbolic reasons the wisteria’s there; in Greek mythology Philomela prayed to the gods to escape her Tereus, who had raped her and intended to kill her, and they turned her into a nightingale, representing freedom and imprisonment at the same time because she’d lost who she was so this wasn’t true freedom DO YOU UNDERSTAND HOW BADLY I NEED A NIGHTINGALE TO CROSS THE SCREEN WHILST INEJ CONTEMPLATES HAVING COMMITTED MURDER AND HER PERSONAL MORAL AND RELIGIOUS IMPLICATIONS OF THAT!!?? I’m going crazy), I want more emphasis on the bird cage in Heleen’s office because in its three seconds of screen time in season one I was SOLD on how genius it was, I want peacocks EVERYWHERE, I want to be so committed to the birds vibe that we can start throwing in a whole load of new birds for other symbolism!! Let’s have owl symbolism around Wylan and Jesper, let’s have heavy emphasis on Nina as the little red bird, let’s talk about the nightingale again because I’m obsessed
KOMEDIE BRUTE. I have talked before about how I think the costumes each character wears are symbolic and directly linked to their arc but it was a long time ago and I updated it a few times based on replies so if anyone wants a full updated version of my thoughts on that lemme know, I also wrote a thing about how I think Mr Crimson could possibly be an omen of death so again if anyone’s interested let me know - I’ll either tag you or write a post fully involving all my Komedie Brute thoughts. I want Nina as the lost bride, Wylan and Inej in matching grey imp costumes, Kaz in the madman’s mask, Jesper and Matthias as Mr Crimson, all of them as Mr Crimson with a black tear in their masks, silver coins thrown all over the staves, costume shops on Ketterdam streets. I want Jackal masks and Drüskelle “costumes” in plain view on market stalls and in shop windows, and as an add on to that I want references to Nina’s fake Kefta being Kerch-made and uncomfortable to wear.
PURPLE. I want purple stadwatch uniforms, I want purple kruge notes, I want purple decor in the Geldrenner, I want purple silks in Inej’s flashbacks.
TREES. I want so many reminders that trees are sacred to Fjerdans!!!!!!!!!!!!!!!!!!!!!!! This has already been done really well in the show but I would want to maintain it; I want to see Matthias praying when Wylan fells the tree before the Ice Court heist, I want his indignation over the relevance of the sacred ash tree, I want to see the look on Nina’s face when she realises Brum has walked her all the way around the sacred ash instead of crossing underneath it (at the time she thinks it’s because she’s pretending to be a prostitute but later we understand it’s because she’s Grisha and I know we couldn’t have had Nina’s internal thoughts in this scene even though I wish we could have but we can still have hints!!!)
SEALS AND STAMPS. I want to see a blue wax seal with a peacock feather pattern, a black seal with a crow, a pale green stamp for the bank, a purple stamp for government correspondence, I want a stack of letters with unbroken red seals with a laurel wreath crest hidden under Wylan’s mattress.
RELIGIOUS SYMBOLS. Ok there’s loads we could say here but specifically I want “rich as saints in crowns of gold” contrasted with “if it was worth anything Heleen would have taken it. But this is just a simple token of faith that my mother stitched”, I want the imagery of Ghezen contrasting the imagery of the Saints contrasting the imagery of Djel, and I so so badly want “Djel is the god of life, not death”
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ohara-n-brown · 1 month
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[WARNING: Rant]
Sometime made a post going 'Love the trans women in your life while they're still here'
Someone added 'Trans men and Nonbinary too!'
And this was the response.
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My response: Cut this shit out, you're acting literally ridiculous.
First of all - no it's NOT an All Lives Matter moment.
ALL LIVES MATTER was created by white people who DON'T experience racism to silence the experiences of those who DO experience racism and die at the hands of it.
A transmasc or nonbinary person saying 'Us also!' is a not the same.
It's a group of people who DO experience transphobia adding to the experiences of those who ALSO experience transphobia.
It's A LOT MORE like a black person going 'BlackLivesMatter' and sometime commenting '#StopAsianHate too :)' and OP going 'wow fuck you read the room you're being racist.'
