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#does michael sheen have a cameo
invaderdoom78 · 3 months
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stevishabitat · 1 year
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So last night or this morning, while I was in a weird state between asleep and awake, my in-brain Content Generator came up with this completely bonkers idea for a reality competition...
BBC B&B Community Theater
Teams of British actors stay at a B&B, and have to coach community theater groups thru performing various genres. The actors also take part in challenges (acting games, musical theater, improv, stunt fighting, set-building, costuming, make-up, marketing, etc).
First two teams:
Team Super Powers: Tom Hiddleston, Charlie Cox, Andrew Garfield
Team Magic Powers: Daniel Radcliff, Tom Felton, Robert Pattinson
Each team has a consultant, David Tennant or Michael Sheen. Because: Reasons.
Judges vary, based on genre.
Sketch comedy: Stephen Fry & Hugh Laurie
Shakespeare: Ian McKellen & Patrick Stewart
Historical drama: Maggie Smith & Judi Densch
Why this would be awesome:
Watching these human disasters living together in the B&B trying to just get thru daily life.
Some challenges they will be fucking phenomenal at, and others will be so far out of their element that they will be complete trainwrecks.
They will be working with actual amateur and young actors and bringing attention to the ups and downs of community theater. (Obvs all proceeds are going to community theaters and arts education.)
There could be all kinds of fun things to add in - like letting them call in a former costar or expert to help - soooo many cameo possibilities!
Why tf does my brain provide this kind of stuff that I can do absolutely nothing with?
Anyway, since I had to spend an hour or so thinking about it when I was supposed to be asleep, now you have to know about it.
Do with it what you will.
(Generally I'm not a fan of rpf, but if someone wants to write it in the 'Staged' universe, I wouldn't be averse to taking a peak... 😉)
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Staged 3 thoughts! (This is gonna be much shorter than my last two because I really Didn’t like this season)
I talked about codependence in my previous post and how that would have been a more interesting angle to take Staged 3, and the finale proves this.
Staged was always "meta," but season 3 took any truth within the meta and warped it to the point where it was a farce-- without the comedy. I pretty much summarized exactly how I felt in my last post, but what's so frustrating about the final episode is that it does exactly what the third season should have been doing the entire time!
The dialogue is clever, the meta is poignant without being too self aggrandizing (except for the post credit sequence, which just annoys me to no end and takes the teeth out of the breakup,) and overall the culmination of the rest of the third season's events and tension comes together.
The last episode goes into improv theory and acting, which is something the first two seasons did quite well, and something that was sorely missing throughout this series. The usage of family members (Simon's sister and Michael Sheen's actual daughter) is a nice change of pace from celebrity cameos, at least for the last crescendo of everything falling apart.
I don't think the ending would have been as effective if David and Michael hadn't put their all into it. The script is better than the rest of the episodes (save the second episode, which I quite liked,) but you can feel the actual sadness about being separated.
This is where the meta works: Imagine your friend is sick of you. Imagine you don't want anything to change but it always does. Imagine that you're torn apart again. This is the only time codependence is referenced to seriously, and it's a shame because it would have given the last scene more of an impact.
I don't think Staged 3 is completely without value, but it's really only good when David Tennant and Michael Sheen are on screen having a good time acting together, and that's hard to do when the script is so blah and beige.
@get-me-off-this-site @tricksyliesmith @ingravinoveritas since y'all asked ✨
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foxgloveinspace · 3 months
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pasted from my notes app:
okay i am compiling all my thoughts in a note as i watch lmao
1. love the dog. he’s adorable
2. journey!!!! separate ways- what a good fuckin song
3. now eurythmics?! this movie has a killer soundtrack. i did a jazz routine to sweet dreams once upon a time. it was so fun lol
4. the weird white robot-y ladies are giving me hardcore like, austin powers vibes lmao
5. hahahaaaaa mr orange guy… i like his helmet
6. oooooh there’s multiple orange guys. they both have cool masks/helmets. something about being unable to see the face and yet totally understand the emotion fuuuuuucks me up
7. omg this is going to get long i’m so sorry i’m like a quarter through the movie 😅
8. very good fight scene choreo, that always makes or breaks a show for me. poor choreo is painful to watch, but this is good! i like
9. umm. I’m guessing dad is the bad guy. he’s kinda shady lmao (oooooooh it’s a dad clone. love clones. they always throw wrenches in plans)
10. lmaoooooo dad so disappointed sam only has a dog and no gf 😭
11. haha is that a daft punk cameo? not my cup of tea in terms of music but that’s pretty neat
12. OH MY GOD MICHAEL SHEEN I LOVE HIM. he plays the most insane characters- and also the sweetest (aziraphale in good omens 🥺)
13. okay ngl i keep hearing “rinzler” and thinking of the rizzler and i can’t stop laughing about it 😂
14. LMAO HE JUST BONKED THE DUDE. i love percussive maintenance, that’s how i fix my car
15. oooooh i love a good “i was a good guy before i was evil and i remember” moment. Good shit
that was really good! i honestly didn’t remember any of it from whenever i watched it but that was dope. i can definitely see how you’re so invested in the story! now i’m pumped for your fic whenever it comes out 😂🥰
Answering all of your notes.... under a readmore so this isn't too too long, haha
1). Yes!!! Marv is so cute!!
2). I love that song so much.
3). yes!! the sound track is really good, but you won't find those two songs on it haha.
4).I've never seen that movie, so I'll take your word for it, haha. They are really interesting and I am intrigued by them lore wise, sad we don't get more about them in the movie (idk if theres more in the tv show? I haven't watch it yet cause it got canceled and ended on a clif hanger, but I should).
5/6. yes!! orange guys!! I love all of their designs, except for Jarvis (Clu's assistant), I know they where going for like.... hes weird and kinda cringe, but they could have done his design way better.
7. No worries!!
8. yes! the fights are good, and I think even tho Sam is like, a newbie to it, it still feels realistic? like the guy base jumps, I feel like him knowing how to fight is reasonable.
9. yeah that whole scene is so?? trippy haha. (I now, of course, only watch Rinzler doing his thing in the background when I watch this scene haha)
10. YESSSS ugh, I feel like he's more so disapointed that Sam isn't giving him much to go off of?? to Sam this is still the guy that abanonded him, but to Kevin this is his kid that he hasn't seen in so freaking long (time works differently on the grid, not to get super into it, but one year our time is 50 years grid time. So Kevin has been on the Grid for over 1k years.)
11. DAFT PUNK DOES THE WHOLE SOUNDTRACK hahaha. Sorry, they are my og masked band and I still love them so much <3 (Legit I've only been listening to sleep token and daft punk for the majority this month). So all the music in the movie? was them, and that's why they where in it! really cool to me haha.
12.YES!!! he's such a good actor, shape shiftier I swear. His design is so cool, and I like Zeus as a villain. He's so interesting and I want to know morrrre. But we'll never get it oof.
13. LMAO
14.Yes, Kevin bonking that guy is so freaking funny. I feel bad for the program, but like. i love that scene. It's such a callback to the first movie, when Kevin was a cocky little shit, and I love it so much.
15. Tron in that scene breaks my heart.
I'm so glad you enjoyed it!!!! Like, I just.... legitimately can't express how excited I am that you liked it??
and yes... my fic..... I was working on it when I got your ask.... Rinzler and Sam are interacting... and I am... LIVING. HAHA. So little has happened it feels like, and yet... 18k... whooooo boy. I wouldn't be surprised if this ends up being my longest fic ever oof.
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ajoytobeheld · 6 months
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The films of the year! (last year)
January 11th, 2010
Here in no particular order is my fail safe opinionated and completely flawed list of films I enjoyed the most last year. There are a lot of films I did not see, so for all “A Serious Man” and “Antichrist” lovers IM SORRY I DIDNT GET AROUND TO WATCHING THEM! They are on my ilovefilm list, honest. There are also some films missing which I thought were okay, but did not find them as effecting as others, e.g “Let The Right One In” and “Up” but that doesn’t mean I didn’t enjoy them, it just means I am a heartless bitch. Also my memory sucks so I probably left loads out too.
Drag me to hell!
An entertaining B movie pastiche of disgustingness and stupidity with Mr Raimi returning to his “Evil Dead” esque horror comedy roots after the awful “Spiderman 3.” Plus the heroine does battle with a evil handkerchief, and we all love it when linen goes bad.
Moon
Starring lots of Sam Rockwells and Kevin Spacey’s REALLY creepy voice, it’s budget allowed special effects which make “Red Dwarf” seem sophisticated but is a highly original and character driven Sci-Fi film. Yes, it was made by David Bowies son.
Zombie land
Best Bill Murray cameo I can remember.
Inglorious Basterds
This film got bafflingly average reviews despite the fact it is a complete return to form after the film about Kirk Russel killing women WITH HIS CAR!
