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#does this even make sense i hope so
twinstxrs · 30 days
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idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.
#riz gukgak#gorgug thistlespring#fantasy high#dimension 20#fantasy high junior year#fhjy#fhjy spoilers#these kids are all so self-sacrificing but i do think riz gorgug are the most clear (& juxtaposed) self-sacrificers#riz will mentally tear himself to pieces and get lost in cases and take on ungodly levels of stress for those he loves#gorgug will use himself as a human shield. he will take hit after hit if it means his friends are okay.#and they’d both do the other thing too. riz would let himself get hit for gorgug. gorgug would pull all nighters & take stress for riz.#even if mechanically they can’t or it wouldn’t make sense. they would if they could.#also#the starstruck barry mechanic of being a guard is so gorgug. it’s soooo gorgug like that’s literally him#anyways love this tall green guy & this short green guy so much#especially because gorgug is tall & considered intimidating but protective in a deeply kind way#while riz is short & underestimated but protective in a deeply vicious way (affectionate)#i hope this makes sense but i think riz is primarily ‘i would kill for you’ & gorgug is primarily ‘i would die for you’ maybe#this does not mean gorgug would not kill for riz or riz would not die for gorgug. they both would.#but those are the primary ways their love manifests due to the nature of their strengths/personalities. To Me#idk this is all just me saying stuff when i should be sleeping 😭#sorry if i missed a riz gorgug moment in the main post btw i’m tired
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crybaby-bkg · 5 months
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Bakugou asks you to join him during one of his photoshoots for a pro hero campaign. he doesn’t understand the point of it, nor why he has to only be in his underwear, but he doesn’t mind it much when he gets to look over to your shy little face.
you’re propped up in a corner on an old couch, laptop perched in your lap, its glare bright despite the way you never really look at it. you’re supposed to be catching up on some work, but you’ve been distracted by the glorious sight that is the love of your life.
when he looks at you, do you duck down, eyes suddenly focused on your screen again. it only makes him smile a little, step away from the assistant of the photographer who comes up to him, calls out your name.
“Huh?” your head whips up with a quickness neither of you expect, goes to show just how invested you really were with your work. but Bakugou only grins at you now, jerking his chin over to you as he grabs the bottle of oil the assistant was trying to pour over him.
“C’mere and gimme a hand, won’t ya?” he asks you, boyish smile gracing his face as he tilts his head at you. immediately, your face warms as you put together the request that’s suddenly dropped in your lap. everyone in the studio looks at you, with both envious and excited gazes, and it only makes you shrink in on yourself.
“I hate you.” you mutter under your breath when you finally rise up from your place on the couch, which he somehow hears. but Bakugou only laughs at you, grabs you by the waist when you’re close enough to kiss you breathless in front of everybody, before he’s handing off the oil to you.
“Such an attention whore,” you whisper when you’re close, the air between the two of you thick. everyone tries to look away, give you guys a bit of privacy, but it’s hard when such a soft and amused look passes over the usually rough and hardened hero’s face.
“Only for your attention.” he grunts back to you, holding his arms out for you to start dripping the oil down his skin. it’s a sensual gesture, the softness between you two sliding into something more, something that you only ever reserve for the bedroom.
you tip the bottle over his shoulders until it drips down his chest, massaging it all in with your hands in crude, circular motions. you can see the way he bites his lip, ignore the way he looks at you down the bridge of his nose lest you two create a scene not meant for the public eye. you gather more oil, warm it between your palms, kneeling in front of him to help massage it into the defined muscles of his stomach.
you ignore the twitch in front of you, swallowing thickly, glancing up to Bakugou who hasn’t taken his eyes off of you yet. you mouth at him to behave, but he only grins, something feral.
“We only need it above the waistband.” the photographer suddenly calls out, snapping you back to attention. you stand on shaky knees, nodding with your eyes casted low, ashamed, that your freak of a man had you doing something so…so—
“Go wait in my dressing room, yeah?” Bakugou asks you, pulling you in close to peck at the corner of your mouth. “Gonna wrap this shit up.” he promises you, and you can only nod silently, mind going a mile a minute. but before you go, you remember to grab the oil. just in case.
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haunted-xander · 11 days
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Do you think Saix' emotional co-dependence started as a Nobody or did it start as human Isa and just grew to an unhealthy degree?