That's like a Gay person speaking out against homophobia and how it's wrong. And then a trans person says 'Transphobia too!' and suddenly it's 'Read the room. This isn't about y'all. Why do y'all have to bring yourself up always. This isn't about gender. Read the room-'
Sounds familiar to y'all? It should. I'm reading the room and the room is saying you just fucking hate another group of oppressed people lol
Another oppressed person who experiences the same violence as you adding their voice to your choir is NOT the same as white people using their privilege to silence others who experience racism when they themselves don't.
SECOND OF ALL - (tw death mention under cut)
YEAH THEY HAVE A RIGHT TO ADD 'Celebrate your trans brothers while there here' on a post you know..
considering a transmasc non-binary person got fucking beat to death on school grounds exactly a month ago.
Remember that??? The one whose death is being actively covered up by school, law, and state officials on a systemic scale??
Also - a fucking trans man from NJ is still missing as we speak (Elliot Ganiel)
But calling attention to that is like being a MRA??? Talking about a children deaths in a school bathroom and missing people are like being MRAs whose main concerns are women playing video games or some shit?
No. No it isn't.
Y'all misusing terms like MRA and yelling 'That's like all lives matter!!!' clearly show youdon't understand how oppression works in the slightest.
If you try to compare any white racist movement to an oppressed group of people - YTA.
One of us gets fucking killed with no justice, LGBTQ crisis line calls skyrocket, and when asked about it state officials say and I quote 'We don't want that filth in our state!!'
- and when we talk about it amongst people in our community it's 'read the room!!' or 'wow really MRA like'
Fucking bite me.
And before - 'Oh but they didn't have to put it on THAT post, they could've made their own'.
Did you not hear what I just said. A transmasc teen was beat to death and misgendered publically statewide.
Maybe transmascs would like to feel included by the community at this time? So they can feel safe? Safety in numbers? And maybe want to feel like the wider community cares when shit like this happens - which clearly.. y'all don't.
Cause when a transmasc kid is literally killed - and we see a post saying 'Love your transfemme friends whine they're here!' and add the same - only to be told to read the room - it tells us 'You only have a month or so to morn. They died last month? Why are you bringing it up now on a post about appreciating trans people before their death??? Read the room. That was for us only. Stop trying to hog all the attention'.
Like damn sorry for wanting to feel like my community would care if I got wiped off this fucking earth silly me. Silly us.
When we start the conversation on our own we're ignored. When we try to contribute our experiences to other conversations we're told to shut the fuck up and read the room and then compared to actual racists and sexists.
You constantly compare us to people who DO NOT face oppression - cis men and white people - in order to silence us, despite the fact you know we face oppression in ways both groups could never even imagine. You think you're slick. You're not.
BITE ME. HARD.
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Whisked Away 2
No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.
Part of the Sweet and Spicy AU
Warnings: this fic will include dark content such as dubcon/noncon, and other possible triggers. My warnings are not exhaustive, enter at your own risk.
18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: You get a job at a bakery but your new boss only adds to your work
Character: chubby!baker!Thor
Please comment and reblog if it’s not too much. I always love getting to chat about these stories and hearing all your ideas! You all are wonderful and loved.
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Delaney wishes you good luck as you go. Your heart is fluttery with nerves. It’s been a while since you actually had an interview. These days, most send you a link where you record yourself answering generalised questions. You never do well at those. In fact, you’d only ever had one job.  
You worked at a cafe in high school and after you went and got your culinary schooling done, you were promoted. It held you through the first few years of your twenties until Delaney got sick and you had to move to the city for her treatment. Your squirreled away savings got you the apartment and her stipend helped, but you’re running dry on credit. 
You need this. Desperately. But you can’t show that if you want it. You have to play it cool. Be a professional. 
You catch a streetcar down to the main row and check your phone. You’re well ahead of time. Good. You’ve never been to this particular place. You don’t go out much if it isn’t to the grocery store or the pharmacy. Delaney stopped wanting to go outside a while back. You try to encourage her but you can tell it only makes her feel worse. 
You follow the map directions on the app and stop before the cafe windows. They’re slightly tinted with curling golden calligraphy painted across them; Golden Crust. The facade is brown and yellow brick and there are flower boxes just below the windows. Behind the glass, loaves of bread lines a shelf, on display to tempt passerbys. 