The acting displayed from Christoph Waltz would make Daniel Day Lewis weep into his cobblers shoes, and the  scene in which the “Basterds” are undercover in the German bar….I was literally hanging off my seat, about to fall unto the floor, gripping the chair of the arm scared…..it was unrelentingly good. Even my mum liked it, and her favorite film is “Shirley Valentine.”
The Hurt Locker
This Katherine Bigelow piece tracks a bomb defusal squad in Iraq and although I am unsure about its slightly one sided patriotic message, it is still an educational, gripping and somewhat disturbing insight into the American army.
Frost/Nixon
One of my favorite films of last year, I knew little to nothing about Watergate or Nixon himself and this film made me learn things which normally I hate! plus Michael Sheen is always an incredibly watch-able and charismatic presence.
Star Trek
It could have sucked, it could have been a sacrilegious experience, but it was entertaining and sensitive to its origins.
Where The Wild Things Are
This is a incredibly brave and incredibly heartbreaking film which shows that Mr Jonze does not bend to the will of studios, it explores the confusion of childhood so perfectly and really pulls the “Stand By Me” esque punches. Perfect. BRING TISSUES.
In The Loop
I love Armando Iannucci very hard, plus its nice to know what “My Girl” is up to. The political ramifications this film depicts are also somewhat terrifying.
Hunger
I love Michael Fassbender very hard as well, and this biopic of political prisoner and hunger strike participant Bobby Sands is a uneasy viewing experience… he was also great in the disturbing “Eden Lake.”
Milk
A heartbreakingly beautiful biopic with the guy from High School Musical.
Public Enemies
There was something about this which sparked me despite its glaring errors and flaws (e.g filming on digital and Christian “continually disappointing” Bale.) I think its the unrelenting charisma of Marion Cottilard and Johnny Depp.
Coraline
A incredibly terrifying “kids” film with wreaths of imagination and darkness to boot.
My Least Favourite Film of the Year: (500) Days of Summer. It has to be seen to be believed how try hard and awful it is. I would recommend going out and watching it right now, honestly. Do it.
Ellen x
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kellykline · 3 years
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see NOW all i want is to see aziraphale to the Navy Seal copypasta
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fuckyeahgoodomens · 3 years
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Was doing Staged a big decision, because it’s so personal and set in your homes? Georgia Tennant: We’d always been a very private couple. Staged was everything we’d never normally say yes to. Suddenly, our entire house is on TV and so is a version of the relationship we’d always kept private. But that’s the way to do it, I guess. Go to the other extreme. Just rip off the Band-Aid.
Anna Lundberg: Michael decided pretty quickly that we weren’t going to move around the house at all. All you see is the fireplace in our kitchen.
GT: We have five children, so it was just about which room was available.
AL: But it’s not the real us. It’s not a documentary.
GT: Although some people think it is.
Which fictional parts of the show do people mistake for reality? GT: People think I’m really a novelist because “Georgia” writes a novel in Staged. They’ve asked where they can buy my book. I should probably just write one now because I’ve done the marketing already.
AL: People worry about our elderly neighbour, who gets hospitalised in the show. She doesn’t actually exist in real life but people have approached Michael in Tesco’s, asking if she’s OK.
Michael and David squabble about who’s billed first in Staged. Does that reflect real life? AL: With Good Omens, Michael’s name was first for the US market and David’s was first for the British market. So those scenes riffed on that.
Should we call you Georgia and Anna, or Anna and Georgia? GT: Either. We’re super-laidback about these things.
AL: Unlike certain people.
How well did you know each other before Staged? GT: We barely knew each other. We’ve now forged a friendship by working on the show together.
AL: We’d met once, for about 20 minutes. We were both pregnant at the time – we had babies a month apart – so that was pretty much all we talked about.
Did you tidy up before filming? AL: We just had to keep one corner relatively tidy.
GT: I’m quite a tidy person, but I didn’t want to be one of those annoying Instagram people with perfect lives. So strangely, I had to add a bit of mess… dot a few toys around in the background. I didn’t want to be one of those insufferable people – even though, inherently, I am one of those people.
Was there much photobombing by children or pets? AL: In the first series, Lyra was still at an age where we could put her in a baby bouncer. Now that’s not working at all. She’s just everywhere. Me and Michael don’t have many scenes together in series two, because one of us is usually Lyra-wrangling.
GT: Our children aren’t remotely interested. They’re so unimpressed by us. There’s one scene where Doris, our five-year-old, comes in to fetch her iPad. She doesn’t even bother to glance at what we’re doing.
How was lockdown for you both? AL: I feel bad saying it, but it was actually good for us. We were lucky enough to be in a big house with a garden. For the first time since we met, we were in one place. We could just focus on Lyra . To see her grow over six months was incredible. She helped us keep a steady routine, too.
GT: Ours was similar. We never spend huge chunks of time together, so it was a once-in-a-lifetime opportunity. At least until David’s career goes to shit and he’s just sat at home. The flipside was the bleakness. Being in London, there were harrowing days when everything was silent but you’d just hear sirens going past, as a reminder that something awful was going on. So I veered between “This is wonderful” and “This is the worst thing that ever happened.”
And then there was home schooling… GT: Which was genuinely the worst thing that ever happened.
You’ve spent a lot of time on video calls, clearly. What are your top Zooming tips? GT: Raise your camera to eye level by balancing your laptop on a stack of books. And invest in a ring light.
AL: That’s why you look so much better. We just have our sad kitchen light overhead, which makes us look like one massive shiny forehead.
GT: Also, always have a good mug on the go [raises her cuppa to the camera and it’s a Michael Sheen mug]. Someone pranked David on the job he’s shooting at the moment by putting a Michael Sheen mug in his trailer. He brought it home and now I use it every morning. I’m magically drawn to drinking out of Michael.
There’s a running gag in series one about the copious empties in Michael’s recycling. Did you lean into lockdown boozing in real life? AL: Not really. We eased off when I was pregnant and after Lyra was born. We’d just have a glass of wine with dinner.
GT: Yes, definitely. I often reach for a glass of red in the show, which was basically just an excuse to continue drinking while we were filming: “I think my character would have wine and cake in this scene.” The time we started drinking would creep slightly earlier. “We’ve finished home schooling, it’s only 4pm, but hey…” We’ve scaled it back to just weekends now.
How did you go about creating your characters with the writer Simon Evans? AL: He based the dynamic between David and Michael on a podcast they did together. Our characters evolved as we went along.
GT: I was really kind and understanding in the first draft. I was like “I don’t want to play this, it’s no fun.” From the first few tweaks I made, Simon caught onto the vibe, took that and ran with it.
Did you struggle to keep a straight face at times? AL: Yes, especially the scenes with all four of us, when David and Michael start improvising.
GT: I was just drunk, so I have no recollection.
AL: Scenes with all four of us were normally filmed in the evening, because that’s when we could be child-free. Usually there was alcohol involved, which is a lot more fun.
GT: There’s a long scene in series two where we’re having a drink. During each take, we had to finish the glass. By the end, we were all properly gone. I was rewatching it yesterday and I was so pissed.
What else can you tell us about series two? GT: Everyone’s in limbo. Just as we think things are getting back to normal, we have to take three steps back again. Everyone’s dealing with that differently, shall we say.
AL: In series one, we were all in the same situation. By series two, we’re at different stages and in different emotional places.
GT: Hollywood comes calling, but things are never as simple as they seem.
There were some surprise big-name cameos in series one, with Samuel L Jackson and Dame Judi Dench suddenly Zooming in. Who can we expect this time around? AL: We can’t name names, but they’re very exciting.
GT: Because series one did so well, and there’s such goodwill towards the show, we’ve managed to get some extraordinary people involved. This show came from playing around just to pass the time in lockdown. It felt like a GCSE end-of-term project. So suddenly, when someone says: “Samuel L Jackson’s in”, it’s like: “What the fuck’s just happened?”
AL: It took things to the next level, which was a bit scary.
GT: It suddenly felt like: “Some people might actually watch this.”
How are David and Michael’s hair and beard situations this time? AL: We were in a toyshop the other day and Lyra walked up to these Harry Potter figurines, pointed at Hagrid and said: “Daddy!” So that explains where we’re at. After eight months of lockdown, it was quite full-on.
GT: David had a bob at one point. Turns out he’s got annoyingly excellent hair. Quite jealous. He’s also grown a slightly unpleasant moustache.
Is David still wearing his stinky hoodie? GT: I bought him that as a gift. It’s actually Paul Smith loungewear. In lockdown, he was living in it. It’s pretty classy, but he does manage to make it look quite shit.
---
Omg the mug’s origins :D
‘GT: Also, always have a good mug on the go [raises her cuppa to the camera and it’s a Michael Sheen mug]. Someone pranked David on the job he’s shooting at the moment by putting a Michael Sheen mug in his trailer. He brought it home and now I use it every morning. I’m magically drawn to drinking out of Michael. ‘
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invisibleicewands · 3 years
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Staged's Anna Lundberg and Georgia Tennant: 'Scenes with all four of us usually involved alcohol'
Not many primetime TV hits are filmed by the show’s stars inside their own homes. However, 2020 wasn’t your average year. During the pandemic, productions were shut down and workarounds had to be found – otherwise the terrestrial schedules would have begun to look worryingly empty. Staged was the surprise comedy hit of the summer.
