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#doesn't help that I don't
uncanny-tranny · 8 months
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Fat people deserve mobility aids, too. No matter if it's connected to their fatness or not, because having a mobility issue that is connected to one's fatness won't change that they're still fat and still have the issue at hand. Fat people don't deserve to "tough it out" because fatness should be this divine punishment doled out to those who "deserve" it. Fat disabled people deserve to have the peace of mind that they can exist in whatever way is most comfortable and accessible to them
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fearandhatred · 4 months
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if aziraphale doesn't grab crowley by his gay little scarf in season 3 then what's the point. why does he even wear it. take that shit off if it's not important to the plot
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mumblesplash · 4 months
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part 2!!!! [read part one here]
transcript below the cut arranged into stanzas to help show where the rhymes are:
“that’s why they brought gem in? as a failsafe?” as a pawn. we were told to point her at whoever we need gone
“gem won’t hurt her allies. …yet.” the curse she carries will it’s had its eye on her since she lost the other eye she was specially selected for her hunting skill it’s quite the high honor. “wow. how generous.” we try
think about it: why does almost no one fight the curse? “given how fast scott killed skizz last season, i can guess.” [“any pain you spare your friends, you’ll have to suffer worse”?] it’s designed to shut down higher reasoning with stress
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clown-owo · 9 months
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🤨
bonus:
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poorly-drawn-mdzs · 6 days
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This was home.
[First] Prev <–-> Next
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Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".
I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.
(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)
To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).
But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.
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zorionbbq · 3 months
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sujimon, subzero sonata, redraws, etc!
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flame-shadow · 1 month
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As a commissioner, I love seeing how artists interpret and stylize my characters, but as an artist, I often agonize over if I should try to match the style of the provided reference or lean into my own style.
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skylersprompts · 3 months
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DC x DP Prompt *30*
If anyone would ask Bruce how he could have known, he would tell them that it is obvious. Phantom - the new part-time member of the Young Justice - who seemed to be forever young and their new engineer Danny Fenton who is in his early twenties have perfectly fitting schedules. When Fenton is working in the Watchtower, Phantom will be unavailable for the Young Justice and vice versa. Also, the pranks started after both of these figures appeared. Of course one could argue that they could just be related or somehow knew each other otherwise, but the pranks that were pulled on all of the mentors of the Young Justice were only possible with Phantom Powers. And because of the new Ghost Shield the young hero wouldn't be able to just fly into the Watchtower and had to use the Zeta-Tube, what would mean that they should be able to look at the logs. But Phantom never entered the Watchtower while the pranks were under way. And as soon as his team really needed him, Fenton would make an excuse to leave work early.
What he wouldn't tell anyone, is that he saw how Fenton had transformed himself into Phantom, shortly before the Flash got up to run for a snack, just to fall down because his ankles had been cuffed together.
And maybe he helped him from time to time, with a well timed question to distract his fellow heros. Because the motive became clear really fast. Everytime someone got pranked, that someone had done something to ignite the wrath of the younger heros.
All of that also meant two things.
First of all, as soon as Danny was at work, Batman would be extra aware of his surroundings. The pranks never worked on him, which meant he had to dodge more attempts for the rest of the day.
And secondly: He should talk to Tim, after he found out how he had put his foot in his mouth this time, since he just saw his spoon move in his coffee mug without anyone's involvement. He just let his (probably salty) coffee go cold, brooding. Maybe he should go home early today and spend some quality time with his son...
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uncanny-tranny · 7 months
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I think it would really benefit people to internalize that mental illnesses are often chronic and not acute. Some of us will never be able to jump the hurdle of managing illness, much less sustaining a sense of normalcy. Many of us will never "recover," will never manage symptoms, will never even come close to appearing normal - and this is for any condition, even the ones labeled as "simple" disorders or "easy-to-manage" disorders.
It isn't a failure if you cannot manage your symptoms. It isn't a moral failure, and you aren't an awful person. You are human. There's only so much you can do before recognizing that you cannot lift the world. Give yourself the space to be ill because, functionally, you are.
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little-pondhead · 4 months
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Danny moved to Gotham.
Freakshow is touring in Gotham.
Freakshow knows Danny is in Gotham.
Danny knows Freakshow is still after him.
Danny's faith in heroes has been shattered.
Danny turns to the only person powerful enough to run Freakshow out of town, hopefully for good.
Danny turns to the Joker for help.
The Joker is looking for a new punching bag sidekick after Harley Quinn left him.
Danny is just the perfect person to be shaped by the Joker's hands.
Danny becomes the new Joker Junior.
#pondhead blurbs#dpxdc#how we feeling about this fellas#i think it's an ideal angst fic#but i don't wanna write it lol#the younger danny is the worse it gets#someone said that danny shouldn't be afraid of the joker because he's a clown and freakshow is a ringmaster. not a clown#if i find that post i'll tag the creator cause i can't remember rn#but i'm imagining danny who is heavily traumatized and scared and lonely#finding out that one of his worst enemies he hoped to never see again is hunting him and is so close danny has to check his eyes every day#just to make sure they haven't turned red#his anxiety is out of control and he's not about to go find a Bat or Bird to talk to#who would believe him anyways? he's a monster#but danny needs help cause he will not survive this on his own and he knows it#freakshow haunts his every waking dream#but freakshow isn't from gotham. he doesn't have the city's curses engraved into his blood. he never died and he's not truly teasing death#so danny chooses to plead for help from the only predator bigger than freakshow (in his eyes) who IS from gotham#danny goes to the Joker. prepared to offer everything but his free will and free mind. he can't give those up. it's all he has.#danny is a feral house cat asking a tiger to take care of a mountain lion for him by offering the tiger his own liver on a silver platter#joker is...delighted? maybe? no one is quite sure. but he takes what danny offers.#here is this little boy. almost the same age as the second robin when he died. pleading for the JOKER to be his savior. this will be fun
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petricorah · 11 months
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lee from the tea shop boutta get it (wip) [id in alt]
edit: completed illustration here
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fictionadventurer · 5 months
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The Ballad of Songbirds and Snakes reviews I've seen fixate on the story's discussion of whether humans are inherently good or inherently evil as if one side or the other is the correct answer. Meanwhile the story itself is showing that individual choice in every action--choosing to act out of either love or self-interest--is what truly matters in shaping society. A free and stable society requires that people be taught to make selfless choices rather than act out of fear. Instead of oppressing people into fearful order, citizens need to have the freedom to choose the good, and be educated with the values that teach them what good is.
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regina-del-cielo · 7 months
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Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
I don't know I just think it's particularly neat
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viliantropy-art · 3 months
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The Pink and The Blue
A derivative of a young master and helper AU. Yeah.
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twstjam · 7 months
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Fuck the timeline, everyone please consider an au where the Knight of Dawn narrowly escapes from a fight that almost kills him and as he's limping through a forest to find somewhere to hide and recover, the woodland creatures find him and lead him somewhere. He follows, assuming they're leading him somewhere safe, but before he can reach it he collapses from his injuries. As his consciousness begins to fade, he sees Princess Meleanor looking down at him and he isn't surprised that she'd been waiting for his end, waiting for him to join her in the Underworld where he'd sent her.
Later in the evening, Lilia Vanrouge is startled by the door to his quiet little cottage bursting open. His prince and pupils have returned... and they have dragged the injured Knight of Dawn back with them. Silver runs up to Lilia and begs "Papa" to help the poor injured man they'd found in the woods, completely oblivious to how Lilia's blood chills and his mouth goes dry because his son this human child had so cluelessly brought an old enemy into their home who also happens to be his father.
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