The door is wide and thick and painted red. You push inside and pause to look around. The long counter is made of dark wood with clear glass cases on top containing dozens of colourful and sugary desserts. Behind the counter, the walls are lined with shelves; some ingredients, some with unfolded boxes, and more bread and packaged biscuits to go. It’s all finely organized. 
Lights hang above with brass shades, lending a low hue to the shop. Several customers wait in queue as two employees work tills at opposite ends of the counter. You don’t know whether you should join the wait or go ahead and let them know that you’re there to see Thor for an interview. That was his name, right? 
You look at your phone again. You have time. You wouldn’t want to be rude. You adjust your bag and stand at the end of the line. The women ahead of you marvel at the pristine mini white chocolate cakes with dark candied cherries on top as another whispers about cheesecake being devilish. Your own eyes wander gluttonously to the assortment. 
You peel away your gaze and look down at yourself. You put together the best you could; a striped blouse, navy blue on white, and a pair of straight-legged pants. They’re a bit outdated but professional at a glance. You hope no one notices the scuff on your right toe. 
You get to the front of the line and step up. The young girl behind the till asks what you’d like. You give an apologetic smile, “um, actually, I’ve got an interview.” 
“Ah, yes, another one for Thor,” she chimes, “well, you just come with me.” 
She’s young. Still a teenager. Her and the other cashier look to be barely graduated if that. 
She walks toward the end of the counter and she beckons you over, “I’m Thrud,” she pulls back the short little door for you to step through, “that’s Nari,” she gestures to the dark-haired worker at the other till. He’s too busy taking orders to notice. 
You introduce yourself as she takes you around to a doorway, “I think he’s just doing these in the kitchen. Last one ended early so...” she talks brightly as she bounds ahead of you like a happy puppy, “dad?” She calls as she enters the large kitchen. “Dad? I’ve got the next appointment.” 
Your anxiety spikes. You’re not the first or the last. The competition deflates your hopes even further. 
“Eh?” A deep grunt comes as head pops up from the other side of the large marble island. The man is so large his head hits one of the pans dangling from the ceiling rack. He rubs his brow and hisses, “sorry, I was just looking for my pen.” 
Thrud laughs as she crosses her arms. You notice the golden pen tucked behind his ear. She raises a hand, keeping her other arm folded, as she taps her temple. His brows arch and he feels around his wave locks and fishes out the pen. 
“Right,” he gives a sheepish look and wiggles it in triumph. 
“Anyhoo,” Thrud trills, “this is her.” 
“Thank you, Thrud,” he drones back. 
“Mhmm,” she turns and smiles at you again before she goes. 
“Uh,” you hesitate, unsure how to begin, “er,” you introduce yourself, once more “I have a resume on hand--” 
“No need,” he waves you off, “come, I try to keep these things straight to the point.” 
You near him and rest your hand on your bag, chewing your lip. 
“Wash your hands,” he directs you towards the sink, “you may put your things there.” He points to the empty counter on the other side of the deep metal sink. You put your bag there and scour your hands deliberately, taking your time as you scrub nails, knuckles, palms, every bit. You dry off on the towel he offers as you face him. 
“Here,” he gives you and apron, “would want you to make a mess. 
You tie on the apron as he turns and grabs a tray. There are half a dozen cookies on the sheet, some empty piping bags, nozzles, a bowl of icing and small tubes of food dye. You look between him and the cookies. 
“You may choose the design. You will decorate and I will ask questions, does that work for you?” 
“Um, sure,” you answer. It’s unexpected. “All six?” 
“All six,” he confirms and crosses his arms, making himself even broader. He is not only tall, but wide, and his apron does little to conceal his indulgence in sweets that gathers around his middle. 
“Okay,” you accept the challenge meekly. 
You step up to the marble island and take a moment. You twiddle your fingers nervously as you think. You don’t know what to do. You don’t want to go to simple. 
“Take your time, I’ll ask some questions and you can begin whenever you’re ready,” he assures, “so, you’re availability, it is flexibly? Our open ours are eight to six, but you are available on weekends?” 
“Yes,” you say as you set an idea in your head and read for the icing. You stir it with the wooden spoon, testing its consistency. “I have open availability most days.” 
“Most days?” He echoes. 