This playfully meta short-form sitcom, airing in snack-sized 15-minute episodes, found A-list actors Michael Sheen and David Tennant playing an exaggerated version of themselves, bickering and bantering as they tried to perfect a performance of Luigi Pirandello’s Six Characters in Search of an Author over Zoom.
Having bonded while co-starring in Good Omens, Amazon’s TV adaptation of Neil Gaiman and Terry Pratchett’s novel, Sheen, 51, and Tennant, 49, became best buddies in real life. In Staged, though, they’re comedically reframed as frenemies – warm, matey and collaborative, but with a cut-throat competitiveness lurking just below the surface. As they grew ever more hirsute and slobbish in lockdown, their virtual relationship became increasingly fraught.
It was soapily addictive and hilariously thespy, while giving a voyeuristic glimpse of their interior decor and domestic lives – with all the action viewed through their webcams.
Yet it was the supporting cast who lifted Staged to greatness,Their director Simon Evans, forced to dance around the pair’s fragile egos and piggy-in-the-middle of their feuds. Steely producer Jo, played by Nina Sosanya, forever breaking off from calls to bellow at her poor, put-upon PA. And especially the leading men’s long-suffering partners, both actors in real life, Georgia Tennant and Anna Lundberg.
Georgia Tennant comes from showbiz stock, as the child of Peter Davison and Sandra Dickinson. At 36 she is an experienced actor and producer, who made her TV debut in Peak Practice aged 15. She met David on Doctor Who 2008, when she played the Timelord’s cloned daughter Jenny. Meanwhile, the Swedish Lundberg, 26, is at the start of her career. She left drama school in New York two years ago and Staged is her first big on-screen role.
Married for nine years, the Tennants have five children and live in west London. The Lundberg-Sheens have been together two years, have a baby daughter, Lyra, and live outside Port Talbot in south Wales. On screen and in real life, the women have become firm friends and frequent scene-stealers.
Staged proved so successful that it’s now back for a second series. We set up a video call with Tennant and Lundberg to discuss lockdown life, wine consumption, home schooling (those two may be related) and the blurry line between fact and fiction…
Was doing Staged a big decision, because it’s so personal and set in your homes? Georgia Tennant: We’d always been a very private couple. Staged was everything we’d never normally say yes to. Suddenly, our entire house is on TV and so is a version of the relationship we’d always kept private. But that’s the way to do it, I guess. Go to the other extreme. Just rip off the Band-Aid.
Anna Lundberg: Michael decided pretty quickly that we weren’t going to move around the house at all. All you see is the fireplace in our kitchen.
GT: We have five children, so it was just about which room was available.
AL: But it’s not the real us. It’s not a documentary.
GT: Although some people think it is.
Which fictional parts of the show do people mistake for reality? GT: People think I’m really a novelist because “Georgia” writes a novel in Staged. They’ve asked where they can buy my book. I should probably just write one now because I’ve done the marketing already.
AL: People worry about our elderly neighbour, who gets hospitalised in the show. She doesn’t actually exist in real life but people have approached Michael in Tesco’s, asking if she’s OK.
Michael and David squabble about who’s billed first in Staged. Does that reflect real life? AL: With Good Omens, Michael’s name was first for the US market and David’s was first for the British market. So those scenes riffed on that.
Should we call you Georgia and Anna, or Anna and Georgia? GT: Either. We’re super-laidback about these things.
AL: Unlike certain people.
How well did you know each other before Staged? GT: We barely knew each other. We’ve now forged a friendship by working on the show together.
AL: We’d met once, for about 20 minutes. We were both pregnant at the time – we had babies a month apart – so that was pretty much all we talked about.
Did you tidy up before filming? AL: We just had to keep one corner relatively tidy.
GT: I’m quite a tidy person, but I didn’t want to be one of those annoying Instagram people with perfect lives. So strangely, I had to add a bit of mess… dot a few toys around in the background. I didn’t want to be one of those insufferable people – even though, inherently, I am one of those people.
Was there much photobombing by children or pets? AL: In the first series, Lyra was still at an age where we could put her in a baby bouncer. Now that’s not working at all. She’s just everywhere. Me and Michael don’t have many scenes together in series two, because one of us is usually Lyra-wrangling.
GT: Our children aren’t remotely interested. They’re so unimpressed by us. There’s one scene where Doris, our five-year-old, comes in to fetch her iPad. She doesn’t even bother to glance at what we’re doing.
How was lockdown for you both? AL: I feel bad saying it, but it was actually good for us. We were lucky enough to be in a big house with a garden. For the first time since we met, we were in one place. We could just focus on Lyra . To see her grow over six months was incredible. She helped us keep a steady routine, too.
GT: Ours was similar. We never spend huge chunks of time together, so it was a once-in-a-lifetime opportunity. At least until David’s career goes to shit and he’s just sat at home. The flipside was the bleakness. Being in London, there were harrowing days when everything was silent but you’d just hear sirens going past, as a reminder that something awful was going on. So I veered between “This is wonderful” and “This is the worst thing that ever happened.”
And then there was home schooling… GT: Which was genuinely the worst thing that ever happened.
You’ve spent a lot of time on video calls, clearly. What are your top Zooming tips? GT: Raise your camera to eye level by balancing your laptop on a stack of books. And invest in a ring light.
AL: That’s why you look so much better. We just have our sad kitchen light overhead, which makes us look like one massive shiny forehead.
GT: Also, always have a good mug on the go [raises her cuppa to the camera and it’s a Michael Sheen mug]. Someone pranked David on the job he’s shooting at the moment by putting a Michael Sheen mug in his trailer. He brought it home and now I use it every morning. I’m magically drawn to drinking out of Michael.
There’s a running gag in series one about the copious empties in Michael’s recycling. Did you lean into lockdown boozing in real life? AL: Not really. We eased off when I was pregnant and after Lyra was born. We’d just have a glass of wine with dinner.
GT: Yes, definitely. I often reach for a glass of red in the show, which was basically just an excuse to continue drinking while we were filming: “I think my character would have wine and cake in this scene.” The time we started drinking would creep slightly earlier. “We’ve finished home schooling, it’s only 4pm, but hey…” We’ve scaled it back to just weekends now.
How did you go about creating your characters with the writer Simon Evans? AL: He based the dynamic between David and Michael on a podcast they did together. Our characters evolved as we went along.
GT: I was really kind and understanding in the first draft. I was like “I don’t want to play this, it’s no fun.” From the first few tweaks I made, Simon caught onto the vibe, took that and ran with it.
Did you struggle to keep a straight face at times? AL: Yes, especially the scenes with all four of us, when David and Michael start improvising.
GT: I was just drunk, so I have no recollection.
AL: Scenes with all four of us were normally filmed in the evening, because that’s when we could be child-free. Usually there was alcohol involved, which is a lot more fun.
GT: There’s a long scene in series two where we’re having a drink. During each take, we had to finish the glass. By the end, we were all properly gone. I was rewatching it yesterday and I was so pissed.
What else can you tell us about series two? GT: Everyone’s in limbo. Just as we think things are getting back to normal, we have to take three steps back again. Everyone’s dealing with that differently, shall we say.
AL: In series one, we were all in the same situation. By series two, we’re at different stages and in different emotional places.
GT: Hollywood comes calling, but things are never as simple as they seem.
There were some surprise big-name cameos in series one, with Samuel L Jackson and Dame Judi Dench suddenly Zooming in. Who can we expect this time around? AL: We can’t name names, but they’re very exciting.
GT: Because series one did so well, and there’s such goodwill towards the show, we’ve managed to get some extraordinary people involved. This show came from playing around just to pass the time in lockdown. It felt like a GCSE end-of-term project. So suddenly, when someone says: “Samuel L Jackson’s in”, it’s like: “What the fuck’s just happened?”
AL: It took things to the next level, which was a bit scary.
GT: It suddenly felt like: “Some people might actually watch this.”
How are David and Michael’s hair and beard situations this time? AL: We were in a toyshop the other day and Lyra walked up to these Harry Potter figurines, pointed at Hagrid and said: “Daddy!” So that explains where we’re at. After eight months of lockdown, it was quite full-on.
GT: David had a bob at one point. Turns out he’s got annoyingly excellent hair. Quite jealous. He’s also grown a slightly unpleasant moustache.
Is David still wearing his stinky hoodie? GT: I bought him that as a gift. It’s actually Paul Smith loungewear. In lockdown, he was living in it. It’s pretty classy, but he does manage to make it look quite shit.
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trashboatprince · 4 years
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Finally finished the Good Omens novel, so now I’ve seen the show, listened to the radio program, and read the book and here are some thoughts on all three, if anyone is interested...