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skrunksthatwunk · 3 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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I've been thinking a lot about the one-dimensional kinda fandom interpretations of Dazai and Chuuya in particular - the overemphasis on Dazai's weird brand of mischief/manipulation and Chuuya's anger and tendency to lash out and how it's not like these traits are... wrong, per se - these are their surface level/immediately notable characteristics - it's just that it misses the nuance as to why these traits likely exist.
What these interpretations don't fully capture is their very similar cores deep down - two people plagued by feelings of alienation, human inadequacy and repeated loss. Despite starting from these very similar places, they both dealt with the issue in near opposite ways. Dazai numbed himself to pain (remember: he hates pain! I cannot emphasize this enough!) and rarely gets close to anyone for fear he will lose them - his loss led to apathy, a withdrawal from humanity, a fear that he will always be empty inside - his ability: No Longer Human. Chuuya, on the other hand, refuses to numb himself and instead feels every single emotion in full and values his bonds with others over anything. He wants to belong and makes efforts to be perceived as a part of his group. Underlying this, however, is a kind of tired grief paired with resilience - remember that his ability is Upon the Tainted Sorrow. Not anger, or rage.
Sorrow is what results from this kind of heavy identity crisis and loss - for both of them. Think of Odasaku's read on Dazai as someone who looked close to tears when "acting" in front of the sniper poised to shoot him, describing him to Gide as a too-smart child left in the dark, or the way Stormbringer constantly reminds us that Chuuya is 16 and the desperation he feels in the scene where he holds his own dying clone, unable to help him.
Both characters carry a melancholy, resulting from their respective issues with their own humanity - I know I'm not the first one to comment on how their abilities could just as easily be referring to each other as well as themselves. This reads as very intentional to me - much like Atsushi's story begins as a clear parallel to the short story Rashoumon and Akutagawa sometimes being referred to in more beast-like terms than man, it makes sense that Dazai and Chuuya would reference each other in a similar vein.
And if that was the end of it, then we would expect that deep sorrow to shine through in both characters, but it rarely does except in pivotal moments. That's because the both of them have had to constantly deal with external threats - they believe they cannot afford to show vulnerability.
So, what you get instead is Dazai taking a kind of twisted ownership over his inhumanity and using it to make people afraid of him and to control everything so that he is never blindsided and hurt again, in the process, further alienating himself and making his issues worse. He inflicts fear so he doesn't have to be afraid. He can relax and be as silly as he wants - so long as everything around him is completely according to his predictions. There's a bonus to his foolish demeanour as well: hardly anyone can read him well enough to get close.
Then you get Chuuya, who feels so strongly and so much that it has no choice but to boil over, and due to never being able to or feeling comfortable with being anything but "the strongest", he hides moments when he is touched, or worried, or grieving, with anger and violence and defensiveness. As such, he is always seen as more weapon than person, a cut above the rest, forever standing out to others no matter how much he tries to integrate. The closest he came to true belonging was wrenched away from him before he could have a chance to know what that would actually feel like with the death of the Flags.
These surface traits are defense mechanisms. And the amusing thing to me is that likely means these two would love if that's all most people ever saw of them. (Of course, they clearly do want to be seen and accepted, but defense mechanisms become automatic over time because they often feel much safer. Likely another reason they clash so much - they see each other, and it is deeply uncomfortable for them both.)
So, you have Dazai defending himself with his two-faced nature, making jokes and/or manipulating everyone in the vicinity, and Chuuya defending himself with intimidation and anger, never letting any vulnerability show through because anger is easier but at the core of all of this is that loss and that grief and the sorrow and fear that pervades from it.
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starstruckloves · 4 months
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Extremely self indulgent but you’re F/O will never be upset for you feeling a negative feeling like anger. It’s an emotion, it’s natural and everyone feels it. They’d love to help you through your anger and find out what’s making you so frustrated. But if you aren’t feeling that, they can just be there for you and try to cheer you up. “It’s okay to be angry and express that you are upset, it’s not anything to be ashamed of, dear.”