“Um, yes, I may have an appointment now and again.” 
“Oh, appointment?” 
“For my sister,” you explain, “but it wouldn’t get in the way, I'm sure.” 
You cringe. You’re already making yourself feel bad. 
“And so, you’ve had one previous role, what was included in that?” he asks. 
Only one... that can’t be good on paper. 
“I worked at a cafe. I was a barista for the first two years, then I was promoted to baker, and ended as assistant manager at the branch,” you explain as you fill one of the piping pages and fit the appropriate tip, “but I completed by culinary diploma while I was there.” 
“And after? What did you do? I see you’ve been out of work.” 
You’re quite as you lean over the cookies and start on the first one. Your idea is simple in premise but not in execution. Delaney loves to do cross-stitches, so that’s what you’ll do. First, the white grid and the lacing along the edges, then you’ll fill in the squares with all different colours to make the illusion of stitches. 
“I’ve been a caretaker to my sister,” you say quietly, “we only just moved here last year so I haven’t found much.” 
“And you would be able to work fulltime?” He asks. 
“Yes, she’s... she’s doing better now. I can do it,” you assure him as you keep your eyes on your precise lines. 
He’s quiet. You’re sweating. You just concentrate on the work. Maybe your answers aren’t the best but you hope your work is. You finish the crosshatching and look up. You find him watching your hands intently. As you pause, his blue eyes meet yours. He gives a smile. 
“Ha,” he scoffs, “my hands are too big.” He shows his thick fingers, “I can’t quiet get my lines that tight.” 
You nod and bow your head again. You’re not even done the first cookie. You have six to prove yourself. Six cookies to seal your fate. 
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blackberry-s0da · 3 months
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Gonna make a big post to try to answer this.
My characters are inspired by lots of thing things (and lots of artists), Machete wasn’t an inspiration in particular to be honest, it’s a fully fleshed character with a specific white-black-red aesthetic, catholic imagery, blood, violence, hate, guilt and by the latest posts, love too. Mercy barely has a name for now, I haven’t been able yet to make a story, place him in a specific historical context or do as much as design his clothes.
Regarding physical similarities I actually took most of the poses and general vibes for Mercy from paintings depicting naked women (mainly form renaissance) as i liked how soft and peaceful they looked;
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(Machete lives on that time period if I’m not wrong so there’s also that. Mercy doesn’t have a spot in any timeline yet, but I’ve depicted him in modern clothes once and I think I’ll eventually place him in a modern setting)
Another inspiration was actually the artist Babezord, specifically for Mercy’s color palette and face pattern as seen in the image below. Many characters count with this mask like pattern and I’ve always loved it;
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(funnily enough on this character it is an actual mask)
The similarities on style are due a few factors: I learned to draw dogs mostly from Canisalbus, I’ve been following their work since I was around 13 or 14 I believe? Maybe earlier, and I learned a lot of things from them for the most part. On top of that I also love sighthounds and mostly draw that type of dogs as I’ve been having them as pets since childhood and always found them very pretty. I currently have two greyhounds.
Another artist I’ve leaned from are Lilaira, putrid.hound, canisinfernalis and mischievousdog, amongst others so shoutout to them too.
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I believe that Canisalbus characters are more stylized and fancy looking, they’re more lean and lanky for the most part, their hands are small and delicate, characters are very expressive and culturally rich, the clothing and pieces of background are beautifully detailed, their pieces usually tell a story, Mercy in the other hand was recently picked up from a mental trashcan I had him on as he’s my oldest and probably less used oc (he used to be a she but I decided to keep the name, that’s as much as he has for now, besides two scraped background stories). I designed them when I was a teen for lots of vent art and didn’t like how he looked (plus the negativeness I attached him to) so he’s been pretty much abandoned until September of 2023 when I redesigned them. Also gotta add that, while he isn’t a self insert he’s been used for the most part to reflect things about me and how I feel at the moment.
I believe my art is similar in many aspects to the one of Canisalbus, but not remotely close to being as amazing as theirs, I wouldn’t say were identical but I do take inspiration on them, amongst other artists.
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eilwen · 9 months
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And they say romance is dead.
Joking aside, Vol. 8 further solidifies my appreciation for Meryl.