BOOK:
-I love Crowley and Aziraphale in this, they are probably the best parts of the book by simply being their dumb selves.
-The Bookshop Scene is probably the best in this version, because it’s infamous
-Not... too big on Anathema in the book, she comes off as rather mean.
-Tracy is amazing, as always. Shadwell is just... Shadwell, haha.
-The Them scenes are interesting for development but drag on, so they were a chore to get through.
-I love a lot of the details, but I was a wee bit disappointed that the bookshop burning wasn’t as impactful as the show or the radio’s version, I dunno. But I’m chalking it up to him being a bit... numb? I mean, his best friend’s bookshop burned down and he was probably inside, so yeah
-Aziraphale traveling through different host bodies is the funniest thing in the whole book, that, and the fact that he thinks he doesn’t cuss but he does it about four times in the book
-Over all, I enjoy it greatly, even though it is dated and has some terms that aren’t all that great nowadays, but it is from 1990, so that makes sense. I say give it a read
RADIO:
-I honestly think this is my favorite version, I have no idea why
-I love the choices for the actors, Crowley and Aziraphale’s voices fit them so well
-The fact that they have to overly describe things and their actions is hilarious because you can’t see it or read it, you have to be told it by the actors speaking to themselves
-The bloopers are hilarious 
-Aziraphale cannot legally say fuck
-The fandom talks about Crowley having a super sexy voice, but I know this guy from Gravity Falls and it’s hard to get over how funny he was in the show, but then again, Crowley is freaking hilarious anyway
-Crowley murders four people in this and nothing comes of it, it just happens
-Agnes Nutter is the best
-Terry and Neil both cameo in it 
-I swear Crowley and Aziraphale have been in a relationship since before the Apple Incident and the actors play that up so well, especially Crowley’s actor 
SHOW:
-The whole reason I got into this fandom, well, it was mostly because of how adorable Michael Sheen looked and David Tennant looking really good with red hair... and then curiosity got the best of me cause I started seeing their characters shipped together, even though I HAD seen art of Crowley and Aziraphale before, I just had no idea cause people drew them differently due to the book only having very basic descriptions. But yeah, it got to the point where I just had to see what was going on, it looked like fun, and I’m glad I stole my sister’s prime account to watch it
-Episode three is my favorite episode and one of my favorite filmed things in any show
-It’s so much fun and I love the additions to the show to add more from the book
-It’s a good way to get into the book and the radio show
-Give it a chance, it doesn’t have to be seen as gay like a lot of us see it, you can see it as a platonic thing too, it’s open enough for both
-Costumes... I live for the costumes...
-Nanny. She gets a whole thing cause I love Nanny.
-Great show, super short, but totally gives you a lot of what the book gives with just a bit more for Crowley and Aziraphale 
-I have a special place in my heart for the show because my parents watched it with me and they both enjoyed it and didn’t make terrible comments about the more lgbt-based content and such
I love this fandom, I love this series, it makes me happy, especially with everything that happened between August and December for me, there was a lot of chaos and giving the show a second watch filled me with a lot of joy and it continues to do so.
I know it annoys some people, but I try not to judge what makes other people happy, that’s their business and this is mine.
But yeah, overall, I love Good Omens, it’s fun. :D 
6 notes · View notes
lucienballard · 5 years
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Apocalypse Now: Final Cut review ... 
crazed exposé of the heart of darkness .... 5stars out of 5 stars.    
From Marlon Brando’s extraordinary cameo to Dennis Hopper’s crazed photojournalist, Coppola’s epic ‘definitive’ cut of his brilliant 1979 war film is triumphant in restating the inhumanity of empire
Someday this war’s gonna end,” is the sage comment from surf-crazed Wagner enthusiast Lieutenant Colonel Kilgore, brusquely played by Robert Duvall. In fact, when Francis Ford Coppola’s grandiose epic masterpiece Apocalypse Now was first unveiled in 1979, the Vietnam war had only ended four years previously, and the succeeding Cambodian-Vietnamese war (where the film’s climax is set) was in full swing.
Coppola’s bad trip into south-east Asia was co-written by John Milius with narration written by Michael Herr. It was inspired by Joseph Conrad’s novel Heart of Darkness, Herr’s own Vietnam reportage-memoir Dispatches and maybe at one further remove by Rudyard Kipling’s lines about the US taking up the white man’s imperial burden. It was famously an ordeal for all concerned. The production involved a filming expedition in the Philippines that felt hardly less colossal and traumatic to the participants than the actual war, though it became commonplace in Hollywood’s Vietnam for the anguish of American soldiersnot that of the Vietnamese people themselves, to be seen as important. (The nearest that Vietnamese people get to actual importance in Apocalypse Now is the four South Vietnamese intelligence officers, executed by ColKurtz as Communist spies, whose ID cards we briefly see.) Like Lawrence of Arabia, moreover, this is a film without women – or mostly.
Now Apocalypse Now has resurfaced for its 40th-anniversary in what Coppola is calling his definitive final cut. Interestingly, this does not mean simply including everything he shot. He has removed some of the “Playmate” sequences that were in his 202-minute “Redux” edition from 2001, but this cut retains the extended “dinner party” scene with French planters in the jungle, like an encounter with angry imperial ghosts.
Martin Sheen plays Captain Benjamin Willard, a troubled officer, recovering – or not recovering – from a breakdown caused by his last tour of Vietnam. He is tasked by hatchet-faced intelligence chiefs with travelling with a small crew upriver into Viet Cong territory and into Cambodia. There he is expected to track down the renegade Colonel Walter Kurtz – an extraordinary cameo by Marlon Brando – and “terminate his command”, because this once brilliant officer has gone native and become drunk with power, ordering executions; he is rumoured to be revered as a chieftain, or worshipped as a pagan god, lost his mind through having been vouchsafed some terrible vision of humanity in the jungle itself.
And so Willard sets off into the Boschian chaos, encountering Kilgore, who gives him diversionary air cover to get his boat to the river’s strategic entry point with his bizarre “Air Mobile” helicopter cavalry attack blaring Wagner from the sound-system. It is one of the most staggering war-movie set pieces in history. Finally, Willard and his men: Tyrone (Laurence Fishburne), Lance (Sam Bottoms), Chef (Frederic Forrest), and Chief (Albert Hall) arrive at the sinister jungle clearing, with corpses hung everywhere, and they encounter Kurtz’s acolyte: the crazy, gurning photojournalist (Dennis Hopper) – a countercultural parody, like a cross between Charles Manson (whose fate Willard had noticed in a newspaper headline) and one of Manson’s followers. It is presumably this character who has painted the graffiti: “Our Motto: Apocalypse Now” on to a nearby rock.
Brando’s charisma sells the climactic scenes with Willard; without his presence, the literary musings would be a little callow. But his unmistakably adenoidal whispered aria about tribespeople cutting off their children’s arms rather than submit to inoculation always delivers a sickening blow. Sheen, meanwhile, is strong and charismatic as Willard, becoming more fascinated and awestruck by Kurtz’s reputation the closer he gets to his quarry. Each time I watch this film, though, I always regret, just a little, that Willard hasn’t a bit more to say for himself, especially as he has this avowed need to “confront” Kurtz. But his mute presence is potent enough.
Finally, Apocalypse Now finds its triumph in restating the inhumanity of empire. Like many a colonial planter, Colonel Kurtz finds it intensely pleasurable, even ecstatic, to feel himself superior to the subjugated peoples. Having tested his strength against theirs, he affects to admire their supposed primitive honesty and authenticity as superior to the white civilisation he has transcended. But having contemptuously left behind his former identity, he feels how desolate and futile is his existence as both human and god.
• Apocalypse Now: Final Cut is released in the UK on 13 August and in the US on 15 August.