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uhhh drawing from today =] love these two sm
#scribbles#pokemon#pokemon kieran#pokemon carmine#idk how to tag pkmn stuff i hope im doin this right XD#pokemon dlc#pokemon scarlet and violet#eyestrain#<- just in case.?????? genuinely idk#furry designs cuz uhm…… its fun 🙃#pretty much the only reason ive ever had motivation to draw humans over the years is for. making object gijinkas#and over the summer i got like realllyyyyyy insecure over my Human Drawing Abilities + lost interest in that stuff for the time being#(does that make sense? my interest in object shows will probbaly never leave but its not like smthn im actively into / thinking abt like#how it was just a few months before. so im not as invested in drawing the characters or making gijinkas…….. plus furries are just more fun#to draw (for me at least XD#uh theyre coati nd badger hybrids or whatever cuz i just picked coati randomly and my sister really#wanted carmine to be a badger for some reason#sorry for the massive paragraphs uhmjhhbhh i never know how much to say on individual art posts#it feels weird posting on here whenever i randomly manage to pop back in . idk why it just does#like its weirdly nervewracking even tho it really shouldnt be??????#lately ive been realizing i fucking hate most formats of posting art. maybe that has smthn to do w it#idk sorry im ramvling t try and get myself to actually ppst this stupid thing cuz i like how it turned out#but also the thought of posting it is making me weirdly nervous i could just Not Post It but i like sharing stuff =(#okay whatever this sounds really stupid now that im typing it out bye
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positivelyadhd · 5 months
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Reminder that neurodivergent is not just having ADHD and/or autism.
It's anything that impacts the way a person thinks and experiences the world.
When we talk about neurodiversity, we are talking about anyone that identifies with that umbrella. Our experiences as neurodiverse people are unique, not just because there are many different sets of symptoms that fall under the "neurodiverse" umbrella, but because we are all unique and experience the world and societal reactions to our neurodiversity differently.
If you are neurodivergent in any way I hope you know that you are welcome in neurodivergent spaces and that your voice is so important. And that this post is for everyone but especially the people who feel like their experiences go unheard. you are just as valued in these spaces as anyone else and I encourage you to speak up if you would like to!
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plan-3-tmars · 2 months
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Is this what Happiness is?
- hey so I haven't seen an interpretation of the bar scenes in Half that I fully agree with, so I wanted to throw my own two cents out there into the void and pray that it makes sense !!!
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so, in the bar scenes in Half we see what I interpret as a hangout with old friends (or, hangout with old friend + his wife.) These scenes used to be the biggest piece of evidence for the cheater theory, but now that that's been debunked by the man himself, I have a new way of looking at them
~ before I go any further, I just wanted to say that I'll be calling the brown-haired woman whiskey for simplicity's sake
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In this scene, Kazui turns to look at Whiskey, saying the lyrics:
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
With my guess (cuz that's really what it is there's no evidence for it) that Whiskey is the Bartender's wife i think this scene is Kazui being conflicted with what he's been told is true, that marrying Hinako is "true love", versus what he feels is true, that marrying Hinako has brought distance into their relationship.
He looks at Whiskey, a woman happily married, and wonders why his relationship with Hinako isn't like that.
~ shout out to @prisoner-000 for the following screenshot
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in this post he points out that Hinako and Kazui's rings are silver in Cat, not gold like they were in Half, yet Bartender's ring colour stays the same.
For the sake of this writing I'm going to go with the first meaning they put out, that Bartender's ring is gold because his marriage is genuine.
But wait!! I hear you ask. This is Half and Kazui's ring is still gold in Half!! EXACTLY MY FRIEND!!
Kazui's ring IS still gold in Half because at the time of these scenes he's still fooling himself that this relationship is good, that he will eventually garner real romantic feelings for Hianko.
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
Remember this lyric that plays during the Whiskey -> Hinako scene. You know what other scene in Half this lyric reminds me of?
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laughing together, side by side,
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this distance in our relationship is misleading me,
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is this what happiness is?
He's beginning to doubt if what he believes is true, he's beginning to believe the feelings telling him something's wrong (and remember, the scene right after this one is when he confesses (?) his secret to Hinako) ARE infact true, and that maybe the logic he's been following for so long has a couple holes in it.
I think these scenes are meant to show Kazui gradually realising that his relationship with Hinako will not work out. It just won't, no matter how hard he tries.
He's able to laugh together and talk with Whiskey because she's his friend, yet he can't do the same with his own wife? Even though, according to his gold ring, their relationship is supposed to be real and true and genuine?