Hopefully I can put my long-winded thoughts into concise words when it comes to writing women/female characters and why I loved Meryl in the manga even when she's absent for a chunk it from Vol. 7 onward.
Good 'women/female writing', to me, is not just having more lines, more screen presence or more visibility because you can easily write a character that ticks all of those boxes and still be a shell, still be poorly written, still be misused and still fall into numerous stereotypes. Though we are seeing more female characters onscreen/on paper these days, there are still traps of 'women written by men usually for men or what they think a woman wants' with some variations (and of course some women can also find difficulty in writing women). Then there are times when women characters who are so incredible or powerful, they come off as unbelievable, as if writing a woman character is sometimes treated similarly to handling glass. Some writers are afraid to write women well, believing that it’s 'safer' to have the character be amazing and flawless than forgotten or absent (which can be problematic in a different way).
I love manga-Meryl because I know Meryl's arc, faults, growth, struggles etc.... Nightow really puts her through the ringer. We don't see her much in the later volumes once things get heavy since she's not the series' protagonist, but we learn that she has a full journey post-Colnago. Eventually she, as a person who is not super-powered in the way other characters are, assists Vash in the best way she can.
Vash is a plant, the Humanoid Typhoon, all these other labels, but he calls himself a simple gunman. So, when Meryl is the one to make sure that he has a gun despite everything she had experienced... ah, I had a lot of feelings.
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Vol. 8, Ch. 3. ... God damn.
One of the best things Nightow did in Trimax was to write Meryl with doubt and fear and break her away from Vash in Vol. 6, because having a woman follow and care for a man blindly is frankly boring and adds little depth to a friendship or a relationship.
(This praise also extends to how Nightow writes Luida - but those are thoughts for some other time.)
I am also considering Meryl as one representation for humanity in Trigun Maximum's narrative. She is the ordinary person who has been unwillingly forced to witness devastation, destruction, loss etc. and is expected to continue after that. That is a difficult thing to overcome... and then to grapple with the idea of assisting that same force... I imagine that this is a very difficult responsibility. There are war films (good and bad films, from a range of nations) that touch on this theme of responsibility.
I'd like to think that real courage is understanding and overcoming a fear instead of having none.
And then in Vol. 8, Meryl does a small act. She asks someone else to help - something that Marlon later tells Vash to do (let his friends help him, I mean). Without grandeur. Kind of anti-epic. However, this small act is extraordinarily powerful because without that gun, Vash is unable to proceed.
We sometimes view power in such a black and white way when power can be asking someone else for help, trusting someone else, and not have it be about you.
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Vol. 8, Ch. 5. A Marlon panel is always a good panel.
I love how Nightow illustrates this. In these panels, Vash is hearing Marlon talk about a 'guest'. Marlon never mentions Meryl's name. We know it's Meryl because we know what the back of Meryl's head looks like (and her legs, haha) but Vash is not seeing what we are seeing.
And yet, Vash knows.
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Things I watch out for when considering if a Roman history blog/community/media might have fascist leanings:
"Ironic" jokes that demean groups of people. These are often a cover for normalizing real prejudice against those groups.
Various dogwhistles and hate symbols. Also, check out the early warning signs of fascism.
Glorification of the military or the empire's size. It's one thing to be interested in a subject, but fascists tend to ignore the many problems of Rome's military and government, like corruption, mistreatment of veterans, abuse toward non-Roman people, and the occasional genocide.
Justifying historical oppression or abuse. This is different from merely explaining or trying to understand something. In case someone simply worded something poorly, I look at their additional posts or ask for clarification. If there's a pattern of downplaying/excusing oppression, that's a bad sign.
Power fantasies. Does a person (or community) seem to identify with the conquerors and overlords, because of their power? A person making jokes about Cicero's shitty poetry, or Augustus wearing platform shoes, is probably here for a different reason than someone talking about "putting the barbarians in their place."
Ignoring women's experiences, queer history, slaves and working-class experiences, and cultural diversity. At best this could just be a newbie who hasn't gotten around to those topics yet, which is fine. Learning takes time. But if a community, historian, or professionally published work makes Rome look like it's composed solely of rich white cishet guys...there is a problem.