Peter Bradshaw
@PeterBradshaw1
Wed 7 Aug 2019
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dalekofchaos · 6 years
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DCEU Recast
For fun I’ve decided to do a recast of the DCEU and ps in my version everyone gets their movie before Justice League and it’s Martian Manhunter who brings everyone together
My other DC Fancasts
Batman
Batman Beyond
Superman
Wonder Woman
The Flash
Aquaman
Green Lantern
Green Arrow
Justice League
Teen Titans
Justice League Dark
The Dark Knight Returns
Telltale’s Batman
Injustice
Legion Of Doom
Birds Of Prey
Phase 1
Man Of Steel
Josh Hartnett as Superman/Clark Kent
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Emily Blunt as Lois Lane
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Harrison Ford as Jonathan Kent
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Meryl Streep as Martha Kent
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Kate Mara as Lana Lang
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Tobey Maguire as Pete Ross
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Sean Bean as Jor-El
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Kate Winslett as Lara Lor-Van
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Rupert Grint as Jimmy Olsen
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William Shatner as Perry White
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Rachel McAdams as Cat Grant
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Patrick Warburton as Steve Lombard
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Sterling K Brown as Ron Troupe
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Billie Piper as Maggie Sawyer
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Christopher Meloni as Dan Turpin
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Danny Glover as William Henderson
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Richard Schiff as Dr Emil Hamilton
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Clancy Brown as  General Sam Lane
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Terry O’Quinn as Lex Luthor
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Tao Okamoto as Mercy Graves
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Viggo Mortensen as General Zod
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Lena Headley as Faora
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Robert Maillet as Non
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The Batman(in my version, The Batman comes after Man Of Steel, this will be about how The Joker and Harley Quinn kills Jason Todd, yes both Joker and Harley kill Jason. It’s important that everyone realizes Harley is a villain and not a anti-hero)
Karl Urban as Batman/Bruce Wayne
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Peter Capaldi as Alfred Pennyworth
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Michael Keaton as Thomas Wayne
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Kim Basinger as Martha Wayne
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Courtney B Vance as Lucius Fox
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Kate Mulgrew as Dr Leslie Thompkins
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Diane Kruger as Vicki Vale
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Mark Pellegrino  as Jack Ryder/The Creeper
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Jesús Castro as Nightwing/Dick Grayson
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Jane Levy as Barbara Gordon/Oracle
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Matthew Daddario as Jason Todd/Robin
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Morena Baccarin as Catwoman/Selina Kyle
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or Odette Annable as Catwoman/Selina Kyle
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or Eiza González as Catwoman/Selina Kyle
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Bryan Cranston as James Gordon
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Michael Madsen as Harvey Bullock
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Stephanie Beatriz as Renee Montoya
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Jodie Foster as Sarah Essen
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Ben Mendelsohn as Dr Jeremiah Arkham
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Rockmond Dunbar as Aaron Cash
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Joe Giligun as The Joker
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Amanda Seyfried as Harley Quinn
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And on the Batcomputer we’d see cameos from the other Batman villains
Alfred Molina as The Penguin/Oswald Chesterfield Cobblepot
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Liev Schreiber as Two-Face/Harvey Dent
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David Tennant as The Riddler
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Tobin Bell as Mr Freeze/Victor Fries
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Jessica Chastain as Poison Ivy/Pamela Isley
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Michael Wincott as Black Mask/Roman Sionis
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Adam Driver as Scarecrow/Jonathan Crane
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Ben Kingsley as Hugo Strange
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Toby Jones as Mad Hatter/Jervis Tetch
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Majid Al Masri as Ra’s Al Ghul
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Shanina Shaik as Talia Al Ghul
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Yasmine Al Massri as Nyssa Raatko
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Zhang Ziyi as Lady Shiva
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John Lithgow as Arnold Wesker/The Ventriloquist
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Adewale Akinnuoye-Agbaje as Killer Croc/Waylon Jones
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Pedro Pascal as Deadshot/Floyd Lawton
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Kevin Durand as Solomon Grundy
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Jackie Earle Haley as Victor Zsasz
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Leonardo DiCaprio as Clayface/Basil Karlo
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Woody Harrelson as Firefly/Garfield Lynns
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Doug Jones as Man-Bat /Dr. Kirk Langstrom
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Daniel Radcliffe as Anarky
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Conleth Hill as Calandar Man/Julian Day
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Tom Berenger as Commissioner Gillian B. Loeb
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Michael Weatherly as Detective Arnold Flass
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Will Arnett as Lt. Howard Branden
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Robert DeNiro as Carmine Falcone
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Al Pacino as Salvatore Maroni
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Charlie Heaton as Alberto Falcone
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Gwendoline Christie as Sofia Falcone
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Vincent Karthieser as Mario Falcone
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Nick Nolte as Rupert Thorne
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Brad Dourif as Joe Chill
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World’s Finest(This is not BVS this is World’s Finest. This is not a dumbed down fight scene just to kiss Frank Miller’s ass to adapt the most overrated comic. I care more about Batman and Superman having strong differences and overcoming them and working together in the end to stop a common threat. They are called the World’s Finest for a reason.)
Karl Urban as Batman/Bruce Wayne
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Josh Hartnett as Superman/Clark Kent
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Emily Blunt as Lois Lane
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Peter Capaldi as Alfred Pennyworth
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Bryan Cranston as James Gordon
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Michael Madsen as Harvey Bullock
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Stephanie Beatriz as Renee Montoya
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Rupert Grint as Jimmy Olsen
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William Shatner as Perry White
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Billie Piper as Maggie Sawyer
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Christopher Meloni as Dan Turpin
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Joe Gilgun as The Joker
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Amanda Seyfried as Harley Quinn
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Terry O’Quinn as Lex Luther
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Tao Okamoto as Mercy Graves
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Wonder Woman
Gemma Arterton as Wonder Woman/Diana Prince
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Ryan Gosling as Steve Trevor
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Lucy Davis as Etta Candy
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Lynda Carter as Hippolyta
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Alexandra Daddario as Artemis
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Lisa Berry as General Philippus
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Robin Wright as General Antiope
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Gerard Butler as Ares
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Anne Hathaway as Athena
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Lucy Lawless as Hera
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Liam Neeson as Zeus
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Peter Stormare as Hades
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Green Lantern(Basically what the animated movie First Flight was. But  Buddy Cop adventures of Hal and Sinestro. Hal Jordan mentoring under Sinestro (who does NOT turn evil at the end of the first, but instead the end of the second movie and in the third movie is when we get Sinestro Corps, however my big change to Sinestro’s character is Sinestro isn't a tyrant of his own people. Have it be that Sinestro used the ring to better his own world and his people love him, but the Guardians saw that as interference and marked Sinestro as a threat)
Chris Pine as Green Lantern/Hal Jordan
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Lauren Cohan as Carol Ferris
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Luke Evans as Sinestro
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Zachary Quinto as  Tomar-Re
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Ken Watanabe as Abin Sur
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Scott Bakula as Alan Scott
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Ron Pearlman as Kilowog
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Michael Sheen as Hector Hammond
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With cameos from future Green Lanterns
Trevante Rhodes as John Stewart/Green Lantern
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Diego Luna as Kyle Rayner
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Aaron Paul as Guy Gardner
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Saad Siddiqui as Simon Baz
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Dianne Guerrero as Jessica Cruz
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The Flash
Garrett Hedlund as The Flash/Barry Allen
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Anna Kendrick as Iris West
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David Duchovny as Henry Allen
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Gillian Anderson as Nora Allen
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Sendhil Ramamurthy as David Singh
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Lennie James as James Forrest
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Peter Weller as Darryl Frye
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Juno Temple as Patty Spivot
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Tiffany Espensen as Linda Park
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Bruce Greenwood as Jay Garrick
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Peyton Meyer  as Wally West/Kid Flash
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Michael C Hall as Eobard Thawne/Reverse Flash
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Aquaman
Alexander Skarsgard as Aquaman/Arthur Curry
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Christina Hendricks as Mera
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Stellan Skarsgård as Tom Curry
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Kelsey Grammer as Nuidis Vulko
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Cary-Hiroyuki Tagawa as Dr. Stephen Shin
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Nicole Kidman as Atlanna
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Michael K Williams as Black Manta
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Gustaf Skarsgard as Ocean Master
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Teen Titans(I think it’s better to have Teen Titans instead of Suicide Squad in phase 1)
Jesús Castro as Nightwing/Dick Grayson
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Ray Fisher as Cyborg/Victor Stone
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Sharon Belle as Starfire/ Koriand'r
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Natasha Negovanlis as Raven/Rachel Roth
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Dylan O'Brien as Beast Boy/Garfield Logan
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Peyton List as Terra
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Joe Manganiello as Deathstroke/Slade Wilson
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Justice League(White Martians will be the villains and J’onn is the one who unites the Justice League)