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oshiawaseni · 1 year
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Japan’s concept of confession and why Ochaco might not confess
“Confession” is a big deal in a country as subtle as Japan. Not all people have the courage to confess, but when starting official relationships confessions are often expected. This is what I know confessions to be like in the world of manga: Person A talks alone with Person B and shares with them the secrets of their heart. “I like you please accept my feelings.” This usually ends either with them going out or A being rejected by B. The usual reason for the rejection is “I like someone else.”
I’ve been having some more ideas about the day Izuku fell into Kacchan’s arms and how what Kacchan did for him was almost confessional in a way. He told Izuku what was in his heart, why he bullied him and that no matter how much he tried, he just couldn’t escape him. He called him “Izuku” and we saw the impact this had on Izuku’s face. 
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Izuku just couldn’t believe that Kacchan was calling his name properly for the first time in 12 years, it completely shocked him, and after apologising for everything, he told Izuku, “Come home, let’s do this together. We need to help each other in this fight against AFO.” 
The conclusion of this confession was that Izuku acquiesced to 1-A’s request for him to return, but it was only really possible because his attachment to Kacchan triumphed over his motivations to stay away. It was Kacchan who broke down his walls with his apology. It was Kacchan who filled him with hope that things would be better, and Kacchan who finally hammered into Izuku how important it was for him to be part of the collective. That his inclusion was very wanted and needed, and that he in turn can rely more on everyone as well. That together, they can push forward, trusting in and helping each other.
I think what hurt Izuku the most during his solo arc was being away from his friends, but especially Kacchan. Because that day in the rain, he literally gave up on his solo vigilante mindset for him. After hearing Kacchan’s unbelievable words he had patiently longed to hear for years, it was impossible for Izuku to stay away from him any longer. As he passed out, he stumbled a few steps towards Kacchan who, without missing a beat, caught him in his arms and gently held him. This embrace told us “From now on it’ll be different. I’m gonna be here for you, Izuku.”
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So to recap all of that... Kacchan became vulnerable and spilled what was in his heart, Izuku accepted his desires, with it all culminating in them becoming closer. Which is just like a successful romantic confession!?
I think after watching this all go down, something inside Ochaco clicked. A lot of the class are rushing over to Izuku when Kacchan catches him because they’re just so worried about him, but a few of them, Ochaco included, stay standing back. It doesn’t make much sense at all. But we’re given a zoom in of her without knowing any of the thoughts going through her mind.
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They got Izuku back, but she doesn’t really seem all that happy. Momo says to her “this is just the first obstacle we aren’t done yet” and she agrees. Ochaco knows that there’s still more they as a group need to do for Izuku to make his return happen. But the fact that there’s a few panels dedicated to zooming in on her staying put, her almost emotionless face (mirroring Shoto’s) while she’s watching Kacchan save Izuku and his new unbridled intimacy he has with him - could be telling us that there’s something else she’s processing.
Is this moment somber for her because she realised the person Izuku needs the most is none other than the person he has openly admired since she first met him? The very same person who always bared his fangs at Izuku because he was scared him getting close?
Was Ochaco witnessing the beginning of something new between them and suddenly finding herself sidelined as a contender for Izuku’s affections?
Somehow… this could be what it was all about. And that’s why I think there’s a good chance Ochaco gave up her crush on Izuku for good when she witnessed Katsuki return his love and embrace him after that emotionally-charged apology. After this, a more defined distance between her and Izuku appears visible in their next scene together. A respectful distance of Izuku’s own choosing.
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It was like a definitive line had been drawn out that can’t and perhaps shouldn’t be crossed. Maybe they both understood that the person Izuku wanted close by his side has always been Katsuki. That desire wasn’t simply a pipe dream to Izuku anymore, it had become reality. And who is Ochaco to get in the way of that?
And then it’s almost like she is bookending Katsuki’s confession to Izuku with a confession of her own about Toga, putting a close to the Izuocha chapter and she makes a comment which feels double in meaning. “I guess that means we are the same.” or You love a boy, just like I might love a girl. (To put it bluntly)
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And Izuku remembers this line again after he gets separated from Kacchan and Ochaco is telling him to go. Go back to Tenko. Go back to your Kacchan.
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The concept of “knowing how someone feels because you love them and always watch over them” comes up from time to time in manga. In a way, that’s also a reason why Kacchan and Izuku understand each other as deeply as they do and they aren’t afraid of showing it off. They were always watching each other from a safe distance and learning things about each other in this way. I think during chapter 322, this concept is what was happening to cause such a realisation in Ochaco. (And it’s also for this reason Tsuyu, who never had feelings for Izuku, still doesn’t get it.)