Flattening history into Romans vs. outsiders. "Us vs. them" themes, also seen as "civilization vs. barbarians," or "virtue vs. moral decline/degeneracy," is endemic to bigoted worldviews. Not only is it demeaning toward other cultures, it also erases how multicultural and changeable Roman identity was over time.
Also, any modern person who seriously attributes Rome's fall to "moral decline" or "degeneracy" is either deeply ignorant or using a dogwhistle for homophobia, antisemitism and racism. Also, using "barbarian" or "savage" unironically.
Be extra alert for antisemitism. Shit like justifying Hadrian's actions, bringing up Jews when discussing Roman debt problems, or idolizing Vespasian or Titus. The Romans did a lot of bad shit in Judaea, and sometimes those stories attract antisemites today.
Use of the past to justify present-day harm or anger. Fascists and racists tend to get attached to "tradition" or "the good old ways" - or what they think is tradition - believing that this makes their bigotry more "normal" instead of "bizarre, hateful and reactionary." But just because something was common in the ancient world doesn't mean it's a good idea today.
There's a lot of anger and bitterness in fascist communities in general, in fact. Many people fall into the "alt-right pipeline" because their personal lives are deeply troubled, and those places give them someone to blame and feel superior to. If hanging out in a community seems to be making you angrier, more suspicious, or looking down on certain kinds of people, think carefully about whether this is a good community to be in.
And finally...fascists aren't all that interested in history. They care about their myth of good guys vs. evil outsiders, and they warp history to fit into that narrative. They might like the aesthetics, or symbols, or idolize a few famous dudes or battles. But rarely do they know, or care, about how Roman society worked, or how it changed over time, or anything less "glorious." Rarely do they actually want to learn or put in effort. My favorite example of "fascist laziness" is Mussolini's terrible film about Scipio Africanus, in which you can see telephone wires and the extras wearing wristwatches.
Feel free to add to this list. I am not an expert at spotting this stuff, and I probably missed some things. But I figured this might be a good starting point for others, too. Don't use this list to make "callouts" or harass people - it's usually more effective to block, avoid, and report extremists than to give them more visibility.
Conversely, a great way to protect yourself from falling into the alt-right pipeline is to learn more about how diverse the Roman world was! Check out studies of ancient women, disabilities, queer people, and decolonizing the classics! Not only will they broaden your horizons, they're also fascinating in their own right.
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moonystoes · 2 months
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I'm not going to say Sam Kerr is innocent, but I'm not going to sit here and actually believe a CRIMINAL.
This COULD be PC Lovell, the man who accused Sam for racial aggrevated assault:
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He posted multiple pictures of women without their consent for 'revenge porn'.
Women that worked with him (including a MINOR) had described his behavior and actions as 'predatory'.
He had a long history of of inappropriate behavior (assault!). In 2006 (18 years ago), he was given a verbal warning for sending inappropriate pictures without consent.
In 2016, he was issued with a written warning for making inappropriate comments.
On of the female colleagues of Lovell has states in an interview, "Dave would send every girl he came into contact with a picture of his penis."
I am not going to sit here and listen to a man who did all of this and believe him. Whether Sam did it or not, this guy shouldn't be walking freely in the first place.
And if Sam truly did commit the crime, I obviously do not stand with racism or assault.
NEW INFO:
An anon added that there is a different PC Lovell that lives in Surrey, but never explained on how she knows if there are two Lovell's. If you are from the UK and it shows on your system, please let me know! I don't want to accuse an innocent man of all of this.
PC Lovell (the criminal) committed the crime (of posting pictures) in Somerset. Maybe he had changed working areas. AGAIN, I am not 100% if there are two Lovell's and I will add more into this post.
Here is the distance between Somerset and Suerry (the place where allegedly the other PC Lovell works at):
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And here is the distance from Surrey and Twickenham, the place the Sam case happened:
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Please be aware that there is more added into this post, if you have more information, let me know.
NEW INFO:
There is another PC (james) Lovell in Reading. Now it's VERY unclear if Lovell that accused Sam is the same person who committed the crimes, since there are more than one with the same name. Please do not jump into conclusions about if this is the one who did the assault.
Update:
I DONT FUCKING CARE ANYMORE. SAM KERR IS NOT GUILTY FOR CALLING A WHITE MAN WHITE BYEEEE 😭😭
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