Karl Urban as Batman/Bruce Wayne
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Josh Hartnett as Superman/Clark Kent
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Gemma Areton as Wonder Woman/Diana Prince
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Garrett Hedlund as The Flash/Barry Allen
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Alexander Skarsgard as Aquaman/Arthur Curry
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Chris Pine as Green Lantern/Hal Jordan
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Giancarlo Esposito as J’onn J’onzz/Martian Manhunter
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Phase 2
Man Of Steel 2
Josh Hartnett as Superman/Clark Kent
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Emily Blunt as Lois Lane
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Elle Fanning as Supergirl/Kara Zor-El
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Meryl Streep as Martha Kent
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Rupert Grint as Jimmy Olsen
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William Shatner as Perry White
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Rachel McAdams as Cat Grant
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Patrick Warburton as Steve Lombard
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Warner Miller as Ron Troupe
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Billie Piper as Maggie Sawyer
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Robert De Niro as Dan Turpin
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Mark Harmon as William Henderson
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Richard Schiff as Dr Emil Hamilton  
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Clancy Brown as  General Sam Lane
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Terry O’Quinn as Lex Luthor
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Ralph Fiennes as Brainiac
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Shazam(In title name and Billy shouting only, the choice to call Billy’s hero persona Shazam is a confusing mess)
Channing Tatum as Captain Marvel
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Noah Schnapp as Billy Batson
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Finn Wolfhard as Freddy Freeman
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Rowan Blanchard as Mary Batson
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Jim Beaver as Uncle Dudley
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Ernie Hudson as Jebidiah of Canaan/The Wizard of Shazam
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Jeffrey Wright as Tawky Tawny
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Hugh Laurie as Dr. Thaddeus Sivana
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Dwayne Johnson as Black Adam
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Suicide Squad
Mo´Nique as Amanda Waller
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Daniel Craig as Colonel Rick Flag
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Pedro Pascal as Deadshot/Floyd Lawton
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Jonny Lee Miller as Captain Boomerang
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Kristen Bell as Killer Frost
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Derek Mears as King Shark
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Michael Jai White as Bronze Tiger
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Karen Fukuhara as Katana
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Holland Roden as Plastique 
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Wonder Woman 2
Gemma Areton as Wonder Woman/Diana Prince
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Ryan Gosling as Steve Trevor
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Lynda Carter as Hippolyta
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Alexandra Daddario as Artemis
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Lisa Berry as General Philippus
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Angelina Jolie as Circe
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Charlize Theron as Cheetah
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Green Arrow
Charlie Hunam as Green Arrow/Oliver Queen  
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Katheryn Winnick as Black Canary/Dinah Lance  
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Taron Egerton as Arsenal/Roy Harper
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Alona Tal as Speedy/Mia Dearden
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Common as John Diggle
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Josh Gad as Henry Fyff
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Donnie Yen as Yao Fei
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Devon Aoki as Shado
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Keanu Reeves as Merlyn
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Bird Of Prey
Jane Levy as Barbara Gordon/Oracle
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Teresa Ting as Batgirl/Cassandra Cain
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Katheryn Winnick as Black Canary/Dinah Lance
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Eliza Dushku as Helena Bertinelli/The Huntress
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Tatiana Maslany as Lady Blackhawk/Zinda Blake
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Gugu Mbatha-Raw as Vixen/Mari Jiwe McCabe 
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Lily Collins as Starling/Evelyn Crawford
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Zhang Ziyi as Lady Shiva
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Batman Under The Red Hood
Karl Urban as Batman/Bruce Wayne
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Peter Capaldi as Alfred Pennyworth
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Matthew Daddario as Red Hood/Jason Todd
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Bryan Cranston as James Gordon
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Michael Madsen as Harvey Bullock
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Stephanie Beatriz as Renee Montoya
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Michael Wincott as Black Mask/Roman Sionis
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Joe Giligun as The Joker
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Amanda Seyfried as Harley Quinn
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Shanina Shaik as Talia Al Ghul 
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Justice League:Legion Of Doom
Karl Urban as Batman/Bruce Wayne
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Josh Hartnett as Superman/Clark Kent
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Gemma Areton as Wonder Woman/Diana Prince
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Garrett Hedlund as The Flash/Barry Allen
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Alexander Skarsgard as Aquaman/Arthur Curry
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Chris Pine as Green Lantern/Hal Jordan
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Giancarlo Esposito as J’onn J’onzz/Martian Manhunter
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Terry O’Quinn as Lex Luthor
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Joe Gilgun as The Joker
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Joe Manganiello as Deathstroke
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Michael K Williams as Black Manta
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Charlize Theron as Cheetah
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Dwayne Johnson as Black Adam
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Luke Evans as Sinestro
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Michael C Hall as Reverse Flash/ Eobard Thawne
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79 notes · View notes
youcantsponsorus · 2 years
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Did we REALLY need rape involved? Or, thoughts on Tom Ford’s Nocturnal Animals (2016)
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There is not a single reason why rape matters in this movie. It does not impact the plot. It does not change the outcome or the motivations of the characters. We don’t see the victims process it. The women are just beautiful, naked, dead bodies who were violated, a fact we are told over and over again as if we could forget; as if we could forget the utterly unnecessary but mercifully brief rape scene that sits in the middle of the movie like a heavy, immovable object. It’s easy to write women out of a movie instead of giving them dialogue and character development; what is so useful about Tony’s dead girls is that characters - and the audience - can eroticize them without having to actually deal or interact with them. Tony’s wife and daughter could have been singularly murdered and the entire movie would have been the same. It would have still been horrific. The constant repetition and reminders of forced penetration - and to a child - are unnecessary, boring, and incredibly telling about the personalities behind the camera, and what they think is worth valuable screen time. 
Cinematographically, the parallels and transitions that link what we are to consider “real” events with the fictional ones are quite skillful and thematically effective, but I don’t think anyone has ever accused Tom Ford of shirking the mise-en-scène. It’s linking the two narratives substantively that lacks, not the artistry of each individual tableau (although, the static camera stops working for me two-thirds of the way in). Everyone was gorgeous (even when they aren’t necessarily meant to be), the settings were chosen well, yadda yadda yadda. No surprise there. The soundtrack has some lovely instrumental pieces. I never thought that my senses wouldn’t be piqued and satisfied during a Tom Ford film. He knows how to do that.
I keep coming back to that little shack with that wire-frame bed. That bed is more vivid to me than the exhausting, shock-red couch where dead bodies are draped. It looked so flimsy and collapsable yet still sharp and dangerous. But its presence didn’t impact the weight of the emotions the characters are supposed to carry. The knowledge of the rape is no less gruesome; the desire for revenge no less potent. If they were murdered - as opposed to raped and murdered - we’d still get it. You don’t need to rape a woman to have to justify avenging her. We understand. The stakes are already at their highest.
Tony begs Ray to tell him the details of the suffering, what his wife and daughter said and felt and experienced and screamed as a penis was being shoved inside of them, as they were being beaten or suffocated.
“I wanna know if they hurt.”
They did.
They were raped and murdered, but it’s like he can’t believe it until he hears it from the man who did it. I genuinely don’t believe these people. I believe the performances but not the characters. 
“I wanna know how you killed them. And I wanna know if they knew what was happening to them. I wanna know what they felt.”
If you’re trying to tell us Tony and Ray may have more in common than names ending in y, you can find a way to do it that doesn’t involve raping a child. Try harder.
Aaron Taylor-Johnson plays a husk of a person whose personality type, narrative arc, and characterization are “rapist/murderer.” He’s as well-written as the perp of the week on Law and Order: SVU. (That’s not as harsh it sounds - SVU has some strong moments.) He did an excellent job of being a cardboard sadist, as he was asked to be. He delivered appropriately. Why didn’t Isla Fisher get any lines? Tragically underused. Laura Linney’s cameo was great; ditto Michael Sheen and most bit players in this. But again, were we really worried about production value and actor prestige from the creative director of Gucci and YSL? Nah. Show us more, what’s underneath. 
(Also, couldn’t find a Hispanic-identifying actor to play Roberto Andes, huh?)
Did Tom Ford want to make two wildly different aesthetic movies? Feels like it. But, not having the time to do so, he may have decided to merge them for drastic contrast. I get it. I don’t think it worked but I understand the motivation. The book it’s based on of course provides most of the material, and asks the director to play with juxtaposition and duality, but the visual decisions of how to dichotomize were in Ford’s hands, and together they just clash instead of working together. 
B+
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I just finished Staged 1!! My reactionz (apologies for wall-of-text; I cannae “read more” on mobile);
(tl;dr at the end)
Props for getting me to not despise a Zoom show on sight. Uses the medium really well despite it being, you know, a remnant of the world fuckin ending
Very Rosencranz and Guildenstern are Dead, like the patter/volley, lotta chemistry (goes without saying)
David Tennant using Frost/Nixon as an example to explain who Michael Sheen is to Samuel L. Jackson makes me feel so seen. Maybe it’s an American thing idk
Nina, my beloved… serving cunt as the day is long. Rip to her beleaguered assistant lmao
The celeb cameos weren’t annoying !
Bordered on naval gaze-y but self aware enough (meta!) to skirt the line well
Simon’s sister rules lmao
The exterior shots showing empty Englandland were beautiful and captured a (shitty) moment in time very effectively. And sheep! Pastoral VS city, good stuff
Who the fuck is Michael Sheen?!
I wish David writing the play came up earlier, structurally it felt kinda thrown in the last two episodes, but they’re short so it’s a lot to put in
Michael crying over the old lady possibly dying 🥺 Best unseen character uwu
Welsh is a horrifically ugly language but I appreciate their commitment to the bit
Best ep by far was the 3rd (I think?) one revolving around lying. Fantastically written and all around a tight episode
He is in the naughty corner!!
I’m ignorant af whooooooo is the black actory guy in the 5th (I think?) episode who goes on a run to deal with stress and reads Ulysses twice? Love him. I will follow him into the dark
The Ulysses bit is very haha Bri’ish
Do Not Go Gentle Into That Good Night Reference !!!!