It was hard for her, knowing everything she does about Izuku’s deep attachment to Kacchan, to learn that Izuku’s affections for him weren’t one-sided and they were now closer than ever before… That’s why I don’t think she’ll want to get in the way by confessing anymore. If Kacchan’s apology was intended to be compared with a romantic confession, then Ochaco is probably aware that Izuku already “has someone he likes”… and that person isn’t her.
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cuubism · 1 year
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"Nice place you have here," says Desire, sliding into the booth opposite Hob.
Hob, unfortunately, recognizes them by voice alone. Desire speaks with the melody of an arpeggio, smoothed into oblivion by the sustained press of a piano pedal. Drag without release, in comparison to Dream's resounding deep notes.
"Never seen you here before," Hob says, instead of get out of my pub. He doesn't actually need to start a fight.
"I've decided to respect my brother's play set for now," Desire says archly, as if this is a huge consideration on their part. "He's been through so much recently, after all."
"And you've been so much help with that," Hob says.
Something dangerous flashes briefly in Desire's eyes, and Hob remembers how fickle they can be. Like fire, Dream had said.
Then it subsides. "Careful, Robert," they say easily, leaning on their hand, "one might think you've chosen a side."
No thinking about it, Hob thinks. "Families shouldn't have sides."
"Oh, ours isn't supposed to," Desire agrees. "And yet."
And yet. "Is there something in particular that has you breaking your self-imposed generosity today?"
It's one day before his and Dream's usual meeting, after all. That can't be a coincidence. Technically, they meet all the time now, but they always keep June 7th for nostalgia's sake.
"I simply enjoy the atmosphere," says Desire, leaning back in their chair. They thrust out a hand, and a rainbow flag flutters off the wall into their grasp, drawn by their whims. Desire drapes it over their shoulders.
"I guess that makes sense," Hob says.
Desire raises an eyebrow.
Hob gestures at them. "Desire. Isn't that your thing?"
They give him a crafty smile, a little teeth, that suggests Hob's going to learn something he may not entirely like. "Well, it is certainly of interest to me."
"Of interest," Hob echoes. Might as well say fire was "of interest" to a pyromaniac. "Isn't that what you do? Dream makes dreams, and..." he trails off.
"I am Desire," they say. "So, in a way, I feel all desires at all times. Yes, even yours, Robert." They pat him on the cheek, and wink. "I know what you feel."
Hob's cheeks heat, but Desire doesn't linger on it, thankfully.
"But, my own desire? Hm, no, not in the way you would think."
"But you--" Hob doesn't know how to phrase the confusion in his mind.
Desire runs their tongue along their lower lip. "Are you calling me a slut, Robert?"
"Would take one to know one, I suppose," Hob says before he can even think about it, and Desire laughs, bright and loud.
"You are so cute. You would be delicious if you weren't obsessed with Dream. But, no. I can feel desired," Desire says, emphasizing the past tense. The objective nature of it. "But that, while certainly tasty, is not quite the same as feeling it oneself, now is it?"
What might it be like, Hob thinks, feeling a pang of sympathy for them despite how they've treated Dream, how he'd automatically marked them as an enemy in his mind, to be surrounded by wanting and not be able to feel it?
"I... guess not," he says. "So you don't want anything?"
Desire shrugs. "I enjoy things. But if I can't have them, it simply passes like--" they pull off the flag and let it flutter to the floor "-- a gust of wind. And I move on to something else. Otherwise, I chase others' desires. Your inn is full of them. Desires for peace, for belonging, for change and magic and-- yes, lust, too, but more of an undertone. It is..." they run their tongue over their teeth, thinking. "Aromatic."
"What does desire 'taste' like?" Hob asks.
"Why don't you tell me," Desire says.
"I'm not going to lick you," Hob says, and Desire cackles.
"Open offer," they say. "Be all metaphorical like Dream, then."
"Alright, fine." Hob decides to indulge them, because he has actually learned something interesting today. "It's like... the smell of a good meal. You don't quite... taste it, exactly? But you can imagine tasting it."
"Good answer," says Desire, and steals his drink for a sip. "I knew I could count on you to listen, Hob."