The credits gag is *chef’s kiss*
I… don’t like the music. It feels very Kevin Macleod student film stock piano sorry
Also could be my hearing issues but I just couldn’t hear sometimes, at least with the wide shots. Maybe there are subtitles but I wouldn’t know since I watched it completely legally uwu
Editing with fade-to-black annoyed me at first since that’s not how Zoom works but it won me over, very effective theater-y choice. Elevates it a lot along with the way the Brady Bunch boxes move
David and Georgia’s dynamic is adorable and they play well off each other. Not sure if I’ve seen Georgia in anything before (statistically speaking she was prob in Doctor Who lmao) but I really like her as an actress! Very charming
Anna’s not in it as much so can’t say for her acting ability but she was fine idk. She has zero chemistry with David and Georgia but her and Michael seem to have a little bit, just not nearly on the same level as the Tennants. It’s “meta” so not quite sure what that implies irl but her awkwardly leaving Georgia on read was very funny
Idk who Simon is but he’s a good actor! More of a writer? Self effacing and fun
D̵̨̜̓̽͆͘Ḁ̴̪̻̘̗̮̀͛̈̊̅͆ͅM̷̭̒͛̓̔̐͛̉̂̈́̔͘Ë̷̲́̿̅̀̐̆̇̅͋̓̋͂̉ ̴̟̖͉̳͖͕̫̑̌́͂̀͑͐̽̈́̃̃J̶̨̤̞̰̙̻̯͍͖̯̠̝̥̤̿͐̄̂̈̅̎̃̌͊͊̓͠Û̶̢͍͔̱̦̩̬̦͙͖̓̿͘D̶͇̭́̋̓̆͆̋̋͘I̶̞̳͕͖͗̓̓͑̐͆͊͋̂̚͠͝ ̴̧̨͎͖̲̳̼̎̈́̋̐͘Ḑ̸̲̖̟̲͓̝̠͍̤͛͆͐͘E̷̛̻̥͙̯͂͌̌̈͂̒Ņ̷̛̭̦̗͔̝͙̖̆̀̆̌̚ͅC̴̢̬͉͈̉͐̃̀̋̓̓̓̀̚H̵̡̠͕͚̹͑͂̃̉̐̈̾̍̕͠
In the same vein, the button of the cookie jar acting game— yes. All yes
Once again hammering the meta theme but it is interesting to see how David & Michael’s chemistry really does get stronger as the episodes go on. I’m assuming it was filmed in order so a lot of it is the awkwardness of acting on Zoom I think since they had better chemistry in Good Omens 1 imo. They said they became closer friends through it and it shows
Also feels less ‘actor-y’/more comfortable between them as it goes on, which I get is scripted but you can tell the difference, like when a sitcom cast for many years either starts hating each other at the end or becomes inseparable
tl;dr Overall it’s quite cute! Well written, easy watch, lotta subtle funny moments and back and forths. Interesting to see something that feels like a play as a Zoom TV show, it’s unique. Everyone is having a good time and likes each other and it shows. Not sure I’d come back for a rewatch if not for it (apparently) becoming a lot more meta as it goes on and then whiplashing from funnier in season 2 to major bummer in season 3.
It’s fascinating to see a friendship develop in real time, and even aside from that, it’s written and edited concisely. Based on .gifs I’ve seen it looks like season 2 has a lot more of the iconic/memorable moments. Don’t really see the “love story” aspect yet but I guess that comes in time. (And arguing! I’m excited for arguing. Actors love that shit.)
Started season 2 with episode 1 and already like it more with how meta (this no longer sounds like a word) it’s getting. Cool concept and I’m glad it exists
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timetraveller29 · 6 years
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Good Omens TV. Excited?
Okay so I am a huge Good Omens fan, it has to be my favourite book ever – but nobody else I know has read it! So I can't talk about how much I adore Crowley and Aziraphale, or how hilarious I find the Them, or how I squeal everytime Death turns up... I have no one to share my enthusiasm with! And that's a bummer, because there's A TV SERIES COMING UP, and I have no outlet –
Except tumblr!
So here's what I'm excited about:
1. David Tennant as Crowley. I can't wait to see him swaggering about in his sunglasses and Bentley, threatening his plants, and yet being helplessly in need of Aziraphale's help. He's so vulnerable, but he thinks he's so tough. I'd love to see that come through on screen.
2. Michael Sheen as Aziraphale. His love of books, pathetic magic tricks, getting busted at heaven because of Shadwell, and possessing Madame Tracy...! He's hopeless, honestly, and yet so sweet!
3. Terry Pratchett references and possibly a Neil Gaiman cameo! I live for the moments when an author gets to appear in a world he's created!
4. The Wings!! And the flaming sword!!
5. Anathema Device. She's my favourite and I can't wait to see her depiction on TV! Her with her theodolite, crashing with Crowley's car, her friendship with Adam Young and relationship with Newton, can't wait for them!!
6. Newton's car.
7. The four horsemen, but most importantly: DEATH! In. his. bike. helmet!!!
8. The delivery man who comes to each of the horsemen... What a guy!
9. The book references to Elvis Presley? And the Daleks?? And James Bond??
10. How does Shakespeare even come into it?!?
...And that's only the half of it!
@neil-gaiman
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ramajmedia · 5 years
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10 Comedy Actors From The 90s We Wish Were Still Making Movies
The ‘90s were a decade that really defined the comedy movie genre. Iconic film franchises emerged, like Ace Ventura and Austin Powers. And, on the small screen, popular sketch comedy series like Saturday Night Live and In Living Color kept fans laughing hysterically as they watched hilarious sketches and recurring characters.
And while comedy films continue to bring the big bucks and audience laughs today, and we have a new slate of comedic actors showing their talents, such as Melissa McCarthy, Will Ferrell, and Amy Schumer, there are some classic comedic actors we really miss.
RELATED: Rotten Tomatoes: Every Comedy Movie That Got 100% 
Some of these actors are still active today, appearing in TV series, voicing characters, or working behind the scenes. Some have sadly left this world. Nonetheless, here are 10 comedy actors from the ‘90s that we really wish would make a comeback in comedy film.
10 Eddie Murphy
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Eddie Murphy was a staple on the comedy film scene back in the ‘80s and ‘90s, appearing in films in the latter decade like Beverly Hills Cop III, The Nutty Professor, and Doctor Doolittle. He continued through the early ‘00s, most notably voicing the character of Donkey in the Shrek movies.
But we miss his crass humor, stand-up comedy specials, and signature laugh and style. Luckily, we’ll see the comedian on the small screen again as he returns to host Saturday Night Live, on which he was a cast member from 1980 to 1984, for the first time in 35 years this December.
9 Robin Williams
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Since this comedy icon passed away in 2014, there’s zero chance of him returning to movies. But when you think of comedy films from the ‘90s, Williams is one of the first names to come to mind. He appeared in memorable movies during that decade like Hook, Mrs. Doubtfire, and Patch Adams, as well as the voice of the Genie in the animated film Aladdin.
The actor and stand-up comedian was one of the funniest of this generation, first rising to fame on the small screen in the sitcom Mork & Mindy. While we might never see him again in film, his movies, performances, and characters will go down in history as some of the best.
RELATED: Ignore The Critics: 10 Good Comedy Movies With Bad Rotten Tomatoes Scores 
8 Jim Carrey
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Jim Carrey proved he has serious acting chops after appearing in films like I Love You Phillip Morris and Eternal Sunshine of the Spotless Mind. And he’s still active on the scene today, most recently in the TV series Kidding. But we miss the signature comedic styling, facial warps, and spastic moves that helped define comedy films in the ‘90s with movies like Ace Ventura: Pet Detective, The Mask, Dumb & Dumber, and The Cable Guy; not to mention his many memorable characters from the sketch comedy series In Living Color.
Carrey did reprise his goofy role of Lloyd for the 20-years-later-sequel to Dumb & Dumber, Dumb and Dumber To. But we want more!
7 Steve Martin
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One of this generation’s comedy greats, Martin appeared in a long string of comedy films in the ‘90s, including Father of the Bride, Mixed Nuts, and Bowfinger. He has continued to act since then, including as himself in the 2016 series Maya & Marty and makes appearances on Saturday Night Live.
His comedic run ran through the early ‘00s in films like Cheaper By the Dozen 2, The Pink Panther, Baby Mama, and It’s Complicated. While he also does writing work, and plays music, we miss seeing this funny man showcase his talents on film.
Related: The 10 Most Memorable Characters From Your Favorite ‘90s Teen Comedies
6 Damon Wayans
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All of the Wayans brothers ruled the television scene in the ‘90s on the sketch comedy series In Living Color. But Damon broke out as a bona fide superstar, appearing in films like Mo’ Money, Major Payne, Bulletproof, and his own TV series called Damon, followed by the sitcom My Wife and Kids that aired from 2001-2005.
He was most recently starring in the series Lethal Weapon, a buddy copy comedy-drama based on the film franchise of the same name. But he hasn’t appeared on the big screen in some time, and it’s due time we get some Wayans humor once again.
5 Billy Crystal
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Becoming known as much for hosting the Oscars as for appearing in movies, Crystal has film credits to his name from the ‘90s that include City Slickers, Fathers’ Day, and Analyze This, and appeared In iconic films in the late ‘80s like When Harry Met Sally…, The Princess Bride, and Throw Momma from the Train.
He became known to a new generation as the voice of Mike Wazowski in the animated Monsters, Inc. films starting in 2001. But it has been a while since we’ve seen this Emmy and Tony award winning, and nine-time Academy Awards hosting, actor grace the big screen in a comedy film. We will get to see it, thankfully, as he’s set to appear in an upcoming comedy called Here Today opposite Tiffany Haddish.
RELATED: The 13 Best Romantic Comedy Movies Of All Time, According To IMDb 
4 Whoopi Goldberg
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Appearing in comedy films in the ‘90s like Ghost, House Party 2, Sister Act, Made in America, and How Stella Got Her Groove Back, as well as playing Guinan in Star Trek: The Next Generation, the ‘90s was Goldberg’s era.
And while we continue to get to see her talents every day on daytime talk show The View, she discusses serious, real-world topics there. We’d love to see her head back to film to reprise some of her best roles (a reimagined version of Ghost, maybe?!) or create some new ones.
3 Charlie Sheen
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A once comedy movie star, appearing in films in the ‘90s like The Rookie, Hot Shots!, Loaded Weapon 1, The Three Musketeers, and Major League II, Sheen shifted to the small screen and became the highest paid television actor when playing Charlie Harper on the sitcom Two And A Half Men.
He went on to star in another sitcom, Anger Management, from 2012-2014, but he has been completely absent from film for far too long. We’d love to see him bring back some of those famous movie roles, and show these new comedy actors how it’s really done.
Related: 5 Action Films From The 90s That Are Way Underrated (& 5 That Are Overrated)
2 Michael Keaton
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With a long and successful career in acting, Keaton appeared in tons of comedy movies in the ‘90s, including Much Ado About Nothing, Multiplicity, and Jack Frost, as well as dramas, crime, and fantasy flicks including his notable role as Batman/Bruce Wayne in Batman and Batman Returns. But we haven’t seen his comedic talents in a while.
Most recently appearing as Julian Assange in a sketch on Saturday Night Live and voicing the character of V.A. Vandevere in Dumbo, we need more of the comedy Keaton to satisfy our ‘10s comedy film appetite.
1 Mike Myers
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Let’s face it: Wayne’s World is the ‘90s. Mike Myers helped define comedy films of that decade with hilarious and highly quotable ones like Wayne’s World, So I Married an Axe Murderer, and Austin Powers: International Man of Mystery. But since the early ‘00s, he’s only appeared sparingly on the big screen, but for his starring role as the voice of the title character in the Shrek movies.
He hosted a revival of the game show The Gong Show in 2017 and had a cameo in the Academy Award-winning film Bohemian Rhapsody, fitting since it was Wayne’s World that helped popularize the band’s song of the same name for a new generation. Myers reportedly has an untitled project for Netflix in the works, He’s also rumored to be working on the fourth Austin Powers movie, but it seems unlikely to come to fruition after the unfortunate death of Verne Troyer, who played the key character Mini-Me, unless they can find a way to appropriately honor the late actor. Fingers crossed.
RELATED: The 10 Most Memorable Characters From Your Favorite ‘90s Teen Comedies 
source https://screenrant.com/comedians-90s-wish-making-movies/
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aion-rsa · 4 years
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David Tennant on There She Goes: ‘Parenting is Often Sentimentalised’
https://ift.tt/3edHK07
When the first series of Shaun Pye and Sarah Crawford’s autobiographically inspired comedy-drama aired, they were prepared for a mixed reaction. Their dramatisation of life raising a severely learning disabled child would likely shock, cause discomfort, and – in these furious days of gladiatorial online parenting forums – almost certainly provoke judgment and criticism. What they weren’t necessarily expecting were stories about poo. 
“The most common reaction from parents or siblings with a child similar to Jo [Sarah and Simon’s learning disabled daughter on whom the character of Rosie, played by Miley Locke, is based] is they’ll come up and say ‘Saw the show, loved the show’ and then start telling me funny stories.” Faecal hijinks, outrageous incidents and family code words… “They can’t wait to tell me,” says Pye. “They just want to start talking about their children in a joyous, celebratory way, but also, not.”   
The “also, not” of it all is the real power of the show according to actor David Tennant. In There She Goes, Tennant plays a version of comedy writer Shaun Pye. “It’s not Michael Sheen doing his Tony Blair,” says Tennant. “I’m not trying to be Shaun. Obviously it’s very inspired by him, but I keep my own accent for instance.”
Tennant tells press at the online series two launch, that though There She Goes is about raising a child with a learning disability, “it’s also just about parenting, and about how hit and miss that is, and how any one of us as a parent never feels that we’re ever getting it right.”
“It’s actually quite rare to see the honesty of that written down. I think parenting is often sentimentalised, and sort of cleaned-up for consumption.” 
A father of five, Tennant describes family life as full of triumphs and disasters. In There She Goes, he feels any parent will recognise the honesty of the way Crawford and Pye have told their story. “That, I think, is the killer for this show. Just how true it is.”   
Co-lead Jessica Hynes, who deservedly won a Bafta for her moving performance as Rosie’s mother Emily in series one (available to stream now on BBC iPlayer), agrees. “There’s something very truthful about the struggle that parents face sometimes, and how hard it gets, and how easy it is to lose sight of each other.” She knows lots of parents who love that aspect of the show, “just watching real people struggling and coming through.”
Read more
TV
There She Goes: unsentimental, honest, moving comedy drama
By Louisa Mellor
TV
Staged: BBC Comedy Confirms Sheen & Tennant’s Double-Act Greatness
By Louisa Mellor
There She Goes’ unvarnished honesty made series one hard viewing for people close to the couple in real life, says Sarah Crawford. Both series are divided between two timelines, the very early days of Rosie’s life as a baby, when the life-altering implications of her still-undiagnosed chromosomal condition have knocked the family off their feet, and the present-day, when Rosie’s a rambunctious ten-year-old whose family have – largely – found ways to cope. 
The dual timelines were a suggestion from producer Clelia Mountford. “When we were writing it, we thought ‘Well, there’s funny things that happen with Jo’ and then ‘Do we want to completely ignore the fact that it was awful for a while?’” Told chronologically, the tone would have been unbalanced, Pye explains, too miserable to begin with and too sitcom-y later on. “We wanted to tell a broader truth”
“The joy of it is that you can have the early timeline, which is darker and more miserable, but in a way, the lightness of the later timeline tells the audience that it’s all going to be fine. Nothing horrible is going to happen to this little girl – there’s light at the end of it, so enjoy or embrace the darkness in the early timeline because it does get better, don’t worry.”
The early timeline was difficult for Crawford’s close friends to watch, she says. “I had a couple of people say to me that they felt like they hadn’t been very good friends at the time, which wasn’t true at all, but I suppose we didn’t necessarily share all of the ups and downs, and obviously we’re focussing on the downs in that timeline.”
Pye quips, “Basically back in those days there were things that were so deeply personal that Sarah couldn’t share them with her family or friends, so she just thought, in 11 years’ time we’ll put them on the telly!”
Despite having co-written both series with Pye, Crawford, whose day job is in a hospital, chose not to be credited as a writer on series one. “Shaun had always suggested that it would be both our names on there. I don’t know what changed, I suppose I felt less uncomfortable.” 
In series two, airing on BBC Two after starting life on BBC Four, it’s 18 months later says Tennant, and the family is “still sort of scrabbling on, trying to make sense of things.” The show’s horizons have expanded. They venture out of the house more, seeing what Tennant calls “the broader canvas of life.” Series two introduces Simon’s father for the first time, shows the family on holiday and goes into Rosie’s school for a sports day episode where “there’s a lovely Hitchcockian cameo by [Sarah and Shaun’s daughter] Joey which viewers can look out for.”
Tennant agrees with Q&A moderator James Rampton that There She Goes is ultimately, an uplifting series, but doesn’t think that’s its main achievement. “It sets out to tell a true story,  which I think ultimately is life-affirming, and full of happiness, and full of joy. But its un-sentimentality, I think, is its huge strength.”
“You meet families who’ve been in similar situations, and they’re sort of thrilled and delighted and moved that their life is finally being reflected in a way that they’ve just never seen before. The imperfection of it, the difficulty of it. The fact that sometimes it’s just awful, and then other times it’s joyous, and it doesn’t necessarily end with a kind of happy-ever-after sentimental twinkle.” 
There She Goes series two starts tonight at 9.30pm on BBC Two 
The post David Tennant on There She Goes: ‘Parenting is Often Sentimentalised’ appeared first on Den of Geek.
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