Hob's not sure if it's the tone, like something long undecided has now been settled, or if it's the use of his old nickname, but suddenly the afternoon tilts, and Hob realizes with a swoop in his stomach that they're here for a purpose, and not just poking at Dream.
The Endless almost never communicate directly, Hob knows this. Goddammit.
"I've spent a lot of time in these sorts of places, you know," Desire says, gesturing around. "They are right--" they interlace their fingers in example "--in the center of my realm."
"Depending on the year, I would have thought you and Despair together," Hob says, wary now that he's realized this is coming to some sort of point.
"A common assumption," Desire says, nodding like a teacher whose student is getting on the right track. "See, people often think my twin and I are opposites. Desire, Despair." They hold out both hands separately again, then clasp them. "But they don't have it right. Hope is the opposite of Despair. Do you know what the opposite of Desire is?" They reach across the table to tap their sharp nails against his sternum. "Shame."
"And that's... part of your domain, as well?" Hob guesses.
"Indeed. Who could know shame as well as one who desires? They both--" they lay their hand flat to his heart "--live here."
Hob supposes he himself has had plenty of desires over the years, and plenty of shame too -- though not necessarily over the same matters.
"Hence," they spread their hands wide, "my presence. The duality of Desire."
"So what do you do?" Hob asks. "When you're here because of shame, I guess."
"I am always both," says Desire. "But." They smile sweetly, and it actually does look sweet, for once. "I am merely here to hold your hand."
Hob must look at them with an expression of vague disgust, for they snort and roll their eyes.
"Not you, Robert. You!" They gesture broadly at the entire inn. "Death is always going on and on about serving humanity. I know how to do my job too, you know."
They frown at him, at the idea he might think otherwise, and it's-- it's actually kind of sweet, how much they care about this. It really is.
"That's sweet," he says, and Desire grumbles. Hob can't help but smile.
"I take the charge of those who live in the heart of Desire very seriously," they sniff. Their gaze slants over Hob's shoulder, watching something across the room. "Relatedly, if that man at the bar follows through on his desire to say something homophobic to those children on their date, I am going to shoot him."
"Ooookaaayyy," Hob says, snapping his fingers in front of their eyes until their attention turns back to him. Hob's bartender will handle any issues; he would really rather not have an Endless making a scene.
Desire smiles placidly at him. "What was I saying? Ah, yes. Desire and shame go hand in hand. Almost like dreams and nightmares, you might say."
Hob goes still again, on instinct. "Right."
"My sister and I are very close, even if we are not, actually, opposites. Dream and I were close, once." They drag their finger around the rim of Hob's glass. "Wanting. Dreaming. So similar, and yet, so different, too. It hurts, to really let yourself want what you've dreamt of. It hurts to desire, don't you think? It's sharp, like a blade."
"Yes," Hob says. "It is."
"Mmm. But shame... shame is like a heavy, warm blanket. It makes you want to just--" they mime pulling fabric over their head-- "disappear. My brother and I have a very complicated relationship. Perhaps, one day, we will be on better terms again, and he can tell me about his desires, and I can tell him about my dreams. I would love to know what it feels like."
Hob isn't sure if he's putting the pieces of this meandering conversation together correctly, but whatever he is picking up on, he doesn't like the sound of.
"Dream is always going on and on and on and on about the importance of dreams and it's so annoying but you know what? I'm starting to think he's right." They give Hob a warning glance. "Do not tell him I said that. But, yes, I'm afraid that desires without dreams hand in hand are just--" they slide their hand across the table and let it stop at the edge. "Impotent. Static. And god knows what good dreams even are without desire but Dream will never admit that."
"So you're what," Hob says, even though he knows this is not what this is about, "trying to mending fences?"
Desire smiles sunnily. "I just want him to call me. I'm bored, and he's spent far too much time in my sister's realm recently."
Then they stand in one fluid motion.
"What are you saying," Hob asks. He feels sort of faint, whiplashed.
"Oh, I've said nothing, I'm doing nothing. I merely don't want to have to fill an empty seat next June, that is all. I'll be far too busy." They wink, and then they're gone.
Hob sits still for a long time, after. He's still not sure he understood... all of that. He understands that the Endless aren't supposed to interfere in each other's affairs and that sometimes riddles result.
What he does understand is that if Desire, of all people, has decided to be helpful, then he definitely has something to be concerned about. Something he needs to do something about.
He shakily drains the rest of his glass, then stands. Hob has never gotten anywhere by being static.
Time to go try to do something about it.
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dandeyrain · 4 months
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i've been rotating the "this doesn't make any sense!" response to boy and the heron in my head and i wonder how much of it comes down to like...the kind of audience that engages with ghibli movies vs the kind of audience that mostly only engages with weird art movies vs the kind of audience that only really engages with blockbusters and marvel movies, and the overlap of those groups in the theater.
because, like, the boy and the heron is far and away more straightforward, from a plot perspective, than a lot of other Weird Extremely Personal Art Movies i've seen and love, but it IS a Weird Extremely Personal Art Movie even so. usually the only people seeing Weird Extremely Personal Art Movies, especially in theaters, are people who like that and expect that and have seen those types of films before and are therefore capable of engaging with them even when things aren't as clear as they'd be in an average blockbuster flick. like, nobody who only cares about Cinema to the extent of marvel movies and MAYBE john wick is going to see beau is afraid, and if they did they wouldn't have the tools to engage with such a dream-logicy movie. it would just be a weird thing that doesnt make sense to them, at least until they worked their media engagement muscles with other weird films. there's a lot of self-selection to the kind of person who usually sees these kind of movies.
while boy and the heron is weirder and more complex than a lot of other ghibli movies, as far as weird art films go it is incredibly, INCREDIBLY straightfoward. every weird plot point is explained very clearly to the audience, very little is up for interpretation from a strictly "what was the plot" point of view. boy loses mother. father remarries and moves the family. boy struggles to contend with grief. boy is pulled into a magical world by an old man who wants to use him. time is weird and fucked up in the magical world, but the movie is going to go out of it's way to highlight who's who and make it clear how the time travel works and the characters' relations to one another. the boy refuses to take over the magical world because he wants to live in the real world with the real people he loves. boy leaves the magical world having learned an important lesson about moving on. but the boy and the heron trusts its audience, doesn't handhold, and expects the audience to engage seriously and with focus to its plot and characters and stories.
a lot of people never watch movies like that! a lot of people are used to uncomplicated superhero movies and romcoms and that's it. the difference is that those people were never going to see beau is afraid, so the discussion about that movie instead comes from people who have the tools to engage with it. but because of the aesthetic-ification of ghibli, a lot of people who don't Do art films but are really into the aesthetics of cute little guys and girls in pretty dresses went to this art film and were confused that it was weird and dream-like and dark and strange and requires more of its audience than just passively watching.
anyway there's nothing wrong with not having the muscles to engage with weird art films, though i do think everyone should challenge themselves with the kind of stuff they watch. there's nothing wrong with preferring simple straightforward uncomplicated plotlines. but it is really interesting seeing people talk about the movie like it's insanely weird and doesnt make any sense meanwhile me and the friends i've chatted with about who DO have experience with this kind of film all feel insane because the movie is SO clear and SO straightforward by the standards we're used to. its just a neat crossover re: the kinds of movie fans that exist
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sea-buns · 3 months
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Forgive me if I'm a bit nervous about Gorgug this season. It's just that the last Zac Oyama pc was Colin Provolone, who was arguably one of his greatest D20 performances, if not the greatest.
Zac always does great with every pc he plays, but Colin was something else. He came out swinging with actions and words that were teeming with unspoken emotional baggage. The way Colin's presence affected the other pcs; there was this level of depth that I don't think I've seen in any of his other characters. It was understated and quiet in that signature "just a guy" way that he tends to be, while still captivating everyone instantly with just how raw it was.
Not to say we haven't seen emotional depth in Gorgug. It's just that, compared to the other Bad Kids, Gorgug's journey and progression as a character has been very... impersonal? Like, yes, he found his birth parents, and he found friends who appreciate him, and he faced his insecurities about his intelligence, and he navigated relationship troubles, and his trial through the claustrophobic bug-tunnels was a horrifically-uncanny parallel to how he's spent his entire life trying to make himself as small as possible.
But how much of that has actually changed him from the Gorgug we started with? I would agree that he's definitely happier with his life, given all the loving and supportive people that have been added to it when it used to be just him and his parents. And he's certainly grown into himself and become more self-assured in his abilities, even if he's still, and always will be, our anxious little guy. And there's nothing wrong with that. I've always liked how Gorgug was a representation of all the little things. The subtle acts and kindnesses that don't seem like much to most, but to some are everything.
We don't need another Bad Kid living in fear that their mouth could be shit-in at any moment. We've already got one-too-many.
All that being said, I just feel like Gorgug's personal story beats are much easier to sweep under the rug than everyone else's. He has the same soft and understated quality that Colin held, but they lack that extra oomph that pushed Colin over the edge from being just another guy in a series of dudes, to a character that the vast majority of us could not get out of our heads. He took someone who was anxious and softspoken, who ultimately never wanted to be violent— someone who is remarkably similar to Gorgug in many ways— and maintained that demeanor and core in Colin's character while still hitting us in the feels with character development at max velocity at every turn.
I think Zac gets better and better at this with every season that goes by. With each new character, there is always something that leaves me stunned in awe. And it's been, what, three? Four years since we last saw Gorgug?
I'm just,,, I'm cautiously optimistic but also going into a bit of a worry about what violence this man may inflict upon us
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ninadove · 16 days
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*offers you some of your favorite tea * any Feligami thoughts today, my dear?
HI LUCKY I HAD TO RESCUE THIS FROM THE PIT OF PHANTOM ASKS
I am always swimming in Feligami thoughts and feelings and general insanity! Today I offer you this:
Felix writes about the two of them constantly, because of course he does. And since he can’t be normal about anything in his life, he explores a different literary genre for each side of their Love Square:
As we already know, Feligami (in the strictest sense of the term) is theatre with a hint of fairy tale aesthetic. It’s about putting on a show and taking off their masks; it’s about fighting forces beyond their control to write their own happy ending.
Argami is prose poetry, inspired by Charles Baudelaire’s Le Spleen de Paris: breaking free from conventions, finding beauty in what others would deem worthless — even monstrous.
On the other end, Ryargos is best represented through epyllions, or short epic poems. Felix pulls all the stops: alexandrins, rimes riches, glorious epithets he came up with himself. The point is to celebrate Ryuko’s exploits and to reaffirm his commitment to his newfound heroism.
Finally, Relix is an epistolary novel: all the letters Felix wrote as a child to an unknown recipient, begging to be read — to be saved.
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Rumour has it that he is also working on a Flairmidable x Bakeneko (Cat Kagami) musical. His girlfriend will neither confirm nor deny.
Thanks for the tea! 💜🍵❤️
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yoodokjas · 10 months
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am i the only one who genuinely forgets the fact that bihyung is one of biyoo's dads? idk if it's bcs orv is devoid of scenes depicting their relationship or it's just kdj and biyoo being such a cute dad and daughter duo and yjh and biyoo going on a hundred years long space journey to save kdj which was also a promise 41 yjh had made to 41 sys. it's just so hard for me to imagine bihyung and biyoo being dad and daughter the same way i imagine kdj/yjh's relationships with her
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crybaby-bkg · 8 months
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sadly and soggily thinking about dating gojo and being so deep in the relationship, that you think you two were made for each other. two peas in a pod, two halves of a whole, two severed souls connecting once more. so perfect for each other that you don’t even think about mentioning marriage and kids, convinced that you guys are already on the same page.
all until it comes up in conversation and things aren’t as perfect as you thought they were. marriage—yes, absolutely, gojo is ecstatic about tying the knot, giving you the wedding of your dreams, calling you his for the rest of you guys’ lives.
but….kids? he’s thought about it and the answer has always been a clear no in his mind. he couldn’t even dream of bringing another him into the universe, fears that it might throw off the balance of the world. that he can’t exist if his child does, but why exist at all if his child’s lesser abilities will only result in them being shunned? of being told how much of a disappointment they are? of being isolated?
and sadly, it’s a breaking point for you. you just wanted one, at least, with your forever partner. and if he can’t give it to you, then he must not be the one for you. you didn’t wanna trap gojo or coerce or manipulate him into giving you the baby you always so selfishly desired, so you leave him.
and how broken does it make him. makes him resent a baby never even conceived or planted, makes him hate what used to be and would have never been.
but…it also makes him think. if his fears would come true, if his hesitance is justified. would he be able to go long lengths to protect his baby? to protect you? would that target his whole family having a weak spot? and is it…is it even worth it at all?
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